GroundUP Music NYC
Oran Etkin - We Are Together (Official Music Video)
updated
From 'Becca Stevens | Attacca Quartet' (GroundUP Music 2022)
Buy/Stream: orcd.co/bs-attacca
Becca Stevens and Nathan Schram came together for an in-depth walk-through of the original score for their 2023 GRAMMY-Nominated track "2 + 2 = 5 (arr. Nathan Schram)", recorded by Becca Stevens and the Attacca Quartet.
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Website: beccastevens.com
Follow Nathan Schram
Instagram: instagram.com/schramnate
Twitter: twitter.com/schramnate
Website: nathanschramnoise.com
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From Snarky Puppy's new album, Empire Central (September 2022, GroundUP Music)
Stream/Buy: orcd.co/empirecentral
Written by Mike “Maz” Maher and Michael League
Arranged by Mike “Maz” Maher, Michael League, and Snarky Puppy
Bob Lanzetti - Electric guitar
Mark Lettieri - Electric guitar
Chris McQueen - Electric guitar
Justin Stanton - Fender Rhodes Mark 8 and Yamaha CP70 electric piano (solo)
Bobby Sparks - Hammond B3 organ and ARP String Ensemble
Bill Laurance - Hohner D6 Clavinet
Shaun Martin - Korg Kronos
Zach Brock - Violin
Mike “Maz” Maher - Trumpet
Jay Jennings - Trumpet
Chris Bullock - Tenor sax
Bob Reynolds - Tenor sax (solo)
Michael League - Electric bass
Nate Werth - Percussion
Keita Ogawa - Percussion
Marcelo Woloski - Percussion
Jason “JT” Thomas - Drum set
Larnell Lewis - Drum set
Jamison Ross - Drum set
Jep Jorba - Director / camera operator
David Bretones - Director of Photography / camera operator
Brad Holt - Line producer / camera operator
Andrew Redd - Gaffer / camera operator
Chris Brian - Camera operator
Ranjani Groth - Camera operator
Jun Kang - Camera operator
Emily Holt - Camera operator
Reid Walker - Dolly operator
Joseph Fisher - Dolly Operator
Follow Snarky Puppy
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Twitter: twitter.com/realsnarkypuppy
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Website: snarkypuppy.com
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From Mark Lettieri's 'Fly Through It' EP (GroundUP Music, November 2022)
Buy/Stream: orcd.co/flythroughit
Recorded live at January Sound Studios, Farmers Branch, TX on Dec. 2, 2021.
Mark Lettieri: guitar
Jason "JT" Thomas: drums
Wes Stephenson: bass
Written and produced by Mark Lettieri
Recorded and mixed by Joey Lomas
Mastered by Dave McNair
Filmed and edited by Tyler Ellison
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Buy/Stream: orcd.co/dreamin-arrsirintip
“DREAMIN' is about a utopia. A picture of the protagonist's perception of what paradise would look like.” After releasing the original nearly two years ago, Malika revisited the song with a new arrangement by friend and artist Sirintip.
Malika Tirolien - Vocals
Nadia Baldé & Nancy Dassas - Background Vocals
Jean-Michel Frédéric - Keyboard
Philippe L' Allier - Guitar
Caulder Nash - Synth Bass
Jean-Samy Pierre - Drums
Filmed at STUDIO FOCUS
Directed by Anderson Studios
Recorded, Mixed and Mastered by Nick Chasse
Dress by SHAKO Montreal
With the appreciated support of Conseil Des Arts du Canada.
Follow Malika Tirolien
YouTube: youtube.com/user/malika2526/featured?sub_confirmation=1
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Twitter: twitter.com/MsSIRINTIP
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Website: groundupmusic.net
"Chucks & Pearl Snaps" from Mark Lettieri's new 'Fly Through It' EP, out now on GroundUP Music
Buy/Stream: orcd.co/flythroughit
Recorded live at January Sound Studios, Farmers Branch, TX on Dec. 2, 2021.
Mark Lettieri: guitar
Jason "JT" Thomas: drums
Wes Stephenson: bass
Written and produced by Mark Lettieri
Recorded and mixed by Joey Lomas
Mastered by Dave McNair
Filmed and edited by Tyler Ellison
Follow GroundUP Music
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Twitter: twitter.com/groundupmusicny
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Website: groundupmusic.net
Buy/Stream: orcd.co/itsenough
fOUR is a project by Nate Wood recorded live in one pass with no overdubs, click track or pre-recorded backing tracks.
“It’s Enough” is about the crippling self doubt that artists deal with when trying to finish anything. It was written right in the middle of the pandemic. And it’s in 5. I imagined a guitar solo over the end, but I couldn’t play one along with the other 3 instruments. So this one would be good for a solo challenge! - Nate Wood
Arranged, produced, engineered, and mixed by Nate Wood
Follow Nate Wood
YouTube: youtube.com/natewoodmusic
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Bandcamp: natewood.bandcamp.com
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Website: groundupmusic.net
Buy/Stream: orcd.co/better-arremawk
"BETTER” is about the description of the feeling of complete bliss once you choose to love yourself unapologetically.
Malika Tirolien - Vocals
Nadia Baldé & Nancy Dassas - Background Vocals
Jean-Michel Frédéric - Keyboard
Philippe L' Allier - Guitar
Caulder Nash - Synth Bass
Jean-Samy Pierre - Drums
Filmed at STUDIO FOCUS
Directed by Anderson Studios
Recorded, Mixed and Mastered by Nick Chasse
Dress by SHAKO Montreal
With the appreciated support of Conseil Des Arts du Canada.
Follow Malika Tirolien
YouTube: youtube.com/user/malika2526/featured?sub_confirmation=1
Facebook: facebook.com/Malikatirolienmusic
Twitter: twitter.com/MalikaTirolien
Instagram: instagram.com/malikatirolien
Follow Emawk
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Website: groundupmusic.net
From Snarky Puppy's new album, Empire Central (September 2022, GroundUP Music)
Stream/Buy: orcd.co/empirecentral
Written by Michael League
Arranged by Michael League and Snarky Puppy
Bob Lanzetti - Electric guitar (First solo)
Mark Lettieri - Electric guitar (Second solo)
Chris McQueen - Electric guitar
Justin Stanton - Wurlitzer, Prophet 10, and trumpet
Bobby Sparks - Hammond B3 organ, ARP String Ensemble, and Hohner D6 Clavinet (Third solo)
Bill Laurance - Fender Rhodes Mark 8 and Yamaha CP70 electric piano
Shaun Martin - Hammond B3 organ
Zach Brock - Violin
Mike “Maz” Maher - Flugelhorn & Trumpet
Jay Jennings - Flugelhorn & Trumpet
Chris Bullock - Tenor saxophone
Bob Reynolds - Tenor & Soprano saxophones
Michael League - Electric bass
Nate Werth - Percussion
Keita Ogawa - Percussion
Marcelo Woloski - Percussion
Jason “JT” Thomas - Drum set
Larnell Lewis - Drum set
Jamison Ross - Drum set
Jep Jorba - Director / camera operator
David Bretones - Director of Photography / camera operator
Brad Holt - Line producer / camera operator
Andrew Redd - Gaffer / camera operator
Chris Brian - Camera operator
Ranjani Groth - Camera operator
Jun Kang - Camera operator
Emily Holt - Camera operator
Reid Walker - Dolly operator
Joseph Fisher - Dolly Operator
Produced by Michael League and Snarky Puppy
Engineered by Nic Hard, Matt Recchia, and Michael Harrison
Engineering assisted by Skyler Childress, Michael League, and Shakthi Prasad KT
Mixed by Nic Hard
Mastered by Dave McNair
Recorded and filmed March 3-10, 2022, at Deep Ellum Art Company in Dallas, Texas, USA
Mixed March 15 - April 7, 2022, at Estudi Vint in Els Prats de Rei, Catalonia, Spain
Photography by Brian Friedman and Jep Jorba
Video edited by Michael League and Jep Jorba
Film consulting by Andy LaViolette
Production managed by Rosanna Freedman
Project managed by Jamie Margulies
Stage assembled by Mason Davis, Matt Recchia, Rosanna Freedman, and Michael Harrison
Graphic design by Claire Morales
Managed by Mike Chadwick Management
Follow Snarky Puppy
Facebook: facebook.com/snarkypuppy
Twitter: twitter.com/realsnarkypuppy
Instagram: instagram.com/snarkypuppy
Website: snarkypuppy.com
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Website: groundupmusic.net
From 'Auburn Whisper' (GroundUP Music, February 2022)
Buy/Stream: orcd.co/auburnwhisper
This song honors Oxum, the Orisha/goddess of rivers, waterfalls, and fresh water, and a symbol of fertility, beauty, and wealth in the Afro-Brazilian religion candomblé. The ijexá groove creates a chant-like and meditative setting to evoke Oxum, as the lyrics describe the way she enchants those around her, from the fish in the water to any human lucky enough to catch a glimpse of her. We often find inspiration for our music in the stories of the orixas and in nature itself, and were so happy to have Natalie’s sister, Julianna, bring her spirit to life.
Follow Natalie Cressman
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Twitter: twitter.com/natcressman
Follow Ian Faquini
Instagram: instagram.com/ianfaquini
Facebook: facebook.com//ianfaquinimusic
Ian Faquini: Guitar & Vocals
Natalie Cressman: Trombones & Vocals
Music by Ian Faquini
Lyrics by Iara Ferreira
Arrangement by Natalie Cressman
Recorded and Mixed by Adam Muñoz at Opus Studios
Filmed by Isaac Pingree
Edited by Luca Bordonaro
LYRICS
Dona da beleza jururu engalanada
Canta curió na viração e o peixe para
Dela a piracema, seu espelho um olho d’água
Ouro pele negra, numa pedra acocorada
Lá na cachoeira eu coroei a minha amada,
Oromin mayó ô, ôro, oromin
Eu beijei a flor, nasceu a flor da minha estrada
Oromin mayó ô, oro oromin
Salve essa riqueza, natureza fecundada
Mãe da minha avó, a pioneira Icamiaba
Bela por inteiro, no tempero, na pisada
Doce mel da abelha, ararinha delicada
Lá na cachoeira eu avistei a minha amada,
Oromin mayó ô, ôro, oromin
Eu beijei a flor, nasceu a flor na minha estrada
Oromin mayó ô, oro oromin mayó
Balé Nagô para a rainha do amor
Pra Yê Yê Ô
Foi alabê quem chamou, abe tocou
Quando o xirê começou, ayê bailou
Foi alabê quem chamou, abe tocou
Quando o xirê começou, pra Yê Yê Ô
Foi a rainha do amor
Quem me ganhou
A ladainha parou e o afoxé chegou
Dona da beleza jururu engalanada
Canta curió na viração e o peixe para
Dela a piracema, seu espelho um olho d’água
Ouro pele negra, numa pedra acocorada
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From ‘Mirrors’ (GroundUP Music, 2021)
Buy/Stream: orcd.co/mirrorslp
What can be an elusive companion, we can find ourselves waiting, begging, and wondering what we did wrong to not receive the affections of such an essential yet mysterious part of our lives. And like the mysterious lover, once he or she returns, we experience all of the physical and emotional sensations that bring us back into bliss.
Follow Mirrors
Facebook: facebook.com/mirrorsomfg
Instagram: instagram.com/mirrorsomfg
Mirrors is: Becca Stevens, Gisela João, Justin Stanton, Louis Cato & Michael League
Written by Louis Cato & Michael League
Arranged and Produced by Mirrors
Recorded and Mixed by Nic Hard
Video edited by Andy LaViolette
Louis Cato: Vocals & Bass
Michael League: Mellotron
Bob Lanzetti: Guitar
Bill Laurance: Rhodes
Shaun Martin: Moog
Jason JT Thomas: Drums
Nate Werth: Percussion
Justin Stanton: Trumpet
Jay Jennings: Trumpet
Mike Maz Maher: Trumpet
Chris Bullock: Tenor Saxophone
Bob Reynolds: Alto Saxophone
Zach Brock: Violin
LYRICS
Wait up another and another and another night
For you to come around
Standing for hours in the usual place
But you’re nowhere to be found
I don’t know at all what I have ever done to you
To turn your gaze away
But in my heart, I still cling to
The precious peace you gave
Got me calling out
Please, please, begging you please
I need your love, got me on my knees
Sleep, sleep, beautiful sleep
Why did you go?
Come back to me
Ooh-hoo, what can I do?
Just say the word and I’ll do it for you
Please, please, begging you please
I need your love, got me on my knees
You got me hanging around
But there’s no place I’d rather be
Than laying right here in the hole you left
When you went from me
I’m swimming in the sound of your sweet refrain
I remember every single note that spelled your name
And the memory of your song
Got me calling out
Please, please, begging you please
I need your love, got me on my knees
Sleep, sleep, beautiful sleep
Why did you go?
Come back to me
Ooh-hoo, what can I do?
Just say the word and I’ll do it for you
Please, please, begging you please
I need your love, got me on my knees
Oh, I can feel you now
And you’re all that I know I’ll ever need
You heal my heart, you cool my skin
You calm the fear that lives within
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Website: groundupmusic.net
From Snarky Puppy's new album, Empire Central (September 2022, GroundUP Music)
Stream/Buy: orcd.co/empirecentral
Written by Bobby Sparks
Arranged by Bobby Sparks, Michael League and Snarky Puppy
Bob Lanzetti - Electric guitar
Mark Lettieri - Electric guitar
Chris McQueen - Electric guitar
Bernard Wright - Wurlitzer and Prophet 10 (solo)
Justin Stanton - Yamaha CP70 electric piano
Bobby Sparks - Hammond B3 organ, Hohner D6 Clavinet, ARP String Ensemble, and Minimoog Model D
Bill Laurance - Fender Rhodes Mark 8
Shaun Martin - Talkbox, Moog Little Phatty, and Korg Kronos
Zach Brock - Violin
Mike “Maz” Maher - Trumpet
Jay Jennings - Flugelhorn & Trumpet (Solo)
Chris Bullock - Tenor sax and flute
Bob Reynolds - Tenor sax
Michael League - Electric bass
Nate Werth - Percussion
Keita Ogawa - Percussion
Marcelo Woloski - Percussion
Jason “JT” Thomas - Drum set (Solo)
Larnell Lewis - Drum set (Solo)
Jamison Ross - Drum set (Solo)
Jep Jorba - Director / camera operator
David Bretones - Director of Photography / camera operator
Brad Holt - Line producer / camera operator
Andrew Redd - Gaffer / camera operator
Chris Brian - Camera operator
Ranjani Groth - Camera operator
Jun Kang - Camera operator
Emily Holt - Camera operator
Reid Walker - Dolly operator
Joseph Fisher - Dolly Operator
Produced by Michael League and Snarky Puppy
Engineered by Nic Hard, Matt Recchia, and Michael Harrison
Engineering assisted by Skyler Childress, Michael League, and Shakthi Prasad KT
Mixed by Nic Hard
Mastered by Dave McNair
Recorded and filmed March 3-10, 2022, at Deep Ellum Art Company in Dallas, Texas, USA
Mixed March 15 - April 7, 2022, at Estudi Vint in Els Prats de Rei, Catalonia, Spain
Photography by Brian Friedman and Jep Jorba
Video edited by Michael League and Jep Jorba
Film consulting by Andy LaViolette
Production managed by Rosanna Freedman
Project managed by Jamie Margulies
Stage assembled by Mason Davis, Matt Recchia, Rosanna Freedman, and Michael Harrison
Graphic design by Claire Morales
Managed by Mike Chadwick Management
Follow Snarky Puppy
Facebook: facebook.com/snarkypuppy
Twitter: twitter.com/realsnarkypuppy
Instagram: instagram.com/snarkypuppy
Website: snarkypuppy.com
Follow GroundUP Music
Facebook: facebook.com/groundupmusicworld
Twitter: twitter.com/groundupmusicny
Instagram: instagram.com/groundupmusicny
Website: groundupmusic.net
Buy/Stream: orcd.co/empirecentral
GENERAL CREDITS
Produced by Michael League
Co-produced by Snarky Puppy
Engineered by Nic Hard, Matt Recchia, and Michael Harrison
Engineering assisted by Skyler Childress, Michael League, and Shakthi Prasad KT
Mixed by Nic Hard
Mastered by Dave McNair
Recorded and filmed March 3-10, 2022, at Deep Ellum Art Company in Dallas, Texas, USA
Mixed March 15 - April 7, 2022, at Estudi Vint in Els Prats de Rei, Catalonia, Spain
Photography by Brian Friedman and Jep Jorba
Interviews filmed by Brian Friedman
Video edited by Michael League and Jep Jorba
Film consulting by Andy LaViolette
Production managed by Rosanna Freedman
Project managed by Jamie Margulies
Stage assembled by Mason Davis, Matt Recchia, Rosanna Freedman, and Michael Harrison
Graphic design by Claire Morales
Managed by Mike Chadwick Management
SNARKY PUPPY
Bob Lanzetti - electric guitar
Mark Lettieri - electric and baritone electric guitars
Chris McQueen - electric guitar
Justin Stanton - Wurlitzer, Fender Rhodes, Yamaha CP70 electric piano, Minimoog Model D, Prophet 10, and trumpet
Bobby Sparks - Hammond B3 organ, Hohner D6 Clavinet, ARP String Ensemble, and Minimoog Model D
Bill Laurance - Fender Rhodes Mark 8, Yamaha CP70 electric piano, Minimoog Model D, Hohner D6 Clavinet, Prophet 10, Osmose, and Mellotron
Shaun Martin - Talkbox, Mellotron, Vocoder, Moog Little Phatty, Minimoog Model D, Korg Kronos, and Fender Rhodes
Zach Brock - 4-string and 6-string violin
Mike “Maz” Maher - trumpet and flugelhorn
Jay Jennings - trumpet and flugelhorn
Chris Bullock - tenor sax, soprano sax, bass clarinet, flute, and piccolo flute
Bob Reynolds - tenor and soprano saxes
Michael League - electric bass and Minimoog Model D bass
Nate Werth - percussion
Keita Ogawa - percussion
Marcelo Woloski - percussion
Jason “JT” Thomas - drum set
Larnell Lewis - drum set
Jamison Ross - drum set
with special guest:
Bernard Wright - Wurlitzer, Minimoog Model D, and Prophet 10
FILM CREW
Jep Jorba - Director / camera operator
David Bretones - Director of Photography / camera operator
Brad Holt - Line producer / camera operator
Andrew Redd - Gaffer / camera operator
Chris Brian - Camera operator
Ranjani Groth - Camera operator
Jun Kang - Camera operator
Emily Holt - Camera operator
Reid Walker - Dolly operator
Joseph Fisher - Dolly Operator
THANK YOUS
A special thanks to the GroundUP Music label team (Eric Lense, Jamie Margulies, Cassidy Nalbone, and Ascia Johnson-Popov), John and Kari LaRue and the Deep Ellum Art Company family (Aron Alfaro, Dustin Bates, Khalid Beard, Kendal Brinlee, Andy Crise, Christian Duan, Shane Rendon, Derrick Sechrest, and Cole Scott), Cleon Edwards, Gino Iglehart, Robert Sput Searight, Bernard Wright, Arp Odyssey, Audio-Technica, Avid, Big Fat Snare Drum, Boston Sax Shop, Canopus Drums, Cincinnati Washboards, Clear Tune Monitors, Cooperman Company, D'Addarío, DEM’Sticks, Denis Wick Products, Earthquaker Devices, Earthworks, Evans Drumheads, Eventide Audio, Expressive Osmose, Fodera, Fralin Pickups, Goodwood Audio, Grace Design, Gruv Gear, Gruv-X Percussion, Hear Technologies, Ithaca Stringed Instruments, J. Rockett Audio Designs, Jim Dunlop/MXR, Kemper, Keyscape, Korg, Latin Percussion, Lauten Audio, Low Boy Beaters, Markbass, MatTea Inc., Matthias Lehner Violins, Meinl, Mellotron, Modal Electronics, Moog Music, Moollon, Morfbeats, Native Instruments, Nord, Parka Handmade Percussion, Porter & Davies, Prologix Percussion, Promark Drumsticks, Paul Reed Smith, Radial Eng, Requena, Reverie Drum Co., Rhodes, Roland, Roli, Sennheiser, Sequential, SM Percussion, Sound Brenner, Source Audio, Spectrasonics, Stack Ring Percussion, Supro, Tama, TC Electronic, Telonics, Vic Firth, Warm Audio, Waves, Yamaha, Zildjian Cymbals, and Zoom Sound Lab, Ferran Rico Andrés, Nil Blasco Barrachina, Pau Jorba Bonastre, Mariona Galimany Camps, Naaysa Mullatti, Paula Barranco Muñoz, Artur Ponsà i Obach, Laura Calles Ribas, Carlos Escribano Rodríguez, and Kei Traïd Takase, Oasis Gaffney, and Matthew Schipper
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Twitter: twitter.com/groundupmusicny
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Website: groundupmusic.net
Buy/Stream: orcd.co/grow-arrgam
Malika Tirolien - Vocals
Nadia Baldé & Nancy Dassas - Background Vocals
Jean-Michel Frédéric - Keyboard
Philippe L' Allier - Guitar
Caulder Nash - Synth Bass
Jean-Samy Pierre - Drums
Filmed at STUDIO FOCUS
Directed by Anderson Studios
Recorded, Mixed and Mastered by Nick Chasse
Dress by SHAKO Montreal
With the appreciated support of Conseil Des Arts du Canada.
Follow Malika Tirolien
YouTube: youtube.com/user/malika2526/featured?sub_confirmation=1
Facebook: facebook.com/Malikatirolienmusic
Twitter: twitter.com/MalikaTirolien
Instagram: instagram.com/malikatirolien
Follow Georgia Anne Muldrow
Instagram: instagram.com/georgia.muldrow
Twitter: twitter.com/JAHJAHMULDROW
Follow GroundUP Music
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Twitter: twitter.com/groundupmusicny
Instagram: instagram.com/groundupmusicny
Website: groundupmusic.net
Buy/Stream: orcd.co/justonevoice
Michelle Willis - A song about love and memory.
Michelle Willis: Lead Vocal, Piano, Korg MS20, Pump Organ, Fender Rhodes Bass
Grégoire Maret: Chromatic Harmonica
Written & Arranged by Michelle Willis
Produced by Fabrice Dupont & Michelle Willis
Mixed by Fabrice Dupont
Video by Jep Jorba
Lighting by: Carlos Villaoslada
Assisted by: Marta Garre
Makeup & Hair by: Esther Castellana
Location provided by Pep Jorba and Cesca vila
Follow Michelle Willis
YouTube: youtube.com/user/MichWillisMusic
Instagram: instagram.com/boutwillismusic
Facebook: facebook.com/boutwillismusic
Twitter: twitter.com/boutwillismusic
Website: michellewillis.ca
LYRICS
When did we become
One of our stories,
Stuck and lost in time?
A memory rippling under
What’s frozen upon the ground?
Time passes on and still it’s there
Me and you
How strange for love
To live behind you
Now I’m staring at nothing
Nowhere to be
Casting long shadows behind me
I chose the road
I chose time
Now the wait is depending on you
‘Til the weight lifts I’ll be waiting on you
Now I’m wading through time like water
A kaleidoscope falling down
Turning each colour
As I stare at the facets and muse
On your crystalline blues
And row upon rose coloured hues
Like fall to winter
And winter to spring
No one could hold our unraveling
I chose the road
I chose time
Now the wait is depending on you
‘Til the weight lifts I’ll be..
Like birds in formation
Each memory of mine
They dance in murmeration
Freed by time
And they’ll come round
When the landing is right
Is it me they’re waiting on for truth?
What am I holding on to
‘Til the weight gives way to you?
Follow GroundUP Music
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Twitter: twitter.com/groundupmusicny
Instagram: instagram.com/groundupmusicny
Website: groundupmusic.net
Buy/Stream: orcd.co/natewood-no
fOUR is a project by Nate Wood recorded live in 1 pass with no overdubs, click track or pre-recorded backing tracks.
“‘No!’ was the first odd time piece I believe I ever wrote. It’s in 15/8, and I explored different ways to feel/play the 15 throughout the piece. It’s an odd choice for a first single but also a fitting one, as it encapsulates just about everything that fOUR is about. It’s incredibly hard to perform and record, and since it’s all performed live in one take with no pre-recorded backing tracks, it’s different every time I play it!”’ - Nate Wood
Arranged, produced, engineered, and mixed by Nate Wood
Follow Nate Wood
YouTube: youtube.com/natewoodmusic
Instagram: instagram.com/natewoodmusic
Facebook: facebook.com/natewoodmusic
Twitter: twitter.com/natewoodmusic
Bandcamp: natewood.bandcamp.com
Follow GroundUP Music
Facebook: facebook.com/groundupmusicworld
Twitter: twitter.com/groundupmusicny
Instagram: instagram.com/groundupmusicny
Website: groundupmusic.net
Buy/Stream: orcd.co/empirecentral
GENERAL CREDITS
Produced by Michael League
Co-produced by Snarky Puppy
Engineered by Nic Hard, Matt Recchia, and Michael Harrison
Engineering assisted by Skyler Childress, Michael League, and Shakthi Prasad KT
Mixed by Nic Hard
Mastered by Dave McNair
Recorded and filmed March 3-10, 2022, at Deep Ellum Art Company in Dallas, Texas, USA
Mixed March 15 - April 7, 2022, at Estudi Vint in Els Prats de Rei, Catalonia, Spain
Photography by Brian Friedman and Jep Jorba
Interviews filmed by Brian Friedman
Video edited by Michael League and Jep Jorba
Film consulting by Andy LaViolette
Production managed by Rosanna Freedman
Project managed by Jamie Margulies
Stage assembled by Mason Davis, Matt Recchia, Rosanna Freedman, and Michael Harrison
Graphic design by Claire Morales
Managed by Mike Chadwick Management
SNARKY PUPPY
Bob Lanzetti - electric guitar
Mark Lettieri - electric and baritone electric guitars
Chris McQueen - electric guitar
Justin Stanton - Wurlitzer, Fender Rhodes, Yamaha CP70 electric piano, Minimoog Model D, Prophet 10, and trumpet
Bobby Sparks - Hammond B3 organ, Hohner D6 Clavinet, ARP String Ensemble, and Minimoog Model D
Bill Laurance - Fender Rhodes Mark 8, Yamaha CP70 electric piano, Minimoog Model D, Hohner D6 Clavinet, Prophet 10, Osmose, and Mellotron
Shaun Martin - Talkbox, Mellotron, Vocoder, Moog Little Phatty, Minimoog Model D, Korg Kronos, and Fender Rhodes
Zach Brock - 4-string and 6-string violin
Mike “Maz” Maher - trumpet and flugelhorn
Jay Jennings - trumpet and flugelhorn
Chris Bullock - tenor sax, soprano sax, bass clarinet, flute, and piccolo flute
Bob Reynolds - tenor and soprano saxes
Michael League - electric bass and Minimoog Model D bass
Nate Werth - percussion
Keita Ogawa - percussion
Marcelo Woloski - percussion
Jason “JT” Thomas - drum set
Larnell Lewis - drum set
Jamison Ross - drum set
with special guest:
Bernard Wright - Wurlitzer, Minimoog Model D, and Prophet 10
FILM CREW
Jep Jorba - Director / camera operator
David Bretones - Director of Photography / camera operator
Brad Holt - Line producer / camera operator
Andrew Redd - Gaffer / camera operator
Chris Brian - Camera operator
Ranjani Groth - Camera operator
Jun Kang - Camera operator
Emily Holt - Camera operator
Reid Walker - Dolly operator
Joseph Fisher - Dolly Operator
THANK YOUS
A special thanks to the GroundUP Music label team (Eric Lense, Jamie Margulies, Cassidy Nalbone, and Ascia Johnson-Popov), John and Kari LaRue and the Deep Ellum Art Company family (Aron Alfaro, Dustin Bates, Khalid Beard, Kendal Brinlee, Andy Crise, Christian Duan, Shane Rendon, Derrick Sechrest, and Cole Scott), Cleon Edwards, Gino Iglehart, Robert Sput Searight, Bernard Wright, Arp Odyssey, Audio-Technica, Avid, Big Fat Snare Drum, Boston Sax Shop, Canopus Drums, Cincinnati Washboards, Clear Tune Monitors, Cooperman Company, D'Addarío, DEM’Sticks, Denis Wick Products, Earthquaker Devices, Earthworks, Evans Drumheads, Eventide Audio, Expressive Osmose, Fodera, Fralin Pickups, Goodwood Audio, Grace Design, Gruv Gear, Gruv-X Percussion, Hear Technologies, Ithaca Stringed Instruments, J. Rockett Audio Designs, Jim Dunlop/MXR, Kemper, Keyscape, Korg, Latin Percussion, Lauten Audio, Low Boy Beaters, Markbass, MatTea Inc., Matthias Lehner Violins, Meinl, Mellotron, Modal Electronics, Moog Music, Moollon, Morfbeats, Native Instruments, Nord, Parka Handmade Percussion, Porter & Davies, Prologix Percussion, Promark Drumsticks, Paul Reed Smith, Radial Eng, Requena, Reverie Drum Co., Rhodes, Roland, Roli, Sennheiser, Sequential, SM Percussion, Sound Brenner, Source Audio, Spectrasonics, Stack Ring Percussion, Supro, Tama, TC Electronic, Telonics, Vic Firth, Warm Audio, Waves, Yamaha, Zildjian Cymbals, and Zoom Sound Lab, Ferran Rico Andrés, Nil Blasco Barrachina, Pau Jorba Bonastre, Mariona Galimany Camps, Naaysa Mullatti, Paula Barranco Muñoz, Artur Ponsà i Obach, Laura Calles Ribas, Carlos Escribano Rodríguez, and Kei Traïd Takase, Oasis Gaffney, and Matthew Schipper
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Website: groundupmusic.net
From Snarky Puppy's new album, Empire Central (September 2022, GroundUP Music)
Buy/Stream: orcd.co/empirecentral
Written by Michael League
Arranged by Michael League and Snarky Puppy
Bob Lanzetti - Electric guitar
Mark Lettieri - Electric guitar
Chris McQueen - Electric guitar
Justin Stanton - Wurlitzer and Prophet 10
Bobby Sparks - Hammond B3 organ and ARP String Ensemble
Bill Laurance - Yamaha CP70 electric piano and Fender Rhodes Mark 8
Shaun Martin - Mellotron and Korg Kronos
Zach Brock - Violin (Solo)
Mike “Maz” Maher - flugelhorn
Jay Jennings - Flugelhorn
Chris Bullock - Tenor sax and flute
Bob Reynolds - Tenor
Michael League - Electric bass
Nate Werth - Percussion
Keita Ogawa - Percussion
Marcelo Woloski - Percussion
Jason “JT” Thomas - Drum set
Larnell Lewis - Drum set
Jamison Ross - Drum set
Jep Jorba - Director / camera operator
David Bretones - Director of Photography / camera operator
Brad Holt - Line producer / camera operator
Andrew Redd - Gaffer / camera operator
Chris Brian - Camera operator
Ranjani Groth - Camera operator
Jun Kang - Camera operator
Emily Holt - Camera operator
Reid Walker - Dolly operator
Joseph Fisher - Dolly Operator
Produced by Michael League
Co-produced by Snarky Puppy
Engineered by Nic Hard, Matt Recchia, and Michael Harrison
Engineering assisted by Skyler Childress, Michael League, and Shakthi Prasad KT
Mixed by Nic Hard
Mastered by Dave McNair
Recorded and filmed March 3-10, 2022, at Deep Ellum Art Company in Dallas, Texas, USA
Mixed March 15 - April 7, 2022, at Estudi Vint in Els Prats de Rei, Catalonia, Spain
Photography by Brian Friedman and Jep Jorba
Video edited by Michael League and Jep Jorba
Film consulting by Andy LaViolette
Production managed by Rosanna Freedman
Project managed by Jamie Margulies
Stage assembled by Mason Davis, Matt Recchia, Rosanna Freedman, and Michael Harrison
Graphic design by Claire Morales
Managed by Mike Chadwick Management
Follow Snarky Puppy
Facebook: facebook.com/snarkypuppy
Twitter: twitter.com/realsnarkypuppy
Instagram: instagram.com/snarkypuppy
Website: snarkypuppy.com
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Twitter: twitter.com/groundupmusicny
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Website: groundupmusic.net
'Carbon' Available October 14
Stream/Buy here: sirintip.bandcamp.com
After three years of climate research and patient self-discovery, Bangkok-born singer, producer and multi-modal artist Sirintip issues her sophomore release, carbon. Weary from headlines that preach and scold, the internationally acclaimed composer of Thai Swedish descent sought a new method of engagement. carbon, to be released on October 14, 2022 via Ropeadope, presents thirteen tracks of original music as an invitational gesture, an appeal for a new kind of conversation around climate action. Watch the video to learn more about the album and its carbon neutral recording process.
“Whoever listens to this is going to find elements that are familiar to them, and elements that are completely new” - Chris Davis, Manager
Follow Sirintip
Instagram: instagram.com/mssirintip
Facebook: facebook.com/sirintipofficial
Twitter: twitter.com/MsSIRINTIP
Vocals: Sirintip
Synths/Piano/Keyboards: Kengchakaj Kengkarnka
Guitar: Chris McQueen & Nic Hard
Drums: Nolan Byrd
Electric Bass & Synth Bass: Michael League
Violin / Viola: Daniel Migdal
Flute: Alex Hahn
Baritone Saxophone: Owen Broder
Drum Programming: Nolan Byrd, Sirintip, Nic Hard
Bass Programming: Nolan Byrd, Sirintip, Nic Hard
String Arrangement: Matthew Peterson
Produced by Sirintip & Nic Hard
Mixing Engineer: Nic Hard
Mastering Engineer: G&J Audio
Assistant Engineer: Michael Tiemann
Production Coordinator: Chris Davis
Production Assistant: Arthur Davis
Recorded at Manifold Recording
Mixed at Rabbit Hole Studios
Special Thanks to: New York Foundation of the Arts Women’s Fund, Swedish Arts Council, STIM (Swedish Performing Rights Association), Moog Synthesizers, Ropeadope, GroundUP Music
Videography: Nitcha Tothong
Photography: Ashira Boonchoo
Retouch: Richard Saralertsophon
Makeup: Deborah Alitzio
Artwork: Nitcha Tothong
Photo Studio: Yindee Studio
LYRICS
red eyes (endangered tigers)
Music by: Sirintip Phasuk, Nolan Byrd
Lyrics by: Sirintip Phasuk, Katya Diaz
broke out of my chains and now i’m on the run
don’t need another master, i’m out i’m done
never wanted to fight
but if you dare, i’ll take you out
i am not your trophy, i am not your prize
i was born to stay at home, uncivilized
red eyes
no i’m not falling for you no more
red eyes
no you gotta turn around before i roar
how can you not see,
what you did to me?
why don’t you just let me be free?
am i the one you fear
cry’s noone can hear
why don’t you just leave me as me?
locked into the shadows, there i’ll be, the mold between
always be behind you, i’m at your mercy, don’t end me
need a space to breathe
live my way and live in peace
you push me out to hunt me
make me do your dance
but i am not your prize, your prize, your prize
red eyes
no i’m not falling for you no more
red eyes
no you gotta turn around before i roar
how can you not see,
what you did to me?
why don’t you just let me be free?
am i the one you fear
cry’s noone can hear
why don’t you just leave me as me?
red eyes
no i’m not falling for you no more
red eyes
no you gotta turn around before i roar
how can you not see,
what you did to me?
why don’t you just let me be free?
am i the one you fear
cry’s noone can hear
why don’t you just leave me as me?
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Twitter: twitter.com/groundupmusicny
Instagram: instagram.com/groundupmusicny
Website: groundupmusic.net
Stream/Buy: orcd.co/whereiwander
One of House of Waters’ oldest songs, Raindrops represents the emotions behind suspension and release. Utilizing the Brazilian Baião rhythm and traditional American folk-music harmony, Max ZT's solo interpretation of Raindrops is a joyous expression of House of Waters’ long standing relationship with their music and their collaboration.
Max ZT - Hammered dulcimer
Video by Priya Darshini
Shot at Avaloch Farm Music Institute, Boscawen, NH
Follow House of Waters:
Facebook: facebook.com/HouseofWaters
Twitter: twitter.com/houseofwaters
Instagram: instagram.com/houseofwaters
Website: houseofwaters.com
YouTube: youtube.com/user/houseofwaters
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Website: groundupmusic.net
#HouseOfWaters
Buy/Stream: orcd.co/CYL-arr-michaelmayo
Malika Tirolien - Vocals
Nadia Baldé & Nancy Dassas - Background Vocals
Jean-Michel Frédéric - Keyboard
Philippe L' Allier - Guitar
Caulder Nash - Synth Bass
Jean-Samy Pierre - Drums
Filmed at STUDIO FOCUS
Directed by Anderson Studios
Recorded, Mixed and Mastered by Nick Chasse
Dress by SHAKO Montreal
With the appreciated support of Conseil Des Arts du Canada
Follow Malika Tirolien
YouTube: youtube.com/user/malika2526/featured?sub_confirmation=1
Facebook: facebook.com/Malikatirolienmusic
Twitter: twitter.com/MalikaTirolien
Instagram: instagram.com/malikatirolien
Follow Michael Mayo
Facebook: facebook.com/theMichaelMayo
Instagram: instagram.com/michaelmayomusic
LYRICS
Why are you so negative?
Why would you wear such bad vibes
When the world is already full of dirty laundry
Why are you so negative?
Why do you have to be so mean
With yourself, with your kin
Obligating me to intervene
Do you need some food?
Are you lacking some sleep
Do you need a warm embrace?
How can I change your mood
How can i flip your attitude
How can i put a smile on your face?
Can't you just be cool?
Can't you just relax and chill
And show me what's inside your heart
Just be cool
Can't you just be nice and real and I promise
It will change your life
But you choose to be negative
To pay attention to what you eat
And forget about the shit that comes out of your mouth
You stick to your prerogative
You're weak enough to lose your temper
When victory is in calm and in unity
I know we all have our battles
I know we all have our flaws
But we were all born pure and perfect
What you miss must be deep
What you need must be essential
For you to be so damn insecure
Can't you just be cool?
Can't you just relax and chill
And show me what's inside your heart
Just be cool
Can't you just be nice and real and I promise
It will change your life
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Website: groundupmusic.net
From 'Becca Stevens | Attacca Quartet' (GroundUP Music, 2022)
Buy/Stream: orcd.co/bs-attacca
Music & Lyrics by Becca Stevens
Arranged for strings by Liam Robinson
Vocals & guitar: Becca Stevens
Violin: Amy Schroeder
Violin: Domenic Salerni
Viola: Nathan Schram
Cello: Andrew Yee
Performed, filmed, edited, and mixed at Joe's Pub, NYC
Follow Becca Stevens
Instagram: instagram.com/beccastevensbsb
Facebook: facebook.com/BeccaStevensBand
Twitter: twitter.com/beccastevensbsb
Website: beccastevens.com
Follow Attacca Quartet
Instagram: instagram.com/attaccaquartet
Facebook: facebook.com/attaccaquartet
Twitter: twitter.com/attaccaquartet
LYRICS
My grounded love with your calm clarity
What if mine ain’t enough for the love that you need?
My grounded love with your calm clarity
What if mine ain’t enough for the love that you need?
My tongue gets tied and you’re clear when you speak
Your roots plant your feet and I’m lost
Your roots plant your feet and I’m lost in the
Your roots plant your feet and I’m lost in the trees
My grounded love with your calm clarity
What if mine ain’t enough for the love that you need?
My tongue gets tied and you’re clear when you speak
Your roots plant your feet and I’m lost
Your roots plant your feet and I’m lost in the
Your roots plant your feet and I’m lost in the trees
Be still my heart
It drifts above
Up where the dreams go
Out of love
Our love is a crop that’s sleeping (Our love, sleeping)
Walk me to the yard and we’ll see what it needs (To the yard)
We’ll dig in the dirt (In the dirt)
And pull up the weeds (The weeds)
The truth hurts most when we keep it asleep (Only hurts)
Our love is a crop that’s sleeping (Our fruitful love)
Walk me to the yard and we’ll see what it needs (With a calm clear heart)
We’ll dig in the dirt and pull up the weeds (Your roots plant your feet)
The truth hurts most when we keep it asleep (Steady)
Be still my heart
It drifts above
Up where the dreams go
Out of love
My heart
Is a moon
That’s rising
Little moon
Isn’t full
But it’s longing to be
This voice
Is a star
That’s burning
Little voice
Isn’t loud
But it’s learning to be
Be still my heart
It drifts above
Up where the dreams go
Out of love
Be still my mind
It drifts above
Up where the dreams go
Out of love
Out of love
Of love
Out of love
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Website: groundupmusic.net
From Snarky Puppy's new album, Empire Central (September 2022, GroundUP Music)
Buy/Stream: orcd.co/empirecentral
Written by Michael League
Arranged by Michael League and Snarky Puppy
Bob Lanzetti - Electric guitar
Mark Lettieri - Electric guitar
Chris McQueen - Electric guitar
Justin Stanton - Fender Rhodes Mark 8
Bobby Sparks - Hohner D6 Clavinet and ARP String Ensemble
Bill Laurance - Yamaha CP70 electric piano
Shaun Martin - Moog Little Phatty and Talkbox (Solo)
Zach Brock - Violin
Mike “Maz” Maher - Trumpet
Jay Jennings - Trumpet and flugelhorn
Chris Bullock - Tenor sax, flute, and piccolo flute
Bob Reynolds - Tenor sax (Solo)
Michael League - Electric bass
Nate Werth - Percussion
Keita Ogawa - Percussion
Marcelo Woloski - Percussion
Jason “JT” Thomas - Drum set
Larnell Lewis - Drum set
Jamison Ross - Drum set
Jep Jorba - Director / camera operator
David Bretones - Director of Photography / camera operator
Brad Holt - Line producer / camera operator
Andrew Redd - Gaffer / camera operator
Chris Brian - Camera operator
Ranjani Groth - Camera operator
Jun Kang - Camera operator
Emily Holt - Camera operator
Reid Walker - Dolly operator
Joseph Fisher - Dolly Operator
Produced by Michael League
Co-produced by Snarky Puppy
Engineered by Nic Hard, Matt Recchia, and Michael Harrison
Engineering assisted by Skyler Childress, Michael League, and Shakthi Prasad KT
Mixed by Nic Hard
Mastered by Dave McNair
Recorded and filmed March 3-10, 2022, at Deep Ellum Art Company in Dallas, Texas, USA
Mixed March 15 - April 7, 2022, at Estudi Vint in Els Prats de Rei, Catalonia, Spain
Photography by Brian Friedman and Jep Jorba
Video edited by Michael League and Jep Jorba
Film consulting by Andy LaViolette
Production managed by Rosanna Freedman
Project managed by Jamie Margulies
Stage assembled by Mason Davis, Matt Recchia, Rosanna Freedman, and Michael Harrison
Graphic design by Claire Morales
Managed by Mike Chadwick Management
Follow Snarky Puppy
Facebook: facebook.com/snarkypuppy
Twitter: twitter.com/realsnarkypuppy
Instagram: instagram.com/snarkypuppy
Website: snarkypuppy.com
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Twitter: twitter.com/groundupmusicny
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Website: groundupmusic.net
Buy/Stream: orcd.co/Nearsided
GroundUP Music strives to be more than just a record label; we are a home to musicians from all over the world. While it would be impossible to release every piece of music from all of the artists we hold dear to our hearts, we are happy to use our platform to share their music with our community. Introducing GroundUP’s Artist Discovery series, a space where we can continue to support and uplift artists and their stories.
The 3rd single from Nathan Schram's solo record Nearsided on Better Company Records. Initially written during an artist residency in Portalegre, Portugal (the very same residency where GroundUP project, Mirrors, was created), "Portalegre" features Nathan's electro-acoustic world collaged together with sounds of Becca's digitally manipulated voice and Antonio's ever changing and exuberant drums.
Video created by Nathan with the @SleepyCircuits Hypno visual synthesizer.
Written by Nathan Schram and Becca Stevens
Mixed by Christopher Botta
Mastered by Nate Wood
Available on @bettercompanyrecords
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Website: groundupmusic.net
Listen to the podcast (First episode out August 2): http://www.osirispod.com/snarky
Pre-Save/Pre-Order 'Empire Central': orcd.co/empirecentral
A podcast that dives deep into the creative process of one of the world’s most talented and genre-defying super-bands, Snarky Puppy. Captured during the recording of their latest album, Transmissions From Deep Ellum takes you behind the scenes as the band meticulously sculpts the building blocks that will become the album tracks; taking you from original demos to the rehearsal room, finally leading you into the recording space as the album is tracked live with no overdubs at Deep Ellum Art Company. Series premiere on August 2, 2022.
Produced by GroundUP Music and Osiris Media. Presented by Osiris Media.
Follow Snarky Puppy
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Twitter: twitter.com/realsnarkypuppy
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Website: snarkypuppy.com
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Website: groundupmusic.net
From 'Auburn Whisper' (GroundUP Music, 2022)
Stream/Buy: orcd.co/auburnwhisper
Curandeiro (“The Healer”) speaks of the myriad ways in which he cures: with the forest, the ocean, the sky, his pain, his faith, the meat of the caju fruit, tabaco, cachaça, as well as indigenous herbs and medicines. In the song he is championing his way of life, as an indigenous healer of the Mundukuru people of the Amazon, who live very in touch with nature, attentive to its signs and changes. The connection with nature and the importance of preserving the rainforest and indigenous culture is a major theme across several songs that Ian and Iara Ferreira, the lyricist, have collaborated on. As Ian was composing the music, he was unaware that he had written it in an odd meter time signature. Most of the song is in eleven.
Guitar & Vocals: Ian Faquini
Trombones & Vocals: Natalie Cressman
Lyrics by Iara Ferreira
Arranged by: Natalie Cressman
Produced by: Natalie Cressman, Ian Faquini, and Jeff Cressman
Engineered by: Jeff Cressman
Follow Natalie Cressman
Instagram: instagram.com/natcressman
Facebook: facebook.com/natcressmanmusic
Twitter: twitter.com/natcressman
Follow Ian Faquini
Instagram: instagram.com/ianfaquini
Facebook: facebook.com//ianfaquinimusic
LYRICS
Curo com minha mata, meu cocar
Curo com minha mágoa, meu gongá
Urucubaca pouca em costa-oca dá de pau pereira
Curo com surubim e macambira
Curo com pirauaca, céu e mar
Curo com fumaceira sem queimar
Teu cocuruto é bruto e tá cascudo que nem tatupeba
Cura de curumim que o mal não pega
Curo com minha flecha de matar
Curo com minha fé Mundukuru
Curo com minha carne de caju
Cuidado cara branca tira a banca e vê se não reguinga
Curo com Tiriri, tabaco e pinga
Curo com Jararaca, Camacã
Curo com Aroeira, Suinã
Mas fico de butuca, onde tem fruta também tem abelha
Cada camurupim na sua aldeia
Varro de piaçava pra limpar
Curo com minha adaga, talho fundo a chaga pra fazer vazar
Assim que eu vir verter a veia do perdão
Dou nó de marinheiro, sou bufarinheiro, vou por prestação
Conto com minha terra se a cabrita berra, sei que vai chover
E a água que chegar, pego pra te benzer
Fecho teu corpo inteiro, eu sou o curandeiro do balacochê babá
Curo com minha adaga, talho fundo a chaga pra fazer vazar
Assim que eu vir verter a veia do perdão
Dou nó de marinheiro, sou bufarinheiro, vou por prestação
Conto com minha terra se a cabrita berra, sei que vai chover
E a água que chegar, pego pra te benzer
Fecho teu corpo inteiro, eu sou o curandeiro do balacochê babá
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Website: groundupmusic.net
From Lee Pardini’s Leon Keys EP (GroundUP Music, 2022)
Stream/Buy: orcd.co/leonkeys
Lee Pardini - This track was written more or less as an excuse to collaborate with two of the funkiest people I know, Theo Katzman and Joe Dart. Everything they touch is funky and I knew they would breathe so much life into this music. The influence of Japanese music, specifically the Yellow Magic Orchestra, is most overt here. I wanted a hard groove, but also pushed myself to keep things simple in both melody and harmony. I didn’t want any distractions from what in my opinion is a pretty infectious rhythm, and with the expertise of Katzman and Dart, Leon Keys came to life.
Follow Lee Pardini
Instagram: instagram.com/lee.pardini
Facebook: facebook.com/pardimusic1
Website: groundupmusic.net/artists/leepardini
Lee Pardini: Piano, keyboards, guitar, drum programming, percussion
Theo Katzman: Electric guitar
Joe Dart: Electric bass
Miles Senzaki: Drum programming, percussion
Written by Lee Pardini
Produced and Engineered by Lee Pardini & Miles Senzaki
Mixed by Miles Senzaki
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Website: groundupmusic.net
From House of Waters' 'Where I Wander' EP (GroundUP Music, 2022)
Stream/Buy: orcd.co/where-i-wander
House of Waters - Inspired by the social changes over the past few years, House of Waters’ Breath aims to guide the listener into a meditative state of reflection eventually landing into a hope-filled. and communicative new world.
Follow House of Waters
Facebook: facebook.com/HouseofWaters
Twitter: twitter.com/houseofwaters
Instagram: instagram.com/houseofwaters
Website: houseofwaters.com
YouTube: youtube.com/user/houseofwaters
Max ZT - Hammered dulcimer
Moto Fukushima - 6-string electric bass
Richie Barshay - Drumset
David Stoller - Samurai Hotel Studios, Queens, NY
Ian Pai - Crown and Root Studios, Brooklyn, NY
Video Filmed/Edited by Yuto Kanazawa - http://yutokanazawa.com
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Website: groundupmusic.net
From 'Auburn Whisper' (GroundUP Music, 2022)
Stream/Buy: orcd.co/auburnwhisper
The title translates to the blessing of Iansá, the orixa/goddess of winds, storms, lightning, and fire. The song personifies her as a storm (“tempestade”) as she is wild and unpredictable. She is tied to the sprits of the dead and is sought in times of difficulty to lead her followers through painful transitions in life. The layers of vocals were intended to conjure up an image of waves crashing ashore from the sea, over the driving samba rhythm.
Guitar & Vocals: Ian Faquini
Trombones & Vocals: Natalie Cressman
Lyrics by Rogerio Santos
Arranged by: Natalie Cressman
Produced by: Natalie Cressman, Ian Faquini, and Jeff Cressman
Engineered by: Jeff Cressman
Filmed by Arianna Coan-Prichard
Edited by Natalie Cressman
Follow Natalie Cressman
Instagram: instagram.com/natcressman
Facebook: facebook.com/natcressmanmusic
Twitter: twitter.com/natcressman
Follow Ian Faquini
Instagram: instagram.com/ianfaquini
Facebook: facebook.com//ianfaquinimusic
LYRICS
Ê Clareia
Na Barra do Cahy
De Cumuru pra Corumbau
Ê Vagueia
No tempo das marés
Na viração do coqueiral
Sente a benção de iansã
O ouro da manhã
Calor, areia, sede e sal
Ê entrega o corpo para guarnecer
Quando a senhora vem pra receber
Força de tempestade
Ê entrega o corpo para guarnecer
Quando a senhora vem pra receber
Vento de quebra mar
Ê Clareia
Na Barra do Cahy
De Cumuru pra Corumbau
Ê Vagueia
No tempo das marés
Na viração do coqueiral
Sente a benção de iansã
O ouro da manhã
Calor, areia, sede e sal
Ê entrega o corpo para guarnecer
Quando a senhora vem pra receber
Força de tempestade
Ê entrega o corpo para guarnecer
Quando a senhora vem pra receber
Vento de quebra mar
Follow GroundUP Music
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Twitter: twitter.com/groundupmusicny
Instagram: instagram.com/groundupmusicny
Website: groundupmusic.net
From Snarky Puppy's new album, Empire Central (September 2022, GroundUP Music)
Stream/Buy: orcd.co/empirecentral
Written by Mark Lettieri
Arranged by Mark Lettieri and Snarky Puppy
Bob Lanzetti - Electric guitar
Mark Lettieri - Electric guitar
Chris McQueen - Electric guitar
Justin Stanton - Wurlitzer, Prophet 10, and trumpet
Bobby Sparks - Hammond B3 organ, ARP String Ensemble, and Minimoog Model D
Bill Laurance - Fender Rhodes Mark 8, Yamaha CP70 electric piano, and Minimoog Model D (solo)
Shaun Martin - Talkbox, Vocoder, Moog Little Phatty, and Korg Kronos
Zach Brock - Violin
Mike “Maz” Maher - Trumpet
Jay Jennings - Trumpet and flugelhorn
Chris Bullock - Bass clarinet and tenor sax (solo)
Bob Reynolds - Tenor and soprano saxes
Michael League - Electric bass
Nate Werth - Percussion
Keita Ogawa - Percussion
Marcelo Woloski - Percussion
Jason “JT” Thomas - Drum set
Larnell Lewis - Drum set
Jamison Ross - Drum set
Jep Jorba - Director / camera operator
David Bretones - Director of Photography / camera operator
Brad Holt - Line producer / camera operator
Andrew Redd - Gaffer / camera operator
Chris Brian - Camera operator
Ranjani Groth - Camera operator
Jun Kang - Camera operator
Emily Holt - Camera operator
Reid Walker - Dolly operator
Joseph Fisher - Dolly Operator
Produced by Michael League
Co-produced by Snarky Puppy
Engineered by Nic Hard, Matt Recchia, and Michael Harrison
Engineering assisted by Skyler Childress, Michael League, and Shakthi Prasad KT
Mixed by Nic Hard
Mastered by Dave McNair
Recorded and filmed March 3-10, 2022, at Deep Ellum Art Company in Dallas, Texas, USA
Mixed March 15 - April 7, 2022, at Estudi Vint in Els Prats de Rei, Catalonia, Spain
Photography by Brian Friedman and Jep Jorba
Video edited by Michael League and Jep Jorba
Film consulting by Andy LaViolette
Production managed by Rosanna Freedman
Project managed by Jamie Margulies
Stage assembled by Mason Davis, Matt Recchia, Rosanna Freedman, and Michael Harrison
Graphic design by Claire Morales
Managed by Mike Chadwick Management
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Website: snarkypuppy.com
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From 'Dirty Mindz' (GroundUP Music, June 2022)
Stream/Buy: orcd.co/dirtymindz
Zach Brock - The entire recording was in a holding pattern when the pandemic reached the United States. I wasn’t finished writing and didn’t know if we would ever get the chance to play music together again. Thankfully the chance presented itself in January of ’22 and suddenly we had a small window of dates at an amazing venue where we could record audio and video (Sony Hall in NYC). But I still didn’t have a song. As I dove back into the quintet material we had already recorded the song seemed to emerge almost fully formed. We tracked “The Last Song” live with me on violin, Justin Stanton on keyboards, Mark Lettieri on guitar, Jonathan Maron on bass, and Eric Harland on drums. The final track and video was funded through the generous donations of our friends and fans and facilitated by GroundUP Music and Sony Hall.
Violin: Zach Brock
Drums: Eric Harland
Keyboards: Justin Stanton
Electric Guitar: Mark Lettieri
Electric Bass: Jonathan Maron
Arranged by Zach Brock
Produced by Zach Brock
Engineered by François “Mido” El-Alfy
Recorded live on January 4, 2022 at Sony Hall, NYC
Mixed by Nic Hard
Video shot by Sony Hall
Video edit/sync by Erin Harper
Follow Zach Brock
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Twitter: twitter.com/zachbrock
Instagram: instagram.com/zachdbrock
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#ZachBrock #TheLastSong #DirtyMindz
From House of Waters' 'Where I Wander' EP (GroundUP Music, 2022)
Stream/Buy: orcd.co/where-i-wander
House of Waters - Following House of Waters’ rescoring of 'Voyage Dans La Lune,' "Moon" attempts to evoke the thrill and loneliness of such an immense journey. Incorporating the Argentinian tango and milonga rhythms, Moon is a curious, exciting, and restful journey into the unknown.
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Website: houseofwaters.com
YouTube: youtube.com/user/houseofwaters
Max ZT - Hammered dulcimer
Moto Fukushima - 6-string electric bass
Richie Barshay - Drumset
David Stoller - Samurai Hotel Studios, Queens, NY
Ian Pai - Crown and Root Studios, Brooklyn, NY
Video Filmed/Edited by Yuto Kanazawa - http://yutokanazawa.com
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Live at The Ruins in Hood River, Oregon on March 25, 2022
Natalie Cressman & Ian Faquini upcoming tour dates: nataliecressman.com/shows
Written by Steve Winwood / Blind Faith
Vocals & Trombone: Natalie Cressman
Guitar: Ian Faquini
Filmed by Mark Burgin
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Facebook: facebook.com//ianfaquinimusic
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From 'Becca Stevens | Attacca Quartet' (GroundUP Music, April 2022)
Buy/Stream: orcd.co/bs-attacca
Becca Stevens - “I wrote this song for my album Perfect Animal (‘15). The lyrics and music were an attempt to capture emotional struggles and transitional anxiety in a positive light, and to see them as forces that strengthen you not just tear you down. This string arrangement was written by my big brother Bill. Reminder was always one of his favorite tracks on Perfect Animal. He did an incredible job of not only capturing key bits of orchestration and background vocals from the original recording, but also maintaining the angst and playfulness of the song.”
Music & Lyrics by Becca Stevens
String Arrangement by Bill Stevens
Vocals & Acoustic Guitar: Becca Stevens
Violin: Amy Schroeder
Violin: Domenic Salerni
Viola: Nathan Schram
Cello: Andrew Yee
Performed, filmed, edited, and mixed at Skillman Music Recording Studio, NYC
Recording/Mixing Engineer: Iver Atkins
Cinematographer/Editor: Wei Wang
Camera Op: Shinn Shi
Follow Becca Stevens
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Facebook: facebook.com/BeccaStevensBand
Twitter: twitter.com/beccastevensbsb
Website: beccastevens.com
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LYRICS
Crippled by your desire
To cut the reigns and lose your way
You focus on how to hide out
Denying you
Denying real
Rather than your denial
Of being fine with this kind of fever
Realize why you like it
Arousing you
Allowing real
Arousing you
Allowing real
If you can't find relief
From the troubles that move you
Take a chance and marvel at the heat that's
Burning everything you knew
If you can't find relief
From the troubles that move you
Take a chance and marvel at the heat that's
Burning everything you knew
If you can't find relief
From the troubles that move you
Take a chance and marvel at the heat that's
Burning everything
New
Rather than a reprisal
Of your habit to hide or run away
Slow down cause it's easier
Than fighting real
Than fighting new
Allowing real
Allowing you
If you can't find relief
From the troubles that move you
Take a chance and marvel at the heat that's
Burning everything you knew
If you can't find relief
From the troubles that move you
Take a chance and marvel at the heat that's
Burning everything you knew
If you can't find relief
From the troubles that move you
Take a chance and marvel at the heat that's
Burning everything
New
And if you can't find something to be happy about, try
Lifting up the corners of your mouth and
Maybe that'll remind you
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#BeccaStevens #AttaccaQuartet
From 'Just One Voice (Live)' (GroundUP Music, 2022)
Buy/Stream: orcd.co/justonevoicelive
Michelle Willis - "Just One Voice" is about needing connection and feeling unable to grasp it. This particular version was filmed and recorded at 918 Bathurst in Toronto for a live audience Oct 5, 2019, for 'Just One Voice (Live).'
Follow Michelle Willis
YouTube: youtube.com/user/MichWillisMusic
Instagram: instagram.com/boutwillismusic
Facebook: facebook.com/boutwillismusic
Twitter: twitter.com/boutwillismusic
Website: michellewillis.ca
Lead Vocals, Fender Rhodes: Michelle Willis
Background Vocals: Meg Contini, Jill Harris, Charles James
Guitar: Thom Gill
Prophet V: Chris Pruden
Bass: Charles James
Drums & FX: Joshua Van Tassel
LYRICS
Just one voice is all I need
And I know, we’re gonna be alright
Just lock your eyes with mine
And I know everything’s gonna be just fine
So smile and reach your hand to me
I know that you mean well
Don’t tell me it’ll be OK
I know that you mean well
Just one voice is all I need
Something full, some open sound
I’m reaching out to every hope I’ve seen
Every shade of silver lining
So tell me am I crazy now
Is this the way it’s gonna be?
Have you got a shelf made now
For people like me?
Touch
Hold
Thrill
High
Without a root
And a bloom to seed
Yeah you give ‘em cheap
Your sweet words too sweet
So tell me am I crazy now?
Is this the way it’s gonna be?
Have you got a shelf made now
For people like me?
Touch
Hold
Thrill
High
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Buy/Stream: orcd.co/zb-dirtymindz
From 'Dirty Mindz' (GroundUP Music, June 2022)
Pre-Save/Pre-Order: orcd.co/dirtymindz
Zach Brock - This song was mostly written on a portable MIDI keyboard and sequencer while flying across the country. I had been doing a lot of touring with Snarky Puppy that year and I was inspired to embrace sounds that I had avoided on my previous recordings. I was imagining new music that was louder, funkier, still subtly complex, but also unpretentious. Instead of tiptoeing the line between acoustic and electric as I often have in the past I was now prepared to go all-in with electric instruments and effects. I didn’t care if people knew that a particular sound was being made by a violin anymore. I had to change some things in my mind to allow myself to hear the music. It was time to get dirty.
Violin: Zach Brock
Drums: Eric Harland
Keyboards: Justin Stanton
Trumpet: Justin Stanton
Electric Guitar: Mark Lettieri
Flute: Chris Bullock
Electric Bass: Jonathan Maron
Arranged by: Zach Brock
Produced by: Zach Brock
Engineered by: Nic Hard
Assistant Engineer: Ken Helmlinger
Recorded at Dreamland Studios, Hurley, NY
Additional Recording at Electric Air Studios, Miami, FL
Additional Engineering by: Andrés Daza
Mixed by: Nic Hard
Video shot & edited by: Erin Harper
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From 'Just One Voice' (GroundUP Music, 2022)
Buy/Stream: orcd.co/justonevoice
Michelle Willis - "How Come” is about a relationship coming apart, and a few of the emotional rollercoasters we find ourselves on in that process. This song was filmed and recorded at 918 Bathurst in Toronto for a live audience Oct 5, 2019, for the Just One Voice (Live) album.
Follow Michelle Willis
YouTube: youtube.com/user/MichWillisMusic
Instagram: instagram.com/boutwillismusic
Facebook: facebook.com/boutwillismusic
Twitter: twitter.com/boutwillismusic
Website: michellewillis.ca
Lead Vocals, Piano: Michelle Willis
Background Vocals: Meg Contini, Jill Harris
Guitar: Thom Gill
Prophet V, Organ: Chris Pruden
Bass: Charles James
Drums & FX: Joshua Van Tassel
Produced by Michelle Willis
Recorded by Jeff Wolpert
Recording Assisted by Kevin Li
Mixed by Jeff Wolpert
Video Filmed & Edited by Mitch Fillion
Mastered by Philip Shaw Bova
Location: 918 Bathurst, Toronto ON
Live Sound: John MacLean
Light and Set Design: Light & Dark Creative
Stylist: Halla Creative
LYRICS
How come you don’t call me anymore?
How come, how come, how come?
How come you don’t call me anymore?
How come, how come, how come?
Have I changed somehow?
What’s the use in me asking?
No one ever sees this coming
Have you already found
Someone new to whet your appetite?
I hope they’re strong and nice for ya
How come you don’t call me anymore?
How come, how come?
Have I become a bore to you?
Do I not say the things
You wish I’d do (Do I say what you want?)
Now that we are turning up in circles?
Oh your circles leave me numb
But it’s up to you
Pick and choose,
See me fading from view (you can choose what you want)
From your picture perfect frame of you
And the who’s who
You and me,
We both feed off of change
Recreating something known
I don’t wanna fade into the wall
Like pictures you used to love
Have I changed somehow?
What’s the use in me asking?
No one ever sees this coming
Have you already found
Someone new to whet your appetite?
I hope they’re strong and nice for ya
How come you don’t call me anymore?
How come, how come?
Don’t need to fake no more
I'm not going to try anymore
I'm not gonna sit and pick it all apart
I'm not gonna blame you now
You gotta find your own way out
So baby go run, go find
Whatever it is you've been needing
‘Cause this is it (Baby go and run now)
This is it (Go and have your fun now)
This is it (Baby go and run)
Go on and make your own sun now don't burn out
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#MichelleWillis #HowCome
From 'Becca Stevens | Attacca Quartet' (GroundUP Music, April 2022)
Buy/Stream: orcd.co/bs-attacca
Becca Stevens - "Nathan Schram arranged this Radiohead song for a group he used to play in called Bryant Park Quartet and adapted it to include vocals for our Mainly Mozart concert in San Diego back in 2014. The plan was for our set in San Diego to be purely arrangements of my original music, but when we realized we were both massive Radiohead/Thom Yorke fans this song was added last minute. Geeking out over Radiohead was one of the first things we bonded over when we met, and eventually our first date was to an Atoms For Peace show at Barclays Center in Brooklyn. I've always been a huge fan of this string arrangement. I enjoy the simmering intensity of it, blasting off into raucous tension and explosive angst. I love what it brings out of the strings, and I really enjoy singing it. It features a part of my voice and character that doesn’t come out in my own writing very often. This is one of the first string quartet arrangements that Nathan ever wrote which is a testament to how strong of a voice he has as an arranger and composer.”
Music & Lyrics by Radiohead
Arranged by Nathan Schram
Vocals: Becca Stevens
Violin: Amy Schroeder
Violin: Domenic Salerni
Viola: Nathan Schram
Cello: Andrew Yee
Performed, filmed, edited, and mixed at Skillman Music Recording Studio, NYC
Recording/Mixing Engineer: Iver Atkins
Cinematographer/Editor: Wei Wang
Camera Op: Shinn Shi
Follow Becca Stevens
Instagram: instagram.com/beccastevensbsb
Facebook: facebook.com/BeccaStevensBand
Twitter: twitter.com/beccastevensbsb
Website: beccastevens.com
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Twitter: twitter.com/attaccaquartet
LYRICS
Are you such a dreamer
To put the world to rights
I’ll stay home forever
Where two and two always makes a five
I’ll lay down the tracks
Sandbag, and hide
January has April showers
And two and two always makes a five
It’s the devil’s way now
There is no way out
You can scream and you can shout
But it’s too late now
Because you have not been
Payin’ attention
Payin’ attention
Payin’ attention
Payin’ attention
You have not been
Payin’ attention
Payin’ attention
Payin’ attention
Payin’ attention
You have not been
Payin’ attention
Payin’ attention
Payin’ attention
Payin’ attention
You have not been
Payin’ attention
Payin’ attention
Payin’ attention
Payin’ attention
I try to sing along but the music’s all wrong
’Cause I’m not, ’cause I’m not
I swat ’em like flies,
But like flies the buggers keep comin’ back
But I’m not
All hail to the thief, all hail to the thief
But I’m not, but I’m not,
But I’m not, but I’m not
Don’t question my authority
Or put me in a box
’Cause I’m not, ’cause I’m not
Oh go and tell the king
That the sky is fallin’ in
But it’s not, but it’s not
But it’s not, maybe not
Maybe not
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#BeccaStevens #AttaccaQuartet
From the album ' Auburn Whisper' (April 2022, GroundUP Music)
Buy/Stream: orcd.co/auburnwhisper
Natalie Cressman - "The title translates to “grating the coconut”, and is a reference to the afro-brazilian dance and rhythm called “coco”, which originated in the northeast of Brazil. Ian wrote the music as a variation on a Guinga song called “O coco do coco”. The rapid-fire lyrics and unrelenting style of singing is also typical to coco and known as “embolada”, which literally translates to “entangling”. The lyrics reflect the festive setting, the driving beat, and coco’s roots in capoeira and other afro-brazilian cultural traditions."
Music by Ian Faquini
Lyrics by Iara Ferreira
Arrangement by Natalie Cressman
Ian Faquini: Guitar & Vocals
Natalie Cressman: Trombone & Vocals
Recorded, Mixed and Mastered by Jeff Cressman
Filmed by Dillon Vado
Edited by Natalie Cressman
Dancers/Actors: Julianna Cressman, Felice Gomez, Tainah Damasceno Harvey, Pedro Millikan, Alexander Moll Johnson, Brandon Dias
Follow Natalie Cressman
Instagram: instagram.com/natcressman
Facebook: facebook.com/natcressmanmusic
Twitter: twitter.com/natcressman
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Instagram: instagram.com/ianfaquini
Facebook: facebook.com//ianfaquinimusic
LYRICS
Um coco boco-moco eu arrenego
Se me chamar na chincha, lasco ferro
E o cabra dobra até cair no chão
Doido pra resfolegar
E sai de nó na língua da embolada
Engasga, se estrebucha e pede água
Queimado igual pavio de lampião
Que corisco incendiou
Cantador chama na voz, bate na mão
descasca o coco e rala pé
Ê meu irmão, troco do coco
sem sufoco, é o que é
Eu quero ver quem é quem na brincadeira
Do rala-coco sem cair na capoeira
Quem muito tem e faz pouco toma rasteira
Quem não tem nada, nada teme e faz zoeira
Desde pequeno eu já ralava e não sabia
Esmerilhava dedilhando a melodia
Por isso mesmo é que meu coco é natural
Não nega nem faz manha, mata a cobra e mostra o pau
Não nega nem faz manha, mata a cobra e mostra o pau
Um coco boco-moco eu arrenego
Se me chamar na chincha, lasco ferro
E o cabra dobra até cair no chão
Doido pra resfolegar
E sai de nó na língua da embolada
Engasga, se estrebucha e pede água
Queimado igual pavio de lampião
Que corisco incendiou
Cantador chama na voz, bate na mão
descasca o coco e rala pé
Ê meu irmão, troco do coco
sem sufoco, é o que é
Eu quero ver quem é quem na brincadeira
Do rala-coco sem cair na capoeira
Quem muito tem e faz pouco toma rasteira
Quem não tem nada, nada teme e faz zoeira
Desde pequeno eu já ralava e não sabia
Esmerilhava dedilhando a melodia
Por isso mesmo é que meu coco é natural
Não nega nem faz manha, mata a cobra e mostra o pau
Não nega nem faz manha, mata a cobra e mostra o pau
Um coco boco-moco eu arrenego
Se me chamar na chincha, lasco ferro
E o cabra dobra até cair no chão
Doido pra resfolegar
E sai de nó na língua da embolada
Engasga, se estrebucha e pede água
Queimado igual pavio de lampião
Que corisco incendiou
Cantador chama na voz, bate na mão
descasca o coco e rala pé
Ê meu irmão, troco do coco
sem sufoco, é o que é
Eu quero ver quem é quem na brincadeira
Do rala-coco sem cair na capoeira
Quem muito tem e faz pouco toma rasteira
Quem não tem nada, nada teme e faz zoeira
Desde pequeno eu já ralava e não sabia
Esmerilhava dedilhando a melodia
Por isso mesmo é que meu coco é natural
Não nega nem faz manha, mata a cobra e mostra o pau
Não nega nem faz manha, mata a cobra e mostra o pau
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Website: groundupmusic.net
#NatalieCressman #IanFaquini
From Michelle Willis’ album, ‘Just One Voice’ (GroundUP Music, 2022)
Buy/Stream: orcd.co/justonevoice
Michelle Willis - "How Come” is about a relationship coming apart, and a few of the emotional rollercoasters we find ourselves on in that process. This song was by far the hardest for us to finish. We tried half a dozen pianos, several drummers and approaches, but in the end I think that Michael McDonald was the soul we needed! What a love-bomb of musical mastery. It is an absurd dream and honor that he graced us with his musicianship. Louis Cato plays a shuffle like no other, and David Cutler plays his signature bass stank. Mathilde Retailleau edited together this beautiful collection of footage shot in the making of this track and general studio madness. Hope you love it!
Michelle Willis: Vocals, Piano, Prophet V, Arp Ensemble IV, Akai AX60, Pump Organ, Moog Model D
Michael McDonald: Vocals
Christian Almiron: Nord Stage 3 & FX
Todd Caldwell: Organ
Thom Gill: Guitar
Justin Stanton: Prophet V
David Cutler: Bass
Louis Cato: Drums, Percussion
Background Vocals: Michael McDonald, Michelle Willis, Taylor Ashton, Emma Frank, J. Hoard, Mike “Maz” Maher, Rachael Price, Jeff Taylor, Jessica Toplak
Arranged by Michelle Willis & Fabrice Dupont
Produced by Fabrice Dupont & Michelle Willis
Recorded by Fabrice Dupont at Flux Studios
Michael McDonald vocals recorded by Fabrice Dupont at Joel Jacks Studio
Video Edited by Mathilde Retailleau
Filmed by Nikki Birch
Follow Michelle Willis:
YouTube: youtube.com/user/MichWillisMusic
Instagram: instagram.com/boutwillismusic
Facebook: facebook.com/boutwillismusic
Twitter: twitter.com/boutwillismusic
Website: michellewillis.ca
LYRICS
How come you don’t call me anymore?
How come, how come, how come?
How come you don’t call me anymore?
How come, how come, how come?
Have I changed somehow?
What’s the use in me asking?
No one ever sees this coming
Have you already found
Someone new to whet your appetite?
I hope they’re strong and nice for ya
How come you don’t call me anymore?
How come, how come?
Have I become a bore to you?
Do I not say the things
You wish I’d do (Do I say what you want?)
Now that we are turning up in circles?
Oh your circles leave me numb
But it’s up to you
Pick and choose,
See me fading from view (you can choose what you want)
From your picture perfect frame of you
And the who’s who
You and me,
We both feed off of change
Recreating something known
I don’t wanna fade into the wall
Like pictures you used to love
Have I changed somehow?
What’s the use in me asking?
No one ever sees this coming
Have you already found
Someone new to whet your appetite?
I hope they’re strong and nice for ya
How come you don’t call me anymore?
How come, how come?
Don’t need to fake no more
I'm not going to try anymore
I'm not gonna sit and pick it all apart
I'm not gonna blame you now
You gotta find your own way out
So baby go run, go find
Whatever it is you've been needing
‘Cause this is it (Baby go and run now)
This is it (Go and have your fun now)
This is it (Baby go and run)
Go on and make your own sun now don't burn out
Follow GroundUP Music
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Twitter: twitter.com/groundupmusicny
Instagram: instagram.com/groundupmusicny
Website: groundupmusic.net
#MichelleWillis #JustOneVoice
From C4's upcoming album, 'Back to 4' (Coming 2022, GroundUP Music)
Stream/Buy here: orcd.co/jgcut
C4 Trío - "JGCUT" is an original composition by Jorge Glem with a very simple and catchy melody accompanied by a rhythm strongly influenced by Reggae.
Follow C4 Trío
Instagram: instagram.com/c4trio
Facebook: facebook.com/profile.php?id=100050537467192
Twitter: twitter.com/c4trio
Website: c4trio.com
Mix & Master by: Ricardo Landaeta
Sound Engineers: Daniel “Chompa” Bracho, Juan Sánchez and Fernando “Fuego” Salas
Written by: Jorge Glem
Produced by: Rodner Padilla, Jorge Glem, Edward Ramírez, Héctor Molina, and Michael League
Jorge Glem - Cuatro
Edward Ramírez - Cuatro
Héctor Molina - Cuatro
Rodner Padilla - Bass
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Website: groundupmusic.net
From Michelle Willis's upcoming album, 'Just One Voice' (April 2022, GroundUP Music)
Buy/Stream "Liberty": orcd.co/mw-liberty
Pre-Order 'Just One Voice': orcd.co/justonevoice
Michelle Willis - "Liberty is a song about change, dreaming, finding my own way, and doubt. For both the live and studio record, we started with 10ths as a sort of meditative palette cleanser, and then dove straight into the groove. I hope you enjoy this live medley of these songs and this fantastic band.”
Follow Michelle Willis
YouTube: youtube.com/user/MichWillisMusic
Instagram: instagram.com/boutwillismusic
Facebook: facebook.com/boutwillismusic
Twitter: twitter.com/boutwillismusic
Website: michellewillis.ca
Lead Vocal, Fender Rhodes: Michelle Willis
Background Vocals: Meg Contini, Jill Harris, Charles James
Guitar: Thom Gill
Prophet V: Chris Pruden
Bass: Charles James
Drums & FX: Joshua Van Tassel
"10ths" arranged by Michelle Willis
"Liberty" arranged by Michelle Willis & Fabrice Dupont
Produced by Michelle Willis
Recorded by Jeff Wolpert
Recording Assisted by Kevin Li
Mixed by Jeff Wolpert
Video Filmed & Edited by Mitch Fillion
Mastered by Philip Shaw Bova
Location: 918 Bathurst, Toronto ON
Live Sound: John MacLean
Light and Set Design: Light & Dark Creative
Stylist: Halla Creative
"Liberty" Lyrics
It’s a good thing, me being here
Wading, finding on my own
‘Cause you can make yourself anew anywhere
Then you find you’re the one you can’t let go
And I don’t wanna be that girl
Go where you think I should
See the things you’ve seen,
Live within your dream
Baby I’d have left if it weren’t so good
Like liberty’s beacon in the distance
It could be a false omen after all
Promises of future kings
A space to try again
Finding yourself in her call
‘Cause I don’t wanna change like them
Try to be tough like them
Try to pretend I’ve seen it all
And I’ll see it all again
‘Cause it’s hot as hell and smells like shit in here
I just turn off and wait to arrive (let the rush pass me by)
And it will take the magic from it
Till you see another soul dancing through hollowed eyes
Come over here, plenty of action
You’ll shine like gold when you’re new
The game that you love, your tried and true
Starting to move too fast for you
And every time I’ve held another
I see you
Like liberty’s beacon in the distance
It could be a false omen after all
I think that I’ll let it be
Until I can’t refute it
And that’s just the way it’s gonna be for now
A city takes me by storm, I want everyone and all their warmth
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From 'Becca Stevens | Attacca Quartet' (GroundUP Music, April 2022)
Buy/Stream "For You The Night Is Still": orcd.co/fytnis
Pre-order album: orcd.co/bs-attacca
Becca Stevens - "This song is a setting of a poem by Jane Tyson Clement. When I first read this poem it brought me to tears. I pictured Jane at the end of her life looking back with bittersweet acceptance of the loss of someone very close to her, maybe her husband (Bob). I found out after I’d set the poem that Jane actually wrote this poem when she was in her early twenties, before she even met the man who she would eventually marry. To me this is one of the marks of great writing: when a body of text can mean different things to different people. The text can time travel, evolve, and live comfortably in the imagined world of every reader."
Music by Becca Stevens
Lyrics from The Heart’s Necessities: Life in Poetry, by Jane Tyson Clement with Becca Stevens. Copyright © 2019 Plough Publishing House. Used with permission.
Arranged by Becca Stevens
Vocals & charango: Becca Stevens
Violin: Amy Schroeder
Violin: Domenic Salerni
Viola: Nathan Schram
Cello: Andrew Yee
Performed, filmed, edited, and mixed at Skillman Music Recording Studio, NYC
Recording/Mixing Engineer: Iver Atkins
Cinematographer/Editor: Wei Wang
Camera Op: Shinn Shi
Follow Becca Stevens
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Facebook: facebook.com/BeccaStevensBand
Twitter: twitter.com/beccastevensbsb
Website: beccastevens.com
Follow Attacca Quartet
Instagram: instagram.com/attaccaquartet
Facebook: facebook.com/attaccaquartet
Twitter: twitter.com/attaccaquartet
LYRICS
For you the night is still;
The moonlight on the hill
Shall come no more. And I
Whose life was touched with flame,
If I stay not the same
Because the flame must die,
You will not know
For me the night will change,
The moonlight not be strange,
Nor silvered hill. And you
Whose life was turned to dark
Sleep on and do not mark
If this small heart stay true,
If love will go
If love will go
If love
If love will go
If love will go
It is for me to keep
The beauty, while you sleep
Unsullied peace. And I
Who cannot stay the years
Nor live them all in tears
Must watch the vision die
Unchecked and slow
If love will go
If love will go
If love will go
If love will go
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Website: groundupmusic.net
#BeccaStevens #AttaccaQuartet
From 'Just One Voice' - Available April 2022
Stream/Buy here: orcd.co/mw-liberty
Michelle Willis - I wrote "Liberty" on my last trip to New York before I moved there. I was questioning how much my need of change was just green grass chasing. I was falling more and more in love with the city, seeing myself there, while still carrying memory, grudges and hopes deferred from home. I was thinking about all the people for whom the Statue of Liberty was a beacon of hope, new life, new chances, but upon getting here their lives were far from the dream, and yet I couldn’t help but fall for the energy of the city (edit: five years on, I’m still very much in love with NYC). The vocal harmonies here may as well have been taken from a Michael McDonald background vocal arranging class. I’m certain that subconsciously I was writing with his voice and style in mind. In the outro it’s both him and my mentor and friend David Crosby singing “a city takes me by storm”, which is a beautiful beckoning to me of all that was to come. I had no idea I was about to begin a career writing and touring with Croz.
Follow Michelle Willis
YouTube: youtube.com/user/MichWillisMusic
Instagram: instagram.com/boutwillismusic
Facebook: facebook.com/boutwillismusic
Twitter: twitter.com/boutwillismusic
Website: michellewillis.ca
Lead Vocal, Wurlitzer, Korg MS20, Mellotron, Pump Organ, Arp Omni: Michelle Willis
Nord Stage 3 & FX: Christian Almiron
Background Vocals: David Crosby, Michael McDonald, Louis Cato, Mike “Maz”Maher, Michelle Willis
Organ: Todd Caldwell
Guitar: Thom Gill
Bass: David Cutler
Drums & Percussion: Louis Cato
Produced by Fab Dupont & Michelle Willis
Video by David Bailen
LYRICS
It’s a good thing, me being here
Wading, finding on my own
‘Cause you can make yourself anew anywhere
Then you find you’re the one you can’t let go
And I don’t wanna be that girl
Go where you think I should
See the things you’ve seen,
Live within your dream
Baby I’d have left if it weren’t so good
Like liberty’s beacon in the distance
It could be a false omen after all
Promises of future kings
A space to try again
Finding yourself in her call
‘Cause I don’t wanna change like them
Try to be tough like them
Try to pretend I’ve seen it all
And I’ll see it all again
‘Cause it’s hot as hell and smells like shit in here
I just turn off and wait to arrive (let the rush pass me by)
And it will take the magic from it
Till you see another soul dancing through hollowed eyes
Come over here, plenty of action
You’ll shine like gold when you’re new
The game that you love, your tried and true
Starting to move too fast for you
And every time I’ve held another
I see you
Like liberty’s beacon in the distance
It could be a false omen after all
I think that I’ll let it be
Until I can’t refute it
And that’s just the way it’s gonna be for now
A city takes me by storm, I want everyone and all their warmth
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Website: groundupmusic.net
From Snarky Puppy’s ‘Live at GroundUP Music Festival’ (March 2022, GroundUP Music)
Stream/Buy: orcd.co/liveatgroundup
Buy tickets to GroundUP Music Festival, Miami Beach, May 6-8, 2022: groundupmusicfestival.com
With minimal touring the past two years and ahead of their highly anticipated live in-studio album, Snarky Puppy looks back at live renditions of some of their most popular songs with their new release, Live at GroundUP Music Festival. Official recordings from their brainchild festival have never been available to the public - until now. Four live-recorded tracks from the festival founded and curated by bandleader, Michael League, the new release pulls one recording from each year of GroundUP Music Festival as we go into the 5th annual event in Miami Beach this May.
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Website: snarkypuppy.com
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Website: groundupmusic.net
From RESILIENCE - Available April 22
Stream/Buy here: planetay.ffm.to/conjuro.oyd
"Conjuro" is a song about leaving behind toxic relationships, about having the courage to get out of them and loving yourself enough to move on.
GroundUP Music strives to be more than just a record label; we are a home to musicians from all over the world. While it would be impossible to release every piece of music from all of the artists we hold dear to our hearts, we are happy to use our platform to share their music with our community. Introducing GroundUP’s Artist Discovery series, a space where we can continue to support and uplift artists and their stories.
Follow Yilian Cañizares
Instagram: instagram.com/yiliancanizares
Facebook: facebook.com/yiliancanizares
Twitter: twitter.com/yiliancanizares
Yilian Cañizares – Violin, vocals, composition
Michael League – Cümbüs, electric guitar, Moog bass
Childo Tomas – Bass
Inor Sotolongo – Percussion
Michael League – Producer
Recorded at Estudi Vint
Mixed by Nic Hard
Camera – Txus García
Editing – Javier García
LYRICS
Que sus brazos no me alcancen
Que sus ojos no me busquen
Que sus labios no me llame
Y su olor no perturbe
Rómpete tierra bajo mis pies
Si volteo la cabeza pa’ volverlo a ver
Llévate agua todo lo que fue
Que hasta me olvide que ya lo olvidé
Rómpete tierra bajo mis pies
Si volteo la cabeza pa’ volverlo a ver
Pa’ volverlo a ver
Que se me arranque del alma
esta profunda tristeza
le pido a dios que me acueste
sin tenerlo en mi cabeza
Rómpete tierra bajo mis pies
Si volteo la cabeza pa’ volverlo a ver
Llévate agua todo lo que fue
Que hasta me olvide que ya lo olvidé
Rómpete tierra bajo mis pies
Si volteo la cabeza pa’ volverlo a ver
Pa’ volverlo a ver
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Website: groundupmusic.net
From Roosevelt Collier's 'Exit 16 (Revisited)'
Stream/Buy: orcd.co/exit16revisited
Roosevelt Collier - "Summer Rose" was written for my daughter, Jyla Rose - My one and daughter who gives her father so much life. I decided to put this song out now to share something special with all you guys, 4 years after the original 'Exit 16' release.
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Twitter: twitter.com/RooseveltTheDr
Instagram: instagram.com/rooseveltcollier
Website: rooseveltcollier.com
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From 'Just One Voice' - Available April 2022
Stream/Buy here: orcd.co/mw-trigger
Michelle Willis - “I first envisioned this album as a double album, one crafted in studio, and one live, same eleven songs. I was curious about what version would feel the most true. So, I got planning, and we did it! We made two glorious albums. David Crosby flew in to Toronto and performed as a guest at the live concert with my OG bandmates in a renovated buddhist temple (Ya. It was special). I hope you enjoy this delicious version of Trigger, ft. my great friend David Crosby."
Follow Michelle Willis
YouTube: youtube.com/user/MichWillisMusic
Instagram: instagram.com/boutwillismusic
Facebook: facebook.com/boutwillismusic
Twitter: twitter.com/boutwillismusic
Website: michellewillis.ca
Lead Vocals: David Crosby & Michelle Willis
Background Vocals: Meg Contini, Jill Harris, Charles James
Fender Rhodes: Michelle Willis
Guitar: Thom Gill
Prophet V: Chris Pruden
Bass: Charles James
Drums & FX: Joshua Van Tassel
Produced by Michelle Willis
Recorded by Jeff Wolpert
Recording Assisted by Kevin Li
Mixed by Jeff Wolpert
Video Filmed & Edited by Mitch Fillion
Mastered by Philip Shaw Bova
Location: 918 Bathurst, Toronto ON
Live Sound: John MacLean
Light and Set Design: Light & Dark Creative
Stylist: Halla Creative
LYRICS
You gonna fight all your life
Without a foe in sight
Yeah you’re a trigger
Just waiting for any hand to pull tight
No weapons in sight
But you bring ‘em out and it’s only
You who’s bleeding through the night
Honey you ain’t got no right
I hope someday real soon
You’ll see there’s nothing you need to prove
Think you been given lemons all your life
And so you squeeze the sour and burn it into their eyes
But you don’t know that
Good fruit like yours is hard to come by
I hope you wake up real soon
‘Cause you got a way to turn a whole lot of love into a bruise
I hope you wake up real soon
‘Cause I can’t bear to hear you being so cruel
I hope you wake up real soon
‘Cause you got a way to turn a whole lot of love into a bruise
I hope you wake up real soon
‘Cause then one day you’ll see who’s really fightin’ you
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Website: groundupmusic.net
#MichelleWillis #Trigger
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Website: groundupmusic.net
From 'Auburn Whisper' - Available April 15, 2022
Stream/Buy: orcd.co/ncif-auburnwhisper
This song is a meditation on the power of the ancient redwoods, the way that being in nature strips us down to our core and help us live more honestly. The song is also about love, and how the enchanting environment can be the catalyst for love to be confessed and grow over time. And just as the redwood grove’s beauty and power doesn’t diminish with age, the love conceived there is equally timeless. "Part of this is autobiographical, as Ian and my musical partnership began in the redwoods of Cazadero. I felt like the beauty of the music I experienced there that first year grabbed me and actually changed the course of my life." - Natalie Cressman
Ian Faquini: Guitar
Natalie Cressman: Trombone & Vocals
Lyrics by Natalie Cressman
Music by Ian Faquini
Arrangement by Natalie Cressman
Recorded, mixed, and mastered by Jeff Cressman
Filmed & Directed by Arianna Coan-Prichard
Follow Natalie Cressman
Instagram: instagram.com/natcressman
Facebook: facebook.com/natcressmanmusic
Twitter: twitter.com/natcressman
Follow Ian Faquini
Instagram: instagram.com/ianfaquini
Facebook: facebook.com//ianfaquinimusic
LYRICS
An auburn word in song will come
To rouse a village in the sun
A haunted whisper in the wood
Grabbed me like no one ever could
A rising tide to lay it bare
To leave I Love You in the air
Was it a part of some design?
That time would roll and make you mine
The moon ascends, a hand contends, a figure bends
The world suspends and when it ends I see a feeling in disguise
Dancing in your eyes
Spun out I see, what it could be, I wander free
Where I can see above it all and keep my feet on solid ground
Rooted in the sound of you
We met as strangers long ago
Before the daggers chance would throw
Now thick as thieves we’re far away
Somewhere the stars are holding sway
Your breath is fanning a new fire
Caught in the wind of your desire
We find a grove and leave it there
to join the songs hung in the air
A walk alone, a secret grown into its own
As we were thrown to the unknown
A beacon shone by dying moon
Leaving us too soon
The threat of dawn, a day came on
The curtain drawn and moving on
You came along and lingered on when I came to
Drawing me right out to you
In autumn night a song will come
To ring out right when day is done
A passing wind would penetrate
And hold me arm in arm with fate
So be it redwood pine or maple when I see the light and leaves upon you
A moment rushes in to meet me, ever luminous the sign
As time has faded every leaf inside our fable you will find me falling
Over and over with a love that still defies reason or rhyme
In autumn night a song will come
To ring out right when day is done
A passing wind would penetrate
And hold me arm in arm with fate
So be it redwood pine or maple when I see the light and leaves upon you
A moment rushes in to meet me, ever luminous the sign
As time has faded every leaf inside our fable you will find me falling
Over and over with a love that still defies reason or rhyme
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From the album, 'Auburn Whisper' (GroundUP Music, April 2022)
Pre-Order: orcd.co/auburnwhisper
In the spirit of romance, we wanted to take a look at collaborative musical couples within our community. GroundUP is excited to share our new limited series, “Couples In Music,” featuring Becca Stevens & Nathan Schram (Attacca Quartet), Justin Stanton & Gisela João (Mirrors) , Natalie Cressman & Ian Faquini, Sirintip Phasuk & Nolan Byrd, and Priya Darshini & Max ZT (House of Waters).
Follow Gisela João
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Instagram: instagram.com/justinmstanton
Facebook: facebook.com/justinmstanton
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Facebook: facebook.com/natcressmanmusic
Twitter: twitter.com/natcressman
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Facebook: facebook.com//ianfaquinimusic
LYRICS
(By Iara Ferreira)
Na tua Canaã onde me guardas
Desejo naufragar em derrocada
Corrente da manhã, se tu me chamas
Eu sou o mar que vai bater na tua cama
A aurora se proclama
A fruta temporã, doce salgada
Na cor da soirée aveludada
Estrela cortesã hasteia a vela
Da tua boca adivinho coordenadas
A tarde se arrebata
Agora já não sei qual foi o beijo
Que fez o barco ir-se embora num cortejo
Pelas encostas do teu corpo, minhas mãos
Navegam como os cegos sem cuidar da escuridão das horas
São olhos talismã, de dentro d’água
No oceano, o breu que a luz desaba
E só Aldebarã como vigia
Viu a promessa se tornar em poesia
A noite se arrepia
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Website: groundupmusic.net
From the album 'HIGHER' (GroundUP Music 2021): orcd.co/malikahigher
00:00 - RISE (Written and Composed by Malika Tirolien)
04:14 - DON'T COME AROUND (Written by Malika Tirolien, Composed by Sylvain Ransy and Malika Tirolien)
07:18 - GROW (Written and Composed by Malika Tirolien and Fredy V)
Lead vocals and keyboard: Malika Tirolien
Back vocals: Nancy Dassas and Guerschon Auguste
Keyboard: Jean-Michel Frédéric
Synth Bass: Caulder Nash
Drums: Frantz-Lee Leonard
Video Director, Editor, DOP and color: Vladim Vilain
Recording and mixing Engineer: Nick Chasse
Assistant Engineer: Louis-Alexandre Peloquin
SPECIAL THANKS TO:
Julie Hamelin and Eric Boleat for sharing their beautiful space with us and for the delicious food
ShakoMontreal for the beautiful dress
FACTOR Canada, the Canada Council for the Arts and Indiegogo funders for their appreciated support.
Follow Malika Tirolien
YouTube: youtube.com/user/malika2526/featured?sub_confirmation=1
Facebook: facebook.com/Malikatirolienmusic
Twitter: twitter.com/MalikaTirolien
Instagram: instagram.com/malikatirolien
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#MalikaTirolien #HIGHER #BlackArtist #BlackWoman #Guadeloupe #Montreal #BlackWomanProducer #BlackWomanBandLeader
#BlackWomanComposer #SISTERSRISING #RISINGCONVERSATIONS


