9431885 MK | मुझे तुमसे प्यार क्यों है दिल बेकरार क्यों है_ Dhuaan1953_UshaKiran& M Rajan_ Lata_Rajinder_Dhaniram @9431885MK | Uploaded 3 years ago | Updated May 08 2024
Song..kabhi ye to mujhse puchho,mujhe tumse pyar kyu hai...
Film..Dhuaan 1953,
Singers..Lata and Krishna Goyal.
Lyricist..Rajinder Krishan,
Music Director.. Dhaniram,
Producer | Director..Roshan Lal Malhotra
Cast..M Rajan,Usha Kiran,Asha Mathur,Ulhas, Jeevan,Mumtaz,Vikas,Balraj,Protima Devi,
Jagdish Kanwal,Sanjana,Om Prakash
Production Co. ..Roopnagar,
Producer | Director..Roshan Lal Malhotra.
Lyrics :-
kabhi ye to mujhse puchho
kabhi ye to mujhse puchho
mujhe tumse pyar kyu hai
dil bekarar kyu hai
dil bekarar kyu hai
kabhi ye to mujhse puchho
kabhi ye
kabhi ye to mujhse puchho
mujhe tumse pyar kyu hai
dil bekarar kyu hai
dil bekarar kyu hai
mere paas paas hoke kyu dur ho rahe ho
kyu dur ho rahe ho
mere paas paas hoke kyu dur ho rahe ho
kyu dur ho rahe ho
majbur kar rahe ho majbur ho rahe ho
majbur ho rahe ho
tum aa chuke ho phir bhi tum aa
tum aa chuke ho phir bhi
mujhe intzar kyu hai
dil bekarar kyu hai
dil bekarar kyu hai
meri zindagi me aa ke meri hasrate jaga ke
meri hasrate jaga ke
meri zindagi me aa ke meri hasrate jaga ke
meri hasrate jaga ke
mujhe bhul ke na dekha
kabhi tumne muskura ke
kabhi tumne muskura ke
ye kaho ke phir bhi tum par ye kaho
ye kaho ke phir bhi tum par
mujhe eaitbar kyu hai
dil bekarar kyu hai
dil bekarar kyu hai..
Review:-
Film.. Dhuaan,1953
Produced and directed by Roshanlal Malhotra, Roopnagar’s murder mystery, “Dhuaan” is an amateurish film, the story of which is too frequently held up by songs which merely irritate.
The cast is headed by Usha Kiron as the murdered girl, M. Rajan who portrays the hero and chief suspect, and Asha Mathur as the girl who befriends him and helps him track down the real murderer.
While the identity of the murderer is well concealed, the film on the whole drags owing to the highly amateurish direction and the stilted portrayals by M. Rajan & Asha Mathur who make an unprepossessing stellar pair.
Usha Kiron puts over the one really good performance in the picture as the beautiful young dancer with a tragic end. Forceful, determined and highly attractive, her comparatively small role dominates the picture.
The supporting players do well in their parts, especially Jeevan.
Vasant Desai’s music score is disappointing and surprisingly (for him) westernized. Of the three dances composed by Vinod Chopra, only one – the ‘Moon and Waves’ ballet – is good in composition and gracefully performed.
The photography, costumes, sets and decor are good
Dhaniram.. Remembering a forgotten music mastario..
Date of Birth – 1922
Date of Death – March 14th, 1967.
After learning the basics from Buteh Khan, Dhaniram had made his brother Omkarnath his guru. During those days Dhaniram used to sing for Aakashvaani Delhi. This was around 1935. After that in 1942 he started working as Music Director for ‘Song Publicity Organization’. He became the Music Director for ‘HMV’ Lahore in 1945. It was there that he started his career by giving music in ‘Papiha Re’.
During the time of partition , Dhaniram left the films ‘Kaalidas’ and ‘Mera Desh’ incomplete and went to Delhi. He started working there as a Music Director.
As said Dhaniram...
‘In the year 1955 (?) I went to Bombay’ as told by Dhaniram. Here he started getting one after another Films. ‘ B. R. Chopra’s ‘Sholey’, A.V.M’s ‘Ladki’, ‘Dhuan’, ‘Daak Babu’, ‘Shaahi Bazaar’, ‘Shaahi Chor’, ‘Baaje Ghungroo’ and dubbed Films like ‘Matwaala’, ‘Mahavath’, ‘Taqdeer’, ‘Aankh Ka Nashaa’ & ‘Ladki’ were some Films through which I could showcase my talent. However only the audience can say if I have been successful in my attempts or not.’
‘Surely the audiences would give witness to your success. Just tell me now something about the audiences.’ My words were ‘Do you know what the Audience likes ?’
‘We cannot measure the likes of the Audiences. Just understand that whatever fascinates the mind becomes their favourite.’
Around 42 years ago Dhaniram was born in Secunderabad. It was a huge surprise that he developed an interest in music. He was so much lost in his passion for music that he didn’t realize how he overcame the difficulties. In 1932 when he came with his Father to Shimla he remained there only. He learnt music till 1935 from Buteh Khan. Then when he took an oath by singing and composing, then he had dedicated his life to music. He has given such gems like O. P. Nayyar. Dhaniram was Nayyar’s Guru for many years. Vinod who had given music in a Punjabi Film ‘Chaman’ was also his disciple. Sabita Banerjee lent her voice for the first time under Dhaniram’s composition. It was in the Film ‘Aankh Ka Nashaa’.
Let’s hear in his own words what all he has to do to make tunes for a song. ‘First, think about the situation and then get lost in the deepness of the words in the song. I do attempt to be in synchronization with what the Lyricist has penned. When the mind gives the nod I wrap the tunes around the words.’
‘This means that you don’t give your tunes to write a song?’
Song..kabhi ye to mujhse puchho,mujhe tumse pyar kyu hai...
Film..Dhuaan 1953,
Singers..Lata and Krishna Goyal.
Lyricist..Rajinder Krishan,
Music Director.. Dhaniram,
Producer | Director..Roshan Lal Malhotra
Cast..M Rajan,Usha Kiran,Asha Mathur,Ulhas, Jeevan,Mumtaz,Vikas,Balraj,Protima Devi,
Jagdish Kanwal,Sanjana,Om Prakash
Production Co. ..Roopnagar,
Producer | Director..Roshan Lal Malhotra.
Lyrics :-
kabhi ye to mujhse puchho
kabhi ye to mujhse puchho
mujhe tumse pyar kyu hai
dil bekarar kyu hai
dil bekarar kyu hai
kabhi ye to mujhse puchho
kabhi ye
kabhi ye to mujhse puchho
mujhe tumse pyar kyu hai
dil bekarar kyu hai
dil bekarar kyu hai
mere paas paas hoke kyu dur ho rahe ho
kyu dur ho rahe ho
mere paas paas hoke kyu dur ho rahe ho
kyu dur ho rahe ho
majbur kar rahe ho majbur ho rahe ho
majbur ho rahe ho
tum aa chuke ho phir bhi tum aa
tum aa chuke ho phir bhi
mujhe intzar kyu hai
dil bekarar kyu hai
dil bekarar kyu hai
meri zindagi me aa ke meri hasrate jaga ke
meri hasrate jaga ke
meri zindagi me aa ke meri hasrate jaga ke
meri hasrate jaga ke
mujhe bhul ke na dekha
kabhi tumne muskura ke
kabhi tumne muskura ke
ye kaho ke phir bhi tum par ye kaho
ye kaho ke phir bhi tum par
mujhe eaitbar kyu hai
dil bekarar kyu hai
dil bekarar kyu hai..
Review:-
Film.. Dhuaan,1953
Produced and directed by Roshanlal Malhotra, Roopnagar’s murder mystery, “Dhuaan” is an amateurish film, the story of which is too frequently held up by songs which merely irritate.
The cast is headed by Usha Kiron as the murdered girl, M. Rajan who portrays the hero and chief suspect, and Asha Mathur as the girl who befriends him and helps him track down the real murderer.
While the identity of the murderer is well concealed, the film on the whole drags owing to the highly amateurish direction and the stilted portrayals by M. Rajan & Asha Mathur who make an unprepossessing stellar pair.
Usha Kiron puts over the one really good performance in the picture as the beautiful young dancer with a tragic end. Forceful, determined and highly attractive, her comparatively small role dominates the picture.
The supporting players do well in their parts, especially Jeevan.
Vasant Desai’s music score is disappointing and surprisingly (for him) westernized. Of the three dances composed by Vinod Chopra, only one – the ‘Moon and Waves’ ballet – is good in composition and gracefully performed.
The photography, costumes, sets and decor are good
Dhaniram.. Remembering a forgotten music mastario..
Date of Birth – 1922
Date of Death – March 14th, 1967.
After learning the basics from Buteh Khan, Dhaniram had made his brother Omkarnath his guru. During those days Dhaniram used to sing for Aakashvaani Delhi. This was around 1935. After that in 1942 he started working as Music Director for ‘Song Publicity Organization’. He became the Music Director for ‘HMV’ Lahore in 1945. It was there that he started his career by giving music in ‘Papiha Re’.
During the time of partition , Dhaniram left the films ‘Kaalidas’ and ‘Mera Desh’ incomplete and went to Delhi. He started working there as a Music Director.
As said Dhaniram...
‘In the year 1955 (?) I went to Bombay’ as told by Dhaniram. Here he started getting one after another Films. ‘ B. R. Chopra’s ‘Sholey’, A.V.M’s ‘Ladki’, ‘Dhuan’, ‘Daak Babu’, ‘Shaahi Bazaar’, ‘Shaahi Chor’, ‘Baaje Ghungroo’ and dubbed Films like ‘Matwaala’, ‘Mahavath’, ‘Taqdeer’, ‘Aankh Ka Nashaa’ & ‘Ladki’ were some Films through which I could showcase my talent. However only the audience can say if I have been successful in my attempts or not.’
‘Surely the audiences would give witness to your success. Just tell me now something about the audiences.’ My words were ‘Do you know what the Audience likes ?’
‘We cannot measure the likes of the Audiences. Just understand that whatever fascinates the mind becomes their favourite.’
Around 42 years ago Dhaniram was born in Secunderabad. It was a huge surprise that he developed an interest in music. He was so much lost in his passion for music that he didn’t realize how he overcame the difficulties. In 1932 when he came with his Father to Shimla he remained there only. He learnt music till 1935 from Buteh Khan. Then when he took an oath by singing and composing, then he had dedicated his life to music. He has given such gems like O. P. Nayyar. Dhaniram was Nayyar’s Guru for many years. Vinod who had given music in a Punjabi Film ‘Chaman’ was also his disciple. Sabita Banerjee lent her voice for the first time under Dhaniram’s composition. It was in the Film ‘Aankh Ka Nashaa’.
Let’s hear in his own words what all he has to do to make tunes for a song. ‘First, think about the situation and then get lost in the deepness of the words in the song. I do attempt to be in synchronization with what the Lyricist has penned. When the mind gives the nod I wrap the tunes around the words.’
‘This means that you don’t give your tunes to write a song?’
