Uploaded February 2020 | Updated September 2026, 2 weeks ago
October 5, 2019, California State University, Los Angeles
Welcome by Manuel Aguilar-Moreno
Introductions by Kim Richter and Raquel Rojas
Presentations by Patrick Johansson and Oscar Mazín
The year 2019 marked the quincentennial of Hernán Cortés's arrival in Mesoamerica, providing an impetus to explore perspectives on the Spanish conquest of Mexico and the subsequent transcultural processes that played out in New Spain's artistic production. The three-day symposium held from October 3rd through October 5th, 2019 highlighted the great cultural, historical, and artistic achievements of indigenous peoples of New Spain.
This event was in homage to the renowned Mexican scholar Miguel León-Portilla. It was organized by California State University, Los Angeles, the Art History Society of Cal State LA, and the Getty Research Institute and was made possible in part with the generous support of the Seaver Institute.
Learn more about this event:
http://www.getty.edu/visit/cal/events/ev_2728.html
October 5, 2019, California State University, Los Angeles
Welcome by Manuel Aguilar-Moreno
Introductions by Kim Richter and Raquel Rojas
Presentations by Patrick Johansson and Oscar Mazín
The year 2019 marked the quincentennial of Hernán Cortés's arrival in Mesoamerica, providing an impetus to explore perspectives on the Spanish conquest of Mexico and the subsequent transcultural processes that played out in New Spain's artistic production. The three-day symposium held from October 3rd through October 5th, 2019 highlighted the great cultural, historical, and artistic achievements of indigenous peoples of New Spain.
This event was in homage to the renowned Mexican scholar Miguel León-Portilla. It was organized by California State University, Los Angeles, the Art History Society of Cal State LA, and the Getty Research Institute and was made possible in part with the generous support of the Seaver Institute.
Learn more about this event:
http://www.getty.edu/visit/cal/events/ev_2728.html




![Coleccionando Arte Mesoamericano, 1940-1968: forjar un mercado en los Estados Unidos y México
El segundo simposio internacional de la Iniciativa sobre la procedencia del arte prehispánico (PHAPI) del Getty Research Institute se centra en las prácticas del coleccionismo en México y de los Estados Unidos, cuando las luminarias de Hollywood y los coleccionistas internacionales desarrollaron un gusto por el arte mexicano antiguo. Para la década de 1960, el pasado prehispánico era parte integral de la identidad nacional mexicana, ganó nuevas audiencias en museos internacionales y jugó un papel formal en la historia del arte.
This program is also available in English
https://youtu.be/czpSJz8dHk0
Horario del programa: https://www.getty.edu/research/exhibitions_events/events/phapi_program.pdf
La Iniciativa por la Procedencia del Arte Prehispánico (PHAPI), documenta y analiza la mercantilización y movilización del arte prehispánico y la cultura material por el comercio internacional del arte entre mediados del siglo XIX y finales del XX.
Este programa forma parte de la serie de Historias No Contadas [Untold Stories] del Instituto de la Investigación del Getty (GRI), que celebra las historias no contadas de la cultura visual, explorando cómo las nuevas obras, personas e interpretaciones pueden iluminar nuestro entendimiento y el aprecio a la historia del arte.
Este evento ocurrió el 28 de abril de 2022.
Aprenda más de este evento https://www.getty.edu/visit/cal/events/ev_3459.html Coleccionando Arte Mesoamericano, 1940-1968: forjar un mercado en los Estados Unidos y México](https://i.ytimg.com/vi/SDFwBpu69JI/mqdefault.jpg)





