Shakespeare Network | Antony & Cleopatra - Leontyne Price - Justino Díaz - Barber - MET Opening 1966 SN Restored 2024 - 4K @ShakespeareNetwork | Uploaded August 2024 | Updated October 2024, 1 hour ago.
Antony and Cleopatra, Op. 40, is an opera in by Samuel Barber - adapted from Shakespeare's Antony and Cleopatra - SN Archives - Radio Broadcast - 1966 - World Premiere - Early version - three acts - The libretto was prepared by Franco Zeffirelli.
The opera is based on the play Antony and Cleopatra by William Shakespeare and made use of Shakespeare's language exclusively.
Watch also the full video performance of the last revised version made in 1975 - TV - Lyric Opera of Chicago - youtu.be/9CcdCuMPk3U
The opera was first performed on September 16, 1966, commissioned for the opening of the new Metropolitan Opera House in Lincoln Center for the Performing Arts in New York City. After an unsuccessful premiere, the opera was extensively revised by Barber and Gian Carlo Menotti into an edition first performed in 1975.
Last revised version - 1975 - This version, first introduced in a conservatory staging in 1975, reached a major operatic stage only last October, when Lyric Opera of Chicago mounted it.
Barber, dead these 11 years, suffered deeply, it has long been reported, from the failure of the original “Antony,” produced lavishly by Franco Zeffirelli for the opening of the new Metropolitan Opera house in Lincoln Center in 1966.
Eight years later, the composer wrote a new version--with his longtime collaborator, composer Gian Carlo Menotti, as co-librettist--requiring a smaller cast, demanding of less spectacle and dramatically tighter, than the original.
Less than two hours in length, the revised “Antony” seems a masterpiece of compression, though still uncompelling as drama; it remains, in the words of one critic, “a brisk budget tour of the play’s events.” Barber’s functional, sometimes beautiful music falls short of his higher standard.
Conductor: Thomas Schippers
Director: Franco Zeffirelli
CAST
Antony: Justino Díaz
Cleopatra: Leontyne Price
Caesar: Jess Thomas
Enobarbus: Ezio Flagello
Charmian: Rosalind Elias
Iras: Belén Amparan
Mardian: Andrea Velis
Messenger: Paul Franke
Alexas: Raymond Michalski
Soothsayer: Lorenzo Alvary
Rustic: Clifford Harvuot
Octavia: Mary Ellen Pracht
Maecenas: Russell Christopher
Agrippa: John Macurdy
Lepidus: Robert Nagy
Thidias: Robert Goodloe
Soldier of Caesar: Gabor Carelli
Eros: Bruce Scott
Dolabella: Gene Boucher
Canidius: Lloyd Strang
Demetrius: Norman Giffin
Scarus: Ron Bottcher
Decretas: Louis Sgarro
Captain: Dan Marek
3 Guards: Robert Schmorr, Edward Ghazal, Norman Scott
Soldier of Antony: John Trehy
2 Watchmen: Paul De Paola, Luis Forero
Sentinel: Peter Sliker
Please consider subscribing to our channel for More Insights: youtube.com/user/ShakespeareNetwork?sub_confirmation=1
This recording is for educational purposes only and is covered under Fair Use doctrine - Copyright - All rights reserved to their respective owners.
_______________________________
Read the unabridged plays online: shakespearenetwork.net/works/plays
SHAKESPEARE NETWORK - Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - misanthropos.net
Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty.
_______________________________
Donate with PayPal today
Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program.
The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material.
Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software.
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Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you.
Contact us for further info. Exclusive, New, Unique content uploads - fully re-edited-remastered. Educational Program. →
______________________________________
Shakespeare Network Educational Program:
- A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.
Antony and Cleopatra, Op. 40, is an opera in by Samuel Barber - adapted from Shakespeare's Antony and Cleopatra - SN Archives - Radio Broadcast - 1966 - World Premiere - Early version - three acts - The libretto was prepared by Franco Zeffirelli.
The opera is based on the play Antony and Cleopatra by William Shakespeare and made use of Shakespeare's language exclusively.
Watch also the full video performance of the last revised version made in 1975 - TV - Lyric Opera of Chicago - youtu.be/9CcdCuMPk3U
The opera was first performed on September 16, 1966, commissioned for the opening of the new Metropolitan Opera House in Lincoln Center for the Performing Arts in New York City. After an unsuccessful premiere, the opera was extensively revised by Barber and Gian Carlo Menotti into an edition first performed in 1975.
Last revised version - 1975 - This version, first introduced in a conservatory staging in 1975, reached a major operatic stage only last October, when Lyric Opera of Chicago mounted it.
Barber, dead these 11 years, suffered deeply, it has long been reported, from the failure of the original “Antony,” produced lavishly by Franco Zeffirelli for the opening of the new Metropolitan Opera house in Lincoln Center in 1966.
Eight years later, the composer wrote a new version--with his longtime collaborator, composer Gian Carlo Menotti, as co-librettist--requiring a smaller cast, demanding of less spectacle and dramatically tighter, than the original.
Less than two hours in length, the revised “Antony” seems a masterpiece of compression, though still uncompelling as drama; it remains, in the words of one critic, “a brisk budget tour of the play’s events.” Barber’s functional, sometimes beautiful music falls short of his higher standard.
Conductor: Thomas Schippers
Director: Franco Zeffirelli
CAST
Antony: Justino Díaz
Cleopatra: Leontyne Price
Caesar: Jess Thomas
Enobarbus: Ezio Flagello
Charmian: Rosalind Elias
Iras: Belén Amparan
Mardian: Andrea Velis
Messenger: Paul Franke
Alexas: Raymond Michalski
Soothsayer: Lorenzo Alvary
Rustic: Clifford Harvuot
Octavia: Mary Ellen Pracht
Maecenas: Russell Christopher
Agrippa: John Macurdy
Lepidus: Robert Nagy
Thidias: Robert Goodloe
Soldier of Caesar: Gabor Carelli
Eros: Bruce Scott
Dolabella: Gene Boucher
Canidius: Lloyd Strang
Demetrius: Norman Giffin
Scarus: Ron Bottcher
Decretas: Louis Sgarro
Captain: Dan Marek
3 Guards: Robert Schmorr, Edward Ghazal, Norman Scott
Soldier of Antony: John Trehy
2 Watchmen: Paul De Paola, Luis Forero
Sentinel: Peter Sliker
Please consider subscribing to our channel for More Insights: youtube.com/user/ShakespeareNetwork?sub_confirmation=1
This recording is for educational purposes only and is covered under Fair Use doctrine - Copyright - All rights reserved to their respective owners.
_______________________________
Read the unabridged plays online: shakespearenetwork.net/works/plays
SHAKESPEARE NETWORK - Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - misanthropos.net
Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty.
_______________________________
Donate with PayPal today
Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program.
The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material.
Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software.
Why Donate?
Donations to Shakespeare Network help sustain free knowledge and educational programs on Shakespeare Network and our ecosystem of Shakespeare Network projects. Your contributions ensure these resources remain accessible and valuable for all. Thank you.
Contact us for further info. Exclusive, New, Unique content uploads - fully re-edited-remastered. Educational Program. →
______________________________________
Shakespeare Network Educational Program:
- A Companion to Shakespeare -masterclasses, reviews, reactions, Academic Studies, historical and original audio-visual content, etc.
