If only Zubin Da were still with us, Assam would feel a little more complete! I don’t understand those who complain about Assam’s endless rain. Have they ever seen what it becomes during the monsoon? It’s impossible not to fall in love with different shades of moody greens.
Thank you, Rima, for showing me this beautiful side of our world. And thank you, Assam, for your quiet kindness.
Save Assam. 🙏🏾
My LUTs & Presets store : https://adityavarma.sellfy.store/
If only Zubin Da were still with us, Assam would feel a little more complete! I don’t understand those who complain about Assam’s endless rain. Have they ever seen what it becomes during the monsoon? It’s impossible not to fall in love with different shades of moody greens.
Thank you, Rima, for showing me this beautiful side of our world. And thank you, Assam, for your quiet kindness.
Save Assam. 🙏🏾
My LUTs & Presets store : https://adityavarma.sellfy.store/
My LUTs & Presets Store: https://adityavarma.sellfy.store/
––– #telugu #travelvideo #ladakh #andhrapradesh
Follow my work: Instagram: instagram.com/adityavarmaarts Website: adityavarma.comI find Silence in BLACK & WHITE | Ft. Sukanya Boruah | ACROSAditya Varma2026-07-14 | Earth Acros and Tri-X are probably my favorite black and white presets I’ve ever made and I’ve ever used.
They just give me a feeling of silence.
All Fujifilm Latest LUTs & Presets here : Flow Grading Presets (For All Cameras) : https://adityavarma.sellfy.store/p/flow/ : Fujifilm 2026 LUT Pack : https://adityavarma.sellfy.store/p/earth-luts-for-fujifilm/ : Other Cameras : https://adityavarma.sellfy.store/
CREDITS Thank you Fujifilm India BTS shot by : Chinmay Deshpande
Special Thanks : Sukanya Boruah, Sathya Narayanan
––– #XT30III #FujifilmXT30III #GFX100II #Fujifilm Follow my work: Instagram: instagram.com/adityavarmaarts Website: adityavarma.comI find Silence in BLACK & WHITE | Ft. Sukanya Boruah | ACROSAditya Varma2026-07-13 | Earth Acros and Tri-X are probably my favorite black and white presets I’ve ever made and I’ve ever used.
They just give me a feeling of silence.
All Fujifilm Latest LUTs & Presets here : Flow Grading Presets (For All Cameras) : https://adityavarma.sellfy.store/p/flow/ : Fujifilm 2026 LUT Pack : https://adityavarma.sellfy.store/p/earth-luts-for-fujifilm/ : Other Cameras : https://adityavarma.sellfy.store/
CREDITS Thank you Fujifilm India BTS shot by : Chinmay Deshpande
Special Thanks : Sukanya Boruah, Sathya Narayanan
––– #XT30III #FujifilmXT30III #GFX100II #Fujifilm #funnyexpression Follow my work: Instagram: instagram.com/adityavarmaarts Website: adityavarma.comA Nobodys guide to Mumbai || Ft. Fujifilm XT30 IIIAditya Varma2026-05-23 | It started like a BTS video for a set of photos I was supposed to shoot for the XT30III launch. Somewhere along the way, it turned into something else. An idea about a city I love and hate in equal measure.
CREDITS A Fujifilm India Presentation Cinematography : Chinmay Deshpande, Aditya Varma Editing : Hetan Shah , Aditya Varma Sound : Gaurav Kapadia
Special Thanks : Sukanya Boruah, Sathya Narayanan
A film by Aditya Varma Graded with Earth LUTs
My LUTs & Presets Store: https://adityavarma.sellfy.store/
––– #XT30III #FujifilmXT30III #GFX100II #Fujifilm Follow my work: Instagram: instagram.com/adityavarmaarts Website: adityavarma.comFujifilm GFX100 II Test ft. Avantika Rikhye | Earth LUTsAditya Varma2026-05-21 | My LUTs & Presets store : https://adityavarma.sellfy.store/
It was one of those moments you don’t really plan.
With Avantika Rikhye, it stopped feeling like filming pretty quickly. We just fell into it with no expectations, no performance, just being there.
Somewhere between the wind, the sea, and her movement, it turned quiet. The camera didn’t matter. Intention didn’t matter. For a while, it felt like we were moving through the same breath just observing, feeling and letting go. #fujifilm #cinematography #cinematic My Socials : instagram.com/adityavarmaarts adityavarma.com facebook.com/adityavarmaartsNew Earth LUTs for All Red Cameras | Komodo | V RaptorAditya Varma2026-05-19 | Get your Cameras LUTs here : https://adityavarma.sellfy.store/ Strictly built for RED shooters.
Designed for R3D workflows or footage shot in RED LOG3G10 with REDWideGamutRGB (IPP2). Please make sure your NLE settings are properly configured before use. ( Refer to the settings photo files) I’ve spent years shooting on RED — from Komodo X to V-RAPTOR XL ,Epic — and after working deeply with the colour science (including a Berlinale jury award-winning film shot on Komodo X), I understood both the strengths and the frustrations of RED workflows. The biggest issue? Skin-tones/Uneven skin-tone contrast. I got tired of fixing that every single time. So I built this LUT pack.
These LUTs are designed to:• Preserve colour fidelity• Maintain contrast consistency• Fix skin tones naturally• Speed up your workflow massively Whether you’re on a quick turnaround or crafting something meaningful — this pack is built to cover everything you need for all RED R3D files.
Shooting note:Expose slightly brighter using RED’s traffic light exposure system — protect your highlights.
Workflow tips:• Apply mild noise reduction before the LUT• Avoid adding sharpness• Add grain to taste (especially for film looks)
This pack honestly made me fall back in love with shooting on RED again. It’s pushing me to pick up the Komodo X more — and maybe even move toward the V-RAPTOR X soon. If you try it and like it, tag me and share your work — I’d genuinely love to see what you create. This one’s for us.
Goa is love. Film turns it into something that stays... and slips away. Thank you @lazyfilmlab for the feeling. @_wazirdevi — you are love. #shotonfilm #madewithkodak #kodak #shotonkodak #goavibes
My LUTs & Presets store : https://adityavarma.sellfy.store/
It was one of those moments you don’t really plan.
With Avantika Rikhye, it stopped feeling like filming pretty quickly. We just fell into it with no expectations, no performance, just being there.
Somewhere between the wind, the sea, and her movement, it turned quiet. The camera didn’t matter. Intention didn’t matter. For a while, it felt like we were moving through the same breath just observing, feeling and letting go. #fujifilm #cinematography #cinematic
My Socials : instagram.com/adityavarmaarts adityavarma.com facebook.com/adityavarmaartsFLOW. Earth (Link in Description) #presets #photography #lightroomAditya Varma2026-03-22 | https://adityavarma.sellfy.store/p/flow/Introducing FLOW. Grading Luts by Earth (Link in Description)Aditya Varma2026-03-17 | https://adityavarma.sellfy.store/p/flow/Up in the airAditya Varma2025-10-10 | ...SG Bats Commercial | A Film by Dheer Momaya | Jugaad Motion PicturesAditya Varma2025-04-21 | When Dheer Momaya gets exactly what he wants. This one is all you!!!
Cameras Used : XH2s, GFX100 II, C70, SL2s, Q2, S5 * Free LUT pack to people who can guess at least 10 frames correctly of which camera was that particular shot. (Lets go :))))
This is a compilation of BTS and the camera tests, I keep doing without any rhyme or reason. Thank you Dehancer for collaborating with me on this random ass test video.
Dehancer by far is the best tool I have ever used to colour grade in DaVinci Resolve. Period. I would like to spend more time with it before I explain my workflow with it. I signed up just to see how different it is from Film Convert or other film-emulating softwares. I am in it totally, not just for the film look but for an extensive tool it is for colour grading and for simplicit in usage. I definitely don't need to create 100 nodes in my grades no more.
Grading Process in the video, I used Earth LUTs to convert the LOG footage to rec709 and used Dehancer for film emulation or print emulation look, added 65mm grain(youtube cleans it 🤦), 35mm halation and 35mm bloom mostly.
Open for all civil questions. :)
My LUTs & Presets store : https://adityavarma.sellfy.store/
#dehancer #colorgrading #filmlookFujifilm XH2s Autofocus / FLOG 2C Tests - New Firmware Update 7.10 ( Canon C70 feature)Aditya Varma2024-11-21 | Woke up today to this new firmware update. Wanted to test this before I was flying off to assam. Excited to do more tests and update you all with my results.
Focus Settings : Focus Area : Medium Focus Mode : AFC AF Mode : Area AFC Custom Settings : Tracking sensitivity : +3 , AF Speed : -1 Face Detection Eye : ON Subject Detection : OFF Touch Screen Mode : Area
#fujifilm #autofocus #xh2sDunes Of Ladakh | Shot on GFX 100 IIAditya Varma2024-11-03 | My LUTs & Presets store : https://adityavarma.sellfy.store/
Camera : GFX100 II in GF Mode & 35mm Mode Lenses : Contax Zeiss 28mm, Leica R 50mm F2, Canon 100MM F2.8 IS
LUTs used : Fujifilm Earth LUT + Ladakh Free LUT
Note: Please don't use this camera in GF Mode, the image becomes mushy and noisy almost unusable. I heard somewhere it is in line-skipping mode
I went on a trip to Ladakh to test the GFX 100II, shot a million photos and videos and I really love this camera and the image out of it, except that now I know that I will never use the camera in GF mode for video.. I couldn't resist but use this track from Hans.
I have been using GFX100II for video off late as my B-camera mostly alongside my Canon C70. I will come up with a small review soon but for now, I strongly suggest please stop using GF mode in video. It is apparently line-skipping mode (Correct me if I'm wrong). I really don't like the image coming out of GF mode. It looks noisy and over-sharpened. I quite love the Full frame mode and would only recommend shooting in that mode. But unfortunately there is no more 60FPS on this camera for me. :(
I shot these tests for myself when I was on my trip to Ladakh. I really love the camera as a Hybrid shooter specially with my Vintage manual lenses.
Shot on Arri LF Mini & Arri Anamorphic master primes. My Team : AC's : Sarang Joshi & Tanmay Mohato Focus Puller/Big Boss : Babu Rao (Bobby) Gaffer: Sumith Shetty [@gaffersumith] Lights: Moonlight (Sumit Shetty) Colourist: Christian Leiva [@christianleiva.colorist]
Repost : From Jugaad Motion Pictures.
My LUTs & Presets store : https://adityavarma.sellfy.store/
Watching Olympian’s compete is always pushing the boundaries of our own imagination. Can I push my boundary at writing? At researching? At all the efforts I put into filmmaking?
To see someone lift 200 Kilos in a clean and jerk is beyond anything our minds could’ve imagined. When Shagun called and briefed us about the intention with which Jio Cinema was hosting the Olympics on their platform, we were emotionally moved. In a country which is obsessed with just one sport, they wanted to celebrate the impact our Olympian’s have had on our people.
When, Neeraj Chopra threw that spear across 88.88m’s it felt like we were flying with it. Flying into the possibilities that India has in store for it. Sport has always been a reflection of society and the sentiments of society have always been a reflection of our achievements or failures in sport (we all remember that depressing week in November last year). The immense euphoria that the country feels when we see the tiranga floating down the Seine, or the feeling we get when we see one our athletes just give it everything, can never be recreated. It’s a fleeting moment which needs to be caught and absorbed in that very second.
This film is a celebration of the inspiring feats of competition our olympians throw themselves into, and how watching our athletes soar gives us hope in ourselves. The boundaries that they push on the field, in turn push us to do more, to do better, to hit our personal best. The biggest competion you will ever have, is yourself.
Dum Laga Ke India - is that moment when we all add that extra ‘dum’ to our daily lives, and a whole lot of ‘dum’ to our cheers for the fierce Indian contingent at the 2024 Paris Olympics.
This game is always a reminder to us. We can do it. We can do more. We can push more. We are more.
A Jugaad Motion Picture Producers: Dar Gai, Dheer Momaya, Pranit Sahni
Director: Dar Gai [@molfarnist] Executive Producer: Vinay Gandhi [@vinayvgandhi] Director of Photography: Aditya Varma [@adityavarmaarts] Production Designer: Palak Sharma [@palaksharma0102]
Costume Stylist: Pratishruti [@pratishruti] HMU Artist: Karan Singh [@karan_singh_makeup_artist] Editor: Sourya Sen [@ayruos] In-House Graphics: Kumar Aditya Rusia [@cameraknack] Music Composer: Madley Blues Sound Designer: Shashvat Suresh Casting Director: Utkarsh Bhardwaj
Creative Producer: Roshni Shah [@roshneedsadrink] & Bhavna Kankaria [kankaria_bhavna] Development and Research: Bhumika Ahuja [@bhuummiikkaa] and Supreet Kaur [@dreamingcheetah] Chief AD: Dimple Chawla [@dimplevc15] DA: Kiyara Hiremath [@cannthandle] 2nd AD: Vivin Malcom [@__sadapani__] 3rd ADs: Divye Lal [@divye_lal], Aarav Ramnani [@aarav.ramnani], Nisarg Patel [@nisargpat] Direction Intern: Mukundan Thiyyadi [@mukundan_thiyyadi]
Line Producer: Akil Ansari Production Manager: Pranav Shukla [@pranavshuklawho] Production Coordinator: Gaurav Chaudhary [@gaurav_k_c_18]
KOCHI TEAM:
Line Production: 4isto3 Interactive [@4isto3interactive] Head of Production:[@sudharshanarayanan and @rouf_____ Production Manager: Javed Chembu 2nd AD: Mujeeb Latheef [@_jinnh_] Location Manager: Raheem Production Assistants: Muhammad Rafi MH and Riyas Transportation Head: Jaffer PA Accountant: Rinoy Chandran
Singer/Actor: Avantika Rikhye Sound Mix & Design: Gaurav Kapadia Location & Costumes: Supreet Kaur a film by Aditya Varma
Avantika wanted to shoot a music video for her first not-so-serious sad song, and I'm so bloody glad I said yes. Supreet, thank you so much for doing costumes on this. You simply are the best. Gaurav anna, thank you for making such a small thing sound so big. Ritwika Pal, I just wish, I had not shown you so much of my ceiling fan instead of my face during our video calls.
Color Graded Using Earth LUTs. My LUTs & Presets store : https://adityavarma.sellfy.store/
Shot on Fujifilm XH2s & Leica SL2s
#fujifilm #musicvideo #avantika
My Socials : instagram.com/adityavarmaarts adityavarma.comAugust - Out Now #august #leica #sl2sAditya Varma2024-04-12 | ...August - Shot on Leica SL2SAditya Varma2024-04-11 | Sound design & Mixing - Gaurav Kapadia (Thank you anna) People in the video (in no particular order) : Sarang Joshi, Devika, Dar Gai
Graded with Earth Leica Luts - https://adityavarma.sellfy.store/
Geeky Stuff : Shot on Leica SL2s in L-Log Lenses used - Voigtlander 28mm F2 Ultron, Voigtlander 50mm 1.2 Nokton, Canon 100MM, 35MM Zeiss Distagon, Voigtlander 40mm F1.4 Nokton
I set out to shoot one clip everyday in the month of August, 2023 that would show what I felt that particular day emotionally, I ended up using more than one from few days.
It is so special when you end up accomplishing what you plan to. These projects, shooting for myself was the reason why I loved doing what I do and keeps me sane and happy in the world of chaos.
Thank you Ritwika Pal, Sarang , Tanmay for helping me to finish this and being an important part of August! My LUTs & Presets store : https://adityavarma.sellfy.store/
This is a Repost of a fun video I shot with the prodigy Pranav Bhasin. I don't own any rights for the music or for the video. I just shot it and graded it.
Shot on C70
My Socials : instagram.com/adityavarmaarts adityavarma.comAdidas Shoot BTS with Jugaad Motion Pictures - A Dar Gai FilmAditya Varma2024-01-22 | One of the most fun shoots last year all thanks to Jugaad and Dar Gai. Dheer and Dar around it was one true jamming project.
I just self-published a PhotoBook called 'Monotony' which is a collection of some of my favourite images i clicked over the last 10 to 12 years.
This book is honestly a part of my heart. This is what I like shooting, this is what I want to shoot. And this is what I want to share. I have always wanted to share my images in print, beyond the screens. And now it's here.
My LUTs & Presets store : https://adityavarma.sellfy.store/
#photobook #Fujifilm #LeicaMonotony - My First Photobook | Out NowAditya Varma2024-01-12 | Get your copy here (International shipping is live now) store.adityavarma.com/monotony
This book is honestly a part of my heart. This is what I like shooting, this is what I want to shoot. And this is what I want to share. I have always wanted to share my images in print, beyond the screens. And now it's here.
#photobook #Fujifilm #LeicaMonotony | My first photobookAditya Varma2024-01-09 | store.adityavarma.com/monotony .. Only pan-India shipping for a while. Opening up the rest of the world very soon.
This has been in the works for a while yet this book came into being on a whim. I guess a part of me just wanted my photos to be seen beyond the screen. This photobook is hopefully just the first one of many. But, because this is the first, I wanted it to contain some of my favourite images ever. The link for ordering is live now.
Write to monotony@adityavarma.com for queries or Immediate international orders
This has been in the works for a while yet this book came into being on a whim. I guess a part of me just wanted my photos to be seen beyond the screen. This photobook is hopefully just the first one of many. But, because this is the first, I wanted it to contain some of my favourite images ever. The link for ordering is live now.
Write to monotony@adityavarma.com for queries or Immediate international orders
Thank you @curryprojects5126 and @sarangjoshi8252 for making it happen.
My LUTs & Presets store : https://adityavarma.sellfy.store/
Tu Jana na Piya is the romantic magnum opus on "NEW LIFE" which is set to win hearts across the globe. It was such a pleasure to capture it through the lens.
Thanks to King, Akhilesh, Manan, Phalak, Bhavya, Naina and the entire team! You guys made it what it is. ♥️♥️♥️
Camera Team : DOP ~ Aditya Varma 1st Ac & Focus Puller ~ Bobby Rao 2nd AC ~ Tanmay Mahato Creative AC ~ Sarang Joshi
#TuJaanaNaPiya #KING #NEWLIFE
My LUTs & Presets store : https://adityavarma.sellfy.store/
We shot on film. We shot with paint. We shot in rain.
Soothing and vulnerable, the synth-pop production 'Unke Rangon Mein' is likely to nestle deep into your playlist and heart before you know it. Written as an ode to people who make your world a brighter and better place by just being, Ashwin wears his heart on his sleeve in a song that's laced with palpable emotion and brimming with hope.
Thank you Delhi for making it so special for me it was some of the best interactions ever. I will see you in your city soon!
Next Pitstop - Hyderabad - 16th July
#fujifilm #fujifilmxindiaEarth Leica LUTs - Leica SL2s - L-LOG | Leica For VideoAditya Varma2023-02-18 | My LUTs & Presets store : https://adityavarma.sellfy.store/
Metadata : Shot with SL2s + Voigtlander 40MM F1.4 MC, Voigtlander 50mm F1.2 Lenses ( All Handheld) L- LOG - Sharpness - Min Setting
Graded with Basic 1 LUT at 70 Percent on Resolve.
I am a DP/Colorist and a portrait photographer from Mumbai, I recently bought an SL2-s For me after using Leica Q2 for more than a year thinking I could create the same magic with the video. Unfortunately, The LUTs provided by Leica is absolutely unusable. I have created a few LUTs for myself and sharing some here. As of now, I made basic looks. which are more than enough in my opinion for this system. I suggest using these LUTs at about 80 percent unless using some vintage or classic Voigtlander lenses. In the above video, I used it at about 75 percent and did not even adjust the white balance or anything they are definitely the best LUT pack for Leica as of now in the entire world. Proud!!!
#leica #Leicasl2s #leicalut
My Socials : https://www.instagram.com/adityavarma... adityavarma.com facebook.com/adityavarmaartsRepost | For Tata Motors - Sierra EV - A Film By Dar GaiAditya Varma2023-02-17 | My LUTs & Presets store : https://adityavarma.sellfy.store/
This is a Repost and just a showcase of my work. I don't own any rights for the Music or for the Video. I just shot it.
Metadata : Shot with SL2s + Voigtlander 40MM F1.4 MC, Voigtlander 50mm F1.2 Lenses ( All Handheld) L- LOG - Sharpness - Min Setting
Graded with Basic 1 LUT at 70 Percent on Resolve.
I am a DP/Colorist and a portrait photographer from Mumbai, I recently bought an SL2-s For me after using Leica Q2 for more than a year thinking I could create the same magic with the video. Unfortunately, The LUTs provided by Leica is absolutely unusable. I have created a few LUTs for myself and sharing some here. As of now, I made basic looks. which are more than enough in my opinion for this system. I suggest using these LUTs at about 80 percent unless using some vintage or classic Voigtlander lenses. In the above video, I used it at about 75 percent and did not even adjust the white balance or anything they are definitely the best LUT pack for Leica as of now in the entire world. Proud!!!
Metadata : Shot with SL2s + Voigtlander 40MM F1.4 MC, Voigtlander 50mm F1.2 Lenses ( All Handheld) L- LOG - Sharpness - Min Setting
Graded with Basic 1 LUT at 70 Percent on Resolve.
I am a DP/Colorist and a portrait photographer from Mumbai, I recently bought an SL2-s For me after using Leica Q2 for more than a year thinking I could create the same magic with the video. Unfortunately, The LUTs provided by Leica is absolutely unusable. I have created a few LUTs for myself and sharing some here. As of now, I made basic looks. which are more than enough in my opinion for this system. I suggest using these LUTs at about 80 percent unless using some vintage or classic Voigtlander lenses. In the above video, I used it at about 75 percent and did not even adjust the white balance or anything they are definitely the best LUT pack for Leica as of now in the entire world. Proud!!!
Client: HUL Agency: Ogilvy India Production House: Kiss Films Writer / Director - Dar Gai DoP - Aditya Varma Producers - Dheer Momaya, Sahni, Dalbir Singh Executive Producers - Vinay Gandhi, Rohit Awatramani Production Designer - Khyatee Kanchan Costume Designer - Pratishruti HMU - Soniya Batra Pillay Editor - Shahnawaz Mosani Music Composer - Abhijeet Srivastava Lyricist - Anvitaa Dutt Vocals - Aanchal Tyagi Chief AD - Dimple Chawla DA - Devika Mahajan
Creative Agency: Ogilvy India Creative Team - Managing Partner - Anurag Agnihotri Group Creative Director - Shahrukh Irani Executive Creative Director - Saurabh Kulkarni Senior Creative Directors - Kshitij Chandel, Apoorva Jain
Account Management Team - Executive Vice President - Chitralekha Chetia Vice President - Marita Ferreira Account Director - Anish George
Planning Team - Executive Vice President - Abigail Dias Planning Director - Saurabh Jaiswal
2nd Unit Director - Devika Mahajan 2nd Unit DOP - Aryan Vij 2nd AD - Ashwin Karthikeyan and Advait Nagrale Creative Producer - Roshni Shah Production Manager - Akil Ansari Delhi Line Production - S3 Films Line Producer - Sahil Singh Associate Production Designers - Mrugakshi, Rohan , Arkdev & Pallavi Gupta Local Art Associates - Abdul Fayyaz and Team Costume Assistants - Prabhjot , Akanksha , Soumya 1st AC - Tanmay Mahato Camera Assistant - Aryan Vij Focus Puller - Rohit Yadav BTS - Rishabh Local Production Team - Rahul Maurya, Samiksha Thukral, Gopa Nair, Ankit Chauhan, Abhishek Massey, Roshini Gandhi, Rajat, Chand, Santosh, Gaurav Production Runner - Gaurav Chaudhary Transport - Rohit (Air Arena Tours & Travels)
Post Production Supervisor - Ashi Jain Post Production Associate - Bhavna Kankaria Sound Design - Gaurav Kapadia Studio - After Studios Online Editors - Abhishek Manjrekar, Raju Reddy Assistant Online Editors - Aniket Pandey, Kunal Bhalerao DI - Renato Salazar Assistant DI - Sawan Sorathiya Music Production - Abhijeet Srivastava, Udayan Dharmadhikari Mix/Master - Hanish Taneja Accountant - Smita
I Think C70 is a great all-around camera with a lot of things going for it. Especially for the size and all the recording formats, it can shoot in. Having shot for more than a year with the camera and multiple projects with it which includes using it alongside an Arri Alexa LF Mini for my next Netflix original. The camera is hands down great despite its plasticky build and ready-to-break screen. The image is fabulous the dynamic range is really amazing. CLOG2 is clean, especially coming from c200 with the DGO sensor. Taking about c200, It still holds so well alongside C500s and C700s with its inbuilt Raw capabilities. As you can see the Raw files from the C200 are so easy to grade colours are great straight out of the camera. I still wished they gave us a 10-bit Codec alongside but it's been 5 and half years and most of us are still waiting for the update. Canon crippled it hard with the 1080 120FPS. I can write it down it is 480P upscaled to Full HD. Well all in all I am still thinking of keeping the camera for another year or so before thinking of putting on OLX. SL2s being a hybrid really shines in the video but lacks affordable lenses in the autofocus area. But I still love it for the colour fidelity clean image and separation in the colours. It still feels Leica image even in the video area. I am yet to spend time understanding its LOG but it doesn’t leave me longing for anything more. There is enough dynamic range to push and pull. Also, this camera has the best noise performance in the base ISO understanding there is some in-camera Noise reduction happening.
I am going to multiple tests with the SL2s in the coming months.
Please let me know if you want to see something specific from the camera. Know more about me on my Instagram and this channel. I will see you in my next video.
00:00 - Intro & Tests 02:45 - My Thoughts on C70 04:11 - My views on C200 05:06 - How does Sl2S Stand 05:54 - Leica Q2 & Extro
This video is a repost from the Fujifilm Global channel. None of it is my intellectual property.
Aditya's journey through Meghalaya with the new Fujifilm XH2s, which he discovered and contemplated in the process of making his film "Where are you going?" He pushed it to extremes - shooting in the brightest and darkest moments of the day, running, jumping, swimming in freezing lakes, holding it upside down from dangling bridges. Aditya talks about his experience with the camera and his own evolution as a cinematographer and photographer.
CREW LIST FOR BEHIND THE SCENES
By Hetan Shah and Chinmay Deshpande (Friends Republic) Editor: Hetan Shah Sound Recordists: Yash Sharma and Nazmee Rahman Sound Designer: Kartavya Jain
My LUTs & Presets Store : https://adityavarma.sellfy.store/