Lasse LammertJust compared the Antiquitxy JB to the Kloppmann HB 60. obviously not a very fair (or even useful) comparison since the pickups are gear towards different sounds, one has quite a bit more output than the other and a slightly more modern voicing, the other has more of a vintage output...the duncan Antiquity PAF would have made more sense than the JB, but whatever...still, I really wanted to know how these stack up against each other, so I made this video anyways ;)
Here's a link to the video of the Kloppmann HB60 with the same amp settings:
youtu.be/_5AdsMOyyb4 Chain: 1988 Gibson Les Paul Custom SLO100 (no boost) Torpedo with IRs of my Mesa Recto + Mesa Stiletto 4x12 (both miked with a single sm57) both clips have zero post processing of course
Seymour Duncan Antiquity JB Through Soldano (vs Kloppmann HB60)Lasse Lammert2018-09-11 | Just compared the Antiquitxy JB to the Kloppmann HB 60. obviously not a very fair (or even useful) comparison since the pickups are gear towards different sounds, one has quite a bit more output than the other and a slightly more modern voicing, the other has more of a vintage output...the duncan Antiquity PAF would have made more sense than the JB, but whatever...still, I really wanted to know how these stack up against each other, so I made this video anyways ;)
Here's a link to the video of the Kloppmann HB60 with the same amp settings:
youtu.be/_5AdsMOyyb4 Chain: 1988 Gibson Les Paul Custom SLO100 (no boost) Torpedo with IRs of my Mesa Recto + Mesa Stiletto 4x12 (both miked with a single sm57) both clips have zero post processing of courseLegendary Tones Mr.Scary mod in MArshall DSL (iPhone Recording)Lasse Lammert2024-02-10 | this thing is ridiculous.... I've always loved the sound of the old Marshall JCM2000 DSL 100. Awesome Marshall tone, tons of gain, just fucking fantastic. BUT... ... this deep switch was absolutely useless, with it in the OUT position, the sound is paper thin and with it IN it's really boomy and unusable for fast thrashy mutes. the Legendary Tones Mr.Scary mod fixed all that in the most pleasing way. so I just reduced the gain on the amp (lead1 instead of lead 2), and made up for the loss of distortion and saturation with the Mr.Scary a bit later in the chain. this plug'n'play mod also has a low switch, which I had disengaged here (and the deep switch on the amp IN). what I got was all the sound and tone I love from this amp, but it cleared up the low end significantly without making it sound thin. Now it does fast thrash palm mutes like a champ (this is straight in, no boost). please excuse the horrible playing, this is quite literally the first time in 3 years that I touched a guitar, but I just wanted to show you why I'm so stoked on this. This isn't a proper recording of course, it's just my iPhone sitting on the table resting against a big af swimbait, exactly like the studio pros are doing it...🙄 but either way, ignore the playing and iPhone mic quality, you'll still hear how fucking tight this awesome underrated amp has become.Fly Rig/Direct Recording Solution: Mooer 005 Preamp through Mooer RadarLasse Lammert2020-12-23 | Mooer sent me some things to try...and so I did. This is their take on that EVH preamp, I'm running it through the Radar IR Loader, so what you're hearing is that direct recording, no external boost, amp or cab etc... pretty neat little fly rig, innit?Mix Tutorial Walk-Through: Bootyard Bandits Christmas Number One (boring nerd talk ;) )Lasse Lammert2020-11-26 | The Bootyard Bandits asked me to do a "quick" mix walk-through for their song "Christmas Number One" ...this ended up being 45 minutes of nerd talk, so I definitely don't expect you to watch it and stay awake ;) Kudos if you do, haha
http://www.bootyardbandits.comStock 1975 Marshall Super Lead MKII Doing Metal?!Lasse Lammert2020-10-02 | yes, indeed! this is my stock 1975 Marshall Super Lead MKII (well, stock except for the filter caps, some pots, jacks and head shell, which had to be replaced due to age). Bossted with the Boss SD-1W set to "stock" mode, so no extra gain or anything over the regular old sd-1.
sm57 and a bit of r121 on a Mesa cab, no post processing.
Shows that with a tiny bit of boost you can get those old amps into high gain territory without a problem. The character of the sound is still old school Marshall, but isnt it great to have all those flavours of distortion in modern high gain music as well?Soldano Hot Mod vs. Legendary Tones V2 in a Marshall JMP 2203Lasse Lammert2020-09-21 | I've always been a massive fan of the original Soldano Hot Mod (this neat little device that turns your Marshall into a fire breathing monster without having to physically mod your valuable amp), I was lucky enough to hunt down a couple of them while they were still available on the used marked, but I was always a bit reluctant to use them much because finding replacement tubes at a reasonable price became more and more difficult. So I was really stoked when I found out about the Legendary Tones HotMod V2, which takes the same principal but used readily available 12ax7 instead...Took me about 2 minutes to buy one of them and about 2 weeks for it to arrive. And flip me, is that thing sick! Anyway, here's a direct comparison between the two.
No post processing on the guitars, cab was a Mesa Recto 4x12, miked with an sm57 and an R121.My mate Brian jamming on my Siggi Braun through H&K PuretoneLasse Lammert2020-09-12 | so my friend was just swinging by and started jamming on my lovely Siggi Braun Custom Shop Tele.... I couldn't help but randomly throw an sm57 in front of the speaker... Literally just used whatever settings the amp was on and the position I happened to put the 57 in, just eyeballing it..zero post processing whatsoever, but I think it's still quite obvious what the combination Brian-Siggi-Puretone is capable of.Airis Effects Nemesis Preamp Test (Direct Tone)Lasse Lammert2020-09-10 | Here's a clip of the magnificent Airis Nemesis Preamp. this was recorded without a boost or amp, just straight into the Nemesis, recorded through the Mooer Radar IR loader. No tubes were harmed during the making of this clip!
but honestly, if you're looking for a sick travel rig and don't need to cover a plethora of musical styles and switching, the Nemesis might be for you! Here I just used an IR inside the Mooer Radar, but you could as well just put the output of the Nemesis into the FX return of whatever amp you have on stage (or in your rehearsal room or studio), and use that amp's power amp. The Nemesis is a sick standalone high gain guitar preamp. The tone/EQ knobs actually deserve that name and offer a wide range of very useful distortion sounds.Cleaning Penny + Giles Motorised Fader in Digidesign D-ControlLasse Lammert2020-05-31 | I've recently been cleaning all the faders in my beloved D-Control and people were asking me how I'm doing it. well, here's a quick walkthrough video of how I am doing it. I'm sure it's not the only way and I'm sure people will correct me on things, but this is how it works for me ;) sorry for the slightly awkward video, but it was a bit difficult to keep the fader in the shot while still making sure the phone I'm recording with doesn't fall over :P. so yeah, this took a bit longer and looks a bit more awkward than it should have, but I hope it's helping anyway.
DISCLAIMER: use this at your own risk, don't blame me if you screw up your fadersSoldano Avenger boosted with Kuro Custom Audio P.h.A.Lasse Lammert2020-03-31 | What can I say, I just absolutely love this amp to bits... The Kuro P.h.A. is a sick pedal to shape the tone slightly, get it a bit more or less tight, boost some mids, cut some lows or highs, add some "push" etc, all without changing the original tone of the amp (unless desired). Here I just used it to slightly tighten up the low end on fast mutes by boosting the mids slightly, which resulted in the same great Soldano sound but with slightly faster tracking low end...loving this combinationBluGuitar Amp 1 Iridium Metal Clip (Demo)Lasse Lammert2019-11-13 | Gotta say I'm quite impressed with this little thing... don't let the small footprint confuse you, it's a full blown head tone- and volume wise. This is not a modelling amp, but a real analog tube amp with Nanotube technology.
Here's a quick metal clip using the modern high gain channel.
Cab: Engl Pro 2xsm57
Drums: Mike HellerKuro Custom Audio P.h.A. Demo (boost, preamp, overdrive, distortion)Lasse Lammert2019-10-26 | I'm checking out the P.h.A pedal that the lovely folks at Kuro sent me to try out. I usually am not using distortion pedals but I love mid boosts, overdrives etc...this thing seems to be really versatile and can be set to be an awesome boost for an already overdriven amp...you can tighten up the lows for fast playing or make them explode for doom stuff...all that without altering the basic tone of the amp... loving it.Cab vs. IR creating speaker IRs with react:IR (Driftwood , Mesa...watch till end for goodie)Lasse Lammert2019-08-22 | So I've got this St. Rock react:IR impulse response loader which is not only absolutely awesome in the way it interacts with the amps' power section and in how versatile it is for attenuation/silent recording etc, but it also comes with a software that makes it peepee-easy to create your own IRs... Here I'm gonna guide you through the process step by step and then we're gonna compare the miked tracks to the tracks that were reamped through the IR we captured.... sounds fun? there's also a possible goodie somewhere towards the end of the video, so keep watching ;)
please check out St. Rock's home page here (and no, I'm not being paid for this, I genuinely like the device ;) ):
facebook.com/LasseLammertStudioDiezel Comparison (Herbert, VH4, Einstein) and KHE Amp Switcher DemoLasse Lammert2019-08-20 | The awesome KHE Amp And Cabinet Selector is just one of the most amazing tools you can have in the studio, so I thought I'd quickly show you what it does. In order to do that I needed several amps to switch between, so I figured it'd be a good situation to switch back and forth between my 3 Diezel heads. All heads go into the same cab and have the EQ knobs set to approximately noon with just small adjustments (dipping the mids on the vh4 and Einstein slightly to make them more comparable to the Herbert with the mid cut engaged (set to 9:00 o'clock). Usually I'd use a boost for this type of riffing, in this case there's no boost though, just the guita (DI) straight into the amps. Edit: the "cab" I ended up using for this test was actually not a real cab at all but one of my Mesa Its loaded into the St.Rock react:IR
if you wanna know more about the amp and cab switchers, you can check them out here:
ThanksAutomation Madness....Real organic drums, dynamically played, automated for a punchy modern soundLasse Lammert2019-07-28 | So my buddy Mike Heller helped me out with some drum tracks for my old amp test "song"... Mike's an amazing player, fast but interesting and very dynamic, I really wanted to keep his tone and vibe, so it was important for me to keep the drums real and organic... yet I wanted them to still sound modern and punchy and have every little detail and fiddly bit audible even in a dense metal context with thick walls of guitars... So I automated pretty much every individual element of the kit in an attempt to get "modern" punch and clarity without having to trigger and sample replace everything.... Here's what the volume automation for the drum channels looks like on the board. I hope you like itAmptest 2.0 (Mike Heller Drums) Bogner Überschall Metal ClipLasse Lammert2019-07-28 | So I've been using the same old track for my amp tests for a while, and while it's still working great for that purpose, I thought I'd spice it up a little, so I asked my friend Mike Heller (Fear Factory, Malignancy, Raven etc) to help me out and record some drums for me... So here's V2.0 of my amp test clip with new drums provided by Mike... The Uberschall was the most popular video from the previous series, so I thought it's be fitting to start with the Bogner on this one... Enjoy ;)Diezel VH4 Amp - STL Tonality Will Putney PluginLasse Lammert2019-05-16 | Here's a wee comparison of the real VH4 amp and the STL Tonality version of it. I tweaked the settings on the plugin to get as close as possible to the amp's sound, and I gotta say I'm impressed with how similar I got it. the top track (blue) is the amp and the bottom track (green) the plugin version of it.Siggi Braun Custom Shop T-Style Guitar Demo (Through Hughes&Kettner Puretone)Lasse Lammert2019-05-03 | well, what can I say, I love this guitar. sorry for the boring playing ;)
no post processing other than a touch of reverbDoes it Thrash? (Siggi Braun Custom Shop Tele Through Fortin Marshall JCM 800)Lasse Lammert2019-03-25 | I know, I know, this guitar wasn't made for metal and it's blasphemy to play thrash metal on it... yeah, I get it and you're right! I still wanted to find out if this amazing instrument can do it, please let a man have some fun!! :P
I'd still love to know what you think, please tell me in the commentsTwo Notes Torpedo CAB M demo (Le Crunch direct recording, IR loader, cabsim)Lasse Lammert2019-03-12 | ok, this time I'm not really demonstrating sounds but rather showing you the cab m, its remote and what it does and what it can be used for... so a lot of boring talky shite from some boring German guy....Comparison: Neural DSP Fortin NTS and UAD Diezel Herbert (with and w/o boost)Lasse Lammert2019-03-08 | Here's a quick comparison of these two software ampsims... I decided to not use external/my IRs, since those might not be available to everyone, instead I used the IRs/Cabs the plugins come with and just picked my favourite one out of those, then tweaked the amps to my liking. This is by no means a scientific test, it's just a quick comparison of those two ampsims set up how I liked the sound.
First half is without any boost, second half is the amp boosted. I used the internal "hex drive" overdrive with the NTS and since the UAD Herbert doesn't come with an overdrive, I used the TS808 from the Audified Multidrive PedalPro to boost the UAD. Links to all the products here:
Audified Multidrive Pedal Pro: bit.ly/2zwVGkeBoss PQ-4 boosting Marshall JCM 800 2203Lasse Lammert2019-02-20 | This is just a teaser, I'll record a proper demo of this ASAP. but damn, I'm loving it! I literally dialed this in within 3 minutes after first switching the pedal on....and the options are nearly limitless, but this is a quick and easy way to get a variety of different boost tones from vintage to modernThe Mother of All 1176 comparisons (link in description!!)Lasse Lammert2019-01-31 | Link to all the files and the full documentation:
Thanks to Alestorm, Gloryhammer and Sublime Eyes for letting me use their vocal tracks. Please check out their music here: facebook.com/alestormband facebook.com/gloryhammer facebook.com/SublimeEyesBandDemo: Audified Multidrive Pedal Pro through STL Tonality (Boss Metal Zone MT-2 Emulation)Lasse Lammert2018-12-05 | I know, I know, y’all love to hate the Metal Zone…I still happen to love it as a boost ;) And it was about darn time someone created a software version of it! Here’s Audified’s take on this classic distortion pedal (yes, it’s a classic, deal with it), I’m comparing it to its hardware version and am talking about how I’m using it as a boost… turns out I dig the software version as well ;)
if you wanna grab a copy of the Audified Multidrive Pedal Pro suite, please use this link: bit.ly/2zwVGke
And to my Instagram page, which you're all very welcome to follow ;) ) instagram.com/lasselammertTwo Notes Mesa Pack Demo (Distortion and Clean)Lasse Lammert2018-10-26 | Here's a demo for the Two Notes Audio Mesa IR pack. Briefly talking about the differences between the World Tour Edition and Studio Legends Edition and when to use which.STL Tonality Guitar Amp Plugin: Brief Test ReampLasse Lammert2018-10-21 | So I just had the chance to test this new STL Tonality plug-in real quick, and I gotta say I'm impressed! So I quickly created 2 presets and reamped something for you. here's what it sounds like with no post processing.Uberschall: A Study In Gain Pt.3 (Bogner vs Krank)Lasse Lammert2018-10-19 | Here's a quick comparison of the high gain metal sound of the Bogner Uberschall and the Krank Krankenstein+
Guitars: PRS McCarty with Fishman Fluence KSE Gibson Les Paul with Kloppmann HB59
Two Notes Torpedo Live with Mesa Recto 4x12 IR (sm57)Ultimate Mesa Rectifier 2ch vs 3ch comparison Pt.2 CLEANLasse Lammert2018-10-13 | Is that 2ch Recto's clean channel really as bad as people claim it is? Let's find out!Mesa Rectifier: ultimate 3 channel vs 2 channel comparison (high gain)Lasse Lammert2018-10-12 | So there's a ton of talk about the differences between the 2ch and the 3ch Rectifiers and their different revisions... but are those heads REALLY as different as the forum hype wants you to believe?
Here's a back to back comparison of my RevF 2 channel and my 3 channel heads (pre Multi-Watt). These do not have the same tubes in them (same type, different brands), so bear in mind that some of the (IMO already minor) differences come from the different tubes.Kloppmann vs. Wolfetone (Boutique PAF Comparison)Lasse Lammert2018-10-06 | Here's a quick comparison between the Wolfetone Marshallhead and the Kloppmann HB59 in the same guitar through the same amp and settings. no post processing
first: crunch channel of the SLO, no boost second: crunch channel plus Klon KTR last: overdrive channel plus KTRNeural DSP Fortin Nameless Suite doing ThrashLasse Lammert2018-09-14 | so everyone's been uploading those really awesome low tuned modern kinda tones, I wanted to find out if the Neural DSP Fortin Plug can also do some old school thrash tones... what do you think?Mike Fortin Modded Marshall JCM 800 (no boost, thrash metal)Lasse Lammert2018-09-13 | HEre's a wee clip of my Fortin modded 2204. This is the guitar straight into the amp - Marshall 1960V - single sm57.
I didn't try to match the original tone 100%, cause then I would have chosen T-75 speakers instead, but I kinda wanted to have a similar vibe with my own touch.... either way...this amp is an absolute BEAST, especially for thrash tones... This is with the preamp gain set to 5.
who wants to see the Neural DSP Nameless Suite to do something similar?Seymour Duncan Pickup Comparison (Distortion, Nazgul, Black Winter, Parallel Axis)Lasse Lammert2018-09-13 | Here's a quick comparison of those 4 pickups under high gain.
Chain: custom Shop ESP MII Mesa Grind Mesa RevF Rectifier Two Notes Torpedo with Mesa Recto 4x12 IR (single sm57) No Post ProcessingKloppmann HB60 Through Soldano (vs Duncan Antiquity JB)Lasse Lammert2018-09-11 | Just compared the Antiquitxy JB to the Kloppmann HB 60. obviously not a very fair (or even useful) comparison since the pickups are gear towards different sounds, one has quite a bit more output than the other and a slightly more modern voicing, the other has more of a vintage output...the duncan Antiquity PAF would have made more sense than the JB, but whatever...still, I really wanted to know how these stack up against each other, so I made this video anyways ;)
Here's a link to the video of the Duncan JB with the same amp settings:
youtu.be/5wVnG9NiE58 Chain: 1988 Gibson Les Paul Custom SLO100 (no boost) Torpedo with IRs of my Mesa Recto + Mesa Stiletto 4x12 (both miked with a single sm57) both clips have zero post processing of courseTwo Notes Le Crunch Preamp (Walkthrough)Lasse Lammert2018-09-07 | skip to 4:13 for the actual sounds
Edit: I figured out what I said at 3:12 ...”maybe the settings were just shit” or something along those lines :)Lasse Lammert - Warrel Dane Shadow Work Kemper / Axe FX ProfileLasse Lammert2018-09-01 | Ive decided to share this one with you guys ;) get it here:
I have recently had the chance to work on the latest, and unfortunately also the final album of one of my metal heroes. All of Warrel’s previous releases were soaked in some of the best guitar tones I had heard, so I set out to create a tone that’s worthy of his legacy. This tone is creamy and smooth, but at the same time extremely tight to work with fast, low palm muted playing, as well as with melodic single note lines. It is big, bold, and heavy, but at the same time work’s really well in a mix, check it out if you don’t believe me!Alestorm live at Summer Breeze 2018, on stage view (Hangover)Lasse Lammert2018-08-19 | Ever wondered what a festival party looks like from the other side? Here’s some footage my half drunk little monkey self took at summer breeze open air. Alestorm performing “hangover”Positive Grid Bias Head Diezel VH4 MatchLasse Lammert2018-08-12 | Yohohoho Just got this Bias Head from Positive Grid and just went ahead and just for fun matched my Blueface VH4. I have yet to play around with it for a bit longer, match more chains, learn the software etc, but I thought I'd just share this first result with you real quick.Having fun with the dummy (not music related...)Lasse Lammert2018-05-17 | K, this video has nothing to do with amps or guitars or mixing or music...i was just having a wee bit of fun with the dummy... Sorry, the next posts will be about amps and tones and production etc again :)
Ever noticed how some bullies like so snatch the hat off of some other poor kid? Well, here’s how you get it back without even laying a hand on that twat...😂😂👊🏻👊🏻🤜🏻🤜🏻#kickboxing #muaythai #selfdefense #k1 #fighter #producer #nakmuay #funny #spinningshit #hat #cap #mugger #antibullying #bullying #stopbullyingESP, Seymour Duncan Antiquity JB/Jazz, Tusk, Marshall JCM 800 Demo (no metal)Lasse Lammert2018-04-27 | I'm in love with this overdrive, so I thought I'd do a short (or not so short) demo vid of it. Same settings on amp and pedal, just chaning the pickups and volume/tone settings on the guitar. sorry for the shitty playing, but I really just wanted to show the tones ;)
The pickups are the Seymour Duncan Antiquity JB/Jazz set, which I definitely prefer to the regular set.EMG JH Set vs. S. Duncan Antiquity JB (High Gain Clip)Lasse Lammert2018-04-26 | I used the exact same settings on the amp but raised the gain of the JB by about 5dB to match its level to the output of the EMG in order to get the same amount of distortion from the amp for a fair comparison. The JB has loads more low end below 200Hz and the Hetfield has a ton more high end above 3kHz. They actually sound quite different and it really comes down to personal taste. I like how fast tracking and tight the low end is on the EMG, but the JB definitely has a growl that I like. Amp was an EVH 5150III without no boost and no post processing.
btw, I gotta say I definitely prefer the antiquity to the regular JB by far.Darkglass Mikrotubes B7K Ultra vs. Neural DSP B7KLasse Lammert2018-04-26 | I'm in deep wet love with my Darkglass B7K, and now I'm finally able to use several instances of it all over my mixes, thanks to the amazing people at Neural DSP who released it as a plug-in version. Hallelujah!! Here's a wee comparison I did between the hardware and the plug in I didn't match the settings 100%, but I think it's close enough to show you how awesome that plug in is.Gibson High Output Humbuckers: 498T vs 500T vs Dirty Fingers (orig.)Lasse Lammert2018-04-21 | I always wondered how Gibson's most common high output humbuckers compared to each other...so that's what I set out to do. All three pickups are in the same guitar, same strings, same distance to the strings, same riffs, same amp and settings etc. The only variable is the pickup (and the playing obviously, but I tried to keep that consistent).
The pickups are:
498T 500T Dirty Fingers (original from 1980)
Guitar: 2013 Gibson Les Paul Traditional Amp: EVH 5150 III Cab: Engl Pro with a single sm57 (my IR in 2n Torpedo Live)
1 track on each side, zero post processingMassive Lasse Lammert Kemper and Axe FX pack out on STL Tones :OLasse Lammert2018-04-19 | My original profile pack came out in 2011 and you guys have been bugging me to release more profiles ever since... and I have refused to do so for 7 effin years... well...now I'm not only releasing a new pack for the Kemper, but the tones are also available for your axe fx and AX8 etc...
The original pack had 15 profiles, this has 85 profiles for every possible application in it, all the amps, all the cabs, all the mics.
so yeah, head over to http://www.STLtones.com and grab it!Demo: Soldano Hot Mod in Marshall JMP 2203Lasse Lammert2018-04-09 | Here's a little Demo and info on what the Soldano Hot Mod does and how it works... killer little deviceUberschall: A Study In Gain Pt. 2 (Bogner vs. Mesa)Lasse Lammert2018-03-22 | Direct A-B comparison of the 1993 Mesa Boogie Dual Rectifier (RevF) and the Rev2 Bogner Uberschall.
ESP MI Fishman Fluence Modern Alnico Amp Torpedo Live (Engl 4x12 IR, single SM57) No Post Processing
Pt. 1: (Bogner vs Diezel)
youtube.com/watch?v=5no9TolvGpsEngl Straight Amplifier Metal DemoLasse Lammert2018-03-20 | This is imo still the best amp Engl ever builtActive EMG Pickups make every Guitar sound the same! (Part 2, this one is more subtle)Lasse Lammert2018-03-15 | So what you keep reading online are the same ill-informed statements like "Active pickups mask the natural sound of the guitar and make every guitar sound the same"...load of bollocks!
I was challenged to compare a Strat with a Les Paul, both with EMGs because people claim that they would still sound the same (again, bollocks)...but I'd even go a step further than that...I took ALL the construction elements like bridge, neck construction, type of wood, scale length (that one's a biggie) out of the equation and am now comparing to extremely similar guitars..both are constructed in exactly the same way, same types of wood for every part of the guitar, same hardware, down to the same type of laquer.
the only difference is that one guitar has a slightly thinner body and is a bit lighter in weight...that's it. acoustically the latter one has a bit less round bottom end but a bit more "snap" and output. And although the body has the smallest influence on the overall sound (compared to scale length, pickup position, neck etc) it's still a difference that translates even through a high gain amp... granted, the difference in this comparison is subtle (you might have to jump back and forth to the same sections in the riff to really hear it), but it's as subtle or big as it would be with any two guitars with the same type of pickup (passive or active)... so do active pickups make every guitar sound the same regardless of quality and type of wood? DEFINITELY NOT, so please stop regurgitating those BS statements all over the web. educate yourself!
Thanks for watching (maybe I'll still do that Strat vs LP video at some later point)Active EMG Pickups have no Dynamics and make everything sound the same (contains Profanity)Lasse Lammert2018-03-15 | "..but I want my guitar pickups to react to my picking", "..I can't express myself with active pickups because they compress everything", "...they make everyone sound the same"..yada yada yada... it's kinda exhausting to keep hearing the same stupid old regurgitated misinformed statements...especially when they're so f*ck#ng easy to prove wrong... educate yourselves, for god's sake, just pick up a guitar and try it yourself before you start repeating the same stupid old forum idiocies with conviction and look like a fool.
Sorry for the profanity ;) Not.
Thanks for watching ;)Marshall JCM 800 2203KK Kerry King Signature Head (Metal Clip)Lasse Lammert2018-03-14 | Here's a wee clip of the Marshall 2203 Kerry King. No external boost, but I did use that Beast/Assault mode. Settings: see pic Mesa Rectifier 4x12 cabm single sm57, no post processing