Uploaded June 2024 | Updated September 2026, 1 week ago
Collaging, remixing, sampling—art always has been more than the sum of its parts, a synthesis of elements and ideas that produces something new and thought-provoking. Technology has enabled and advanced this enormously, letting us access and manipulate information and images in ways that would’ve been unimaginable just a few decades ago.
For Nettrice Gaskins, this is an essential part of the African American experience: The ability to take whatever is at hand—from food to clothes to music to visual art—and combine it with life experience to adapt it into something new and original. She joins EFF’s Cindy Cohn and Jason Kelley to discuss how she takes this approach in applying artificial intelligence to her own artwork, expanding the boundaries of Black artistic thought.
In this episode you’ll learn about:
• Why making art with AI is about much more than just typing a prompt and hitting a button
• How hip-hop music and culture was an early example of technology changing the state of Black art
• Why the concept of fair use in intellectual property law is crucial to the artistic process
• How biases in machine learning training data can affect art
• Why new tools can never replace the mind of a live, experienced artist
Dr. Nettrice R. Gaskins (nettricegaskins.com/) is a digital artist, academic, cultural critic, and advocate of STEAM (science, technology, engineering, arts, and math) fields whose work she explores "techno-vernacular creativity" and Afrofuturism. She teaches, writes, "fabs,” and makes art using algorithms and machine learning. She has taught multimedia, visual art, and computer science with high school students, and now is assistant director of the Lesley STEAM Learning Lab (https://lesley.edu/professional-development-and-continuing-education/steam-learning-lab) at Lesley University. She was a 2021 Ford Global Fellow (fordfoundation.org/fellows/nettrice-gaskins/) , serves as an advisory board member for the School of Literature, Media, and Communication at Georgia Tech, and is the author of “Techno-Vernacular Creativity and Innovation (https://mitpress.mit.edu/9780262542661/techno-vernacular-creativity-and-innovation/) ” (2021). She earned a BFA in Computer Graphics with honors from Pratt Institute in 1992; an MFA in Art and Technology from the School of the Art Institute of Chicago in 1994; and a doctorate in Digital Media from Georgia Tech in 2014.
MUSIC CREDITS
Xena's Kiss / Medea's Kiss by mwic (dig.ccmixter.org/files/mwic/58883) (c) copyright 2018 Licensed under a Creative Commons Attribution (3.0) license.
_________________
lostTrack by Airtone (dig.ccmixter.org/files/airtone/64772) (c) copyright 2019 Licensed under a Creative Commons Attribution (3.0) license. Ft. mwic
Collaging, remixing, sampling—art always has been more than the sum of its parts, a synthesis of elements and ideas that produces something new and thought-provoking. Technology has enabled and advanced this enormously, letting us access and manipulate information and images in ways that would’ve been unimaginable just a few decades ago.
For Nettrice Gaskins, this is an essential part of the African American experience: The ability to take whatever is at hand—from food to clothes to music to visual art—and combine it with life experience to adapt it into something new and original. She joins EFF’s Cindy Cohn and Jason Kelley to discuss how she takes this approach in applying artificial intelligence to her own artwork, expanding the boundaries of Black artistic thought.
In this episode you’ll learn about:
• Why making art with AI is about much more than just typing a prompt and hitting a button
• How hip-hop music and culture was an early example of technology changing the state of Black art
• Why the concept of fair use in intellectual property law is crucial to the artistic process
• How biases in machine learning training data can affect art
• Why new tools can never replace the mind of a live, experienced artist
Dr. Nettrice R. Gaskins (nettricegaskins.com/) is a digital artist, academic, cultural critic, and advocate of STEAM (science, technology, engineering, arts, and math) fields whose work she explores "techno-vernacular creativity" and Afrofuturism. She teaches, writes, "fabs,” and makes art using algorithms and machine learning. She has taught multimedia, visual art, and computer science with high school students, and now is assistant director of the Lesley STEAM Learning Lab (https://lesley.edu/professional-development-and-continuing-education/steam-learning-lab) at Lesley University. She was a 2021 Ford Global Fellow (fordfoundation.org/fellows/nettrice-gaskins/) , serves as an advisory board member for the School of Literature, Media, and Communication at Georgia Tech, and is the author of “Techno-Vernacular Creativity and Innovation (https://mitpress.mit.edu/9780262542661/techno-vernacular-creativity-and-innovation/) ” (2021). She earned a BFA in Computer Graphics with honors from Pratt Institute in 1992; an MFA in Art and Technology from the School of the Art Institute of Chicago in 1994; and a doctorate in Digital Media from Georgia Tech in 2014.
MUSIC CREDITS
Xena's Kiss / Medea's Kiss by mwic (dig.ccmixter.org/files/mwic/58883) (c) copyright 2018 Licensed under a Creative Commons Attribution (3.0) license.
_________________
lostTrack by Airtone (dig.ccmixter.org/files/airtone/64772) (c) copyright 2019 Licensed under a Creative Commons Attribution (3.0) license. Ft. mwic
