I transcribed this piece a few years ago and recently fine-tuned the score and replication. The original was composed, produced, and released by Nicholas Fedorov in 2015.
Composer: Nicholas Fedorov Transcriber: Jeremy Nektarios Year: 2026
I transcribed this piece a few years ago and recently fine-tuned the score and replication. The original was composed, produced, and released by Nicholas Fedorov in 2015.
Composer: Nicholas Fedorov Transcriber: Jeremy Nektarios Year: 2026
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzProgress Spiritual Stress Test Object Main Theme (Transcription)Jeremy Nektarios2026-09-03 | See the post on my website about this track (score & parts available for download): jeremynektarios.com/transcriptions/progress-stress-test
I began transcribing this piece back in high school (sometime before 2020). I began working on replicating the soundfonts in the original track and ended up completing the whole project within a few of days. The original was composed, produced, and released by Nicholas Fedorov in 2016.
Composer: Nicholas Fedorov Transcriber: Jeremy Nektarios Year: 2026
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzTheme from Platonic Hydrocarbon Law (Transcription)Jeremy Nektarios2026-08-01 | See the post on my website about this track (score & parts available for download): jeremynektarios.com/transcriptions/platonic-hydrocarbon-law
I began transcribing this piece back in high school (sometime before 2020). I began working on replicating the soundfonts in the original track and ended up completing the whole project within a couple of days. The original was composed, produced, and released by Nicholas Fedorov in 2016.
Composer: Nicholas Fedorov Transcriber: Jeremy Nektarios Year: 2026
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzCheers (Instrumental)Jeremy Nektarios2026-07-30 | See the post on my website about this track: jeremynektarios.com/music-production/cheers
I produced this instrumental back in 2021. The four saxophones in the track are played by me.
I created this mashup from the original multitracks of both "Sweet Home Alabama" by Lynrd Skynrd and "Werewolves of London" by Warren Zevon. This project required a strenuous amount of time stretching in order to work, and even more was needed to fix all the syncing issues.
This sped/pitched-up version of the song was made by playing a 48 kHz sample rate at 44.1 kHz.
Lyrics: [Verse 1] I saw a werewolf with a Chinese menu in his hand Singing songs about the southland Walking through the streets of SoHo in the rain Carrying me home to see my kin
[Chorus] Ah-hoo, werewolves of London Ah-hoo Ah-hoo, werewolves of London Ah-hoo
[Verse 2] Well I heard Mr. Young sing about her Little old lady got mutilated late last night Well I heard old Neil put her down Well I hope Neil Young will remember (Werewolves of London again)
[Chorus] Sweet home Alabama (Ah-hoo) Where the skies are so blue (Ah-hoo) Sweet Home Alabama (Ah-hoo) Lord, I'm coming home to you (Ah-hoo)
[Instrumental]
[Verse 3] In Birmingham they love werewolves of London (Boo, boo, boo) Now we all did what we could do (You better not let him in) Now Watergate does not bother me (Umph) Does your conscience bother you? Tell the truth
[Chorus] Ah-hoo, werewolves of sweet home Alabama Where the skies are so blue Ah-hoo, werewolves of sweet home Alabama Lord, I'm coming home to you Here I come Alabama
[Instrumental]
[Bridge] There's good people in Alabama Let Mr. Young know that He's the hairy handed gent who ran amuck in Kent You hear him howling around your kitchen door Aah, Ah-hoo, werewolves of Alabama Aah, Ah-hoo, Alabama Aah, Ah-hoo, werewolves of London (Alabama) (Huh) Aah, Ah-hoo, Alabama
[Instrumental]
[Verse 4] Now Muscle Shoals has got the Swampers (Huh, I'd like to meet his tailor) And they've been known to pick a song or two (Yes they do) (You better stay away from him) Lord they get me off so much (He'll rip your lungs out, Jim) They pick me up when I'm feeling blue Now how about you? (Huh, draw blood)
[Chorus] Sweet home Alabama (I saw a werewolf) Where the skies are so blue (Doing the werewolves of London) Sweet Home Alabama (I saw a werewolf) Lord, I'm coming home to you (One more, baby) (And his hair was perfect)
[Chorus] Sweet home Alabama (Ah-hoo) (Oh sweet home baby) Where the skies are so blue (And the guv'nor's werewolf) (Huh, draw blood) Sweet Home Alabama (Ah-hoo) (Lordy) Lord, I'm coming home to you Yea
[Outro] Ooh(Ah-hoo) (Alabama-rama) Gonna get a big dish of beef chow mein (I've done all I could for you)
"Sweet Werewolves of Alabama" (2026): Producer: Jeremy Nektarios
"Werewolves of London" (1977): Composer: LeRoy Marinell, Waddy Wachtel, Warren Zevon Producer: Jackson Browne, Waddy Wachtel Piano, Vocals: Warren Zevon Guitar: Waddy Wachtel Bass Guitar: John McVie Drums: Mick Fleetwood
"Sweet Home Alabama" (1974): Composer: Ed King, Gary Rossington, Ronnie Van Zant Producer: Al Kooper Lead Vocals: Ronnie Van Zant Piano: Billy Powell Lead Guitar, Backing Vocals: Ed King Acoustic Guitar, Rhythm Guitar: Gary Rossington Rhythm Guitar: Allen Collins Bass Guitar, Backing Vocals: Leon Wilkeson Drums: Bob Burns
I created this mashup from the original multitracks of both "Sweet Home Alabama" by Lynrd Skynrd and "Werewolves of London" by Warren Zevon. This project required a strenuous amount of time stretching in order to work, and even more was needed to fix all the syncing issues.
Lyrics: [Verse 1] I saw a werewolf with a Chinese menu in his hand Singing songs about the southland Walking through the streets of SoHo in the rain Carrying me home to see my kin
[Chorus] Ah-hoo, werewolves of London Ah-hoo Ah-hoo, werewolves of London Ah-hoo
[Verse 2] Well I heard Mr. Young sing about her Little old lady got mutilated late last night Well I heard old Neil put her down Well I hope Neil Young will remember (Werewolves of London again)
[Chorus] Sweet home Alabama (Ah-hoo) Where the skies are so blue (Ah-hoo) Sweet Home Alabama (Ah-hoo) Lord, I'm coming home to you (Ah-hoo)
[Instrumental]
[Verse 3] In Birmingham they love werewolves of London (Boo, boo, boo) Now we all did what we could do (You better not let him in) Now Watergate does not bother me (Umph) Does your conscience bother you? Tell the truth
[Chorus] Ah-hoo, werewolves of sweet home Alabama Where the skies are so blue Ah-hoo, werewolves of sweet home Alabama Lord, I'm coming home to you Here I come Alabama
[Instrumental]
[Bridge] There's good people in Alabama Let Mr. Young know that He's the hairy handed gent who ran amuck in Kent You hear him howling around your kitchen door Aah, Ah-hoo, werewolves of Alabama Aah, Ah-hoo, Alabama Aah, Ah-hoo, werewolves of London (Alabama) (Huh) Aah, Ah-hoo, Alabama
[Instrumental]
[Verse 4] Now Muscle Shoals has got the Swampers (Huh, I'd like to meet his tailor) And they've been known to pick a song or two (Yes they do) (You better stay away from him) Lord they get me off so much (He'll rip your lungs out, Jim) They pick me up when I'm feeling blue Now how about you? (Huh, draw blood)
[Chorus] Sweet home Alabama (I saw a werewolf) Where the skies are so blue (Doing the werewolves of London) Sweet Home Alabama (I saw a werewolf) Lord, I'm coming home to you (One more, baby) (And his hair was perfect)
[Chorus] Sweet home Alabama (Ah-hoo) (Oh sweet home baby) Where the skies are so blue (And the guv'nor's werewolf) (Huh, draw blood) Sweet Home Alabama (Ah-hoo) (Lordy) Lord, I'm coming home to you Yea
[Outro] Ooh(Ah-hoo) (Alabama-rama) Gonna get a big dish of beef chow mein (I've done all I could for you)
"Sweet Werewolves of Alabama" (2026): Producer: Jeremy Nektarios
"Werewolves of London" (1977): Composer: LeRoy Marinell, Waddy Wachtel, Warren Zevon Producer: Jackson Browne, Waddy Wachtel Piano, Vocals: Warren Zevon Guitar: Waddy Wachtel Bass Guitar: John McVie Drums: Mick Fleetwood
"Sweet Home Alabama" (1974): Composer: Ed King, Gary Rossington, Ronnie Van Zant Producer: Al Kooper Lead Vocals: Ronnie Van Zant Piano: Billy Powell Lead Guitar, Backing Vocals: Ed King Acoustic Guitar, Rhythm Guitar: Gary Rossington Rhythm Guitar: Allen Collins Bass Guitar, Backing Vocals: Leon Wilkeson Drums: Bob Burns
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzTrisagion Hymn №1Jeremy Nektarios2026-07-09 | See the post on my website about this piece (score & audio available for download): jeremynektarios.com/scores/trisagion-hymn-1
After composing my Great Ectenia, I was asked to compose a simple Trisagion Hymn that could easily be chanted by the choir at church, so I composed this one. I was also asked to compose a Simple Ectenia for our choir to sing as well.
This composition has been approved for Liturgical use by a board member of the ROC's Synodal Liturgical Music Commission.
All 8 voices on this track are recordings of me that I processed & mixed together. The recording & post-production were done in 2024, and some significant adjustments were done in July 2026.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzХерувимская Песнь №1 (Cherubic Hymn №1)Jeremy Nektarios2026-07-01 | See the post on my website about this piece (score & audio available for download): jeremynektarios.com/scores/cherubic-hymn-1
I composed this score in the summer of 2024. The piece is inspired by both Lvosky's Cherubic Hymn & Smolensky's arrangement of the "Streletskaya" Cherubic Hymn. I began by first composing mm11-12 (the tenor feature followed by the bass feature). One oddity of this piece is the similar motion between the alto & tenor instead of one of these two moving with the soprano for most of the piece (at the beginning, the sopranos and bass move together instead). Page 3 has variations of the first two pages (including a change of harmony (but *not* the melody in the 5th measure of the musical sequence), and the bass part gets more fun after the entrance (before the Alleluia).
The Slavonic version features the tenor on the third page, where the other three voices say "отложимъ" while the tenor responds with "попеченiе". I first typeset this piece in English, so this feature in the Slavonic version was a clever way to deal with the disparity of syllables in the phrase.
This composition has been approved for Liturgical use by a board member of the ROC's Synodal Liturgical Music Commission.
All 8 voices on this track are recordings of me that I processed & mixed together. The recording & post-production were done in June.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wz~Малая Ектения (Small Ectenia)Jeremy Nektarios2026-06-26 | See the post on my website about this piece (score & audio available for download): jeremynektarios.com/scores/small-ecteina
After composing my Great Ectenia, I was asked to compose a simple ectenia that could easily be chanted by the choir at church, so I composed this one. I was also asked to compose a Trisagion Hymm for our choir to sing as well.
On my website, I have also included both an "Ectenia of Supplication" and an "Augmented Ectenia" version of this piece (so you can have "Grant this, O Lord" and "Lord have Mercy (3x)" typeset).
This composition has been approved for Liturgical use by a board member of the ROC's Synodal Liturgical Music Commission.
All 8 voices on this track are recordings of me that I processed & mixed together. The recording & post-production were done in 2024, and some slight adjustments were done in 2026.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzSmall EcteniaJeremy Nektarios2026-06-25 | See the post on my website about this piece (score & audio available for download): jeremynektarios.com/scores/small-ecteina
After composing my Great Ectenia, I was asked to compose a simple ectenia that could easily be chanted by the choir at church, so I composed this one. I was also asked to compose a Trisagion Hymm for our choir to sing as well.
On my website, I have also included both an "Ectenia of Supplication" and an "Augmented Ectenia" version of this piece (so you can have "Grant this, O Lord" and "Lord have Mercy (3x)" typeset).
This composition has been approved for Liturgical use by a board member of the ROC's Synodal Liturgical Music Commission.
All 8 voices on this track are recordings of me that I processed & mixed together. The recording & post-production were done in 2024, and some slight adjustments were done in 2026.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzВеликая Ектения (Great Ectenia)Jeremy Nektarios2026-06-19 | See the post on my website about this piece (score & audio available for download): jeremynektarios.com/scores/great-ecteina
Not long after composing my Cherubic Hymn in 2024, I wrote this Ectenia for the beginning of Liturgy (or Vespers/Matins). A couple goals I had were to have a scalar pattern in the bass and a V7 subs6 chord (a seventh chord built on the fifth scale degree with a sixth above this scale degree added in and voiced above the seventh of the chord).
This composition has been approved for Liturgical use by a board member of the ROC's Synodal Liturgical Music Commission.
All 8 voices on this track are recordings of me that I processed & mixed together. The recording & post-production were done in 2024, and some slight adjustments were done in 2026.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzGreat EcteniaJeremy Nektarios2026-06-18 | See the post on my website about this piece (score & audio available for download): jeremynektarios.com/scores/great-ecteina
Not long after composing my Cherubic Hymn in 2024, I wrote this Ectenia for the beginning of Liturgy (or Vespers/Matins). A couple goals I had were to have a scalar pattern in the bass and a V7 subs6 chord (a seventh chord built on the fifth scale degree with a sixth above this scale degree added in and voiced above the seventh of the chord).
This composition has been approved for Liturgical use by a board member of the ROC's Synodal Liturgical Music Commission.
All 8 voices on this track are recordings of me that I processed & mixed together. The recording & post-production were done in 2024, and some slight adjustments were done in 2026.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzTroparion to Saint Seraphim (Rose) of Platina, Tone 8 Russo-Greek (Duet)Jeremy Nektarios2026-06-11 | See the post on my website about this hymn (score & audio available for download): jeremynektarios.com/scores/blessed-seraphim-hymn
NOTE: I sang this one in Db (to be in a natural range for the monks) but notated it in G to make it easy to read.
When I visited Saint Herman's Monastery in Platina, CA in 2025, the monks asked me to set the following hymn for Blessed Seraphim, which they had been singing in Byzantine Tone 8, to Znamenny chant:
O our wise and meek Father Seraphim righteous monk of the last times teacher of the Holy Fathers and the Scriptures, whose constant council was humility, intercede before Christ God with all the saints, that our souls may be saved!
Recently, I showed the four-part version of this version to one of the monks, and he asked me to record this two-part version for the abbot to compare it to the Znamenny version.
This track starts with several disturbing sound effects, then plays around with borderline atonality in the piano, but the piece ultimately moves towards ending in Db major.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzMolochs ForestJeremy Nektarios2026-05-28 | See the post on my website about this track (score available for download): jeremynektarios.com/scores/molochs-forest
I composed this solo piano piece for a class back when I was in university. The piece is inspired by a documentary where someone sneaked into the Bohemian Grove. The preface and subtitle in the score have been modified compared to the score that was submitted to the professor. The Program Note reads as follows:
"Moloch’s Forest is a piece about exploring the Bohemian Grove, which is dedicated to Moloch, a Canaanite false god. The Canaanites would sacrifice children in his name. An explorer decides to visit the grove and eventually escapes but not after witnessing a horrific, evil ritual performed in front of a statue of Moloch."
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzQuite Rude (Instrumental)Jeremy Nektarios2026-05-14 | See the post on my website about this track: jeremynektarios.com/music-production/quite-rude
I produced this instrumental back in 2022. I sampled the Rhodes from Michael Jackson's "Thriller". It's a nice track for an evening drive.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzTroparion to Saint Seraphim (Rose) of Platina, Tone 8 Russo-Greek (SATB)Jeremy Nektarios2026-05-08 | See the post on my website about this hymn (score & audio available for download): jeremynektarios.com/scores/blessed-seraphim-hymn
When I visited Saint Herman's Monastery in Platina, CA in 2025, the monks asked me to set the following hymn for Blessed Seraphim, which they had been singing in Byzantine Tone 8, to Znamenny chant:
O our wise and meek Father Seraphim righteous monk of the last times teacher of the Holy Fathers and the Scriptures, whose constant council was humility, intercede before Christ God with all the saints, that our souls may be saved!
At the time, I did not have sheet music for the proper Znamenny melodies for Troparia [I assume the hymn is either a Troparion or a Kontakion], so I began with setting this hymn to Tone 8 Russo-Greek (I've also heard it called Taichkov Tone 8).
The Znamenny version of this hymn is on my website and will eventually be uploaded to this platform.
I was contracted to compose this track for an advertisement for Tucker Carlson's biography. The song is based on Tucker's favorite song, "Hard Working Man" by Marcus King.
Watch the advertisement: https://x.com/chadwick_moore/status/1686359445993832448
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzLFG!Jeremy Nektarios2026-04-30 | See the post on my website about this track: jeremynektarios.com/music-production/lfg
I was contracted to compose this orchestral track to advertise the *New Criterion Magazine*. This version is the director's cut; the client preferred the track with some of the instruments removed (most notably percussion), so the studio cut does not include them.
I was contracted to compose this orchestral track to advertise the New Criterion Magazine. This version is the studio cut; there's a director's cut that has more instruments (most notably percussion).
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzRing of Terror (2023 Rendition)Jeremy Nektarios2026-04-18 | See the post on my website about this track: https://jeremynektarios.com/music-producti...
"The Ninth Circle" is a horror-themed puzzle web app game for desktop, built in Unity for a video game design class I took. I was the music composer and sound designer for the team behind this game.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzHell Fire (Stage Theme) - The Ninth Circle OSTJeremy Nektarios2026-04-18 | See the post on my website about this track: https://jeremynektarios.com/music-producti...
"The Ninth Circle" is a horror-themed puzzle web app game for desktop, built in Unity for a video game design class I took. I was the music composer and sound designer for the team behind this game.
Monero/XMR: 8BdZKGYB3Si9SAph1UoTrD6JJDTNqyVDzPsCJEu152zdg8jDXsDY1c79JELhFBcdFgCjNo6JnW5KwXcZXf5PCvrHAfbH7wzRing of Terror (Menu Theme) - The Ninth Circle OSTJeremy Nektarios2026-04-18 | See the post on my website about this track: jeremynektarios.com/music-production/ninth-circle
"The Ninth Circle" is a horror-themed puzzle web app game for desktop, built in Unity for a video game design class I took. I was the music composer and sound designer for the team behind this game.