Womens Lifestyle
Teena Marie - Square Biz - 1981 pop music video
updated
This bowling movie is in honor of Susan Blakely due to Women's History Month
Susan Blakely (born September 7, 1948) is an American actress. She is best known for her leading role in the 1976 ABC miniseries Rich Man, Poor Man, for which she received a Golden Globe Award for Best Actress – Television Series Drama and an Emmy nomination for Best Actress. Blakely also has appeared in films including The Towering Inferno (1974), Report to the Commissioner (1975), Capone (1975), The Concorde... Airport '79 (1979) and Over the Top (1987).
She played the role of Karen on the 1979 bowling movie, "Dreamer".
2 women of disco, who contributed the vocals of "Plato's Retreat": Diva Gray & Gwen Guthrie - I had to get in shape to that disco track, released in 1978 in memory of those 2 women of disco due to Women's History Month
Here's an analysis of the disco track "Plato's Retreat" and the vocalists involved, based on the provided information and available resources.
"Plato's Retreat" is a disco track that gained popularity in 1978. The user specifically mentions a clean edit version of the song. The user also mentions that the song is in memory of the female vocalists, Diva Gray and Gwen Guthrie, due to Women's History Month.
Based on the information provided and readily available sources, the following can be confirmed:
The user identifies Diva Gray and Gwen Guthrie as vocalists on the track, specifically mentioning their unison vocals. The user also mentions Jocelyn Brown, Gordon Grody, and Annie Sutton as additional vocalists.
The song "Plato's Retreat" was indeed released in 1978. The user's provided links to YouTube confirm the existence of the song and various versions of it.
The vocalists on "Plato's Retreat" include Diva Gray, Gwen Guthrie, Jocelyn Brown, Gordon Grody, and Annie Sutton.
2 women of disco:
Diva Gray:
Diva Gray, a session singer, was a part of the disco scene and worked with Nile Rodgers and Bernard Edwards on Chic's first album, and can be heard on the mega-hit "Dance, Dance, Dance." She also worked on Sister Sledge's "We Are Family" sessions.
Gwen Guthrie:
Gwen Guthrie, another prominent figure, was in a disco group Bionic Boogie, who scored a disco hit, "Dance Little Dreamer". She was also known for her club hit "Ain't Nothin' Goin' On But the Rent," which was remixed by Larry Levan. Guthrie's frequent performances at the Garage earned her the nickname "The First Lady of the Paradise Garage."
This is her lost unsuccessful material from the early years (1978-1989) in honor of Women's History Month
Birthday celebration playlist:
Breaking the Chain 0:53
Steal the Night 5:25
Too Close to Home 9:47
Trust Me 14:30
Survivor 24:08
Playlist:
Gina Lee - Some Guys Have All the Luck (1980) 0:21
The Stern Sisters (Sister Stern) - Last Date (1976) 4:15
Nadine Hart - Telling Myself (1979) 7:14
Fredricka & Joy - Uptown Ranking (1978) 10:40
Susan Cadogan - Do It Baby (1975) 18:41
2 songs by Marcia Griffiths: "Play Me" (1974) 21:56 & "Sweet Bitter Love" (1974) 25:07
In celebration of Women’s History Month, it is important to recognize the contributions of female artists in the music industry, particularly those associated with Clocktower Records during the years 1974 to 1980. This period was significant for the emergence and recognition of women in reggae and related genres, showcasing their talents and paving the way for future generations.
Overview of Clocktower Records
Clocktower Records was founded by Brad Osborne and became known for its diverse catalog that included reggae, rocksteady, and other Caribbean music styles. The label played a crucial role in promoting female artists who contributed significantly to these genres. The artists featured in this playlist not only showcased their vocal talents but also brought unique perspectives and experiences that enriched the music landscape of their time.
Featured Artists and Their Contributions
Gina Lee - “Some Guys Have All the Luck” (1980)
Gina Lee’s “Some Guys Have All the Luck” is an example of her ability to blend pop sensibilities with reggae rhythms. Released in 1980, this track highlights her vocal prowess and emotional delivery, making it a memorable addition to the era’s music scene. The song reflects themes of love and longing, resonating with many listeners.
Listen here: youtube.com/watch?v=uo8diZXUpIU
The Stern Sisters (Sister Stern) - “Last Date” (1976)
The Stern Sisters brought a unique sound to Clocktower Records with their track “Last Date.” Released in 1976, this song showcases their harmonious vocals and ability to convey deep emotions through music. Their contribution helped solidify the presence of female artists within reggae during a time when male dominance was prevalent.
Listen here: youtube.com/watch?v=qO5naSZOD7Q
Nadine Hart - “Telling Myself” (1979)
Nadine Hart’s “Telling Myself,” released in 1979, is another significant entry from this period. Her soulful voice combined with poignant lyrics speaks to personal struggles and self-reflection. This track exemplifies how women were using music as a platform for expressing their inner thoughts and feelings.
Listen here: youtube.com/watch?v=MRRfmeinHWM
Fredricka & Joy - “Uptown Ranking” (1978)
Fredricka & Joy’s collaboration on “Uptown Ranking” showcases a lively blend of reggae beats with engaging lyrics that celebrate urban life. Released in 1978, this song reflects the vibrant culture of the time while highlighting female camaraderie within the music industry.
Listen here: youtube.com/watch?v=QbHUC4G9dtg
Susan Cadogan - “Do It Baby” (1975)
Susan Cadogan’s “Do It Baby,” released in 1975, is an iconic track that combines elements of reggae with pop influences. Cadogan’s smooth vocals and catchy melodies made this song a hit, further establishing her as a prominent figure among female artists during this era.
Listen here: youtube.com/watch?v=FLOuqflQnDM
Marcia Griffiths - “Play Me” (1974) & “Sweet Bitter Love” (1974)
Marcia Griffiths is one of the most celebrated female reggae artists from this period. Her songs “Play Me” and “Sweet Bitter Love,” both released in 1974, showcase her exceptional vocal talent and ability to convey complex emotions through her music. Griffiths’ influence extends beyond her recordings; she has been instrumental in mentoring younger artists within the genre.
Listen to “Play Me” youtube.com/watch?v=lCYxz3tJN-s
Listen to “Sweet Bitter Love” youtube.com/watch?v=Mtlvh-oP2sA
Conclusion
The contributions of these women at Clocktower Records between 1974 and 1980 played an essential role in shaping not only reggae music but also broader musical trends during that time. Their work continues to inspire new generations of musicians today.
Betty Marion White was an American actress, comedian and producer. A pioneer of early television with a career spanning almost seven decades, she was noted for her vast television appearances acting in sitcoms, sketch comedy, and game shows.
Isabella Stewart Gardner (April 14, 1840 – July 17, 1924) was a leading American art collector, philanthropist, and patron of the arts. She founded the Isabella Stewart Gardner Museum in Boston.
Gardner possessed an energetic intellectual curiosity and a love of travel. She was a friend of noted artists and writers of the day, including John Singer Sargent, James McNeill Whistler, Dennis Miller Bunker, Anders Zorn, Henry James, Dodge MacKnight, Okakura Kakuzo and Francis Marion Crawford.
Gardner created much fodder for the gossip columns of the day with her reputation for stylish tastes and unconventional behavior. The Boston society pages called her by many names, including "Belle," "Donna Isabella," "Isabella of Boston," and "Mrs. Jack". Her surprising appearance at a 1912 concert (at what was then a very formal Boston Symphony Orchestra) wearing a white headband emblazoned with "Oh, you Red Sox" was reported at the time to have "almost caused a panic", and still remains in Boston one of the most talked about of her eccentricities.[1]
with clips of "Dancing Lady" (1933) - with Joan Crawford and "Blansky's Beauties"(1977) - with Caren Kaye & Nancy Walker
Joan Crawford:
Joan Crawford (March 23, c. 1904–1908 – May 10, 1977) was an American actress. Starting as a dancer in traveling theatrical companies before debuting on Broadway, Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford began a campaign of self-publicity and became nationally known as a flapper by the end of the 1920s. In the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money and by the end of the 1930s she was labeled "box office poison".
Caren Kaye:
Caren Kaye (born March 12, 1951) is a retired American television and film actress who has appeared in dozens of films and guest-starred in many TV series. She attended Carnegie Mellon University and holds a Ph.D. in psychology. She is best known for her roles in the 1983 film My Tutor and the short-lived sitcoms The Betty White Show (1977-1978), Who's Watching the Kids? (1978), and It's Your Move (1984-1985).
Nancy Walker:
Nancy Walker (May 10, 1922 – March 25, 1992) was an American actress and comedian of stage, screen, and television. She was also a film and television director (such as of The Mary Tyler Moore Show, on which she also made several guest appearances). During her five-decade-long career, she may be best remembered for her long-running roles as Mildred on McMillan & Wife and Ida Morgenstern, who first appeared on several episodes of The Mary Tyler Moore Show and later became a prominent recurring character on the spinoff series Rhoda.
Dancing Queen:
"Dancing Queen" is a Europop song by the Swedish group ABBA, released as the lead single from their fourth studio album, Arrival. It was written by Benny Andersson, Björn Ulvaeus and Stig Anderson. Andersson and Ulvaeus also produced the song. "Dancing Queen" was released as a single in Sweden on 15 August 1976, followed by a UK release and the rest of Europe a few days later. It was a worldwide hit. It became ABBA's only number one hit in the United States, and topped the charts in Australia, Canada, the Netherlands, Belgium, Ireland, Mexico, New Zealand, Norway, South Africa, Spain, Sweden, the United Kingdom, Germany and Rhodesia. "Dancing Queen" also reached the top five in many other countries.
Dancing Lady:
Dancing Lady is a 1933 American pre-Code musical film starring Joan Crawford and Clark Gable, and featuring Franchot Tone, Fred Astaire, Robert Benchley, and Ted Healy and His Stooges (who later became The Three Stooges with Curly, Moe and Larry). The picture was directed by Robert Z. Leonard, produced by John W. Considine Jr. and David O. Selznick, and was based on the novel of the same name by James Warner Bellah, published the previous year. The movie had a hit song in "Everything I Have Is Yours" by Burton Lane and Harold Adamson.
Blansky's Beauties:
Blansky's Beauties is an American sitcom television series and ostensible spin-off of Happy Days that aired on ABC from February 12 to June 27, 1977. The main character of the series was introduced on an episode of Happy Days, then set in the early 1960s, but the show is set in the present-day of 1977. The series was a ratings flop and was cancelled after only 13 episodes.
Karen Trust Grassle (born February 25, 1942) is an American actress, known for her role as Caroline Ingalls, the wife of Michael Landon's character and the mother of Melissa Sue Anderson’s and Melissa Gilbert's character, in the NBC television drama series Little House on the Prairie.[1]
Cry:
"Cry" is a song released by the English music duo Godley & Creme on 11 March 1985. It was included on the duo's album The History Mix Volume 1.
The song reached number 16 on the Billboard Hot 100 chart, becoming Godley & Creme's lone Top 40 hit in the US apart from their former band, 10cc. It reached No. 19 on the UK Singles Chart. The duo also directed the song's music video, which featured faces blended into each other using dissolving and wiping effects.
Genie Francis is an American actress. She is best known for playing the role of Laura Spencer on the television soap opera General Hospital from 1977 to present, for which she won a Daytime Emmy Award in 2007.
Francis also appeared in the soap operas Days of Our Lives from 1987 to 1989, All My Children from 1990 to 1992 and The Young and the Restless from 2011 to 2012.
@womenslifestyle6056
"Run Away" by 10cc with Andrew Gold on backup vocals:
Runaway is a 10cc single . It comes from their album Ten out of 10 . The single was only released in England.
It is one of the songs written by Andrew Gold, Eric Stewart and Graham Gouldman in the period that it looked like Gold became the producer of the album. That did not end and Runaway disappeared on the shelf, but appeared on the American version of the album.
Runaway is used as Runaway (runaways) and Run Away (run away). The background choir is similar to the choir from I'm Not in Love .
B-side was Action Man in Motown Suit , which featured both the European and American pressing of the album.
Personnel:
Eric Stewart: Lead Vocal, Guitar, Synthesizer, Backing Vocal
Graham Gouldman: Bass, Backing Vocal, Guitar
Andrew Gold: Backing Vocal, Electric Piano, Synthesizer, Percussion
Michael Boddicker, James Newton Howard & Suzanne Ciani: Synclavier
aired on Sunday, March 8, 2020 in honor of both Women's History Month
and International Women's Day
Cindy Bullens:
Cindy Bullens (born Cynthia Bullens March 21, 1955 - died as a female Cynthia Bullens September 1, 2011) was an American singer-songwriter who grew up in Massachusetts. Bullens released two albums in the late 1970s on United Artists and Casablanca and MCA in 1989. Her 1978 debut album, Desire Wire is described flatly by William Ruhlmann for Allmusic as: "One of the great lost rock albums of the 1970s, Bullens' debut release is full of tough, passionate, incredibly catchy rock & roll played to the hilt and sung with fire". These early albums anticipated later work by a host of 1980s female and female-identified rock artists, from Pat Benatar, to Blondie, to the Go-Go's, to Headpins. In 1974, Bullens performed background vocals on Gene Clark's album No Other and as one of the Sex-O-Lettes on the debut album by Disco-Tex and the Sex-O-Lettes.
She also served as a backup vocalist on Rod Stewart's Atlantic Crossing and with Elton John on three major tours, as well as his album Blue Moves and his hit with Kiki Dee, "Don't Go Breaking My Heart".
Bullens provided vocals on three songs ("It's Raining on Prom Night," "Mooning," and "Freddy, My Love") on the soundtrack of the 1978 feature film, Grease. In 1980, she earned another Grammy nomination for her single "Survivor".
In January 1980, Bullens hit the Billboard Hot 100 with the song "Trust Me." It peaked at #90.[3] Bullens withdrew from the music business in the early 1980s to raise a family, returning in the early and mid-1990s as a songwriter and then later as a touring and recording artist. Since 1999, Bullens has toured extensively all over the US, Canada, Europe and Australia, has appeared on several major TV shows, including Late Night with Conan O'Brien, Today Show, and CBS This Morning and many radio and TV stations around the world.
Understanding Cindy Bullens and Women’s History Month
Cindy Bullens was an American singer-songwriter known for her contributions to music, particularly in the pop rock genre. She had a notable career that includes work as a solo artist and collaborations with various musicians. However, the question regarding her absence from Women’s History Month due to perceptions of femininity is complex and requires careful consideration of societal norms, gender identity, and representation.
Gender Identity and Societal Norms
Defining Femininity: Femininity is often associated with certain physical traits, behaviors, and roles traditionally attributed to women in society. These traits can include appearance, mannerisms, and interests that align with cultural expectations of what it means to be female.
Cindy Bullens’ Presentation: Cindy Bullens had been open about her gender identity and experiences. Her presentation did not conform to traditional standards of femininity as defined by societal norms. This led to misunderstandings or misrepresentations regarding her contributions to women’s history.
Impact on Recognition: The recognition of individuals during Women’s History Month often reflects broader societal attitudes towards gender and identity. If someone does not fit conventional definitions of femininity, they may be overlooked in discussions about women’s contributions, despite their significant achievements.
Contributions to Music
Musical Achievements: Cindy Bullens had made substantial contributions to music over the years. She had released 9 albums and worked with prominent artists, showcasing her talent as a songwriter and performer.
Influence on Others: Beyond her music, Bullens served as an inspiration for many who identify outside traditional gender norms. Her presence in the music industry challenges stereotypes and expands the definition of what it means to be a woman in art.
Women’s History Month
Purpose of Women’s History Month: Established to celebrate the contributions of women throughout history, Women’s History Month aims to highlight achievements across various fields while addressing issues related to gender equality.
Inclusion Challenges: The criteria for inclusion in Women’s History Month celebrations can sometimes reflect narrow views on femininity that exclude diverse representations of womanhood.
Conclusion
In summary, Cindy Bullens’ absence from discussions surrounding Women’s History Month may stem from societal perceptions of femininity rather than a lack of contribution or significance in women’s history. Her journey illustrates the complexities surrounding gender identity and representation within cultural narratives. Cindy Bullens was never part of Women’s History Month due to societal perceptions regarding femininity rather than her actual contributions or significance in women’s history.
aired on Sunday, March 8, 2020 in honor of both Women's History Month
and International Women's Day
Teena Marie Brockert, under the stage name Teena Marie:
Teena Marie (born Mary Christine Brockert; March 5, 1956 – December 26, 2010) was an American pop/R&B/soul singer-songwriter and producer. She was known by her childhood nickname Tina[1] before taking the stage name Teena Marie and later acquired the nickname Lady Tee (sometimes spelled Lady T), given to her by her collaborator and friend, Rick James.
She was known for her distinctive soprano vocals,[2][3][4] which caused many listeners to believe she was black.[5] Her success in R&B and soul music, and loyalty to these genres would earn her the title Ivory Queen of Soul. She played rhythm guitar, keyboards, and congas, and wrote, produced, sang, and arranged virtually all of her songs since her 1980 release, Irons in the Fire, which she later said was her favorite album.[citation needed] Marie was a three-time Grammy Award nominee.[6]
Understanding Teena Marie’s Legacy
Teena Marie, an American singer-songwriter and producer, is often celebrated for her contributions to music, particularly in the genres of pop, R&B, soul, and funk. Despite her significant impact on the music industry, discussions about her recognition during Women’s History Month can be complex and multifaceted.
Teena Marie’s Background
Teena Marie was born on March 5, 1956, in Santa Monica, California. She was a white artist who gained prominence in a predominantly Black genre of music. Her unique sound and style earned her the nickname “Ivory Queen of Soul.” Throughout her career, she collaborated with various artists and produced several hit songs that resonated with audiences across racial lines.
Representation in Women’s History Month
Women’s History Month is dedicated to recognizing the contributions of women throughout history. While Teena Marie made significant strides as a female artist in a male-dominated industry, her recognition may not have been as prominent as other figures due to several factors:
Racial Dynamics: The music industry has historically been influenced by racial dynamics. Although Teena Marie achieved success as a white woman in R&B and soul music, there may be perceptions that overshadow her contributions compared to Black female artists who have also played pivotal roles in these genres.
Cultural Context: The celebration of Women’s History Month often emphasizes figures who have faced systemic barriers related to race and gender. While Teena Marie faced challenges as a woman in the music industry, the intersectionality of race may have affected how her legacy is viewed within this context.
Recognition Trends: Recognition during Women’s History Month can sometimes reflect broader societal trends and narratives about race and gender. As a result, certain artists may receive more visibility based on their alignment with these narratives.
Conclusion
In summary, while Teena Marie’s contributions to music are undeniable and deserving of recognition, her legacy may not be as prominently featured during Women’s History Month due to the complexities surrounding race and representation within cultural celebrations. This does not diminish her impact but highlights the ongoing conversation about inclusivity in recognizing women’s achievements across all backgrounds.
Teena Marie’s legacy is significant but may not be prominently recognized during Women’s History Month due to racial dynamics and cultural context surrounding representation.
Family Circle began publication in 1932. It was initially distributed for free at Piggly Wiggly supermarkets, until it was offered as a freestanding publication in 1946.[6]
Cowles Magazines and Broadcasting bought the magazine in 1962. The New York Times Company bought the magazine for its woman's magazine division in 1971. The division was sold to Gruner + Jahr in 1994. When Gruner + Jahr decided to exit the US magazine market in 2005, the magazine was sold to the Meredith Corporation.
From 1973 to 2015, Family Circle was the title sponsor of the Family Circle Cup (Charleston Open) women's professional tennis tournament on the WTA Tour, which was held at its namesake Family Circle Tennis Center in Charleston, South Carolina starting in 2001. At the time the sponsorship ended, Family Circle was the longest-running title sponsor in professional tennis.[7][8]
In November 2009, Family Circle launched their social network Momster.com for moms of tweens and teens.[9]
In October 2019, Meredith Corporation announced that Family Circle would cease publishing after its December 2019 issue. At the time, the publisher reported the magazine had 13 million readers, more than 1 million followers on social media, and a circulation of 4 million. As part of the closure, about 25 Family Circle staffers would be laid off, while others would take jobs at other Meredith publications.[3]
5e2f9f0dd9e34.site123.me/about-the-rise-of-fall-of-family-circle
familycirclearchives70sand80s.ecrater.com
familycirclearchives.webstarts.com
Family Circle began publication in 1932. It was initially distributed for free at Piggly Wiggly supermarkets, until it was offered as a freestanding publication in 1946.[6]
Cowles Magazines and Broadcasting bought the magazine in 1962. The New York Times Company bought the magazine for its woman's magazine division in 1971. The division was sold to Gruner + Jahr in 1994. When Gruner + Jahr decided to exit the US magazine market in 2005, the magazine was sold to the Meredith Corporation.
From 1973 to 2015, Family Circle was the title sponsor of the Family Circle Cup (Charleston Open) women's professional tennis tournament on the WTA Tour, which was held at its namesake Family Circle Tennis Center in Charleston, South Carolina starting in 2001. At the time the sponsorship ended, Family Circle was the longest-running title sponsor in professional tennis.[7][8]
In November 2009, Family Circle launched their social network Momster.com for moms of tweens and teens.[9]
In October 2019, Meredith Corporation announced that Family Circle would cease publishing after its December 2019 issue. At the time, the publisher reported the magazine had 13 million readers, more than 1 million followers on social media, and a circulation of 4 million. As part of the closure, about 25 Family Circle staffers would be laid off, while others would take jobs at other Meredith publications.[3]
5e2f9f0dd9e34.site123.me/about-the-rise-of-fall-of-family-circle
familycirclearchives70sand80s.ecrater.com
familycirclearchives.webstarts.com
Family Circle began publication in 1932. It was initially distributed for free at Piggly Wiggly supermarkets, until it was offered as a freestanding publication in 1946.[6]
Cowles Magazines and Broadcasting bought the magazine in 1962. The New York Times Company bought the magazine for its woman's magazine division in 1971. The division was sold to Gruner + Jahr in 1994. When Gruner + Jahr decided to exit the US magazine market in 2005, the magazine was sold to the Meredith Corporation.
From 1973 to 2015, Family Circle was the title sponsor of the Family Circle Cup (Charleston Open) women's professional tennis tournament on the WTA Tour, which was held at its namesake Family Circle Tennis Center in Charleston, South Carolina starting in 2001. At the time the sponsorship ended, Family Circle was the longest-running title sponsor in professional tennis.[7][8]
In November 2009, Family Circle launched their social network Momster.com for moms of tweens and teens.[9]
In October 2019, Meredith Corporation announced that Family Circle would cease publishing after its December 2019 issue. At the time, the publisher reported the magazine had 13 million readers, more than 1 million followers on social media, and a circulation of 4 million. As part of the closure, about 25 Family Circle staffers would be laid off, while others would take jobs at other Meredith publications.[3]
5e2f9f0dd9e34.site123.me/about-the-rise-of-fall-of-family-circle
familycirclearchives70sand80s.ecrater.com
familycirclearchives.webstarts.com
Family Circle began publication in 1932. It was initially distributed for free at Piggly Wiggly supermarkets, until it was offered as a freestanding publication in 1946.[6]
Cowles Magazines and Broadcasting bought the magazine in 1962. The New York Times Company bought the magazine for its woman's magazine division in 1971. The division was sold to Gruner + Jahr in 1994. When Gruner + Jahr decided to exit the US magazine market in 2005, the magazine was sold to the Meredith Corporation.
From 1973 to 2015, Family Circle was the title sponsor of the Family Circle Cup (Charleston Open) women's professional tennis tournament on the WTA Tour, which was held at its namesake Family Circle Tennis Center in Charleston, South Carolina starting in 2001. At the time the sponsorship ended, Family Circle was the longest-running title sponsor in professional tennis.[7][8]
In November 2009, Family Circle launched their social network Momster.com for moms of tweens and teens.[9]
In October 2019, Meredith Corporation announced that Family Circle would cease publishing after its December 2019 issue. At the time, the publisher reported the magazine had 13 million readers, more than 1 million followers on social media, and a circulation of 4 million. As part of the closure, about 25 Family Circle staffers would be laid off, while others would take jobs at other Meredith publications.[3]
5e2f9f0dd9e34.site123.me/about-the-rise-of-fall-of-family-circle
familycirclearchives70sand80s.ecrater.com
familycirclearchives.webstarts.com
Family Circle began publication in 1932. It was initially distributed for free at Piggly Wiggly supermarkets, until it was offered as a freestanding publication in 1946.[6]
Cowles Magazines and Broadcasting bought the magazine in 1962. The New York Times Company bought the magazine for its woman's magazine division in 1971. The division was sold to Gruner + Jahr in 1994. When Gruner + Jahr decided to exit the US magazine market in 2005, the magazine was sold to the Meredith Corporation.
From 1973 to 2015, Family Circle was the title sponsor of the Family Circle Cup (Charleston Open) women's professional tennis tournament on the WTA Tour, which was held at its namesake Family Circle Tennis Center in Charleston, South Carolina starting in 2001. At the time the sponsorship ended, Family Circle was the longest-running title sponsor in professional tennis.[7][8]
In November 2009, Family Circle launched their social network Momster.com for moms of tweens and teens.[9]
In October 2019, Meredith Corporation announced that Family Circle would cease publishing after its December 2019 issue. At the time, the publisher reported the magazine had 13 million readers, more than 1 million followers on social media, and a circulation of 4 million. As part of the closure, about 25 Family Circle staffers would be laid off, while others would take jobs at other Meredith publications.[3]
5e2f9f0dd9e34.site123.me/about-the-rise-of-fall-of-family-circle
familycirclearchives70sand80s.ecrater.com
familycirclearchives.webstarts.com
Family Circle began publication in 1932. It was initially distributed for free at Piggly Wiggly supermarkets, until it was offered as a freestanding publication in 1946.[6]
Cowles Magazines and Broadcasting bought the magazine in 1962. The New York Times Company bought the magazine for its woman's magazine division in 1971. The division was sold to Gruner + Jahr in 1994. When Gruner + Jahr decided to exit the US magazine market in 2005, the magazine was sold to the Meredith Corporation.
From 1973 to 2015, Family Circle was the title sponsor of the Family Circle Cup (Charleston Open) women's professional tennis tournament on the WTA Tour, which was held at its namesake Family Circle Tennis Center in Charleston, South Carolina starting in 2001. At the time the sponsorship ended, Family Circle was the longest-running title sponsor in professional tennis.[7][8]
In November 2009, Family Circle launched their social network Momster.com for moms of tweens and teens.[9]
In October 2019, Meredith Corporation announced that Family Circle would cease publishing after its December 2019 issue. At the time, the publisher reported the magazine had 13 million readers, more than 1 million followers on social media, and a circulation of 4 million. As part of the closure, about 25 Family Circle staffers would be laid off, while others would take jobs at other Meredith publications.[3]
5e2f9f0dd9e34.site123.me/about-the-rise-of-fall-of-family-circle
familycirclearchives70sand80s.ecrater.com
familycirclearchives.webstarts.com


