Uploaded June 2026 | Updated September 2026, 2 weeks ago
🥁 DOWNLOAD THIS BEAT jimdooley.net/319
The first few minutes are fresh. The pocket's meaty, the tempo sits right, and you settle in like you could play over it all day.
You can, and that's the problem. The straight eighth-note hi-hat keeps it cold and set at 112 BPM while the fast double snare cracks through every other measure, stirring something back to life under the surface. Over twenty minutes that something has time to work. The room goes from clean to faintly sour without you noticing the line you crossed.
Every time the beat lifts into the crash and ride, the cool cuts out and your playing warms up, bubbles, and tingles. Then the straight eighths return and it goes quiet again, a little more cultured than the last time. By the back half there's a tang in your tone you can't place and a smell you'd rather not name.
You'll come out the far end having never left the meaty pocket once. Twenty minutes is plenty of time for something to fully turn.
For the full story, check out the original beat: youtube.com/watch?v=d4jz23AzZnM
Free for jamming and practice. Recording and release requires a license at jimdooley.net. Rip the audio instead and your music grows a fuzzy gray skin and weeps grease into the back of the fridge for a month. 😉
- - - - - - - - - - - - - - - - - - - -
Hope you're having a good time jamming with my beats. You're welcome to use them here for personal playing and practice. If you're recording or releasing something, you'll need a download, which is what jimdooley.net is for. It's also a great way to support my channel.
*Downloads and licensing at jimdooley.net*
I have a few free beats on the site so you can get a feel for things before committing to anything. For the full catalog there are two membership tiers. Here's what's available for most beats - check the beat's page to confirm what's there for a specific one before signing up:
- *Full-length beat* - the complete original recording as a WAV file. A real performance with an arrangement, not a loop.
- *Drum loops* - short excerpts from the full performance, usually one to four measures, cut to repeat seamlessly in a DAW. The building blocks for arranging your own song structure.
- *Multitrack stems* - the raw individual tracks, one file per microphone. For anyone who wants to mix the kit from scratch. 24-bit WAV only.
- *16-bit WAV* - CD quality. Standard for most recording and release work.
- *24-bit WAV* - studio quality. Higher resolution, larger files.
- *MP3* - smaller file size. Same performance, easier to move around.
*About my videos*
There are two types on my channel: original beats, which are full recordings with arrangements, and 20-minute versions made from loops for longer practice sessions. The 20-minute beats aren't available as a single download, but grab the loops from the site and you can arrange them yourself - loop them as long as you want.
If you've been getting use out of these beats, joining the site is the best way to make sure there are always more on the way - and it's genuinely appreciated.
🥁 DOWNLOAD THIS BEAT jimdooley.net/319
The first few minutes are fresh. The pocket's meaty, the tempo sits right, and you settle in like you could play over it all day.
You can, and that's the problem. The straight eighth-note hi-hat keeps it cold and set at 112 BPM while the fast double snare cracks through every other measure, stirring something back to life under the surface. Over twenty minutes that something has time to work. The room goes from clean to faintly sour without you noticing the line you crossed.
Every time the beat lifts into the crash and ride, the cool cuts out and your playing warms up, bubbles, and tingles. Then the straight eighths return and it goes quiet again, a little more cultured than the last time. By the back half there's a tang in your tone you can't place and a smell you'd rather not name.
You'll come out the far end having never left the meaty pocket once. Twenty minutes is plenty of time for something to fully turn.
For the full story, check out the original beat: youtube.com/watch?v=d4jz23AzZnM
Free for jamming and practice. Recording and release requires a license at jimdooley.net. Rip the audio instead and your music grows a fuzzy gray skin and weeps grease into the back of the fridge for a month. 😉
- - - - - - - - - - - - - - - - - - - -
Hope you're having a good time jamming with my beats. You're welcome to use them here for personal playing and practice. If you're recording or releasing something, you'll need a download, which is what jimdooley.net is for. It's also a great way to support my channel.
*Downloads and licensing at jimdooley.net*
I have a few free beats on the site so you can get a feel for things before committing to anything. For the full catalog there are two membership tiers. Here's what's available for most beats - check the beat's page to confirm what's there for a specific one before signing up:
- *Full-length beat* - the complete original recording as a WAV file. A real performance with an arrangement, not a loop.
- *Drum loops* - short excerpts from the full performance, usually one to four measures, cut to repeat seamlessly in a DAW. The building blocks for arranging your own song structure.
- *Multitrack stems* - the raw individual tracks, one file per microphone. For anyone who wants to mix the kit from scratch. 24-bit WAV only.
- *16-bit WAV* - CD quality. Standard for most recording and release work.
- *24-bit WAV* - studio quality. Higher resolution, larger files.
- *MP3* - smaller file size. Same performance, easier to move around.
*About my videos*
There are two types on my channel: original beats, which are full recordings with arrangements, and 20-minute versions made from loops for longer practice sessions. The 20-minute beats aren't available as a single download, but grab the loops from the site and you can arrange them yourself - loop them as long as you want.
If you've been getting use out of these beats, joining the site is the best way to make sure there are always more on the way - and it's genuinely appreciated.
