Uploaded March 2024 | Updated September 2026, 2 weeks ago
New remix and remaster
"Mamma Mia" is a song by the Swedish pop group ABBA, written by Benny Andersson, Björn Ulvaeus and Stig Anderson, with the lead vocals shared by Agnetha Fältskog and Anni-Frid Lyngstad. It is the opening track on the group's third album, the self-titled ABBA (1975). The song was released in September 1975 as its sixth single. The song's name is derived from Italian, where it is an interjection used in situations of surprise, anguish, or excitement. It corresponds to the English interjection "my, my!" (which can indeed be found in some lines within the song) The song was ABBA's first number one in the UK since "Waterloo" in 1974.
The distinctive sound at the start of the song is the marimba. According to biographer Carl Magnus Palm, the instrument was incorporated at the last minute, added after Benny Andersson found it in the studio and decided its "tick tock" rhythm was perfect for the track.
"Mamma Mia" was written at the home of Agnetha Fältskog and Björn Ulvaeus, and was the last track recorded for the album ABBA. It was one of four songs from the album to have a music video made to promote the album. Initially, however, "Mamma Mia" was never intended for release as a single. Around this time, many artists were recording ABBA songs (such as "Honey, Honey" and "Bang a Boomerang"), similarly ABBA offered "Mamma Mia" to British pop group Brotherhood of Man, who turned it down.
"I Do, I Do, I Do, I Do, I Do" topped the Australian charts for three weeks; however, the promo clip for "Mamma Mia" proved the more popular after repeat screenings on Australian television, notably Countdown. ABBA's Australian record company, RCA, asked that "Mamma Mia" be released as a single but Polar Music refused.[5] However, Stig Anderson agreed to this; "Mamma Mia" was released in Australia in August 1975, where it spent 10 weeks at number one.
New remix and remaster
"Mamma Mia" is a song by the Swedish pop group ABBA, written by Benny Andersson, Björn Ulvaeus and Stig Anderson, with the lead vocals shared by Agnetha Fältskog and Anni-Frid Lyngstad. It is the opening track on the group's third album, the self-titled ABBA (1975). The song was released in September 1975 as its sixth single. The song's name is derived from Italian, where it is an interjection used in situations of surprise, anguish, or excitement. It corresponds to the English interjection "my, my!" (which can indeed be found in some lines within the song) The song was ABBA's first number one in the UK since "Waterloo" in 1974.
The distinctive sound at the start of the song is the marimba. According to biographer Carl Magnus Palm, the instrument was incorporated at the last minute, added after Benny Andersson found it in the studio and decided its "tick tock" rhythm was perfect for the track.
"Mamma Mia" was written at the home of Agnetha Fältskog and Björn Ulvaeus, and was the last track recorded for the album ABBA. It was one of four songs from the album to have a music video made to promote the album. Initially, however, "Mamma Mia" was never intended for release as a single. Around this time, many artists were recording ABBA songs (such as "Honey, Honey" and "Bang a Boomerang"), similarly ABBA offered "Mamma Mia" to British pop group Brotherhood of Man, who turned it down.
"I Do, I Do, I Do, I Do, I Do" topped the Australian charts for three weeks; however, the promo clip for "Mamma Mia" proved the more popular after repeat screenings on Australian television, notably Countdown. ABBA's Australian record company, RCA, asked that "Mamma Mia" be released as a single but Polar Music refused.[5] However, Stig Anderson agreed to this; "Mamma Mia" was released in Australia in August 1975, where it spent 10 weeks at number one.

![The Mystics - Hushabye (2024 Stereo Mix)
New remaster and remix, sourced from the original stereo mix.
Hushabye is a song that was written by Doc Pomus and Mort Shuman in 1959 for the Brooklyn doo-wop quintet the Mystics. The groups recording of the song was a Top 20 hit.
In the spring of 1959, the Mystics recorded the modern South African folk song Wimoweh to serve as their debut release on Laurie Records. After Laurie shelved the track as lacking hit potential – the song would in fact become a 1961 #1 hit for the Tokens as The Lion Sleeps Tonight – the Mystics were set to record the Doc Pomus/ Mort Shuman composition Teenager in Love. According to Al Contrera of the Mystics, the day after the Mystics had first heard Teenager in Love, Laurie Records president Gene Schwarz advised the group that their song would instead be given to Dion & the Belmonts who had recorded three Top 40 hits, Schwarzs position being that Teenager in Loves potential to be a smash hit was more likely to be realized via a recording by an established act. (Teenager in Love as recorded by Dion & the Belmonts would indeed rise as high as #5 on the Billboard Hot 100.)
(Al Contrera quote:)We were very disappointed. And Doc Pomus and Mort Shuman were disappointed too, because they wrote [Teenager in Love] specifically for us. So Doc says: We’re gonna write another song for you....And Gene Schwartz said to Doc and Morty: Could you write something in the flavor of Little Star by the Elegants?”. Little Star, a #1 hit in the summer of 1958, had been an uptempo song built around lines from the nursery rhyme Twinkle Twinkle Little Star: with Hushabye, Pomus and Shuman accommodated Schwarzs request by similarly building the song from the opening lines of the traditional lullaby entitled Hush-a-bye.
Personnel on the recording session for the Mystics Hushabye included Al Caiola and Bucky Pizzarelli on guitars and Panama Francis on drums. Released in April 1959, the record would spend sixteen weeks on Billboard Hot 100 (nine of those in the top 40), peaking at #20. Adopted by disc jockey Alan Freed as the closing tune on his televised Saturday night Big Beat Show, Hushabye would essentially establish the Mystics as one-hit wonders as their follow-up release Dont Take the Stars stalled at #98 on the Billboard Hot 100 and the groups subsequent four Laurie Records releases were all Hot 100 shortfalls. The Mystics - Hushabye (2024 Stereo Mix)](https://i.ytimg.com/vi/ob1DAPd_d7k/mqdefault.jpg)








