Thomas Flight | 1917's In Camera Editing @ThomasFlight | Uploaded April 2020 | Updated October 2024, 5 hours ago.
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1917 is made to look like it's a continuous take, but just because you're not cutting, doesn't mean you can abandon the function that editing normally provides a film. In this video I showcase how Director Sam Mendes and Cinematographer Roger Deakins, make up for the editing with a combination of cinematography, choreography, and set design.
With the support of Creative Europe – MEDIA Programme of the European Union
// My Patreon: patreon.com/thomasflight
// STREAM THEORY PODCAST:
- SPOTIFY: open.spotify.com/show/42wXr01O3a5seKpFiAGBpE
- iTUNES: podcasts.apple.com/us/podcast/stream-theory/id1479604718
// TWITTER: twitter.com/thomasflight
// WEBSITE: thomasflight.com
// FACEBOOK: facebook.com/thomasflight
// sponsorship and business inquiries: thomasflight@standard.tv
// questions, feedback, press, or anything else: contact@thomasflight.com
Thanks to MUBI for their support! Get your 30 day free trial of MUBI here: mubi.com/thomasflight
1917 is made to look like it's a continuous take, but just because you're not cutting, doesn't mean you can abandon the function that editing normally provides a film. In this video I showcase how Director Sam Mendes and Cinematographer Roger Deakins, make up for the editing with a combination of cinematography, choreography, and set design.
With the support of Creative Europe – MEDIA Programme of the European Union
// My Patreon: patreon.com/thomasflight
// STREAM THEORY PODCAST:
- SPOTIFY: open.spotify.com/show/42wXr01O3a5seKpFiAGBpE
- iTUNES: podcasts.apple.com/us/podcast/stream-theory/id1479604718
// TWITTER: twitter.com/thomasflight
// WEBSITE: thomasflight.com
// FACEBOOK: facebook.com/thomasflight
// sponsorship and business inquiries: thomasflight@standard.tv
// questions, feedback, press, or anything else: contact@thomasflight.com