Stevies Vinyl Cupboard
Culture Day - Indian Dancing (better audio, extra clips)
updated
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
This time just a bit of Indie, 80s/90s and Alt-rock bins. Also a bit of Beatles, Depeche, Cure, Echo etc, you know what I'm like.
Stay tuned for next weeks video when a special signing event takes place! 🤔.
00:00 Start - Flags are out for SVC!
00:52 Wall
01:27 Indie/Alt Singles
03:29 80s Singles
05:01 80s, 90s Albums
06:32 Indie, Alt Albums
08:34 Beatles
09:44 Beatles Pop up
10:26 Depeche, Cure,
11:56 Man on bench, deals
12:40 Signed oh yes
Music by The Human League, The Beloved, Lemonheads & Elton John
@MortenAastad See man on bench at end for VC Echo chamber
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
Hi folks, I quite like the challenge of making, what I think, might be an interesting short, using music and music related interviews/documentary source material. A bitesize format provides an opportunity to show valuable insights that are sometimes lost due to lack of time.
I was asked a while back about how I particularly go about making them so here I have tried to show some of my though processes as I go. So here it is.
If I can get a Short over 1K, 10K, 100k views or even a million views from a crappy £15 computer off eBay, then why cant you?
I also find it quite amusing to poke the YT algorithm and bend it to my will, look closely and you might get some tips ; ).
Thank for watching, and I hope you find it interesting.
NB The source material used for this exercise is Pete Townshend interviewed about the Rolling Stones Rock and Roll Circus, a British concert film hosted by the Rolling Stones with invited guests, filmed Dec 1968.
#thewho #petetownshend #youtubeshorts #shorts #vinylcommunity
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
In 1968, The Rolling Stones hosted the ambitious, pioneering concert film Rock and Roll Circus. The project was directed by Michael Lindsay-Hogg, with LSE alumnus Mick Jagger placing a firm hand on the rudder. Although the Stones ultimately collated the landmark event, inviting the likes of Jethro Tull, The Who, Taj Mahal and Marianne Faithfull to join the bill, Pete Townshend, the guitarist and principal songwriter of The Who, claims to have had the initial idea.
This is a series of shorts from that Interview.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
It just so happens that 3 days later I saw New Order at Poole Arts Centre, Poole, England, where, they played shellshock, their new single at the time.
This free single was featured in my previous video 'Freebies & Flexis from the 80s'. I have tried to do this video in the style of the great Richard Warwick where he does some great videos going through old issues of the NME paper @Vinyl-Heaven-And-Hell2023
How do you rate the magazine out of 10?
How do you rate my narration out of 10?
"Sub-culture" is the tenth single by English rock band New Order. It was released as the second and final single from their third studio album, Low-Life (1985) on 28 October 1985 by Factory Records.
In 1986, the Prime Minister of the UK was still Margaret Thatcher. She was Prime Minister from 1979 to 1990.
#neworder #factoryrecords
#mickjones #bigaudiodynamite #billybragg
#vinylcommunity #champagnesocialist
#vinylcommunity #recordcollection #vinyl
#record #vinyl #recordcollection #recordcollecting #recordcollector #vclt
"A Quick One, While He's Away" is a 1966 song written by Pete Townshend and recorded by the Who for their second album A Quick One. In their Live at Leeds album Townshend calls the nine-minute "epic" track a "mini-opera" and introduces it as "Tommy's parents".
The song tells the story of an unnamed girl whose lover has been gone "for nearly a year". Her friends inform her that they "have a remedy"; the remedy comes in the form of Ivor the Engine Driver. When the lover returns, the girl confesses her infidelity, and she is ultimately forgiven.
The song has six distinct movements. The brief harmonised a cappella intro is titled "Her Man's Been Gone". The "Crying Town" section is sung by Roger Daltrey in an atypical low register. Daltrey also sings "We Have a Remedy" in his more usual voice. John Entwistle plays "Ivor the Engine Driver" in that section. Then comes "Soon Be Home", another harmonised section. Finally, "You Are Forgiven" is sung by Pete Townshend – his only lead vocal on the album (except, on a small part of "Heat Wave"). The Who wanted cellos at the final "mini"-movement, "You Are Forgiven", but producer and manager Kit Lambert could not afford it so they ended up saying "Cello, cello, cello".
A performance filmed for The Rolling Stones Rock and Roll Circus in 1968 can be seen on that film (released in 1996) and on the 1979 documentary The Kids Are Alright. It also appears on both films' soundtrack albums.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancée Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell (of The Jimi Hendrix Experience) on drums, and the Stones' Keith Richards on bass. As the Who's Pete Townshend recalled, an earlier idea for a circus-themed concert tour had been floated; it would have featured the Stones, the Who, and the Small Faces.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
"A Quick One, While He's Away" is a 1966 song written by Pete Townshend and recorded by the Who for their second album A Quick One. In their Live at Leeds album Townshend calls the nine-minute "epic" track a "mini-opera" and introduces it as "Tommy's parents".
The song tells the story of an unnamed girl whose lover has been gone "for nearly a year". Her friends inform her that they "have a remedy"; the remedy comes in the form of Ivor the Engine Driver. When the lover returns, the girl confesses her infidelity, and she is ultimately forgiven.
The song has six distinct movements. The brief harmonised a cappella intro is titled "Her Man's Been Gone". The "Crying Town" section is sung by Roger Daltrey in an atypical low register. Daltrey also sings "We Have a Remedy" in his more usual voice. John Entwistle plays "Ivor the Engine Driver" in that section. Then comes "Soon Be Home", another harmonised section. Finally, "You Are Forgiven" is sung by Pete Townshend – his only lead vocal on the album (except, on a small part of "Heat Wave"). The Who wanted cellos at the final "mini"-movement, "You Are Forgiven", but producer and manager Kit Lambert could not afford it so they ended up saying "Cello, cello, cello".
A performance filmed for The Rolling Stones Rock and Roll Circus in 1968 can be seen on that film (released in 1996) and on the 1979 documentary The Kids Are Alright. It also appears on both films' soundtrack albums.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancée Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell (of The Jimi Hendrix Experience) on drums, and the Stones' Keith Richards on bass. As the Who's Pete Townshend recalled, an earlier idea for a circus-themed concert tour had been floated; it would have featured the Stones, the Who, and the Small Faces.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
"A Quick One, While He's Away" is a 1966 song written by Pete Townshend and recorded by the Who for their second album A Quick One. In their Live at Leeds album Townshend calls the nine-minute "epic" track a "mini-opera" and introduces it as "Tommy's parents".
The song tells the story of an unnamed girl whose lover has been gone "for nearly a year". Her friends inform her that they "have a remedy"; the remedy comes in the form of Ivor the Engine Driver. When the lover returns, the girl confesses her infidelity, and she is ultimately forgiven.
The song has six distinct movements. The brief harmonised a cappella intro is titled "Her Man's Been Gone". The "Crying Town" section is sung by Roger Daltrey in an atypical low register. Daltrey also sings "We Have a Remedy" in his more usual voice. John Entwistle plays "Ivor the Engine Driver" in that section. Then comes "Soon Be Home", another harmonised section. Finally, "You Are Forgiven" is sung by Pete Townshend – his only lead vocal on the album (except, on a small part of "Heat Wave"). The Who wanted cellos at the final "mini"-movement, "You Are Forgiven", but producer and manager Kit Lambert could not afford it so they ended up saying "Cello, cello, cello".
A performance filmed for The Rolling Stones Rock and Roll Circus in 1968 can be seen on that film (released in 1996) and on the 1979 documentary The Kids Are Alright. It also appears on both films' soundtrack albums.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancée Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell (of The Jimi Hendrix Experience) on drums, and the Stones' Keith Richards on bass. As the Who's Pete Townshend recalled, an earlier idea for a circus-themed concert tour had been floated; it would have featured the Stones, the Who, and the Small Faces.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
"A Quick One, While He's Away" is a 1966 song written by Pete Townshend and recorded by the Who for their second album A Quick One. In their Live at Leeds album Townshend calls the nine-minute "epic" track a "mini-opera" and introduces it as "Tommy's parents".
The song tells the story of an unnamed girl whose lover has been gone "for nearly a year". Her friends inform her that they "have a remedy"; the remedy comes in the form of Ivor the Engine Driver. When the lover returns, the girl confesses her infidelity, and she is ultimately forgiven.
The song has six distinct movements. The brief harmonised a cappella intro is titled "Her Man's Been Gone". The "Crying Town" section is sung by Roger Daltrey in an atypical low register. Daltrey also sings "We Have a Remedy" in his more usual voice. John Entwistle plays "Ivor the Engine Driver" in that section. Then comes "Soon Be Home", another harmonised section. Finally, "You Are Forgiven" is sung by Pete Townshend – his only lead vocal on the album (except, on a small part of "Heat Wave"). The Who wanted cellos at the final "mini"-movement, "You Are Forgiven", but producer and manager Kit Lambert could not afford it so they ended up saying "Cello, cello, cello".
A performance filmed for The Rolling Stones Rock and Roll Circus in 1968 can be seen on that film (released in 1996) and on the 1979 documentary The Kids Are Alright. It also appears on both films' soundtrack albums.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancée Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell (of The Jimi Hendrix Experience) on drums, and the Stones' Keith Richards on bass. As the Who's Pete Townshend recalled, an earlier idea for a circus-themed concert tour had been floated; it would have featured the Stones, the Who, and the Small Faces.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
The shop is called Anthony D’Amato Records. Set up by Giovanni D’Amato in 1885 as a Parlophone distribution shop. This small shop in St John’s Street is described as the oldest record store in Valletta and possibly the world and survived World War II bombings.
St John Street, Valletta
Anthony D'Amato has played quite a significant role in the music scene for many years. Located at 98/99, St John Street, it has been part of Valletta's history for 131 years. First opening in 1885 as a furniture business, it was subsequently turned into a record shop and started selling phonographs cylinders, the first devices capable of reproducing sound.
Tourists walking past the shop are surprised to see the iconic His Master's Voice's Nipper the dog sign above the shop's façade. This is due to the fact that for many years, Anthony D'Amato was the sole local agent and trader of the British record label His Master's Voice (HMV).
In the early 1930s, they were among the first agents to send musicians abroad to cut the first Maltese records because there were no studios on the island at the time. When the 1950s came and the Rock 'n' Roll and the frenetic dancing fever swept our island off its feet, the shop became the much sought-after destination of many bar owners wanting to stock their jukeboxes with the latest hits to entertain their customers. A good number of these bars were situated in Strada Stretta, the famous street known as 'the Gut' by British servicemen. Strada Stretta, also known as Strait Street, is the next street further down from D'Amato.
As some of the records in the vinyl section will attest, Anthony D'Amato, apart from being a record shop, doubled as a record label. Among the songs they produced were the Malta Bums hit, L-Ewwel tfajla li ħabbejt; Freddie Portelli's Ħallini and Fredu "il-Bamboċċu" Abela's Taxy Mary. The latter was a huge number in the local hit parade for Anthony D'Amato and sold a staggering 10,000 copies.
PS
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"A Quick One, While He's Away" is a 1966 song written by Pete Townshend and recorded by the Who for their second album A Quick One. In their Live at Leeds album Townshend calls the nine-minute "epic" track a "mini-opera" and introduces it as "Tommy's parents".
The song tells the story of an unnamed girl whose lover has been gone "for nearly a year". Her friends inform her that they "have a remedy"; the remedy comes in the form of Ivor the Engine Driver. When the lover returns, the girl confesses her infidelity, and she is ultimately forgiven.
The song has six distinct movements. The brief harmonised a cappella intro is titled "Her Man's Been Gone". The "Crying Town" section is sung by Roger Daltrey in an atypical low register. Daltrey also sings "We Have a Remedy" in his more usual voice. John Entwistle plays "Ivor the Engine Driver" in that section. Then comes "Soon Be Home", another harmonised section. Finally, "You Are Forgiven" is sung by Pete Townshend – his only lead vocal on the album (except, on a small part of "Heat Wave"). The Who wanted cellos at the final "mini"-movement, "You Are Forgiven", but producer and manager Kit Lambert could not afford it so they ended up saying "Cello, cello, cello".
A performance filmed for The Rolling Stones Rock and Roll Circus in 1968 can be seen on that film (released in 1996) and on the 1979 documentary The Kids Are Alright. It also appears on both films' soundtrack albums.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancée Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell (of The Jimi Hendrix Experience) on drums, and the Stones' Keith Richards on bass. As the Who's Pete Townshend recalled, an earlier idea for a circus-themed concert tour had been floated; it would have featured the Stones, the Who, and the Small Faces.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
"A Quick One, While He's Away" is a 1966 song written by Pete Townshend and recorded by the Who for their second album A Quick One. In their Live at Leeds album Townshend calls the nine-minute "epic" track a "mini-opera" and introduces it as "Tommy's parents".
The song tells the story of an unnamed girl whose lover has been gone "for nearly a year". Her friends inform her that they "have a remedy"; the remedy comes in the form of Ivor the Engine Driver. When the lover returns, the girl confesses her infidelity, and she is ultimately forgiven.
The song has six distinct movements. The brief harmonised a cappella intro is titled "Her Man's Been Gone". The "Crying Town" section is sung by Roger Daltrey in an atypical low register. Daltrey also sings "We Have a Remedy" in his more usual voice. John Entwistle plays "Ivor the Engine Driver" in that section. Then comes "Soon Be Home", another harmonised section. Finally, "You Are Forgiven" is sung by Pete Townshend – his only lead vocal on the album (except, on a small part of "Heat Wave"). The Who wanted cellos at the final "mini"-movement, "You Are Forgiven", but producer and manager Kit Lambert could not afford it so they ended up saying "Cello, cello, cello".
A performance filmed for The Rolling Stones Rock and Roll Circus in 1968 can be seen on that film (released in 1996) and on the 1979 documentary The Kids Are Alright. It also appears on both films' soundtrack albums.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancée Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell (of The Jimi Hendrix Experience) on drums, and the Stones' Keith Richards on bass. As the Who's Pete Townshend recalled, an earlier idea for a circus-themed concert tour had been floated; it would have featured the Stones, the Who, and the Small Faces.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
"A Quick One, While He's Away" is a 1966 song written by Pete Townshend and recorded by the Who for their second album A Quick One. In their Live at Leeds album Townshend calls the nine-minute "epic" track a "mini-opera" and introduces it as "Tommy's parents".
The song tells the story of an unnamed girl whose lover has been gone "for nearly a year". Her friends inform her that they "have a remedy"; the remedy comes in the form of Ivor the Engine Driver. When the lover returns, the girl confesses her infidelity, and she is ultimately forgiven.
The song has six distinct movements. The brief harmonised a cappella intro is titled "Her Man's Been Gone". The "Crying Town" section is sung by Roger Daltrey in an atypical low register. Daltrey also sings "We Have a Remedy" in his more usual voice. John Entwistle plays "Ivor the Engine Driver" in that section. Then comes "Soon Be Home", another harmonised section. Finally, "You Are Forgiven" is sung by Pete Townshend – his only lead vocal on the album (except, on a small part of "Heat Wave"). The Who wanted cellos at the final "mini"-movement, "You Are Forgiven", but producer and manager Kit Lambert could not afford it so they ended up saying "Cello, cello, cello".
A performance filmed for The Rolling Stones Rock and Roll Circus in 1968 can be seen on that film (released in 1996) and on the 1979 documentary The Kids Are Alright. It also appears on both films' soundtrack albums.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancée Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell (of The Jimi Hendrix Experience) on drums, and the Stones' Keith Richards on bass. As the Who's Pete Townshend recalled, an earlier idea for a circus-themed concert tour had been floated; it would have featured the Stones, the Who, and the Small Faces.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
"A Quick One, While He's Away" is a 1966 song written by Pete Townshend and recorded by the Who for their second album A Quick One. In their Live at Leeds album Townshend calls the nine-minute "epic" track a "mini-opera" and introduces it as "Tommy's parents".
The song tells the story of an unnamed girl whose lover has been gone "for nearly a year". Her friends inform her that they "have a remedy"; the remedy comes in the form of Ivor the Engine Driver. When the lover returns, the girl confesses her infidelity, and she is ultimately forgiven.
The song has six distinct movements. The brief harmonised a cappella intro is titled "Her Man's Been Gone". The "Crying Town" section is sung by Roger Daltrey in an atypical low register. Daltrey also sings "We Have a Remedy" in his more usual voice. John Entwistle plays "Ivor the Engine Driver" in that section. Then comes "Soon Be Home", another harmonised section. Finally, "You Are Forgiven" is sung by Pete Townshend – his only lead vocal on the album (except, on a small part of "Heat Wave"). The Who wanted cellos at the final "mini"-movement, "You Are Forgiven", but producer and manager Kit Lambert could not afford it so they ended up saying "Cello, cello, cello".
A performance filmed for The Rolling Stones Rock and Roll Circus in 1968 can be seen on that film (released in 1996) and on the 1979 documentary The Kids Are Alright. It also appears on both films' soundtrack albums.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancée Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell (of The Jimi Hendrix Experience) on drums, and the Stones' Keith Richards on bass. As the Who's Pete Townshend recalled, an earlier idea for a circus-themed concert tour had been floated; it would have featured the Stones, the Who, and the Small Faces.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
The song tells the story of an unnamed girl whose lover has been gone "for nearly a year". Her friends inform her that they "have a remedy"; the remedy comes in the form of Ivor the Engine Driver. When the lover returns, the girl confesses her infidelity, and she is ultimately forgiven.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
"Squeeze Box" was a commercial success, peaking at No. 10 on the UK Singles Chart. The song is also their only international number-one hit, reaching No. 1 in Canada, and No. 2 on the Irish singles chart.
"Squeeze Box" was originally intended for a Who television special planned in 1974. In the planned performance of the song, the members of the band were to be surrounded by 100 topless women playing accordions.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
"Squeeze Box" was a commercial success, peaking at No. 10 on the UK Singles Chart. The song is also their only international number-one hit, reaching No. 1 in Canada, and No. 2 on the Irish singles chart.
"Squeeze Box" was originally intended for a Who television special planned in 1974. In the planned performance of the song, the members of the band were to be surrounded by 100 topless women playing accordions.
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
Just a little experiment utilising props around me. I have been absent for 3 weeks due to being forced to work for a pittance doing manual labour. I know its shocking for you that a man of my intellect should not be forced up a scaffold!, and, especially at my time in life but needs must. Such a lovely morning up top the other day and an idea came to me to share it with you.
Hope you like it, cheers Stevie 👍
PS I learnt a bit about roofing that I didn't particularly want to know and if you're interested in a quote then I'm definitely NOT available. Keep OFF the Scaffolding Vinyl community ok
#AztecCamera #mickjones #theclash #BigAudioDynamite #vinylcommunity #scaffolding
"Good Morning Britain" is a song by Scottish band Aztec Camera featuring special guest Mick Jones (of Big Audio Dynamite and the Clash). It was released as the second single from their 1990 studio album Stray. The song was written by Aztec Camera frontman Roddy Frame. It reached number 19 on the UK Singles Chart.
It was released as the second single from the band's fourth studio album Stray (1990).
In an interview, lead singer Roddy Frame claimed that by the time "Good Morning Britain" was released, the acid house genre movement had swept Britain, leading to the release charting at number 19 in the UK, somewhat of a disappointment for the band.
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Don't normally see quality like this in one place (unless overpriced at the record fair) so I thought i would share a rummage with you, cheers 👍.
#vinylcommunity please comment, let me you you are there/care ❤
#vinylrecords #recordcollecting #recordshop #recordcollection #records #recordstore #vinyl #records #vinylcollection #vinylrecords #vinylcollector #recordshop #vinyladdict #recordcollection #recordcollector #recordsforsale #vinylforsale #lp #rpm #vinylstore #recordstoreday #punk #metal #heavymetal #skamusic #mods
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Released as a double-album in 1973, The Who’s rock opera QUADROPHENIA is a conceptual work set in the 1960s milieu of the Mod movement during which they began their career in west London. The central character of Jimmy is a disaffected youth who hates his parents and lowly job, but finds release from blue-collar drudgery with his fellow Mods, popping pills and riding motor-scooters to weekend concerts by bands like The Who. But the freedom he finds turns out to be illusory. The album title comes from the personalities of the four members of The Who, used to represent the four sides of Jimmy. Townshend has described the album as the best music he has ever written.
In 1979 it was turned into a film, directed by Franc Roddam (and featuring a young Sting in a key role) and has been performed live by The Who, sometimes with guest performers.
In 2012 The Who played the album in its entirety on tour.
Returning in 2025, the album is for the first time a dance production called "Quadrophenia, A Mod Ballet" featuring a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original. The orchestral version of the album by Rachel Fuller is the backdrop for this adrenaline filled rollercoaster ride.
#thewho #petetownshend #quadropheina #modballet
#quadmodballet #mygeneration
Returning in 2025, the album is for the first time a dance production! Quadrophenia, A Mod Ballet features a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original.
A rich, orchestral version of the album by Rachel Fuller, first heard in concert version at The Royal Albert Hall and recorded by the Royal Philharmonic Orchestra is the backdrop for this adrenaline filled rollercoaster ride.
Choreographer Paul Roberts and Director Rob Ashford bring together some of the UK’s finest creative talent from the worlds of music, theatre, film and dance. With original costumes by renowned British fashion house Paul Smith and Natalie Pryce, projection by Nick Hillel and lighting design by Fabiana Piccioli.
#thewho #petetownshend #Quadropheina #ModBallet
#TheatreRoyalPlytmouth
#SadlersWells #QuadModBallet
www.ModBallet.com
www.sadlerswells.com/whats-on/quadrophenia
#mygeneration
Returning in 2025, the album is for the first time a dance production! Quadrophenia, A Mod Ballet features a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original.
A rich, orchestral version of the album by Rachel Fuller, first heard in concert version at The Royal Albert Hall and recorded by the Royal Philharmonic Orchestra is the backdrop for this adrenaline filled rollercoaster ride.
Choreographer Paul Roberts and Director Rob Ashford bring together some of the UK’s finest creative talent from the worlds of music, theatre, film and dance. With original costumes by renowned British fashion house Paul Smith and Natalie Pryce, projection by Nick Hillel and lighting design by Fabiana Piccioli.
#thewho #petetownshend #Quadropheina #ModBallet
#TheatreRoyalPlytmouth
#SadlersWells #QuadModBallet
www.ModBallet.com
www.sadlerswells.com/whats-on/quadrophenia
#mygeneration
Returning in 2025, the album is for the first time a dance production! Quadrophenia, A Mod Ballet features a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original.
A rich, orchestral version of the album by Rachel Fuller, first heard in concert version at The Royal Albert Hall and recorded by the Royal Philharmonic Orchestra is the backdrop for this adrenaline filled rollercoaster ride.
Choreographer Paul Roberts and Director Rob Ashford bring together some of the UK’s finest creative talent from the worlds of music, theatre, film and dance. With original costumes by renowned British fashion house Paul Smith and Natalie Pryce, projection by Nick Hillel and lighting design by Fabiana Piccioli.
#thewho #petetownshend #Quadropheina #ModBallet
#TheatreRoyalPlytmouth
#SadlersWells #QuadModBallet
www.ModBallet.com
www.sadlerswells.com/whats-on/quadrophenia
#mygeneration
Returning in 2025, the album is for the first time a dance production! Quadrophenia, A Mod Ballet features a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original.
A rich, orchestral version of the album by Rachel Fuller, first heard in concert version at The Royal Albert Hall and recorded by the Royal Philharmonic Orchestra is the backdrop for this adrenaline filled rollercoaster ride.
Choreographer Paul Roberts and Director Rob Ashford bring together some of the UK’s finest creative talent from the worlds of music, theatre, film and dance. With original costumes by renowned British fashion house Paul Smith and Natalie Pryce, projection by Nick Hillel and lighting design by Fabiana Piccioli.
#thewho #petetownshend #Quadropheina #ModBallet
#TheatreRoyalPlytmouth
#SadlersWells #QuadModBallet
www.ModBallet.com
www.sadlerswells.com/whats-on/quadrophenia
#mygeneration
Returning in 2025, the album is for the first time a dance production! Quadrophenia, A Mod Ballet features a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original.
A rich, orchestral version of the album by Rachel Fuller, first heard in concert version at The Royal Albert Hall and recorded by the Royal Philharmonic Orchestra is the backdrop for this adrenaline filled rollercoaster ride.
Choreographer Paul Roberts and Director Rob Ashford bring together some of the UK’s finest creative talent from the worlds of music, theatre, film and dance. With original costumes by renowned British fashion house Paul Smith and Natalie Pryce, projection by Nick Hillel and lighting design by Fabiana Piccioli.
#thewho #petetownshend #Quadropheina #ModBallet
#TheatreRoyalPlytmouth
#SadlersWells #QuadModBallet
www.ModBallet.com
www.sadlerswells.com/whats-on/quadrophenia
#mygeneration
Returning in 2025, the album is for the first time a dance production! Quadrophenia, A Mod Ballet features a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original.
A rich, orchestral version of the album by Rachel Fuller, first heard in concert version at The Royal Albert Hall and recorded by the Royal Philharmonic Orchestra is the backdrop for this adrenaline filled rollercoaster ride.
Choreographer Paul Roberts and Director Rob Ashford bring together some of the UK’s finest creative talent from the worlds of music, theatre, film and dance. With original costumes by renowned British fashion house Paul Smith and Natalie Pryce, projection by Nick Hillel and lighting design by Fabiana Piccioli.
#thewho #petetownshend #Quadropheina #ModBallet
#TheatreRoyalPlytmouth
#SadlersWells #QuadModBallet
www.ModBallet.com
www.sadlerswells.com/whats-on/quadrophenia
#mygeneration
"Pete Townshend's Quadrophenia A Mod Ballet" (with Orchestral Score) so decided to check it out. And very glad I did, its immensely interesting, especially if you are familiar with The Who, Pete & Quadrophenia in all its forms. By some strange coincidence fellow Youtuber Matthew North was sat right behind me so we could have a good chat about our impressions of the evening. His channel is @MatthewNorthMusic .
I was also interviewed by the Sadler's Wells promotions team which made me feel very important for 5minutes ; ) . I was a bit nervous so I'm sure I came across like Alan Partridge.
For any Who/music fans out there I would recommend this production/version as its something that should be very interesting for you if not special.
Some would say very special indeed. If you can make it, give it a go.
So will you have some tea, at the theatre with me?
In 1973, Pete Townshend wrote Quadrophenia, an album that went on sell millions of copies worldwide and quickly became a Who fan favourite. Quadrophenia went on to define a generation and in 1979 inspired the cult classic feature film of the same name.
Returning in 2025, the album is for the first time a dance production! Quadrophenia, A Mod Ballet features a large cast of exceptional dancers, introducing new audiences to troubled mod Jimmy’s story while remaining true in spirit to the much-loved original.
A rich, orchestral version of the album by Rachel Fuller, first heard in concert version at The Royal Albert Hall and recorded by the Royal Philharmonic Orchestra is the backdrop for this adrenaline filled rollercoaster ride.
Choreographer Paul Roberts and Director Rob Ashford bring together some of the UK’s finest creative talent from the worlds of music, theatre, film and dance. With original costumes by renowned British fashion house Paul Smith and Natalie Pryce, projection by Nick Hillel and lighting design by Fabiana Piccioli.
#thewho #petetownshend #Quadropheina #ModBallet
#TheatreRoyalPlymouth
#SadlersWells #QuadModBallet
@QuadModBallet
www.ModBallet.com
www.sadlerswells.com/whats-on/quadrophenia
#mygeneration
@officialthewho
#QuadModBallet
#QuadropheniaModBallet
#QuadropheniaTour
#mods
John Alec Entwistle (9 Oct 1944 – 27 June 2002) was an English musician, best known as the bass guitarist for the rock band the Who. Entwistle's music career spanned over four decades. Nicknamed "The Ox" and "Thunderfingers", he was the band's only member with formal musical training and also provided backing and occasional lead vocals. Entwistle was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990.
Renowned for his musical abilities, Entwistle is widely regarded as one of the greatest and most influential rock bass guitarists of all time. His instrumental approach utilized pentatonic lead lines and a then-unusual treble-rich sound ("full treble, full volume"). He was voted as the greatest bass guitar player ever in a 2011 Rolling Stone readers' poll and, in 2020, the same magazine ranked him number three in its list of the "50 Greatest Bassists of All Time".
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones
Unfortunately Rick Astley was a no show, typical!
#vc #vinylcommunity #recordcollection #records #vinyl #vinylcollection #vinylrecords #cruise #recordcollecting #recordstores #recordstoreday
John Alec Entwistle (9 Oct 1944 – 27 June 2002) was an English musician, best known as the bass guitarist for the rock band the Who. Entwistle's music career spanned over four decades. Nicknamed "The Ox" and "Thunderfingers", he was the band's only member with formal musical training and also provided backing and occasional lead vocals. Entwistle was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990.
Renowned for his musical abilities, Entwistle is widely regarded as one of the greatest and most influential rock bass guitarists of all time. His instrumental approach utilized pentatonic lead lines and a then-unusual treble-rich sound ("full treble, full volume"). He was voted as the greatest bass guitar player ever in a 2011 Rolling Stone readers' poll and, in 2020, the same magazine ranked him number three in its list of the "50 Greatest Bassists of All Time".
#thewho #petetownshend #rogerdaltrey #keithmoon #johnentwistle #kenneyjones


