Uploaded November 2024 | Updated September 2026, 24 seconds ago
FR | Hymne à Apollon (Version piano solo)
Cet été, lors de la cérémonie de clôture des Jeux Olympiques de Paris 2024 au Stade de France, j’ai eu l’honneur d’interpréter l’Hymne à Apollon aux côtés du ténor Benjamin Bernheim, sous la direction artistique de Thomas Jolly. Joué sur mon PIANO VERTICAL, suspendu à 50 mètres de haut, ce moment a fusionné l’émotion des Jeux avec la solennité de cette œuvre historique.
Composée en 1894 par Gabriel Fauré, cette pièce a été écrite pour célébrer la réouverture du théâtre antique de Delphes, en hommage à Apollon, le dieu des arts et de la musique. Pour cette occasion spéciale, le compositeur Victor Le Masne a réarrangé l’œuvre, y ajoutant une profondeur subtile et une sensibilité contemporaine.
En répétant ce titre pour cette performance marquante, j’ai pris plaisir à l’explorer en piano solo. Cette immersion m’a donné envie de proposer une version réinterprétée au piano à Victor, avec ma touche personnelle.
EN | Hymn to Apollo (Piano Solo Version)
This summer, during the closing ceremony of the Paris 2024 Olympic Games at the Stade de France, I had the honor of performing the Hymn to Apollo alongside tenor Benjamin Bernheim, under the artistic direction of Thomas Jolly. Played on my PIANO VERTICAL, suspended 50 meters in the air, this moment fused the emotion of the Games with the solemnity of this historic work.
Composed in 1894 by Gabriel Fauré, this piece was written to celebrate the reopening of the ancient theater of Delphi, in homage to Apollo, the god of arts and music. For this special occasion, composer Victor Le Masne rearranged the work, adding a subtle depth and contemporary sensitivity.
While rehearsing this piece for the remarkable performance, I enjoyed exploring it as a piano solo. This immersion inspired me to propose a reinterpreted piano version to Victor, with my personal touch.
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CREDITS
Piano: Alain Roche
Composition: Gabriel Fauré
Arrangement: Victor Le Masne
Studio: Snap Recording Studio / London
Recording, mix and mastering: Eoghan O’Dowd
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FOLLOW ALAIN ROCHE
Website - https://alainroche.ch
Instagram - instagram.com/alainroche_pianovertical
Facebook - facebook.com/alain.roche
Youtube - youtube.com/@alainroche_music
FOLLOW HUMUS RECORDS
Website/shop - humus-records.com
bandcamp - hummusrecords.bandcamp.com
instagram - instagram.com/humusrecords - @humusrecords
facebook - facebook.com/hummusrecordsofficial
FR | Hymne à Apollon (Version piano solo)
Cet été, lors de la cérémonie de clôture des Jeux Olympiques de Paris 2024 au Stade de France, j’ai eu l’honneur d’interpréter l’Hymne à Apollon aux côtés du ténor Benjamin Bernheim, sous la direction artistique de Thomas Jolly. Joué sur mon PIANO VERTICAL, suspendu à 50 mètres de haut, ce moment a fusionné l’émotion des Jeux avec la solennité de cette œuvre historique.
Composée en 1894 par Gabriel Fauré, cette pièce a été écrite pour célébrer la réouverture du théâtre antique de Delphes, en hommage à Apollon, le dieu des arts et de la musique. Pour cette occasion spéciale, le compositeur Victor Le Masne a réarrangé l’œuvre, y ajoutant une profondeur subtile et une sensibilité contemporaine.
En répétant ce titre pour cette performance marquante, j’ai pris plaisir à l’explorer en piano solo. Cette immersion m’a donné envie de proposer une version réinterprétée au piano à Victor, avec ma touche personnelle.
EN | Hymn to Apollo (Piano Solo Version)
This summer, during the closing ceremony of the Paris 2024 Olympic Games at the Stade de France, I had the honor of performing the Hymn to Apollo alongside tenor Benjamin Bernheim, under the artistic direction of Thomas Jolly. Played on my PIANO VERTICAL, suspended 50 meters in the air, this moment fused the emotion of the Games with the solemnity of this historic work.
Composed in 1894 by Gabriel Fauré, this piece was written to celebrate the reopening of the ancient theater of Delphi, in homage to Apollo, the god of arts and music. For this special occasion, composer Victor Le Masne rearranged the work, adding a subtle depth and contemporary sensitivity.
While rehearsing this piece for the remarkable performance, I enjoyed exploring it as a piano solo. This immersion inspired me to propose a reinterpreted piano version to Victor, with my personal touch.
-
CREDITS
Piano: Alain Roche
Composition: Gabriel Fauré
Arrangement: Victor Le Masne
Studio: Snap Recording Studio / London
Recording, mix and mastering: Eoghan O’Dowd
-
FOLLOW ALAIN ROCHE
Website - https://alainroche.ch
Instagram - instagram.com/alainroche_pianovertical
Facebook - facebook.com/alain.roche
Youtube - youtube.com/@alainroche_music
FOLLOW HUMUS RECORDS
Website/shop - humus-records.com
bandcamp - hummusrecords.bandcamp.com
instagram - instagram.com/humusrecords - @humusrecords
facebook - facebook.com/hummusrecordsofficial
![Knut - Bite the Bullet - [remaster 2023] (Official Audio)](https://i.ytimg.com/vi/xPAi0wbnmJI/mqdefault.jpg "Knut - Bite the Bullet - [remaster 2023] (Official Audio)
Taken from Knuts remastered album Challenger + DIY EP - [Remaster 2023] out Apr. 19th 2024 on Hummus Records
free album download (from release date) - www.hummus-records.com
LP, CD and apparel - www.hummus-records.com
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Didier Séverins sudden departure from Earth in March 2022 left a gaping hole. But he left us a considerable legacy, including Challenger, released in March 2002 on Hydra Head Records (USA). A cathartic album, the point of combustion in an upward trajectory which began eight years earlier when Didier Severin (vocals), Philippe Hess (guitar), Roderic Mounir (drums) and Thierry van Osselt (bass) – later replaced by Jeremy Tavernier – embarked on the Knut adventure. At the time, Geneva, along with Copenhagen, was one of the European capitals of squat culture and a crossroads for international tours. Community and DIY ideals deeply infused Knuts modus operandi, their ability to create a network and a label, Snuff Records contributing to the rise of the local scene (Nostromo, Brazen, Shora, Fragment, Grace).
After a self-released mini-album (Leftovers, 1997) and a first full-length (Bastardiser, 1998), Knuts singularity established itself at the turn of the millennium, attracting the attention of a label whose activism was making waves across the Atlantic: Hydra Head Records was releasing records by Cave In, Botch, Converge, Isis, Keelhaul, Craw, Discordance Axis, Khanate, Dälek, Jesu, Oxbow and many others, bridging the gap between extreme music inspired by hardcore/metal, and noise-rock, experimental music, ambient and more. Free and adventurous spirits were to meet across oceans. In 2000, Knut tied their destiny to Hydra Head Records and set course for their most ambitious recording, which would put the band firmly in orbit.
On Challenger, an album simultaneously wild and cerebral, where chaotic vehemence rubbed shoulders with reflective, almost psychedelically repetitive tracks, Didier found his voice, delivering through his cryptic lyrics his share of chaos and his quest for transcendence. What did he have in mind when he titled this album Challenger? Was it an ironic comment on Knuts status in the post-hardcore-metal-noise galaxy – a path traced by Neurosis, Today is the Day, Converge, Bloodlet, Botch, Coalesce, Breach, to which Knut added more or less obscure influences (Godflesh, Zeni Geva, Eisenvater, Dazzling Killmen, Merzbow)? Undoubtedly, with his own sense of irony, he was also alluding to the fatal ascent of the eponymous Nasa shuttle, which burned at second 58.788, giving its title to one of the albums instrumental tracks.
Challenger marked a breakthrough, an affirmation and an existential cry whose echoes have continued to reverberate ever since. In the summer of 2001, Knut embarked on a three-week tour of the United States with Isis. In 2002, British top extreme magazine Terrorizer ranked Challenger 17th among the 40 best albums of the year, alongside Isis, Mastodon, Opeth, Napalm Death, Meshuggah, Queens of the Stone Age, High on Fire, Satyricon...
After a previous reissue in 2010 on Division Records, Challenger now comes in a Deluxe edition on double LP Gatefold 180 grams thanks to Humus Records. The tracks have been remastered by Serge Morattel himself. And there’s more: the fourth side features three tracks originally released in 1999 on a DIY CD, igniting a long-term collaboration between Serge Morattel and Knut. These three tracks, also remastered, showcase Knuts musical evolution towards Challenger. Hydra Head had previously assembled them on an Untitled CDEP in 2001, but this is the first time theyve been brought together on the same vinyl.
Artwork is adapted from Aaron Turners original work, with photos by Jason Hellmann.
Challenger 2024 is the opportunity to (re)discover this masterpiece and, above all, to celebrate the memory of Didier Séverin. His vibrant, thunderous presence will forever leave its mark.
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FOLLOW HUMUS RECORDS
Website - http://www.humus-records.com
Bandcamp - https://bit.ly/2UvnIbV
Facebook - https://bit.ly/2ZfDbz2
Instagram - https://bit.ly/2ZcmVuI @humusrecords
Youtube - https://bit.ly/2TKaQLW
Soundcloud - https://bit.ly/31PxhCd")
