Berlin Art Link
Studio Visit with Peaches
updated
Watch the video to get a glimpse of the exhibition, contextualised here through interviews with Ford and Kittelmann.
Video by MONA ⎸ Produced & directed by Monica Salazar ⎸ Filmed & edited by Peter Cairns
Filmed in the lead up to these two audiovisual performances, see here an extended edit of the interview in which the Berlin-based artist and musician opened the doors of his studio to reflect on his work as Alva Noto, the interplay of sound and image throughout his practice, and his long-awaited return to Berlin’s iconic nightclub.
Video by MONA productions │ Produced by Monica Salazar │ Interview by Nadim Samman | Filmed and Edited by Peter Cairns
Alongside views from the exhibition, the video features insights from Nadim Samman about the ideas underpinning the show, as well as perspectives from Julia Stoschek (Founder, Julia Stoschek Foundation), Karla Zerressen (Managing Director, Langen Foundation) and Sabine Langen-Crasemann (Board of directors, Langen Foundation), who share details about this collaborative endeavor.
By staging encounters between devotional art and onscreen figures, ‘Incarnate' explores surprising overlaps between Buddhist metaphysics and media aesthetics, challenging distinctions between ancient and contemporary insight. The selection of artworks was inspired, among other things, by the passage of the word avatar from ancient Eastern thought into today’s digital culture.
Video by MONA productions │ Produced by Monica Salazar │ Filmed and Edited by Peter Cairns
New compositions by Dustin O'Halloran expand the work into a transformative experiential space of light, sacred geometry and sound, while Sunday glockenspiel concerts with Anna Kasprzcka allow ‘Dragonslayer’ to radiate acoustically into the city. The exhibition stays open through August 10, 2025.
In this exhibition video, the artist discusses the works on view, the significance of the church as a venue, and the intention for his works to function as energetic sources.
Video by MONA productions │ Produced by Monica Salazar │ Filmed and Edited by Peter Cairns
Domínguez’s ‘Liquid Mantras' addresses the privatization and loss of water in Chile, portraying water as a force of resistance with artworks functioning as ritual acts of empowerment. The exhibition remains on view through August 23 at Kunstverein Arnsberg.
The two-day ‘Wetlands for the Future’ symposium featured presentations by ecologists, students, artists and curators engaging with the past and future of wetlands. The starting point was the question of how artists explore the moor as poetic, social and ecological potential, as well as a hybrid space.
See some of the highlights from the weekend where the symposium and exhibition were presented in this video created by MONA productions.
Video by MONA productions │ Produced by Monica Salazar │ Filmed and Edited by Peter Cairns
‘HOW'S MY PAINTING?’ at Deichtorhallen Hamburg offers a comprehensive presentation of painting in all its forms, from traditional panel works to installative, deconstructive and conceptual approaches. It features 200 works by over 70 artists from the Falckenberg Collection—including Monica Bonvicini, John Baldessari, Philip Guston, Charlotte Posenenske, Kay Rosen and Ouattarra Watts. The exhibition is on view until September 7, 2025.
Video by MONA productions. Produced by Monica Salazar. Filmed & Edited by Peter Cairns
This video offers a tour through the exhibition, featuring behind-the-scenes insights from the Zeppelin Museum’s experts. It delves into how the show examines game spaces as sites of identity formation, reveals how games reflect power relations, and explores their role in shaping the future and fostering new communities.
Video by MONA productions │ Produced by Anna Russ │ Filmed and Edited by Frank Zerban
For the first time, the ZF Art Foundation is awarding stipends to artists to create new artworks based on their research in the museum’s collection and archive. Among them is Oyiri, who examines Zeppelin photography from a decolonial perspective. Here, the artist shares insights into her work, which integrates archival footage and various resources—including materials from the Hindenburg crash—to draw unexpected connections and explore the symbolic meanings of events and the impact of propaganda.
Video by MONA productions │ Produced by Anna Russ │ Filmed and Edited by Frank Zerban
In his series ‘Rehearsed, Mirrored,’ Wai captures movements from his performance rehearsals by etching their traces onto mirror and glass panels, revealing the emotional interconnectedness of bodies. In ‘Falling Reversely,’ the artist’s seven-channel video installation and performance, dancers embody resistance by reenacting in reverse the documented movements of individuals falling after violent racist attacks in public spaces.
Curated by Nadine Isabelle Henrich, ‘States of Rebirth’ examines the correlation between the body, movement and societal structures in physical and digital spaces through a focus on documentary and conceptual projects in contemporary photography. The exhibition is on view at PHOXXI in Hamburg, Germany until August 17, 2025.
See more at: berlinartlink.com/2025/03/11/isaac-chong-wai
Video by MONA productions │ Produced by Monica Salazar │ Filmed and Edited by Peter Cairns
In the video, Kadyri reflects on her artistic practice and discusses the site- and context-specific installation she is creating for the exhibition, which is based on her research in the museum’s photographic archive. Additionally, Kölmel and Weibel provide context on the archive’s photographs that document the era of the Zeppelins, illustrating how they were used as tools of national self-representation and power exertion. The exhibition aims to uncover the mystical and enigmatic aspects of this history through Kadyri’s contemporary, non-Western, female perspective, which combines AI with Central Asian visual language.
Video by MONA | Produced by Julian Bachmann | Filmed & edited by Peter Cairns
Part of the group exhibiton ‘Northern Lights’ at Fondation Beyeler (January 26-May 25, 2025), ‘Boreal Dreams’ examines the impact of the climate crisis on the boreal ecosystem. Turning to gaming technology, Steensen built virtual worlds from ecological fields and through collaboration with sound artist Matt McCorkle, dream researcher Adam Haar and scientists at Northern Minnesota’s Marcell Experimental Forest, among others.
The installation in the park of the Fondation Beyeler is accompanied by an online experience, freely accessible at borealdreams.live.
Video by MONA productions │ Produced by Monica Salazar │ Filmed and Edited by Peter Cairns
Trevor Paglen’s ongoing photographic series 'Unknowns' and an artist proof of his public sculpture 'Trinity Cube,' the original of which is installed in the Fukushima Exclusion Zone, are featured in the group exhibition ‘Survival in the 21st Century’ at Deichtorhallen in Hamburg, which explores the foundations of life in the age of polycrisis. In this video, Paglen talks about the processes behind both works and how his practice, in general, aims to address the tensions between knowing and unknowing, or seeing and lacking an interpretive framework to understand what we are looking at.
With both of these ambitious and technically difficult-to-realize projects, Paglen wants to explore humanity's interventions on the planet, pushing us to think about how we affect our environment in a more expanded sense. Developed by Georg Diez and Nicolaus Schafhausen in close cooperation with Deichtorhallen, ‘Survival in the 21st Century’ explores the foundations of life in the age of polycrisis through works by 37 artists and artist groups. The exhibition is on view until November 5, 2024.
See more at: berlinartlink.com/video/studio-visit-with-trevor-paglen
Video by MONA productions │ Produced by Monica Salazar │ Filmed by Sean Hanley | Edited by Peter Cairns
The fifth and largest edition of this annual art festival included a performance by Casey Spooner and the ‘CVNTEMPORARY Mini Kiki Ball’ vouging competition, along with showcases of artworks by Yalda Afsah, Ari Benjamin Meyers, Dorothy Iannone and many more. See some of the program highlights in our video created as part of a media partnership with ‘Hallen 05.'
Video by MONA productions │ Produced by Anna Russ │ Filmed and Edited by Frank Zerban
Developed by Georg Diez and Nicolaus Schafhausen in close cooperation with Deichtorhallen, ‘Survival in the 21st Century’ explores the foundations of life in the age of polycrisis through works by 37 artists and artist groups. The exhibition is on view until November 5, 2024.
Video by MONA productions │ Produced by Anna Russ │ Filmed and Edited by Frank Zerban
Developed by Georg Diez and Nicolaus Schafhausen in close cooperation with Deichtorhallen, ‘Survival in the 21st Century’ explores the foundations of life in the age of polycrisis through works by 37 artists and artist groups. The exhibition is on view until November 5, 2024.
Video by MONA productions │ Produced by Anna Russ │ Filmed and Edited by Frank Zerban
Livestream management, technical oversight & editing by MONA productions
Livestream management, technical oversight & editing by MONA
In collaboration with artist Renzo Martens and curator Hicham Khalidi, this exhibition showcases CATPC’s efforts to reclaim depleted plantation lands and restore the Sacred Forest in Lusanga, DRC, along with their broader mission of spiritual, ethical and economic reckoning.
The exhibition takes place from April 20 to November 24, 2024 at the Rietveld Pavilion in Venice and simultaneously at the White Cube in Lusanga—the museum previously established by Martens and CATPC. At both locations, a series of sculptures and films are on view, along with a video livestream that virtually connects the two venues.
Video by MONA productions | Produced by Monica Salazar | Filmed and edited by Peter Cairns
Created for Art Düsseldorf’s Instagram and TikTok, this social media reel showcases some of the artwork highlights at the art fair.
Video by MONA | Produced & directed by Anna Russ | Filmed & edited by Frank Zerban
Created for Art Düsseldorf’s Instagram and TikTok, this social media reel showcases some of the artwork highlights at the art fair.
Video by MONA | Produced & directed by Anna Russ | Filmed & edited by Frank Zerban
Created for Art Düsseldorf’s Instagram and TikTok, this social media reel captures the energy of the art fair’s opening day.
Video by MONA | Produced & directed by Anna Russ | Filmed & edited by Frank Zerban
‘The Ephemeral Lake’ is on view until October 27th, 2024. Watch the video for an overview of the show as well as behind-the-scenes insights into the artist’s practice.
Video by MONA ⎸ Produced & directed by Monica Salazar ⎸ Filmed & edited by Peter Cairns
The exhibiton marks the acclaimed artist’s first solo exhibition in Italy and remains on view until September 22nd, 2024. Watch the video to get a glimpse of the exhibition, contextualised here through interviews with Ford and Kittelmann.
Video by MONA ⎸ Produced & directed by Monica Salazar ⎸ Filmed & edited by Peter Cairns
Watch the video to see the inaugural edition and listen to Danh Vo and Stine Find Osther (Vice President Design Kvadrat) revealing the inspiration and ideas behind it, which come from observing letters as ornaments and transporting language and poetry into textiles.
Video by MONA ⎸ Produced by Monica Salazar ⎸ Filmed & edited by Peter Cairns
On view across 9,000 m² of the former iron foundry are showcases by Berlin galleries alexander levy, Esther Schipper, ChertLüdde, NOME, carlier|gebauer, HUA International and Capitain Petzel, among others, as well as a group exhibition curated by angels.sc3 and presentations of artworks from collections of Art’Us Collectors Collective, Art Collection Telekom and HK Art Collection. In addition, Berlinische Galerie shows a program of video works by Simon(e) Jaikiriuma Paetau.
Video by MONA | Produced by Anna Russ | Filmed and edited by Frank Zerban
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
Video by MONA | Produced by Monica Salazar | Filmed and edited by Frank Zerban
'Cheap Hedonism' includes an immersive light and sound experience in collaboration with Yasmina Dexter in the main subterranean gallery space, accompanied by a new series of text paintings and works on paper. Richthofen dedicates himself to pop-cultural phenomena and life’s profound questions alike and in 'Cheap Hedonism,' he exposes the pitfalls of social sphere while building bridges and allowing for vulnerabilities. Watch the video for a overview of the works and behind-the-scenes insights from the artist.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
Presented in partnership with Asia Now Paris Art Fair and produced by Samdani Art Foundation and Centre for Research and Information, the exhibition unveils de Henning’s previously unpublished photographs of the 1971 Bangladesh Liberation War and post-independent Bangladesh in 1972, contextualized with photos she took in the 1970s.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
The exhibition comprises 14 paintings of garish colours that leave little room for words but stir up an instinctive pull to each one of the canvases. According to Setareh, there is a sense of magic, of unique attraction to the paintings, a flow of energy that makes them almost magnetic. The artist himself insists on the power of silence as a research practice that has profoundly inspired his work and approach to painting. Made of hundreds of layers of colours patiently applied and then scraped off, each one of his paintings captures the deep sense of awareness and self-knowledge Behnam-Bakhtiar has been able to achieve through meditation. Perhaps it is this spirituality, and all the more his ability to instantiate hybridity–having lived both in the West and the East, between France and Iran–that allows his art to speak to everyone.
Read our full exhibition review by Annalisa Giacinti on Berlin Art Link: berlinartlink.com/2022/12/09/making-silence-visible-sassan-behnam-bakhtiar-at-setareh-berlin/.
Video produced by MONA, filmed by Frank Zerban, edited by Daniele Lucchini
Featuring Paolo Busti, Ahmed El Gendy, Casey Hess, and Mickey Mahar, the performance references Edmond Rostand’s 1897 play ‘Cyrano de Bergerac’ and invokes the character’s refusal to participate in the bourgeois world or anything that exerts control over his freedom.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
Soufiane Ababri’s practice provokes activism through literary, sociological and political texts, attributed to queer individuals but not exclusively queer in cultural impact. ‘NON MERCI !!!’ refers to Cyrano de Bergerac’s refusal to participate in the bourgeois world and anything that exerts control over his freedom.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
The video gives a brief overview of this year’s edition of the art fair which showcased the diversity of Asia’s contemporary art scene through a rich program of exhibitions and events.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
Keith Boadwee's new artworks have evolved into a realm of spiritual abstraction. In his first solo show in Berlin, portrait subjects such as frogs, poodles and fish are depicted in multi-planer dimensions, posed and peering through cocktail glasses, prisms and fish bowls, geometrically divided, multiplied and reflected.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
Launched in 2021, the cooperation consists of studio-based residency programs at the Mahasa Residency, a Misk Art Institute in-house program and the BAI Residency Program at the Berlin Art Institute. 'Next Wave,' a group exhibition of the participating artists, is the culmination of this cultural exchange. Topics addressed by the artists include technology, determinism and notions of belonging. ‘Next Wave’ refers to the avant-garde and the unknown. In addition to the works of the Saudi artists, their research and documentation of their process is also on show.
Watch the video to see highlights from the opening during the 11th Berlin Art Week at the Neue Schule für Fotografie in September 2022.
Video created by MONA productions for Misk Art Institute & Berlin Art Institute, produced by Anna Russ, filmed by Peter Cairns, edited by Talin Seigmann.
On view in Davis’ first-ever exhibition in Berlin are 16 paintings. These works, all created within the last four years, confront us with obscure and uncanny situations. Davis’ “mass ornaments” may be read as mirror images of today’s society and its structures, revealing how our time is shaped by an extreme division of labor and the resulting interchangeability of “human capital,” while the occurrence of catastrophes, ranging from natural disasters to terrorism, is on the rise.
Video by MONA | Produced by Anna Russ | Filmed by Frank Zerban | Edited by Talin Seigmann
With ‘Grounded,’ the artist presents a series of wax paintings on carbon fiber, ready-made components and sculptural parts, all of which are extracted from the aviation industry and tied to notions of being grounded. Connections between nature, science and industrialization are established through the overlapping history of aviation technologies and the European legacy of war and conflict, highlighting the integral role of petroleum.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
Responding directly to the Soviet-era modernist architecture of Kunst im Heim, Karl-Marx-Allee 45, Kantarovsky altered the space with a symmetrical arrangement of walls that evoked both religious architecture and anatomical symmetry. This intervention set the stage for motifs of anatomy, biology and spirituality present throughout the displayed artworks. This group of paintings, created in 2021 and at the beginning of 2022, reflects on death and our persistent reminder of it—the body.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Frank Zerban
On view in Davis’ first-ever exhibition in Berlin are 16 paintings, mostly on panel and a few on linen. These works, all created within the last four years, confront us with obscure and uncanny situations. Davis’ “mass ornaments” may be read as mirror images of today’s society and its structures, revealing how our time is shaped by an extreme division of labor and the resulting interchangeability of “human capital,” while the occurrence of catastrophes, ranging from natural disasters to terrorism, is on the rise.
Video by MONA | Produced by Anna Russ | Filmed by Frank Zerban | Edited by Talin Seigmann
In Ribbeck’s work, digital and corporal worlds intersect. Characters and objects from the two-channel video installation emerge into the space in sculptural form. A hypnotic and completely animated world within the video, filmed by an “analog camera” which Ribbeck built in virtual reality, depicts an artificial thought or a recurring dream on loop and sets the context for the sculpture and wall works presented in the show.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
The exhibition, curated by Jonas Wendelin, features artworks by ten artists: Yalda Afsah, Julian Charrière, Albrecht Dürer, Francisco de Goya, Andreas Greiner, Jenna Sutela, Analisa Teachworth, Jol Thoms, Sung Tieu and Jonas Wendelin. It explores othering not only as a violent process that leads to social exclusion, but also as a precondition to relate to each other.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Frank Zerban
The sculptural work of the Golden-Lion winning artist Simone Leigh explores ideas about history, race, gender, labor and monuments. She has created a new body of work: sculptures in bronze, ceramic and raffia placed inside and outside the pavilion that highlight the often unseen and unacknowledged labor and resilience of Black women.
In this video, the pavilion’s co-commissioners Jill Medvedow (Ellen Matilda Poss Director, ICA/Boston) and Eva Respini (U.S. Pavilion Curator) speak about Leigh’s historic exhibition, which can be viewed from April 23rd to November 27th, 2022 at the Giardini della Biennale in Venice.
Video by MONA productions, Berlin. Produced by Monica Salazar and Kris Wilton (ICA/Boston). Filmed and edited by Peter Cairns. © The Institute of Contemporary Art/Boston.
Video by MONA | Produced by Monica Salazar | Filmed & Edited by Peter Cairns & Talin Seigmann
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
The video was commissioned by Henie Onstad for their Art Channel (www.hok.no/art-channel) ahead of their presentation of Elmgreen & Dragset's work 'Aids Is Good, Business for Some' (2011/2022) across Norway via 736 Clear Channel digital advertising platforms. Elmgreen & Dragset will also show their series 'Stigma' in the exhibition 'Every Moment Counts–Aids and Its Feelings' on view at Henie Onstad from February 18, 2022.
Video by MONA productions, Produced by Anna Russ, Filmed by Frank Zerban, Interview by Alison Hugill, Edited by Peter Cairns, Music by Frank Zerban
Throughout his practice, the artist has been creating paintings based on renderings and drafts exported from used Mac computers, manipulating the basic visual structure of the grid. With ‘Kleine Bilder,’ he no longer transfers his digital drafts to the canvas and instead generates small-format C-prints directly on photographic paper.
Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
Video by MONA productions | Produced by Anna Russ | Filmed & Edited by Peter Cairns
Video by MONA productions, Produced by Anna Russ, Filmed by Frank Zerban and Talin Seigmann, Interview by Alison Hugill, Edited by Peter Cairns, Music by Frank Zerban
Video by MONA | Produced by Monica Salazar | Filmed by James Baudouy and Jeppe Hein Studio | Edited by Talin Seigmann


