2-5-1 Diminished Dominant Lines for Jazz Guitar @ChrisWhitemanGuitar
2-5-1 Diminished Dominant Lines for Jazz Guitar  @ChrisWhitemanGuitar
Uploaded March 2023 | Updated September 2026, 2 weeks ago
2-5-1 Diminished Dominant Lines for Jazz Guitar

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The Diminished Dominant Harmony is created from the auxiliary diminished scale.The auxiliary diminished scale is a diminished scale that starts with a half step. It is an 8 note symmetrical scale that alternates half step/whole step and will start on the root of the dominant chord. It creates a Dominant 7th chord ( R, 3, 5, b7) with the extensions of b9,#9,#11, 13
A diminished dominant voicing can have any combination of the extensions b9,#9,#11, 13, but the combination of b9 & 13 are the colors that are most often present in voicings expressing this harmony.
Books & Gear I use and Recommend:

The Jazz Theory Book by Mark Levine
amzn.to/4s1NdOO

Thomastik-Infeld Flatwounds 11-47
amzn.to/44yMTNs

Quilter Amp:
amzn.to/4oZdpqC

Joe Pass Chord Solos: For Guitar, Vibes, and All Keyboard Instruments
amzn.to/44Rb7ml

Wes Montgomery Guitar Folio
amzn.to/45mzWGM

The New Real Book by Chuck Sher
amzn.to/49j31nV

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2-5-1 Diminished Dominant Lines for Jazz Guitar

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