Uploaded June 2026 | Updated September 2026, 2 weeks ago
Greetings from Ireland! Today I present a compilation of a popular subgenre of the early recording era - Irish themed music. Many of these songs were written in America, a land full of Irish descendants. Irish music was a way to appeal to those immigrants' heritage to make a quick buck (an early version of nostalgia-baiting, perhaps?). Monetary incentive aside, the artists within paint a picture of Ireland that unlike any other European homeland. Such artists as Chauncey Olcott and John McCormack made a particular name for themselves thanks to this unique vogue. Some songs are directly from Ireland, and some from its neighbor across the Irish Sea. Together, an interesting portrait of Irish culture and that which it spawned on the North American continent is assembled before us. As they say in Ireland, 'Éirinn go Brách!'
#vintagemusic #irishmusic #78rpm #ireland
Timestamps:
Irish Jigs - 2:50
When Irish Eyes Are Smiling - 6:24
You Will Have to Sing an Irish Song - 10:00
River Shannon Moon - 12:18
Irish Jubilee - 15:27
Shamrock Belles - 18:45
My Beautiful Irish Maid - 21:10
Irish Reels - 23:19
The Dublin Rag - 26:52
The Foggy Dew - 29:57
When It's Moonlight in Mayo - 32:07
My Wild Irish Rose - 35:01
It's a Long, Long Way to Tipperary - 38:26
On the Road to Dublin Town - 41:51
Amhrán na bhFiann - 46:00
Select audio courtesy of the following channels:
My Beautiful Irish Maid: @timgracyk
The Foggy Dew: @deadtenorssociety2973
Greetings from Ireland! Today I present a compilation of a popular subgenre of the early recording era - Irish themed music. Many of these songs were written in America, a land full of Irish descendants. Irish music was a way to appeal to those immigrants' heritage to make a quick buck (an early version of nostalgia-baiting, perhaps?). Monetary incentive aside, the artists within paint a picture of Ireland that unlike any other European homeland. Such artists as Chauncey Olcott and John McCormack made a particular name for themselves thanks to this unique vogue. Some songs are directly from Ireland, and some from its neighbor across the Irish Sea. Together, an interesting portrait of Irish culture and that which it spawned on the North American continent is assembled before us. As they say in Ireland, 'Éirinn go Brách!'
#vintagemusic #irishmusic #78rpm #ireland
Timestamps:
Irish Jigs - 2:50
When Irish Eyes Are Smiling - 6:24
You Will Have to Sing an Irish Song - 10:00
River Shannon Moon - 12:18
Irish Jubilee - 15:27
Shamrock Belles - 18:45
My Beautiful Irish Maid - 21:10
Irish Reels - 23:19
The Dublin Rag - 26:52
The Foggy Dew - 29:57
When It's Moonlight in Mayo - 32:07
My Wild Irish Rose - 35:01
It's a Long, Long Way to Tipperary - 38:26
On the Road to Dublin Town - 41:51
Amhrán na bhFiann - 46:00
Select audio courtesy of the following channels:
My Beautiful Irish Maid: @timgracyk
The Foggy Dew: @deadtenorssociety2973
![Hindu Rose (1919) by Neil Morét [Sung by Joseph Phillips]
An oriental vamp from the time when songs of the Far East were popular.
Words by Louis Weslyn
Neil Morét was a ubiquitous pseudonym for Charles N. Daniels. Ragtime fans may recognize his name, as he was the arranger of Scott Joplins Original Rags. But he was an accomplished composer in his own right, too.
Hiawatha was certainly his most famous work, but others such as Borneo Rag, Margery, and I Think of Home and Mother When Its Christmas Time are also notable.
More Charles N. Daniels:
https://youtube.com/playlist?list=PLLMkuz4vEFoNmcSoKI_xby-3k7tSwkSrM&si=M-GOZcHBDzIdTEq9 Hindu Rose (1919) by Neil Morét [Sung by Joseph Phillips]](https://i.ytimg.com/vi/i-KTjxqavxU/mqdefault.jpg)


![Tell Me Pretty Maiden (1899) by Leslie Stuart [CORNET SOLO by Emil Keneke, 1901]
Emil Keneke, pioneer cornet soloist recording artist, plays the smash hit song from the 1899 musical, Florodora, later to become the #1 hit song of 1902.
Harry Macdonough & Grace Spencer 1902 Version:
https://youtu.be/uChBk8_VgQs?si=QlB4-DWxWvqobCKJ Tell Me Pretty Maiden (1899) by Leslie Stuart [CORNET SOLO by Emil Keneke, 1901]](https://i.ytimg.com/vi/iXCg4yqoBtM/mqdefault.jpg)





![Aframerican Hymn (1916) by W. C. Handy [Sung by Handys Sacred Singers, 1929]
A departure from his usual blues-centric output, here is an obscure hymn from the Father of the Blues. In 1919, it was dedicated to the 300th anniversary of the arrival of the first enslaved Africans in North America.
#blues #78rpm #blackhistory
They didnt call him Father of the Blues for nothing. William Christopher Handys contributions to the blues genre singlehandedly crafted it into what it is today. His Memphis Blues, Saint Louis Blues, Beale Street Blues, Ole Miss Rag, and Yellow Dog Rag are jazz standards and in the case of St. Louis, it has come to name a National Hockey League team and became the second most popular song of the first half of the 20th century (the first being White Christmas).
Handys music also has sentimental value for myself. When I was 12 years old, the coronavirus syndemic broke out and isolated me to the void of online schooling for 3 months. I made ragtime playlists to pass the time, and one of the composers I discovered was Handy. As my first exposure to 12 bar blues, I instantly found relatability- the dismal sympathy was common at the time.
Further information on the beginning of the slave trade in North America in 1619, courtesy of Colonial National Historical Park: https://www.nps.gov/jame/learn/historyculture/african-americans-at-jamestown.htm
More W. C. Handy:
https://youtube.com/playlist?list=PLLMkuz4vEFoOO4o3aIp_47P3ok4f61FEW&si sr8JqfjELd4ueWz Aframerican Hymn (1916) by W. C. Handy [Sung by Handys Sacred Singers, 1929]](https://i.ytimg.com/vi/l3dSShHM1rY/mqdefault.jpg)
