Record Production
Metropolis Mastering Studios - Matt Coltons new vinyl / digital cutting suite
updated
This video hopefully gives some insight in to how the studio sounds and shows the in-house instruments available to use if you book the studio - Dan Moore shows off the keyboard selection very well in 2 short tracks to showcase the studio.
A big thanks to Dan Moore, Tom Sinnett and Owain for making this feature possible!
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More information is here: recordproduction.com/features/session-walkthrough-at-studiowz
00:00 Introduction
00:27 Prepared piano - Ear Plugs
01:20 Felt on piano strings (upright Yamaha)
02:20 Character piano (Mrs Mills)
02:45 Microphones - Steinway setup
08:20 Steinway microphone audio samples
10:30 Yamaha upright mics and samples
15:30 Character piano mic setup
19:25 Andrew Sunnucks on Piano for Film
25:35 EFFECTS piano
29:00 3 piano ending
Watch how leading engineers and composers setup and record piano for film and general music recording. A film composer and pianist plays for us to help demonstrate 3 different pianos and how they approach recording - mostly with 3 different mic setups so that you can compare and hopefully use these ideas to help you get a better piano recording.
Some of the things that can make the most difference are what you do to the piano before event recording it and just a few examples of this prepared piano treatment ideas are shown and we hope to record further features with more. From felt or ear plugs on the strings to dog leads laid over the Steinway's strings, there's a whole world of creativity open to you to create unique sounds.
Some of the microphones used include:
Telefunken ELA M260
Coles 4038
B&K 4006
Copperphone
Carbonphone
AEA R88A Active Ribbon Microphone
... and many more
Special thanks to School Farm Studios for their pianos and time! Owner Andrew Sunnucks of Audio Networks and engineer Stefano Civetta were brilliant hosts and a very big thanks to them and Hester for her assistance. A huge thanks to Ben Andrew for giving up his time to play and come up with some music for us to record and to Stuart Bruce for asking the questions and helping organise this feature.
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Website: http://www.RecordProduction.com
Shot at ARC Studios with Damo Webster playing the drums and 2 x Grammy winning Cameron Craig producing, this short video captures the spirit of the studio and the engineers expertise and helps explain why Matt Taylor won the British MPG's Rising Star award 2022.
Some of the microphones that Matt used include:
Kick Drum - AKG D25 and Neumann U47 FET
Snare Drum - Austrian Audio OC 818 on top and Shure SM57 below
Hi Hats - Beyer Dynamic M818
Toms - Neumann KM86
Overheads - Coles 4038's
Floor mic - Turner Crystals 22X
Over Kick facing snare - STC 4037
Room mics - Sontronics Sigma 2
The drum kit is a Yamaha custom recording kit. Placed in the corner of the recording space aimed in to the middle of the room and with good sight-lines to the control room.
Special thanks to Damo Webster for playing drums for us, Issac Neilsen for letting us take up time from his session, Cameron Craig for also letting us eat in to his recording schedule and to everyone at the very lovely ARC Studios based just outside of Oxford, England. Super special thanks to Matt Taylor!!
Matt Taylor's website - matt-taylor.uk
ARC Studios website - abbeyrecording.com
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We shot this video at Matt's studio, ARC Studios in Eynsham, Oxfordshire, UK. Watch out for other videos that we have recorded here.
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Studio owner Paul McCracken says that this is his 4th and very last studio he's building. We can believe him, with so much effort and expense sunk in to this amazing studio it's hard to think of how he could do better.
Are Friends ELECTRIC? is located deep in the rolling and picturesque hills of Southern Devon. Clearly, Paul McCracken and head recording engineer Rob Waite have spared no effort, money and vision in developing this impressive recording and mixing facility.
Equipped with an SSL 8k console (giving 4 stereo busses so great for sending drums down one buss for treatment before injecting back in to the mix etc), tons of excellent outboard that we run through in the video, a nice range of recording spaces most upmarket big city studios would find it hard to compete.
There's a great ambiance, to quote Paul; "The equipment and the environment combine to create the ideal space to realise your artistic vision. AFE is already attracting artists and producers from around the world."
Rob who is the main engineer at the studio has 20+ years of industry experience working with artists including; Kasabian, Foo Fighters, Leona Lewis, Ava Max, Duran Duran, Phil Colins, Bryan Adams, Van Morrison, Cliff Richard, Robert Plant, Pearl Jam, and many more.
The equipment list at Are Friends Electric? includes:
SSL G+4048 loaded with 40 mono and 8 stereo channels featuring Ultimation and Total Recall via the THD Labs Tangerine interface.
1 x Purple Audio MC76
1 x Universal Audio 1176
2 x Empirical Labs Distressor EL8x
1 x Drawmer LX20
1 x Drawmer DL240
1 x Manley Labs Nu Mu
4 x IGS One (500 Series)
2 x DBX 166 (500 Series)
1 x Universal Audio LA2A
2 x Tube Tech EQ1P
4 x Black Lion Audio Bluey
1 x Neve 33609
1 x Smart Research C2
1 x API 2500+
Microphones include:
1 x U47 Fet
2 x U87
4 x Austrian Audio 818
2 x Soyuz 013 Fet
2 x KM184
2 x 12 Gauge Microphones Gold12
1 x SM91
1 x Beta91
4 x Beta58
1 x Beta52
2 x SM57
1 x M201
2 x AT4030
4 x MD421
2 x Extinct Audio BM9
Find out more and arrange your visit to see this studio! https://www.arefriendselectric.studio
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Website: http://www.RecordProduction.com
* Check Master Chord Studios in London for a similar but different studio concept.
00:38 - Studio tour
04:16 - Control Room
10:57 - Interview with Studio Owner Andrew Sunnucks
@RussCottier visited School Farm to record a tour around the studios and sit down with engineer Stefano Civetta and owner Andrew Sunnucks to chat about why they undertook such an ambitious project - did their history of regularly booking some of the biggest studios in the World shape their thinking (and equipment choices)?
Some of the instruments available include: Steinway Model D Grand Piano, Yamaha Upright Piano, Hammond C3 and Leslie Amp, Drums, Fender Acoustisonic Guitar, Theremin and a collection of percussion instruments.
The studio live room has 4 booths, built in an expansive and converted 17th Century barn which has been placed inside nearly a metre of acoustic treatment on the outside walls and roof leaving the original timbers and finishes exposed inside. The main recording room has a very high ceiling, a well controlled acoustic and a big window offering views over a beautifully landscaped lake.
The recording equipment is top level featuring a massive range of microphones, SSL Duality console, full Dolby ATMOS and so much more - this is a recording studio tour that we think must place this in the top 3 residential studios in Europe.
The control room features ATC monitors with full 7.1.4 Dolby Atmos mix utility. As an alternative to the onboard preamps there's 26 channels of Neve pre’s, 12 Montserrat, 12 1081s and 2 1081s with 4 Band EQ and 8 Millennia and 1 Chandler REDD.47. High end DAD converters take care of conversion.
Desk – SSL Duality Fuse 48ch, equipped with SSL δelta control and Fusion colouration processor.
24 channels of Neve preamps, 12 Montserrat and 12 1081s
Dolby Atmos with 7.1.4 ATC monitoring
Apple Mac Pro using a Pro Tools Ultimate HDX-3 system.
DAD converters
Bricasti System 3 Reverbs
Preamps
Neve Montserrat
Neve 1081
Neve 1081 with 4 Band EQ
Millennia HV-3D-8 – 8 Channel
AEA RPQ2 Dual Channel
Chandler Limited REDD.47
Dynamics
Chandler Limited Zener Limiter Stereo
Empirical Labs Distressor EL8X-S (matched pair)
Manley Vari MU
Universal Audio 1176 LN
Universal Audio LA2A
EQ
Maag EQ4M 6 Bands Dual Channel
Manley Massive Passive
Maselec MEA-2
Pultec EQP-1A (matched pair)
Pultec MEQ-5 (matched pair)
500 Modules
Maag EQ4
API 500B
Standard Audio Stretch
Heritage BT500
DBX 510
Reverbs & FX
Bricasti M7
Lexicon PCM96
Echo Fix EF-X2
Russ Cottier sat down to talk with studio owner, Andrew Sunnucks, and engineer Stefano Civetta to talk about why motivated them to build the studio and the background in music production, Audio Networks, film score recording and much more.
To quote the School Farm website: "After 30 years and perhaps 6,000 sessions at Abbey Road between them, Andrew and Stefano generally know someone who can help with almost anything. Their friends and contacts include players of pretty much any instrument and in any style imaginable, fixers, copyists, orchestrators, arrangers, conductors and singers…they are all part of the School Farm Studios family and if we know them, so do you."
School Farm Studios
Little Maplestead
Halstead
Essex CO9 2SN
What3Words ///excellent.confused.notes
Thank you to @RussCottier for the great interview and Andre Sunnucks for the amazing drone footage!
Please visit our website to see more information about School Farm and many, many other lovely studios: recordproduction.com/studios/school-farm-studios
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Bernhoft's album "Avenue of Loveless Hearts" will be out on October 6th and available to order from bernhoft.org/store.
Jarle has worked and learned from many great producers including Adrian Bushby and Gil Norton.
A big thanks to Jarle for making the time to film this interview and to Jack Kaye for making the connection and making this happen and Charlotte for helping clear the music to make the video that bit more interesting! Thank you also to Oscar Ball for giving up a day at his studio, Otterhead Studios, so that we could make the link up happen. Ellis at Otterhead Studios also did a great job so a big thanks to him too!
Find out more about Jarle Bernhoft - visit his site: bernhoft.org
Find out more about Otterhead Studios - otterheadstudios.com
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Ken started at Abbey Road Studios. Back then, nearly 60 years ago, part of the transition to becoming an engineer was to spend time cutting discs. Most of these would have been for people such as George Martin to take home an acetate to listen to at home. Learning what you could get away with and what you couldn't get away with helped the fledgling engineer understand the limitations so once a full recording engineer only recordings that would cut it were sent for mastering.
With this in mind, it seemed like a great idea for Ken who spent a brief period cutting discs could chat with someone who masters for a living to discuss progress and much more.
Keen eyed people might spot a number of leading producers in the audience, a surprising number of questions were asked by the audience which caught us off guard as we hadn't put up a room mic to capture questions (rookie mistake!) so had to pull audio off the camera mic - sorry about the average quality!
A big thanks to everyone at Air Studios for making this possible and for providing a great venue to record a relaxed and informative chat with so many industry professionals. A very big thank you to Ken Scott and John Webber for taking time out to do this and to Nikki Affleck for making everything come together.
Just some of the artists that Ken has worked with: The Beatles • Elton John • Pink Floyd • Procol Harum • Mahavishnu Orchestra • Duran Duran • Jeff Beck
John Webber background
Official UK Top five albums recently mastered or vinyl cut by John include David Bowie’s posthumously completed studio album Toy, Duran Duran’s Mark Ronson & Erol Alkan produced Future Past and Hozier’s number one album Unreal Unearth. He is considered a go-to for indie artists and bands including new projects for Ash, Coach Party, Junodream, Band Of Skulls, Benjamin Clementine, Iraina Mancini and Divorce.
Further mastering work includes artists such as Matilda Mann, Clint Mansell, Clean Bandit, L7, MF DOOM, Rodrigo Y Gabriela, Husky Loops, Echo & the Bunnymen, Tom Grennan, Yungblud, Alexis Ffrench, Tina Turner, David Arnold, We Three, Oscar Scheller, Josh Klinghoffer’s Pluralone and George Michael, including work on his final number one studio album Symphonica & the 2023 re-issue of Older. In 2019 John worked with Anna Meredith on her Mercury Music Prize-nominated album, Fibs.
Also known for his extensive mastering work with David Bowie, John has mastered half-speed vinyl releases of Ziggy Stardust & The Spiders from Mars and Aladdin Sane. Further vinyl cutting includes work for Animé, Bugzy Malone, Ben Howard, Primal Scream, Bloc Party, Amy Winehouse, Jazmin Bean, Jon Murry, Burna Boy, Nick Cave & Warren Ellis.
Priding himself on being able to work with any currently available format, John has been involved with Dolby Atmos mastering projects, which includes work for Duran Duran, Husky Loops and Junodream.
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First off is a Shure SM57 on snare aimed pointing at the centre of the drum. Under the snare is a Sennheiser 424. Toms are each using a a standard 421 on the top of each drum, the mic just far enough from the drum skin so that you can get your fingers under.
Kick drum used a Neumann FET 47 on the outside with an AKG ‘egg’ in the kick facing the beater, an inch from the skin. A pair of U87’s angled at 90 degrees mounted above the kit as overhead mic's, they are reverse panned so it gets a good balance with the snare in the middle and above the middle of the kick drum about 2.5 drum sticks above the snare. With the over head microphones Dave says to move them up for more room or move them down for more cymbals.
There's AKG 451 on cymbals. Placed above the drummers head and just behind where he is sat is an Electrovoice RE20 that’s designed to be the crush microphone with lots of compression to be used but in Dave's view can be the only mic needed to get the drum sound, maybe adding a bit of kick or snare but this mic could easily be swapped out for a Shure SM58 or whatever sound right.
For the room/ambience, in this example Dave is using Coles where in many cases he would choose these as his overhead's, in this room the Coles as room mics and 87’s as overheads worked best.
Dave likes to move the drum kit around a room to vary the sound from song to song as having the ‘same old sound’ on each track 'is boring'. Dave EQ’s on the way in, in this case using Distressors on the kick using SSL mic pre. On most of the kit he is using the desk’s dynamics and EQ, rolling some LF off the overheads. There's just a touch of EQ on the snare, 1178 on overheads and LA4 on snare. The approach is filtering/EQ'ing what’s not needed and making it ‘sound nice’. The important things are the drummer, the kit, the room. Everything else is secondary, 'if you don’t have those main points covered you’re wasting your time'.
Dave has a long career in the industry having recorded and produced artists including Orbital, The Prodigy, Motorhead, even The Spice Girls.. Having been based at Strongroom for many years Dave has worked at many studios around the World but is now based at his own room near to Manchester, England.
We caught up with Dave at Soundhouse Studios in Liverpool as he likes the (very) big SSL 4k desk, the vast array of outboard and large number of good sounding recording spaces. In this video we don’t see 3 or 4 of the other spaces and hope to record a studio walkthrough in the near future.
Special thanks to everyone at Soundhouse Studios for making this feature possible and for their amazing hospitality. Again, special thanks to Russell Cottier for taking time out of his busy schedule to come and chat with Dave and of course, a huge thank you to Dave Pemberton for letting us catch up with him 22 years since the last RecordProduction.com feature!!
00:00 Intro
00:35 Drum recording setup
07:50 At mixing desk listening to drums
22:10 Interview
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Dave's website: http://www.davepemberton.co.uk/index.html?fbclid=IwAR3v3tWERvV03h66lx_MAkZ9H943KXSBrY69mfjp2bKoBoQh2h4Dzh1gnkQ
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00:00 Piano Recording Overview
03:11 Piano Sample
04:22 End Out-take
Getting a great piano sound firstly requires a really good pianist and thankfully we had a great player - Dan Moore who we recorded so that you can hear this mic setup. The piano and the space that it's in makes a large contribution and the lovely acoustic space at StudiOwz offers a wonderful range of sounds - here we went for a more atmospheric sound and took advantage of the lovely Hum Audio active stereo ribbon microphone.
Before recording the piano, Dan put down a bit of a synth backing so everything you hear was created specially for this video with the stereo mix being synced up with the picture. In a later video we will again be at StudiOwz recording upright piano and a range of other excellent keyboards so please look out for those and please check out Owain's studio tour around this magnificent recording studio.
Special thanks to:
Owain Fleetwood Jenkins / StudiOwz - studiowz.co.uk
Dan Moore - danmooremusic.co.uk/about
Tom Sinnett
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@RecordProduction
01:45 Overview
03:50 Audio samples
06:01 Reviews of the mics in the control room
07:25 About the microphones in more detail
10:30 Further audio samples as Danny tweaks the balance
There are many well documented ways to record and capture great piano sounds but there is always another approach that might suit a particular track - having the time to experiment is always an issue on sessions where a quick and guaranteed piano sound is needed in the heat of a session so often we end up going for a good tried and tested technique.
It’s nice to have time to step back and think about different approaches that might offer additional variety to draw upon when the situation demands. On a recent piano recording workshop with several engineers it was impressive how the same piano with the same player can sound so different with a varied range of techniques, each sounding good but maybe one might suit a particular track and so on. So, it’s always good to have a bunch of techniques ‘in a bag’ that you can reach for speedily knowing what to expect.
This is why it’s great to have the time in a lovely studio such as Ten 87 in Tottenham, London. And have access to their Yamaha baby grand. Their piano sounds great and Rob and the team at the studio kindly let us have time in the studio for a morning so that could experiment with a method he had been interested in trying for some time. This video documents the experimentation but edited out the previous attempt at using a pair of Coles over the soundboard.
Studio assistant engineer, and seriously impressive musician, Amelia Lawn, helped set up and played some improvised piano for us so that we could compare the mic setups documented in this video.
The video hopefully demonstrates an alternative style of recording that might prove useful on the right session. It might also trigger some experimentation and if you have an interesting way of recording piano and would like to be involved, please let us know so we can visit you.
A big thank you to Rob and everyone at Ten 87 Studios for giving us access, Amelia Lawn for not only helping set the session up but being a brilliant musician and thank you to Danny Trachtenberg for taking time out and making this feature possible.
Danny’s website afoundsound.co.uk
Amelia’s website amelialawn.co.uk
Ten 87’s website https://ten87.studio
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Website: http://www.RecordProduction.com
The large recording space has a lovely range of drums, guitars, amps, keyboards, pianos and much more for musicians to choose from to help add colour to their music.
Set up with a lighting grid it's a perfect place to record a band's video and even stream live performances. With such good height the room has a good 'volume' to it offering a huge degree of artistic choice in the sounds available, from screened for nice tight close sounds to a large and epic recording studio space for 'massive drums'.
Should reverb be your thing, the stair well is large and beautifully reverbant, perfect to feed drums, vocals or anything to be re-mic'd.
The smaller dead space is set up with a number of bass amps and cabs, it's a perfect place to put a nervous singer if being out of sight to the control room is desired. It has a nice smooth sound and is also perfect for punchy guitar sounds.
In the control room a large range of gadgets are available, the full equipment list can be found on their website but there's little that we might ask for that isn't here already.
Overall, the studio is clean, has a kitchen and is in a brilliant spot on Crouch End/Hill. You're moments away from great pubs, cafe's and more trendy places to eat. If you don't fancy recording in a nice residential Welsh studio and want to be in town, this is a great choice. Bands will love it and the staff are superb, really friendly , helpful and interested in helping musicians feel at ease and ready to make a great record. A highly recommended studio that's well worth checking out.
Many thanks to Ricky, David and Joe for taking the time out to chat and make this studio tour possible!
Studio website: thecryptstudio.com
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Website: http://www.RecordProduction.com
This is a very tucked out of the way studio. In all the time there only one vehicle passed which turned out to be a local farmer. While some distance to travel makes this studio most suitable for artists wanting to be away for a week or more the journey is well worth it - the studio is one of the best musically equipped studios visited and you'll get the idea when you watch this studio tour!
Some of the outstanding instrument selections include a wonderful Bechstein grand piano which has one of the best tones heard, sadly Owain wearing the tie clip mic showing us around hints at just how good it really sounds. We hope to visit very soon to record a feature demonstrating the piano's ability. The selection of drums is very impressive and sadly had to edit out most of Owain demonstrating some of the drums as the lav mic wasn't really capturing it and we, again, will be over to cover the vast range of drums on offer later.
The recording space is very impressive having a lovely smooth sound with loads of height and balcony areas for you to put the choir if you have one or to maybe set up mics in interesting places. There's a small booth for singers and then there's the 'dead room'.. The dead room isn't super dead but is very well controlled. Open one door in the room and there's a well organised collection of mic cables, mics and other 'stuff'. Open the other door and pull out the amazing rack of drums. Not seen that before! Not to forget the range of organs, guitars and amps to choose from - it's the kind of place you can hitch hike to (maybe not so easy out that way) and make a record bringing nothing with you.
Technically, the mic selection is well curated. Some very desirable mics are here. Upstairs, the control room is vast, it's 'airy', sunlight coming in from all four directions giving the space a relaxed and comfortable vibe with the plants everywhere and almost 70's feel, probably due to the large orage sofa and choice of colours. This is one control room that will not feel tiring on a long album project.
One notable feature of the studio is that the control room is possibly the only studio we have visited that faces away from the studio! A nice touch for nervous artists feeling the pressure of a first recording but pressure isn't the kind of thing anyone would feel here.
Owain is to be congratulated, this is one of the finest 'band recording studios' we have visited in a long time. For someone so young to have built this is most impressive. We strongly recommend this studio and hope that you enjoy the tour around, maybe call Owain up after and set up a trip to check it out.
StudiOwz website: studiowz.co.uk
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Website: http://www.RecordProduction.com
Heff was mentored by the then chief engineer Stuart Bruce, so it was really great to bring them together to discuss the recording industry and how it's evolved in their time with some great conversation about working with Trevor Horn, Steve Lipson and many great artists and producers.
Heff is now Head Engineer at Tape London and consults with PMC which is why the conversation took place at their London demo studio - and the enormous number of speakers on show!
Timestamps
00:00:00 Intro
00:04:20 Starting work at SARM Studios
00:08:08 Working with analogue tape and recording basic techniques
00:13:20 The Recording Engineer has to remain calm
00:17:50 Making calls as a record producer and decision making
00:25:00 Hardware vs Plugins and how it changes artist performance in recording
00:31:35 Working with Annie Lennox and Steve Lipson
00:40:30 Live sound mixing at Central Park
00:47:17 Frankie Goes to Hollywood re-recording and Grace Jones
00:53:30 The Art of making Cheesy but Great Records
01:00:00 SARM as the centre of the UK Music Industry with George Michael etc
01:02:15 Now there are more music studios than ever
01:08:40 Early days mentoring from Jill Sinclair
01:12:00 Helping young people with their music and production career
01:30:00 Budgets for recording are shrinking
01:36:30 Advantages of working on mixing desks
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The studio is really well equipped with ATC monitoring and a great selection of keyboards, amps and a nice selection of choice microphones. With a small but well featured kitchen and outside space to relax this is a perfect studio for a band or solo artist to spend a few days or much longer without going stir-crazy due to the spacious and open spaces with loads of natural light flooding in.
We highly recommend visiting the studio and meeting Jamie. In the near future we will be adding an interview with him talking about production so please subscribe to our channel :-)
http://www.echostudios.org.uk
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We selected Immersive Mode to access all of Connex’s mics separately and recorded them individually to test the USB mic to record drums in a rehearsal/live room. Russ Cottier played the drums and tried moving the mic around to see how well the affordable and simple mic can be to record a demo before taking the files back to his studio to add guitars and play with the audio.
We also recorded some spot mics on to a Sound Devices Mix Pre 10-II. Rather than just A/B USB mic vs spot mics, we wanted to hear how well the mic(s) work with an almost complete track to give a much more useful guide for budget recording.
Please let us know what you thought in the comments section, we hope you found this interesting!
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Website: http://www.RecordProduction.com
In this video, recording engineer Adam Beer and assistant engineer Oliver Brightman's guitar recording feature shows off the sound and flexibility of Marshall Studios. After the guitar recording Adam shows us their piano and we get to be the first people to record it at the studio!
AMPS AVAILABLE AT MARSHALL STUDIOS
• 1959HW Head
• 1962 Bluesbreaker Combo • 1974x Combo
• 1987x PW Combo
• 2555X Head
• Astoria
• AS50D Combo
• Class 5 Head
• Code25 Combo
• DSL40 Combo
• EL34 50/50 Rack amp
• EL34 100/100 Rack amp
• JCM 800 2203 Head
• JMP-1 Head
• JTM 2245 Head
• JVM410H Head
• MG15R Combo • Origin 20 Head • SL5 Head
• Studio Classic • Studio Vintage • YJM100 Head • 1960a Cab
• 1960BHW Cab • 1960BX Cab
• 2551AV Cab
• 2x VBA400
• 1x Marshall DBS 2x12 • Eden WTP
DRUMS
• Natal Cafe Racer Kit - 22”, 10”, 12”, 16”FT
• Natal Maple Original Kit – 22”, 12”, 14”FT, 16”FT • 13” x 6.5” Natal Walnut Snare
• 13” x 7” Natal Steel Hammered Snare
• 14” x 5.5” Natal Walnut + Maple Snare
• 14” x 7” Natal Mappa Burl Snare
• Natal percussion
• Zildjian K Cymbals
INSTRUMENTS
• Fender Stratocaster Ultra HSS • Fender Ultra Jazz bass
• Gibson Les Paul Standard 50’s • Yamaha FG
• Tanglewood Banjo
• Extensive range of guitar pedals
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Website: http://www.RecordProduction.com
This was filmed by George on his portable device but we think it looks great - camera work also by Vanessa Hurst so a bit thank you to them both for taking time out of their session to capture this tour!
We think Real World is one of the very best studios and it's completely unique in style and character. Without any doubt, the main studio, 'The Big Room', is not big - It's GIGANTIC. The Big Room features a huge K Series SSL console and the range of outboard is second to none. Although the control room could accommodate a Boeing 747, it sounds great and is a superb space to work, be it recording or mixing!
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Website: http://www.RecordProduction.com
Edited by Ellis Powell Bevan
Technique by Dan Austin
Questionmaster - Oscar Ball
Watch Dan Austin's interview here: youtube.com/watch?v=nBmF_fMUhyk
Special thanks to Oscar and Ellis at Otterhead Studios: recordproduction.com/studios/otterhead-studios
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Website: http://www.RecordProduction.com
In this video we compare two main piano recording setups; Shure SM57's on the back and Schoeps CMC6 condensers on the front with additional room and effects mics including the Placid Audio Copperphone and the Scope Labs Periscope. When all blended together they give a lovely sound but as can be heard, the setup really is dictated by the tracks requirements - if the track is less dense a fuller piano sound might be more appropriate but on a thick and full sounding track something that cuts through might be more suitable.. Anyway, we hope that these samples show just how different the sounds from one piano can be so hope this inspires some experimentation.
Track details are:
- Sleep Fast
- Take it All
Both by @siigatv Siiga (artist name) and used with permission.
Assistant engineer seen on camera setting up and also playing piano was Ewen White.
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Oliver Sekunda started his career at Chairworks studios in Castleford then moved to assisting at a studio in France. On his return to Britain he took the engineering helm at Beat Street Studio.
Oliver is an expert engineer when it comes to recording and mixing bands. He also has an extensive number of production credits under his belt. In the past he has worked with a diverse range of artists including The Pigeon Detectives, Cud, KRS One, Young Thug and Ginger Wildheart.
As well as recording bands Oliver has a deep knowledge of electronic music and instruments. He has great experience in writing and producing for artists that are using electronic elements in their productions.
Find out more, visit the studio website: http://www.beatstreetstudio.co.uk
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Website: http://www.RecordProduction.com
WEBSITES
https://www.RecordProduction.com
recordproduction.smugmug.com/Music/Recording-Studios
Instagram: instagram.com/recordproductioncom
Facebook: facebook.com/RecordProductioncom
Twitter: twitter.com/RecordProd
Zzounds: zzounds.com/a--55792
This is not any ordinary studio, this is something designed to be far more flexible than most - due to the size of the space available this studio offers a recording area able to fit an audience of 250 people so you can set up as a band to go for live takes with a packed audience giving a completely new range of possibilities. Whatever the way you wish to record, you can do so here.
Packed with vintage and classic recording equipment including esoteric distortion units, analogue delay lines, compressors and a patch bay one imagines used to be housed in an old style phone exchange for a small town sits the Blake Devitt engineered Neve 8048 console. This is gargantuan and hails back to its beginnings in Pathé Marconi Studios in Paris way back in the early 70’s.
Following much work and re-engineering, including many recycled modules and parts from a multitude of old desks, Blake has brought in to the World something akin to a battle cruiser class of mixing desk. This is one of the most brawny, well built and Herculean desks available in the Milton Keynes area (and about 1,000 miles around). It’s so burly it possibly bends light due to its density!
In this video, studio engineer Adam Beer and assistant engineer Oliver Brightman take us on a tour of the studio and equipment in the racks. We also recorded a piano recording video and also a guitar recording feature to show off the sound and flexibility of Marshall Studios, there will be links added once these videos have been edited and up on the RecordProduction.com website.
Many thanks to everyone who helped in making this studio tour possible - we highly recommend Marshall Studios and are confident that anyone visiting too check it out will be impressed enough to think of booking when a suitable session requires the unique mix of facilities.
EQUIPMENT
DESK
The centrepiece of the Marshall studio is a Neve 8048 console. Record through Focusrite RedNet A/D converters on to the latest version of Protools Ultimate and numerous relay points mean you can record anywhere.
OUTBOARD AND PROCESSING
• Avid HDX PCIe Card• DBX 160A (x2)• Focusrite Rednet A16 (x4)• Focusrite RedNet AM2 (x6)• Focusrite RedNet HD32R (x2)• Smart Research C2• Universal Audio 1176LN (x2)• Universal Audio UA LA-2A• SSL Xlogic Alpha VHD Pre 4 Channel • Yamaha SPX 990• Empirical Labs EL8XS (x2)
MONITORING
• Yamaha NS10
Quested Main Monitors• Adam Audio S5H• Neumann KH120A
MICS, DI’S AND HEADPHONES
• AKG C414 XLII Stereo Set (x2)• AKG C451 Stereo (x2)• Beyerdynamic DT-770 PRO 80 ohms (x4) • BSS AR133 (x4)• Coles 4038 Pair (x2)• Coles 4071B Stand adapter (x2)• EV RE20• Neumann EA 87 (mounting system)• Neumann KM184• Neumann U47 FET• Neumann U87 (x2)• Radial JCR Re-amper• Radial JCR Stereo DI• Radial Pro DI (x4)• Royer R-121 (x2)• Sennheiser e609 (x2)• Sennheiser e901• Sennheiser e904 (x4)• Sennheiser E935 (x2)• Sennheiser MD421-II (x2)• Shure Beta 52A (x2)• Shure Beta 56A (x3)• Shure Beta 58A (x4)• Shure Beta 91A• Shure KSM141• Shure KSM353• Shure KSM42• Shure KSM44a• Shure KSM8
• Shure SM27• Shure SM57 (x7)• Shure SM58 LC (x4)• Shure SM58 SE• Shure SM7B• Shure SRH1540 headphones (x3) • Shure SRH940-E headphones (x2) • Telefunken AR-70• Telefunken TF47• Telefunken TF51• Triton Audio FetHead (x4)
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Website: https://www.RecordProduction.com
Dan celebrated his first UK no 1 as producer of DOVES’ album ‘The Universal Want’ which was their first album in over 10 years and for Dan it was the culmination of more than 15 years working working with the band - starting with engineering their 'Some Cities’ album in 2004 and then co-producing and partially mixing their 2009 ‘ Kingdom of Rust’ album, as well as producing and mixing singer Jimi Goodwin’s debut solo offering ‘Odludek’.
Dan learned his craft engineering, programming and mixing for producers including Steve Osborne, Paul Corkett, Gil Norton, Flood and John Leckie on a wide variety of projects including PIXIES, B 52s, BIFFY CLYRO, MAXIMO PARK, AFI, THE CORAL (to name just a few) but he was quickly noticed because of his energy and ability by artists including THE COOPER TEMPLE CLAUSE, and OCEANSIZE who sought him out for his first solo production opportunities.
Other acts including CHERRY GHOST, THE NINTH WAVE, SLøTFACE and MASSIVE ATTACK followed suit loving his creativity and inventiveness in the studio.
As his years with working with DOVES show, when artists work with Dan, they tend to keep on coming back - MALLORY KNOX, YOU ME AT SIX, TWIN ATLANTIC and PRETTY VICIOUS and many of the bands mentioned above have all forged trusted relationships with him - for his boundlessly inventive approach to production and his great energy and temperament. In 2017 Dan finished work on his own mix / production room near his home in the SouthWest of England. Having his own studio has enabled Dan to maintain a regular flow of mix work, either for the bands he is producing or for bands seeking him out as a mixer for their project. In recent years he’s been nurturing long term ‘finishing and mixing ‘ relationships with bands who are self-financed and need some experienced ears to help finesse their recordings.
More recently Dan has also been working with artists on writing sessions too….. either remotely, at his own studio or wherever suits the artist.
Visit Dan's management page for more information: 140db.co.uk/dan-austin
Special thanks to Oscar at Otterhead Studios: recordproduction.com/studios/otterhead-studios
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John is a composer/producer/artist/collaborator who over the past twenty years has contributed to more than fifty albums, toured globally with PJ Harvey, Eels and his own bands, and written and recorded music for film, television and stage.
Johns producer credits include Eels, PJ Harvey, Aldous Harding, Dry Cleaning, Tracy Chapman, Giant Sand, and Sparklehorse.
Find out more about John by visiting his website: john-parish.com
Interviewed by Ben Scott Turner: http://www.benturnerproducer.com
www.axeandtrapstudios.com
Filmed and edited by James Harvey: youtube.com/c/HarvVideoAudioStuff
Music - Park Dance Mascara by John Parish
Studio - Honorsound - Bristol, John's personal studio
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Momentum Studios was founded by Josiah Manning in 2009. The original recording space was solely designed and built by Josiah with the help of his Grandfather when he was just 18yrs. Momentum has since tripled in size and continues to accommodate large production projects, major label signed bands and artists from all over the world. The main live room has been specifically designed for recording drums but the studio also offers 2 separate ‘dry booths’ with adjustable acoustic treatment. Josiah prides himself on being a multi-genre producer with a diverse taste in music but is especially passionate about cross-genres.
Many thanks to George Shilling for taking time to record this!
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Much of the studio equipment has history, an Otari 24 track tape machine that was last used by Tom Jones with producer Ethan Johns, a Fender Bassman rig that belonged to Mani from the Stone Roses, a Hohner Clavinet D6 played by Stevie Wonder, and a very rare Baldwin Electric Harpischord that used to have a home at London’s renowned Olympic studios.
Please pay them a visit - echotownstudio.com
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Website: http://www.RecordProduction.com
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Studio 1 is a large tracking and mixing studio with room to facilitate a whole band playing live. The control room is built around an SSL AWS 948 Delta Analogue Console, Barefoot MM27 Monitoring, Burl Mothership A/D conversion and a high quality selection of outboard. The studio is flooded with natural light in the control room, and has large windows to the first of 3 isolation booths on the left, and a large live room on the right, allowing significant line of sight for live tracking.
For more, check out the studio website: glowormrecording.com
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This is a lower quality video shot at the old Sphere Studios in London just after the AC/DC Black Ice album had been released. There is so much useful 'stuff' here for people interested in making great records and well worth a watch!
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Website: http://www.RecordProduction.com
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James has recently signed to be managed by 7pm Management and their owner Seven Webster said about it that “it was a natural progression for us to add James to our roster as he is someone we have worked closely with across three successful Top 40 albums for Skindred”. James produced the successful singles That’s My Jam which spent an impressive 4 months in the US Top 40 active rock chart last year and Big Tings as used in the trailer for Sky TVs critically acclaimed TV show Brassic.
Having cut his teeth while working at most of London’s most prestigious recording studios, Metropolis, Eden and Brittania Row working with acts that included the likes Dave Gahan (Depeche Mode), My Vitriol, Scott Walker, Bjork, Beverly Knight and Page and Plant to name but a few Loughrey has gone from strength to strength. It was his work with the aforementioned acts as well as with some of his exemplary work with more underground electronic artists like Flux Pavillion that first brought him to the attention of Skindred who were looking for someone that could push boundaries and break down barriers while also having the ability to rock the dancefloor. Over the last 10 years James LeRock Loughreys work with Skindred has attracted him to numerous artists including 7pm Management’s own artist Andy Taylor (Duran Duran/ The Power Station) who he has just finished mixing his excellent forthcoming Single Reaching out to you (BMG Records) a tune co-written by Ricky Warwick (Thin Lizzy/ Black Star Riders).
For more details or a showreel or to discuss working with James email seven@7pmmanagement.com
Special thanks to Ben at Axe and Trap Studios for making this interview possible - axeandtrapstudios.com
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Website: http://www.RecordProduction.com
Clint Murphy has mixed many of Dan's records and he was keen to see the drum recording setup that Dan uses with a keen interest in the setup of the kit as a whole, the use of dampers and drum tuning etc..
Dan kindly ran off a stereo mix of this drum setup after we left, a pass with the close mics and then a full mix with all of the room mics included. This conversation is one of our favourite features on the subject - even if Dan's approach isn't what you might choose we are pretty sure that there will be things in this video that might help you get an even better drum sound :-)
A very big thanks to George and Matt at VADA Studios for helping make this possible, to Dan for giving us his time and to Clint who asked the questions day's before re-locating back to New Zealand!
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Some blurb on Dan:
London based Dan Weller is an award winning producer/mixer, writer and guitarist, known for his work in rock and metal, but with credits as diverse as Children’s BBC to his name.
Dan began his musical career as founding member/producer of metal band SikTh. Renowned in the metal scene and credited with spawning the microgenre ‘djent’, SikTh are often name-checked as an influence by bands the world over. In a career spanning almost 20 years SikTh have toured the globe extensively. In 2015 they toured with US metal titans Slipknot and were featured on the cover of the Rolling Stone magazine in India.
Away from his band Dan is best known for nurturing talent and extracting the very best from the artists he works with. Production and mix credits include Enter Shikari (2 x UK top 5 records*), Monster Truck, Bury Tomorrow, Young Guns (Active number 1 in US**) and many more.
In more recent years Dan has found a balance between Producing/Mixing and his first love — Song writing. Credits include Taylor Swift approved Austrian based Hunger, Shvpes, Sea girls, Cody Frost and many more.
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Dan Weller is an award winning record producer, mixer, writer and guitarist. Dan's best known for his work in rock and metal but he does work in other genres.
He started out as a founding member and producer of the metal band SikTh who are highly regarded in the heavy metal scene and together with Meshuggah he's credited with spawning the micro-genre 'djent'. To quote Dan's website: "SikTh are often name-checked as an influence by bands the world over."
In a career spanning almost 20 years they released six records and toured the world. In 2015 they toured with US metal titans Slipknot and were featured on the cover of the Rolling Stone magazine in India. Their final show was in 2019 where they were invited to Manila in the Philippines to support Slayer on their farewell tour.
Now, Dan is best known for growing talent and bringing the very best out of the artists he works with. His long time studio collaborations with UK's Enter Shikari have 3 x UK top 5 records including a number 2 in April 2020, Monster Truck, Bury Tomorrow, Young Guns (Active number 1 in US) and many more.
To further quote from Dan's website: "In more recent years Dan has found a balance between Producing/Mixing and his first love - Song writing. Credits include Taylor Swift approved Austrian based Hunger, Sea girls, Holding Absence, Shvpes, Cody Frost and many more."
A huge thanks to Dan for taking the time, to Clint Murphy for asking the questions days before relocating back to New Zealand, George and everyone at VADA Studios for making us welcome.
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Website: http://www.RecordProduction.com
Check out the @RussCottier channel.
Using sound absorbing panels can make a significant difference, deadening the acoustics and bringing the sound in to focus is shown here and we switch between fully live and dampened room sound. As Russ says, spending a little time at the beginning can really improve your production - a slapdash recording might require significant work to make it useable but even then, it might not equal the sound possible by experimenting for just a few minutes.
We used an Austrian Audio OC 818 microphone with Cardioid pattern plugged in to a very affordable Zoom H4n Pro recorder. We used a cheap pair of earbuds to monitor as we wanted to replicate the most basic setup. No EQ, compression etc was used - you are free to experiment but we wanted to give you a clean output to compare with.
Many thanks to Andy Bowes and Catalyst Studios for making this feature possible, Russ Cottier and our mystery visiting L.A. producer, cheers Rick!
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Andrew Raphael is a Music Producer based in the North West of the UK and Russ Cottier visited Andy while he was on a session at Catalyst Studios tracking a band on the SSL.
Andy's website: distinctrecording.com
Check out the @RussCottier channel.
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Al sat down to chat about the studio upgrades with Russ Cottier before doing a mix that we filmed and will bring that video to you shortly showing Al's top mix tips and techniques.
Check out the @RussCottier channel.
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Later, after working at several other top studios he was based at Marc Angelo Studios where Kevan recorded many string sessions for classical and jazz artists. He has since been busy as a freelance engineer working with many major artists such as Annie Lennox and Ronan Keating.
Kevan specialises in recording and mixing a wide range of pop and rock music, with a particular emphasis on great songwriters. In this interview at a private studio in the UK, we have an hour long chat about what makes a great recording and so much more...
The video was shot with two cameras but for technical and artistic reasons we decided to use just a single camera so please excuse some occasional re-framing of the camera that would usually be unseen. This was shot with the intention that it could also be used in a future podcast so it's a really good video to listen to while doing other things but we hope you find this as interesting as we did and welcome your comments and thoughts that this discussion raises :-)
Many thanks to Mike Exeter for taking the time out to record this and to Gavin Backhouse for letting us use his beautiful private studio to film in.
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Another tip of Russ’s is that you don’t have to have the same EQ for the bass guitar all the way through the track, this allows you to make the bass fit the various sections. This can apply to guitars or any other elements.
In this video Russ talks with Mike about guitar recording and how he approaches tracking sessions at Parlour Sound Studios and then gives us a tour around the hidden equipment room where the various guitar amps, drums and all the other instruments and microphones are kept. Half way through the tour Mike and Russ reference Woodworm Studios so we inserted a brief whirlwind tour of there to do our friends there a favour!
The full interview sat in the control room rounds off this video and we hope that this more in-depth feature gives some useful tips and we look forward to visiting the studio again to do some guitar recording workshops in the near future.
A big thanks to Russ Russell for giving us the time to chat and to Mike Exeter who took time out of a session to nip over to Parlour Sound to look around and talk record production.
Parlour Sound Studios / Russ Russell: http://www.parlourstudios.co.uk/recording_studio_staff.html
Mike Exeter: mikeexeter.com
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Russ Cottier met up with Al to chat about him now being the owner of Motor Museum Studios and after about 12 minutes of Al chatting about his mixing approaches and treatments tells Russ about the studio and how it's evolved.
In this video we are using the multitrack recorded at Rimshot Studios by Mike Thorne - that video showing the recording session and techniques is here: youtu.be/W_Bhamjinew
Special thanks to the musicians who gave their time to record this:
Sam Woods - guitar - samwoodsmusic.net
Will Freed - drums - https://instagram.com/willpfreed?utm_...
Jamie Lawrence - bass - https://instagram.com/jamielawrencear...
Mike Thorne - Rimshot - rimshotstudio.co.uk
Russ Cottier - http://www.russellcottier.com
Check out the @RussCottier channel.
The multitrack for this video will be available soon once our website has been rebuilt! :-)
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Website: http://www.RecordProduction.com
Rather than just show a drum recording setup or a guitar feature we decided to get three musicians together to record some of Russ Cottier's music to experiment with and to demonstrate Mike and Russ' recording techniques with a whole band.
Currently our website is being rebuilt, once it's done we will have all of the multitracks/stems available to download for you to play with and anyone that send us their own mix that is outstanding will get some sort of prize, yet to be worked out.. :-)
Special thanks to the musicians who gave their time to record this:
Check out the @RussCottier channel.
Sam Woods - guitar - samwoodsmusic.net
Will Freed - drums - instagram.com/willpfreed?utm_medium=copy_link
Jamie Lawrence - bass - instagram.com/jamielawrenceart?utm_medium=copy_link
A big super thank you to Mike Thorne, engineer and owner of Rimshot Studios. This studio is fantastic, has a range of great mics and some very cool gear - and tape machines!!
Another super big thanks to Josh Holland for his ace camera work and to Russ Cottier for being the 'front man' and producer and also the composer of the tune!!!
If you've read this far, you might be interested to know that coming soon is the same multitrack directed and re-mixed but top mix engineer Al Groves on his SSL Duality console - stay tuned...
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Mike has worked with some amazing artists and bands but the ones that stand out are Black Sabbath, Judas Priest, Dio etc.. Karl Brazil has worked with Take That, Ed Sheeran etc.. Together they offer a depth of knowledge and experience that is here for you to digest and hopefully can pick up some useful tips for your next drum recording session :-)
A big thanks to Mike Exeter and Karl Brazil plus Gospel Oak Studios, Baz Bayliss, Gavin Backhouse and Joe Hieatt-Smith.
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Website: http://www.RecordProduction.com
Based in the UK Russ was also the guitarist in the psychedelic band Draw, and now plays in British metal band Absolute Power and cosmic mind metal trio, Reformat.
To Quote Russ on what he's worked on: "I've worked with every kind of metal, rock, classical, blues, jazz, pop, acoustic, dub, bhangra, country, hip hop, trip hop, sea shanty, drum & bass, drill & bass, psychedelic, reggae, indie, space folk, prog, mantra, tap dance, breakbeat, heads down, no nonsense glam thrash boogie..."
Some of the artists and bands that Russ has produced/engineered include: Napalm Death, Evile, Dimmu Borgir, The Ga-Ga's, The Wildhearts, Space Ritual, The Exploited, New Model Army, Sikth, Jet Plane Landing, Amorphis, Junket, The Peccadillos, Draw, Jnr Loaded, Defenestration and lots more.
Parlour Studios website: http://www.parlourstudios.co.uk
Mike Exeter's website: mikeexeter.com
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Website: http://www.RecordProduction.com
The studio has been running for forty years and continues to attract some of the biggest artist. In this tour you'll be able to look around all of the main recording spaces and see Studio One has 4 nice recording spaces, from the large main room to more compact spaces perfect for a band to do a live take and go for something with lots of feel. Studio Two has an iso booth (not shown much due to the session from the day before having things set up still) but is mostly designed to be an open and airy space that musicians can compose and create all in the large room with daylight flooding in.
There's a great range of instruments available to use and the mic collection and outboard is extensive so why not pay them a visit?
Studio One has four recording spaces with variable acoustics giving good separation while giving good visual contact for the musicians and producer. As can be seen on the video, there are six home brew headphone mixers with meaty headphone amps directly routed from ProTools and proclaimed by the studio as "the best foldback system in London".
A large collection of outboard gear includes tube EQ and compression and the legendary MCI JH500 console custom built in 1971 for Island Records and claim to fame is being the desk that Exodus was recorded on! There's ProTools and also two analogue 24 track 2" Otari MTR 90 machines.
The studio is awash with instruments and these include: Yamaha Disklavier 6′ 6″ grand piano with MIDI in/out, Hammond C3 Organ and Leslie tone cabinet with Trek interface, Rhodes ‘suitcase’ electric piano, Wurlitzer electric piano, Hohner Clavinet. Guitar amps include: Marshall 50w & 4×12, Mesa Boogie combo, Vox AC30, Ampeg Bass amp.
There is an enormous microphone collection, vintage and modern mics including many ribbon mics to choose from.
Eastcote's Studio Two features a large, open, control room with large windows looking out onto a surprisingly green courtyard. The studio is designed to feel more like a living space but with quality instruments and recording gear and less like a standard music studio. There's an additional vocal and drum booth.
Notable equipment in Studio 2 includes centrepiece Trident Series B mixing console with a Neve Kelso side-car desk to give further options.
The vast range of instruments available to use at a moments notice includes: Yamaha upright piano, Rhodes Suitcase and more keyboards, 808's etc. Amps include: Fender Deluxe Reverb, Watkins Dominator. There's a wide range of acoustic, electric and bass guitars as well.
There is also a good mic collection of classic and modern microphones featuring many ribbon mics.
A selection of past clients from the last 40 years:
Adele, Aswad, Arctic Monkeys, Bat for Lashes, Beth Orton, Billy Bragg, Birdy, Bloc Party, Brian Eno, Depeche Mode, Duran Duran, Ed Harcourt, Elastica, Grace Jones, Jack-Knife Lee, Jake Bugg, Kaiser Chiefs, KT Tunstall, La Roux, Laura Marling, Magic Numbers, Mark Ronson, Maximo Park, Mumford & Sons, Neneh Cherry, Paul Oakenfold, Pixie Lott, Plan B, Razorlight, Scouting for Girls, Sly & Robbie, Soft Cell, Starsailor, The Klaxons, The Specials, Tindersticks, Tom Jones, Two Door Cinema Club...
Special thanks to Julie Bateman for making this studio tour possible and to George Murphy who took 30 minutes out before starting a session to take us around :-)
Eastcote Studios
249-251 Kensal Road
London
W10 5DB
Eastcote Studios - eastcotestudios.com
George Murphy - georgemurphyaudio.co.uk
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Website: http://www.RecordProduction.com
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The studio is in a converted coach house in rural Oxfordshire, UK. If you have a serious project that you might like to work on at the studio it's not in the phone book but please message us and we will connect you (if you can show you are serious!).
Not many private studios have an SSL Duality console, a live space that's as flexible, massive microphone collection, a chef musician owner that cooks superb food and is set in a tranquil and private setting away from it all so you can just relax and focus on the session. As Mike's enthusiasm can be seen, this is a pretty special place.
Special thanks to everyone involved in making this video possible, Gavin Backhouse, Karl Brazil, Mike Exeter and Joe Hieatt-Smith.
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Visit our website: http://www.RecordProduction.com
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*** Please help fund equipment and make more features possible with a small donation:
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There aren't any studios that we've visited that are as unique as this. The studio is under a house in London but is as large as most big rooms you'll find, a large recording space with four booths, some large enough to fit a concert grand piano. Top recording engineer Ronan Phelan shows us around.
Master Chord Studio is a private recording studio based in Finchley, London. The studio features an outstanding Steinway & Sons “Model D” Pianoforte and a legendary SSL 4040 G+ console is the centrepiece of the control room.
All rooms has its own independent floating floor, walls and ceiling, built by different layering materials and thickness in order to create a solid yet live structure, which reacts to vibrations in a natural way, letting the musician “feel” his performance and not only hear it. This technique allows modern multitrack recording and mixing to be carried out with the best possible sound isolation between rooms. For “all in one room recording”, the booth’s doors can be left open, letting the sound spread from one room to the others, creating an amazing “ensemble” ambience. All rooms are equipped with regulated power outlets, heating/cooling via filtered fresh air systems, noiseless and low power consumption LED lighting systems and carefully designed bespoke acoustic solutions built using eco-friendly and nonallergenic materials only.
We hope you visit the studio soon to see just how unique this is: masterchordstudio.com
Ronan Phelan is a recording and mixing engineer based in London.
In 2007, Ronan left his native Ireland and joined Sphere Studios in London. Starting with Queen, Ronan quickly went on to become the in-house engineer and worked with some the biggest acts in music including Adele, The Script, Mark Ronson, The Pixies, James Bond : Skyfall (Thomas Newman), Rudimental, Ed Sheeran, Duran Duran and Wave Machines amongst others.
In 2014, Ronan joined Angel Studios, where he worked on numerous film and television projects such as Terminator Genisys (Lorne Balfe/Hans Zimmer), Downton Abbey (John Lunn), Poldark (Anne Dudley), Wolf Hall (Debbie Wiseman), The Night Manager (Victor Reyes), Open Season (Rupert Greyson-Williams) and Michael Nyman, while also engineering for musical artists Dame Shirley Bassey and Chilly Gonzales.
Since leaving Angel Studios, Ronan has continued to work with clients across both the music and film and TV world including Rod Temperton, U2, Paul Epworth, Jamie Cullum, Paloma Faith, Alexis Ffrench, George Fenton, Rachel Portman, Doctor Who, Paddington Bear 2, as well his work alongside pioneering producer Alex ‘LEXXX’ Dromgoole on projects for Jessie Ware, Nao, Mura Masa, Rosie Lowe, Sohn, Hayden Thorpe (Wild Beasts).
Check out Ronan's website: ronanphelanmusic.com
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Top tip: Wrap the mic cable around the stand to help reduce the chances of having a dented microphone!
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