❝Praise the Lord❝ from the Oratorio Solomon by G. F. Händel Hans-Andre Stamm 2024-05-10 | ❝Praise the Lord❝ from the Oratorio Solomon by G. F. Händel
J. S. Bach Christmas Oratorio Opening Chorus, arr. for organ solo by Carsten Klomp Hans-Andre Stamm 2022-12-13 | Recording from the concert on December 11th in the ev. Stadtkirche Melsungen, Germany with the choir Konzertprojektchor, Conductor: Bezirkskantorin Kornelia Kupski, organ: Hans-André Stamm.The organ arrangement of the orchestral score has been provided by Carsten Klomp (Carus-Verlag, Stuttgart)
3 French Noëls Hans-Andre Stamm 2022-12-11 | recording from the concert in St. Paul-de-Pessicart in Nice, France on december 4th 2022 with the choir of St. Paul, conductor: Jean-Michel François and Hans-André Stamm, organ.The preludes and interludes are in a Bach oriented style except the last interlude of the third Noël, which is in Celtic jig style.
Fantasia ❝Hommage à Mendelssohn❝ for organ by Hans-andré Stamm Hans-Andre Stamm 2022-11-03 | 1. Andante cantabile 2. Allegro maestosolive recording from the concert "Dancing Pipes" on october 15th in St. Martin, Bamberg, Hans-André Stamm playing on the Steinmeyer organ (1894, rest. 2000 by Eule)Thanks to Ulrich Theissen for the invitation and Thomas Meyer for video recording and projection.Both movements – a final one is yet to be composed (Allegro maestoso than as the 1st mvmt) – in the style of Mendelssohn reflect my admiration for this composer.
Cavatine for organ by Hans-André Stamm Hans-Andre Stamm 2022-10-29 | recording from the concert in the Catholic parish church "Christi Verklärung" in Köln-Heimersdorf (Cologne) with the composer at the Peter organ, which allows to combine the pipe sounds with sampler sounds (system Rogers). So the Gambe+Voix célèste accompaniment has been slightly enriched by a strings sampler sound. The English Horn of the upper manual is a free reed stop with a more clarinet-like sound.
Paraphrase on Amazing Grace for organ by Hans-André Stamm Hans-Andre Stamm 2022-10-24 | live recording from the concert "Dancing Pipes" on october 15th in St. Martin, Bamberg, Hans-André Stamm playing on the Steinmeyer organ (1894, rest. 2000 by Eule)Thanks to Ulrich Theissen for the invitation and Thomas Meyer for video recording and projection.
Toccata écossaise for organ by Hans-André Stamm Hans-Andre Stamm 2022-10-24 | live recording from the concert "Dancing Pipes" on october 15th in St. Martin, Bamberg, Hans-André Stamm playing on the Steinmeyer organ (1894, rest. 2000 by Eule)Thanks to Ulrich Theissen for the invitation and Thomas Meyer for video recording and projection.
Concerto for organ and orchestra by Hans--André Stamm Hans-Andre Stamm 2022-10-07 | recording from the final concert of the ”29. Internationale Orgeltage Neubrandenburg”on sunday 25th september 2022 in the Ev. Johanniskirche in Neubrandenburg, Germany with members of the Neubrandenburger Philharmonie (strings, timpani) and Hans-André Stamm at the Schuke organ. Conductor: Christan Stähr. Thanks to Colin Heidecker for organ registration.1. Allegro moderato 00:072. Andante 08:183. Allegro 15:28
Organ Concerto in a minor op. 100 by Marco Enrico Bossi Hans-Andre Stamm 2022-10-06 | recording from the final concert of the ”29. Internationale Orgeltage Neubrandenburg”on sunday 25th september 2022 in the Ev. Johanniskirche in Neubrandenburg, Germany with members of the Neubrandenburger Philharmonie (strings, French horns, timpani) and Hans-André Stamm at the Schuke organ. Conductor: Christan Stähr. Thanks to Colin Heidecker for organ registration.1. Allegro moderato 00:052. Adagio, man non troppo 09:593. Allegro 17:39
Mikrotonale Tonwelten & Illumination - Einführung in das ❝Lumatone Keyboard durch H. A. Stamm Hans-Andre Stamm 2022-09-10 | ein Projekt mit finanzieller Unterstützung der Corona Soforthilfe NRW 2020.Im 1. Teil wird das Lumatone Isomorphic Keyboard (lumatone.io) und seine grundsätzlichen Möglichkeiten vorgestellt. Im 2. Teil wird in der Kirche St. Theodor Köln-Vingst ein Eindruck vermittelt, wie ein Konzert unter Einbeziehung von Mikrotönen (hier Vierteltöne) mit einer Video-Deckenillumation aussehen könnte.
Karg-Elert Marche Triomphale on ❝Nun danket alle Gott❝ arr. for brass quintet & organ by G. Olson Hans-Andre Stamm 2022-09-01 | recording from the concert on august 26th 2022 "Schlebuscher Orgelnacht" in the Catholic parish church Sankt Andreas, Leverkusen-Schlebusch, Germany with the brass quintet ”International Brass” and Hans-André Stamm at the Mönch organ.
A. Guilmant Marche heroique op. 15 arr. for brass & organ Hans-Andre Stamm 2022-09-01 | recording from the concert "Schlebuscher Orgelnacht" on august 26th 2022 in the Catholic parish church Sankt Andreas, Leverkusen-Schlebusch, Germany with the brass quintet "International Brass" and Hans-André Stamm at the Mönch organ. The arrangement is by Wilhelm Junker.
Organ Presentation in Święta Lipka, Mazuria, Poland by Adam Kowalski Hans-Andre Stamm 2022-08-12 | recording from 6th august 2022 in the Marian sanctuary of Święta Lipka (Heiligelinde), Mazuria, Poland, with Adam Kowalski, improvising masterfully at the organ and playing Schuberts Ave Maria and, as final piece Handel's Halleluja from the "Messiah" showing all the bells, zimbelstern and moving angels, which are a unique feature of this instrument.Apart from the original organ case by organ builder Johann Josua Mosengel from Königsberg , built in 1719-21 the interior is from Bruno Goebel 1905, restaured by S. Sauer, Germany in 2009.nagranie z 6 sierpnia 2022 roku w Sanktuarium Maryjnym w Świętej Lipce (Heiligelinde), Mazury, Polska, z Adamem Kowalskim, improwizującym po mistrzowsku na organach i grającym Ave Maria Schubertsa oraz, jako utwór końcowy, Halleluja z "Mesjasza" Haendla, pokazując wszystkie dzwony, zimbelstern i ruchome anioły, które są unikalną cechą tego instrumentu.Oprócz oryginalnej szafy organowej wykonanej przez budowniczego organów Johanna Josua Mosengel z Królewca, zbudowanej w latach 1719-21, wnętrze pochodzi od Bruno Goebela z 1905 roku i zostało odrestaurowane przez S. Sauera z Niemiec w 2009 roku.
Choral prelude on ”Das Feld ist weiß” (EG 513) Pole jest białe for organ by Hans-André Stamm Hans-Andre Stamm 2022-08-11 | played by the composer on the organ in the Marian sanctuary of Święta Lipka (Heiligelinde) in Mazuria. From the original organ by Johann Josua Mosengel from Königsberg only the case remained, the interior is from the organ builder Bruno Goebel 1905, restaured by S. Sauer in 2009.The text of the choral is from Masuria from 1738, the melody from the 17th century. If J. S. Bach had actually traveled to Gdansk in 1730, where his friend Erdmann lived, whom he asked to arrange employment for him there because he was dissatisfied in Leipzig, how would he have improvised on this melody? In this chorale prelude in Bach's style, it appears in the pedal.Thanks to organist Adam Kowalski for permissiongespielt vom Komponisten auf der Orgel im Marienheiligtum von Święta Lipka (Heiligelinde) in Masuren. Von der ursprünglichen Orgel von Johann Josua Mosengel aus Königsberg blieb nur das Gehäuse erhalten, das Innere stammt vom Orgelbauer Bruno Goebel 1905, restauriert von S. Sauer im Jahr 2009.Der Text des Chorals stammt aus Masuren von 1738, die Melodie aus dem 17. Jahrhundert. Wenn J. S. Bach 1730 tatsächlich nach Danzig gereist wäre, wo sein Freund Erdmann lebte, den er darum bat, ihm dort eine Anstellung zu vermitteln, da er in Leipzig unzufrieden war, wie hätte er über diese Melodie improvisiert? In diesem Choralvorspiel in Bachs Stil erscheint sie im Pedal.Adam Kowalski sei gedankt für seine Genehmigung .zagrane przez kompozytora na organach w sanktuarium maryjnym w Świętej Lipce (Heiligelinde) na Mazurach. Z oryginalnych organów Johanna Josua Mosengela z Królewca pozostała tylko obudowa, wnętrze pochodzi od budowniczego organów Bruno Goebela 1905, odrestaurowane przez S. Sauera w 2009 roku.Tekst pochodzi z Mazur z 1738 roku, melodia z XVII wieku. Gdyby J.S. Bach rzeczywiście pojechał w 1730 r. do Gdańska, gdzie mieszkał jego przyjaciel Erdmann, którego poprosił o załatwienie mu pracy w Lipsku, ponieważ był niezadowolony, jak improwizowałby na temat tej melodii? W tym preludium chorałowym w stylu Bacha pojawia się w pedale. Podziękowania dla organisty Adama Kowalskiego za zgodę
Toccata on Highland Cathedral for organ by Hans-André Stamm Hans-Andre Stamm 2022-07-09 | recording from the "Magdeburger Orgelpunkt" concert on june 26th 2022 in the cathedral of Magdeburg, Germany. The famous melody of "Highland Cathedral" by Michael Korb and Uli Roever was used by permission by © Ed. Roma / Universal/MCA Music Publishing GmbH.
Joyful for organ by Michael Korb and Hans-André Stamm Hans-Andre Stamm 2022-03-01 | recording from february 27th 2022 in the ev. Christuskirche, Leverkusen, Germany with Hans-André Stamm at the Strutz-Seifert organ. Both composers, Michael Korb and Hans-André Stamm contributed to the piece: the main melody is that of a little song by Michael Korb on Goethe’s poem "Freudvoll und leidvoll" which can be heard at the end of the video. Stamm uses this melody for his organ piece by mainly playing around it in a classical contrapuntal cantus firmus technique.Freudvoll und leidvoll,Gedankenvoll sein;Langen und bangenIn schwebender Pein;Himmelhoch jauchzend,Zum Tode betrübt—Glücklich alleinIst die Seele, die liebt.Joyful and painfulfull of thoughts;Yearning and anxiousin continuous pain;Exulting to heaven,Fatally sad —Happy aloneIs the soul that loves.
Fantasia Hommage à Mendelssohn for organ by Hans-André Stamm Hans-Andre Stamm 2022-02-10 | recording from february 10th 2022 with the composer at the Strutz-Seifert organ in the ev. Christuskirche, Leverkusen, Germany. Mendelssohn is one of my favourite composers. The piece is based on an improvisation.
Toccata on ❝Highland Cathedral❝ for organ by Hans-André Stamm Hans-Andre Stamm 2022-01-14 | recording from january 14th 2022 in the ev. Christuskirche, Leverkusen, Germany. The orginal melody by Michael Korb and Uli Roever was used by permission by © Ed. Roma / Universal/MCA Music Publishing GmbH.The photos from the Scottish highlands have been used by permssion by Tom Damm.
Two Advent Choral Preludes for trumpet & organ by Hans-André Stamm Hans-Andre Stamm 2021-12-08 | recording from december 7th 2021 in the ev. Christuskirche, Leverkusen, Germany with Lennard Prößdorf, trumpet and the composer at the Strutz-Seifert organ. The sheet music edition "Six Choral Preludes for Advent and Christmas time" also contains four other preludes and is available from eufonia.de, write to info@eufonia.deThe soli can also be played by other instruments as parts for Bb and C are included.
Two Choral Preludes for Advent & Christmas for trumpet & organ by H. A. Stamm Hans-Andre Stamm 2021-12-06 | recording from a rehearsal on december 2nd 2021 in the ev. Christuskirche, Leverkusen, Germany with Lennard Prößdorf, trumpet and the composer at the Strutz-Seifert organ. The sheet music of "Six Choral Preludes for trumpet & organ" is available at info@eufonia.de. In Great Britain the choral "Daughter Zion, rejoice" is a famous easter hymn "See, see the conquering hero comes!"
20 Choral Preludes for Advent and Christmas by Hans-André Stamm Hans-Andre Stamm 2021-11-26 | recording from november 25th 2021 in the ev. Christuskirche Leverkusen, Germany with the composer at the Strutz-Seifert organ. The edition is available at www.eufonia.deThe project to create this collection was inspired by a stipendium for composers by GEMA.The idea was to combine classical choral prelude patterns with elements of Celtic folk music, dance like rhythms, syncopations and ornamental figures. Some pieces have come out more baroque in style, but most of the pieces have a light Celtic flavour.00:00 Es ist für uns eine Zeit angekommen01:14 Es kommt ein Schiff, geladen02:28 Macht hoch die Tür04:12 O Heiland, reiß die Himmel auf05:00 Wachet auf, ruft uns die Stimme06:07 Wir sagen euch an den lieben Advent07:08 Engel auf den Feldern singen08:20 Es ist ein Ros entsprungen09:30 Herbei, o ihr Gläubigen10:48 Ihr Kinderlein, kommet11:20 In dulci jubilo12:30 Kommet, ihr Hirten13:24 Lobt Gott, ihr Christen, alle gleich14:08 Stille Nacht, heilige Nacht15:14 O du fröhliche17:35 Vom Himmel hoch, o Engel, kommt18:32 Tochter Zion, freue dich19:36 Zu Bethlehem geboren20:37 Vom Himmel hoch, da komm ich her21:32 Wie schön leuchtet der Morgenstern
3 Pieces from Wadokyo Hans-Andre Stamm 2021-10-20 | recording from the IDO festival concert on october 9th 2021 in the ev. Johanneskirche, Düsseldorf, Germany with Grete Moortgat, taikos (japanese drums) and Hans-André Stamm at the Beckerath organ.
An 18th Century Jukebox playing Handel’s music - presented by Hans-André Stamm (+subtitles) Hans-Andre Stamm 2021-07-29 | After the short introduction you hear the pieces listed below. Keep in mind that tonalities and ranges are adapted to the limited number of tones, the diapason being ca. 415Hz. I added a little reverb to round the sound.G. F. Handel – Organ Concerto op. 4/21. A Tempo ordinario e staccato 02:04 min.2. Allegro 02:51 min.3. Allegro ma non presto 07:18G. F. Handel – Organ Concerto op. 4/51. Larghetto 09:462. Allegro 11:493. Alla Siciliana 14:184. Presto 15:48G. F. Handel – Ouverture from „Water Music“ 17:34G. F. Handel – Let the Bright Seraphim from „Samson“ 19:20G. F. Handel – Minuet from Rodelinda 22:04G. F. Handel – Minuet from Arianna in Creta 24:15
H.A.Stamm - Auf den Spuren des Orgelspiels zur Zeit Händels (subtitles included/sous-titres inclus) Hans-Andre Stamm 2021-07-21 | Ein kurzer Vortrag über die Art, wie in England Walzen (Dreh-)orgeln im 18. Jahrhundert Orgelmusik von Händel spielten. Viele Adlige hatten damals solche Instrumente in ihren Häusern und die Art, wie die Musik darauf programmiert war, entsprach natürlich dem Musikgeschmack der Zeit.Hier der Link zu der Holland Orgel von 1790, die im Video zu hören ist.https://www.youtube.com/watch?v=QgBjksRoX9gHier kann man alle 4 Sätze von op. 4 Nr. 5 komplett hören:https://hobartrecorderplayers.com/an-18th-century-recording-of-handels-recorder-sonata-no-4-in-f-major/Es scheint so zu sein, dass John Langshaw (1718-98) tatsächlich diese Orgel gebaut hat und da er 80 Jahre alt wurde, wurde sein Musikgeschmack von der musikalischen Ästhetik der Händel-Zeit geprägt.A short lecture on the way in which 18th-century barrel organs in England played organ music by Handel. Many aristocrats had such instruments in their houses at that time and the way the music was programmed on them naturally corresponded to the musical taste of the time.Here is the link to the Holland organ from 1790 that can be heard in the video.https://www.youtube.com/watch?v=QgBjksRoX9gHere you can listen to a complete recording of all four movements of op. 4 No. 5:https://hobartrecorderplayers.com/an-18th-century-recording-of-handels-recorder-sonata-no-4-in-f-major/Apparently, John Langshaw (1718-98) was indeed the organ builder of this instrument. And having lived for 80 years, his musical taste was shaped by the musical aesthetics of Handel's time.Une courte conférence sur la manière dont les orgues à rouleaux du XVIIIe siècle en Angleterre ont joué la musique d'orgue de Haendel. À l'époque, de nombreux aristocrates possédaient de tels instruments dans leurs maisons et la manière dont la musique était programmée sur ces instruments correspondait naturellement au goût musical de l'époque.Voici le lien vers l'orgue Holland de 1790 que l'on peut entendre dans la vidéo.https://www.youtube.com/watch?v=QgBjksRoX9gIci on peut écouter un enregistrement de tous les 4 mouvements de l'op. 4 No. 5:https://hobartrecorderplayers.com/an-18th-century-recording-of-handels-recorder-sonata-no-4-in-f-major/Il semble que John Langshaw (1718-98) était en fait le facteur d'orgue de cet instrument et comme sa vie a duré 80 ans son goût musical était formé par l'esthétique de l'époque de Händel.
Postlude on ”Sonne der Gerechtigkeit” (Sun of Justice) for organ by Hans-André Stamm Hans-Andre Stamm 2021-07-19 | recording from july 18th in the ev. Christuskirche, Leverkusen, Germany with the composer at the Strutz-Seifert organ.
Choral prelude on ”Sonne der Gerechtigkeit” (Sun of Justice) for organ by Hans-André Stamm Hans-Andre Stamm 2021-07-04 | recording from july 4th 2021 in the ev. Christuskirche, Leverkusen, Germany with the composer at the Strutz-Seifert organ. The piece is dedicated to Thomas Harnath and available through Eufonia Editions, write to info@eufonia.de
Audio-visuelle Orgelmeditation Hans-Andre Stamm 2021-06-24 | Projekt des Künstlerstipendiums im Rahmen der NRW Corona Soforthilfe 2020, Aufnahme in der katholischen Pfarrkiche Sankt Theodor in Köln-Vingst vom 15. Juni 2021 mit meditativer Orgelmusik von Stamm, Duruflé und Vierne, die z. T. Elemente der sog. Minimal-Music aufweist, mit Illumination und Videoprojektionen an der Kirchendecke (Kirchenfensterrosetten, Blumen, Aquarium, Sonnenaufgang, Weltall etc.). Unser Dank geht an Dirk-Johannes Neumann (Organist), Christoph Becker, Anja Einig, sowie die Kirchengemeinde St. Theodor für ihre Unterstützung.Stamm - Rêve 0:13Stamm - Mandala 4:05Stamm - Cavatine 10:16Stamm - Dance of the Water Spirits 13:18Stamm - Hymne an das Licht 16:52Duruflé - Méditation 19:13Stamm - Ellyllon 22:28Stamm - Fairies Hornpipe 26:08Stamm - Meditation aus Suite Nr. 2 28:56Stamm - Unter dem Sternenhimmel 32:01Vierne - Carillon de Westminster 35:14
Ride of the Valkyries by R. Wagner arr. for corno da caccia & organ by H. A. Stamm Hans-Andre Stamm 2021-05-28 | recording from may 18th 2021 in the ev. Christuskirche Leverkusen, Germany with Martin Schröder, corno da caccia and Hans-André Stamm at the Strutz-Seifert organ. This video is part of a project "Orgel einst und jetzt” (organ once and now) for a stipendium by “Neustart Kultur” featuring the organ as the instrument of the year 2021.
Konzert 2021 ”Orgel einst und heute❝ - barocke & spätromantische Stücke für 1-2 Trompeten & Orgel Hans-Andre Stamm 2021-05-24 | Im Rahmen eines Stipendiums von "Neustart Kultur" wurde nach dem Osterkonzert 2021 dieses 2. Video eines Onlinekonzertes erstellt, das Aufnahmen an zwei Orten enthält:Der 1. Teil mit bekannten barocken Werken und eigenen Werken Stamms wurde vom ”Trio festivo” an der König Orgel von 1714 in St. Leodegar in Niederehe, Eifel aufgenommen mit Marion Kutscher und Michael Frangen, die Naturtrompeten spielen, wie sie im Barockzeitalter verwendet wurden.Der 2. Teil mit drei Arrangements von berühmten Opern-Highlights von Richard Wagner wurde vom Duo ”Concerto maestoso” in der Christuskirche in Leverkusen aufgenommen mit Martin Schröder, Trompete/Corno da caccia und Hans-André Stamm, an der Strutz-Seifert Orgel (1971/2013). Zwischen den Einzelvideos, die als solche auch auf Youtube zu finden sind, werden Erklärungen zu beiden Orgeln gegeben. Ich danke den Solisten sehr herzlich für ihre hingebungsvolle Mitwirkung und großartige spielerische Leistung bei diesem Projekt. Dies gilt ebenso für das 1. Projekt "Osterkonzert 2021" mit Andrea Will, Piccolo/Flöte und Wolfgang Pohl, Oboe/Englischhorn, denen an dieser Stelle auch noch einmal gedankt sei.Die Titelfolge ist:01:23 Clarke/Purcell - Cebell, Air & Fanfare08:18 Händel - Wassermusik Ouvertüre & March 214:13 Boyce - Trumpet Voluntary16:51 Händel - Andante larghetto e staccato aus Orgelkonzert op. 7/521:00 Stamm - Concertino "Hommage à Mozart"26:47 Stamm - Fantasia italiana31:50 Wagner - Meistersinger-Marsch24:40 Wagner - Der Ritt der Walküren37:05 Wagner - Pilgerchor auas Tannhäuser40:11 Vierne - Final aus Orgelsymphonie Nr. 1
Choral Prelude on ❝Gegrüßet seist du, Königin❝ (GL 536) for organ by Hans-André Stamm Hans-Andre Stamm 2021-05-22 | recording from may 22th 2021 in the ev. Christuskirche, Leverkusen, Germany with the composer at the Strutz-Seifert organ. The 1st variation is in the rhythm of a Celtic jig, the 2nd with cantus firmus uses a sort of fiddle figuration found in Celtic reels.
Pilgrim's choir (Tannhäuser) by R. Wagner arr. for trumpet (corno da caccia) & organ by H. A. Stamm Hans-Andre Stamm 2021-05-21 | recording from april 25th 2021 in the ev. Christuskirche Leverkusen, Germany with Martin Schröder, corno da caccia and Hans-André Stamm at the Strutz-Seifert organ. This video is part of a project "Orgel einst und jetzt” (organ once and now) for a stipendium by “Neustart Kultur” featuring the organ as the instrument of the year 2021.
Choral & 2 Variations on ❝Nun, Freunde, sind wir frohgemut❝ (GL847) for organ by Hans-André Stamm Hans-Andre Stamm 2021-05-19 | recording from may 18th 2021 in the ev. Christuskirche, Leverkusen, Germany, with the composer at the Strutz-Seifert organ.
Frühlingsgruß 2021 Sankt Anna-Kapelle, Leverkusen, Lützenkirchen, mit dem Duo ”Concerto maestoso” Hans-Andre Stamm 2021-05-15 | Aufnahme vom 4. Mai 2021 in der Sankt Anna-Kapelle, Leverkusen, Lützenkirchen mit Martin Schröder, Trompete/Corno da caccia und Hans-André Stamm an der Schulte-Orgel.Die Programmfolge dieses musikalischen Frühlingsgrußes ist: 0:14 A. Scarlatti - Il Giardino di Amore 1. Satz Allegro 2:57 H. A. Stamm - Choral und 2 Variationen über ”Nun Freunde, lasst uns frohgemut” (GL 847) 6:40 A. Scarlatti - Il Giardino di Amore 3. Satz Allegro 7:57 J. S. Bach - ”Schafe können sicher weiden”, Arie aus Kantate 20812:07 H. A. Stamm - Choral und Variationen über ”Gegrüßet seist du, Königin (GL 536)14:40 H. A. Stamm - Fairies’ Hornpipe17:03 J. S. Bach - ”Jesus bleibet meine Freude” aus Kantate 14720:08 G. Ph. Telemann - Drei Heroische Märsche: Die Majestät, Die Anmut, Die Tapferkeit
Voluntary D major by William Boyce arr. for 2 trumpets & organ by Hans-André Stamm Hans-Andre Stamm 2021-05-07 | recording in St. Leodegar in Niederehe, Eifel region, Germany with Marion Kutscher and Michael Frangen, natural trumpets (clarini) and Hans-André Stamm at the Balthasar König organ from 1714.Natural trumpets are the original baroque trumpet instruments without valves or flaps only able to play the notes of the overtone series, little venting holes serve intonation corrections.The original meantone tuning of the König organ has been preserved resp. restaured with pure thirds (just intonation) in C and G major chords, perfectly resonating with the trumpet tones. For this reason I transposed Boyce’s voluntary to C major, and also because a f# major chord, which occurs in the piece, is not possible in this tuning (sharp third f# bb) , which is in D major and orginally for harpsichord. Boyce must already have had a modified meantone tuning. This recording is part of a project for “Neustart Kultur” featuring the organ as the instrument of the year 2021.
Andante larghetto e staccato from organ concerto op 7/5 by G. F. Handel Hans-Andre Stamm 2021-05-05 | recording in St. Leodegar in Niederehe, Eifel region, Germany with Hans-André Stamm at the Balthasar König organ from 1714. The original string unisono accompaniment has been created with sampler sounds and added to the organ variations on an ostinato theme, which is based on the chord sequence which was later named "Pachelbel model", as it has become famous through Pachelbel's canon.This recording is part of a project for “Neustart Kultur” under the motto ”Orgel einst und jetzt” (organ once and now) featuring the organ as the instrument of the year 2021.
Final of organ symphony No. 1 by Louis Vierne Hans-Andre Stamm 2021-04-30 | Recording with Hans-André Stamm at the Strutz-Seifert organ in the ev. Christuskirche Leverkusen, Germany. This video is part of a project "Orgel einst und jetzt” (organ once and now) for a stipendium by “Neustart Kultur” featuring the organ as the instrument of the year 2021.
Ouverture & 2nd March from the Water Music by G. F. Handel arr. for 2 trumpets & organ Hans-Andre Stamm 2021-04-28 | recording in St. Leodegar in Niederehe, Eifel region, Germany with Marion Kutscher and Michael Frangen, natural trumpets (clarini) and Hans-André Stamm at the Balthasar König organ from 1714.The two movements are from Suite in D major, in which Handel arranged pieces from his Water Music.Natural trumpets are the original baroque trumpet instruments without valves or flaps only able to play the notes of the overtone series, little venting holes allow intonation corrections.The original meantone tuning of the König organ has been preserved resp. restaured with pure thirds (just intonation) in C and G major chords, perfectly resonating with the trumpet tones.This recording is part of a project for “Neustart Kultur” featuring the organ as the instrument of the year 2021.
Concertino ”Hommage à Mozart” for 2 trumpets (clarini) & organ, timp. ad lib. by Hans-André Stamm Hans-Andre Stamm 2021-04-24 | recording in St. Leodegar in Niederehe, Eifel region, Germany with Marion Kutscher and Michael Frangen, natural trumpets (clarini) and Hans-André Stamm at the Balthasar König organ from 1714.The piece is written in the style of Mozart's time especially for natural trumpets, the so-callled clarini.These are the original baroque trumpet instruments without valves or flaps only able to play the notes of the overtone series, little venting holes allow intonation corrections. They were used up to the 19th century.Some pictures of the church, saint statues and the bellow in action have been added.The Timpani part has been added after the recording via sampler sounds.The recording is part of a project for “Neustart Kultur” featuring the organ as the instrument of the year 2021.
Cebell, Air & Fanfare for two trumpets & organ by Clarke/Purcell arr. by H. A. Stamm Hans-Andre Stamm 2021-04-22 | recording in St. Leodegar in Niederehe, Eifel region, Germany with Marion Kutscher and Michael Frangen, natural trumpets (clarini) and Hans-André Stamm at the Balthasar König organ from 1714. Cebell is famous under the title “Trumpet tune” and attributed to Henry Purcell (1659-1695), but actually the composer is Jeremiah Clarke (1674-1707), the piece originally being written for organ or harpsichord. The two other short pieces by Purcell have been added to create a little cyclical form. The Timpani part has been added after the recording via sampler sounds.Natural trumpets are the original baroque trumpet instruments without valves or flaps only able to play the notes of the overtone series, little venting holes allow intonation corrections.The original meantone tuning of the König organ has been preserved resp. restaured with pure thirds (just intonation) in C and G major chords, perfectly resonating with the trumpet tones.This recording is part of a project for “Neustart Kultur” featuring the organ as the instrument of the year 2021.
Fantasia italiana for 2 trumpets (clarini) & organ by Hans-André Stamm Hans-Andre Stamm 2021-04-20 | Recording in St. Leodegar in Niederehe, Eifel region, Germany with Marion Kutscher and Michael Frangen, natural trumpets (clarini) and Hans-André Stamm at the Balthasar König organ from 1714. The original meantone tuning of the instrument has been preserved resp. restaured with pure thirds (just intonation) in C and G major chords, perfectly resonating with the trumpet tones.This recording is part of a project for “Neustart Kultur” featuring the organ as the instrument of the year 2021 comparing an old and a new instrument.Timpani sounds have been added via sampler sound after the recording. Natural trumpets are the original baroque trumpet instruments without valves or flaps only able to play the notes of the overtone series, little venting holes allow intonation corrections.
Fairies’ Hornpipe for trumpet & organ by Hans-André Stamm Hans-Andre Stamm 2021-04-13 | recording from april 10th 2021 with Martin Schröder, corno da caccia and the composer at the Strutz-Seifert organ in the ev. Christuskirche, Leverkusen, Germany. The original version of the piece is for organ solo (also here on YT) and it was Martin’s idea to play the melody with the corno and he added some lines for his instruments. Thanks to Martin for the wonderful performance and the video.
Osterkonzert 2021 des Trios ”Orgelklang & Bläserzauber” Hans-Andre Stamm 2021-04-11 | Gefördert durch ein Stipendium von „Neustart Kultur“, zeigt Hans-André Stamm als Organist und Arrangeur Möglichkeiten der „Königin der Instrumente“ auf, Orchestermusik unter Pandemie-Bedingungen neu hörbar zu machen. Die Orgel übernimmt die Rolle eines Orchesters, welches derzeit ja nur selten live zu hören ist. In einer Aufnahme vom 7. April 2021 spielt das Trio "Orgelklang und Bläserzauber” mit Andrea Will, Flöte/Piccolo, Wolfgang Pohl, Oboe/Englischhorn und Hans-André Stamm an der Binns-Schulte Orgel in der kath. Pfarrkirche Heilig Kreuz in Bonn-Limperich Werke von Bach, Wagner, Ravel, Waignein, Schostakowitsch, Vaughan-Williams und Stamm. Ein herzlicher Dank an Christian Jacob für die Benutzung der Orgel, das Nachstimmen der Zungenregister und die Bereitstellung von zusätzlicher Beleuchtung. Danke auch an Wolfgang Pohl für die Moderation.
Tarantella for flute & organ (piano) by Hans-André Stamm Hans-Andre Stamm 2021-03-31 | recording from march 24th 2021 in the ev. Christuskirche, Leverkusen, Germany with Andrea Will, flute and Hans-André Stamm at the Strutz-Seifert organ. Some photos of Lucca by Regine Brühl from a little concert tour with trumpet soloist Michael Frangen in 2019 have been added. Thank to Regine for charing those beautiful impressions of this unique old town.
Waltz from ”Suite antique” by John Rutter for flute & piano (here: organ) Hans-Andre Stamm 2021-03-30 | recording from march 24th 2021 in the ev. Christuskirche, Leverkusen, Germany with Andrea Will, flute and Hans-André Stamm at the Strutz-Seifert organ.
Hobbits Dance for trumpet & organ by Hans-André Stamm Hans-Andre Stamm 2021-03-27 | recording from march 23th 2021 in the ev. Christuskirche, Leverkusen, Germany with Martin Schröder, trumpet, to whom the piece is dedicated and Hans-André Stamm at the Strutz-Seifert organ.
Over the Hills for trumpet & organ by Hans-André Stamm Hans-Andre Stamm 2021-03-18 | recording from march 13th 2021 in the ev. Christuskirche, Leverkusen, Germany with Martin Schröder, trumpet and the composer at the Strutz-Siefert organ. The piece also exists in an original version for 2 trumpets & organ and is dedicated to Marion Kutscher and Michael Frangen.
Fanfare & Cortege for 2 trumpets & organ by Hans-André Stamm Hans-Andre Stamm 2021-03-15 | recording of the Trio festivo with Marion Kutscher and Michael Frangen, trumpets and Hans-André Stamm at the Weimbs organ in St. Martin, Hillesheim, Germany.The diapason of this recording has been lowered from A 440hz to A 432hz as some feel this tuning more relaxing. It is a little experiment. The listener may decide whether it sounds better to him than normal 440hz recordings.The choreography here is that in Fanfare the soloists are positioned in the choir room on both sides and open with short motives in an antiphonic way, then alternating with motives of the organ. Playing the solemn melody of Cortege the soloists walk through the nave and play the last passage from the organ gallery. Some pictures (nave and the two organs) from the cathedral St. Martino in Lucca, Italy have been added.
Rejoice for trumpet & organ by Hans-André Stamm Hans-Andre Stamm 2021-03-10 | recording with Michael Frangen, trumpet, to whom the piece is dedicated and the composer at the Weimbs organ in St. Martin, Hillesheim, Germany
Suite No. 2 for two trumpets & organ by Hans-André Stamm Hans-Andre Stamm 2021-03-06 | recording with the Trio festivo: Marion Kutscher & Michael Frangen, trumpets and Hans-André Stamm at the Weimbs organ in St. Martin, Hillesheim, Germany. The 1st movement is a sort of Elegy, the 2nd a kind of marche triomphale. Thanks to Regine Brühl for providing photos of the Eifel region and the cathedral of Meißen, Saxony.
Suite No. 1 for 2 trumpets & organ by Hans-André Stamm Hans-Andre Stamm 2021-03-05 | recording with the Trio festivo: Marion Kutscher & Michael Frangen (corni da caccia/trumpet) and Hans-André Stamm at the Weimbs organ in St. Martin, Hillesheim, Germany.
Over the Hills for 2 trumpets & organ by Hans-André Stamm Hans-Andre Stamm 2021-03-01 | recording with the Trio festivo: Marion Kutscher & Michael Frangen, trumpetsand Hans-André Stamm at the Weimbs organ in St. Martin, Hillesheim, Germany.
