theworldmusicplanet | African Renaissance Vol 8 Tsonga and Maskanda - 'Timbyembye Tile Ka Gaza' South Africa @theworldmusicplanet | Uploaded June 2016 | Updated October 2024, 1 week ago.
Track 3 Disc 1 'Timbyembye Tile Ka Gaza' by Tinqambi Leti Tsonga Na Vanhwana from 2 x CD African Renaissance Vol 8 Tsonga and Maskanda. The segregation of indigenous music by the South African Broadcasting Corporation under the National Party’s policy of “separate development” has had an unintentional after-effect – apartheid has bequeathed the world a glorious legacy of recorded music. A rich archive of SABC acetates, never intended to be heard outside the townships and provinces, has at last made its way onto CD. Music listeners now get their chance to sample this cornucopia as Eagle Records has released a bunch of double CDs under the title “African Renaissance”. The set spans 30 years of recording and covers everything from Western-influenced doo-wop to gumboot, historic ceremonial to traditional dance; a capella chorus to mine and sugar mill bands.
The music in these recordings is accessible, rich and uplifting and sound quality is very good. The selection also has a historic significance; it catches traditional forms that are fast being subsumed by new influences.
On these discs you will find the polyrhythmic vocal complexity of traditional Zulu music (recently popularised by star turns like Ladysmith Black Mambazo); the reggae- ish heal of Venda artists; shimmering harmonies, epitomised by the South Soto Bohlokong Choral or the Tswana Mmabatho police choir; the stomping rhythms and exuberance of Xhosa outfits such as the Harmony Baca Gumboot Dancers; and the gentle melodic fluency of Ndebele artists such as Love Inspirations
Track 3 Disc 1 'Timbyembye Tile Ka Gaza' by Tinqambi Leti Tsonga Na Vanhwana from 2 x CD African Renaissance Vol 8 Tsonga and Maskanda. The segregation of indigenous music by the South African Broadcasting Corporation under the National Party’s policy of “separate development” has had an unintentional after-effect – apartheid has bequeathed the world a glorious legacy of recorded music. A rich archive of SABC acetates, never intended to be heard outside the townships and provinces, has at last made its way onto CD. Music listeners now get their chance to sample this cornucopia as Eagle Records has released a bunch of double CDs under the title “African Renaissance”. The set spans 30 years of recording and covers everything from Western-influenced doo-wop to gumboot, historic ceremonial to traditional dance; a capella chorus to mine and sugar mill bands.
The music in these recordings is accessible, rich and uplifting and sound quality is very good. The selection also has a historic significance; it catches traditional forms that are fast being subsumed by new influences.
On these discs you will find the polyrhythmic vocal complexity of traditional Zulu music (recently popularised by star turns like Ladysmith Black Mambazo); the reggae- ish heal of Venda artists; shimmering harmonies, epitomised by the South Soto Bohlokong Choral or the Tswana Mmabatho police choir; the stomping rhythms and exuberance of Xhosa outfits such as the Harmony Baca Gumboot Dancers; and the gentle melodic fluency of Ndebele artists such as Love Inspirations
