Biweekly Bach | Episode 12: E-Major and B-Flat Minor @ArsLyricaHouston

Ars Lyrica Houston Biweekly Bach is a virtual series presented by Ars Lyrica Houston, traversing the 24 preludes and fugues of Johann Sebastian Bach’s The Well-Tempered Clavier, Book 1. Every other week, a new episode features two prelude and fugue pairs, recorded in the beautiful surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. With inspired playing and enlightening commentary by Matthew Dirst, this series brings audiences closer than ever to the masterful music of J.S. Bach.

This is the first video recording of the entire volume to feature a single performer on an instrument inspired by those from Bach’s own environment, with commentary from the performer, who is also a leading scholar of this music. The harpsichord, with its elaborate marquetry and decoration in the style of Baroque Dresden, is an ideal match for the sumptuous interiors of Rienzi. Each recording session features different parts of the museum, giving visual variety to the entire project.

Episodes 9-12 of Biweekly Bach will air in January and February of 2023:

January 17 at 9 am | Episode 9: A-Flat Major and E-Flat Minor
January 31 at 9 am | Episode 10: D Major and B Minor
February 14 at 9 am | Episode 11: B Major and G-Sharp Minor
February 28 at 9 am | Episode 12: E Major and B-Flat Minor

Ars Lyrica Houston celebrated the 300th anniversary of Bach’s Well-Tempered Clavier, Book 1 (1722) with a series of three intimate in-person performances with commentary at Rienzi, the MFAH house museum for European decorative arts. In addition, Ars Lyrica presented virtual broadcasts of those concerts.

J. S. Bach remains at the very center of European culture because his music is endlessly interesting, entertaining, and edifying; he is perhaps the most influential classical musician of all time. The Well-Tempered Clavier is the only work of Bach that never went out of style. Unlike his church and chamber works, which were mostly forgotten soon after his death in 1750, this collection served as a kind of musical Old Testament for generations of students and enthusiasts—a role it still plays today. Comprising two sets of twenty-four preludes and fugues each in all the major and minor keys, the work was dedicated by the composer in 1722 “for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study.” Ars Lyrica is proud to offer Bach programs on a regular basis and is delighted to offer this series of performances that celebrates the collection’s 300th anniversary.

J.S. Bach: The Well-Tempered Clavier, Book 1 (BWV 846-869) performed by Matthew Dirst on a single-manual harpsichord by John Phillips (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Shannon Smith

www.arslyricahouston.org

updated 1 year ago

Biweekly Bach | Episode 12: E-Major and B-Flat Minor

Ars Lyrica Houston 2023-02-28 | Biweekly Bach is a virtual series presented by Ars Lyrica Houston, traversing the 24 preludes and fugues of Johann Sebastian Bach’s The Well-Tempered Clavier, Book 1. Every other week, a new episode features two prelude and fugue pairs, recorded in the beautiful surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. With inspired playing and enlightening commentary by Matthew Dirst, this series brings audiences closer than ever to the masterful music of J.S. Bach.

This is the first video recording of the entire volume to feature a single performer on an instrument inspired by those from Bach’s own environment, with commentary from the performer, who is also a leading scholar of this music. The harpsichord, with its elaborate marquetry and decoration in the style of Baroque Dresden, is an ideal match for the sumptuous interiors of Rienzi. Each recording session features different parts of the museum, giving visual variety to the entire project.

Episodes 9-12 of Biweekly Bach will air in January and February of 2023:

January 17 at 9 am | Episode 9: A-Flat Major and E-Flat Minor
January 31 at 9 am | Episode 10: D Major and B Minor
February 14 at 9 am | Episode 11: B Major and G-Sharp Minor
February 28 at 9 am | Episode 12: E Major and B-Flat Minor

Ars Lyrica Houston celebrated the 300th anniversary of Bach’s Well-Tempered Clavier, Book 1 (1722) with a series of three intimate in-person performances with commentary at Rienzi, the MFAH house museum for European decorative arts. In addition, Ars Lyrica presented virtual broadcasts of those concerts.

J. S. Bach remains at the very center of European culture because his music is endlessly interesting, entertaining, and edifying; he is perhaps the most influential classical musician of all time. The Well-Tempered Clavier is the only work of Bach that never went out of style. Unlike his church and chamber works, which were mostly forgotten soon after his death in 1750, this collection served as a kind of musical Old Testament for generations of students and enthusiasts—a role it still plays today. Comprising two sets of twenty-four preludes and fugues each in all the major and minor keys, the work was dedicated by the composer in 1722 “for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study.” Ars Lyrica is proud to offer Bach programs on a regular basis and is delighted to offer this series of performances that celebrates the collection’s 300th anniversary.

J.S. Bach: The Well-Tempered Clavier, Book 1 (BWV 846-869) performed by Matthew Dirst on a single-manual harpsichord by John Phillips (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Shannon Smith

www.arslyricahouston.org

Ars Lyrica Houstons 24/25 Season: Ties That Bind

Ars Lyrica Houston 2024-04-30 | Explore the full 2024/25 season: arslyricahouston.org/2425season
In-person and digital subscriptions are available now!

Letter from the Directors:
“Ars Lyrica’s 2024/25 season celebrates one of music’s principal virtues: across eras and cultures, it creates durable Ties that Bind. Some of our subscription programs highlight shared values or belief systems while others establish links across geographic and temporal boundaries. Each has a distinct focus, with the entire season spanning some four centuries of European and American history.

Early subscribers enjoy a wide range of benefits, including guaranteed renewal of seats, free ticket exchanges, priority seating for programs at St Philip Presbyterian Church and Rice University, and invitations to exclusive post-concert receptions with the artists. Join us for a spectacular 21st season of world-class, imaginative Baroque music by renewing or purchasing a subscription today!”

- Artistic Director Matthew Dirst and Executive Director Kinga Ferguson

arslyricahouston.org/2425season

Sneak peek of Visions & Reveries (Sat, 3/16 at 7:30pm CT)

Ars Lyrica Houston 2024-03-15 | Enjoy this preview of our concert this Saturday!

Visions & Reveries
When: Saturday, March 16 at 7:30pm CT
Where: Zilkha Hall, The Hobby Center (+livestream)

What: A stunning concert of all-French 18th century music, featuring soprano Lauren Snouffer alongside a select ensemble of period instrument specialists. With lyric cantatas on mythological themes by Jacquet de la Guerre and Rameau, and sumptuous instrumental music by Couperin!

More info and tickets (in-person and digital): arslyricahouston.org/visionsandreveries

Purcell, Welcome to all the pleasures - performed by Ars Lyrica Houston

Ars Lyrica Houston 2024-01-17 | Henry Purcell's splendid Cecilian ode "Welcome to all the pleasures" Z 339 performed by GRAMMY-nominated early music ensemble Ars Lyrica Houston in September 2022.

Soloists:
Alexandra Gorman, soprano ˚
Julia Fox, soprano
Jay Carter, countertenor
Cecilia Duarte, mezzo-soprano
Stephen Ash, tenor ˚
Thomas O’Neill, tenor ˚
Kirby Traylor, baritone ˚
Christopher Besch, baritone
˚ Ars Lyrica debut

0:00 - Symphony

Verse (trio) and Chorus
2:19 - Welcome to all the Pleasures that delight,
of every Sense, the grateful Appetite.
Hail great Assembly of Apollo’s Race,
Hail to this happy place, this Musical Assembly,
that seems to be the Ark of Universal Harmony.

Verse (solo)
4:13 - Here the Deities approve,
The God of Music, and of Love;
All the Talents they have lent you,
All the Blessings they have sent you;
pleased to see what they bestow,
live and thrive so well below.

Verse (trio)
8:14 - While Joys Celestial their bright Souls invade
to find what great improvement you have made.

Verse (solo/trio) and Chorus
9:57 - Then lift up your Voices, ye Organs of Nature,
those Charms to the troubled and amorous Creature.
The Power shall divert us a pleasanter way,
for sorrow and grief find from Music relief,
and Love its soft Charms must obey.

Verse (solo)
11:46 - Beauty thou Scene of Love,
and Virtue, thou innocent Fire,
made by the Powers above
to temper the heat of Desire,
Music that Fancy employs
in Raptures of innocent Flame,
we offer with Lute and with Voice
to Cecilia, Cecilia’s bright Name.

Verse (solo) and Chorus
14:57 - In a Consort of Voices while Instruments play,
with Music we celebrate this Holy day;
Iô Cecilia, Cecilia,
in a Consort of Voices we’ll sing.

------

Hail, Bright Cecilia!
Friday, September 23, 2022 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Program booklet: arslyricahouston.org/s/Cecilia-Program-Booklet.pdf
Buy a replay pass to the entire concert: arslyricahouston.org/shop/cecilia

------

Orchestral personnel:
Trumpet – Wes Miller, Amanda Pepping
Timpani – Craig Hauschildt
Oboe/recorder – Kathryn Montoya, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock, concertmaster, Maria Lin, Matthew Detrick, Joanna Becker
Violin II – Oleg Sulyga, principal 2nd, Alan Austin, Laura Cividino
Viola – James Dunham, Erika Lawson
Cello – Barrett Sills, principal
Cello/viola da gamba – Eric Taeyung Mun
Violone – Deborah Dunham
Organ – Alexander Jones
Theorbo/Baroque guitar – Richard Savino
Harpsichord/conductor – Matthew Dirst

Video and audio by BEND Productions, LLC

arslyricahouston.org

Purcell, Hail! Bright Cecilia: The airy violin - Stephen Ash with Ars Lyrica Houston

Ars Lyrica Houston 2024-01-17 | Tenor Stephen Ash sings "The airy violin" from Purcell's Hail! Bright Cecilia Z 328 with Ars Lyrica Houston.

Text:
The airy Violin
And lofty Viol quit the Field;
In vain they tune their speaking Strings
To court the cruel Fair, or praise Victorious Kings.
Whilst all thy consecrated Lays
Are to more noble Uses bent;
And every grateful Note to Heav’n repays
The Melody it lent.

------

Hail, Bright Cecilia!
Friday, September 23, 2022 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Program booklet: arslyricahouston.org/s/Cecilia-Program-Booklet.pdf
Buy a replay pass to the entire concert: arslyricahouston.org/shop/cecilia

------

Orchestral personnel:
Trumpet – Wes Miller, Amanda Pepping
Timpani – Craig Hauschildt
Oboe/recorder – Kathryn Montoya, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock, concertmaster, Maria Lin, Matthew Detrick, Joanna Becker
Violin II – Oleg Sulyga, principal 2nd, Alan Austin, Laura Cividino
Viola – James Dunham, Erika Lawson
Cello – Barrett Sills, principal
Cello/viola da gamba – Eric Taeyung Mun
Violone – Deborah Dunham
Organ – Alexander Jones
Theorbo/Baroque guitar – Richard Savino
Harpsichord/conductor – Matthew Dirst

Video and audio by BEND Productions, LLC

arslyricahouston.org

Rameau, Suite from Naïs - Ars Lyrica Houston

Ars Lyrica Houston 2024-01-12 | GRAMMY-nominated early music ensemble Ars Lyrica Houston performs Jean-Philippe Rameau's Suite from Naïs.

0:00 Chaconne
6:51 Air 1 & 2
10:40 Sarabande
13:27 Contradanse

23/24 Season: Ecstatic Visions
Friday, November 3, 2023 at 7:30 PM
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/ecstaticvisions

Orchestral personnel:
Oboe/Recorder – Kathryn Montoya, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Andrew Fouts (concertmaster), Joanna Becker, Maria Lin, Matthew Detrick
Violin II – Alan Austin, Aloysia Friedmann, Laura Cividino
Viola – Ethan Rouse, Jorge Luis Zapata Marín
Cello – Sydney ZumMallen, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Michael Leopold
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC

About Ars Lyrica Houston:
Founded in 1998 by harpsichordist and conductor Matthew Dirst, Ars Lyrica Houston presents a diverse array of music in its original context while creating connections to contemporary life. Imaginative programming features neglected gems alongside familiar masterworks, and extracts the dramatic potential, emotional resonance, and expressive power of music. Its local subscription series, according to the Houston Chronicle, “sets the agenda” for early music in Houston. Ars Lyrica appears regularly at international festivals and conferences because of its distinctive focus, and its pioneering efforts in the field of authentic performance have won international acclaim.

In its 2023/24 season, Ars Lyrica Houston celebrates 20 Years of Magic with a season dedicated to musical wizardry of various kinds, from wondrous choral works by Carissimi and Charpentier to miraculous chamber pieces by Biber and Bach. The milestone 20th anniversary season closes with a new production of a “magic” opera, Handel’s Amadigi di Gaula, in its Houston premiere.

arslyricahouston.org

Handel, Silete Venti - Sherezade Panthaki with Ars Lyrica Houston

Ars Lyrica Houston 2024-01-11 | Soprano Sherezade Panthaki performs G. F. Handel's "Silete venti" with GRAMMY-nominated early music ensemble Ars Lyrica Houston.

23/24 Season: Ecstatic Visions
Friday, November 3, 2023 at 7:30 PM
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/ecstaticvisions

Orchestral personnel:
Oboe/Recorder – Kathryn Montoya, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Andrew Fouts (concertmaster), Joanna Becker, Maria Lin, Matthew Detrick
Violin II – Alan Austin, Aloysia Friedmann, Laura Cividino
Viola – Ethan Rouse, Jorge Luis Zapata Marín
Cello – Sydney ZumMallen, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Michael Leopold
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC

Program Notes by Matthew Dirst:
Sometime between the mid 1720s and 1730, George Frideric Handel composed "Silete venti" for an unknown purpose. Having settled definitively in London years before, he was under no obligation to compose Latin church music; scholars speculate instead that this lavish work might have been written as a favor for an Italian opera singer or perhaps for an important patron during a return visit to Italy in 1729. Adapting several movements from earlier works of his own, including one of the Chandos Anthems, Handel returned to "Silete venti" several years later to borrow a few of its arias for the second version of "Esther." Such was the practice of many composers during this era: good music could always be repurposed.

Like Handel’s earlier Latin motets, "Silete venti" is a solo vehicle for soprano, accompanied in this case by a full ensemble of oboes, bassoon, strings, and continuo. Exceptionally fine text setting distinguishes it from Handel’s other motets, however, putting it on a plane alongside the composer’s best operas and oratorios.

The work begins with a French-style overture in two large sections, the first slow and majestic and the second fast and fugal. Notwithstanding the conventional start, a surprise follows: interrupting the cascades of notes, the soprano commands the orchestra (“the winds”) to be silent. With the remainder of her opening text delivered as accompanied recitative, a mood of rapturous calm descends. The first aria, whose text conflates sacred love (agape) with erotic love (eros), is a poignant mix of melodic whisps and supple chromatic turns. The second recitative/aria pair makes its offering of “garlands…blossoms,” even “the regal palm frond” with increasing ardor, including a strongly contrasting second section in which Handel obliges the anonymous poet’s call for the “winds to stir” with elaborate undulations in the orchestra. The composer’s response to the libretto’s last word is similarly inspired; one hardly wants this ecstatic gigue to conclude, despite its incessant repetition of “Alleluia.”

© Matthew Dirst

About Ars Lyrica Houston:
Founded in 1998 by harpsichordist and conductor Matthew Dirst, Ars Lyrica Houston presents a diverse array of music in its original context while creating connections to contemporary life. Imaginative programming features neglected gems alongside familiar masterworks, and extracts the dramatic potential, emotional resonance, and expressive power of music. Its local subscription series, according to the Houston Chronicle, “sets the agenda” for early music in Houston. Ars Lyrica appears regularly at international festivals and conferences because of its distinctive focus, and its pioneering efforts in the field of authentic performance have won international acclaim.

In its 2023/24 season, Ars Lyrica Houston celebrates 20 Years of Magic with a season dedicated to musical wizardry of various kinds, from wondrous choral works by Carissimi and Charpentier to miraculous chamber pieces by Biber and Bach. The milestone 20th anniversary season closes with a new production of a “magic” opera, Handel’s Amadigi di Gaula, in its Houston premiere.

arslyricahouston.org

Carissimi, Judicium Salomonis - performed by Ars Lyrica Houston

Ars Lyrica Houston 2024-01-06 | Ars Lyrica Houston performs Giacomo Carissimi's Judgement of Solomon at the 2023/24 season opener Fallen Angels

Friday, September 22, 2023 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/fallenangels

Featuring:
Nola Richardson, soprano
Eliza Maswicz, soprano ˚
Jay Carter, countertenor
Thomas O'Neill, tenor
Enrico Lagasca, baritone ˚
˚ Ars Lyrica debut

Orchestral personnel:
Oboe – Stephen Bard, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Oleg Sulyga, Maria Lin, Andrés González
Violin II – Anabel Detrick (principal 2nd), Alan Austin, Hae-a Lee
Viola – Erika Lawson, Jorge Luis Zapata Marín
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Richard Savino
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC
arslyricahouston.org/fallenangels

About Ars Lyrica Houston

Founded in 1998 by harpsichordist and conductor Matthew Dirst, Ars Lyrica Houston presents a diverse array of music in its original context while creating connections to contemporary life. Imaginative programming features neglected gems alongside familiar masterworks, and extracts the dramatic potential, emotional resonance, and expressive power of music. Its local subscription series, according to the Houston Chronicle, “sets the agenda” for early music in Houston. Ars Lyrica appears regularly at international festivals and conferences because of its distinctive focus, and its pioneering efforts in the field of authentic performance have won international acclaim.

In its 2023/24 season, Ars Lyrica Houston celebrates 20 Years of Magic with a season dedicated to musical wizardry of various kinds, from wondrous choral works by Carissimi and Charpentier to miraculous chamber pieces by Biber and Bach. The milestone 20th anniversary season closes with a new production of a “magic” opera, Handel’s Amadigi di Gaula, in its Houston premiere.

Purcell, The Fairy Queen: If Loves a Sweet Passion - Eliza Masewicz with Ars Lyrica Houston

Ars Lyrica Houston 2024-01-05 | Ars Lyrica Houston presents excerpts from Henry Purcell's "The Fairy Queen" at the 23/24 season opener.

Featuring:
Nola Richardson, soprano
Eliza Masewicz, soprano ˚
Jay Carter, countertenor
Thomas O’Neill, tenor
Enrico Lagasca, bass-baritone ˚
˚ Ars Lyrica debut

0:00 - If Love's a Sweet Passion, why does it torment?
If a Bitter, oh tell me whence comes my content?
Since I suffer with pleasure, why should I complain,
Or grieve at my Fate, when I know 'tis in vain?
Yet so pleasing the Pain, so soft is the Dart,
That at once it both wounds me, and tickles my Heart.

3:44 - I press her Hand gently, look Languishing down,
And by Passionate Silence I make my Love known.
But oh! I'm Blest when so kind she does prove,
By some willing mistake to discover her Love.
When in striving to hide, she reveals all her Flame,
And our Eyes tell each other, what neither dares Name.

Featuring:
Nola Richardson, soprano
Eliza Masewicz, soprano ˚
Jay Carter, countertenor
Thomas O’Neill, tenor
Enrico Lagasca, bass-baritone ˚
˚ Ars Lyrica debut

"Fallen Angels" (23/24 season opener)
Friday, September 22, 2023 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/fallenangels

Orchestral personnel:
Oboe – Stephen Bard, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Oleg Sulyga, Maria Lin, Andrés González
Violin II – Anabel Detrick (principal 2nd), Alan Austin, Hae-a Lee
Viola – Erika Lawson, Jorge Luis Zapata Marín
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Richard Savino
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC
arslyricahouston.org/fallenangels

Purcell, The Fairy Queen: Now the maids - Jay Carter and Enrico Lagasca with Ars Lyrica Houston

Ars Lyrica Houston 2024-01-05 | Countertenor Jay Carter and bass-baritone Enrico Lagasca perform a hilarious excerpt from Henry Purcell's "The Fairy Queen" with Ars Lyrica Houston.

"Fallen Angels" (23/24 season opener)
Friday, September 22, 2023 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/fallenangels

Libretto

Coridon:
Now the Maids and the Men are making of Hay,
We h've left the dull Fools, and are stolen away.
Then Mopsa no more
Be Coy as before,
But let us merrily Play,
And kiss the sweet time away.

Mopsa:
Why, how now, Sir Clown, what makes you so bold?
I'd have ye to know I'm not made of that mold.
I tell you again,
Maids must never Kiss no Men.
No, no: no Kissing at all;
I'll not Kiss, till I Kiss you for good and all.

Coridon:
Not Kiss you at all?

Mopsa:
No, no, no Kissing at all!

Coridon:
Why no Kissing at all?

Mopsa:
I'll not Kiss, till I Kiss you for good and all.

Coridon:
Should you give me a score,
'Twould not lessen your store,
The bid me chearfully, chearfully Kiss,
And take, and take, my fill of your Bliss.

Mopsa:
I'll not trust you so far, I know you too well;
Should I give you aninch, you'd soon take an Ell.
The Lordlike you Rule,
And laugh as the Fool,
No, no, &c.

Coridon:
So small a Request,
You must not, you cannot, you shall not deny,
Not will I admit of another Reply.

Mopsa:
Nay, what do you mean?
O fie, fie, fie!

Orchestral personnel
Oboe – Stephen Bard, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Oleg Sulyga, Maria Lin, Andrés González
Violin II – Anabel Detrick (principal 2nd), Alan Austin, Hae-a Lee
Viola – Erika Lawson, Jorge Luis Zapata Marín
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Richard Savino
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC
arslyricahouston.org/fallenangels

Purcell, The Fairy Queen: Hush, no more, be silent all - Enrico Lagasca with Ars Lyrica Houston

Ars Lyrica Houston 2024-01-05 | Ars Lyrica Houston presents an excerpt from Henry Purcell's "The Fairy Queen" at the 23/24 season opener.

Featuring:
Nola Richardson, soprano
Eliza Masewicz, soprano ˚
Jay Carter, countertenor
Thomas O’Neill, tenor
Enrico Lagasca, bass-baritone ˚
˚ Ars Lyrica debut

Libretto:
Hush, no more, be silent all,
Sweet Repose has clos'd her Eyes.
Soft as feather'd Snow does fall!
Softly, softly, steal from hence.
No noise disturb her sleeping sence.

"Fallen Angels" (23/24 season opener)
Friday, September 22, 2023 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/fallenangels

Orchestral personnel:
Oboe – Stephen Bard, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Oleg Sulyga, Maria Lin, Andrés González
Violin II – Anabel Detrick (principal 2nd), Alan Austin, Hae-a Lee
Viola – Erika Lawson, Jorge Luis Zapata Marín
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Richard Savino
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC
arslyricahouston.org/fallenangels

Purcell, The Fairy Queen: When I have often heard & Thus Happy and Free - Ars Lyrica Houston

Ars Lyrica Houston 2024-01-05 | Ars Lyrica Houston presents excerpts from Henry Purcell's "The Fairy Queen" at the 23/24 season opener.

Featuring:
Nola Richardson, soprano
Eliza Masewicz, soprano ˚
Jay Carter, countertenor
Thomas O’Neill, tenor
Enrico Lagasca, bass-baritone ˚
˚ Ars Lyrica debut

Excerpts:

Featuring Eliza Masewicz
0:00 - When I have often heard young Maids complaining,
That when Men promise most they most deceive,
The I thought none of them worthy of my gaining;
And what they Swore, resolv'd ne're to believe.
But when so humbly he made his Addresses,
With Looks so soft, and with Language so kind,
I thought it Sin to refuse his Caresses;
Nature o'ercame, and I soon chang'd my Mind.
Should he employ all his wit in deceiving,
Stretch his Invetion, and artfully feign;
I find such Charms, such true Joy in believing,
I'll have the Pleasure, let him have the Pain.
If he proves Prejur'd, I shall not be Cheated,
He may deceive himself, but never me;
'Tis what I look for, and shan't be defeated,
For I'll be as false and inconstant as he.

A Thousand Thousand ways we'll find
To Entertain the Hours;
No Two shall e're be known so kind,
No Life so Blest as ours.

2:42 - Thus Happy and Free,
Thus treated are we
With nature's chiefest Delights.
We nover cloy,
But renew our Joy,
And one Bliss another Invites.

Chorus:
Thus wildly we live,
Thus freely we give,
What Heaven as freely bestows.
We were not made
For Labour and Trade,
Which Fools on each other impose.

"Fallen Angels" (23/24 season opener)
Friday, September 22, 2023 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/fallenangels

Orchestral personnel:
Oboe – Stephen Bard, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Oleg Sulyga, Maria Lin, Andrés González
Violin II – Anabel Detrick (principal 2nd), Alan Austin, Hae-a Lee
Viola – Erika Lawson, Jorge Luis Zapata Marín
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Richard Savino
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC
arslyricahouston.org/fallenangels

Purcell, The Fairy Queen: Act II Excerpts - performed by Ars Lyrica Houston

Ars Lyrica Houston 2024-01-04 | Ars Lyrica Houston presents excerpts from Henry Purcell's "The Fairy Queen" at the 23/24 season opener.

Featuring:
Nola Richardson, soprano
Eliza Masewicz, soprano ˚
Jay Carter, countertenor
Thomas O’Neill, tenor
Enrico Lagasca, bass-baritone ˚
˚ Ars Lyrica debut

Excerpts from Act II:

0:00 - Come all ye Songsters of the Sky,
Wake, and Assemble in this Wood;
But no ill-boding Bird be nigh,
None but the Harmless and the Good.

Trio:
3:20 - May the God of Wit inspire,
The Sacred Nine to bear a part;
And the Blessed Heavenly Quire,
Shew the utmost of their Art.
While Echo shall in sounds remote,
Repeat each Note,
Each Note, each Note.

Chorus:
6:34 - Now joyn your Warbling Voices all.

Song and Chorus:
Sing while we trip it on the Green;
But no ill Vapours rise or fall,
Nothing offend our Fairy Queen.

"Fallen Angels" (23/24 season opener)
Friday, September 22, 2023 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/fallenangels

Orchestral personnel:
Oboe – Stephen Bard, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Oleg Sulyga, Maria Lin, Andrés González
Violin II – Anabel Detrick (principal 2nd), Alan Austin, Hae-a Lee
Viola – Erika Lawson, Jorge Luis Zapata Marín
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Richard Savino
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC
arslyricahouston.org/fallenangels

Purcell, The Fairy Queen: See, even Night her self is here - Nola Richardson & Ars Lyrica Houston

Ars Lyrica Houston 2024-01-04 | Soprano Nola Richardson performs an excerpt from Henry Purcell's "The Fairy Queen" with Ars Lyrica Houston.

Libretto:
See, even Night her self is here,
To favour your Design;
And all her Peaceful Train is near,
That Men to Sleep incline.
Let Noise and Care,
Doubt and Despair,
Envy and Spight,
(The Fiends delight)
Be ever Banish'd hence,
Let soft Repose,
Her Eye-lids close;
And murmuring Streams,
Bring pleasing Dreams;
Let nothing stay to give offence.

"Fallen Angels" (23/24 season opener)
Friday, September 22, 2023 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/fallenangels

Orchestral personnel:
Oboe – Stephen Bard, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Oleg Sulyga, Maria Lin, Andrés González
Violin II – Anabel Detrick (principal 2nd), Alan Austin, Hae-a Lee
Viola – Erika Lawson, Jorge Luis Zapata Marín
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Richard Savino
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC
arslyricahouston.org/fallenangels

Vivaldi, Concerto in G Minor from La Cetra, RV 334 - Elizabeth Blumenstock with Ars Lyrica Houston

Ars Lyrica Houston 2024-01-03 | Baroque violinist Elizabeth Blumenstock performs Antonio Vivaldi's Concerto in G minor from "La Cetra," RV 334 with Ars Lyrica Houston

0:00 - I. Allegro non molto
3:25 - II. Largo
6:49 - III. Allegro non molto

"Fallen Angels" (23/24 season opener)
Friday, September 22, 2023 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/fallenangels

Orchestral personnel:
Oboe – Stephen Bard, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Oleg Sulyga, Maria Lin, Andrés González
Violin II – Anabel Detrick (principal 2nd), Alan Austin, Hae-a Lee
Viola – Erika Lawson, Jorge Luis Zapata Marín
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo – Richard Savino
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC
arslyricahouston.org/fallenangels

About Ars Lyrica Houston

Founded in 1998 by harpsichordist and conductor Matthew Dirst, Ars Lyrica Houston presents a diverse array of music in its original context while creating connections to contemporary life. Imaginative programming features neglected gems alongside familiar masterworks, and extracts the dramatic potential, emotional resonance, and expressive power of music. Its local subscription series, according to the Houston Chronicle, “sets the agenda” for early music in Houston. Ars Lyrica appears regularly at international festivals and conferences because of its distinctive focus, and its pioneering efforts in the field of authentic performance have won international acclaim.

In its 2023/24 season, Ars Lyrica Houston celebrates 20 Years of Magic with a season dedicated to musical wizardry of various kinds, from wondrous choral works by Carissimi and Charpentier to miraculous chamber pieces by Biber and Bach. The milestone 20th anniversary season closes with a new production of a “magic” opera, Handel’s Amadigi di Gaula, in its Houston premiere.

Purcell, In Guilty Night - Ars Lyrica Houston with Nola Richardson, Jay Carter, and Enrico Lagasca

Ars Lyrica Houston 2024-01-03 | Ars Lyrica Houston performs Henry Purcell's "In Guilty Night" at the 2023/24 season opener, Fallen Angels

Friday, September 22, 2023 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

Purchase a digital replay pass to the whole concert at our website: arslyricahouston.org/fallenangels

Featuring:
Nola Richardson, soprano
Jay Carter, countertenor
Enrico Lagasca, baritone ˚
˚ Ars Lyrica debut

Cello – Barrett Sills
Violone – Deborah Dunham
Theorbo – Richard Savino
Harpsichord, organ, conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC
arslyricahouston.org/fallenangels

Program notes by Matthew Dirst
Standing somewhat outside traditional genres, "In Guilty Night" is a musical horror story adapted from the Book of Samuel. Mighty Saul, having led the Israelites to victory multiple times, faces significant challenges in old age. As a decisive battle with the Philistines draws near, he entreats his dead predecessor Samuel through a medium. But for poor Saul the fabled Witch of Endor and the ghost of Samuel offer only gloom and doom.

About Ars Lyrica Houston
Founded in 1998 by harpsichordist and conductor Matthew Dirst, Ars Lyrica Houston presents a diverse array of music in its original context while creating connections to contemporary life. Imaginative programming features neglected gems alongside familiar masterworks, and extracts the dramatic potential, emotional resonance, and expressive power of music. Its local subscription series, according to the Houston Chronicle, “sets the agenda” for early music in Houston. Ars Lyrica appears regularly at international festivals and conferences because of its distinctive focus, and its pioneering efforts in the field of authentic performance have won international acclaim.

In its 2023/24 season, Ars Lyrica Houston celebrates 20 Years of Magic with a season dedicated to musical wizardry of various kinds, from wondrous choral works by Carissimi and Charpentier to miraculous chamber pieces by Biber and Bach. The milestone 20th anniversary season closes with a new production of a “magic” opera, Handel’s Amadigi di Gaula, in its Houston premiere.

Meet the Stars: Bass-baritone Christopher Besch ⭐🎶

Ars Lyrica Houston 2023-12-11 | Get to know one of the bass soloists for Awe & Wonder in this short video!

We are delighted to welcome back Chris, who performed with us at our holiday program last year! Don't miss the chance to hear his "rich resonance of deep bass sound” (DC Theatre Scene) on Tuesday.

Join us!
Tuesday, 12/12 at 7:30pm
St. Philip Presbyterian Church (4807 San Felipe St)
Tickets: Regular $45, Student $15
arslyricahouston.org/aweandwonder

Awe and Wonder features two major works for chorus and orchestra, one on the creation story and the other on the incarnation of Christ. As set to music by C. P. E. Bach, Friedrich Klopstock’s "Morning Song on the Feast of Creation" blends Enlightenment thought with Christian theology, while Marc-Antoine Charpentier’s "Midnight Mass for Christmas" enlivens its canonic text with French carol melodies. Heinrich Biber’s "Serenade of the Nightwatchman" adds an expectant note to this festive holiday program.

Meet the Stars: Soprano Julia Fox ⭐🎶

Ars Lyrica Houston 2023-12-11 | Get to know one of the soprano soloists for Awe & Wonder in this short video!

We are so excited to welcome Julia Fox back after she delighted audiences with her stunning, soaring voice at last year's holiday program.

Join us!
Tuesday, 12/12 at 7:30pm
St. Philip Presbyterian Church (4807 San Felipe St)
Tickets: Regular $45, Student $15
arslyricahouston.org/aweandwonder

Awe and Wonder features two major works for chorus and orchestra, one on the creation story and the other on the incarnation of Christ. As set to music by C. P. E. Bach, Friedrich Klopstock’s "Morning Song on the Feast of Creation" blends Enlightenment thought with Christian theology, while Marc-Antoine Charpentier’s "Midnight Mass for Christmas" enlivens its canonic text with French carol melodies. Heinrich Biber’s "Serenade of the Nightwatchman" adds an expectant note to this festive holiday program.

Meet the Stars: Contralto Sarah Dyer ⭐🎶 #classicalmusic #baroquemusic #singer #contortion #alto

Ars Lyrica Houston 2023-12-11 | Get to know one of the alto soloists for Awe & Wonder in this short video!

We are delighted to welcome back Sarah, who made her debut with Ars Lyrica Houston as the brilliantly expressive Second Witch in “Dido and Aeneas” in May 2022.

Join us!
Tuesday, 12/12 at 7:30pm
St. Philip Presbyterian Church (4807 San Felipe St)
Tickets: Regular $45, Student $15
arslyricahouston.org/aweandwonder

Awe and Wonder features two major works for chorus and orchestra, one on the creation story and the other on the incarnation of Christ. As set to music by C. P. E. Bach, Friedrich Klopstock’s "Morning Song on the Feast of Creation" blends Enlightenment thought with Christian theology, while Marc-Antoine Charpentier’s "Midnight Mass for Christmas" enlivens its canonic text with French carol melodies. Heinrich Biber’s "Serenade of the Nightwatchman" adds an expectant note to this festive holiday program.

Vivaldi performs Winter from Marias Magical Music Adventure

Ars Lyrica Houston 2023-12-01 | From "Maria's Magical Music Adventure,” a children's play co-produced by Ars Lyrica Houston and Express Children's Theatre, presented at the ExxonMobil Discovery Series at the Hobby Center for the Performing Arts. Song written by Emma Kent Wine.

In this excerpt, Vivaldi has just taught the audience about Melody, Texture, Dynamics, and Rhythm. Join him and his magical musician friends to hear how all the elements of music sound together in "Winter" from Vivaldi's The Four Seasons.

Cast:
Rachel Shukan as Maria
Darian Wes as Carlos
Coral Hernandez Longoria as Allegra
Andrés González as Antonio Vivaldi
Joanna Becker, violin
Maria Lin, viola
Matthew Dudzik, cello

Adapted from Emma Kent Wine's children's book of the same title, "Maria's Magical Music Adventure" follows the journey of a young Latina girl named Maria as she and her hip-hop loving brother Carlos embark on a time-traveling trip back to 17th century Italy. Their tour guide is Allegra, a magical violinist who acts as Maria's musical fairy godmother. Maria meets composer Antonio Vivaldi who is currently in the process of composing his musical masterpiece "The Four Seasons." Aided by Vivaldi and Allegra’s magical string quartet, Maria and Carlos learn about the power of music and the importance of finding one's voice.

"Maria’s Magical Music Adventure" offers a multitude of musical genres that all intertwine to create a beautiful story of self-confidence and pride in oneself. Maria wants to compose music, but doesn’t know how, leading her on a journey that results in her composing her own concerto with the help of Antonio Vivaldi. The final composition becomes a collaborative Sing-Along performance between the actors onstage and you, the audience. Watch this video to learn the song with us and be a part of the magic!

arslyricahouston.org/maria/play

Emma Kent Wine, Composer, arranger and author
Tim Fried-Fiori, Director and Playwright

Video by BEND Productions

I am brave from Marias Magical Music Adventure

Ars Lyrica Houston 2023-10-18 | From "Maria's Magical Music Adventure,” a children's play co-produced by Ars Lyrica Houston and Express Children's Theatre, presented at the ExxonMobil Discovery Series at the Hobby Center for the Performing Arts. Song written by Emma Kent Wine.

Lyrics:
I am brave
I will do great things today
With my friends and family
I am proud of me!

Adapted from Emma Kent Wine's children's book of the same title, "Maria's Magical Music Adventure" follows the journey of a young Latina girl named Maria as she and her hip-hop loving brother Carlos embark on a time-traveling trip back to 17th century Italy. Their tour guide is Allegra, a magical violinist who acts as Maria's musical fairy godmother. Maria meets composer Antonio Vivaldi who is currently in the process of composing his musical masterpiece "The Four Seasons." Aided by Vivaldi and Allegra’s magical string quartet, Maria and Carlos learn about the power of music and the importance of finding one's voice.

"Maria’s Magical Music Adventure" offers a multitude of musical genres that all intertwine to create a beautiful story of self-confidence and pride in oneself. Maria wants to compose music, but doesn’t know how, leading her on a journey that results in her composing her own concerto with the help of Antonio Vivaldi. The final composition becomes a collaborative Sing-Along performance between the actors onstage and you, the audience. Watch this video to learn the song with us and be a part of the magic!

arslyricahouston.org/maria/play

Cast:
Rachel Shukan as Maria
Darian Wes as Carlos
Coral Hernandez Longoria as Allegra
Andrés González as Antonio Vivaldi
Joanna Becker, violin
Maria Lin, viola
Matthew Dudzik, cello

Emma Kent Wine, Composer, arranger and author
Tim Fried-Fiori, Director and Playwright

Video by BEND Productions

Concert Preview: Artistic Director Matthew Dirst speaks about Fallen Angels (9/22/23)

Ars Lyrica Houston 2023-09-12 | Artistic Director Matthew Dirst talks about three programmed pieces on Ars Lyrica Houston's 23/24 season opener "Fallen Angels" (Friday, 9/22 at 7:30 pm CT in Zilkha Hall, The Hobby Center).

Join us with in-person or digital tickets today!
arslyricahouston.org/fallenangels

"Fallen Angels" highlights the paranormal in Baroque music, from Giacomo Carissimi’s harrowing "Judgement of Solomon" to spirited masques from Henry Purcell’s "Fairy Queen." With five extraordinary singers and a colorful Baroque orchestra of period strings and winds, this otherworldly program inaugurates an entire season devoted to musical magic of various kinds.

Featuring:
Nola Richardson, soprano
Eliza Masewicz, soprano ˚
Jay Carter, countertenor
Thomas O’Neill, tenor
Enrico Lagasca, bass-baritone ˚

˚ Ars Lyrica debut

On the program:
Giacomo Carissimi, Judicium Salomonis
Alessandro Scarlatti, Cello Sonata in C minor
Henry Purcell, In Guilty Night
Vivaldi, Op. 9 “La cetra,” Violin Concerto in G Minor, RV 334
Henry Purcell, Excerpts from The Fairy Queen

Background music from Ars Lyrica Houston's performance of Purcell's "Dido and Aeneas."

Alessandro Scarlatti, La sposa dei cantici - Ars Lyrica Houston, Matthew Dirst

Ars Lyrica Houston 2023-09-08 | Ars Lyrica Houston
Matthew Dirst, Artistic Director
arslyricahouston.org/lasposadeicantici

SPOSA—Meghan Lindsay, soprano
SPOSO—John Holiday, countertenor
ARMOR DIVINO—Jay Carter, countertenor
ETERNITÀ—Ryland Angel, countertenor

PART 1
0:00 Sinfonia, Largo-Presto
1:02 Sinfonia, Allegro
3:08 “Se la fiamma che m’avviva”. Aria, SPOSA
5:54 “Lumi dolenti, lumi”, Recitative. SPOSA
7:04 “Dorme la mia diletta”. Accompagnato, SPOSO
8:35 “Qui fra tanto ai fiori in seno”. Aria, SPOSO
10:54 “S’ama sì la tua sposa e se tu l’ami”. Recitative, AMOR
11:50 “Come il sol nei rai nel fonte”. Aria, AMOR
13:36 Largo e staccato: Orrido
13:51 “Ohime qual tormentosa”. Recitative, SPOSA
14:56 “Fide amiche donzellette”. Aria, SPOSA
19:17 “De passati tormenti, in sogno ancora”. Recitative, AMOR
20:09 “Tu paventi e ancor non senti”. Aria, AMOR
22:32 “Vicino è il mio conforto”. Recitative, SPOSA, SPOSO
22:47 “Non fidarti del tuo ciglio”. Aria, SPOSO
25:11 “Per monti e valli”. Recitative, SPOSA, SPOSO
26:15 “Dunque fa ch’al alto impero”. Concertino e Duet, SPOSA, SPOSO
27:43 “Se a parte fosti del mio duolo in vita”. Recitative, SPOSO
28:11 “Mi dirai tutte le pene”. Aria, SPOSO
30:56 “Meco al pari e chi disprezza”. Aria, ETERNITÀ
33:52 “Ne’ chiusi Regni mie”. Recitative, ETERNITÀ, AMORE
34:59 “Al lieto grido”. Aria, AMOR
37:08 “Sant’Amor, se pur sei”. Accompagnato, ETERNITÀ
38:13 “Venga e regni, se regina la destina”. Aria, ETERNITÀ

PART 2
41:02 “Qual colomba al caro nido”. Aria, SPOSA
43:52 “Del deserto natio dove gran tempo”. Recitative, SPOSA
45:06 “Che costei ch’oltre il costume”. Duet, ETERNITÀ, AMOR
47:45 “Sì quella appunto, ch’il pudico petto”. Recitative, AMOR
48:17 “Chi ad amarla destinò”. Aria, AMOR
50:25 “Pria che l’estremo giorno”. Recitative, SPOSO
51:11 “Vieni, vieni, e porta al cielo”. Aria, SPOSO
53:54 “Morte non già la mia catena ha sciolta”. Recitative, SPOSA
55:01 “Quando il tutto era in te solo”. Aria, SPOSA
57:57 “O voi, che l’universo”. Recitative, AMOR
58:48 “Ecco già ch’ella s’en viene”. Duet, AMOR, ETERNITÀ
1:00:00 “Fra le angeliche schiere”. Recitative, ETERNITÀ
1:02:03 “Come al crine d’eroe”. Aria, ETERNITÀ
1:04:58 “Vi son pur giunta, oh cara, cara, cara”. Recitative, SPOSA
1:06:15 “Fortunati miei sospiri”. Aria, SPOSA
1:09:49 “Tutto sparso di raggio il real manto”. Recitative, SPOSO
1:11:01 “Se l’invitta mia guerriera”. Aria, SPOSO
1:13:29 “S’apran le chiuse porte”. Recitative, AMOR
1:14:09 “Sciolta è già l’aspra catena”. Aria, AMOR
1:15:55 “E voi, ch’in notte oscura”. Recitative, ETERNITÀ
1:16:53 “Come il sole fra nubi celato”. Aria, ETERNITÀ
1:20:09 “Vergine fortunata, i tuoi bei lumi”. Recitative, SPOSO
1:21:51 “Dolce nome, amato figlio”. Duet Sposo & Sposa

APL53721 ℗ & © 2023 Acis Productions LLC. All rights reserved.

Artistic Director Matthew Dirst speaks about the upcoming 23/24 season: 20 Years of Magic

Ars Lyrica Houston 2023-08-24 | Join us in-person or digitally for our 20th anniversary season, 20 Years of Magic, with a subscription purchase today! arslyricahouston.org/2324subscriptions

About "20 Years of Magic":
Twenty years ago, an enterprising group of musicians and their supporters launched into the Houston arts ecosphere something new: an ensemble devoted to music from the seventeenth and eighteenth centuries, the “golden age” of lyric art for voices and instruments. Since that time, Ars Lyrica Houston has grown steadily—from a small nucleus of musicians-for-hire into an organization with an international reputation for creative excellence. 20 Years of Magic celebrates this milestone with musical wizardry of various kinds, from wondrous choral works by Carissimi and Charpentier to miraculous chamber pieces by Biber and Bach. We’re especially pleased to offer a new production of a “magic” opera: Handel’s Amadigi di Gaula, in its Houston premiere.

Subscriptions are available now! Purchase a 6-concert or 4-concert package here. Subscribers enjoy the best benefits, including discounts on tickets to individual concerts and the Post-Opera Soirée, choice of seating in Zilkha Hall, and priority seating for programs at St Philip Presbyterian Church and Rice University. Subscribers are also invited to attend post-concert receptions with the artists.

Ars Lyrica’s 20th anniversary owes much to a network of generous supporters, who have made possible increasingly ambitious programming, a portfolio of diverse outreach activities, newly commissioned period instruments, and biennial operatic productions. Become part of the Ars Lyrica family as you ensure a bright future for period-instrument performance and world-class Baroque opera in Houston.

Virtual Panel on Bachs The Well-Tempered Clavier, Book 1 Recording Project

Ars Lyrica Houston 2023-08-15 | Ars Lyrica Houston Artistic Director Matthew Dirst is joined by harpsichord builder John Phillips (Berkeley, California) and scholar David Yearsley (Cornell University) to discuss Bach's The Well-Tempered Clavier, Book 1. Rewatch the virtual discussion here!

Check out our webpage for links to recordings, written and spoken commentary on each movement, and more: arslyricahouston.org/welltemperedclavier

About the project:

Ars Lyrica Houston celebrated the 300th anniversary of Bach’s The Well-Tempered Clavier, Book 1 (1722) with a first-of-its-kind project: a video recording of the entire volume to feature a single performer on an instrument inspired by those from Bach’s own environment, with commentary from the performer, who is also a leading scholar of this music.

The harpsichord, with its elaborate marquetry and decoration in the style of Baroque Dresden, is an ideal match for the sumptuous interiors of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. Three recording sessions with music and commentary professionally recorded by Bend Productions, LLC and Shannon Smith featured different parts of the museum, giving visual variety to the entire project, and two intimate live performances at Rienzi transported audiences back in time.

This project is funded in part by the City of Houston through Houston Arts Alliance.

Handel, Clori, Tirsi, e Fileno: Final trio Vivere e non amar - Ars Lyrica Houston

Ars Lyrica Houston 2023-08-02 | Sunday, March 26, 2023 at 4 PM
Zilkha Hall, The Hobby Center for the Performing Arts

Featuring:
Key'mon Murrah, countertenor – Clori º
Lauren Snouffer, soprano – Tirsi
Cecelia McKinley, contralto – Fileno º

º Ars Lyrica debut

This delightful musical romp includes spectacular arias that the composer later borrowed for his Italian operas. A cast of young operatic stars, all singing en travesti as the opposite gender, brings a new twist to this timeless story of a wily shepherdess and her two suitors.

For more information and to watch the full broadcast of Handel's oratorio: arslyricahouston.org/clori

Orchestral personnel:
Oboe/recorder – Geoffrey Burgess, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Stephen Redfield (concertmaster), Maria Lin, Kurt Johnson, Hae-a Lee
Violin II – Oleg Sulyga (principal 2nd), Alan Austin, Andrés González, Anabel Detrick
Viola – Erika Lawson, Yvonne Smith
Cello – Barrett Sills, Eric Taeyung Mun
Theorbo/guitar – Michael Leopold
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC

arslyricahouston.org

Handel, Clori, Tirsi, e Fileno: Duet Fermati! / No crudel! - Keymon Murrah and Lauren Snouffer

Ars Lyrica Houston 2023-08-02 | Sunday, March 26, 2023 at 4 PM
Zilkha Hall, The Hobby Center for the Performing Arts

Countertenor Key'mon Murrah and soprano Lauren Snouffer perform as Clori and Tisi in Ars Lyrica Houston's performance of Handel's oratorio "Clori, Tirsi, e Fileno."

In this impassioned opening to Part II, Clori is pursuing a jilted and angry Tirsi, who understandably wants nothing further to do with such a fickle partner.

This delightful musical romp includes spectacular arias that the composer later borrowed for his Italian operas. A cast of young operatic stars, all singing en travesti as the opposite gender, brings a new twist to this timeless story of a wily shepherdess and her two suitors.

Featuring:
Key'mon Murrah, countertenor – Clori º
Lauren Snouffer, soprano – Tirsi
Cecelia McKinley, contralto – Fileno º

º Ars Lyrica debut

For more information and to watch the full broadcast of Handel's oratorio: arslyricahouston.org/clori

Orchestral personnel:
Oboe/recorder – Geoffrey Burgess, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Stephen Redfield (concertmaster), Maria Lin, Kurt Johnson, Hae-a Lee
Violin II – Oleg Sulyga (principal 2nd), Alan Austin, Andrés González, Anabel Detrick
Viola – Erika Lawson, Yvonne Smith
Cello – Barrett Sills, Eric Taeyung Mun
Theorbo/guitar – Michael Leopold
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC

arslyricahouston.org

Handel, Clori, Tirsi, e Fileno: Son come que nocchiero - Cecelia McKinley with Ars Lyrica

Ars Lyrica Houston 2023-08-02 | Sunday, March 26, 2023 at 4 PM
Zilkha Hall, The Hobby Center for the Performing Arts

Contralto Cecilia McKinley performs as Fileno in Ars Lyrica Houston's performance of Handel's oratorio "Clori, Tirsi, e Fileno."

00:00 Recitative (Fileno, Clori): Dunque sperando in vano
00:43 Aria (Fileno): Son como que nocchiero

This delightful musical romp includes spectacular arias that the composer later borrowed for his Italian operas. A cast of young operatic stars, all singing en travesti as the opposite gender, brings a new twist to this timeless story of a wily shepherdess and her two suitors.

Featuring:
Key'mon Murrah, countertenor – Clori º
Lauren Snouffer, soprano – Tirsi
Cecelia McKinley, contralto – Fileno º

º Ars Lyrica debut

For more information and to watch the full broadcast of Handel's oratorio: arslyricahouston.org/clori

Orchestral personnel:
Oboe/recorder – Geoffrey Burgess, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Stephen Redfield (concertmaster), Maria Lin, Kurt Johnson, Hae-a Lee
Violin II – Oleg Sulyga (principal 2nd), Alan Austin, Andrés González, Anabel Detrick
Viola – Erika Lawson, Yvonne Smith
Cello – Barrett Sills, Eric Taeyung Mun
Theorbo/guitar – Michael Leopold
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC

arslyricahouston.org

Handel, Clori, Tirsi, e Fileno: Aria Va col canto lusingando - Keymon Murrah with Ars Lyrica

Ars Lyrica Houston 2023-08-02 | Sunday, March 26, 2023 at 4 PM
Zilkha Hall, The Hobby Center for the Performing Arts

Countertenor Key'mon Murrah performs as Clori in Ars Lyrica Houston's performance of Handel's oratorio "Clori, Tirsi, e Fileno."

This delightful musical romp includes spectacular arias that the composer later borrowed for his Italian operas. A cast of young operatic stars, all singing en travesti as the opposite gender, brings a new twist to this timeless story of a wily shepherdess and her two suitors.

Featuring:
Key'mon Murrah, countertenor – Clori º
Lauren Snouffer, soprano – Tirsi
Cecelia McKinley, contralto – Fileno º

º Ars Lyrica debut

For more information and to watch the full broadcast of Handel's oratorio: arslyricahouston.org/clori

Orchestral personnel:
Oboe/recorder – Geoffrey Burgess, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Stephen Redfield (concertmaster), Maria Lin, Kurt Johnson, Hae-a Lee
Violin II – Oleg Sulyga (principal 2nd), Alan Austin, Andrés González, Anabel Detrick
Viola – Erika Lawson, Yvonne Smith
Cello – Barrett Sills, Eric Taeyung Mun
Theorbo/guitar – Michael Leopold
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC

arslyricahouston.org

Handel, Clori, Tirsi, e Fileno: Tirsis aria Quellerbetta - Lauren Snouffer with Ars Lyrica

Ars Lyrica Houston 2023-08-02 | Sunday, March 26, 2023 at 4 PM
Zilkha Hall, The Hobby Center for the Performing Arts

Soprano Lauren Snouffer performs as Tirsi in Ars Lyrica Houston's performance of Handel's oratorio "Clori, Tirsi, e Fileno."

00:00 Recitative: Povero Tirsi
00:44 Aria: Quell’erbetta

This delightful musical romp includes spectacular arias that the composer later borrowed for his Italian operas. A cast of young operatic stars, all singing en travesti as the opposite gender, brings a new twist to this timeless story of a wily shepherdess and her two suitors.

Featuring:
Key'mon Murrah, countertenor – Clori º
Lauren Snouffer, soprano – Tirsi
Cecelia McKinley, contralto – Fileno º

º Ars Lyrica debut

For more information and to watch the full broadcast of Handel's oratorio: arslyricahouston.org/clori

Orchestral personnel:
Oboe/recorder – Geoffrey Burgess, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Stephen Redfield (concertmaster), Maria Lin, Kurt Johnson, Hae-a Lee
Violin II – Oleg Sulyga (principal 2nd), Alan Austin, Andrés González, Anabel Detrick
Viola – Erika Lawson, Yvonne Smith
Cello – Barrett Sills, Eric Taeyung Mun
Theorbo/guitar – Michael Leopold
Harpsichord/conductor – Matthew Dirst
Surtitles – Jenna Wallis

Video and audio by BEND Productions, LLC

arslyricahouston.org

Vivaldi, Stabat Mater RV 621 - Countertenor Aryeh Nussbaum Cohen with Ars Lyrica Houston

Ars Lyrica Houston 2023-04-20 | Saturday, November 12, 2022 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

For more information and to watch the full broadcast of the all-Vivaldi program: arslyricahouston.org/redpriest

Featuring:
Aryeh Nussbaum Cohen, countertenor

Orchestral personnel:
Horn – James Wilson, Nathanael Udell
Oboe/recorder – Kathryn Montoya, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Maria Lin, Hae-a Lee, Kana Kimura
Violin II – Oleg Sulyga (principal 2nd), Alan Austin, Joanna Becker
Viola – James Dunham, Erika Lawson
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo/Baroque guitar – Michael Leopold
Harpsichord/conductor – Matthew Dirst

Surtitles – Jenna Wallis
Video and audio by BEND Productions, LLC

arslyricahouston.org/redpriest

Guess whos singing - Handels Clori, Tirsi, e Fileno promo

Ars Lyrica Houston 2023-03-25 | We invite you to play a little game with us ahead of our concert, Handel's "Clori, Tirsi, e Fileno," on Sunday, March 26 at 4 pm.

Listen to our three fabulous soloists - soprano Lauren Snouffer, countertenor Key'mon Murrah, and contralto Cecelia McKinley - and guess who's singing when!

In-person and digital tickets are still available now: arslyricahouston.org/clori

Vivaldi, Concerto in F Major RV 571 Mvt.III Allegro - Elizabeth Blumenstock with Ars Lyrica Houston

Ars Lyrica Houston 2023-03-23 | Vivaldi, Concerto in F Major RV 571 Mvt. III Allegro - Elizabeth Blumenstock with Ars Lyrica Houston

Red Priest of Venice
Saturday, November 12, 2022 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

PROGRAM BOOKLET: arslyricahouston.org/s/Red-Priest-Program-Booklet.pdf

Orchestral personnel:
Horn – James Wilson, Nathanael Udell
Oboe/recorder – Kathryn Montoya, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Maria Lin, Hae-a Lee, Kana Kimura
Violin II – Oleg Sulyga (principal 2nd), Alan Austin, Joanna Becker
Viola – James Dunham, Erika Lawson
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo/Baroque guitar – Michael Leopold
Harpsichord/conductor – Matthew Dirst

Video and audio by BEND Productions, LLC
arslyricahouston.org/redpriest

Contralto Cecelia McKinley says hello before her Ars Lyrica debut in Clori, Tirsi, e Fileno

Ars Lyrica Houston 2023-03-23 | We're so excited to welcome contralto Cecelia McKinley back to Houston for her Ars Lyrica debut as the role of Fileno in Handel's "Clori, Tirsi, e Fileno."

Sunday, March 26 at 4pm CDT
Zilkha Hall, The Hobby Center for the Performing Arts

A delightful musical romp, Handel's "Clori, Tirsi e Fileno" includes spectacular arias that the composer later borrowed for his Italian operas. A cast of young operatic stars, all singing en travesti as the opposite gender, brings a new twist to this timeless story of a wily shepherdess and her two suitors.

Featuring:
Key’mon Murrah, countertenor ˚
Lauren Snouffer, soprano
Cecelia McKinley, contralto ˚

˚ Ars Lyrica debut

In-person and digital tickets are available now at arslyricahouston.org/clori

Handel, Aminta e Fillide: Amintas Aria Chi ben ama non paventi with Lauren Snouffer

Ars Lyrica Houston 2023-03-17 | Friday, May 21, 2021 at 7:30 pm
St Philip Presbyterian Church, Houston, TX

Program notes, texts, translations: arslyricahouston.org/s/Idyll-Intrigue-Program-Booklet.pdf

Soprano Lauren Snouffer sings an aria from Handel's delightful cantata "Aminta e Fillide," HWV 83: "Chi ben ama non paventi" with Ars Lyrica Houston, a Baroque ensemble specializing in historically informed performances on period instruments.

Full concert broadcast: youtube.com/watch?v=6vKNtKalgjQ&t=0s

Featuring:
Lauren Snouffer, soprano (Aminta)

Baroque orchestra:
Kurt Johnson, concertmaster
Maria Lin & Hae-a Lee, violin I
Stephanie Noori & Alan Austin, violin II
James Dunham & Erika Lawson, viola
Barrett Sills & Eric Smith, cello
Deborah Dunham violone
Richard Savino, theorbo & Baroque guitar
Matthew Dirst, harpsichord & artistic director

Video and audio by BEND Productions, LLC
www.arslyricahouston.org

Vivaldi, Concerto in F Major RV 571 Mvt. II Largo - Elizabeth Blumenstock with Ars Lyrica Houston

Ars Lyrica Houston 2023-03-17 | Saturday, November 12, 2022 at 7:30 pm
Zilkha Hall, The Hobby Center for the Performing Arts

PROGRAM BOOKLET: arslyricahouston.org/s/Red-Priest-Program-Booklet.pdf

Orchestral personnel:
Horn – James Wilson, Nathanael Udell
Oboe/recorder – Kathryn Montoya, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock (concertmaster), Maria Lin, Hae-a Lee, Kana Kimura
Violin II – Oleg Sulyga (principal 2nd), Alan Austin, Joanna Becker
Viola – James Dunham, Erika Lawson
Cello – Barrett Sills, Eric Taeyung Mun
Violone – Deborah Dunham
Theorbo/Baroque guitar – Michael Leopold
Harpsichord/conductor – Matthew Dirst

Video and audio by BEND Productions, LLC
arslyricahouston.org/redpriest

J.S. Bach, The Well-Tempered Clavier Book 1: Prelude and Fugue in B Minor, BWV 869

Ars Lyrica Houston 2023-03-12 | J.S. Bach, Prelude and Fugue in B Minor, BWV 869
from The Well-Tempered Clavier, Book 1 (1722) by Johann Sebastian Bach (1685–1750)
Filmed at Rienzi, Museum of Fine Arts, Houston

Featuring Matthew Dirst, harpsichord

0:00 Prelude
4:48 Fugue

Listen to Matthew Dirst's commentary: youtu.be/1KPb8oeHZvw?t=63

Over the course of one year (from May 2021 to June 2022), Ars Lyrica Artistic Director Matthew Dirst performed and recorded the entirety of Book 1 of J.S. Bach's Well-Tempered Clavier in the sumptuous surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. The featured instrument, inspired by the work of the Gräbner family in Dresden in the early eighteenth century, is visually and acoustically stunning, a perfect complement to the Baroque-era décor at Rienzi.

Single-manual harpsichord by John Phillips with decoration by Janine Johnson (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Ryan Edwards and Shannon Smith

www.arslyricahouston.org

J.S. Bach, The Well-Tempered Clavier Book 1: Prelude and Fugue in A-Flat Major, BWV 862

Ars Lyrica Houston 2023-03-12 | J.S. Bach, Prelude and Fugue in A-Flat Major, BWV 862
from The Well-Tempered Clavier, Book 1 (1722) by Johann Sebastian Bach (1685–1750)
Filmed at Rienzi, Museum of Fine Arts, Houston

Featuring Matthew Dirst, harpsichord

0:00 Prelude
1:29 Fugue

Listen to Matthew Dirst's commentary: youtu.be/whT6EnYk5Io?t=34

Over the course of one year (from May 2021 to June 2022), Ars Lyrica Artistic Director Matthew Dirst performed and recorded the entirety of Book 1 of J.S. Bach's Well-Tempered Clavier in the sumptuous surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. The featured instrument, inspired by the work of the Gräbner family in Dresden in the early eighteenth century, is visually and acoustically stunning, a perfect complement to the Baroque-era décor at Rienzi.

Single-manual harpsichord by John Phillips with decoration by Janine Johnson (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Ryan Edwards and Shannon Smith

www.arslyricahouston.org

J.S. Bach, The Well-Tempered Clavier Book 1: Prelude and Fugue in B Major, BWV 868

Ars Lyrica Houston 2023-03-12 | J.S. Bach, Prelude and Fugue in B Major, BWV 868
from The Well-Tempered Clavier, Book 1 (1722) by Johann Sebastian Bach (1685–1750)
Filmed at Rienzi, Museum of Fine Arts, Houston

Featuring Matthew Dirst, harpsichord

0:00 Prelude
1:07 Fugue

Listen to Matthew Dirst's commentary: youtu.be/YPI7LbmplKs?t=23

Over the course of one year (from May 2021 to June 2022), Ars Lyrica Artistic Director Matthew Dirst performed and recorded the entirety of Book 1 of J.S. Bach's Well-Tempered Clavier in the sumptuous surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. The featured instrument, inspired by the work of the Gräbner family in Dresden in the early eighteenth century, is visually and acoustically stunning, a perfect complement to the Baroque-era décor at Rienzi.

Single-manual harpsichord by John Phillips with decoration by Janine Johnson (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Ryan Edwards and Shannon Smith

www.arslyricahouston.org

J.S. Bach, The Well-Tempered Clavier Book 1: Prelude and Fugue in E Major, BWV 854

Ars Lyrica Houston 2023-03-12 | J.S. Bach, Prelude and Fugue in E Major, BWV 854
from The Well-Tempered Clavier, Book 1 (1722) by Johann Sebastian Bach (1685–1750)
Filmed at Rienzi, Museum of Fine Arts, Houston

Featuring Matthew Dirst, harpsichord

0:00 Prelude
1:29 Fugue

Listen to Matthew Dirst's commentary: youtu.be/2F6TDGFV7m4?t=23

Over the course of one year (from May 2021 to June 2022), Ars Lyrica Artistic Director Matthew Dirst performed and recorded the entirety of Book 1 of J.S. Bach's Well-Tempered Clavier in the sumptuous surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. The featured instrument, inspired by the work of the Gräbner family in Dresden in the early eighteenth century, is visually and acoustically stunning, a perfect complement to the Baroque-era décor at Rienzi.

Single-manual harpsichord by John Phillips with decoration by Janine Johnson (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Ryan Edwards and Shannon Smith

www.arslyricahouston.org

J.S. Bach, The Well-Tempered Clavier Book 1: Prelude and Fugue in B-Flat Minor, BWV 867

Ars Lyrica Houston 2023-03-12 | J.S. Bach, Prelude and Fugue in B-Flat Minor, BWV 867
from The Well-Tempered Clavier, Book 1 (1722) by Johann Sebastian Bach (1685–1750)
Filmed at Rienzi, Museum of Fine Arts, Houston

Featuring Matthew Dirst, harpsichord

0:00 Prelude
2:25 Fugue

Listen to Matthew Dirst's commentary: youtu.be/2F6TDGFV7m4?t=62

Over the course of one year (from May 2021 to June 2022), Ars Lyrica Artistic Director Matthew Dirst performed and recorded the entirety of Book 1 of J.S. Bach's Well-Tempered Clavier in the sumptuous surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. The featured instrument, inspired by the work of the Gräbner family in Dresden in the early eighteenth century, is visually and acoustically stunning, a perfect complement to the Baroque-era décor at Rienzi.

Single-manual harpsichord by John Phillips with decoration by Janine Johnson (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Ryan Edwards and Shannon Smith

www.arslyricahouston.org

J.S. Bach, The Well-Tempered Clavier Book 1: Prelude and Fugue in G-Sharp Minor, BWV 863

Ars Lyrica Houston 2023-03-12 | J.S. Bach, Prelude and Fugue in G-Sharp Minor, BWV 863
from The Well-Tempered Clavier, Book 1 (1722) by Johann Sebastian Bach (1685–1750)
Filmed at Rienzi, Museum of Fine Arts, Houston

Featuring Matthew Dirst, harpsichord

0:00 Prelude
1:52 Fugue

Listen to Matthew Dirst's commentary: youtu.be/YPI7LbmplKs?t=56

Over the course of one year (from May 2021 to June 2022), Ars Lyrica Artistic Director Matthew Dirst performed and recorded the entirety of Book 1 of J.S. Bach's Well-Tempered Clavier in the sumptuous surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. The featured instrument, inspired by the work of the Gräbner family in Dresden in the early eighteenth century, is visually and acoustically stunning, a perfect complement to the Baroque-era décor at Rienzi.

Single-manual harpsichord by John Phillips with decoration by Janine Johnson (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Ryan Edwards and Shannon Smith

www.arslyricahouston.org

J.S. Bach, The Well-Tempered Clavier Book 1: Prelude and Fugue in E-Flat Minor, BWV 853

Ars Lyrica Houston 2023-03-12 | J.S. Bach, Prelude and Fugue in E-Flat Minor, BWV 853
from The Well-Tempered Clavier, Book 1 (1722) by Johann Sebastian Bach (1685–1750)
Filmed at Rienzi, Museum of Fine Arts, Houston

Featuring Matthew Dirst, harpsichord

0:00 Prelude
3:12 Fugue

Listen to Matthew Dirst's commentary: youtu.be/whT6EnYk5Io?t=76

Over the course of one year (from May 2021 to June 2022), Ars Lyrica Artistic Director Matthew Dirst performed and recorded the entirety of Book 1 of J.S. Bach's Well-Tempered Clavier in the sumptuous surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. The featured instrument, inspired by the work of the Gräbner family in Dresden in the early eighteenth century, is visually and acoustically stunning, a perfect complement to the Baroque-era décor at Rienzi.

Single-manual harpsichord by John Phillips with decoration by Janine Johnson (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Ryan Edwards and Shannon Smith

www.arslyricahouston.org

J.S. Bach, The Well-Tempered Clavier Book 1: Prelude and Fugue in D Major, BWV 850

Ars Lyrica Houston 2023-03-12 | J.S. Bach, Prelude and Fugue in D Major, BWV 850
from The Well-Tempered Clavier, Book 1 (1722) by Johann Sebastian Bach (1685–1750)
Filmed at Rienzi, Museum of Fine Arts, Houston

Featuring Matthew Dirst, harpsichord

0:00 Prelude
1:54 Fugue

Listen to Matthew Dirst's commentary: youtu.be/1KPb8oeHZvw?t=23

Over the course of one year (from May 2021 to June 2022), Ars Lyrica Artistic Director Matthew Dirst performed and recorded the entirety of Book 1 of J.S. Bach's Well-Tempered Clavier in the sumptuous surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. The featured instrument, inspired by the work of the Gräbner family in Dresden in the early eighteenth century, is visually and acoustically stunning, a perfect complement to the Baroque-era décor at Rienzi.

Single-manual harpsichord by John Phillips with decoration by Janine Johnson (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Ryan Edwards and Shannon Smith

www.arslyricahouston.org

Handel, Aminta e Fillide: Aria Al dispetto di sorte crudele by Lauren Snouffer and Ars Lyrica

Ars Lyrica Houston 2023-03-08 | Friday, May 21, 2021 at 7:30 pm
St Philip Presbyterian Church, Houston, TX

Program notes, texts, translations: arslyricahouston.org/s/Idyll-Intrigue-Program-Booklet.pdf

Soprano Lauren Snouffer sings an aria "Al dispetto di sorte crudele" from Handel's delightful cantata "Aminta e Fillide," HWV 83 with Ars Lyrica Houston, a Baroque ensemble specializing in historically informed performances on period instruments.

Full concert broadcast: youtu.be/6vKNtKalgjQ

Artistic personnel:
Lauren Snouffer, soprano (Aminta)

Baroque orchestra:
Kurt Johnson, concertmaster
Maria Lin & Hae-a Lee, violin I
Stephanie Noori & Alan Austin, violin II
James Dunham & Erika Lawson, viola
Barrett Sills & Eric Smith, cello
Deborah Dunham violone
Richard Savino, theorbo & Baroque guitar
Matthew Dirst, harpsichord & artistic director

Video and audio by BEND Productions, LLC
www.arslyricahouston.org

Handel, Aminta e Fillide: Aria Se vago rio by Lauren Snouffer and Ars Lyrica Houston

Ars Lyrica Houston 2023-03-01 | Friday, May 21, 2021 at 7:30 pm
St Philip Presbyterian Church, Houston, TX

Program notes, texts, translations: arslyricahouston.org/s/Idyll-Intrigue-Program-Booklet.pdf

Soprano Lauren Snouffer sings an aria from Handel's delightful cantata "Aminta e Fillide," HWV 83: "Se vago rio" with Ars Lyrica Houston, a Baroque ensemble specializing in historically informed performances on period instruments.

Full concert broadcast: youtu.be/6vKNtKalgjQ

Featuring:
Lauren Snouffer, soprano (Aminta)

Baroque orchestra:
Kurt Johnson, concertmaster
Maria Lin & Hae-a Lee, violin I
Stephanie Noori & Alan Austin, violin II
James Dunham & Erika Lawson, viola
Barrett Sills & Eric Smith, cello
Deborah Dunham violone
Richard Savino, theorbo & Baroque guitar
Matthew Dirst, harpsichord & artistic director

Video and audio by BEND Productions, LLC
www.arslyricahouston.org

Handel, Concerto Grosso for Alexander’s Feast - performed by Ars Lyrica Houston

Ars Lyrica Houston 2023-02-16 | George Frideric Handel, Concerto Grosso for Alexander’s Feast, HWV 318

Performed by Ars Lyrica Houston on Friday, September 23, 2022 at Zilkha Hall, The Hobby Center for the Performing Arts

Season opening concert: Hail, Bright Cecilia!
PROGRAM BOOKLET: arslyricahouston.org/s/Cecilia-Program-Booklet.pdf

Orchestral personnel:
Oboe/recorder – Kathryn Montoya, Pablo Moreno
Bassoon – Benjamin Kamins
Violin I – Elizabeth Blumenstock, concertmaster, Maria Lin, Matthew Detrick, Joanna Becker
Violin II – Oleg Sulyga, principal 2nd, Alan Austin, Laura Cividino
Viola – James Dunham, Erika Lawson
Cello – Barrett Sills, principal
Cello/viola da gamba – Eric Taeyung Mun
Violone – Deborah Dunham
Organ – Alexander Jones
Theorbo/Baroque guitar – Richard Savino
Harpsichord/conductor – Matthew Dirst

Video and audio by BEND Productions, LLC

arslyricahouston.org

Biweekly Bach | Episode 11: B Major and G-Sharp Minor

Ars Lyrica Houston 2023-02-14 | Biweekly Bach is a virtual series presented by Ars Lyrica Houston, traversing the 24 preludes and fugues of Johann Sebastian Bach’s The Well-Tempered Clavier, Book 1. Every other week, a new episode features two prelude and fugue pairs, recorded in the beautiful surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. With inspired playing and enlightening commentary by Matthew Dirst, this series brings audiences closer than ever to the masterful music of J.S. Bach.

This is the first video recording of the entire volume to feature a single performer on an instrument inspired by those from Bach’s own environment, with commentary from the performer, who is also a leading scholar of this music. The harpsichord, with its elaborate marquetry and decoration in the style of Baroque Dresden, is an ideal match for the sumptuous interiors of Rienzi. Each recording session features different parts of the museum, giving visual variety to the entire project.

Episodes 9-12 of Biweekly Bach will air in January and February of 2023:

January 17 at 9 am | Episode 9: A-Flat Major and E-Flat Minor
January 31 at 9 am | Episode 10: D Major and B Minor
February 14 at 9 am | Episode 11: B Major and G-Sharp Minor
February 28 at 9 am | Episode 12: E Major and B-Flat Minor

Ars Lyrica Houston celebrated the 300th anniversary of Bach’s Well-Tempered Clavier, Book 1 (1722) with a series of three intimate in-person performances with commentary at Rienzi, the MFAH house museum for European decorative arts. In addition, Ars Lyrica presented virtual broadcasts of those concerts.

J. S. Bach remains at the very center of European culture because his music is endlessly interesting, entertaining, and edifying; he is perhaps the most influential classical musician of all time. The Well-Tempered Clavier is the only work of Bach that never went out of style. Unlike his church and chamber works, which were mostly forgotten soon after his death in 1750, this collection served as a kind of musical Old Testament for generations of students and enthusiasts—a role it still plays today. Comprising two sets of twenty-four preludes and fugues each in all the major and minor keys, the work was dedicated by the composer in 1722 “for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study.” Ars Lyrica is proud to offer Bach programs on a regular basis and is delighted to offer this series of performances that celebrates the collection’s 300th anniversary.

J.S. Bach: The Well-Tempered Clavier, Book 1 (BWV 846-869) performed by Matthew Dirst on a single-manual harpsichord by John Phillips (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Shannon Smith

www.arslyricahouston.org

Honoring Connie Kwan-Wong at Ars Lyrica Houstons 2023 Gala

Ars Lyrica Houston 2023-02-06 | Connie Kwan-Wong has been an avid supporter of Ars Lyrica Houston since 2016, each year demonstrating her extraordinary dedication to our mission through her service on our board, supporting opera productions, and sponsoring outreach programs. Most recently Connie and CKW Luxe Publishing underwrote Ars Lyrica’s first children’s book, Maria’s Magical Music Adventure, which reaches diverse Houston audiences with uplifting musical storytimes. We are grateful for her invaluable support and delighted to honor her at our 2023 Gala, Gems, Charms, and Treasures! arslyricahouston.org/2223gala

More about Connie Kwan-Wong:
Connie is an entrepreneur, magazine publisher, and philanthropist who combines her many endeavors with her passion for charitable work. In 2011, Connie established the Connie Kwan-Wong Foundation to support her charitable work and raise awareness regarding the issues facing many children. She also founded, and is president and CEO of CKW (Caring, Kindness, and Wisdom) Inc. In service to her community, Connie sits on the boards of Ars Lyrica Houston, Kids’ Meals, and Houston Symphony League, among others.

Connie has received many honors, including multiple congressional recognitions for making a difference and impacting the community. Most recently, in November 2022, The Mission of Yahweh honored Connie with a Women of Substance award.

Connie lives in Houston with her husband and two daughters. They enjoy spending quality time together and giving back to their community as a family. We are thrilled to recognize Connie’s daughters, Zoe and Elly Wong, as Ars Lyrica Houston Junior Stars. Their family’s motto is “Share your blessings with others whenever possible. Love the people around you, and help the people who need you!” — we were delighted to honor their caring generosity and celebrate the future of philanthropy with Connie and her daughters at our 2023 Gala!

arslyricahouston.org/2223gala

Biweekly Bach | Episode 10: D Major and B Minor

Ars Lyrica Houston 2023-01-31 | Biweekly Bach is a virtual series presented by Ars Lyrica Houston, traversing the 24 preludes and fugues of Johann Sebastian Bach’s The Well-Tempered Clavier, Book 1. Every other week, a new episode features two prelude and fugue pairs, recorded in the beautiful surroundings of Rienzi, the house museum for European decorative arts of the Museum of Fine Arts, Houston. With inspired playing and enlightening commentary by Matthew Dirst, this series brings audiences closer than ever to the masterful music of J.S. Bach.

This is the first video recording of the entire volume to feature a single performer on an instrument inspired by those from Bach’s own environment, with commentary from the performer, who is also a leading scholar of this music. The harpsichord, with its elaborate marquetry and decoration in the style of Baroque Dresden, is an ideal match for the sumptuous interiors of Rienzi. Each recording session features different parts of the museum, giving visual variety to the entire project.

Episodes 9-12 of Biweekly Bach will air in January and February of 2023:

January 17 at 9 am | Episode 9: A-Flat Major and E-Flat Minor
January 31 at 9 am | Episode 10: D Major and B Minor
February 14 at 9 am | Episode 11: B Major and G-Sharp Minor
February 28 at 9 am | Episode 12: E Major and B-Flat Minor

Ars Lyrica Houston celebrated the 300th anniversary of Bach’s Well-Tempered Clavier, Book 1 (1722) with a series of three intimate in-person performances with commentary at Rienzi, the MFAH house museum for European decorative arts. In addition, Ars Lyrica presented virtual broadcasts of those concerts.

J. S. Bach remains at the very center of European culture because his music is endlessly interesting, entertaining, and edifying; he is perhaps the most influential classical musician of all time. The Well-Tempered Clavier is the only work of Bach that never went out of style. Unlike his church and chamber works, which were mostly forgotten soon after his death in 1750, this collection served as a kind of musical Old Testament for generations of students and enthusiasts—a role it still plays today. Comprising two sets of twenty-four preludes and fugues each in all the major and minor keys, the work was dedicated by the composer in 1722 “for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study.” Ars Lyrica is proud to offer Bach programs on a regular basis and is delighted to offer this series of performances that celebrates the collection’s 300th anniversary.

J.S. Bach: The Well-Tempered Clavier, Book 1 (BWV 846-869) performed by Matthew Dirst on a single-manual harpsichord by John Phillips (Berkeley, 2021) after the work of the Gräbner family (Dresden, c1720).

Video by BEND Productions, LLC
Audio by Shannon Smith

www.arslyricahouston.org