Trailer Horror: Infested by Daniel Petras Daniel Petras 2018-03-13 | Trailer Horror: Infested by Daniel Petrashttp://sonorityscape.com
Destiny 2 - Nova Warp Sound Redesign Daniel Petras 2023-06-09 | Video taken from youtu.be/AFgIObUlouk?t=184
Call of Duty: Modern Warfare II - Lockwood MK2 Sound Redesign Daniel Petras 2023-03-20 | Call of Duty: Modern Warfare II - Lockwood MK2 Sound RedesignVideo from youtu.be/dYPUfaaq8kI
The Granulator: A Granular Processing Worfklow In Reaper Daniel Petras 2023-01-29 | Voice Acting by Lucas Webley: lucaswebley.com#reaper #reascript #sounddesign #gameaudio
Destiny 2 - Chaos Reach Sound Redesign Daniel Petras 2023-01-13 | Video taken from thatdudeEd: youtu.be/kuq4WOPYn5k?t=277
The Gun Automator: An Automatic Weapon Sound Design Workflow in Reaper Daniel Petras 2022-12-27 | Credit to Christian Fillion for bringing Dear ImGui to Reaper: cfillion.ca
Assassins Creed Valhalla Trailer Sound Redesign Daniel Petras 2021-03-21 | Assassin's Creed Valhalla Trailer Sound Redesign
THX Deep Note In Phase Plant Daniel Petras 2020-08-23 | THX Deep Note In Phase Plant The original author of this work is James A. Moorer Original Score: nofilmschool.com/2018/05/after-35-years-we-finally-get-see-score-thxs-terrifying-deep-note Phase Plant Synth Patch: dropbox.com/s/btpce4zbk51v4o5/TMARK-Patch_LogoIntro_DP_PSL_THXTenTones.phaseplant?dl=0 Patch Notes: WARNING! Make sure to lower the volume level when all 10 oscillators are enabled. As noted in the original score, there are 30 individual voices. Phase Plant can only have up to 10, but you could combine 3 instances to get the full thing. The pitch modulation of each voice is somewhat of a randomized process; you just need to keep their movement between 200 and 400 Hz for the initial part (before the quicker slide up to consonance). Contrary to what some might think (including myself), there is no unison pitch shifting involved in this. You can have a lot more flexibility if you individually control each voice.
101 Audio Textures: An Exercise In Sound Synthesis Daniel Petras 2020-08-16 | 101 Audio Textures: An Exercise In Sound Synthesis 101 synthesizer patches that consist of a variety of textures, including attempts to model real-world sounds. In addition to singular, textural sounds, I enjoyed trying to emulate iconic sounds such as R2-D2 and the THX logo theme. http://sonorityscape.com
Destiny 2 - Weapon Sound Redesign - Black Scorpion 4-SR Daniel Petras 2019-06-04 | Destiny 2 - Weapon Sound Redesign - Black Scorpion 4-SRhttp://sonorityscape.com
Sound Design Challenge: Create an Explosion Recording Household Items by Daniel Petras Daniel Petras 2019-03-08 | VERSION II: soundcloud.com/sonorityscape/sound-design-challenge-explosion-made-with-household-itemsSound Design Challenge: Create an Explosion Recording Household Items by Daniel Petrashttp://sonorityscape.com
Creating Bullet Flybys in Xfer Records: Serum Daniel Petras 2019-02-13 | Creating Bullet Flybys in Xfer Records: Serumhttp://sonorityscape.com
League of Legends - Lux and Azir Audio Test (abilities only) Daniel Petras 2019-02-05 | League of Legends - Lux and Azir Audio Test (abilities only)*Original content belongs to Riot Gameshttp://sonorityscape.com
Sound Design Reel by Daniel Petras - For Honor | Halo 5: Guardians | Battlefield V Daniel Petras 2018-12-19 | Sound (re)Design Reel by Daniel Petras - For Honor | Halo 5: Guardians | Battlefield VOriginal content by Ubisoft, Microsoft and Electronic ArtsVoice Acting (Halo 5 and Battlefield V) - Lucas Webleyhttp://sonorityscape.com
Halo 5 Weapon Sound Redesign Montage by Daniel Petras Daniel Petras 2018-11-24 | Halo 5 Weapon Sound Redesign Montage by Daniel PetrasVoice Acting by Lucas WebleyClips taken from youtube.com/mintblitz and youtube.com/user/TheReachWayWebsite: http://sonorityscape.com
FE3DBACK - UI and Granular SFX by Daniel Petras Daniel Petras 2018-11-08 | FE3DBACK - UI and Granular SFX by Daniel PetrasDownload for free: http://sonorityscape.com/#freebies
Technical Game Audio Reel by Daniel Petras Daniel Petras 2018-10-29 | Technical Game Audio Reel by Daniel Petrashttp://sonorityscape.com--Video Links--3D Platformer in Unity + Pure Data: youtube.com/watch?v=BwNV6LYcGYEJetpack, Music and Ambience in UE4: Wwise - youtube.com/watch?v=nFWQiTa7pjADialogue, Weapons and Occlusion in Unity + FMOD: youtube.com/watch?v=fC7SFWinQ-4EQ Practice Lua Scripting in Reaper: youtube.com/watch?v=HRN3gNWesPoBatch File Renaming with Speech Recognition in Python: youtube.com/watch?v=MdAhiFvgfDoWriting Audio File Data into Excel Using Python: youtube.com/watch?v=wUtroCb0PPIVehicle and Dialogue Trees in Unity + Wwise: youtube.com/watch?v=l7hij7BSmE4
Jetpack and Ambience/Music Audio Systems in UE4 + Wwise by Daniel Petras Daniel Petras 2018-10-25 | Jetpack and Ambience/Music Audio Systems in UE4 + Wwise by Daniel PetrasWebsite: http://sonorityscape.com
How to Create a Riser in Native Instruments: Massive (#2) Daniel Petras 2018-10-02 | How to Create a Riser in Native Instruments: Massive (#2)Massive Fuel - Trailer Soundset for NI Massive: pulsesetter-sounds.com/product/massive-fuelPatch: dropbox.com/s/bt62guwsfxqlkrj/DP%20-%20Lift%20Off%20%28C4%29.nmsv?dl=0WAV File: dropbox.com/s/b4xnune8i65xsha/DP%20-%20Riser%20-%20Lift%20Off.wav?dl=0http://sonorityscape.com
Using Pythons Speech Recognition Library to Batch Rename VO Files Daniel Petras 2018-09-17 | Using Python's Speech Recognition Library to Batch Rename VO Fileshttp://sonorityscape.com
For Honor - World Premiere Trailer - Sound Redesign Daniel Petras 2018-09-02 | For Honor - World Premiere Trailer - Sound Redesignhttp://sonorityscape.com
Reascript (in Lua): Open FX Panel for Selected Tracks and Media Items Daniel Petras 2018-08-17 | Reascript (in Lua): Open FX Panel for Selected Tracks and Media ItemsScript: dropbox.com/s/g8pq1qjqjfmamal/DP%20-%20Open%20FX%20Panel%20for%20Selected%20Tracks%20and%20Media%20Items.lua?dl=0SWS Extension: http://www.sws-extension.orgCustom Toolbars in Reaper: youtube.com/watch?v=jDO3Mww_-wcPython Automation: youtube.com/watch?v=wUtroCb0PPI&index=1&list=PLKkqdYnt6Yq7mN__2ZXuatADtNMyz9AJeWebsite: http://sonorityscape.com
EQ Practice with ReaEQ - Scripting in Lua Daniel Petras 2018-08-16 | EQ Practice with ReaEQ - Scripting in LuaDownload script from here: dropbox.com/s/wxgnk3t5mxlykje/DP%20-%20EQ%20Practice%20with%20ReaEQ.lua?dl=0Python Automation: youtube.com/watch?v=wUtroCb0PPI&list=PLKkqdYnt6Yq7mN__2ZXuatADtNMyz9AJe&index=1Website: http://sonorityscape.com
Sound Design in Xfer Records Serum - Sci-fi Downer Daniel Petras 2018-08-05 | Sound Design in Xfer Records Serum - Sci-fi DownerSerum Video Presets (Patch and Table): dropbox.com/s/z4p3naqdxmbxoha/Serum%20Sci-fi%20Downer%20Presets.zip?dl=0
Automating Audio File Information into Excel Using Python Daniel Petras 2018-07-27 | Automating Audio File Information into Excel Using Pythonhttp://sonorityscape.com
Automating Job Applications in Python (Part II) Daniel Petras 2018-07-21 | Automating Job Applications in Python (Part II)This script extends the functionality of part I. It has been modified to work with any job posting on the Smart Recruiters platform. The video shows the process of automating applications for two different job postings.Process:1. Calls the program from Run with two arguments: the script name and the job page URL2. Opens to job page and LinkedIn to extract info3. Uses info to format Cover Letter and Resume4. Uploads relevant info and documents to job page for submissionSound Design -- Daniel Petras (UI sounds created in NI: Absynth) Music -- Deus Ex: Mankind Divided
Automating Job Applications in Python (Part I) Daniel Petras 2018-07-18 | Automating Job Applications in PythonProcess: Execute script from Run with five arguments: email (can be typed or copied to clipboard), name, title, company and location.1. Starts with a docx template2. Formats docx cover letter3. Converts to pdf4. Emails with message and attachmentSound Design -- Daniel Petras (UI sounds created in NI: Absynth)Music -- Deus Ex: Mankind Divided
Call of Duty: WWII D-Day Mission Sound Redesign Daniel Petras 2018-06-24 | Call of Duty: WWII D-Day Mission Sound Redesignhttp://sonorityscape.comVoice Acting: Heath MartinOriginal content published by Activision and developed by Sledgehammer Games and Raven Software.
Halo 3: Never Forget (Midi Mockup) - Original Score By Martin ODonnel and Michael Salvatori Daniel Petras 2018-05-31 | Halo 3: Never Forget (Midi Mockup) - Original Score By Martin O'Donnel and Michael Salvatorihttp://sonorityscape.comSoundCloud Quality: soundcloud.com/sonorityscape
Unity 3D Platformer | Pure Data | Enzien Audio Heavy Tools by Daniel Petras Daniel Petras 2018-05-20 | Unity 3D Platformer | Pure Data | Enzien Audio Heavy Tools by Daniel Petrashttp://sonorityscape.comResources:Designing Sound by Andy Farnell - https://mitpress.mit.edu/books/designing-soundHeavy Compiler by Enzien Audio - enzienaudio.comProgramming Electronic Music in Pure Data by Johannes Kreidler - http://pd-tutorial.comPure Data with Dr. Rafael Hernandez - youtube.com/watch?v=rtgGol-I4gA&list=PL12DC9A161D8DC5DCLWM Music with Dr. Lawrence W. Moore - youtube.com/channel/UCw5MbnaoDDuRPFsqaQpU9ig
Pure Data Ambience - Additive Synthesis and Amplitude Modulation by Daniel Petras Daniel Petras 2018-05-17 | Pure Data Ambience - Additive Synthesis and Amplitude Modulation by Daniel Petrashttp://sonorityscape.com
Trailer Music: Transform (15 second TV spot) - Daniel Petras Daniel Petras 2018-04-19 | Trailer Music: Transform (15 second TV spot) - Daniel Petrashttp://sonorityscape.com
How to Create the Ocarina of Time + Bonus in Native Instruments: Absynth 5 Daniel Petras 2018-02-24 | How to Create the Ocarina of Time + Bonus in Native Instruments: Absynth 5Patch: dropbox.com/s/ax20kdvgckdkevf/Ocarina%20of%20Time%20-%20Sonorityscape.nabs?dl=0http://sonorityscape.com
Halo 5: Guardians Cinematic Sound Redesign by Daniel Petras Daniel Petras 2018-02-17 | Halo 5: Guardians Cinematic Sound Redesign by Daniel Petrashttp://sonorityscape.com
FMOD - Unity | Technical Sound Design | Custom Level by Daniel Petras Daniel Petras 2018-02-14 | FMOD - Unity | Technical Sound Design | Custom Level by Daniel Petrashttp://sonorityscape.com
Intense Trailer Music: Skirmish (sound sources 100% from Massive) - Daniel Petras Daniel Petras 2017-12-29 | Intense Trailer Music: Skirmish (sound sources 100% from Massive) - Daniel PetrasDemo for upcoming sound design library.pulsesetter-sounds.com
Wwise - Unity | Technical Sound Design | Custom Level by Daniel Petras Daniel Petras 2017-12-05 | Wwise - Unity | Technical Sound Design | Custom Level by Daniel Petrashttp://sonorityscape.com
How to Create the Stranger Things synth (intro credits) in Native Instruments: Massive Daniel Petras 2017-11-21 | How to Create the Stranger Things synth (intro credits) in Native Instruments: MassivePatch: dropbox.com/s/o4o0phxguotj5rz/Stranger%20Things%20Main%20Intro%20Synth.nmsv?dl=0http://www.sonorityscape.com
How to Make an FPS Sci-fi Rocket Launcher Daniel Petras 2017-11-14 | How to Make an FPS Sci-fi Rocket LauncherWAV file from Dropbox: dropbox.com/s/y3213jvji9961v7/Sci-fi%20Rocket%20Launcher%20-%20Daniel%20Petras.wav?dl=0Note: Too much reverb
Game Audio Demo Reel by Daniel Petras Daniel Petras 2017-10-24 | *** See vimeo.com/240324695 for updated video ***Game Audio Demo Reel by Daniel PetrasAll content belongs to their respective developers and producers.
UE4 + Wwise FPS Sound Design Demo by Daniel Petras Daniel Petras 2017-10-03 | UE4 + Wwise FPS Sound Design Demo by Daniel PetrasNote: Too much reverb
Weapon Sound Design - How to Create a Blaster Pistol inspired by Star Wars in Xfer Records: Serum Daniel Petras 2017-09-20 | Weapon Sound Design - How to Create a Blaster Pistol inspired by Star Wars in Xfer Records: SerumNote: An ideal weapon sound would have multiple components to it. This is simply one of several layers the sound design process.Serum Patch: dropbox.com/s/u01109lyx0qzoak/Star%20Wars%20Blaster%20Pistol%20-%20Daniel%20Petras%20.fxp?dl=0
Electronic Music: Flyin High Daniel Petras 2017-09-05 | Electronic Music: Flyin' High - Daniel Petras
Weapon Sound Design - How to Create a Zoom in Sound in Native Instruments: Massive Daniel Petras 2017-08-30 | Weapon Sound Design - How to Create a zoom in/scope in sound in Native Instruments: MassiveYou can skip to 7:10 to hear variations on the sound.This sound or similar sounds to it are heard often in modern video games, especially FPS. It's not only limited to weapons, but can be applied to things such as night vision, selection screens, maps, etc. It's also important to have the proper balance between the two patches otherwise it might sound a bit off. Also, keep in mind that the synthetic part of the zoom in sound is usually quite subtle in comparison to how I've presented it in the video and is usually mixed in with other mechanical elements of the gun.Gun Scope Patch: dropbox.com/s/wjqa1u94rnbdkyn/Gun%20Scope%20%28C3%29%20-%20Daniel%20Petras.nmsv?dl=0Gun Scope Part 2 Patch: dropbox.com/s/kitbtu55lszdn89/Gun%20Scope%20Part%202%20%28C3%29%20-%20Daniel%20Petras.nmsv?dl=0 Video clips from: youtube.com/watch?v=hCUYXKxeoBU
How to Create a Dark Atmosphere in Native Instruments: Massive Daniel Petras 2017-08-28 | How to Create a Dark Atmosphere in Native Instruments: MassiveNote: I forgot to change the EQ settings in the walk-through. You can find them in the patch linked below.There was not too much thought in the creation of this patch. I played around with the parameters until I arrive at a sound I liked. The level can be difficult to control due to the extreme amounts of feedback. Having a slow attack, layering and healthy amounts of reverb are great qualities of most pads/atmospheres.Massive Patch: dropbox.com/s/zaaizzrrtw5x9w0/Death%27s%20Decay%20%28C6%20or%20C7%29%20-%20Daniel%20Petras.nmsv?dl=0
How to Create a Synth Guitar Riff in Native Instruments: Massive Daniel Petras 2017-08-20 | How to Create a Synth Guitar Riff in Native Instruments: MassiveNotes: Use Alt + click to move the stepper in increments of one. A big part of this sound comes from the feedback of the comb filter. Without it, it no longer has the guitar qualities to it. Since the steppers only have 16 steps each, I used LFO 5 to switch between steppers 7 and 8 so the sequence could be twice as long. You can experiment with the different FX, Phase Modulation, etc. to add a different character to the sound.Patch: dropbox.com/s/j1smzze0g1pw4ka/Guitar%20Hero%20-%20Daniel%20Petras.nmsv?dl=0
How to Create a Kick in Native Instruments: Massive Daniel Petras 2017-08-16 | How to Create a Kick in Native Instruments: MassiveNote: I've noticed there's a bit of fuzzy tail (in the preview) after the kick that doesn't sound too great. You can easily get rid of this by making the decay quicker.Here's a quick explanation of why the synthesized kick drum sounds the way it does. Pretty much the sound depends on the correct shape of the envelope and it's relationship to the pitch. It needs to start high so that you can hear it and then end low to get the boom of the kick drum. The envelope has to have a very quick decay otherwise it's not going to sound like a kick. The best wave table to make a synthesized kick is usually going to be a sine wave due to the fact that it's not complex. When you get into the more complex wave tables they are going to sound muddy at a lower register and just won't work to make a kick. You can't actually see the complexity of the wave tables in Massive so you just have to use your ear and experiment to see what you like. Another important thing is to make sure you have the right EQ settings. Really you just want to boost the low frequencies as much as you can. All the the distortion, clippers, saturation, etc. help to make it fatter. Massive Patch: dropbox.com/s/ju4kps9bxv3l44x/Kick%203%20%28G2%29%20-%20Daniel%20Petras.nmsv?dl=0
Trailer Rock: High Impact Daniel Petras 2017-08-15 | Trailer Rock: High Impact - Daniel PetrasImage: wallpapersafari.com/w/bjS02Q
