Uploaded April 2026 | Updated September 2026, 3 weeks ago
Adobe is changing the game for editors at NAB 2026! Join me as I stop by the Adobe booth to chat with Francis Cross, Principal Product Manager for Premiere Pro, about some of the most exciting updates we've seen in years.
We’re diving deep into the all-new Color Grading mode in Premiere—specifically designed to give power back to editors without the complexity of external apps. We also check out the new AI Object Mats in After Effects, the integration of Kling AI into Firefly Video, and how Frame.io Drive is revolutionizing remote workflows with Camera-to-Cloud technology.
If you’re a filmmaker or content creator looking to speed up your workflow and get professional results faster, you don’t want to miss this booth tour!
In this video:
The New Color Mode: Bidirectional controls, Styles (customizable LUTs), and Film Color modules.
After Effects AI: Object Mats for one-click rotoscoping and tracking.
Adobe Firefly: Generative AI video powered by Kling AI and Enhanced Speech for studio-quality audio.
Frame.io Evolution: Using Frame Drive to mount cloud projects locally and the future of Camera-to-Cloud.
Don't forget to LIKE and SUBSCRIBE for more gear coverage from NAB 2026!
Chapters:
0:00 Intro: Welcome to the Adobe Booth at NAB 2026
0:15 Meet Francis Cross & The Problem with Color for Editors
0:31 Premiere Pro’s All-New Color Grading Mode
0:55 Bidirectional Controls & Grade Management
1:33 Customizable Styles vs. Traditional LUTs
2:05 Why Editors No Longer Need to Leave the NLE
3:54 After Effects: AI-Powered Object Mats (The New Roto Brush?)
4:35 Firefly Video: Kling AI Integration & Enhanced Speech
5:00 Frame.io Drive: Mounting Cloud Projects as Local Drives
5:28 Camera-to-Cloud Workflow Explained
6:22 Real-World Example: Remote Editing & Faster Turnarounds
7:10 Technical Details: Connectivity & Proxy vs. Original Files
Adobe is changing the game for editors at NAB 2026! Join me as I stop by the Adobe booth to chat with Francis Cross, Principal Product Manager for Premiere Pro, about some of the most exciting updates we've seen in years.
We’re diving deep into the all-new Color Grading mode in Premiere—specifically designed to give power back to editors without the complexity of external apps. We also check out the new AI Object Mats in After Effects, the integration of Kling AI into Firefly Video, and how Frame.io Drive is revolutionizing remote workflows with Camera-to-Cloud technology.
If you’re a filmmaker or content creator looking to speed up your workflow and get professional results faster, you don’t want to miss this booth tour!
In this video:
The New Color Mode: Bidirectional controls, Styles (customizable LUTs), and Film Color modules.
After Effects AI: Object Mats for one-click rotoscoping and tracking.
Adobe Firefly: Generative AI video powered by Kling AI and Enhanced Speech for studio-quality audio.
Frame.io Evolution: Using Frame Drive to mount cloud projects locally and the future of Camera-to-Cloud.
Don't forget to LIKE and SUBSCRIBE for more gear coverage from NAB 2026!
Chapters:
0:00 Intro: Welcome to the Adobe Booth at NAB 2026
0:15 Meet Francis Cross & The Problem with Color for Editors
0:31 Premiere Pro’s All-New Color Grading Mode
0:55 Bidirectional Controls & Grade Management
1:33 Customizable Styles vs. Traditional LUTs
2:05 Why Editors No Longer Need to Leave the NLE
3:54 After Effects: AI-Powered Object Mats (The New Roto Brush?)
4:35 Firefly Video: Kling AI Integration & Enhanced Speech
5:00 Frame.io Drive: Mounting Cloud Projects as Local Drives
5:28 Camera-to-Cloud Workflow Explained
6:22 Real-World Example: Remote Editing & Faster Turnarounds
7:10 Technical Details: Connectivity & Proxy vs. Original Files
