Uploaded April 2025 | Updated September 2026, 3 weeks ago
Augustin Hadelich, Christiane Karg
Wiener Philharmoniker, conducted by Andris Nelson
In this concert, the Wiener Philharmoniker, conducted by Andris Nelsons, present a “heavenly” pairing: Alban Berg’s “Violin Concerto, To the Memory of an Angel”, alongside Mahler’s Fourth Symphony, whose final movement sets
“Das himmlische Leben” (Heavenly Life) to music. Violinist Augustin Hadelich made his Salzburg Festival debut and captivated audiences with an expressive and delicate interpretation. With Mahler’s Fourth, Andris Nelsons creates “a Mahler miracle of quiet tones” (Volksblatt), joined by German soprano Christiane Karg as the soloist of the finale. The concert is part of the Wiener Philharmoniker’s Mahler cycle with Nelsons.
ALBAN BERG : Violin Concerto “To the Memory of an Angel”
GUSTAV MAHLER: Symphony No. 4 in G major
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Augustin Hadelich, Christiane Karg
Wiener Philharmoniker, conducted by Andris Nelson
In this concert, the Wiener Philharmoniker, conducted by Andris Nelsons, present a “heavenly” pairing: Alban Berg’s “Violin Concerto, To the Memory of an Angel”, alongside Mahler’s Fourth Symphony, whose final movement sets
“Das himmlische Leben” (Heavenly Life) to music. Violinist Augustin Hadelich made his Salzburg Festival debut and captivated audiences with an expressive and delicate interpretation. With Mahler’s Fourth, Andris Nelsons creates “a Mahler miracle of quiet tones” (Volksblatt), joined by German soprano Christiane Karg as the soloist of the finale. The concert is part of the Wiener Philharmoniker’s Mahler cycle with Nelsons.
ALBAN BERG : Violin Concerto “To the Memory of an Angel”
GUSTAV MAHLER: Symphony No. 4 in G major
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![Wiener Philharmoniker, Andris Nelsons - Mahler 7
The Exclusive Subscription Concert Series
Wiener Philharmoniker, conducted by Andris Nelsons
The Subscription Concert Series of the Wiener Philharmoniker from the Golden Hall of the famous Musikverein are special concerts reserved for subscribers. Due to the exceptional quality of the concerts and the limited offer, the average waiting time for subscribers is more than 10 years. With this series, these very special concerts are made available for the first time audiovisually to a wider audience worldwide. Mahler’s unusually expansive five-movement Symphony No. 7 is among the composer’s most ambiguous and enigmatic works, often regarded as his most challenging to perform. Andris Nelsons leads the orchestra in a new chapter of their Mahler cycle, reaffirming his stature as “one of the most celebrated conductors of our time” (Salzburger Nachrichten). Under his baton, the Seventh becomes “magic in the Golden Hall. [...] Rarely has one heard this work so finely chiselled, so dynamically balanced. An event.” (Kurier)
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![Wagner: Rheingold from Staatsoper unter den Linden
Michael Volle, Rolando Villazón, Johannes Martin Kränzle, Mika Kares, Claudia Mahnke
Staatskapelle Berlin, conducted by Christian Thielemann, staged by Dmitri Tcherniakov
Michael Volle’s Wotan [...] is an event, [...] Rolando Villazón plays a fabulous Loge.” (Frankfurter Allgemeine Zeitung) A myth, a heroic epic, a family saga - perhaps all of these together – make up Richard Wagner’s Ring tetralogy. This epic production of the Staatsoper Unter den Linden sees a remarkable collaboration between Christian Thielemann, one of the most distinguished Wagner conductors of our time, and Dmitri Tcherniakov, one of the great, internationally celebrated opera directors of our time. The result is “A glittering feast of voices, sounds, ideas and precise direction of characters. Wagner at his best.” (BR Klassik) The Rheingold gives the background to the events that drive the main dramas of the whole Ring cycle. In this Rheingold, Thielemann mastered the art of nuance and varied interpretation like no other, and without having to bank on exaggeration. (Bachtrack.com). “Funny and aching, ironic and horrifying” (The New York Times)
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