History of Theatre 7 - The Arched Spectacle / Teatro Farnese (ccs: English, Español) betapicts 2026-09-23 | History of Theatre 7 - The Arched Spectacle / Teatro Farnese (ccs: English, Español)
Historia del Flamenco 2 – Primer cine sonoro (Earliest sound cinema) / CC Esp Eng betapicts 2022-12-05 | 01:04 - 1929 Diego Moreno "EL PERSONITA" & Juan Baños "El Niño del Mausoleo" – Malagueña; from the first Spanish sound movie: “The mystery of the Puerta del Sol”, Francisco Elías.04:26 - 1929 Manuel Vega Garcia "EL CARBONERILLO" & Antonio Peana – Tarantas de Linares; “Spanish dancers”, Fox Movietone News Story, University of South Carolina, Moving Image Research Collections.08:42 - 1929 Antonio Ruiz Soler "El Bailarín" and Florencia Pérez Padilla "Rosario" at young age; “Spanish dancers”, Fox Movietone News Story, University of South Carolina, Moving Image Research Collections.10:53 - 1933 Bailaoras de Granada – Alboreá; Van Buren Vagabond Adventure Film.12:24 – 1933 Dancer Rayito de Madrid and an unknown female guitarist; from the movie “El Relicario” (The Reliquary) by Ricardo de Baños 1933,15:13 - 1931 “La Argentinita” & Federico García Lorca – Los Cuatro Muleros; La Voz de su Amo.16:17 - 1935 “La Argentinita” (Encarnación López Júlvez) & Manolo de Huelva – Bulerías; French television archive.19:19 – 1952 Antonio dances the Martinete (a flamenco style that until then was only reserved for singing), with singer: El Pili (Pedro Jiménez); from the movie “Duende and mystery of Flamenco” by Edgar Neville.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Historia del Flamenco 1 – Cine mudo (Silent cinema) / CC Esp Eng betapicts 2022-11-22 | 00:12 - 1894 Carmencita, bailaora flamenca – Thomas Edison motion pictures; Library of Congress Washington, D. C.00:50 - 1900 Bailaora flamenca – Lumière brothers, Universal Exhibition in Paris; French Cinematheque02:03 - 1901 Bailaoras de flamenco – Pan-American Exposition, Thomas Edison motion pictures; Library of Congress Washington, D. C.03:20 - 1905 “Danse Gitanas” – Flamenco; Alice Guy.04:35 - 1910 Dancing Gallican Gypsies 1910; British Pathé.05:05 - 1920 Gypsy couple dancing Flamenco – Sacromonte, Granada; Huntley Film Archives.05:49 - 1920s Bailaora dancing the Sevillana, Sevilla; Burton Holmes.06:17 - 1923 Elisa Ruiz Romero, “Rosario the farmmaid”, José Buchs06:43 - 1928 Bailaora of Seville dancing Flamenco; Burton Holmes.09:33 – 1928 Carmencita García – Sevillanas; Germaine Dulac12:17 – 1929 Concha Borrull & El Viruta, La Tanguera; Barcelona Int. Exposition, recording: Ricardo de Baños14:00 – 1930 María Luz Callejo - “La Bodega”, Benito Perojo15:14 – 1930 Carmen Amaya in “La Bodega”MUSIC: Paco de Lucía – Concierto en la Casa de Almería, Barcelona 1974My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Lola Flores – El Lerele 1970 / CC Esp Eng betapicts 2022-11-09 | TVE1Lola Flores (María Dolores Flores Ruiz, Jerez de la Frontera 1923 – Alcobendas 1995)My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
María Vargas + Lola Flores – “El Amo” 3X betapicts 2022-11-09 | Desafortunadamente no hay subtítulos, a excepción de una oración:(Unfortunately no subtitles, except for one sentence:)“El que nazca pa’ sultán que se vaya a vivir al moro.” (1:38 / 4:26 / 6:26 / 8:00)(“He who is born to be a sultan should go and live with the Moor.”)cronicaglobal.elespanol.com/letraglobal/letras/letra-clasica/fuego-destino-lola-flores_130133_102.html0:25 María Vargas & Paco Cepero 1968 (Bulería)2:49 María Vargas & Ballet Español 1970s (Bulería)5:33 Lola Flores & Antonio Gonzalez 1960s (Copla Española)María Vargas (María Vargas Fernández, Sanlúcar de Barrameda, Cádiz 1947)Paco Cepero (Francisco García López-Cepero, Jerez de la Frontera, Provincia Cádiz Province 1942)Lola Flores (María Dolores Flores Ruiz, Jerez de la Frontera 1923 – Alcobendas 1995) Lola’s images are from TVE “Lerele” 1970“Copla Española” is a traditional artistic genre combining music, lyrics and interpretation. Other names have been given to this genre, namely: Spanish song, Andalusian copla or folklore song. Lyrics in coplas address subjects such as love, disappointment, jealousy, sadness or happiness.Ballet Español de Lucía del Real y el CamborioJosé el Camborio (Elvezio Brancaleoni Caballero, Veneto, Italia 1939 – Madrid, España 2009), Italian father, his mother was of Spanish origin. With his Spanish wife (Flamenco dancer) he founded the "Ballet Español de Lucía del Real y el Camborio" in the 1970s. The present performance of the group probably took place in Milan (recorded by Italian TV).My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
El Chocolate – La Toná Carcelera (prison song) 1988 / CC Esp Eng betapicts 2022-11-01 | Chocolate sings a cappella a prison song in a dark dungeon.El Chocolate (Antonio Núñez / Antonio de La Santísima Trinidad Núñez Montoya, Jerez de la Frontera, provincia de Cádiz 1930 – Sevilla 2005)Tonás is a “palo”, a flamenco subgenre. It belongs to the wider category of Cantes a palo seco, palos that are sung a cappella. Owing to this feature, they are considered by traditional flamencology to be the oldest surviving musical form of flamenco. The first known flamenco singer, Tío Luis el de la Juliana, who lived in Jerez de la Frontera in the last third of the 18th century, was said to have excelled in this palo.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
El Chocolate & Juan Habichuela – Seguiriyas / CC Esp, Eng betapicts 2022-10-24 | 01:02 Clavel de la aurora02:45 Si algún día te llamara04:23 Y el corazón duro como un piedra06:21 Y Dios mandó el remedioCante - El Chocolate (Antonio Núñez / Antonio de La Santísima Trinidad Núñez Montoya, Jerez de la Frontera, provincia de Cádiz 1930 – Sevilla 2005)Toque - Juan Habichuela (Juan Carmona Carmona, Granada 1933 – Madrid 2016)“Antonio Núñez Chocolate siempre tendrá un hueco en el corazón de los aficionados al cante grande por merecimientos propios. Una fuente a la que siempre acudir en busca de la verdad de este arte.” José María Castaño(Antonio Núñez Chocolate will always have a place in the hearts of fans of great cante due to his own merits. A source to always turn to in search of the truth of this art.)Más sobre este vídeo: / More about this video:loscaminosdelcante.com/2022/03/26/homenaje-a-chocolate-en-sevilla-para-el-estudio-por-siguiriyasMy FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Milagros Mengíbar & Chano Lobato – Alegrías de Cadíz / CC Esp Eng betapicts 2022-10-12 | 1:07 Si no te veo, me da doble (these lyrics are rather acabradaba to me)1:41 Cuando va andando2:08 Pepita, la descolorida2:47 ¿Qué es lo que tienes carita de rosa?4:08 [Silencio]5:53 ?6:17 [Escobilla]8:21 ?8:44 Con el caray, caray, caray9:10 ?Baile: Milagros Mengíbar (Sevilla, 1952)Cante: Chano Lobato (Juan Miguel Ramírez Sarabia, Cádiz, 1927 - Sevilla, 2009)Guitarra: Quique Paredes & Antonio MarquezMy FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Concha Calero (baile) – Tarantos 1991 (sólo el primer copla) CC Esp Eng betapicts 2022-10-04 | 02:01 Dime qué llevas en el carroBailaora: Concha Calero (Concepción Calero Cantero, Córdoba, barrio de Santa Marina, 1952)Cantaores: Joselete de Linares y Manolo CortésGuitarras: Merengue de Córdoba y Antonio FloresPercusión: CalahorraThe taranto is a flamenco style originating in the province of Almería (Andalusia), specifically in its mining area. It is descended from the taranta, and differs from it in that it sticks slightly to one beat, which makes the dance possible. The taronto songs belongs to the group of the – often very dramatic - miner songs.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
“Con el caray, caray, caray” – Bulería de Cai (Cádiz) CC Esp Eng betapicts 2022-09-26 | 0:05 Chano Lobato0:37 Chano Lobato 19810:55 Fosforito 19601:08 Paquera de Jerez 19881:21 José Anillo 20151:33 Miguel Poveda 20122:06 Juan Jose Amador & Juan Jose Amador hijo2:29 David Palomar2:45 Mariana Cornejo 20113:02 Mariana Cornejo 19893:31 Pepe de Campillos3:44 Juan Reina 1991The BULERÍAS is a “palo” (flamenco subgenre) that is characterized by its vibrant, spontaneous and festive style with a feverish rhythm and incessant clapping against the beat accompanied by screams and loud voices (jaleo). Speed and agility are required. It is the style which permits the greatest freedom for improvisation, the metre playing a crucial role in this.The name bulerías comes possibly from the Spanish word bulla, meaning “haste or fuss” or perhaps "mockery/joke", or bullería, meaning " tumult, shouting."In Cádiz, the bulerías are informal and sparky, as is typical of the cantes of that flamenco capital.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
TIENTOS 2 – “Hablo con mi Dios y le digo” / CC Esp Eng betapicts 2022-09-16 | 0:01 Roque Montoya0:34 Carmen Amor1:40 Miguel Poveda2;01 Guadiana2:06 Palodulce2:12 Antonio Reyes2:22 José Mercé2:29 David El Galli2:37 Rocío LunaTientos:Like many Cante Jondo (deep song), traditional Tientos lyrics tend to be pathetic, sentimental, and speak about death, anguish, despair, the lack of love, unrequited love, disillusionment and revenge. Songs about love, happiness can be found in the alegrías, bulerías and tangos. Most of the Tientos becomes a Tangos at the end of the song/dance.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jSGracias a: Християн Ангелов (Christian Angelov)
TIENTOS 1 – ¡Como la piedra tú eres! / CC Esp Eng betapicts 2022-09-08 | I ¡Como la piedra tú eres!II Pasaba toda la noche00:02 Aurora Vargas, 198901:09 Miguel Poveda, 199602:29 Aurora Vargas, 198703:35 La Marelu, 1974Tientos:Like many Cante Jondo (deep song), traditional Tientos lyrics tend to be pathetic, sentimental, and speak about death, anguish, despair, the lack of love, unrequited love, disillusionment and revenge. Songs about love, happiness can be found in the alegrías, bulerías and tangos.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
“Napoleón Bonaparte con sus escoltas” – Alegrías de Cádiz / CC ESP ENG betapicts 2022-08-31 | 00:01 Beni de Cádiz, 1970s00:46 Beni de Cádiz, 1980s01:36 Luis de Córdoba, 1990s02:34 Alfonso Salmerón, 200603:29 David Palomar, 201003:54 Camarón de la Isla, 1971My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Joselero & Raul Rodriguez: “Soy arroyo y no me enturbio” / CC Esp+Eng betapicts 2022-08-08 | 0:21 Joselero de Morón (Soléa de Triana) 19831:16 Raul Rodriguez (Blues-bulería, "La Lengua Corta") 2017Soy arroyo y no me enturbioaunque me caiga una tormentayo me mantengo tan clarocomo el agua entre dos piedras.I am a stream and I don't get muddyeven if a storm hits meI stay so clear,like the water between two stones.ISoléa de TrianaJoselero de Morón (Luis Torres Cadiz, La Puebla de Cazalla, Sevilla 1910 - Morón de la Frontera, Sevilla 1985)Guitarra: Diego de Morón (Diego Torres Amaya, Morón de la Frontera, 1947), hijo de JoseleroEl Angel “Las fronteras del Flamenco”, dirigida por Ricardo Pachón, 1984IIBlues-bulería, "La Lengua Corta" 2017Raul Rodriguez (Raúl Rodríguez Quiñones, Sevilla, 1974)Guitarra: Mario Mas Percusiones: Pablo Martin JonesEntrevista al bailaor Óscar de los Reyes(Interview with dancer Óscar de los Reyes)Una letra que te guste?(Which song do you like?)Óscar:Soy arroyo y no me enturbio,aunque me caiga una tormenta,me mantendré clarocomo el agua entre las piedrasjondoweb.com/contenido-entrevista-al-bailaor-oscar-de-los-reyes-2169.htmlMi FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Manuel Pareja Obregon – Sevillanas (Carlos Saura, 1992) / CC Esp., Eng. betapicts 2022-08-03 | (Que También es de Sevilla)0:20 Sevilla tiene una cosa0:53 Que también es de Sevilla, aromas de clavellinas1:12 Que también es de Sevilla, y Sevilla por tener(Sevillanas de Triana)1;37 Cuando paso por el puente Triana2:04 Porque tienes unos ojos Triana2:22 Si por otro me dejaras Triana(La Flor del Romero llora)2:54 Dios quiso crear el vuelo3:25 También creó el firmamento3:46 Es por eso que la gente(Sevillanas de la Reina)4:22 Cartas iban y venían desde Londres a Madrid4:45 Lo mismo que tú por mí5:01 Que bien parece Doña Victoria EugeniaManuel Pareja Obregón, (Gines, provincia de Sevilla, 1933 – Sevilla, 1995), fue músico y compositor de sevillanas.Película de 1992 “Sevillanas”, dirigida por Carlos Saura.Baile:Matilde Coral (Matilde Corrales González, Seville 1935)y su hija:Rocío García Corrales,y su esposoRafael "El Negro" (Rafael García Rodríguez, Seville 1935-2010)My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
La Farruca – El paso de caída (“The knee drop jump”) - Historia del Flamenco / CC Esp. Eng. betapicts 2022-06-19 | The FARRUCA is a dramatic flamenco dance characterized by fast turns, quick intense footwork (zapateado), held lifts and falls, dramatic poses and bursts of hand movements (filigrana) often with a flat hand. Its origin is traditionally associated with the folklore of northern Spain, and it was brought to Andalusia in the middle of the 19th century by the young men who went to that region to work as seasonal workers. “Farruco/a" is a slang term used in Andalusia and Latin America to refer to someone from the Spanish provinces of Galicia or Asturias who is far from home. An instrumental adaptation of the farruca was developed by flamenco dancer Faíco and guitarist Ramón Montoya in the early 20th century.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jSDancers – bailarines y bailarinas:00:02 Antonio Canales01:53 Juan Salido (?)02:35 (Carmen Amaya and her gypsies)02:59 (Los Farrucos)03:14 El Farruco03:40 Diego Andujar04:11 (Sacromonte, Granada)04:33 José Greco05:44 José Greco II06:11 Victorio Korjhan07:36 Carlos Vilán08:18 Faíco08:51 Antonio Gades10:20 Mario Maya11:03 Tomas de Madrid11:35 Manolete11:53 José Antonio12:38 Mario La Vega13:17 Joaquín Grilo14:04 Javier Serrano14:51 Angel Reyes15:36 Emilio Ramirez16:12 Fernando Jiménez16:30 Pablo Egea17:14 Pedro Fernández Embrujo18:03 Mikko & Valentino18:29 (Ballet Nacional de España)18:56 La Tanguerita19:48 Carmen Amaya21:55 María Pagés22:29 Patricia Guerrero22:48 Flora Albaicín23:25 Manuela Carrasco23:55 Concha Jareño24:35 Sarah “La Frasca”24:59 Lina Ravines25:33 Inesita25:50 Agueda Saavedra26:24 Sara Baras27:19 Laura Morales28:32 Katrine
Antonio Gades baila Farrucas betapicts 2022-05-16 | The FARRUCA is a dramatic flamenco dance characterized by fast turns, quick intense footwork (zapateado), held lifts and falls, dramatic poses and bursts of hand movements (filigrana) often with a flat hand. Its origin is traditionally associated with the folklore of northern Spain, and it was brought to Andalusia in the middle of the 19th century by the young men who went to that region to work as seasonal workers. "Farruco/a" is a slang term used in Andalusia and Latin America to refer to someone from the Spanish provinces of Galicia or Asturias who is far from home. An instrumental adaptation of the farruca was developed by guitarist Ramón Montoya and flamenco dancer Faíco in the 20th century./ Antonio Gades (Antonio Esteve Ródenas, 1936 Elda, Alicante - 2004 Madrid)My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Carmen Amaya (cante y baile) – Bulería, en duplo betapicts 2022-05-09 | 0:44 - De aquellos dos que vienen, ¿cuál es el tuyo? El del sombrero blanco y el pelo oscuro.I-Carmen Amaya in the Spanish movie “Los Tarantos” by Francisco Rovira Beleta, released in 1963 (the year of her death).II- Carmen Amaya y su troupe por Bulerias (1961)Cante & baile:Carmen Amaya “La Capitana” (Carmen Amaya Amaya, Barcelona, 1913/18 - Bagur, Gerona 1963)Guitarristas:Antonio “Pucherete” (Antonio Pérez Piernas, Linares, Jaén 1919; went to Madrid in 1952; Madrid, 2004)Andres Batista (Andrés Batista Francisco, Barcelona 1937)My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Carmen Amaya (cante y baile) – Bulerías 1961 / CC Eng. Esp. betapicts 2022-05-06 | 00:45 Tú me lo vienes haciendo, por delante buena cara, y por detrás me andas vendiendo02:28 De aquellos dos que vienen, ¿cuál es el tuyo?03:47 No me llame usted bonita, ¿por qué?Carmen Amaya y su troupe por BuleriasCarmen Amaya “La Capitana” (Carmen Amaya Amaya, Barcelona, 1913/18 - Bagur, Gerona 1963)Guitarristas:Antonio “Pucherete” (Antonio Pérez Piernas, Linares, Jaén 1919; he went to Madrid in 1952; Madrid, 2004)Andres Batista (Andrés Batista Francisco, Barcelona 1937)My FLAMENCO playlist:youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Luis de Córdoba & Luis Calderito – Bulerías & Alegrías 1991 (Eng. Esp.) betapicts 2022-04-28 | El canto de bulerías01:33 La molinera tiene una llave02:09 (…..si me muero por ti…..)02:38 En este cestito llevó remedio para todos los males03:30 Mi novia me daba a mí agua en un cantarito nuevo04:29 Torrotrón, levántate FilomenaEl canto de alegrías06:38 - - -07:28 Que pases y no me hables que cuidado se me daba a mi08:00 Yo pegué un tiro al aire [colatilla]08:50 (…..un duro le di al barquero…..)10:01 En la Isla de León un baluarte invencible10:28 Napoleón Bonaparte con sus escoltas11:17 Salinas de San Fernando (?)11:48 [colatilla]The name BULERÍAS (flamenco subgenre, beginning of the 20th cent.) comes possibly from the Spanish word bulla, meaning “haste or fuss” or perhaps "mockery/joke", or bullería, meaning "racket, shouting, din". It is the style which permits the greatest freedom for improvisation, the metre playing a crucial role in this. It admits improvisations metrical and musical of all kinds, a versatility that is necessary to provoke its cheerful, fun and spontaneous character.The ALEGRÍAS represent the most performed and characteristic example of the group of cantiñas (flamenco styles) of Cádiz. It seems that it is a form of singing (cante) and dance (baile) derived from the ancient folk music of Cádiz, that began to take shape when the city became a liberal redoubt against the advance of the Napoleonic troops. The word Alegrías literally means "joys". Songs about love, happiness can be found in the alegrías, bulerías and tangos.Luis de Córdoba (Luis Pérez Cardoso, Posadas 1950)Luis Calderito (Luis Ruiz García, La Guijarrosa, Córdoba 1967)Festival del Mostachon (Utrera) is named after the “mostachón,” a traditional pastry for which the town of Utrera is famous.[temple] - the singer makes sure to be in the guitar tone, to catch the pitch and tempo.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Antonio Piñana – Cante por Cartageneras 1969 / CC Eng. y Esp. betapicts 2022-04-21 | 01:58 Los puntales del cante cartagenero / The founders of the songs of Cartagena:Concha La Peñaranda “La Cartagenera” (Concepción Rodríguez, La Unión, 1850 - ?).Chilares (Juan Díaz Abad, Almería 1868 - Madrid 1895).Rojo el Alpargatero, (Antonio Grau Mora, Callosa de Segura 1847 - La Unión 1907) ”el padre del Cante Minero”Enrique el de los Vidales (?), almost anonymous singer although he decisively influenced other renowned singers.The same song (Cartagenera del Rojo) is sung by Mayte Martin at 03: 38Mayte Martin (cante) & Pedro Sierra (toque) – Minera y Cartagenera del Rojo / CC English, Español - YouTube05:49 Malagueña cartagenera / Cuanto tormentos me da, el querer que he puesto en tiCante: Antonio Piñana (padre) (Antonio Piñana Segado, Cartagena, Murcia 1913 - Cartagena 1989)Toque: Antonio Piñana (hijo) (Antonio Piñana Calderon, Cartagena, Murcia 1940[temple] - the singer makes sure to be in the guitar tone, to catch the pitch and tempo.Cartageneras are a flamenco style (palo) belonging to the category of the cantas de las minas (songs of the mines) typical of the mining mountains of Cartagena-La Unión. It is the only one of the Cantes Mineros (mining songs) that does not speak of the rural or of work in the mines, traditionally expressing themes of a local and personal nature.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
¡Oops! – Flameco clásica betapicts 2022-04-07 | Flamenco is/es irresistible!My FLAMENCO playlist:youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Sarita Heredia – Rumba Gitana 1960 (Groucho Marx baile!) CC Español betapicts 2022-04-03 | Poropopo, poropo porompompero pero, poropo porompompero, pero, poropo poropopóFrom “You Bet Your Life” 1960 (American TV series), presented by Groucho Marx.Sarita Heredia (Almería, Andalucía) was one of the few female flamenco guitarists in the world during the 1950s and 1960s (others: Anita Sheer and Paquita Pérez). Sarita emigrated to the United States in 1950s.The flamenco rumba is a style (‘palo’) of flamenco music. The genre originated in the 19th century in Andalusia, southern Spain, where Cuban music first reached the country. The dance that it accompanied was improvised with prominent hip and shoulder movements, more overtly sexual than other styles of flamenco dances.ideal.es/granada/culturas/201604/23/gitana-sacromonte-conquisto-groucho-marx-20160420210728.htmlMy FLAMENCO playlist:youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
En la tumba de mi madre – Malagueña 1947 / Eng. Esp. betapicts 2022-04-02 | A dar gritos me ponía en la tumba de mi madreA gypsy family festival in a Granada grotto. Juan Salido and a group of artists perform a series of flamenco folk dances and songs.The singer and the two guitarists are unknown.A.F. Films (Les Actualités franc̨aises), director Jean Castanier, originally produced in 1947.Malagueñas is one of the traditional styles (palos) of flamenco music, derived from earlier types of fandango from the area of Málaga. Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre".[temple] - the singer makes sure to be in the guitar tone, to catch the pitch and tempo.My FLAMENCO playlist:youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Pepe Marchena - Los cuatro muleros (the four muleteers), toque: Benito de Mérida / CC Eng. Esp. betapicts 2022-03-28 | 00:01 De los cuatro muleros00:31 El de la mula torda00:57 Esta lloviendo en el campo01:23 Quién fuera un arbolitoCante: Pepe Marchena (José Tejada Martín, Marchena, Seville Province 1903 - Seville 1976)Toque: Benito de Mérida (Mérida, Badajoz, 193?)My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jSRito y Geografía del Cante Flamenco - Lorca y el FlamencoCantares populares – collected by Federico García Lorca in the 1920sLos cuatro mulerosDe los cuatro muleros / Of the four muleteersque van al campo, / who go to the field,el de la mula torda, / the one with the dappled mule,moreno y alto. / is dark and tall.De los cuatro muleros / Of the four muleteersque van al agua, / who go to the water,el de la mula torda, / the one with the dappled mule,me roba el alma. / steals my soul.De los cuatro muleros / Of the four muleteersque van al río, / who go to the river,el de la mula torda, / the one with the dappled mule,es mi marío. / he is my husband.A qué buscas la lumber / Why are you looking for the firela calle arriba / up the street,si de tu cara sale / if your facela brasa viva. / is of life ember.Original recording 1931:“La Argentinita”, voice, castanets and zapateado (Encarnación López Júlvez, Buenos Aires 1898 – New York 1945), accompanied by Federico García Lorca (Fuente Vaqueros 1898 – Fuente Grande 1936) on the piano.youtube.com/watch?v=w1FQd76fI3A
Naranjito de Triana y Paco Cepero – Peteneras / CC Eng. Esp. betapicts 2022-03-25 | Peteneras of Medina the elder - "El Viejo" (José Rodríguez Concepción, mid-19th cent.)00:54 Mide bien antes de hablar palabras con sentimiento02:19 Niño que en cueros y descalzo, va llorando por las callesNaranjito de Triana (José Sánchez Bernal, Sevilla 1933 - 2002)Paco Cepero (Francisco García López-Cepero, Jerez de la Frontera, Provincia Cádiz 1942)On the left: Fernando Quiñones (Chiclana de la Frontera, 1931 - Cádiz, 1998) RTVE presenter, writer and flamenco expert.A “Petenera” has sad and melancholic lyrics, and is interpreted slow and sentimental.According to a legend, the name of the song refers to a cantaora (female singer) called "La Petenera", who was born at the end of the 18th century in Paterna de Rivera (province of Cádiz), so she was a “Paternera" (born in Paterna).My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Lola Flores (cante & baile) – La Faraona (copla española) 1956 / CC Eng. + Esp. betapicts 2022-03-25 | 00:20 Era una mocita, no sabia del mundo01:11 Pero un día me enamoré y se desbordo mi pena,02:08 Por aquella risa de mis castañuelas,03:00 Pero un día me enamoré y se desbordo mi penaLola Flores (María Dolores Flores Ruiz, Jerez de la Frontera 1923 – Alcobendas 1995) Fom the Mexican movie (1956): "La Faraona" (the female pharaoh), director: René CardonaAccording to folklore gypsies are descendants of an Egyptian pharaoh.“Copla” is a traditional artistic genre combining music, lyrics and interpretation. Other names have been given to this genre, namely Spanish song, Andalusian copla or folklore song. Lyrics in coplas address subjects such as love, disappointment, jealousy, sadness or happiness.My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Antonio Gades y La Polaca 1967; cante: El Calderas de Salamanca, Tangos del Piyayo / CC Eng. Esp. betapicts 2022-03-24 | Tangos del Piyayo o Pipayo (Rafael Flores, Málaga 1864-1940)00:01 - Papeles en la imprenta00:36 - Mi hija que yo te coja00:56 - Cuando veo unos ojitos negros01:29 - ¡Oops!Antonio Gades (Antonio Esteve Ródenas, 1936 Elda, Alicante - 2004 Madrid)La Polaca (Josefa Cotillo Martínez, Madrid 1944 - Sevilla 2010)El Calderas de Salamanca (Rafael Salazar Motos, 1919 Martinamor, Salamanca – 1986 Madrid)Guitarrista - ? (0:32)From the movie: "Ultimo Encuentro" (The Last Meeting) by Elias Querejeta 1967FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
María Albaicin – Baile por Caña 1971, cante: Calderas de Salamanca / Fragmento betapicts 2022-03-24 | 0:54 Toítos le piden a Dios la salú y la libertá / ccMaría Albaicín (María de la Soledad García García, c1944), was married with the Catalan bullfighter: Joaquín Bernadó BartomeuCalderas de Salamanca (Rafael Salazar Motos, Martínamor, Salamanca 1919 – Madrid, 1986)TVESame stanza (Todos le piden a Dios) at 06: 28 in Carmen Mora’s Baile por Caña:youtu.be/oDuYhnvbmxgMy FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Lucero Tena, Gabriel Moreno, Serranito – Alegrías de Cádiz 1966 / ¡ESCOBILLA! / Eng, Esp betapicts 2022-03-21 | 00:31 [temple]01:23 Que le llaman relicario01:58 Que me lo tienes que dar02:06 Que mandilón mandilón03:05 [silencio]04:41 [¡ESCOBILLA!]Escobilla: the “solo” of the bailaor (flamenco dancer), an entire rhythmic composition of zapateado (tap dance).For another great escobilla see Manolete (Manuel Santiago Maya) at 4: 31youtube.com/watch?v=T8sxn7EjyIo&t=103sAnd watch also the escobilla of Rosa Duran at 4: 04http://youtu.be/Gm40Hg1xwIU[temple] - the singer makes sure to be in the guitar tone, to catch the pitch and tempo.Lucero Tena, bailaora de flamenco (Maria de la Luz Tena Álvarez - Durango, México, 1938)Cante: Gabriel Moreno (José Gabriel Moreno Carrillo, Linares, Jaén 1941 - Madrid 2019)Toque: Victor Monge “Serranito” (Víctor Monge Serrano, Madrid 1942)My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Slug (Atmosphere): Grow your own vegetables + The Mothers of Invention betapicts 2021-12-31 | About growing your own vegetables.
Ballet Pantomime – Pas de Deux & Solo: Arlequin Magician par Amour (Commedia dell’arte) betapicts 2021-12-01 | In 1793 Jean-Rémy Marcadet, the French dancer and choreographer who worked mostly at the Kungliga Teatern in Stockholm, staged Arlequin magician par amour, to music by Édouard du Puy.Arlequin; Patrick DupontColombine: Claude de VulpianOpera-Comique, Paris (no date), credits: 3:13My Playlist Theatre and more:youtube.com/playlist?list=PLA77B5E2507D2B7E0
BALLET Mats Ek - The House of Bernarda (1986) – solo dance Luc Bouy (as Bernarda) betapicts 2021-11-30 | A ballet by Swedish choreographer Mats Ek (1945), based on Federico García Lorca's play (1936): The House of Bernarda Alba, performed by the Culberg Ballet (credits 04:21).My Playlist Theatre and more:youtube.com/playlist?list=PLA77B5E2507D2B7E0
Baby’s Discovering Mirrors - Development betapicts 2021-10-20 | On the development in baby’s of the discovery of mirrors.My playlist: “Baby / Infant Reflexes - Reactions – Behavior”:youtube.com/playlist?list=PL65CABF5E806787E0
Baby imitation 06 – Toy handling betapicts 2021-10-03 | Young girl imitating the adult’s (Alan Alda & Dr. Andrew Meltzoff) acting on objects.For more on baby reflexes etc. check my playlist:youtube.com/playlist?list=PL65CABF5E806787E0From: “Carta: Human Origins: Lessons from Autism Spectrum Disorders” at 48: 42 youtube.com/watch?v=b0HzzHXJAMM
Baby imitation 04 – Slapping with the palm of the hand (9 mnths) betapicts 2021-09-26 | Two examples of baby imitation at 9 months of age.For more on baby reflexes etc. check my playlist:youtube.com/playlist?list=PL65CABF5E806787E0
Baby imitation 03 – Lip trill betapicts 2021-09-24 | Imitation of the bilabial trill - the vocal cords vibrate during the articulation. Take a deep breath, close your lips gently, and then exhale, the air forces itself past your lips and makes them flap together like a horse. Outside the world of singing and voice training, young babies are known for blowing lip bubbles just for the apparent pure joy it brings them.For more baby reflexes check my playlist:youtube.com/playlist?list=PL65CABF5E806787E0From: Molly Wright: How every child can thrive by five TED - at 3: 33youtube.com/watch?v=aISXCw0Pi94
Baby Diving Reflex betapicts 2021-09-22 | Under water a baby stops breathing for a few seconds, eyes open, the top of the lungs is sealed off, some water enters the stomach. So the baby can stay in the water for only a couple of seconds. Note the coordinated swimming movements which can propel him to over a meter. Diving baby’s: The Human Body, part 3; 1998 (BBC).The diving reflex deals with the oxygen saving mode to maximize the time that can be spent under water.For more baby reflexes check my playlist: https://www.youtube.com/playlist?list...
Sifan Hassan 10,000m Race Analyses of Stanford 2019, Hengelo 2021, Tokyo 2021 betapicts 2021-09-08 | 2019 Payton Jordan Invitational Stanford, women’s 10,000m, Hassan (1) 31:18.12youtube.com/watch?v=3IamOSrC-202021 FBK Games Hengelo, women’s 10,000m, Hassan (1) 29:06.82 WR (p)youtube.com/watch?v=BK2Tb9YBaVk2021 Summer Olympics Tokyo, women’s 10,000m, Hassan (1) 29:55.32 Goldyoutube.com/watch?v=mMYvsChT0yM
Sifan Hassan 1 Mile Race Analyses of London 2018, Monaco 2019 and Brussels 2021 betapicts 2021-09-05 | 2018 Diamond League London, women’s One Mile, Hassan (1) 4:14.71Only at 2: 29 - youtube.com/watch?v=xaYeNaL6gwc2019 Diamond League Monaco, women’s One Mile, Hassan (1) 4.12.33 (WR)youtube.com/watch?v=0VrFbYRHxEE2021 Diamond League Brussels, women’s One Mile, Hassan (1) 4:14.74youtube.com/watch?v=0xWGXf1PSfI
Sifan Hassan 5000m Race Analyses of London 2017 and 2019, Tokyo 2021 betapicts 2021-09-03 | 2017 World Championships London, women’s 5000m, Hassan (3) 14:42.73youtube.com/watch?v=D5G03O-gBXg&t=300s2019 Diamond League London, women’s 5000m, Hassan (3) 14:22.12youtube.com/watch?v=Ld245V6VOPQ2021 Summer Olympics Tokyo, women’s 5000m, Hassan (1) 14:36.79youtube.com/watch?v=JX3ij39OAso&t=1450s[WR: 14:06.62 - Letesenbet Gidey ( ETH ), 2020]
Sifan Hassan 1500m Race Analyses of Rio 2016, Doha 2019 & Tokyo 2021 betapicts 2021-08-29 | 2016 Summer Olympics Rio, women’s 1500m, Hassan (5) 4:11.23youtube.com/watch?v=lOAeTfI-Tlc2019 World Athletics Championships Doha, women’s 1500m, Hassan (1) 3:51.9youtube.com/watch?v=2Kdthzsk2YM&t=397s2021 Summer Olympics Tokyo, women’s 1500m, Hassan (3) 3:55.86youtube.com/watch?v=HQbscOfakFQ
Dolores de Córdoba - El Fandango Del Amor, Felix de Utrera (toque) betapicts 2021-07-29 | Fandangos de Huelva00:37 El fandango del amor a to el mundo se lo an cantao – CC ENG, ESP01:33 Porque tú tienes dinero - - - - aunque me muera de hambre.02:23 Locura de conveniencia a mucho locos es el mundo – CC ENG, ESPSus "AY" a las 0:45, 1:39 y 2:31 son inimitables, duende ‘pur sang’, de hecho, me rompen el corazón. / Her "AY's" at 0:45, 1:39 and 2:31 are inimitable, duende ‘pur sang’, indeed they break my heart.Dolores de Córdoba (Ana Salazar Hernández, Alicante 1932)Felix de Utrera (Félix García Vizcaíno, Islas Canarias 1929 – Madrid 1998), his parents were from Utrera, where he went to live at the age of six.Fandango de Huelva is a fundamental style (‘palo') of flamenco. The more traditional styles are rhythmic, but since the beginning of the 20th century they have also been interpreted as ‘cantes libres'. The variety of traditional local fandangos in the province of Huelva is enormous, but Huelva city and the town of Alosno have been especially prolific.FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
El Camborio (baile) – Alegrías / CC Eng. Esp. betapicts 2021-07-19 | 00:08 Barrio de Santa María (alegrías)00:42 Llorando por ti vida01:30 Les dicen a los de Cádiz02:06 Que que dirá que diráJosé el Camborio (Elvezio Brancaleoni Caballero, Veneto, Italia 1939 – Madrid, España 2009), Italian father, his mother was of Spanish origin. With his Spanish wife (Flamenco dancer) he founded the "Ballet Español de Lucía del Real y el Camborio" in the 1970s. The present performance of the group probably took place in Milan (recorded by Italian TV).The bombs ("bombas") mentioned in the first verse refer to the (failed) siege of the city of Cadiz (1810-1812) by Napoleonic forces.FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Antonio Gades & Cristina Hoyos – El baile de la Jota Aragonesa 1969 betapicts 2021-07-10 | Antonio Gades con sus Compañía de baile Español (Cristina Hoyos, primera bailarina)Jota, courtship dance traditional in northern Spain, most likely originating in Aragon, although legend states that it was brought north from Andalusia by the exiled Moorish poet Aben Jot. The dancers hold their arms high and click castanets as they execute lively, bouncing steps.FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Antonio Gades – Mirabrás 1974 betapicts 2021-06-30 | TVE 197400:06 A mí qué me importa que un rey me culpe / CC Eng, Esp02:25 [Juguetillos de Mirabrás]“A juguetillo (also called coletilla or estribillo) is a short verse tacked on the end of the main verse. In flamenco, a collection of verses are generally textually unrelated and this is usually true of the verse and the following juguetillo.”Mirabrás is a song related to the alegría, the romera and the caracoles. Its name comes, like the caracoles, from a refrain: “mira y verás” (look and see) = mira-brás. It is a flamenco adaptation of the songs popularized in Cádiz by the Liberal Courts and of the first liberal constitution of 1812. Its lyrics proclaim liberalism and independence from the king.Baile: Antonio Gades (Antonio Esteve Ródenas, 1936 Elda, Alicante – 2004 Madrid).Cante y guitarra - ?FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Carmen Linares & Manuel Moreno Pantoja – Soleá 1973 / CC English, Español betapicts 2021-06-22 | 00:49 Se lo preguntan a un sabio cuál de los dos perdió más02:12 Compañero, si me muero la casita de los locos ha de ser tu paradero03:29 Me senté sobre tu cama lágrimas como garbanzos04:07 Válgame Dios, válgame Dios qué duro eres de corazónCarmen Linares, cantaora (Carmen Pacheco Rodríguez, Linares, provincia de Jaén 1951), daughter of the flamenco guitarist Antonio Pacheco Segura - 2:37Toque: the late Manuel Moreno Pantoja, son of Manuel Morao (Manuel Moreno Jiménez) - 01:01Tomas Sorensen, guitarrista estadounidense, que en España parece haber adoptado el nombre de Tomás de Utrera – 03:24My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jSThe colloquial term in the first couplet: “Comer de sus carnes” (Eat their meat) might refer to a possible terminal condition.Another version of the first couplet:Anda y preguntarle a un sabio¿cuál de los dos perdió más?El que come de sus carneso el que publica su malEl que publica su malpor el pronto siente alivio,y el que come de sus carnesse da tormento a si mismo.Go and ask a wise manwhich of the two lost the most?The one “who eats his meat”or the one who made his downfall public?The one who made his downfall publicfor the time being, he feels relief,and the one “who eats his meat”,he torments himself.
Rafael Farina – Las campanas de Linares (1969 & 1973) / cc English y Español betapicts 2021-06-07 | 00:09 Son clarines de la aurora00:33 Ay, en Linares los toreros lloran lágrimas a mares01:34 Campanas de agonia, las campanas de LinaresThis is a song in memory of the bullfighter Manuel Rodríguez, "Manolete" (an Andalusian song-bolero; authors: Ochaíta, Valerio, Solano).Rafael Farina (Rafael Antonio Salazar Motos - Martinamor, Salamanca 1923 – Madrid 1995)Toque (1969):Vargas Araceli hijo (Araceli Vargas Escudero, León 1929 – Madrid 1986)FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS
Antonio Gades (baile) & El Lebrijano (cante) – Mirabrás 1969 betapicts 2021-05-28 | 1969 TVE00:47 A mí qué me importa que un rey me culpe / CC English, Español05:34 [Juguetillos de Mirabrás]05:56 Cuando va anando, rosas y lirios va derramando / CC Eng Esp06:50 Como quieres que te abra la puerta de mi bohioBaile: Antonio Gades (Antonio Esteve Ródenas, 1936 Elda, Alicante – 2004 Madrid)Cante: El Lebrijano (Juan Peña Fernández, Lebrija, Sevilla, 1941 – 2016)Emilio de Diego (El guitarrista a la izquierda de la pantalla) / Pepin Salazar (guitarrista) / Daniel Moya (guitarrista) My FLAMENCO playlist: youtube.com/playlist?list=PLdfetz8BhaRgEBtUQqhYyvCd1ZOLaj1jS"A juguetillo (also called coletilla or estribillo) is a short verse tacked on the end of the main verse. In flamenco, a collection of verses are generally textually unrelated and this is usually true of the verse and the following juguetillo.”Mirabrás is a song related to the alegría, the romera and the caracoles. Its name comes, like the caracoles, from a refrain: “mira y verás” (look and see) = mira-brás. It is a flamenco adaptation of the songs popularized in Cádiz by the Liberal Courts and of the first liberal constitution of 1812. Its lyrics proclaim liberalism and independence from the king.
Charlie Chaplin Boogiewoogie 3 - Fingers to the Bone betapicts 2021-05-20 | Charlie Chaplin’s 32nd film “His Trysting Place”, released Nov. 09 1914Music: Boogie Woogie Bed by Audionautix is licensed under a Creative Commons Attribution license, Artist: http://audionautix.com
The Mozart Effect, Baby Brain Development betapicts 2021-05-12 | Featuring: John T. Bruer (1949), philosopher; William T. Greenough (1944-2013), zoologist; T. Berry Brazelton (1918-2018), pediatrician. and with quotations from Carla J. Shatz and David T. Suzuki.Music: Mozart: Sonata No. 13 In B Flat Major, K.333 - III. Allegretto Grazioso by- Brendan-Kinsella (musopen.org)For more on baby behavior check my playlist:youtube.com/playlist?list=PL65CABF5E806787E0
