In/humanity - The Nutty Anti-Christ (Full LP) Ian Deaton 2015-12-06 | IN/HUMANITY - The Nutty Anti-Christ (1996)Passive Fist Records – PASSIVE FIST 006 Recorded At – Jam Room Studios by Jay MathesonA1 Double Digit Fun A2 Southern Swastika A3 Fuck The Death Penalty, Let's Compromise A4 Beaten Words A5 Greener Eyes A6 Home Away From Home A7 Stupid Children B1 Teenage Suicide-Do It! B2 Embrace Androgyny B3 New Age B4 Nuclear Winter Wonderland B5 The Ins And Outs Of A Waste Of Flesh B6 The Nutty Anti-Christ
Ian Deaton - Moon Howler (Full Cassette) Ian Deaton 2021-04-02 | Cassette: http://www.deanwellglobalmusic.comDigital: iandeaton1.bandcamp.comimdb.com/name/nm3601772/?ref_=nv_sr_srsg_0#composerAtlanta musician and film composer Ian Deaton returns with his fourth cassette MOON HOWLER, inspired in equal parts by the Ramones and the Spits as well as early ‘80s Los Angeles new wave bands like Missing Persons and Berlin. Moon Howler, named after the Ramones 1984 synth-pop single “Howling At The Moon,” aims to convey a similar semi-futuristic sound and atmosphere of potentially naive optimism in the face of dystopia. Something to blast in a room and dance like your life depends on it in order to stay sane.Inspired by Deaton’s earliest memories of genre films and radio pop, Moon Howler was written on a collection of cheap analog, FM and sample based synthesizers and drum machines. Each instrument is viewed as a non-human member of the “band” with Deaton functioning solely as the singer live. Moon Howler, under the production guidance of engineer Thomas Barnwell (Picture One, Narcolepsy), attempts to marry the rawness of DIY synth-punk records by the Units and Kaos with the slick studio sounds of legendary producer Mike Howlett (Flock of Seagulls, OMD, Berlin). Enjoy!
Ian Deaton - An Immoral Brain (Official Video) Ian Deaton 2021-04-02 | Cassette: http://www.deanwellglobalmusic.comDigital: iandeaton1.bandcamp.comimdb.com/name/nm3601772/?ref_=nv_sr_srsg_0#composerThe first single, “An Immoral Brain,” off the upcoming cassette Moon Howler by Atlanta film composer Ian Deaton, deals lyrically in the world of crime fiction. The story of a cold-blooded killer experiencing a moral inversion. The drum machine programming on the single (as well as the rest of the cassette) is directly influenced by the hard hitting, no-frills drumming of Tommy Ramone. The bass synth pulses a driving, melodic line reminiscent of songs like “Triumph” by Generation X or “Young Hearts” by Commuter. The hooks and melodies of “An Immoral Brain” are generated by three different synthesizers (one analog, one FM and one sample based) and were modeled after synth sounds on recordings by The Screamers, ‘Til Tuesday and Suicide. The music video for “An Immoral Brain” was directed by Deaton and produced and photographed by engineer Thomas Barnwell and Atlanta cinematographer Max McDonough. Dealing almost entirely in shadows and shot in black and white the video uses frame compositions commonly seen in giallo cinema, film noir and early 90s music videos.#Atlanta #synthpunk #punk #synthesizer #drummachineAtlanta musician and film composer Ian Deaton returns with his fourth cassette MOON HOWLER, inspired in equal parts by the Ramones and the Spits as well as early ‘80s Los Angeles new wave bands like Missing Persons and Berlin. Moon Howler, named after the Ramones 1984 synth-pop single “Howling At The Moon,” aims to convey a similar semi-futuristic sound and atmosphere of potentially naive optimism in the face of dystopia. Something to blast in a room and dance like your life depends on it in order to stay sane. Inspired by Deaton’s earliest memories of genre films and radio pop, Moon Howler was written on a collection of cheap analog, FM and sample based synthesizers and drum machines. Each instrument is viewed as a non-human member of the “band” with Deaton functioning solely as the singer live. Moon Howler, under the production guidance of engineer Thomas Barnwell (Picture One, Narcolepsy), attempts to marry the rawness of DIY synth-punk records by the Units and Kaos with the slick studio sounds of legendary producer Mike Howlett (Flock of Seagulls, OMD, Berlin). Deaton cut his artistic teeth starting in the late ‘90s playing guitar for avant-garde punk band Blame Game and did stints in noise-rock and grindcore bands like Dasher, God’s Balls, U.S. Drag and Knaves Grave among others. He’s also worked as an actor, camera person, art director and composer (with Thomas Barnwell) on films like The Arbalest (2016), The Theta Girl (2017) and Poor Jane (2018). He has released three previous cassettes: 1. Atlanta Crime Wave, a fake police film soundtrack. 2. Dekalb Time-Slip, a “time-metal” album inspired by the work of Philip K. Dick, Napalm Death and John Carpenter. 3. Glamour Profession, inspired by the work of Dario Argento, The Screamers and Japanese Hardcore band Gauze and succinctly described as “This sounds like Depeche mode with Blastbeat,” by a youtube commenter. Moon Howler began almost a decade ago when MC/Producer Negashi Armada asked Deaton to make him a mixtape similar to the sound of “Synthicide” by the band SSQ. Wanting to keep the pace of the tape similar to “Synthicide” Deaton scoured records by popular new-wave and synth-punk bands and pulled only the fastest songs he could find. Stitching together a full album's worth of “fast-wave” material was not only a blast to make but inspired a feverish and cathartic dance session whenever the tape was played for friends. “My need to create something as half as good as old synth-pop mixtapes and bring out similar emotions in myself and my friends are why I made Moon Howler. Dance and make art like your life depends on it.”
Ian Deaton - Palindrome (Official Audio) Ian Deaton 2021-03-19 | Cassette: http://www.deanwellglobalmusic.comDigital: iandeaton1.bandcamp.comimdb.com/name/nm3601772/?ref_=nv_sr_srsg_0#composerThe second single from film composer Ian Deaton's "Moon Howler" cassette (Deanwell Global Music). “Palindrome” opens with a simple hi-hat/kick pattern on the Alesis SR-16, a drum machine used famously by Godflesh and Vangelis, before bouncing into a four chord riff featuring a striking melody programmed on the cheapie Volca FM synthesizer. Palindrome is an unabashed love song about experiencing a time dilation while meeting someone for the first time. In theory, an intersection of ‘50s pop, Ramones ballads and melancholy ‘80s numbers like “Eyes Without A Face” by Billy Idol or “I Want My Girl” by Jesse Johnson. #Atlanta #synthpunk #punk #synthesizer #drummachine #synth #punkrock #synthpopAtlanta musician and film composer Ian Deaton returns with his fourth cassette MOON HOWLER, inspired in equal parts by the Ramones and the Spits as well as early ‘80s Los Angeles new wave bands like Missing Persons and Berlin. Moon Howler, named after the Ramones 1984 synth-pop single “Howling At The Moon,” aims to convey a similar semi-futuristic sound and atmosphere of potentially naive optimism in the face of dystopia. Something to blast in a room and dance like your life depends on it in order to stay sane. Inspired by Deaton’s earliest memories of genre films and radio pop, Moon Howler was written on a collection of cheap analog, FM and sample based synthesizers and drum machines. Each instrument is viewed as a non-human member of the “band” with Deaton functioning solely as the singer live. Moon Howler, under the production guidance of engineer Thomas Barnwell (Picture One, Narcolepsy), attempts to marry the rawness of DIY synth-punk records by the Units and Kaos with the slick studio sounds of legendary producer Mike Howlett (Flock of Seagulls, OMD, Berlin). Deaton cut his artistic teeth starting in the late ‘90s playing guitar for avant-garde punk band Blame Game and did stints in noise-rock and grindcore bands like Dasher, God’s Balls, U.S. Drag and Knaves Grave among others. He’s also worked as an actor, camera person, art director and composer (with Thomas Barnwell) on films like The Arbalest (2016), The Theta Girl (2017) and Poor Jane (2018). He has released three previous cassettes: 1. Atlanta Crime Wave, a fake police film soundtrack. 2. Dekalb Time-Slip, a “time-metal” album inspired by the work of Philip K. Dick, Napalm Death and John Carpenter. 3. Glamour Profession, a synth-punk album inspired by the work of Dario Argento, The Screamers and Japanese Hardcore band Gauze and succinctly described as “This sounds like Depeche mode with Blastbeat,” by a youtube commenter. Moon Howler began almost a decade ago when MC/producer Negashi Armada asked Deaton to make him a mixtape similar to the sound of “Synthicide” by the band SSQ. Wanting to keep the pace of the tape similar to “Synthicide” Deaton scoured records by popular new-wave and synth-punk bands and pulled only the fastest songs he could find. Stitching together a full album's worth of “fast-wave” material was not only a blast to make but inspired a feverish and cathartic dance session whenever the tape was played for friends. “My need to create something as half as good as old synth-pop mixtapes and bring out similar emotions in myself and my friends are why I made Moon Howler. Dance and make art like your life depends on it.”
Night-Fly Industries - Creep Ride Back To Sugar Land (Electro 2020) Ian Deaton 2020-10-02 | Atlanta Electro for fans of Goblin, 80s Herbie Hancock, Wendy Carlos etc.Produced by Ian Deaton and Ford Kent#electro #Atlanta #synth #synthesizer #drummachine #Houston
U.S. Drag - S/T (2016) Full Cassette (Grindcore) Ian Deaton 2020-09-19 | released September 29, 2016Recorded and Mixed by Graham Tavel. Mastered by Thomas Barnwell at Estate de Barnwell Studios. Artwork by Sara Slick.Vocals: Sara SlickDrums: Ryan FetterGuitar: Ian Deaton#grindcore #grind #blastbeat #blastbeats #hardcorepunk #punk #Atlanta #artrock
IN/HUMANITY - The History Behind The Mystery (FULL ALBUM) Ian Deaton 2017-02-21 | A1 If It's Wrong It's RealCello – Rebecca GordonA2 Let There Never Be Another Song Ever Wrote (SIC)Organ – Chris BickelA3 Mystery Solved... History Behind The Mystery A4 The Execution Of Clive A5 New Discarded Evidence In The Case B1 Too Drunk To Molotov B2 Against All Youth B3 IntermissionDrums – Hammond (4)B4 Me And My Shadow B5 No Thanks Mr. Roboto B6 We're Sick Of Music And We Hate Each Other B7 Kids In CultsOrgan – Paul SwansonThe Anakrinomphicon Quintology 7"C1 Insane Machine C2 Lady Jane's Dilemma C3 We're So Fired Up In The 90's C4 Wateryoo Gonnadoo D What's The Law?Mastered At – Greg Lee ProcessingCreditsBass – Gaylord Steele (tracks: C1 to D), Will Z.* (tracks: A1 to B7)Drums – Becky Hamrick (tracks: C1 to D), Ben Roth (tracks: A1 to B7)Guitar, Music By – Paul SwansonVocals, Lyrics By – Chris Bickel
Ian Deaton - Dekalb Time-Slip (2015) Full Cassette (Film-less Soundtrack) Ian Deaton 2015-09-20 | The second film-less soundtrack by Ian Deaton. 1. Invention Trial Run 2. Einstein-Rosen Bridge Problem 3. Beneficial Mutation4. Indoor Hailstorm 5. Courthouse Dematerialization 6. Rapid Reality Changes 7. International Unrest 8. Temporal Compression Mistake 9. Not A Universe#Atlanta #metal #punk #filmsoundtrack #metalpunk #synth #synthesizer #drummachine #blastbeats #instrumental #blackmetal #hardcorepunk
IAN DEATON - ATLANTA CRIME WAVE (2013) Full Cassette (Synth) Ian Deaton 2013-11-07 | Film-less soundtrack by composer Ian Deaton.1. E.A.P.D. Patrol 2. Buford Hwy 2am 3. Reynoldstown Rollerdome 4. Edgewood Bank Robbery 5. Two Cops On Climax St. 6. Buckhead Heist 7. Ninety Down Moreland 8. Escape From Fulton Penitentiary 9. The Woman On St. Charles#Atlanta #synthesizer #drummachine #filmsoundtrack #soundtrack #synth #electronic #electronicmusic
Fag Static Ian Deaton 2008-07-14 | Video for the Fag Static song Off But On from their debut LP Ficcanaso. Directed by Ian Deaton and Thomas Barnwell. Director of Photography: Max McDonough. Produced by Fag Static.
Gods America-Be The Griot Ian Deaton 2007-01-03 | A Music video of the song "Be The Griot" off of the S/T tape by God's America. Directed and edited by Ian Deaton. Starring Lindsay Childs,Sarah Case and Ian Deaton
