We set out on a journey to capture the unseen… an image that is impossible to capture with any conventional camera. We built a unique large format movie camera with the massive Leica lens that is equivalent to an impossible 29mm f0.3 lens. Come along with us as we explore the connection between lens speed, depth of field, and format. Show you how we combined two large format cameras, and designed a precise motorised focus system. We take you behind the scenes and show you how we shot or short above and below the surface. We experiment with large format cameras, ground glass, light, DoF adapters , and film with a massive spy plane lens.
All members can watch our satellite episode, with DIY explanations on how to build a DoF camera. With components and details, tips for transport and shooting, and some other interesting thoughts. “Making a Monster” can be found here: youtu.be/oSfMYiwD1eM
Our Action Pack for this episode contains the original Resolve project for “The Iron Sea” with grades, LUTS, and all footage in 6K 10bit ProRes HQ. 70GB of footage to play edit and grade with. Lynch or Kubrick members can download their Action Pack here: youtube.com/c/MediaDivision/community
00:00 - Intro & Contents 02:02 - Depth of Field explained - Part I
Part I - What you need to know
05:06 - A small history of Large Format 07:10 - Depth of Field explained - Part II 08:20 - Equivalency of Lenses 09:40 - 8x10 Large format lenses 10:30 - Hektor - a fast large format lens
Part II - Capturing the impossible
11:55 - Creating an intermediate image 15:33 - DoF Adapter 16:32 - Building the Camera 17:58 - Focussing f0.3 19:00 - DIY Motorised Focus 21:20 - The Secret Sauce 22:25 - The Collimator 24:24 - The problem with Fresnel lenses 25:47 - Ground Glass
Part III - Creating a Short
27:28 - The Iron Sea (shot at f0.3 equivalent) 30:56 - HDR 31:40 - Channel message 38:33 - Behind the Scenes
Part IV - Food for Thoughts
44:40 - Hektor vs a normal lens 45:48 - Even larger - using a spy plane lens 47:08 - Tilt shift 48:04 - The Large Format look 50:19 - Thank you Partners & Members
f0.3 – The Impossible Lens – Building a Large Format DoF movie camera – Epic Episode #18Media Division2022-12-23 | Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision
We set out on a journey to capture the unseen… an image that is impossible to capture with any conventional camera. We built a unique large format movie camera with the massive Leica lens that is equivalent to an impossible 29mm f0.3 lens. Come along with us as we explore the connection between lens speed, depth of field, and format. Show you how we combined two large format cameras, and designed a precise motorised focus system. We take you behind the scenes and show you how we shot or short above and below the surface. We experiment with large format cameras, ground glass, light, DoF adapters , and film with a massive spy plane lens.
All members can watch our satellite episode, with DIY explanations on how to build a DoF camera. With components and details, tips for transport and shooting, and some other interesting thoughts. “Making a Monster” can be found here: youtu.be/oSfMYiwD1eM
Our Action Pack for this episode contains the original Resolve project for “The Iron Sea” with grades, LUTS, and all footage in 6K 10bit ProRes HQ. 70GB of footage to play edit and grade with. Lynch or Kubrick members can download their Action Pack here: youtube.com/c/MediaDivision/community
00:00 - Intro & Contents 02:02 - Depth of Field explained - Part I
Part I - What you need to know
05:06 - A small history of Large Format 07:10 - Depth of Field explained - Part II 08:20 - Equivalency of Lenses 09:40 - 8x10 Large format lenses 10:30 - Hektor - a fast large format lens
Part II - Capturing the impossible
11:55 - Creating an intermediate image 15:33 - DoF Adapter 16:32 - Building the Camera 17:58 - Focussing f0.3 19:00 - DIY Motorised Focus 21:20 - The Secret Sauce 22:25 - The Collimator 24:24 - The problem with Fresnel lenses 25:47 - Ground Glass
Part III - Creating a Short
27:28 - The Iron Sea (shot at f0.3 equivalent) 30:56 - HDR 31:40 - Channel message 38:33 - Behind the Scenes
Part IV - Food for Thoughts
44:40 - Hektor vs a normal lens 45:48 - Even larger - using a spy plane lens 47:08 - Tilt shift 48:04 - The Large Format look 50:19 - Thank you Partners & MembersA new Probe - Exploring and testing the LAOWA Pro2be lenses with cinematic experimentsMedia Division2023-08-22 | Laowa puts the "Pro" in Probe, with a set of three 24mm Probe lenses. T8 speed, a longer reach, a shorter working distance, and an overall improved image quality, make the Pro2be a desirable tool for macro photography, SFX, and tabletop work. A team from The Marmalade and the Media Division will conduct a test with a series of cinematic experiments that expose the possibilities and the quality of these lenses – as well as giving you some interesting background information and education in filmmaking – just to stir your creative juices and to make this as fun as as possible. We are going to create a mini to macro shot, explore a technique called “dry for wet” for a mysterious underwater shot, and wild fluid dynamics in a tank. What do the Laowa Pro2be lenses bring to the table and how much does it mitigate the original Probes achilles heel… that is, the hunger for light.
If you are interested in purchasing the Pro2be lenses, please consider using our affiliate link … it doesn't cost you a dime more, but we get a little something for the tip jar. Thank You! laowacine.com/product/laowa-24mm-t8-2x-macro-pro2be/?ref=23
The MEDIA DIVISION thanks the crew & partners that made this episode possible:
Christopher Klemme Juri Voutta Navid Shahmoradi Max-Leon Stahl Nicklas Eichten Daniel Umbhau Andrzej Peck Marc Schneider Julian Rohloff
The Marmalade For letting us use the awesome SPIKE motion control system and their studio for free – you are lovely!!!
LAOWA For supplying us with the set of LAOWA Pro2be lenses without which this episode wouldn't have been possible.
Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision
The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals.
#Probelens #Pro2be #LAOWA
00:00 - In this episode 02:09 - Pro2be Overview & Specs 04:30 - Probe lenses – Opportunities & Problems 08:14 - Test – Comparison 13:39 - Test – Demonstration 15:09 - Experiment – Dry for wet 19:32 - Experiment – Fluids 27:35 - The verdict 29:35 - Thank you & previewDry for wet… working on a new episode @TheMarmaladeChannelMedia Division2023-08-10 | ...30K LabLights … feel the burn!Media Division2023-08-09 | ...Low Budget VFX – Silence of the Lambs #shortMedia Division2023-07-19 | Breaking the Silence… our upcoming spoof for the „Cinematic Episode“ is in post. Here a little process from green screen to composite. The interesting part is, that it turns a static shot into a pan/tilt by coming from a wider shot. #shorts #VFXBreakdown #lowbudgetvfxGyro Stabilizer Stress test #ShortMedia Division2023-06-08 | We put a LUMIX S5IIx on a Gyro Stabilizer to see what this combo can do in extreme situations… there are obvious limits and the system "kicks" when the turn rate is to high. Still, it produces a unique look that is distinctively different from a gimbal and is a great tool in situations that don't allow for gimbals… like in this one, where a gimbal would immediately be entangled in the thicket.Auto Focus Battle. Phase detection AF vs LiDAR AF. LUMIX S5IIx vx ALEXA XT-M. FIGHT! #ShortMedia Division2023-05-27 | Quick test what new auto focus solution can do… and what not. PDAF auto focus of the upcoming Panasonic Lumix S5IIx versus the mighty Arri Alexa fitted with a DJI LiDAR focus module (RS 3 Pro is folded and attached to the side of the Alexa M head). Purposefully trying to irritate the systems by walking out of the frame, covering the face, turning away and so on. Both systems have their strengths and weaknesses. Regarding the difference in image quality: Alexa records in uncompressed RAW, while the S5IIx in 4.2.0 h265. Also, the kit zoom is expected to be softer compared to a good prime... vintage or not. I would say that both AF systems have strengths and weaknesses intrinsic to the technology used. LiDAR has more problems with the quick hand movements. #DJILiDAR #LumixS5IIx #shortsAI magic for practical filmmaking - Arri Alexa DJI LiDAR Tracking & Focus #shortMedia Division2023-05-19 | Active Tracking & Auto Focus with an Alexa using the DJI RS 3 Pro with LiDAR… #shortArri Alexa DJI LiDAR Focus #shortMedia Division2023-05-13 | Auto Focus with an Alexa using the DJI LiDAR… works surprisingly well using a Canon FD 35mm Concave at f/4 #shortsLumix S5IIx LIVE hands on and streaming demoMedia Division2023-05-10 | We have a S5IIx prototype and we check out the "X" features. As LIVE streaming is one of the key features, we are going to stream the event live right out of the camera when the information embargo is lifted. Of course we are going to talk external recording, media choices, codecs, AF, IS, and what makes the whole package so attractive.
#LumixS5IIx #PanasonicS5IIxInstantCineWisdom – Gyro Stabilisers #ShortMedia Division2023-04-21 | Gyro Stabilisers are a lesser common way to stabilise Camera movement.
German DoP Jost Vacano perfected the technique in 1981s DAS BOOT, and the tracking shots through the submarine are nothing short of breathtaking, earning him an Academy Award nomination.
Gyro Stabilisers maintain a handheld look that adds a sense urgency and a more involvement feel for the audience.
A gyro Stabiliser rotates weights with extremely high RPM adding inertia to a system …and produce a siren song to deal with.
Just like Gimbal systems, Gyroscopes stabilise the orientation of a system, not their position… this is why we combine it with a Tilta Float adding stabilisation to the position and supporting the weight.
We are working on an episode about the subject… let us know if you have questions. #shortInstantCineWisdom – 70mm Film #ShortMedia Division2023-01-24 | 70mm film doubles the width of the filmstrip compared to 35mm. The negative is actually a 65mm filmstrip, but the projection Strip is 70mm to house 6 tracks of stereoscopic sound 70mm first became a standard in 1928 under the brand name “Fox Grandeur”. The format was considered too expensive in times of the great depression. In 1952 Todd-AO was introduced to simplify the three-Strip Cinerama process. Panavision developed their own 70mm formats with MGMs Camera 65 The anamorphic process was coined Ultra Panavision 70 and brought us movies like Ben Hur and The Hateful Eight The spherical process was coined Super Panavision 70 and brought us movies like Lawrence of Arabia and 2001: A Space Odyssey IMAX uses the same 70mm film, but moving the film horizontally producing roughly 3 times the surface at a higher aspect ratio. #Short
Please join the ranks of the Media Division: youtube.com/mediadivision/joinInstantCineWisdom – 35mm Film #ShortMedia Division2023-01-20 | The name 35mm refers to the width of the filmstrip including perforations. 35mm film is used since the dawn of cinema. A negative is exposed in camera and a positive is used to project the image on a screen. This is called a cinematographic process. The acquisition and projection formats can vary in different processes. Leitz transferred the format in 1918 to photography where the filmstrip is transported horizontally, doubling the frame size. This variant has been used later in cinema too, primarily as an acquisition format under the Brand name Vista Vision. Optical soundtracks reduced the surface for the image and therefore the image quality. Super35 was introduced as an acquisition only format to improve quality and versatility and uses the full width without soundtrack. Super35 is usually shot using 4 perforation hight, but only 3 perforations are used for classic windscreen cinema. Super 35 can be distributed with an added squeeze for anamorphic projection, or for spherical projection with large parts of the print remaining black. #Short
Please join the ranks of the Media Division: youtube.com/mediadivision/joinInstantCineWisdom – The Dolly Zoom #ShortMedia Division2023-01-11 | The dolly zoom is also called “Zolly” or “Vertigo Effect” after the initial use of the technique in Hitchcock “Vertigo” The dolly zoom can be found in many movies every since, often used to display a moment of an overwhelming realisation, an altered state of mind, or, an overwhelming sensory experience. The trick is simple… the camera is moving in or out while the Zoom simultaneously zooming out or in. The perspective is changing because the camera is moving. Now the zoom is used to compensate for that change in the field of view. The camera movement can be done on track, on a cart, a slider… the longer the zoom and the dolly is, the more pronounced the effect becomes. The quicker the movement, the more obvious the effect is. More about this in our ZOOM episode youtube.com/watch?v=dIMTwV3YaVk #Short
Please join the ranks of the Media Division: youtube.com/mediadivision/joinInstantCineWisdom – Radioactive Vintage Lenses #ShortMedia Division2023-01-02 | Some Vintage lenses are radioactive due to the use of Thorium dioxide before a ban in the mid 70s. Thorium 232 is a metal that has a high refraction index, and spiking lens elements allows for lighter and cheaper optical designs with low aberration and distortions. The Canon FD 55mm Aspherical shows more than 30.000 radioactive decays per minute on the front element. The Decay chain contains progeny isotopes that emit alpha, beta, and gamma radiation, so, a lens cap or even a metal door will not shield you from all radiation. Holding this lens directly at your head for an hour will expose you to radiation comparable to a dental X-ray. While that sounds dramatic, regular use is not a medical concern, But lenses shouldn’t be stored in proximity to humans. There is no known dangers to modern CMOS sensor. Still, it is recommendable not to store radioactive lenses mounted to a camera. Radioactive lenses can get a visible amber tint over time. This is a crystallographic defect called F-center. This can be cured by exposing the lens element to UV-light #Short
Please join the ranks of the Media Division: youtube.com/mediadivision/joinThe Iron Sea - A short shot with f0.3 equivalent depth of field – HDR VersionMedia Division2022-12-23 | This is the HDR Version of the experimental short "The Iron Sea" Find the Epic episode about the film and the camera here: youtube.com/watch?v=-4uzyhbDFas
This is completely shot on an experimental camera to create images with "impossible" shallow depth of field. It would require a 29mm f/0.3 lens on a 35mm movie camera camera to match. A lens that is absolutely impossible to build.
If you want to know how we realised this film watch our EPIC EPISODE f0.3 – The Impossible Lens – Building an experimental ultra shallow DoF camera
Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision
Come along with us as we explore the connection between lens speed, depth of field, and format. Show you how we combined two large format cameras, and designed a precise motorised focus system. We take you behind the scenes and show you how we shot or short above and below the surface. We experiment with large format cameras, ground glass, light, DoF adapters , and film with a massive spy plane lens.The Shining shot on 8x10 large format #ShortMedia Division2022-12-09 | What if Kubrick shot THE SHINING on 8x10 large format instead of super35? Let's assume he would have shot with a 300mm at f5.6. This unveils what it would have looked like. Ultra shallow depth of field. Experimenting with shallow Depth of Field for the upcoming Epic Episode on the MEDIA DIVISION. Please subscribe and activate notifications to watch the full episode when it is released. youtube.com/mediadivision #ShortsNew DIY machine to explain an optical effect for our upcoming episode #ShortsMedia Division2022-11-18 | Quiz: Who is talking there? Please subscribe and activate notifications to watch the full episode when it is released. youtube.com/mediadivision #ShortsZOOM Lenses for Filmmakers - Optics, techniques, effects & lens test of the DZO Catta AceMedia Division2022-11-09 | Zoom lenses are different. Beloved by some of the greatest filmmakers and frowned upon by others, zoom lenses open creative possibilities and speed up the process. In this episode we show how zoom lenses have been used in cinematography, and why. We explain optical and mechanical principles of zoom lenses, explore features that are desirable and search for the ideal filmmaking zoom. We explain and execute a dolly zoom and many other interesting things you can only do with a zoom lens… at lens bending speeds. We will show you some techniques like extending a camera move or masking zooms. We also test the affordable DZO Catta ACE Zooms that bring cine zoom features to owner operators. As a bonus, we are going to use our anamorphic adapters to create anamorphic cine zoom lenses. So, lay back and zoom in!
The MEDIA DIVISION thanks the crew & partners that made this episode possible:
Paul Schumann For programming SPIKE and all his help with this episode and others
Marie Blanchard For shooting behind the scenes material and eeing super helpful on set
The Marmalade For letting us use the awesome SPIKE motion control system and their studio for free – you are lovely!!!
DZOfilm For supplying us with the set of Catta ACE Zooms without which this episode wouldn't have been possible. The Catta ACE bundle will be available on Black Friday for $6.799 Please check B&H link below for Dzofilm's Black Friday activity: bhphotovideo.com/c/search?q=Catta%20&sts=ma or find the nearest local dealers in below: dzofilm.com/dealers
Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision
The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals.
#Zoomlens #dollyzoom #DZOfilm
00:00 - In this episode 01:40 - Zooms in cinematography 05:35 - How a zoom works 07:27 - Ideal filmmaking zooms 10:36 - DZO Catta Ace zooms 13:34 - Lens test 19:32 - Zoom techniques 20:56 - The crash zoom 21:54 - The dolly zoom 24:50 - High speed zoom 26:40 - Anamorphic zoom 30:50 - Resume & tips 31:33 - Thank youUltra Bright Field Monitor – Review of the OSEE LCM215-HDR+ 21.5 inchMedia Division2022-07-29 | Today we are going to review a 21.5 inch production monitor that sports a whooping 1.500nits brightness… This extraordinary brightness comes in very handy in demanding environments, like brightly light studios, and of course, when shooting in direct sunlight. The OSEE LCM215-HDR+ 21.5 inch monitor can serve as production, field, and broadcast monitor. We will see how good we can put the nits to work with a test on a blindingly bright high speed shooting as well as in direkt sunlight. Of course we will look at the features, connectors, power consumption, transportation options, and usability.
Where to buy (affiliate): bit.ly/osee_ultrabright USE the coupon code MEDIADIVISION for $20 off
Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision
00:00 - Intro 01:29 - What we where looking for 02:39 - Why you need a field monitor 05:01 - Features of the OSEE 21.5 field monitor 07:58 - Testing 1500nits brightness 11:52 - Power options & run time test 15:14 - Transportation 16:27 - Verdict
#ultrabright #fieldmonitor #oseeSCOPE Chapter Three – Anamorphic Lenses Experiments & Modding – Epic Episode #17Media Division2022-05-20 | #sponsored d It is the last part of our series about anamorphic lenses in cinema… and shooting anamorphic yourself for that extra sweet cinematic look.
SCOPE Chapter Three is all about putting together an anamorphic setup that works for you… with many experiments, tips, tricks and modding guides.
We will be explore Bokeh Design, compare vary diopters and look into how to achieve close focus on a budget. We are going to experiments with anamorphic zooms that will give you those Tarantino crash zooms, explain how to enhance anamorphic flares, for example by adding glass or removing the coating from elements… and we will modd existing lenses to more practical setups.
If you are new to the scope series we definitely recommend to start at chapter one to get into the subject with history and formats, why anamorphic was resurrected, explain different anamorphic designs, and venture through the fashion and poetry of SCOPE formats. youtu.be/bIhaItLnSR0
Chapter two is our anamorphic test and comparison episode. The battlefield for everything anamorphic vintage to new – from cine lens to cheap adapter. Here you can find out what you can achieve in what price range. youtu.be/YT_MupZp5v4
With the help of some friends from the industry and diving into the world of Blade Runner… we will help you to master anamorphic and get the cinematic image that you desire.
To rent anamorphic Cine Lenses, please consider our partner CineOne Rental http://bit.ly/CineOne
Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision
Here are the lenses one can own from the test. Please consider to search and buy using our affiliate links, it doesn’t cost you more, but we get a little something for the tip jar – Thank You and good luck hunting! When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
And of course there are many many other projector lenses… just roam around, maybe you find something interesting for experimenting and even serious shooting US ebay.us/R44at7 EU ebay.us/Wk8DiT UK ebay.us/pGpgL2
02:48 - Taking Lenses & Rigging 06:46 - Experiment: Entrance Pupil & Field of View 09:53 - Experiment: Distance of Blocks 10:49 - Focussing & Variable Diopters 14:50 - Test: Hardcore DNA vs VAZEN 17:00 - Diopters 18:00 - Test: Rapido Achromat vs Vivitar Kit 19:27 - Anamorphic Zoom Lenses 22:54 - Test: Angenieux 28-70mm 1.33x Zoom
Part 2 - MODDING & TUTORIALS
27:37 - Modding 28:50 - Flare modding by adding filters 31:00 - Flare modding by removing coatings 31:36 - Tutorial: ISCO coating removal 34:45 - The dangers of removing coatings 38:32 - ISCOs with different coatings 38:03 - Thank You Cine One 41:02 - Tutorial: B&H helicoid modding
44:27 - Conclusion of SCOPE 45:00 - The division salutes partners & membersPanasonic GH6 – The King of Micro Four Third – Overview, test, features, and review for filmmakersMedia Division2022-02-22 | The filmmakers guide to the Panasonic Lumix GH6 with all key features, test, and review
One cam to do it all… One cam to rule them all… at least in its class. Five years in the making, the GH6 came to take the crown of the Micro Four Third format from his predecessor… the GH5. And as it was to be expected, the GH6 continues the legacy of being an "all in one" powerhouse for filmmakers.
We will take a look from a professional filmmakers perspective. We will give you a tour around the camera, the specs, and what they mean. Test the image quality and some of the new features with our short film “Hypnagogia”. Take a deep dive in the key features. Compare the GH6 to the GH5 to find out if it is worth the upgrade . And let you know our first impression.
Key features for filmmakers: - A new 25 Megapixel sensor - An extended dynamic range… using a method quite similar to the one that gives the Arri Alexa it’s film like look. - Internal ProRes HQ in 5.7Ks - Slow motion galore… that means up to 120fps in 4K, and up to 300 fps in FHD - RAW over HDMI - USB recording - Much improved low light capabilities compared to the GH5 - Improved IBIS and Dual IS - A ton of anamorphic modes - Internal LUTs - Full Vlog - Waveform
All that is possible due to a new Venus engine which also requires (a GH first) a fan. It will be in stores beginning of March 2022, and it will cost 2.200 dollars… euros… is supposed to be the same.
#GH6 #LUMIX #Panasonic
00:00 - Introduction to the GH6 01:56 - The Legacy 04:02 - Tour around the camera 07:03 - Test film “Hypnagogia” 10:22 - Membership & Action Pack 12:13 - Dynamic Range Boost 13:44 - Slow Motion / High Frame Rate 18:04 - Stabilization - IBIS & Dual IS 21:08 - ProRes & LUT support 24:30 - Auto Focus 28:21 - Battery Life 30:50 - GH6 vs GH5 32:27 - Resume2001: A Space Odyssey – VFX Breakdown #shortsMedia Division2021-10-14 | Breakdown and behind the scenes of our 2001: A Space Odyssey spoof that opens our BS1H Hands On. See the whole Hands On here: youtube.com/watch?v=RJRzXyqz5yI
I only filmed in my small garage and at my desk and used little equipment. A spotlight, a pop up green screen, some displays, a slider, and a DIY rotating mechanism. Everyone can do it. The Space suite is Chinese high altitude gear used in MIG fighter planes – you can buy that from ebay. The hair dryer is attached to the air vent of the helmet and prevents fogging of the visor… better use one that allows to blow air without heating. We used real images of Jupiter taken by NASAs Juno probe. The 3D Moon for After Effects uses the free "Orb" plugin and a project file with moon mapping is part of our Action Pack released with the "f0.7" Epic Episode you can download it from the community tab of our channel (free for Lynch & Kubrick members).
#shorts #VFXBreakdown #2001:ASpaceOdyssey
Music: Also Sprach Zarathustra (feat. Richard Strauss) by Sascha Ende® Link: filmmusic.io/song/5730-also-sprach-zarathustra License: filmmusic.io/standard-licenseHands on the new Panasonic BS1H Full Frame Cine CamMedia Division2021-10-07 | Panasonic just announced their 2021 Full Frame Cine Cam – we got one right here and we will put it on the bench. We are going to explore some rigging possibilities and the image quality… and we get lost in space during a 2001 spoof.
00:00 - Opening 00:16 - 2021: A New Cinema Camera 02:19 - The Basics 03:18 - On the Bench 05:48 - Rigging 08:16 - Image 12:16 - Who is the BS1H forLens Test: Contax Zeiss 35–70mm f/3.4 – Vintage Full Frame Zoom Lens – #MediaDivisionLensArchiveMedia Division2021-08-18 | #sponsored We are testing the Contax Zeiss 35–70mm f/3.4 - a popular vintage "all in one" zoom lens with macro function. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts
Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles, modding, and so much more: Watch it for free: youtu.be/EUjUxKvXgpw
You can buy a Contax Zeiss 35–70mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#ContaxZeiss #lenstest #mediadivisionlensarchiveLens Test: Contax Zeiss 15mm f/3.5 – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-17 | #sponsored We are testing the Contax Zeiss 15mm f/3.5 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts
Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles. modding, and so much more: Watch it for free: youtu.be/EUjUxKvXgpw
You can buy a Contax Zeiss 15mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#ContaxZeiss #lenstest #mediadivisionlensarchiveLens Test: Contax Zeiss 135mm f/2 – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-16 | #sponsored We are testing the Contax Zeiss 135mm f/2 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. This lens carries the proud nickname "Hollywood" among its fans. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts
Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles. modding, and so much more: Watch it for free: youtu.be/EUjUxKvXgpw
You can buy a Contax Zeiss 135mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#ContaxZeiss #lenstest #mediadivisionlensarchiveLens Test: Contax Zeiss 85mm f/1.4 – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-15 | #sponsored We are testing the Contax Zeiss 85mm f/1.4 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts
Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles. modding, and so much more: Watch it for free: youtu.be/EUjUxKvXgpw
You can buy a Contax Zeiss 85mm f1.4 here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#ContaxZeiss #lenstest #mediadivisionlensarchiveLens Test: Contax Zeiss 35mm f/1.4 – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-14 | #sponsored We are testing the Contax Zeiss 35mm f/1.4 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts
Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles. modding, and so much more: Watch it for free: youtu.be/EUjUxKvXgpw
You can buy a Contax Zeiss 35mm f1.4 here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#ContaxZeiss #lenstest #mediadivisionlensarchiveLens Test: Contax Zeiss 28mm f/2 Hollywood – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-13 | #sponsored We are testing the Contax Zeiss 28mm f/2 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. This lens carries the proud nickname "Hollywood" among its fans. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts
Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles, modding, and so much more: Watch it for free: youtu.be/EUjUxKvXgpw
You can buy a Contax Zeiss 28mm "Hollywood" here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#ContaxZeiss #lenstest #mediadivisionlensarchiveLens Test: Zeiss Super Speed 50mm f/1.2 cine vs Contax Zeiss 50mm f/1.4 – #MediaDivisionLensArchiveMedia Division2021-08-12 | #sponsored The legendary Zeiss Super Speed 50mm f/1.2 cine lens (The Shining, Full Metal Jacket, Lost in Translation) battles the Contax Zeiss 50mm f/1.4 stills lens. The general design and glass is very similar with the added benefit that the Contax Zeiss covers Full Frame – 13.000$ vs 200$ How close are they to each other?
Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, modding, and so much more: Watch it for free: youtu.be/EUjUxKvXgpw
You can buy a Contax Zeiss 50mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#ContaxZeiss #lenstest #mediadivisionlensarchiveLens Test: SLR Magic 25mm f/0.92 – Ultra Fast Lens for Micro Four Thirds #MediaDivisionLensArchiveMedia Division2021-08-11 | We are testing the surprisingly small and light SLR Magic 25mm f/0.92 – an ultra fast lens built for Micro Four Thirds. It provides a narrow depths of field, usually reserved to Full Frame cameras/lenses – and very high brightness for such a small lens. This lens is an ideal companion for available light filming and photography. Recommendable for Cameras like the Panasonic GH lineup or the Blackmagic Pocket 4K (bmpcc 4K).
Watch our epic episode "f0.7 – Ultrafast Lenses". For more test, some background and a wild experiment all around Ultra Fast Lenses Watch it for free: youtu.be/2p5E7iXxeQE
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#Uutarfastlenses #lenstest #mediadivisionlensarchiveLens Test: Kipon Ibelux 40mm f/0.85 – Ultra Fast Lens #MediaDivisionLensArchiveMedia Division2021-08-10 | We are testing the Kipon Ibelux f/0.85 – an ultra fast lens built for super 35 and APS-H sized sensors – probably the fastest lens for the format. It provides a narrow depths of field , usually reserved to Full Frame cameras/lenses – and very high brightness. The Kipon Ibelux is an ideal companion for available light filming and photography.
Watch our epic episode "f0.7 – Ultrafast Lenses". For more test, some background and a wild experiment all around Ultra Fast Lenses Watch it for free: youtu.be/2p5E7iXxeQE
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#Uutarfastlenses #lenstest #mediadivisionlensarchiveLens Test: Zeiss R-Biotar 100mm f/0.7 – Ultra Fast X-Ray Lens #MediaDivisionLensArchiveMedia Division2021-08-09 | We are testing the massive Zeiss R-Biotar 100mm f/0.7 – an ultra fast industrial lens built by Zeiss Jena for X-Ray machines – this doesn not mena that the lens is radioactive in any way. Unlike many other X-Ray lenses, the R-Biotar covers Full Frame sensors. The ultra fast aperture on the large format allows for unseen narrow depth of field. The focal plane is also curved, introducing a tilt shift effect. This lens requires a 4mm flange at infinity and can only be used on specially modified cameras that allow for this very short flange.
If you want to find out, what this lens was built for, how the camera is modified to fit the lens, or the general physics and history of ultra fast lenses as well as testing of "practical" ultra fast lenses, watch our epic episode "f0.7 – Ultrafast Lenses". Watch it for free: youtu.be/2p5E7iXxeQE
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#ZeissBiotar #xraylens #lenstest #mediadivisionlensarchiveLens Test: Lomo Square Front 50mm Anamorphic Cine Lens – #MediaDivisionLensArchiveMedia Division2021-08-09 | We are testing the Lomo Square Front 50mm T2.2 – a vintage anamorphic cine lens from the Soviet era with mechanical synchro design.
Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: youtu.be/YT_MupZp5v4
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#LomoSquareFront #lenstest #mediadivisionlensarchiveLens Test: P+S Kowa Evolution 2x 50mm Anamorphic Cine Lens – #MediaDivisionLensArchiveMedia Division2021-08-08 | We are testing the P+S Kowa Evolution 2x 50mm – a modern anamorphic cine lens with mechanical synchro design, with makes it very compact for anamorphic lenses… ideal for gimbal and steadicam work. It is based on the legendary Kowa 35-BS.
Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: youtu.be/YT_MupZp5v4
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#AtlasOrion #lenstest #mediadivisionlensarchiveLens Test: Atlas Orion 80mm Anamorphic Cine Lens – #MediaDivisionLensArchiveMedia Division2021-08-07 | We are testing the Altas Orion 80mm T2 – a modern anamorphic cine lens with variable diopter design.
Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: youtu.be/YT_MupZp5v4
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#AtlasOrion #lenstest #mediadivisionlensarchiveLens Test: Atlas Orion 40mm Anamorphic Cine Lens – #MediaDivisionLensArchiveMedia Division2021-08-06 | We are testing the Altas Orion 40mm T2 – a modern anamorphic cine lens with variable diopter design.
Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: youtu.be/YT_MupZp5v4
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#AtlasOrion #lenstest #mediadivisionlensarchiveLens Test: Canon FD 55mm f/1.2 S.S.C. – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-04 | We are testing the Canon FD 55mm f/1.2 S.S.C – a vintage Full Frame lens, that is optically close to the legendary 55mm Aspherical & K35 Cine Lens of the same focal lengths… but lacking the Aspherical element. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years. Can the 55mm S.S.C. hold up?
Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: youtu.be/v8Il_l3tu6Q
You can buy a Canon FD 85mm f/1.2 Aspherical here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!)
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#CanonFD #lenstest #mediadivisionlensarchiveLens Test: S.T.O.P. Hypergonar 16 – Anamorphic Projector Lens – #MediaDivisionLensArchiveMedia Division2021-08-04 | We are testing the Benoist Berthiot S.T.O.P Hypergonar H. Chretien 16mm – an anamorphic projector lens attachment with a nice vintage look and golden flares.
Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: youtu.be/YT_MupZp5v4
You can buy an Hypergonar 16 here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!)
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#hypergonar #lenstest #mediadivisionlensarchiveLens Test: Bell&Howell Single Focus Anamorphic Projector Lens – #MediaDivisionLensArchiveMedia Division2021-08-04 | We are testing the Bell&Howell Single Focus Anamorphic Projector Lens – a type of lens attachment, that is very rare as it already contains a variable diopter for single focus – Ideal for light and small profile 2x anamorphic setups.
Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: youtu.be/YT_MupZp5v4
You can buy an Bell&Howell here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!)
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#Bell&howell #lenstest #mediadivisionlensarchiveLens Test: Canon FD 35mm f/2 Concave – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-04 | #sponsored We are testing the Canon FD 35mm f/2 Concave – a vintage Full Frame lens, that is a fan favourite and is often used to expand a Canon FD "Dreamset" of K35 look alike lenses, as Canon never built a 35mm Aspherical FD lens. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years. The Canon FD 35mm f/2 Concave has very good close focus capabilities and is much lighter than the Canon super speeds.
THIS LENS IS MILDLY RADIOACTIVE due to the use of Thoriated glass. If you have health concerns, or you want to fix the yellowing of the radioactive element, watch our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: youtu.be/v8Il_l3tu6Q
You can buy a Canon FD 35mm f/2 Concave here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#CanonFD #lenstest #mediadivisionlensarchiveLens Test: Panasonic LA7200 1.33x – Anamorphic Adapter – #MediaDivisionLensArchiveMedia Division2021-08-04 | #sponsored We are testing the Panasonic LA7200 1.33x – a classic anamorphic adapter lens with expressive flares out of the box.
Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: youtu.be/YT_MupZp5v4
You can buy an SLR Magic Anamorphot 50 here (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting! If you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#PanasonicLA7200 #lenstest #mediadivisionlensarchiveLens Test: Letus Anamorph-X 1.33x – Anamorphic Adapter – #MediaDivisionLensArchiveMedia Division2021-08-04 | #sponsored We are testing the Letus Anamorph-X 1.33x – a large anamorphic adapter lens with an extremely wide field of view.
Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: youtu.be/YT_MupZp5v4
You can buy an Letus Anamorph-X here (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
If you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#LetusAnamorphX #lenstest #mediadivisionlensarchiveLens Test: Canon FD 24mm f/1.4 Aspherical – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-04 | #sponsored We are testing the Canon FD 24mm f/1.4 Aspherical – a vintage Full Frame lens, that is optically identical to the legendary K35 Cine Lens of the same focal length. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years.
Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: youtu.be/v8Il_l3tu6Q
You can buy a Canon FD 24mm f/1.4 Aspherical here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Canon FD S.S.C. 24mm Aspherical f1.4 US ebay.us/zNKsw9 EU ebay.us/fj4WZe UK ebay.us/OBM9aWCanon FD,Canon K35,vintage lenses,cine lenses,lenses,Aliens,S.S.C,Super Spectra Coating,Rehousing,aspherical,thorium,lens radiation,Canon FD 85mm,dreamset,FD Dreamset,Canon FD 85mm f1.2
ALTERNATIVES (as the Aspherical might be hard to find, and is certainly very expensive)
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#CanonFD #lenstest #mediadivisionlensarchiveLens Test: Canon FD 85mm f/1.2 Aspherical – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-04 | #sponsored We are testing the Canon FD 85mm f/1.2 Aspherical – a vintage Full Frame lens, that is optically identical to the legendary K35 Cine Lens of the same focal length. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years.
Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: youtu.be/v8Il_l3tu6Q
You can buy a Canon FD 85mm f/1.2 Aspherical here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#CanonFD #lenstest #mediadivisionlensarchiveLens Test: Canon FD 50mm f/1.4 S.S.C. vs nFD – Vintage nifty fifty – #MediaDivisionLensArchiveMedia Division2021-08-04 | The nifty fifty Canon FD 50mm f/1.4 S.S.C battles the Canon FD 50mm f/1.4 nFD – How close are they to each other and the faster Canon FD 55mm f/1.2 S.S.C.
Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: youtu.be/v8Il_l3tu6Q
You can buy a Canon FD nifty fifty here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!)
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#CanonFD #lenstest #mediadivisionlensarchiveLens Test: Canon FD 55mm f/1.2 Aspherical – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-04 | We are testing the Canon FD 55mm f/1.2 Aspherical – a vintage Full Frame lens, that is optically identical to the legendary K35 Cine Lens of the same focal length. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years.
THIS LENS IS MILDLY RADIOACTIVE due to the use of Thoriated glass. If you have health concerns, or you want to fix the yellowing of the radioactive element, watch our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: youtu.be/v8Il_l3tu6Q
You can buy a Canon FD 55mm f/1.2 Aspherical here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!)
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#CanonFD #lenstest #mediadivisionlensarchiveLens Test: Canon FD 24mm f/2 nFD – Vintage Full Frame Lens – #MediaDivisionLensArchiveMedia Division2021-08-04 | We are testing the Canon FD 24mm f/2 mFD and battle it with the Canon FD 24mm f/1.4 Aspherical – How close are they to each other and is it a feasible alternative to the unicorn Aspherical.
Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: youtu.be/v8Il_l3tu6Q
You can buy a Canon FD 24mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!)
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join
#CanonFD #lenstest #mediadivisionlensarchiveLens Test: S.T.O.P. Hypergonar 35 – Anamorphic Projector Lens – #MediaDivisionLensArchiveMedia Division2021-08-04 | We are testing the Benoist Berthiot S.T.O.P Hypergonar H. Chretien Hi-Fi-2 35mm – an anamorphic projector lens attachment, that is the big brother oHypergonar 16 and a cheap intro to projector lenses.
Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: youtu.be/YT_MupZp5v4
You can buy an Hypergonar 16 here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!)
Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: facebook.com/groups/mediadivision2
Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. youtube.com/mediadivision/join