Edward Elgar: Salut dAmour / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2021-04-07 | Violin: Anastasiya PetryshakPiano: Lorenzo MeoEdward Elgar Salut d'Amour, Op. 12Zunfthaus Zur Waag - Zürich (Switzerland) Video - Alessandro Pisano
Andrea Vanzo / Lorenzo Meo - Earth Heart (Official Visualizer) Lorenzo Meo 2023-05-22 | This piece is dedicated to World Earth Day and, in particular, to the four natural elements that compose it, according to ancient Greek philosophy: Earth, Air, Water and Fire. Each element is represented by its own distinct melody.Earth Heart was interpreted by pianist @LorenzoMeo and composed by @AndreaVanzoComposer. This collaboration between the two artists stems from a long friendship and is based on shared values and ideals.We have only one planet, and it is our Mother.Animation by @rosmezzanotte Mix & Mastering: L Nyo and Andrea VanzoFollow AndreaSpotify: tinyurl.com/AVspotyIG: https://www.instagram.com/andreavanzo...FB: https://www.facebook.com/andreavanzoc...TK: https://www.tiktok.com/@andreavanzo_c...Follow LorenzoIG: https://www.instagram.com/lorenzomeo_...FB: https://www.facebook.com/lorenzomeoco...Follow RosannaIG: https://www.instagram.com/rosannamezz...FB: https://www.facebook.com/rosannamezza...Follow L NyoFB: facebook.com/LNyoProd#andreavanzo #lorenzomeo #earthday
Maurice Ravel: Pièce en forme de Habanera / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2023-01-28 | Violin: Anastasiya Petryshak Piano: Lorenzo MeoMaurice Ravel Pièce en forme de Habanera, M.51Dance: Lia KemendiCamera: Christopher Peetz Palais Lichtenau - Potsdam (Germany)
Fritz Kreisler: Marche miniature viennoise / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2022-09-02 | Violin: Anastasiya PetryshakPiano: Lorenzo MeoFritz KreislerMarche miniature viennoiseVideo - Peter Arnold (www.cineflight.ch)Schloss Heidegg - Gelfingen (Switzerland)
Jaan Rääts: Estonian Prelude Op. 80 No.24 / Lorenzo Meo pianist Lorenzo Meo 2022-06-13 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 24 in B minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.23 / Lorenzo Meo pianist Lorenzo Meo 2022-06-06 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 23 in B majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.22 / Lorenzo Meo pianist Lorenzo Meo 2022-05-30 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 22 in B-flat minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.21 / Lorenzo Meo pianist Lorenzo Meo 2022-05-23 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 21 in B-flat majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.20 / Lorenzo Meo pianist Lorenzo Meo 2022-05-16 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 20 in A minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.19 / Lorenzo Meo pianist Lorenzo Meo 2022-05-09 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 19 in A majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Maurice Ravel: Tzigane / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2022-03-25 | Violin: Anastasiya PetryshakPiano: Lorenzo MeoMaurice RavelTzigane, M. 76Sala Stradivari - Stauffer Center for Strings - Cremona (Italy)Special thanks to the Fondazione Walter StaufferVideo: ProCremona Postproduction: Matteo Sessa - Studio Nuvola, Cremona
Jaan Rääts: Estonian Prelude Op. 80 No.18 / Lorenzo Meo pianist Lorenzo Meo 2022-02-28 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 18 in G-sharp minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.17 / Lorenzo Meo pianist Lorenzo Meo 2022-02-21 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 17 in A-flat majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.16 / Lorenzo Meo pianist Lorenzo Meo 2022-02-14 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 16 in G minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.15 / Lorenzo Meo pianist Lorenzo Meo 2022-02-08 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 15 in G majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.14 / Lorenzo Meo pianist Lorenzo Meo 2022-01-31 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 14 in F-sharp minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.13 / Lorenzo Meo pianist Lorenzo Meo 2022-01-24 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 13 in F-sharp majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.12 / Lorenzo Meo pianist Lorenzo Meo 2022-01-17 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 12 in F minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No.11 / Lorenzo Meo pianist Lorenzo Meo 2022-01-10 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 11 in F majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Chopin: Nocturne No.20 (Arr. for Violin and Piano by Nathan Milstein) Lorenzo Meo 2022-01-09 | Violin: Anastasiya PetryshakPiano: Lorenzo MeoFrédéric ChopinNocturne No.20 in C-Sharp minor Op. Posth (Arr. by Nathan Milstein)Bürgenstock Resort Lake Lucerne (Switzerland) Video: DioStuDio (www.diostudio.ch)Director/Postproduction: Victor Roth Camera Operator/Key Grip: Daniel DioszeghyFirst AC/Dolly Grip: Dylan Gonzalez
Jaan Rääts: Estonian Prelude Op. 80 No.10 / Lorenzo Meo pianist Lorenzo Meo 2022-01-03 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 10 in E minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Gabriel Fauré: Après un rêve / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2022-01-02 | Violin: Anastasiya PetryshakPiano: Lorenzo MeoWith the participation of olympic champions Alexandra Agiurgiuculese e Milena BaldassarriMusic by Gabriel Fauré"Après un rêve", Op.7 No.1Auditorium Rai del Foro Italico - Roma (Italy) 14 December 2019 - Telethon - RAI1
Jaan Rääts: Estonian Prelude Op. 80 No. 9 / Lorenzo Meo pianist Lorenzo Meo 2021-12-27 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 9 in E majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No. 8 / Lorenzo Meo pianist Lorenzo Meo 2021-12-20 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 8 in E-flat minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Gianluca Deserti: Lombre des jours (2020) / Lorenzo Meo pianist Lorenzo Meo 2021-12-13 | Gianluca Deserti: "L'ombre des jours" (2020)Lorenzo Meo, pianoComposer's note: "L'ombre des jours" (2020), dedicated to pianist Lorenzo Meo, was written as part of SIMC's "Writing for the Future" initiative. The particular occasion, dedicated to compositions written in the period between March and May 2020, has influenced the genesis of the work under various aspects, both technical and expressive. The piece presents a succession of spectra realized with the technique of synthesis by frequency modulation on two alternating fundamentals (C#2 and C1). The amplitude of the spectra and the inharmonicity index have been obtained from a graph with epidemic data. About halfway through the piece, another succession of spectra appears, characterized by a progressively increasing inharmonicity index. The alternation of spectra belonging to the two sequences creates a strong contrast both in terms of harmonicity (passage from harmonic to inharmonic and vice versa) and in terms of spectral distribution of energy. The wide climax that follows is quickly extinguished towards the end of the piece, leaving the two fundamental frequencies to emerge, not by chance corresponding to the initial basses of Funérailles by Franz Liszt.(P) 2021 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: sng.to/lorenzo-meo/gianluca-deserti-lombre-des-jours
Luigi Pizzaleo: “Illudio V” (2013) / Lorenzo Meo pianist Lorenzo Meo 2021-12-06 | Luigi Pizzaleo: “Illudio V” for piano and live electronics (2013)Lorenzo Meo, pianoComposer's note: “Illudio” is an invented Italian word deriving from “illudere” (approximately deceive, delude, even though the meanings are not perfectly the same) in the same way as “preludio” (prelude) derives from “preludere” (to precede, to come before). Seven “illudi” have been written so far. In this one, the fifth, for piano and electronics, I essayed some behaviours of the piano which I perceived as archetypal, but I assigned no particular relevance to the musical material (pitches, durations, structures of pitches and durations and so on) which is used in the piano gestures I experimented in this piece. That’s why one cannot find any thematic statement or dynamic evolution of the musical material. Such aspects of the composition are committed to electronic tools (delays with variable delay time, modulated pitch shifters, filters), by means of which the sound is multiplied and distorted as the perspectives of a cubist painting.(P) 2020 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: songwhip.com/lorenzo-meo/soundscapes-of-the-21st-century
Jaan Rääts: Piano Sonata No. 9 (3/3) / Lorenzo Meo pianist Lorenzo Meo 2021-11-29 | Jaan Rääts: Piano Sonata No. 9, Op. 76 (1985) III. -Lorenzo Meo, pianoIn the late Fifties, Arvo Pärt and Jaan Rääts gave a sudden boost to Estonian music, hitherto confined to popular tradition. They were the first composers to emerge beyond national borders. Besides adding new challenges to the course of their early musical expression, their production also played a significant role in Estonian new music.In the Sonata No.9 Op.76 in three movements, composed in 1985, Rääts nostalgically recalls Pärt's introspective minimalism while strongly emphasising the percussive qualities of the piano, which is a recurring feature in most of his compositions for this instrument.(P) 2021 Bateau-Lavoir CollectiveComplete Sonata playlist: youtube.com/watch?v=Jm9UnVap6VA&list=OLAK5uy_kM4F23JwAu7ApXnjSRf1Ex4FvQYZNZnOc&index=1Listen to it on your favourite streaming platform: tinyurl.com/535wcbw9
Jonathan Harvey: Tombeau de Messiaen (1994) / Lorenzo Meo pianist Lorenzo Meo 2021-11-27 | Jonathan Harvey: Tombeau de Messiaen (1994) for Piano and Digital Audio TapeLorenzo Meo, pianoLive Recording(P) 2021 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: songwhip.com/lorenzo-meo/tombeau-de-messiaen-live
Jaan Rääts: Piano Sonata No. 9 (2/3) / Lorenzo Meo pianist Lorenzo Meo 2021-11-22 | Jaan Rääts: Piano Sonata No. 9, Op. 76 (1985)II. -Lorenzo Meo, pianoIn the late Fifties, Arvo Pärt and Jaan Rääts gave a sudden boost to Estonian music, hitherto confined to popular tradition. They were the first composers to emerge beyond national borders. Besides adding new challenges to the course of their early musical expression, their production also played a significant role in Estonian new music.In the Sonata No.9 Op.76 in three movements, composed in 1985, Rääts nostalgically recalls Pärt's introspective minimalism while strongly emphasising the percussive qualities of the piano, which is a recurring feature in most of his compositions for this instrument.(P) 2021 Bateau-Lavoir CollectiveComplete Sonata playlist: youtube.com/watch?v=Jm9UnVap6VA&list=OLAK5uy_kM4F23JwAu7ApXnjSRf1Ex4FvQYZNZnOc&index=1Listen to it on your favourite streaming platform: tinyurl.com/535wcbw9
Jaan Rääts: Piano Sonata No. 9 (1/3) / Lorenzo Meo pianist Lorenzo Meo 2021-11-15 | Jaan Rääts: Piano Sonata No. 9, Op. 76 (1985) I. -Lorenzo Meo, pianoIn the late Fifties, Arvo Pärt and Jaan Rääts gave a sudden boost to Estonian music, hitherto confined to popular tradition. They were the first composers to emerge beyond national borders. Besides adding new challenges to the course of their early musical expression, their production also played a significant role in Estonian new music.In the Sonata No.9 Op.76 in three movements, composed in 1985, Rääts nostalgically recalls Pärt's introspective minimalism while strongly emphasising the percussive qualities of the piano, which is a recurring feature in most of his compositions for this instrument.(P) 2021 Bateau-Lavoir CollectiveComplete Sonata playlist: youtube.com/watch?v=Jm9UnVap6VA&list=OLAK5uy_kM4F23JwAu7ApXnjSRf1Ex4FvQYZNZnOc&index=1Listen to it on your favourite streaming platform: tinyurl.com/535wcbw9
Gianluca Deserti: Feuer II (2012) / Lorenzo Meo pianist Lorenzo Meo 2021-11-08 | Gianluca Deserti: "Feuer II", deuxième étude pour piano (2012) Lorenzo Meo, pianoComposer's note: “Feuer II” (2012) was born with the aim to further investigating aspects and possibilities of a piano writing already used in the previous “Feuer” (2011-2012). As in the latter, the instrumental writing is characterised by the idiomatic piano virtuosity, always necessary, however, for the expression of the vitalistic ardor that pervades the page. The expressive path extends for a long duration with strongly varied tones, touching opposite expressive poles before reaching the peremptory final that emphasises the “étude de concert” character of this piece.(P) 2020 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: tinyurl.com/mametnmn
Jaan Rääts: Estonian Prelude Op. 80 No. 7 / Lorenzo Meo pianist Lorenzo Meo 2021-11-01 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 7 in E-flat majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No. 6 / Lorenzo Meo pianist Lorenzo Meo 2021-10-25 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 6 in D minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Gabriel Fauré: Après un rêve / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2021-10-18 | Anastasiya Petryshak, violinLorenzo Meo, pianoGabriel FauréAprès un rêve, Op. 7 No. 1Fondazione Enzo HrubyPalazzo Pisani Moretta, Venice23 October 2015
Jaan Rääts: Estonian Prelude Op. 80 No. 5 / Lorenzo Meo pianist Lorenzo Meo 2021-10-11 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 5 in D majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Piano Sonata No. 9 [complete] / Lorenzo Meo pianist Lorenzo Meo 2021-10-05 | Jaan Rääts: Piano Sonata No. 9, Op. 76 (1985)Lorenzo Meo, piano00:00 I. -03:29 II. -07:18 III. -In the late Fifties, Arvo Pärt and Jaan Rääts gave a sudden boost to Estonian music, hitherto confined to popular tradition. They were the first composers to emerge beyond national borders. Besides adding new challenges to the course of their early musical expression, their production also played a significant role in Estonian new music.In the Sonata No.9 Op.76 in three movements, composed in 1985, Rääts nostalgically recalls Pärt's introspective minimalism while strongly emphasising the percussive qualities of the piano, which is a recurring feature in most of his compositions for this instrument.(P) 2021 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: tinyurl.com/535wcbw9
Jaan Rääts: Estonian Prelude Op. 80 No. 4 / Lorenzo Meo pianist Lorenzo Meo 2021-09-27 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 4 in C-sharp minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Gianluca Deserti: Nocturne (2006 - rev. 2009) / Lorenzo Meo pianist Lorenzo Meo 2021-09-20 | Gianluca Deserti: Nocturne (2006 - rev. 2009)Lorenzo Meo, pianoNocturne by Gianluca Deserti is a piece characterised by an erratic narrativity that moves between two different expressive poles represented on one side by the restless and fragmented initial proceeding and on the other by the ecstatic contemplation of the central section. In the latter, figurations from the initially almost melodic traits are transformed to become, in the expressive culmination of the piece, virtuosic arabesques. The next retracing the narrative path is closely related to the structure of the work itself, a large arched shape followed by a short coda. In this the piece finds its conclusion, progressively fading towards the high register. Nocturne is dedicated to pianist Lorenzo Meo who premiered the piece.
Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89) [complete] / Lorenzo Meo pianist Lorenzo Meo 2021-09-14 | Jaan Rääts: 24 Estonian Preludes (1988-89)Lorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.00:00 No. 1: C major01:57 No. 2: C minor03:54 No. 3: D-flat major05:35 No. 4: C-sharp minor07:22 No. 5: D major08:55 No. 6: D minor10:47 No. 7: E-flat major13:36 No. 8: E-flat minor15:47 No. 9: E major17:53 No. 10: E minor19:13 No. 11: F major21:06 No. 12: F minor22:03 No. 13: F-sharp major23:56 No. 14: F-sharp minor25:16 No. 15: G major27:06 No. 16: G minor28:32 No. 17 A-flat major30:20 No. 18 G-sharp minor31:19 No. 19 A major32:43 No. 20 A minor34:39 No. 21 B-flat major36:12 No. 22 B-flat minor38:11 No. 23 B major39:21 No. 24 B minor(P) 2021 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No. 3 / Lorenzo Meo pianist Lorenzo Meo 2021-09-13 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 3 in D-flat majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Jaan Rääts: Estonian Prelude Op. 80 No. 2 / Lorenzo Meo pianist Lorenzo Meo 2021-09-06 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 2 in C minorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Myroslav Skoryk: Melody / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2021-09-06 | Anastasiya Petryshak, violinLorenzo Meo, pianoMyroslav SkorykMelodyFondazione Enzo HrubyPalazzo Pisani Moretta, Venice23 October 2015
Jaan Rääts: Estonian Prelude Op. 80 No. 1 / Lorenzo Meo pianist Lorenzo Meo 2021-09-03 | Jaan Rääts: 24 Estonian Preludes Op. 80 (1988-89)Estonian Prelude No. 1 in C majorLorenzo Meo, pianoInspiration for the 24 Estonian Preludes Op.80 for piano stems from a number of ancient runic themes, the essential heritage of ancient music tradition in Estonia. They provide a substantial overview of Jaan Rääts's musical universe: as in Marginalia for two pianos - written seven years earlier - the composer wrote a piece for each key, often agitated by expressive dissonance and repeated rhythmic ostinatos.(P) 2021 Bateau-Lavoir CollectiveComplete preludes playlist: youtube.com/watch?v=WVL8QNNnxRI&list=OLAK5uy_meGqsosXRRvpS4bIrz1uMG2yP00qBcS2IListen to it on your favourite streaming platform: tinyurl.com/6j8z4eek
Erkki-Sven Tüür: Piano Sonata (1985) / Lorenzo Meo pianist Lorenzo Meo 2021-08-25 | Erkki-Sven Tüür: Piano Sonata (1985)Lorenzo Meo, piano00:00 I. Presto05:02 II. Lento08:36 III. Allegro. Con Moto.A student of Jaan Rääts, Erkki-Sven Tüür belongs to the next generation of Estonian composers (1959). He started out as a progressive rock electric guitarist and would always be deeply influenced by King Crimson, Frank Zappa and Genesis. It was only in the late Eighties that Tüür joined the Estonian music scene as a professional composer: his catalog was enriched with symphonies, concertos and chamber music, while instrumental music became the core of his musical activity.The 1985 Sonata - dedicated to his wife Anne - is one of the few pieces Tüür composed for solo piano. Divided into three movements and built in line with classical models, the sonata revives elaborate, complex sound that has little to do with tradition, mainly due to this unusual handling of pedal and to a certain penchant for the instrument's percussive aspects.(P) 2021 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: tinyurl.com/6fahy8xj
Erkki-Sven Tüür: Piano Sonata (1/3) / Lorenzo Meo pianist Lorenzo Meo 2021-08-25 | Erkki-Sven Tüür: Piano Sonata (1985) - I. PrestoLorenzo Meo, pianoA student of Jaan Rääts, Erkki-Sven Tüür belongs to the next generation of Estonian composers (1959). He started out as a progressive rock electric guitarist and would always be deeply influenced by King Crimson, Frank Zappa and Genesis. It was only in the late Eighties that Tüür joined the Estonian music scene as a professional composer: his catalog was enriched with symphonies, concertos and chamber music, while instrumental music became the core of his musical activity.The 1985 Sonata - dedicated to his wife Anne - is one of the few pieces Tüür composed for solo piano. Divided into three movements and built in line with classical models, the sonata revives elaborate, complex sound that has little to do with tradition, mainly due to this unusual handling of pedal and to a certain penchant for the instrument's percussive aspects.(P) 2021 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: tinyurl.com/6fahy8xj
Erkki-Sven Tüür: Piano Sonata (2/3) / Lorenzo Meo pianist Lorenzo Meo 2021-08-25 | Erkki-Sven Tüür: Piano Sonata (1985) - II LentoLorenzo Meo, pianoA student of Jaan Rääts, Erkki-Sven Tüür belongs to the next generation of Estonian composers (1959). He started out as a progressive rock electric guitarist and would always be deeply influenced by King Crimson, Frank Zappa and Genesis. It was only in the late Eighties that Tüür joined the Estonian music scene as a professional composer: his catalog was enriched with symphonies, concertos and chamber music, while instrumental music became the core of his musical activity.The 1985 Sonata - dedicated to his wife Anne - is one of the few pieces Tüür composed for solo piano. Divided into three movements and built in line with classical models, the sonata revives elaborate, complex sound that has little to do with tradition, mainly due to this unusual handling of pedal and to a certain penchant for the instrument's percussive aspects.(P) 2021 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: tinyurl.com/6fahy8xj
Erkki-Sven Tüür: Piano Sonata (3/3) / Lorenzo Meo pianist Lorenzo Meo 2021-08-25 | Erkki-Sven Tüür: Piano Sonata (1985) - III Allegro. Con Moto.Lorenzo Meo, pianoA student of Jaan Rääts, Erkki-Sven Tüür belongs to the next generation of Estonian composers (1959). He started out as a progressive rock electric guitarist and would always be deeply influenced by King Crimson, Frank Zappa and Genesis. It was only in the late Eighties that Tüür joined the Estonian music scene as a professional composer: his catalog was enriched with symphonies, concertos and chamber music, while instrumental music became the core of his musical activity.The 1985 Sonata - dedicated to his wife Anne - is one of the few pieces Tüür composed for solo piano. Divided into three movements and built in line with classical models, the sonata revives elaborate, complex sound that has little to do with tradition, mainly due to this unusual handling of pedal and to a certain penchant for the instrument's percussive aspects.(P) 2021 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: tinyurl.com/6fahy8xj
Maurice Ravel: Sonata for Violin and Piano no.2 / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2021-06-28 | Anastasiya Petryshak, violinLorenzo Meo, pianoMaurice RavelSonata for Violin and Piano No.2 in G Major00:06 - 1. Allegretto08:46 - 2. Blues. Moderato15:00 - 3. Perpetuum mobile. AllegroFondazione Enzo HrubyPalazzo Pisani Moretta, Venice23 October 2015
Myroslav Skoryk: Spanish Dance / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2021-06-14 | Violin: Anastasiya PetryshakPiano: Lorenzo MeoMyroslav Skoryk (13.07.1938 - 01.06.2020)Spanish DanceBürgenstock Resort Lake Lucerne (Switzerland) Video: DioStuDio Director/Postproduction: Daniel DioszeghyCamera Operator/Key Grip: Victor Roth
Johannes Brahms: Scherzo in C minor / Anastasiya Petryshak and Lorenzo Meo Lorenzo Meo 2021-06-03 | Anastasiya Petryshak, violinLorenzo Meo, pianoJohannes BrahmsScherzo in C minor - from FAE SonataFondazione Enzo HrubyPalazzo Pisani Moretta, Venice23 October 2015
Gianluca Deserti: Lombre des jours (2020) [videoscore] / Lorenzo Meo pianist Lorenzo Meo 2021-04-26 | Gianluca Deserti: "L'ombre des jours", pour piano (2020) Lorenzo Meo, piano(P) 2021 Bateau-Lavoir CollectiveListen to it on your favourite streaming platform: tinyurl.com/4t2v8ybm
