1970. Johnny Cash Called A Kid Retarded & Sings A True Story @DavidHoffmanFilmmaker

Uploaded August 2026 | Updated September 2026, 3 weeks ago

Here is more if you want to see it. -- youtu.be/uC3-OCYmRWo

Back in the early 1970s, I was working with Johnny Cash on several films and United Way asked us to make this one. I believe that the song "God's Children Are Friends Of Mine" was never performed anywhere but in this film. I found the 16mm original and made this copy. Great memories. A great person Johnny Cash was.

Johnny Cash supported the United Way campaigns because he believed in the organization's mission to provide a support system for those in need, particularly "the working man, the underdog, and the down and out"

Cash felt a deep connection to people facing hardship. He wrote many songs about those who have to "reach out for help"

He was particularly moved by the story of "Bobby," a child with developmental disabilities whose family found hope and specialized care through United Way-funded centers. Cash viewed these children as "God's children" who deserved a "brighter day"

He advocated for the "United Way" philosophy—the idea that by working together, the community can provide essential services like daycare, scouting, and emergency relief through the Red Cross or Salvation Army.

1970. Johnny Cash Called A Kid Retarded & Sings A True Story

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$1964 Wife Complained About Marriage To Husband. Was She Right? See the whole program go here https://youtu.be/RyNeMRMwIAg This television show was made in 1964. I did some of the filming on it. It was called The Parents, and it was looking at the generation gap, which was becoming obvious at that time. It was part of a series called The Values in America. We gained access to real families, showing what things were really like. The Parents was a groundbreaking television documentary produced by WGBH as part of the series The Values in America. The film serves as an intimate, raw look at the burgeoning American generation gap of the mid-1960s. Rather than relying on detached academic commentary or staged scenarios, the production gained unprecedented access to real families to capture the authentic friction, evolving ideals, and shifting dynamics between parents and their children. For audiences today who didnt live through the 1960s, it can be difficult to grasp just how seismic the generation gap actually was. It wasnt just a difference in musical tastes or clothing; it was a fundamental fracturing of how two generations viewed reality, morality, and the American Dream. Produced at the very precipice of this cultural shift, The Parents (1964) serves as a living time capsule. Here is how the film vividly captures that historical divide for a modern viewer: The documentary catches a raw, transitional moment in American history. Measuring marital success or unhappiness in 1964 is a complex challenge because official demographic statistics only capture legally recorded events. If unsuccessful is defined as ending in legal separation or divorce, the official numbers for 1964 show a very low rate on paper compared to later decades—though this is misleading. The National Divorce Rate: In 1964, the U.S. divorce rate was roughly 2.4 per 1,000 people (or about 450,000 divorces nationwide that year). There was approximately 1 divorce for every 4 marriages occurring in the early-to-mid 1960s. Cohort tracking by the U.S. Census and Bureau of Labor Statistics shows that for couples who married in the early 1960s, roughly 35% to 40% eventually ended up divorced over their lifetimes, particularly as laws changed in the late 1960s and 1970s. In 1964, no U.S. state had no-fault divorce (California became the first in 1969). To get divorced, a spouse had to prove specific legal grounds, such as adultery, extreme cruelty, or abandonment. Most married women had limited independent earning power, minimal access to credit without a male co-signer, and faced immense financial pressure to stay married. Divorce carried heavy societal and religious ostracization. In their landmark study Husbands and Wives: The Dynamics of Married Living, researchers Robert O. Blood and Donald M. Wolfe found that marital satisfaction for wives declined rapidly after the first few years of marriage, reaching its lowest points during the child-rearing years. A substantial minority of wives reported feeling chronically unappreciated or lacking a voice in major decisions. Psychiatrists in the early-to-mid 1960s frequently documented high rates of anxiety, depression, and psychological distress among suburban housewives—a phenomenon dubbed the housewife syndrome. Because direct opinion polling on marital happiness was rare and heavily filtered by social desirability (people were hesitant to tell pollsters their marriage was failing), researchers use four major proxy indicators to measure dissatisfaction in 1964: In the early-to-mid 1960s, drugs like Miltown (meprobamate) and Valium (approved in 1963) were heavily marketed to women. By the mid-1960s, minor tranquilizers were prescribed to women at nearly double the rate of men, frequently targeted by pharmaceutical ads as solutions for housewife anxiety, tension, and domestic frustration. The clearest proof of hidden unhappiness in 1964 was what happened as soon as the laws changed. When California introduced no-fault divorce in 1969, followed by most other states in the 1970s, the national divorce rate more than doubled between 1965 and 1979 (peaking at 5.3 per 1,000 in 1979). The immediate flood of petitions—predominantly filed by women—demonstrated that millions of marriages that were legally intact in 1964 were already functionally broken. In 1964, observational documentaries and unscripted interviews like this one began capturing real families speaking candidly about domestic life.$

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