Dialog Mixing How To: Fixing Bird Noise in Audio Recordings in Adobe Audition Cinema_Sound 2026-09-18 | Dialog Mixing How To: Fixing Bird Noise in Audio Recordings in Adobe Audition
Touching Up a Slightly Out Of Tune Piano DIY Cinema_Sound 2023-02-15 | Learn to tune your own piano! Mark shows you how. 
How To: Export Audio for Post from Premiere Cinema_Sound 2022-01-25 | In this video, Cinema Sound presenter Mark Edward Lewis shows us how to prepare audio for sending to a post house from Premier Pro. Export Audio for Post!Visit http://www.cinemasound.com for hundreds of articles and videos on how to get your $5 million audience impact by getting your audio to a Hollywood level.
Save Your ADR: Re-Record Live in Audition Cinema_Sound 2022-01-25 | In this video, Cinema Sound presenter Mark Edward Lewis shows us his cutting edge methods for turning pristinely recorded ADR into real-world sounds by doing a Re-Record Live in Audition (Adobe).Visit http://www.cinemasound.com for hundreds of articles and videos on how to get your $5 million audience impact by getting your audio to a Hollywood level.Go here to read the full article on how Mark did this for the film Sky Shelter.cinemasound.com/?p=28406
Premiere Vs. Resolve SHOWDOWN: Combo Audio Plugins Cinema_Sound 2021-10-05 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, we discover which NLE has the best cocktail of combo audio plugins in terms of ease of use, usefulness and best sound.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere Vs. Resolve SHOWDOWN: Denoise Cinema_Sound 2021-09-28 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, removing noise is the focus. We discover which NLE reigns supreme as the best tool for removing unwanted sounds using audio plugins.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere Vs. Resolve SHOWDOWN: Limiter Cinema_Sound 2021-09-21 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, we discover which NLE has the most useful and easy to use (and best sounding) Limiter audio plugin.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere Vs. Resolve SHOWDOWN: Multi-Band Compressor Cinema_Sound 2021-09-14 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, discover which NLE has the most flexible and best sounding multi-band compressor.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere Vs. Resolve SHOWDOWN: Algorithmic Reverbs Cinema_Sound 2021-09-07 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, Mark shows us which of the built in algorhythmic reverbs reigns supreme between the two NLE in terms of ability to match real production audio with ADR and ease of use.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Adobe Premiere Pro: Which Cross Fades Are Best? Cinema_Sound 2021-09-03 | In this video, Cinema Sound presenter Mark Edward Lewis shows us what crossfades we should be using to get maximum benefit in Adobe Premiere Pro. You may be surprised at what you discover.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere Vs. Resolve SHOWDOWN: Convolution Reverbs Cinema_Sound 2021-08-31 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, we find out which NLE serves up the most realistic and useful reverb sound for post production and which one is easiest and most flexible to use.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Adobe Premiere Pro: Denoise Best Practices for Maximum Impact Cinema_Sound 2021-08-27 | In this video, Cinema Sound presenter Mark Edward Lewis shows us how to get the most out of Adobe Premiere Pro's Denoise and anti-audio-noise plugins.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Cinema_Sound Live Incorporating for Your Production and Getting Banks to Pay For It. Cinema_Sound 2021-08-25 | Register for the Financial Freedom Formula Program (and incorporate with Mark) at this link:finanicalfreedomformulaopportunity.gr8.com/offer_page.html
Premiere Vs. Resolve SHOWDOWN: Single-Band Compressor vs. Dynamics Cinema_Sound 2021-08-24 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, Mark shows us which single band compressor reigns supreme as the best between the two NLEs in terms of ease of use and sound.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere Vs. Resolve SHOWDOWN: Bus Architecture Cinema_Sound 2021-08-18 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, we delve deep into the NLEs to see which one has the most flexible and easiest (and fastest) to use bus architecture. Bus architecture is critical for post production processes to allow for routing and effects mastery in a mix.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere Vs. Resolve SHOWDOWN: Tube Modelled vs. Dynamics Compressors Cinema_Sound 2021-08-17 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, we find out which single band compressor reigns supreme between to the two NLEs in terms of ease of use and overall sound.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Adobe Premiere Pro: Tweak the Essential Sound Panel Like A Pro Cinema_Sound 2021-08-13 | In this video, Cinema Sound presenter Mark Edward Lewis shows us how to use the Essential Sound Panel in Adobe Premiere Pro to create INSANELY fast good sounding audio AND be able to tweak those settings for even better results like a pro.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Cinema_Sound Live Incorporating for Your Production and Getting Banks to Pay For It. Cinema_Sound 2021-08-11 | Register for the Financial Freedom Formula Program (and incorporate with Mark) at this link:finanicalfreedomformulaopportunity.gr8.com/offer_page.html
Premiere Vs. Resolve SHOWDOWN: Clip Audio Plugins Cinema_Sound 2021-08-10 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, Mark runs both NLEs through their paces to see which one has the most flexibility and power using clip audio plugins.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere vs. Resolve SHOWDOWN: De-Esser Cinema_Sound 2021-08-03 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, we see which De-Esser is the best for post production.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Adobe Premiere Pro: Mixing Music and Dialog: Notch EQ Cinema_Sound 2021-07-30 | In this video, Cinema Sound presenter Mark Edward Lewis shows us how to layer Music in to Dialog by using a dynamic version of "notch eq" via multi-band compressor in Adobe Premiere Pro.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere vs. Resolve SHOWDOWN: The Good Sound Button Cinema_Sound 2021-07-27 | In this video, Cinema Sound presenter Mark Edward Lewis Runs us through an Adobe Premiere Pro vs. Blackmagic Designs: Davinci Resolve SHOWDOWN in audio capabilities. In this installment, we see how fast it takes us to "engage the Good Sound Button" in both NLEs. In other words, how fast can we use simple tools to make things sound great (from bad sounding content). To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Adobe Premiere Pro: Punch Up Your Flubby Sounding Dialog! Cinema_Sound 2021-07-23 | In this video, Cinema Sound presenter Mark Edward Lewis shows us how to create INCREDIBLE dialog PUNCH from flubby sounding recordings using Adobe Premiere Pro and its built-in audio plugins.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Adobe Premiere Pro: Finding the Good Sound Button Cinema_Sound 2021-07-20 | In this video, Cinema Sound presenter Mark Edward Lewis shows us how to find and use the "good sound" button in Adobe Premiere Pro. The quickest way to make things sound great!To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Adobe Premiere Pro: Sound Effects Magic Attack Cinema_Sound 2021-07-16 | In this video, Cinema Sound presenter Mark Edward Lewis shows us how to create INCREDIBLE power in our sound effects using his proprietary "magic attack" editing techniques in Adobe Premiere Pro.To find hundreds more articles and videos on how to get your Hollywood $1M impact into your productions (and podcasts), visit us athttp://www.cinemasound.com
Premiere Vs. Resolve SHOWDOWN: Parametric EQ Cinema_Sound 2021-07-12 | In this video in the Premiere Vs. Resolve Showdown series, Cinema Sound host, Mark Edward Lewis, explores the contrast and comparison of Premiere Pro and Resolve's Parametric EQ plugins to find out which one works best for post production.Join us for even more education on Audio for Picture and Podcasting at:http://www.cinemasound.com
Filmmakers and Influencers Make These Mistakes EVERY DAY in Sound and Audio Cinema_Sound 2021-02-11 | In this video, Cinema Sound educator Mark Edward Lewis shows us what main mistakes filmmakers and influencers make every day when it comes to sound and audio in their productions.Join him at http://www.cinemasound.com and at Instagram at@wearecinemasound
Introduction to Cinema Sound Members Cinema_Sound 2021-02-11 | In this video, new Cinema Sound Members are treated to an explanation of all the assets and possibilities of www.CinemaSound.comJoin us at http://www.cinemasound.com and visit us at Instagram:@wearecinemasound
On the Go Audio Presets Trailer Cinema_Sound 2021-01-06 | Get your copy of the Cinema Sound On the Go Audio Presets for Adobe Premiere Pro, Resolve and Final Cut Pro X at the link below.With a few simple presets, your phone-recorded audio can instantly sound clean, vibrant and present! Just drag your favorite presets from the library to your clip or track (resolve) and voila! As close to "the good sound button" as you can get with phone recorded audio.Presets include dialog and music mastering effects to make for easier mixing of music with dialog. For only $9.99, this set of presets is unprecedented and allows influencers to get a competitive edge when making high quality videos.cinemasound.com/product/on-the-go-audio-presets-for-premiere-pro-final-cut-pro-x-resolveGet your set of presets today!
Mixing Live Music in Adobe Premiere Pro - with Stems and effects! Cinema_Sound 2021-01-05 | In this video, Cinema Sound senior presenter, Mark Edward Lewis, shows us how to use Adobe Premiere Pro where there multiple music stems, and how to use effects to get a great sounding mix.Learn more about how get your audio sounding Hollywood-leve at http://www.cinemasound.com
Podcaster Survival Guide Trailer Cinema_Sound 2020-12-22 | Get the entire guide here:cinemasound.com/product/podcaster-survival-guideDesigned to be watched as an addendum to the comprehensive Cinema Sound education, the “Podcaster Survival Guide” covers everything that podcast producers and creatives need to know about how to record, edit, fix and deliver a professional and compliant podcast.How do you clean up bad audio? That’s found in the “Fix” chapter.How to avoid getting bad audio in the first place? That’s in the “Record” chapter.How to get rid of breaths and noises quickly and efficiently? That’s in the “Edit” chapter.How to make everything sound great and be compliant with delivery standards? That’s the “Mix” the chapter.There is even an chapter on “Advanced Recording Tactics” which covers microphone placement, choice, and special protocols for dealing with multiple talent at the same time. All of this is done using Adobe’s power-house Digital Audio Workstation: Audition. And everything which is taught translates to nearly all other DAWs.All of this is done with Cinema Sound educator Mark Edward Lewis’ fast-paced and fun style of easy-to-follow education.Where information around podcasting is contradictory and scattered, the Podcaster Survival Guide has everything you need to create and finish great sounding media every time.“It’s hard to find good information on how to make great sounding podcasts. I created the Podcaster Survival Guide to have a one-stop-shop of everything a podcast producer needs to make great decisions about gear, process and delivery.”~ Mark Edward Lewis “I have to say the info you provided [in the Podcaster Survival Guide] on setting the basic grade on dialog tracks with the Waves Q10 is about the most useful/major-impact advice I’ve ever had. What a sound quality difference it makes!”~Alan Lorden
Cinema Sound LiteSpeed Trailer Cinema_Sound 2020-12-22 | We’re incredibly excited to announce the release of our newest product: Cinema Sound LiteSpeed.Cinema Sound LiteSpeed is a 2.5 hour incredibly efficient and effective compression of the entire 90+ hour Cinema Sound education.Imagine being able to absorb the MOST important aspects of the entire education – in under 150 minutes!!This video takes the 4 or 5 most important elements of what makes great Hollywood sound a reality from each of the disciplines in the larger format education: Record, Edit, Fix, Effects, Music, Mix.While there are hundreds of tools, tricks and protocols which Hollywood audio creatives and filmmakers employ when making media, there are only a couple dozen which make the most difference and are the EASIEST to understand and learn. In nearly any production, the elements in Cinema Sound LiteSpeed are available to be used to maximize audience impact and improve followings and sales. After viewing this video, you should have a powerful understanding of how to make your shooting and post production audio significantly more effective, better quality and faster schedules.This entire video is taught from Cinema Sound’s main presenter, Mark Edward Lewis and there are excerpts from the larger format education. 70% of this education is original, and Mark created this for the media creative who doesn’t have the time to watch all 90 hours of the larger product, but really want to start their productions down a path of excellence.This product is also an excellent jumping-off point to eventually go through the Cinema Sound education.You can now purchase and stream forever the Cinema Sound LiteSpeed education here for a sale price for Cinema Sound members (like yourself) of $9.99.
11.1 Spatial Audio Designer Demo in Adobe Audition! Wait Until the End! Cinema_Sound 2020-12-04 | In this video, Cinema Sound main presenter Mark Edward Lewis shows us how to make 11.1 surround sound in ambisonic Adobe Audition - which typically can only do 5.1 using Spatial Audio designer. It's way more powerful than regular 5.1 surround sound - and works in ALL headphones.Join us on http://www.cinemasound.com for hundreds of articles and videos on how to get the unfair Hollywood immersion into your productions!
Live Mixing Star Trek: Axanar Session 3: Dialog Cinema_Sound 2020-11-22 | In this live session, Mark Edward Lewis moves to the DX mixing of the Star Trek: Axanar trailer.
Cinema_Sound Live Stream Axanar Mix Session 2 Cinema_Sound 2020-11-08 | BE SURE TO BE LISTENING ON HEADPHONES NOT SPEAKERS!In this video, Mark Edward Lewis shows us how to mix SFX/MX in this early cut of the Star Trek Axanar trailer.Join us for more at http://www.cinemasound.com
Open Boxing: Triad Orbit Various Clamps and Mountings Cinema_Sound 2020-08-24 | Get the Triad-Orbit T3 Stand Here:amzn.to/3gcNfxeIn this video, Cinema Sound presenter, Mark Edward Lewis, does an open boxing of the Triad-Orbit various clamps!To find out more about how to get the unfair advantage Hollywood has in their productions, go to http://www.cinemasound.com
Open Boxing Triad-Orbit T3 and Mounting Clamp Cinema_Sound 2020-08-22 | Get the Triad-Orbit T3 Stand here:amzn.to/3gcNfxeIn this video, Cinema Sound presenter, Mark Edward Lewis, does an open boxing of the Triad-Orbit T3 Stand and Various Clamps!To find out more about how to get the unfair advantage Hollywood has in their productions, go to http://www.cinemasound.com
Open Boxing: Saramonic Benro Home Base Kit! Cinema_Sound 2020-08-21 | Get the Home Base Kit for $299 here:amzn.to/3gjGI3CIn this video, Cinema Sound presenter, Mark Edward Lewis, does an open boxing of the Saramonic Benro Home Base Kit!To find out more about how to get the unfair advantage Hollywood has in their productions, go to http://www.cinemasound.com
Final Cut Pro X Audio Presets from Cinema Sound Cinema_Sound 2020-08-09 | cinemasound.com/product/final-cut-pro-x-audio-presets-libraryIn this video, Cinema Sound main presenter Mark Edward Lewis demonstrates the Final Cut Pro X Audio Presets. Over 150 presets to instantly get your audio in FCPX sounding better and professional!In this unprecedented preset library, filmmakers get a giant leg up on the competition. For the first time, a deep library of presets now exists which is specifically tailored for you, the Independent Filmmaker, in order to assist you in creating the Hollywood-Edge audience immersion and impact you’ve been looking for.Get them here!cinemasound.com/product/final-cut-pro-x-audio-presets-library The list of presets you’ll receive are:Single Presets:EQ:DX:Female BoostFemale CutFemale EdgeFemale SmoothMale BoostMale CutMale EdgeMale SmoothSibilance Shredder FemaleSibilance Shredder MaleGeneral:DTC Close UpDTC ECUDTC FarDTC MediumDX Notch (Female)DX Notch (Male)Hum RemovalIn the Next RoomLFE RolloffLoudness ContourPhoneSFX NotchMX:Mark MurphyOrchestral EdgeOrchestral ShrillOrchestral SmoothOrchestral ThumpPop EdgePop ShrillPop SmoothPop ThumpPop Thump InternetSFX:CrushDeafeningEdgeExplosion ThumpOnly HighsOnly LowsOnly MidsSmoothMultiBand CompressorsDX:Hi/Lo CRUNCH (Female)Hi/Lo CRUNCH (Male)Hi/Lo Crush (Female)Hi/Lo Crush (Male)Hi/Lo Snap (Female)Hi/Lo Snap (Male)Highs & Lows Smoothed (female)Highs & Lows Smoothed (male)James Earl JonesKnife-EdgeRoarSibilanceGeneral:Cascading MB Compression ACascading MB Compression BLoudness Contour & ControlPump the EdgerPump the LowsGentle ContourPump the RoarPump the SibilanceWhite Knuckler MB CrushWhite Knuckler MB SlamMIX:Easy Mastering MB CompressionMedium MB MasteringSnappy MIX!MXMark MurphyNotch DX EQLimitersInternet Limiter 1Internet Limiter 2Inter Limiter PuncyMix:DVD-BRD LimitingCinema LimitingGet the Call from QCExpandersDX Easy Clean RoomDX Noisy RoomReverb Cut OffSFX Reverb Cut OffSingle-Band CompressorsDX: Easy DialogGeneralCascading Compression ACascading Compression BCrushingSmooth & EasySnappyWhite Knuckler CrushWhite Knuckler PunchMIX: Easy Master CompressionSFXExtend LengthShorten LengthSnap AttackCrush AttackCombinationsDXBad PhoneCate BlanchetteCatherine Zeta-JonesCopsDialog LevelingEdgy FemaleEdgy MaleJames Earl JonesLiam NeesonLily TomlinMartin ShortNext RoomSilvery SibilianceSmoothThe CanyonTom CruiseTrailer VOGeneralContourContour & ControlContour & CookedControlControl & DarkenControl and BrightenControl and EdgeControl and RoarMaster Easy FeatureMIXContour DVD/BRDContour FeatureContour InternetEasy DVD/BRDEdgy DVD/BRDEdgy FeatureEdgy InternetFlat InternetMAXIMUM INTERNETSilvery DVD/BRDSilvery FeatureSilvery InternetThumpy DVD/BRDThump FeatureThumpy InternetTrailer ParkMXBeautiful ContourContourContour & ControlCountry/FolkJazzMark MurphyMark Murphy (pop)MetalRapTechnoSFXBeautiful ContourDynamics? What Dynamics?Edge TakeoverEdgy and a little CookedGodzilla StompHigh TakeoverLow TakeoverRoar TakeoverSmooth & LoudSnap-SlapSnap-WackSnap-WhipThe Godzilla RoarThe InsectoidSnap-ThumpYou can watch the tutorial of how to use the presets and get a feel for how they work:
Mark Mixes Gides.com Teaser Live in Adobe Audition Cinema_Sound 2020-07-31 | When Dynamic Linking Fails, You still have to deliver.
Youre Not the Problem, Your DAW is! Cinema_Sound 2020-06-19 | In this video, main Cinema Sound main presenter, Mark Edward Lewis, tells us why the trouble we're having trying to get good sound isn't our issue. You're Not the Problem, Your DAW is!Find out more about how to get that Hollywood immersive sound element into your productions by visiting http://www.cinemasound.com and get your unfair competitive advantage!
Secrets to Speed Up Adobe Audition Cinema_Sound 2020-06-17 | In this video, main Cinema Sound main presenter, Mark Edward Lewis, gives us the information straight from Adobe on the secrets to speed up Adobe Audition!Find out more about how to get that Hollywood immersive sound element into your productions by visiting http://www.cinemasound.com and get your unfair competitive advantage!
Pro Tools Vs. Audition SHOWDOWN! Cinema_Sound 2020-06-16 | In this video, main Cinema Sound main presenter, Mark Edward Lewis, gives us a walk-through of which DAW - Pro Tools Vs. Audition - is the better DAW as a SHOWDOWN!Find out more about how to get that Hollywood immersive sound element into your productions by visiting http://www.cinemasound.com and get your unfair competitive advantage!
Secrets of Adobe Rush Cinema_Sound 2020-06-14 | In this video, main Cinema Sound main presenter, Mark Edward Lewis, gives us a behind the scenes look at the Secrets of Adobe Rush - and how to get GREAT SOUNDING AUDIO from bad source materials using Rush - and importing it into Premiere Pro.Find out more about how to get that Hollywood immersive sound element into your productions by visiting http://www.cinemasound.com and get your unfair competitive advantage!
Audition vs Hindenburg SHOWDOWN! Cinema_Sound 2020-06-13 | In this video, main Cinema Sound main presenter, Mark Edward Lewis, gives us a walk-through of which DAW - Audition vs. Hindenburg - is the better DAW.Find out more about how to get that Hollywood immersive sound element into your productions by visiting http://www.cinemasound.com and get your unfair competitive advantage!
Audition vs. Audacity SHOWDOWN!! Cinema_Sound 2020-06-12 | In this video, main Cinema Sound main presenter, Mark Edward Lewis, gives us a walk-through of which DAW - Audition vs. Audacity - is the better DAW.Find out more about how to get that Hollywood immersive sound element into your productions by visiting http://www.cinemasound.com and get your unfair competitive advantage!
Adobe Premiere vs. Resolve vs. Final Cut Pro X SHOWDOWN! Cinema_Sound 2020-06-11 | In this video, main Cinema Sound main presenter, Mark Edward Lewis, gives us a walk-through of which NLE - Adobe Premiere vs. Resolve vs. Final Cut Pro X - is the best in terms of getting GREAT SOUNDING AUDIO. It's a SHOWDOWN!Find out more about how to get that Hollywood immersive sound element into your productions by visiting http://www.cinemasound.com and get your unfair competitive advantage!
SpeakerPhone Demo in Adobe Audition Cinema_Sound 2020-05-28 | In this video, Cinema Sound main presenter Mark Edward Lewis demo the Speakerphone plugin in Adobe Audition. It's amazing to use for post production and music mixing!For more on how to get the unfair Hollywood advantage for your productions go to www.cinemasound.com or get the cinema sound education here: bit.ly/buycinemasound
Podcaster Survival Guide Mixing .17 Final Output in Adobe Audition Cinema_Sound 2020-04-07 | In this video, Cinema Sound main presenter, Mark Edward Lewis shows us how to get better and more clear podcasts by mixing recordings in Adobe Audition.Get the Entire Podcaster Survival Guide Here:cinemasound.com/product/podcaster-survival-guideBe sure to watch ALL of the Podcaster Survival Guide Videos from our playlist!
