at home: Performances | Julian Sands @YaleBritishArt

Uploaded August 2020 | Updated September 2026, 1 day ago

August 19, 2020
The acclaimed British actor Julian Sands exquisitely explores his favorite poems from an anthology published by the Keats-Shelley Memorial Association, “John Keats and Percy Bysshe Shelley: Essential Poems” (2016, edited by Duncan Wu).

"at home: Performances"
Join us each month for a unique prerecorded concert, talk, or literary reading from performing artists around the world as they invite us into their homes for newly created informal performances and discussions.

About Julian Sands
Sands is known for his roles in such films as “The Killing Fields,” “A Room with a View,” and Ken Russell’s “Gothic,” among others. In 2013, he was nominated for a Drama Desk Award for “Outstanding Solo Performance” in the one-man show “A Celebration of Harold Pinter.”

This performance is presented through the generosity of the Terry F. Green 1969 Fund for British Art and Culture.

Image: Julian Sands, photo by Michael Mayer

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$at home: Artists in Conversation | John Akomfrah and Trevor Mathison John Akomfrah, artist and filmmaker, and Trevor Mathison, sound artist, in conversation with Indie A. Choudhury, Postgraduate Associate in the Center’s Research department at home: Artists in Conversation Join us for lively and inspiring conversations with some of today’s most notable artists. at home: Artists in Conversation brings together curators and artists to discuss various artistic practices and insights into their work. This program was recorded on June 25, 2021, at 12 pm ET. About John Akomfrah Akomfrah is an artist and filmmaker whose works investigate memory, postcolonialism, and temporality, often exploring experiences of migrant diasporas globally. Akomfrah was a founding member of the influential Black Audio Film Collective (1982–98), a group of seven Black British and Black diaspora multimedia artists and filmmakers who were responding to the social unrest in Britain in the 1980s and pushing the boundaries of the documentary form. Akomfrah still collaborates with the artists Lina Gopaul, David Lawson, and Trevor Mathison, with whom he founded the collective. Their first film, Handsworth Songs (1986), explored the events surrounding the riots of 1985 in Birmingham and London. The film won several international prizes and established a multilayered visual style that has become a standard of Akomfrah’s practice. Other works include the three-screen installation The Unfinished Conversation (2012), a moving portrait of the cultural theorist Stuart Hall’s life and work; Peripeteia (2012), an imagined drama visualizing the lives of individuals included in two portraits by Albrecht Dürer; and more recently, Four Nocturnes (2019), the final part of a trilogy of films, including Vertigo Sea (2015) and Purple (2017), that reflect on the existential threat of ecological disaster. In 2008, Akomfrah was appointed Officer of the Order of the British Empire (OBE). He received the European Cultural Foundation’s Princess Margaret Award in 2012. And, in 2017, he won the biennial Artes Mundi Prize, the UK’s biggest award for international art, while also being appointed Commander of the Order of the British Empire (CBE). Akomfrah’s work has been exhibited in museums and galleries worldwide. About Trevor Mathison Mathison is a composer, sound designer, and recordist. His sonic practice centers in creating fractured, haunting, aural landscapes, which sometimes integrate existing music. Mathison is a pioneer of sound installation work while his music compositions have been featured in over 30 award-winning films. As a founding member of the Black Audio Film Collective, his body of sonic designs defined the collective’s film works and gallery installations, including Signs of Empire (1983), Handsworth Song (1986), and The Last Angel of History (1995). After the collective disbanded in 1998, Mathison has continued to work with some of his former collaborators from the collective, creating sound design for installations and feature documentaries, including Mnemosyne (2010) and The Unfinished Conversation (2012). His most recent compositional scores feature in Akomfrah and Dread Scott’s Slave Rebellion Reenactment (2019), Garret Bradley’s award-winning feature America (2019), and Lubaina Himid’s installation Naming the Money (2020). Mathison has also founded and practices in a number of other experimental sonic groups, including Dubmorphology, Hallucinator, and Flow Motion. Presented through the generosity of the Terry F. Green 1969 Fund for British Art and Culture, this program is held in conjunction with the Centers online exhibition Art in Focus: The Provocation of Conditions. Image: Left to right: John Akomfrah at his London studio, 2016, © Smoking Dogs Films; Courtesy Smoking Dogs Films, London, and Lisson Gallery, New York, photo by Jack Hems; Trevor Mathison, photo by Aniruddha Das$

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