Uploaded March 2025 | Updated September 2026, 1 week ago
Listen to the new album: aam.co.uk/product/john-weldon-the-judgment-of-paris
"Perkins’s performance with AAM and the Cambridge Handel Opera Company is in all ways a winner — an exceptional (and exceptionally well-recorded) performance worthy of a listen. Wonderfully, the physical CD of this short, 75-minute work is packaged with an informative 70-page booklet." – Early Music America
Director Julian Perkins introduces us to this little-known work.
~~~
Academy of Ancient Music (AAM) and Cambridge Handel Opera Company (CHOC) follow their Gramophone-nominated recording of Eccles’ Semele with a world-premiere recording of John Weldon’s masque The Judgment of Paris.
In 1700 the Earl of Halifax decided England needed all-sung opera. He offered a ‘Musick Prize’ of 100 guineas for the best setting of the libretto of The Judgement of Paris by William Congreve, with entries by composers like John Eccles and Daniel Purcell. Weldon’s setting, which won the competition but was never published, is recorded here for the first time.
Released as a hardback mediabook, the CD is accompanied by a host of fascinating essays written specially by historians, musicologists and other experts – finally giving this winning masque the attention it deserves.
~~~
Academy of Ancient Music
Cambridge Handel Opera Company
Julian Perkins, director
Thomas Walker | Jonathan Brown | Helen Charlston | Kitty Whately | Anna Dennis | Anna Cavaliero | Aksel Rykkvin
Listen to the new album: aam.co.uk/product/john-weldon-the-judgment-of-paris
"Perkins’s performance with AAM and the Cambridge Handel Opera Company is in all ways a winner — an exceptional (and exceptionally well-recorded) performance worthy of a listen. Wonderfully, the physical CD of this short, 75-minute work is packaged with an informative 70-page booklet." – Early Music America
Director Julian Perkins introduces us to this little-known work.
~~~
Academy of Ancient Music (AAM) and Cambridge Handel Opera Company (CHOC) follow their Gramophone-nominated recording of Eccles’ Semele with a world-premiere recording of John Weldon’s masque The Judgment of Paris.
In 1700 the Earl of Halifax decided England needed all-sung opera. He offered a ‘Musick Prize’ of 100 guineas for the best setting of the libretto of The Judgement of Paris by William Congreve, with entries by composers like John Eccles and Daniel Purcell. Weldon’s setting, which won the competition but was never published, is recorded here for the first time.
Released as a hardback mediabook, the CD is accompanied by a host of fascinating essays written specially by historians, musicologists and other experts – finally giving this winning masque the attention it deserves.
~~~
Academy of Ancient Music
Cambridge Handel Opera Company
Julian Perkins, director
Thomas Walker | Jonathan Brown | Helen Charlston | Kitty Whately | Anna Dennis | Anna Cavaliero | Aksel Rykkvin


![Handel: Julius Caesar | Se pieta di me non senti | Kiandra Howarth & Academy of Ancient Music
Soprano Kiandra Howarth sings Cleopatras aria Se pieta di me non senti from Handels opera Giulio Cesare, HWV 17 [1724]. Howarth performs with the Academy of Ancient Music, directed by Peter Robinson, London, 2019.
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Soprano: Kiandra Howarth
Director/harpsichord: Peter Robinson
Academy of Ancient Music
31 October 2019 | Merchant Taylors Hall, Threadneedle Street, London
Filming: Patrick Allen, Opera Omnia Productions
Audio: Dave Rowell, FILO Classical
assisted by Katie Earl and George Collins
With thanks to the Academy of Ancient Music Strategic Recording Fund and The Nicholas John Trust for making this film possible.
#academyofancientmusic Handel: Julius Caesar | Se pieta di me non senti | Kiandra Howarth & Academy of Ancient Music](https://i.ytimg.com/vi/pAcX8yjRDF8/mqdefault.jpg)







