Indy Mogul
Moguler Made! : Movie Quest 040 : THE SUPER FANS OF MANCHESTER!
updated
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The Canon C70 is an incredible camera. So is the RED Komodo! We have reviewed both of these cinema cameras on this channel, but this video breaks down the pros and cons of each, and who each camera is for.
Dave Maze figures out which of the two cinema cameras is best. Find out which one would be best for you and comment below!
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#DaveMaze #CanonC70 #RedKomodo
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In this video, Dave Maze tells the story of how the original a7S hybrid camera evolved into the a7Sii and the a7Siii.
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#SonyAlpha #a7S #DaveMaze
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#Filmmaking #YearinReview #2020
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In this episode, we have Ben Dynice, CTO of Quasar Science and DMX lighting programmer, to talk about the fundamentals of DMX, how it actually works, and how you can setup your own budget-friendly workflow. We go over DMX channels and universes, and even touch upon more advanced concepts like RDM and Artnet/sACN
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#Filmmaking #DMX #Lighting
Thank you Justine and Armando for being in this video!
youtube.com/ijustine
youtube.com/mondobytes
Connect with Dave Maze
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Special thanks to Michael Tobin for helping us with the color grading in this video! youtube.com/initialfocusllc
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00:00 - Start
01:06 - Arri Alexa Mini vs. iPhone 12 Pro Max
03:21 - ROUND 1: Justine vs. Armando
07:44 - Canon C70 vs. iPhone 12 Pro Max
08:41 - ROUND 2: Justine vs. Armando
12:07 - Panasonic S5 vs. iPhone 12 Pro Max
13:01 - ROUND 3: Justine vs. Armando
16:26 - Sponsor Message
17:20 - Final Thoughts
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#iPhone12 #ArriAlexa #DaveMaze
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#CanonC70 #C70 #DaveMaze
Canon EOS R6: geni.us/lyjz
Connect with Dave Maze
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#Canon #EOSR5 #DaveMaze
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Find even more deals on our custom website: tuethinksthesesalesarecool.squarespace.com
Video Chapters:
0:00 - Intro
0:46 - Camera/Lenses
8:27 - Software
12:14 - Hardware
14:49 - Lighting/Sound
17:07 - Accessories
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#BlackFriday #CyberMonday #Filmmaking
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Production designer, Guy Hendrix Dyas, joins us once again to break down some of the greatest directors of all-time: Christopher Nolan, Stanley Kubrick, Ang Lee, and Spike Lee. We ask him what he thinks their trademark characteristics are and what art styles might have inspired their work. Guy also gives great advice to indie filmmakers about how they could achieve their own style and work their way up, even without the biggest budgets.
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#Filmmaking #Directors #Cinema
DJI Mini 2: geni.us/vW0AHS
Inspire 2: geni.us/c7gCAYJ
X7 6K Raw Camera: geni.us/fg6QKk
X7 Lens: geni.us/RGPJWA
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UPDATE: The inspire doesn't have full 360-degree obstacle avoidance. Only up, down, and forward - no backward or sideways. Also, the mini 2 has better image transmission. Thanks to
Anthony Keane for pointing this out!
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00:00 - Start
00:16 - Intro
01:15 - Epic B-Roll
05:05 - Ted and Dave Comparison
11:12 - Sponsor Message
11:57 - Closing Thoughts
12:33 - Bloopers
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#DJI #DaveMaze #Inspire2
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Buy the a7C here: geni.us/qvTCB
We took the Sony a7C out for a spin at the Santa Monica Pier and test its capabilities as a video camera. Is it worth the upgrade from APS-C like the a6300, a6400, or a6600? Is it worth saving the extra money and getting this camera over the a7SIII? We want to hear your thoughts so comment down below!
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#SonyA7C #A7C #DaveMaze
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We're back with Guy Hendrix Dyas, the production designer of Steve Jobs, Passengers, and Inception, to nerd about the greatest directors of all time. We look in-depth into Steven Spielberg, Kathryn Bigelow, Alfred Hitchcock, and Wes Anderson and see how they like to shoot their movies and what aspects of filmmaking they lean into more heavily than others.
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#Filmmaking #Directing #VisualStyle
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Special thanks to Josh Yeo from MAKE. ART. NOW.! Watch his video on why under 250g is so important: youtube.com/watch?v=OtKhWOx48i4
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#DJIMini2 #MavicMini2 #DaveMaze
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Tis the season for spooks, and The Haunting of Bly Manor is the perfect series to binge when you're stuck at home, eating trick-or-treating candy. Today joining us is James Kniest, Cinematographer for the Netflix show and many recent horror classics, to reveal how the show looks as incredible as it does. We also talk about what indie and beginner filmmakers can do on a limited budget to still make cinematic shots.
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#Cinematography #BlyManor #Filmmaking
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How do you film a romantic, action cult classic like Drive on a tight budget and no second unit? Cinematographer Newton Thomas Sigel, ASC, walks us through how he made the car rigs and worked in a tiny elevator space and still get cinematic lighting. We talk about shooting around the movement of the sun, negative fill, and lighting cues.
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#Cinematography #Drive #Lighting
Connect with Dave Maze
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Switchpod: geni.us/f0xq
00:00 - Intro
00:34 - Comparison
03:03 - Sponsor Message
04:36 - Closing Thoughts
07:07 - Bloopers
Need Stock Footage? http://www.storyblocks.com/IndyMogul
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#DaveMaze #GoPro #DJIPocket2
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RS 2 - geni.us/rIFr
RSC 2 - geni.us/M7rE
Jeven Dovey's vid! youtube.com/watch?v=vNvL-VTX2oQ
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Video Chapters:
0:00 - Intro
0:53 - RS2 Overview
1:25 - RSC2 Overview
3:26 - RavenEye
6:26 - Sponsor Break
7:53 - RSC2 Low Mode
8:25 - Closing Thoughts
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#DJI #RS2 #DaveMaze
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We're back with cinematographer Casey McBeath to shoot cinematic interviews. This time, we're taking it outdoors and only shaping natural light by using diffusion frames, reflectors, and neutral density filters. We're also going to be talking about how to mic interview subjects and avoid wind noise. Everything that we'll be using is on the indie-budget level that you can use for a very long time.
Follow Casey on IG: instagram.com/mcbro_ftw
Follow Andrew on IG: instagram.com/andrew_from_deity
Follow Nerida on IG: instagram.com/neridabronwen
Video Chapters:
0:00 - Intro
1:56 - Camera Settings
3:59 - ND Filters
4:44 - Framing/Composition
6:27 - Negative Fill
8:08 - Sponsor Break
9:42 - Diffusion
11:21 - Hair/Eye Light
12:01 - Why Use Pro Gear?
13:29 - Audio
18:18 - Second Camera
19:45 - Final Results
20:57 - Outro
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Dave - twitter.com/davemaze
#Cinematic #Documentary #NaturalLight
Thanks to
Valentina Vee - twitter.com/valentinavee
Nerida (Model) - instagram.com/neridabronwen
Connect with Dave Maze
Twitter: geni.us/davemaze_twitter
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YouTube: youtube.com/davemaze1
Fuji XT4 - geni.us/22zp3S
Fuji XT3 (now on sale) - geni.us/6e48
Fujifilm MKX18-55mm T2.9 - geni.us/6FsNd
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#FujifilmXT4 #XT4 #DaveMaze
Connect with Ted Sim
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Twitter: twitter.com/aputure_ted
Casey's IG: @mcbro_ftw
Gaff Tape: geni.us/QIEC
Diffusion Cloth: geni.us/pBSSBa
Matthews Floppy: geni.us/BjZl
ND Gel for Window: geni.us/HO6vRBl
V-Flat: geni.us/0DQRIO
Net Scrim Pack: geni.us/0uu47o
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Hit Us Up!
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Dave - twitter.com/davemaze
Video Chapters:
0:00 - Intro
1:17 - Setup #1: Window Key Light
2:02 - Diffusion
5:34 - Duvetyne
6:34 - Edge Light
7:15 - Reel #1
7:35 - Setup #2: Window Background
8:35 - Blocking Light
9:12 - ND Gel
12:01 - Floppy
12:52 - Reel #2
13:07 - That's A Wrap
14:35 - Blooper
#filmmaking #tutorial #lighting
Connect with Dave Maze
Twitter: geni.us/davemaze_twitter
Instagram: geni.us/davemaze_ig
YouTube: youtube.com/davemaze1
00:00 - Intro
01:08 - ALEXA Mini LF vs Sony a7SIII
03:16 - ALEXA Reveal
04:29 - VENICE 6K FF vs Sony a7SIII
07:04 - VENICE Reveal
08:19 - ISO Tests
10:53 - Sponsor Message
12:13 - Final Thoughts
15:33 - Special Thanks: On The Mark Rentals
Special thanks to On The Mark Rentals for loaning the gear to us for this shoot! otm-rentals.com
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Hear Our Podcast! http://bit.ly/Indy_Mogul_Podcasts
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#Sonya7Siii #ArriAlexa #DaveMaze
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He's worked with David Fincher, he's worked with Christopher Nolan, his name is Harold Skinner! He's the chief electrician on today's featured movies like Interstellar and The Social Network. Join us as he talks about how these masterful movies were lit as well as how indies can become better gaffers.
Harold's Links:
Website - http://haroldskinner.com
IMDb - imdb.com/name/nm0804256
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Hit Us Up!
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Erik - http://bit.ly/Erik_ig
Ted - http://bit.ly/Ted_ig
Video Chapters:
0:00 - Intro
0:59 - Scene #1: The Social Network
4:26 - Scene #2: The Girl With The Dragon Tattoo
9:05 - Scene #3: Interstellar
11:57 - Gaffing Tips From A Master
12:39 - That's A Wrap
#Interstellar #BehindTheScenes #HaroldSkinner
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Twitter: twitter.com/aputure_ted
As a cinematographer, you're going to have to know how to setup a large overhead soft light. Every production, from commercials to music videos to Marvel films, use them at varying degrees. We're going to teach you how to make it two different ways - the indie way and the Hollywood way. We're joined by Danny Boldroff from Honeycrates and Martin Torner from Matthews Studio Equipment to demonstrate how it's done.
Find the Honeycrates gear: honeycrates.com
Find the Matthews gear we used: msegrip.com
Matthews IG: instagram.com/matthewsgrip
Honeycrates IG: instagram.com/honeycrates
Music we use! Join for 2 free months: bit.ly/2x6E54m
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Hit Us Up!
Griffin - http://bit.ly/Giffin_ig
Erik - http://bit.ly/Erik_ig
Ted - http://bit.ly/Ted_ig
#Cinematic #SoftLight #Filmmaking
Connect with Dave Maze
Twitter: geni.us/davemaze_twitter
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YouTube: youtube.com/davemaze1
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#LUMIXS5 #PanasonicS5 #DaveMaze
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If you want to make England look like Florida, Andy's your guy! Today we have the Chief Electrician/Gaffer for Annihilation, Andy Lowe, as he breaks down his work on the film. We go through how he lights for different scenes and scenarios, as well as tricks and cheats to make your lighting better.
Check out Andy Lowe and his other works here:
https://lowe.lighting/
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Ted - http://bit.ly/Ted_ig
Video Chapters:
0:00 - Intro
0:58 - Lighting Explained
3:19 - Scene #1: Alligator Attack
7:09 - Scene #2: Fungal Horror
10:03 - Social Outlets - Squarespace
11:11 - Scene #3: The Bear
14:26 - That's a Wrap
#annihilation #filmmaking #lighting
Connect with Dave Maze
Twitter: geni.us/davemaze_twitter
Instagram: geni.us/davemaze_ig
YouTube: youtube.com/davemaze1
Check out the RED Komodo kit: kit.co/IndyMogul/6k-red-komodo-in-depth-review
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#REDKomodo #6K #DaveMaze
Connect with Dave Maze
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Connect with Ted Sim
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Twitter: twitter.com/aputure_ted
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#RED #Camera #DaveMaze
COVID-19 Note: Casey and Ted both tested negative prior shooting this episode. Our two camera operators wore masks and face masks to prevent any additional exposure. If you are following any of these steps though, we can't emphasize it enough: please be safe and responsible.
Cinematographer Casey McBeath returns to help us create the iconic overhead shot seen in product videos, thumbnails and more! We also talk about how you can achieve this from a super budget friendly option on a phone to using a high end Hollywood cinema camera.
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Video Chapters:
0:00 - Intro
1:10 - Tip #1: Lighting
2:15 - Rig #1: Cell Phone
4:27 - Rig #2: DSLR
7:07 - Quick Tips
8:13 - Technical Difficulties
8:41 - Sponsor: Storyblocks
9:26 - Rig #3: Cinema Camera
11:23 - Overhead Scene
12:12 - That's A Wrap
#overheadphotography #filmmaking #DIY
Instagram: instagram.com/aputure_ted
Twitter: twitter.com/aputure_ted
Joining us today is Eric Lombart, an amazing cinematographer who's built looks for YouTubers like Anna Akana and Shane Dawson, and he will be helping us build our own living room video setup. We go through production design and how to utilize items in your house wisely, to using practicals and cheap options to making a pro image.
Follow Eric!
Website - ericlombart.com
IG - https://rb.gy/kiw6qv
Youtube - www.youtube.com/user/ericlombart
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Video Chapters:
0:00 - Intro
0:51 - Analyze your space
1:27 - Step #1: Fix The Background
2:51 - Step #2: Fill Empty Spaces
4:30 - Step #3: Add Practicals
6:13 - Step #4: Add Key Light
8:21 - Squarespace Sponsor
9:41 - Step #5: Add Fill Light
10:52 - Step #6: Add Edge Light
11:50 - Step #7: Final touches
12:30 - Vlogging Time
13:08 - Questions
14:52 - Closing
#homestudio #filmmaking #daylight
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Cinematographer Casey McBeath joins Ted Sim in the studio to setup some of the softest lighting Hollywood has to offer. We discuss the factors that contribute to softer lighting and we demonstrate two of the best lighting setups that famous cinematographers, like Roger Deakins, use - the book light and the cove light.
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Ted Sim - http://bit.ly/Ted_ig
Video Chapters:
0:00 - Intro
1:14 - Plan Out Lighting
1:58 - Limit Bad Lighting
2:39 - Key Light
3:56 - Background Lights
4:39 - Fill Light
5:17 - Back Light
7:15 - 6x6 Diffusion
10:50 - Book Light
12:29 - Cove Light
14:17 - Lighting Recap
14:33 - Outro
#Cinematic #Soft #Lighting
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Twitter: twitter.com/aputure_ted
Chris Do, creative business strategist and founder of The Futur, joins us for a second part about pricing videography. Freelance video rates can be all over the place, especially when you put editing and motion graphics into the mix. What is the right way to price your work?
Get better clients at higher rates in The Futur Business Bootcamp:
bit.ly/2YXsaRZ
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Video Chapters:
0:00 - Intro
1:10 - Negotiation
11:13 - Tailor Your Approach
14:02 - Pricing
16:36 - Retreat and Follow
18:04 - Outro
#Videography #Business #Filmmaking
April and Andy are hilarious in Parks & Recreation, but do you know how much thought goes into building their house set? Ian Phillips, Production Designer for shows such as Parks & Rec, Love and The Good Place, reveals how he designs his sets from the architecture, taking the story into consideration, and making the set film friendly.
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Video Chapters:
0:00 - Intro
0:50 - What is Production Design for TV
1:44 - Scene #1: Parks & Rec
5:19 - Scene #2: Love
9:44 - Storyblocks Sponsor
10:38 - Scene #3: The Good Place
12:10 - Production Design Tips
13:46 - Wrap Up
#productiondesign #parksandrec #filmmaking
Instagram: instagram.com/aputure_ted
Twitter: twitter.com/aputure_ted
We brought in Chris Do, Founder/CEO of The Futur, to talk about negotiation tactics for filmmakers, everything from pricing yourself as a freelancer and how to make sure you secure the next job. To do this, we start off with a mock negotiation with our favorite producer, Moses Israel, who will act as the stingy producer we often encounter in this line of work. What are the ways to make sure you don't get underpaid?
Get better clients at higher rates in The Futur Business Bootcamp:
bit.ly/2YXsaRZ
And make sure to check out The Futur's Youtube Channel for more creative business-related content: youtube.com/user/TheSkoolRocks
Follow Chris on IG: instagram.com/thechrisdo
Follow Moses on IG: instagram.com/moses_israel
Follow The Futur on IG: instagram.com/thefuturishere
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Griffin - http://bit.ly/Giffin_ig
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Video Chapters:
0:00 - Intro
1:30 - Demonstration Start
2:00 - The Rate Starts at $500
5:12 - The Magic Number
7:53 - Adjusting Film Hours
8:49 - End Demonstration/Recap
9:42 - Negotiation Tip #1: Preparation
13:03 - Negotiation Tip #2: The Counterargument
15:51 - Negotiation Tip #3: Pricing Hours
17:06 - Extra Tip: Protect Your Enthusiasm
17:52 - That's a Wrap
#Filmmaking #Business #Negotiation
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Twitter: twitter.com/aputure_ted
Today, Sam Lisenco dives into Hollywood Production Design techniques, ranging from no-budget indie features to high budget films. Join us as we chat with Sam about some of the films he's worked on such as Uncut Gems, Eighth Grade, and Frances Ha.
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Video Chapters:
0:00 - Intro
0:52 - What is Production Design
2:43 - Scene #1: "Eighth Grade"
5:44 - Scene #2: "Frances Ha"
8:07 - Scene #3: Uncut Gems
10:28 - Scene #3.5: Bonus Uncut Gems
12:04 - Twitter Questions About PD
13:25 - Fin
#filmmaking #productiondesign #uncutgems
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Twitter: twitter.com/aputure_ted
Joining us today is Alex Disenhof, the cinematographer behind shows such as Legion, Watchmen, and the show we're talking about today The Exorcist. He talks with us about how he avoided using common horror tropes in his visuals and how he pushes the dark shadows in his frame with methods you wouldn't expect.
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Video Chapters:
0:00 - Intro
1:00 - Finding the Visual Style of the Show
2:15 - Camera & Lenses Package
3:05 - Scene 1: Opening
5:27 - Scene 2: Possession
8:50 - Scene 3: Classic Recreation
12:18 - Advice for Horror Filmmakers
#TheExorcist #Cinematography #Filmmaking
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Twitter: twitter.com/aputure_ted
Today, cinematographer Colin Watkinson, who shot the legendary TV show The Handmaid's Tale, sits down with us to break down the lighting and composition of the show's most iconic shots. We talk about vintage lenses, atmosphere/haze, and interactive lighting.
Follow Colin on IG: instagram.com/colinwatkinson
Colin's website: http://colinwatkinson.com
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Video Chapters:
0:00 - Intro
0:50 - Developing Visual Style
2:26 - Camera & Lenses Used
2:57 - Scene 1: The Window Scene
7:00 - Scene 2: The Hanging Scare
10:10 - Scene 3: The Long Take
13:20 - Advice to be Bold
#HandmaidsTale #Cinematography #Lighting
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Twitter: twitter.com/aputure_ted
Today, we sit down with Lachlan Milne, ACS, cinematographer behind the award-winning indie classic "Hunt For The Wilderpeople," directed by Taika Waititi. In this video, we break down the lighting in these scenes and talk about how to utilize direct sunlight outside, how to shoot for comedy, and some of the challenges faced when shooting an independent feature film.
Follow Lachlan on IG: instagram.com/lachlanmilne
Check out his website: www.lachlanmilne.com
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Video Chapters:
0:00 - Intro
0:50 - PrePro and Location Shooting
1:45 - Finding The Look
2:30 - Preparing for Weather Shoots
3:37 - Scene 1: Ricky's Birthday Party
6:20 - Tips For Shooting Comedy
6:56 - Scene 2: Utilizing Natural Light
9:38 - Scene 3: Shooting Action Driving Scene
13:55 - Keeping Consistent Visuals
#huntforthewilderpeople #filmmaking #indie
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Twitter: twitter.com/aputure_ted
Master cinematographer, Larry Fong, ASC, shows us the best way to setup your webcam for professional applications, such as a work conference or live interview. We walk through 3 different setups, from having using the things lying around in your house to getting low budget studio-quality lighting.
Read Larry's article on improving video chats: larryfong.com
Follow Larry on Twitter: twitter.com/larryfong
Gear we used:
Apple Earpods - amzn.to/2ZpXZUh
Kingtop Headphone Splitter - amzn.to/2XqhTf0
Nulaxy Laptop Stand - amzn.to/2TxyyfB
China Balls - amzn.to/2znRu9F
Deity V Lav - amzn.to/2AJxGhm
Elgato Camlink 4K - amzn.to/2XlWxj1
Blackmagic Ultra Studio Mini Recorder - amzn.to/2XlOLFJ
Moment 58mm Lens - amzn.to/2Zt15qv
Moment Lens Mount - bit.ly/2AKMOLp
Aputure 120d II: amzn.to/2TsJTxG
Aputure F7 Mini LED: amzn.to/2AOdE5j
Music we use! Join for 2 free months: bit.ly/2x6E54m
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Join the Indy Mogul Community Group: bit.ly/2udpqDa
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Griffin - http://bit.ly/Giffin_ig
Erik - http://bit.ly/Erik_ig
Ted - http://bit.ly/Ted_ig
Video Chapters:
0:00 - Intro
1:15 - Setup #1: The Bad Frame
2:05 - Step 1: Camera
2:33 - Step 2: Background
3:10 - Step 3: Diffuse Light
3:42 - Step 4: Soft Key Light
5:20 - Step 5: Create Depth
6:05 - Step 6: Audio
7:35 - Setup #2: On A Budget
8:00 - Laptop Lenses
9:20 - Microphones
10:00 - Lanterns
10:45 - Back Lighting
11:39 - Setup #3: Advance Upgrade
11:45 - External Cameras
12:40 - Larger Softer Lighting
13:34 - Setup #4: Night Time
13:55 - Practicals
15:44 - Closing, Larry Fong
#Professional #Webcam #Video
Instagram: instagram.com/aputure_ted
Twitter: twitter.com/aputure_ted
Also, don't forget to check out Rich Lee's social!
YouTube Channel: youtube.com/channel/UCHVa7QGOBKUT3DANuGlj9sg
Instagram: instagram.com/hypothetical_monkey
Today, we have director Rich Lee, who directed some of the most popular music videos out there for Eminem, Lana Del Rey, and Billie Eilish, joining us in breaking down his own music videos. We cover some of the challenges in making these music video's happen, along with how experimenting with new forms of technology can be a great tool for filmmakers.
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Griffin - http://bit.ly/Giffin_ig
Erik - http://bit.ly/Erik_ig
Ted - http://bit.ly/Ted_ig
Video Chapters:
0:00 - Intro
0:40 - "Rap God" by Eminem
3:36 - "Love" by Lana Del Rey
7:57 - "All the Good Girls Go To Hell" by Billie Eilish
11:50 - "Love Somebody" by Maroon 5
14:00 - Utilizing New Technology
14:50 - Thinking Bigger
#MusicVideos #Filmmaking #BehindTheScenes
Instagram: instagram.com/aputure_ted
Twitter: twitter.com/aputure_ted
Cinematographer Jaron Presant, ASC is back with us in the studio to talk about color grading. What is the digital intermediate? What is the right way to color grade? We also visit a professional coloring suite under FotoKem, and meet with colorist Aidan Stanford to see how he crafts an image in post production. We break down the color timing for the show Daybreak which is streaming on Netflix.
We shot this before Quarantine began and everything closed out. Please stay safe and responsible out there.
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Griffin - http://bit.ly/Giffin_ig
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Ted - http://bit.ly/Ted_ig
Video Chapters:
0:00 - Intro
0:40 - "The Image Pipeline"
2:45 - Meet The Colorist
3:08 - Camera's & The Visual Style
3:42 - Step #1: The Concept
4:25 - Step #2: Development & LUTs
9:29 - Step #3: Implementation
10:38 - Step #4: Finalization
11:35 - Color Correction Workflow
12:55 - Multiple Outputs
15:25 - Advice for Aspiring VFX Artists
#ColorGrading #Filmmaking #Netflix
Instagram: instagram.com/aputure_ted
Twitter: twitter.com/aputure_ted
Today, we're joined by Steve Giralt, filmmaker and visual engineer behind the production company The Garage, who is going to cover everything from motion control cinematography to rigging with pneumatics and basic machinery. We talk about using 3D modeling software to pre-visualize rigs and RC car remotes to trigger motors.
Follow Steve on IG: instagram.com/stevegiralt
The Garage on IG: instagram.com/the_garage.tv
The Garage Learning From Home on Youtube: youtube.com/channel/UCafR71v-vPrjPqHiTcSvtBA
Music we use! Join for 2 free months: bit.ly/2x6E54m
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Hear Our Podcast! http://bit.ly/Indy_Mogul_Podcasts
Join the Indy Mogul Community Group: bit.ly/2udpqDa
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Hit Us Up!
Griffin - http://bit.ly/Giffin_ig
Erik - http://bit.ly/Erik_ig
Ted - http://bit.ly/Ted_ig
Video Chapters:
0:00 - Intro
0:45 - Finding The Commercial Story
1:45 - Thinking Big & Experimenting
3:16 - Promo #1: The Burger Drop
10:16 - Promo #2: Jack Daniels
13:33 - Promo #3: USA Voting
16:44 - Learning About Robotics
#Cinematography #Products #Filmmaking
Instagram: instagram.com/aputure_ted
Twitter: twitter.com/aputure_ted
Amazon's original "The Expanse" has some crazy cinematography, and joining us to day is the show's very own DP: Jeremy Benning, CSC. Today, he reveals what was VFX and what was in camera, along with some of the wild techniques, costuming, lighting and prep work that goes into the sci-fi spectacle you see in the show.
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Video Chapters:
0:00 - Intro
0:50 - Creating The Visual Style
3:43 - Scene #1: The Underground Station
5:52 - Scene #2: The Roci Ship
10:05 - Scene #3: Earthly Protests
13:07 - Scene #4: Space Craze
#TheExpanse #Filmmaking #Cinematography
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Today, we talk with Stefan Duscio, ACS, cinematographer of the horror/thriller The Invisible Man, about what the experience was like shooting the film and how he lit for darkness. We also cover different styles of camera movement, and why he chose to do motion control for certain scenes.
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Video Chapters:
0:00 - Intro
0:33 - Creating Visual Style
3:00 - Camera & Lens Package
4:01 - Scene #1: Escaping
7:19 - Stefan's Moonlight Philosophy
9:08 - Scene #2: The Attic
11:45 - Scene #3: The Fight
13:33 - Scene #4: Act III, Parking Lot
16:08 - Filmmakers Advice
#TheInvisibleMan #Cinematography #Filmmaking
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Twitter: twitter.com/aputure_ted
You see them everywhere, those perfect shots of a sleek new phone, juicy steak, or perhaps a brand new washing machine. Today we're breaking down these epic shots with our friend and master commercial cinematographer, Kazu Okuda. We're breaking down how these shots were lit, composited, prepped for movement, and how you can achieve similar epic shots.
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Video Chapters:
0:00 - Intro
0:45 - Promo #1: Budweiser "King of Beers"
4:03 - Promo #2: The Timberland Waterproof Boot
6:30 - Advice for Recording Shoes
7:13 - Promo #3: Longhorn Steakhouse
9:42 - Promo #4: Madonna "MDNA Perfume"
14:11 - Promo #5: Samsung Washing Machine
#Filmmaking #Product #Cinematography
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Twitter: twitter.com/aputure_ted
You can find endless advice about what camera or lenses you should buy. It's easy to get caught up in the moment, but DP Casey McBeath tells us what he thinks you should buy that will last the longest in your filmmaking career. We also cover the reasons you should start investing in high-level items and strategies on how to rent your gear out.
The gear we talked about:
E-Image Two-Stage Tripod - adorama.rfvk.net/gdNG2
Neewer Dimmable 5600K USB LED Video Light - amzn.to/2ylLc9L
Deity D3 Pro - amzn.to/2Jq6ohh
Rode VideoMic Pro+ - amzn.to/2xGqfWB
Boya BY-MM1 - amzn.to/39DFzkt
Saramonic Cammic+ - amzn.to/3axgNnj
Zoom H4N - adorama.rfvk.net/odb0n
SmallHD Focus 7" - amzn.to/33YzAW5
SmallHD Focus 5" - amzn.to/2ypiNzN
Deity Connect - amzn.to/3ay5US9
Follow Casey on IG: instagram.com/mcbro_ftw
Music we use! Join for 2 free months: bit.ly/2x6E54m
What We Film With! http://bit.ly/ingymogul_gear
Hear Our Podcast! http://bit.ly/Indy_Mogul_Podcasts
Join the Indy Mogul Community Group: bit.ly/2udpqDa
Timestamps:
0:00 - Intro
0:52 - Camera Kits
3:13 - Lenses
4:20 - Tripods
6:00 - Lighting
7:26 - Audio
8:50 - Extra Accessories
9:40 - Investment Options
10:50 - Renting
16:06 - Outro
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#Filmmaking #LowBudget #Cameras
Instagram: instagram.com/aputure_ted
Twitter: twitter.com/aputure_ted
Mike Pecci joins us in the studio today to answer the internet's most burning questions about the film industry and gives us his advice on becoming an indie filmmaker. Can you make a living off of directing movies along? Do you spend most of your movie funds on the camera? Watch and find out.
Follow Mike Pecci on IG: instagram.com/mikepecci
You can find Mike's work at http://www.mikepecci.com
Also Mike's podcast - In Love with The Process: http://www.mikepecci.com/inlovewiththeprocess
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Join the Indy Mogul Community Group: bit.ly/2udpqDa
Timestamps:
0:00 - Intro
0:48 - #1 Director Should Know Everybody’s Job
1:30 - #2 Most Budget Goes to Camera/Lighting
3:04 - #3 Indie Films Have to Go to Sundance
5:14 - #4 Start as a PA
6:39 - #5 Cinematographers Make Bad Directors
8:15 - #6 Directors Change Framing
9:28 - #7 Making a Living on Directing
10:58 - #8 Never Talk to Actors
12:26 - #9 Only One Rehearsal
14:18 - #10 Assistant Directors Unnecessary
16:05 - Bonus Myth
17:00 - Outro
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#Filmmaking #Mythbusters #MovieSet
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Twitter: twitter.com/aputure_ted
Stuck at home and feeling the urge to be creative? Podcasting is a great (and inexpensive) way to broadcast your ideas to the world, but shooting/recording audio for one seems like a daunting task. On this episode, Ted and Casey McBeath demonstrate how to record, light, and shoot a podcast using budget video/audio gear in less than two hours.
Gear we used:
Sony a6400 - amzn.to/2A5ntvP
Gonine AC-PW20 - amzn.to/2UewFVk
Nail on Plate - adorama.rfvk.net/qXLOn
Matthews Matthpole - adorama.rfvk.net/PdEaQ
Aputure 120D II - amzn.to/3cIMsT6
Aputure Light Dome II - amzn.to/2Xzmg94
China Ball - amzn.to/2AQGGRT
Furniture Pads - amzn.to/2z6dvd1
C-Stand - amzn.to/3015K4i
Shure 7M7B - bhpho.to/3eSqhLy
Deity S-Mic 2 - amzn.to/2DzpgrJ
Zoom H5 - bhpho.to/2z7Bitf
Aputure MC - bhpho.to/2BE8327
Music we use! Join for 2 free months: bit.ly/2x6E54m
What We Film With! http://bit.ly/ingymogul_gear
Hear Our Podcast! http://bit.ly/Indy_Mogul_Podcasts
Join the Indy Mogul Community Group: bit.ly/2udpqDa
Timestamps:
0:00 - Intro
0:57 - Cameras
2:18 - Finding Background
3:33 - Camera Placement
4:42 - Backlight
6:29 - Control Natural Light
6:49 - Fill Light
8:32 - Audio
8:55 - Room Treatment
10:53 - Expensive Audio Equipment
11:56 - Budget Equipment
14:05 - Set Design
14:54 - Background Lighting
17:14 - Demos
20:08 - Outro
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#Podcast #Filmmaking #Sound
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Twitter: twitter.com/aputure_ted
Legendary music video director, DAPS, joins Ted Sim in the studio to talk about how some videos become cultural phenomenon. How do these videos inspire new fashion trends and societal changes? We cover everything from what it's like to direct a music video to how it's not always about the cinematography.
Follow DAPS on IG: @flexgoddaps
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Join the Indy Mogul Community Group: bit.ly/2udpqDa
Timestamps:
0:00 - Intro
0:36 - Creative Process
3:03 - MV #1 Hotline Bling
4:58 - MV#2 This is America
6:52 - MV #3 Bad and Boujee
9:18 - MV #4 Alright
11:00 - Outro
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Ted Sim - http://bit.ly/Ted_ig
#MusicVideo #Analysis #Hollywood
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Want to learn how to shoot beer and drink commercials on a low budget? Justin Jones and Ted set up everything, from the cameras to the lights, step-by-step, so you can follow along and get the lighting just right for your next commercial gig.
Music we use! Join for 2 free months: bit.ly/2x6E54m
What We Film With! http://bit.ly/ingymogul_gear
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Join the Indy Mogul Community Group: bit.ly/2udpqDa
Timestamps:
0:00 - Intro
1:09 - Find Location
2:09 - Set up Scene
2:57 - Camera Placement/Settings
4:29 - Background Lighting
5:24 - Overhead Lighting
6:11 - Key Light
7:14 - Practical Lighting
8:18 - Lighting Tricks
9:56 - Making it Cold
10:47 - Camera Movement
13:29 - Demo Commercial
13:52 - Outro
Follow Us!
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Hit Us Up!
Griffin - http://bit.ly/Giffin_ig
Erik - http://bit.ly/Erik_ig
Ted - http://bit.ly/Ted_ig
#Cinematography #Lighting #Photography
Instagram: instagram.com/aputure_ted
Twitter: twitter.com/aputure_ted
We are back in action with cinematographer Justin Jones, who will show us the basics of shooting products. To make this as indie as possible, we use a DSLR and only three lights to make the best image that we can. During the shoot, Justin and Ted give their best advice for product cinematography and dealing with brands and clients.
Follow Justin on IG: instagram.com/justinjonesdp
Beam LA Studios: instagram.com/beam.la
What We Film With! http://bit.ly/ingymogul_gear
Hear Our Podcast! http://bit.ly/Indy_Mogul_Podcasts
Join the Indy Mogul Community Group: bit.ly/2udpqDa
Timestamps:
0:00 - Intro
1:23 - Find Location
3:01 - Camera Placement/Settings
4:21 - Main Light
6:18 - Backlight
7:31 - Color Contrast
9:25 - Visual Interest/Haze
11:30 - Do Your Research
12:51 - Camera Angles
13:23 - Demo Commercial
14:02 - Outro
Follow Us!
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SubReddit - http://bit.ly/indymogul_reddit
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Hit Us Up!
Griffin - http://bit.ly/Giffin_ig
Erik - http://bit.ly/Erik_ig
Ted - http://bit.ly/Ted_ig
#Cinematography #Lighting #Products


