davidhertzberg | Beethoven / Glenn Gould, 1979: Sonata No. 15 in D Major, Op. 28 - CBS Masterworks M2 35911 @davidhertzberg | Uploaded April 2024 | Updated October 2024, 1 week ago.
Allegro (0:00)
Andante (7:30)
Scherzo: Allegro vivace (14:33)
Rondo: Allegro ma non troppo (17:07)
This complete double LP: youtube.com/playlist?list=PL1gAgJIplj-meRS-RX8PPoF2xk4Ea1f_J
Bach English Suites: youtube.com/playlist?list=PL1gAgJIplj-nvnr_g-CIqutzO74RKNVpE
Bach French Suites: youtube.com/playlist?list=PL1gAgJIplj-kOtStAXGOM17zIQ8T6Kgmf
Bach Partitas: youtube.com/playlist?list=PL1gAgJIplj-l_AX9axFev4-3J7y0q9Gwy
Bach Toccatas: youtube.com/playlist?list=PL1gAgJIplj-mNWYx5ZV1-DCycRw1iBv4p
Haydn: Last Six Piano Sonatas: youtube.com/playlist?list=PL1gAgJIplj-mGzvZrqUdK2IwQ7cl5MWU0
Glenn Gould (25 September 1932 – 4 October 1982) was a Canadian classical pianist. He was among the most famous and celebrated pianists of the 20th century, renowned as an interpreter of the keyboard works of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music.
Gould rejected most of the Romantic piano literature by Chopin, Liszt, Rachmaninoff, and others, in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. Gould also recorded works by Mozart, Haydn, Scriabin, and Brahms; pre-Baroque composers such as Jan Pieterszoon Sweelinck, William Byrd, and Orlando Gibbons; and 20th-century composers including Paul Hindemith, Arnold Schoenberg, and Richard Strauss.
Gould was also a writer and broadcaster, and dabbled in composing and conducting. He produced television programmes about classical music, in which he would speak and perform, or interact with an interviewer in a scripted manner. He made three musique concrète radio documentaries, collectively the Solitude Trilogy, about isolated areas of Canada. He was a prolific contributor to music journals, in which he discussed music theory. Gould was known for his eccentricities, ranging from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and behaviour. He disliked public performance, and stopped giving concerts at age 31 to concentrate on studio recording and media.
Allegro (0:00)
Andante (7:30)
Scherzo: Allegro vivace (14:33)
Rondo: Allegro ma non troppo (17:07)
This complete double LP: youtube.com/playlist?list=PL1gAgJIplj-meRS-RX8PPoF2xk4Ea1f_J
Bach English Suites: youtube.com/playlist?list=PL1gAgJIplj-nvnr_g-CIqutzO74RKNVpE
Bach French Suites: youtube.com/playlist?list=PL1gAgJIplj-kOtStAXGOM17zIQ8T6Kgmf
Bach Partitas: youtube.com/playlist?list=PL1gAgJIplj-l_AX9axFev4-3J7y0q9Gwy
Bach Toccatas: youtube.com/playlist?list=PL1gAgJIplj-mNWYx5ZV1-DCycRw1iBv4p
Haydn: Last Six Piano Sonatas: youtube.com/playlist?list=PL1gAgJIplj-mGzvZrqUdK2IwQ7cl5MWU0
Glenn Gould (25 September 1932 – 4 October 1982) was a Canadian classical pianist. He was among the most famous and celebrated pianists of the 20th century, renowned as an interpreter of the keyboard works of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music.
Gould rejected most of the Romantic piano literature by Chopin, Liszt, Rachmaninoff, and others, in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. Gould also recorded works by Mozart, Haydn, Scriabin, and Brahms; pre-Baroque composers such as Jan Pieterszoon Sweelinck, William Byrd, and Orlando Gibbons; and 20th-century composers including Paul Hindemith, Arnold Schoenberg, and Richard Strauss.
Gould was also a writer and broadcaster, and dabbled in composing and conducting. He produced television programmes about classical music, in which he would speak and perform, or interact with an interviewer in a scripted manner. He made three musique concrète radio documentaries, collectively the Solitude Trilogy, about isolated areas of Canada. He was a prolific contributor to music journals, in which he discussed music theory. Gould was known for his eccentricities, ranging from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and behaviour. He disliked public performance, and stopped giving concerts at age 31 to concentrate on studio recording and media.
