Classical Entertainment System
Mozart - Piano Sonata No. 8 in A minor, Movement 1 (8-bit)
updated
"The fear of lightning and fierce thunder
Robs his tired limbs of rest
As gnats and flies buzz furiously around."
The Four Seasons
Violin Concerto No. 2 in G minor, Op. 8, RV 315, "Summer"
II. Adagio e piano - Presto e forte
Composer: Antonio Vivaldi
Soundfont: Pokémon Black/White
Movement 1: youtube.com/watch?v=u94iuYBZ5xo
Ocarina of Time version: youtube.com/watch?v=wKpXVwIQIEA
Super Mario 64 version: youtube.com/watch?v=h5aZqzFaPis
Bilady, Bilady, Bilady
Country: Egypt
Composer: Sayed Darwish
Soundfont: Final Fantasy VI
I'd even go as far as saying that it contains a certain quality of emotion that isn't present in either the dance preceding it or any of the ones that follow.
Orchestral Suite No. 2 in B minor, BWV 1067
III. Sarabande
Composer: Johann Sebastian Bach
Soundfont: Super Mario 64
I. Overture: youtube.com/watch?v=pWYYQ8uI2hI
II. Rondeau: youtube.com/watch?v=bsnMLaBsAX0
Fire Emblem version: youtube.com/watch?v=6aDmwT1r70Q
Ocarina of Time version: youtube.com/watch?v=RwK0gp7oz5s
Only at the very end do we get a tiny glimpse of the nostalgic world from the second movement (5:31), but Mozart immediately casts this aside with no difficulty.
Piano Sonata No. 10 in C major, K. 330
III. Allegretto
Composer: Wolfgang Amadeus Mozart
Soundfont: Pokémon Diamond/Pearl/Platinum
Movement 1: youtube.com/watch?v=4CiHkoyaz5w
Movement 2: youtube.com/watch?v=1khXqia2t8g
Super Mario 64 version: youtube.com/watch?v=hNcOtZtDfnw
Touhou version: youtube.com/watch?v=UehtSmEkTYk
II. Adagio
Composer: Johann Sebastian Bach
Soundfont: Final Fantasy VII
Movement 1: youtube.com/watch?v=J3mCG2R4OII
Movement 3: youtube.com/watch?v=duWzdLY_kJU
III. Allegro
Composer: Franz Schubert
Soundfont: Mother 3
Movement 1: youtube.com/watch?v=mrIB-YRMxSg
Movement 2: youtube.com/watch?v=LPw3cp9aTOU
As is usual in Bruckner, the elegiac Trio section is noticeably slower (3:19). Here, the tone becomes introspective and even moving. Once this middle paragraph is concluded, and after a sizable pause, the Scherzo section is given an exact repeat (5:07).
Symphony No. 7 in E major "Lyric", WAB 107
III. Scherzo: Sehr schnell – Trio: Etwas langsamer
Composer: Anton Bruckner
Soundfont: Pokémon Black/White
Movement 1: youtube.com/watch?v=gTo8pYVOvpY
Movement 2: youtube.com/watch?v=dB-RVHQFuI8
Movement 4: youtube.com/watch?v=v8dVLICIvmE
Der er et yndigt land
Country: Denmark
Composer: Hans Ernst Krøyer
Soundfont: Pokémon Diamond/Pearl/Platinum
III. Rondo Allegro - Più allegro
Composer: Wolfgang Amadeus Mozart
Soundfont: Super Mario 64
Movement 1: youtube.com/watch?v=kOO-X1DFeWk
Movement 2: youtube.com/watch?v=QwjiZQqRgng
Ocarina of Time version: youtube.com/watch?v=Yy9gC-bQZIk
The middle section, in F minor, is markedly more troubled (1:53), being the only instance in this sonata where the minor key dominates.
Piano Sonata No. 10 in C major, K. 330
II. Andante cantabile
Composer: Wolfgang Amadeus Mozart
Soundfont: Pokémon Diamond/Pearl/Platinum
Movement 1: youtube.com/watch?v=4CiHkoyaz5w
Movement 3: youtube.com/watch?v=-TIROx2jSxY
Super Mario 64 version: youtube.com/watch?v=CH2vnebycl0
Touhou version: youtube.com/watch?v=EJCZp0OOWFo
Harpsichord Concerto No. 1 in D minor, BWV 1052
I. Allegro
Composer: Johann Sebastian Bach
Soundfont: Final Fantasy VII
Movement 2: youtube.com/watch?v=cZee3ZepQSI
Movement 3: youtube.com/watch?v=duWzdLY_kJU
III. Allegretto grazioso
Composer: Johannes Brahms
Soundfont: Mother 3
Movement 1: youtube.com/watch?v=EpVSFvZD6Cw
Movement 2: youtube.com/watch?v=QOMLX2wCbCg
Movement 4: youtube.com/watch?v=pipYp2VMAqw
The Four Seasons is a very popular piece of music, well-known for how each of its four concertos depicts four corresponding poems based on the seasons.
Despite what our modern ears would expect from a "summer piece", this is anything but "sunny and cheerful". On the contrary, it may be perhaps the darkest of the four concertos, focusing on the harshness of summer and its consequent perils.
The stanza this particular movement represents is this:
"Under a hard season, fired up by the sun
Languishes man, languishes the flock and burns the pine
We hear the cuckoo's voice;
then sweet songs of the turtledove and finch are heard.
Soft breezes stir the air, but threatening
the North Wind sweeps them suddenly aside.
The shepherd trembles,
fearing violent storms and his fate."
The Four Seasons
Violin Concerto No. 2 in G minor, Op. 8, RV 315, "Summer"
I. Allegro non molto
Composer: Antonio Vivaldi
Soundfont: Pokémon Black/White
Movement 2: youtube.com/watch?v=WfnO_OADSBc
Ocarina of Time version: youtube.com/watch?v=1wHiOFJLfAs
Super Mario 64 version: youtube.com/watch?v=UV6WqAILRgs
Israel's national anthem is special in the way that it's one of the very few anthems to be in a minor key, giving it a very different character from most of the others.
Coincidentally, it's also one of the most beautiful of them all, having a solid, emotional melody that never falters from beginning to end.
Hatikvah
Country: Israel
Composer: Samuel Cohen, original melody from "La Mantovana" by Guiseppe Cenci
Soundfont: Mother 3
Earthbound version: youtube.com/watch?v=Cyl74dTZWQo
Pokémon DPP version: youtube.com/watch?v=6iJvOlXQ2-4
But a lack of length does not equal a lack of quality whatsoever here. Most of them, certainly including this one, are actually pretty catchy!
Orchestral Suite No. 2 in B minor, BWV 1067
II. Rondeau
Composer: Johann Sebastian Bach
Soundfont: Super Mario 64
I. Overture: youtube.com/watch?v=pWYYQ8uI2hI
III. Sarabande: youtube.com/watch?v=B7CiUBsx44U
Fire Emblem version: youtube.com/watch?v=NKLtj2tb3w4
Ocarina of Time version: youtube.com/watch?v=hit8t4XO084
It can be divided into two very distinct sections, the "lassan" and the "friska", both being parts of the traditional Hungarian folk dance known as the csárdás.
The lassan is slow, stately, and quite somber; the friska (3:35), on the other hand, could not be more different. It at first remains within the same atmosphere of the lassan, but gradually builds up energy and speed until it reaches its playful main theme (4:27), which many will recognize.
This Hungarian Dance ultimately concludes with a proud return of the lassan's principal theme (7:38), now in the major mode.
Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2
Composer: Franz Liszt
Soundfont: Pokémon Diamond/Pearl/Platinum
Super Mario 64 version: youtube.com/watch?v=ViXRogtJnBs
This short but powerful movement depicts the "Day of Wrath" with one of the few examples of Mozart's D minor fury in full display.
Requiem Mass in D minor, K. 626
III. Dies irae
Composer: Wolfgang Amadeus Mozart
Soundfont: Kingdom Hearts
Final Fantasy VII version: youtube.com/watch?v=8Y-W64BLXhY
Majora's Mask version: youtube.com/watch?v=tjvfgqifgCs
II. Andante
Composer: Franz Schubert
Soundfont: Mother 3
Movement 1: youtube.com/watch?v=mrIB-YRMxSg
Movement 3: youtube.com/watch?v=jqxV0OUL3iM
The first theme is dark, somewhat mysterious, and essentially Brucknerian in every way; the second is a thoroughly human expression of Bruckner's faith, a common element in his slow movements.
The nature of this movement seems a little clearer after knowing that it was written In anticipation of the death of Bruckner's greatest musical idol, Richard Wagner. In fact, the passing of that composer reportedly occurred while Bruckner was in the middle of writing this Adagio. Thus, it has always carried a connotation of mourning. I would argue that the contrast between the two themes presented here, namely solemnity and hope through faith, is crucial and relevant to the piece's apparent subject matter.
Nowhere is the message of hope in the face of adversity clearer than in the movement's climax (15:31), which is surely one of the most breathtaking and effective movements in this symphony, and maybe in all of Bruckner's music.
Symphony No. 7 in E major "Lyric", WAB 107
II. Adagio: Sehr feierlich und sehr langsam
Composer: Anton Bruckner
Soundfont: Pokémon Black/White
Movement 1: youtube.com/watch?v=gTo8pYVOvpY
Movement 3: youtube.com/watch?v=RNNAZx3Ke0I
Movement 4: youtube.com/watch?v=v8dVLICIvmE
Majora's Mask version: youtube.com/watch?v=s6KkPydMveM
Though it isn't really classical music, "Maple Leaf Rag" is still a significant piece in the modern piano repertoire. To be more specific, it's a cornerstone work in the then-developing genre of ragtime, serving as a potent influence of later ragtime compositions and solidifying itself with time as one of the quintessential examples to the public ear of what ragtime is supposed to sound like.
Maple Leaf Rag
Composer: Scott Joplin
Soundfont: Super Mario World
Super Mario 64 version: youtube.com/watch?v=rtaGw6eUv3U
II. Andante
Composer: Wolfgang Amadeus Mozart
Soundfont: Super Mario 64
Movement 1: youtube.com/watch?v=kOO-X1DFeWk
Movement 3: youtube.com/watch?v=c85EwUKC3NQ
Ocarina of Time version: youtube.com/watch?v=c32SGfeP2Vo
Not complicated in any way, it simply consists of an improvised melody by Gounod played over a modified version of Bach's immortal Prelude in C major from Book I of "The Well-Tempered Clavier".
Ave Maria
Composer: Charles Gounod, based on music by Johann Sebastian Bach
Soundfont: Pokémon Diamond/Pearl/Platinum
Chrono Trigger version: youtube.com/watch?v=3rKkfJjMukc
Valses nobles et sentimentales
I. Modéré – très franc (0:00)
II. Assez lent – avec une expression intense (1:27)
III. Modéré (3:37)
IV. Assez animé (4:48)
V. Presque lent – dans un sentiment intime (5:47)
VI. Vif (6:57)
VII. Moins vif (7:37)
VIII. Épilogue: lent (10:08)
Composer: Maurice Ravel
Soundfont: Pokémon Mystery Dungeon 2
II. Andante un poco adagio
Composer: Johannes Brahms
Soundfont: Mother 3
Movement 1: youtube.com/watch?v=EpVSFvZD6Cw
Movement 3: youtube.com/watch?v=NhXN95u1lhM
Movement 4: youtube.com/watch?v=pipYp2VMAqw
Bruckner's most successful symphony acquired the title "Lyric" sometime after his death. Like almost all nicknames for his symphonies, on top of never having been sanctioned by the composer himself, it is a mostly redundant title. In truth, this piece isn't really any more or less lyric than Bruckner's others. That said, the opening does live up to the title. Over a cushion of tremolo strings, the cellos and horns sing a broad, noble melody Bruckner claimed he heard in a dream.
One of the movement's most prominent features is the contrast between the soundworld of that opening melody and a markedly different minor key theme that curiously sits somewhere in between a cortège and a dance (4:50). Both get plenty of room to shine as the movement unfolds, and their characters noticeably change as a result, the former turns darker while the latter becomes ever so slightly more optimistic.
The ending is a favorite device of Bruckner's, a blazing and drawn-out climax for the entire orchestra on the tonic key.
Symphony No. 7 in E major "Lyric", WAB 107
I. Allegro moderato
Composer: Anton Bruckner
Soundfont: Pokémon Black/White
Movement 2: youtube.com/watch?v=dB-RVHQFuI8
Movement 3: youtube.com/watch?v=RNNAZx3Ke0I
Movement 4: youtube.com/watch?v=v8dVLICIvmE
Variatio 26. a 2 Clav.
Composer: Johann Sebastian Bach
Soundfont: Super Mario World
The opening movement of this suite follows the standard "French Overture" model used in those days, starting out with a slow introduction section.
After a while, a faster middle section comes in (3:10), which is quite lively and polyphonic in character.
Near the end (6:45), things slow down and the music from the introduction returns, leading the movement to a close.
Orchestral Suite No. 2 in B minor, BWV 1067
I. Overture
Composer: Johann Sebastian Bach
Soundfont: Super Mario 64
II. Rondeau: youtube.com/watch?v=bsnMLaBsAX0
III. Sarabande: youtube.com/watch?v=B7CiUBsx44U
Fire Emblem version: youtube.com/watch?v=QrcAooPeEN8
Ocarina of Time version: youtube.com/watch?v=7rPu8Vc88fA
In this short but delightful sonata, we find Mozart in his cheerful and playful mode, at least in its outer movements.
This is especially true of this opening piece, whose exposition section has virtually no hints of sadness or any form of negativity whatsoever.
After a repeat of said exposition (1:30), we get a compact development section (3:00), in which matters do get a little unstable, but never too much.
Before we know it, we've reached the recapitulation section (3:46) Its similarities to the exposition are quite pronounced at first, although the few changes we do get are welcome and perfectly placed. The second theme, however, is given a new sense of drive via an all-new arpeggio accompaniment (4:24).
The coda (5:13) is as concise as it is effective.
Piano Sonata No. 10 in C major, K. 330
I. Allegro moderato
Composer: Wolfgang Amadeus Mozart
Soundfont: Pokémon Diamond/Pearl/Platinum
Movement 2: youtube.com/watch?v=1khXqia2t8g
Movement 3: youtube.com/watch?v=-TIROx2jSxY
Super Mario 64 version: youtube.com/watch?v=ZiOy0g4CFnY
Touhou version: youtube.com/watch?v=WJJFbAyuu00
Two Arabesques
II. Allegretto scherzando
Composer: Claude Debussy
Soundfont: Pokémon Mystery Dungeon 2
Arabesque No. 1: youtube.com/watch?v=jCOjIJxVXmo
Pokémon HGSS version: youtube.com/watch?v=OUySQC5RbLg
I. Allegro moderato
Composer: Franz Schubert
Soundfont: Mother 3
Movement 2: youtube.com/watch?v=LPw3cp9aTOU
Movement 3: youtube.com/watch?v=jqxV0OUL3iM
As stated before, this movement consists of a Minuet with three contrasting sections, the main section reappearing between each. The Minuet itself is lush, grand, and pretty catchy as well.
The first Trio is a literal trio, with two oboes and a bassoon (accordions and an organ here, respectively) playing a subdued and somber song together like a small band (1:15). Being in D minor, it's a small callback to the even more somber second movement of the concerto, which was also in that key.
The second contrasting section is labeled in the score as a "Polacca" (3:57). In this fast-paced dance, which remains mostly quiet except for a couple of spirited outbursts, the string instruments of the orchestra get the spotlight. Only the keyboard joins them here, serving as an understated accompanist.
The last contrasting section is a light-hearted dance, starring the horns and, once again, the oboes (6:21). The former blare out in a "hunting horn" manner. This detail calls back to the first movement and thus effectively ties the concerto together close to its end.
Brandenburg Concerto No. 1 in F major, BWV 1046
IV. Menuet – Trio I – Menuet da capo – Polacca – Menuet da capo – Trio II – Menuet da capo
Composer: Johann Sebastian Bach
Soundfont: Pokémon Black/White
Movement 1: youtube.com/watch?v=Lt-wqVgSh30
Movement 2: youtube.com/watch?v=W4gZml8H97U
Movement 3: youtube.com/watch?v=f3hOpG3GaBA
Majora's Mask version: youtube.com/watch?v=II6ypCrfBcw
Pokémon RSE version: youtube.com/watch?v=msR6wyBu-ao
Goldberg Variations, BWV 988
Variatio 5. a 1 ô vero 2 Clav.
Composer: Johann Sebastian Bach
Soundfont: Super Mario World
Ocarina of Time version: youtube.com/watch?v=JJi6wSZr3go
Horn Concerto No. 2 in E-flat major, K. 417
I. Allegro
Composer: Wolfgang Amadeus Mozart
Soundfont: Super Mario 64
Movement 2: youtube.com/watch?v=QwjiZQqRgng
Movement 3: youtube.com/watch?v=c85EwUKC3NQ
Ocarina of Time version: youtube.com/watch?v=SZsHyPI_9Iw
Rhapsody in Blue
Composer: George Gershwin
Soundfont: Pokémon Diamond/Pearl/Platinum
Mother 3 version: youtube.com/watch?v=XVFzXdwIkm0
Among Debussy's early works, we can find a contrasting pair of Arabesques. Despite their differences, Debussy's Impressionistic voice is already present in both, as well as a certain oriental taste, owing mostly to careful use of the pentatonic scale.
The beautiful Arabesque No. 1 in E major is the calmer of the two, its opening arpeggios being an instantly memorable feature.
The middle section (1:24-2:43), despite a couple of loud climaxes, is quieter overall, but also a tad more dramatic and introspective.
Two Arabesques
I. Andantino con moto
Composer: Claude Debussy
Soundfont: Pokémon Mystery Dungeon 2
Arabesque No. 2: youtube.com/watch?v=JdKcmJOk1kE
Pokémon HGSS version: youtube.com/watch?v=RmAaiHxTaEU
Super Mario 64 version: youtube.com/watch?v=Ni4ms_t84Lw
Clarinet Sonata No. 1 in F minor, Op. 120
I. Allegro appassionato
Composer: Johannes Brahms
Soundfont: Mother 3
Movement 2: youtube.com/watch?v=QOMLX2wCbCg
Movement 3: youtube.com/watch?v=NhXN95u1lhM
Movement 4: youtube.com/watch?v=pipYp2VMAqw
Interestingly, though, the rollicking proceedings are suddenly and dramatically halted for a moment (2:30), offering a short space for a passionate solo from the solo violin (trumpet here).
When the main material of this pseudo-finale is promptly given its full reprise (2:33), it's introduced and mostly commanded by that very same soloist.
Brandenburg Concerto No. 1 in F major, BWV 1046
III. Allegro
Composer: Johann Sebastian Bach
Soundfont: Pokémon Black/White
Movement 1: youtube.com/watch?v=Lt-wqVgSh30
Movement 2: youtube.com/watch?v=W4gZml8H97U
Movement 4: youtube.com/watch?v=iECURR9JWCQ
Pokémon RSE version: youtube.com/watch?v=7SxM2d05tno
III. Menuetto & Trio
Composer: Wolfgang Amadeus Mozart
Soundfont: The Legend of Zelda: Ocarina of Time
Movement 1: youtube.com/watch?v=yiVmDxUcmUk
Movement 2: youtube.com/watch?v=-dPSOs7F2YE
Movement 4: youtube.com/watch?v=kfpVtHcYqrM
The first of two Minuets in this expansive Divertimento, this is the most well-known movement of the piece. Its character, fitting for a Divertimento, is inoffensive, amiable, and graceful.
Its Trio section (2:17-3:40) is a tad more lively, but never far from any of the qualities previously mentioned.
Divertimento No. 17 in D major, K. 334/320b
III. Menuetto - Trio
Composer: Wolfgang Amadeus Mozart
Soundfont: The Legend of Zelda: Ocarina of Time
Ocarina of Time version: youtube.com/watch?v=a3xhh5X_7DA
Images, Book I
I. Reflets dans l'eau
Composer: Claude Debussy
Soundfont: Pokémon Diamond/Pearl/Platinum
The secondary theme, one of this concerto's most famous melodies, could hardly be more different (2:00). It is sensuous and lyrical, while also having a somewhat mysterious air about it.
Perhaps making up for the first movement's rather short development, the one found here is quite long and more elaborate. Rachmaninoff even finds room for a brief fugal treatment of his main theme (4:52).
In one of the concerto's most irresistible and Romantic gestures, the secondary theme is given a grand reprise near the end (10:24). Every one of its expressive qualities is still present, with an added sense of ecstasy. Tchaikovsky was reportedly a model for Rachmaninoff in his concertos, and here's perhaps where that inspiration is made most apparent.
Once this reprise has run its course, the music accelerates toward its thrilling conclusion. The pianist's excitement builds with the music's speed, culminating in a final display of virtuosity: an electrifying cascade of chords (11:30).
Piano Concerto No. 2 in C minor, Op. 18
III. Allegro scherzando
Composer: Sergei Rachmaninoff
Soundfont: The Legend of Zelda: Majora's Mask
Movement 1: youtube.com/watch?v=P58HDmCpK2Y
Movement 2: youtube.com/watch?v=WojV17XpuYc
Pokémon DPP version: youtube.com/watch?v=vGPmGkEcpVU
The overture to Tannhauser, one of Wagner's most formidable, is known for being utterly packed with events and different moods. The one he composed for his next opera, Lohengrin, could hardly be more different. It remains softly luminous, slow, and introverted throughout. Though it does build towards a climax in its last third, thoroughly Wagnerian in its awesome and moving power, the overture concludes in the same manner in which it began.
Lohengrin, WWV 75
Prelude to Act I
Composer: Richard Wagner
Soundfont: Mother 3
The mood remains dark throughout, especially during the last stretch (3:37), but right at the end, the music brightens up ever so slightly. Landing on a dominant chord, the movement ends in strong anticipation for the following one (3:56).
Brandenburg Concerto No. 1 in F major, BWV 1046
II. Adagio
Composer: Johann Sebastian Bach
Soundfont: Pokémon Black/White
Movement 1: youtube.com/watch?v=Lt-wqVgSh30
Movement 3: youtube.com/watch?v=f3hOpG3GaBA
Movement 4: youtube.com/watch?v=iECURR9JWCQ
Pokémon RSE version: youtube.com/watch?v=loNBsQeiTsw
II. Andante
Composer: Wolfgang Amadeus Mozart
Soundfont: The Legend of Zelda: Ocarina of Time
Movement 1: youtube.com/watch?v=yiVmDxUcmUk
Movement 3: youtube.com/watch?v=n4gTzluygqs
Movement 4: youtube.com/watch?v=kfpVtHcYqrM
Violin Sonata No. 5 in F major "Spring", Op. 24
IV. Rondo: Allegro ma non troppo
Composer: Ludwig van Beethoven
Soundfont: Super Mario 64
Movement 1: youtube.com/watch?v=oW_HLuPVp60
Movement 2: youtube.com/watch?v=3FbM6a18VdM
Movement 3: youtube.com/watch?v=g-Cf2ocXFEw
Emerging seamlessly from the E-flat conclusion of the Andante, the piece opens in C minor with a true wonder of orchestration, a mist cloud that manages to sound both magical and profoundly unnerving, sinister.
It is quickly dispelled by something we haven't heard in a long time, the fateful major-to-minor chord (0:21), which has returned with a vengeance. In fact, the whole movement is permeated by it; it not only appears many times with its trademark forcefulness but is also used subtly as a natural harmonic accompaniment (3:33 is but one example of this).
After a very extensive, dark, and mostly hushed introduction that teases much of the material that will be heard in the Finale's discourse, the upward surge that was heard many times in the Scherzo proves to be the springboard for the exposition's main theme: an emotionally unstable march of unpredictable disposition (5:41).
The Scherzo isn't the only piece that's revisited here. Sharp-eared listeners will notice that many elements from the previous movements will return throughout the course of the Finale. For example, one can hear a callback to the first movement's main theme at 7:39. Consequently, elements of that same movement's "Alma Theme" are used throughout the far more cheerful second theme (8:27).
A chillingly abrupt return of the dust cloud heralds the beginning of the development section (9:33). Its first of its massive paragraphs is seemingly a reprise of the introduction, but all events are considerably changed. In fact, we get an extremely brief moment of respite with a heartbreakingly fleeting callback to the Andante (11:52-12:01), swiftly swept aside with utmost cruelty.
To describe the rest of the development as a conflict is a gross understatement if there ever was one. Mahler does give some resistance to the symphony's tragic conclusion, and that's where one of the most famous aspects of his Sixth Symphony comes into play: each time victory seems near, the "hero" of this narrative is struck down by a mighty hammer blow, the first at 13:42, the second at 18:43. As is often pointed out, there were originally three hammer blows, but the superstitious composer eliminated the third in fear of tempting fate.
A third appearance of the dust cloud begins the recapitulation (19:50). The ensuing reprise of the introduction and both of the exposition's themes are, as expected from Mahler, varied in almost every detail.
In an inspired move, when he segues again into the exposition, he does so with the cheerful second theme first (22:49). When it is inevitably soured and leads into a significantly more strident and mercurial rendition of the main theme (24:58), the resulting feeling is all the more bitter and hopeless. With a heightened sense of urgency and every emotion carried to its extreme, the music seems more desperate and terrified than ever.
Once again, though, it seems as though we will somehow pull through all this and reach triumph, but one final return of the dust cloud along with the major-to-minor chord crushes that idea (29:22), this time for good. For those interested, this is where the third hammer blow was going to be played. Some conductors consider it superfluous, deeming the return of the dust cloud fatalistic enough by itself. Others see it as absolutely essential and restore it.
The ensuing coda unfolds in the manner of a requiem and is some of the gloomiest music that Mahler ever composed. Little by little, the music sinks away into the darkness in defeat, and the last thing we hear is absolutely chilling: the major-to-minor chord is screamed but now devoid of its major chord. In other words, without the false hope of a major key resolution but also without any sense of disappointment.
It is now just a despairing scream in the face of oblivion.
Symphony No. 6 in A minor "Tragic"
IV. Finale: Sostenuto – Allegro moderato – Allegro energico
Composer: Gustav Mahler
Soundfont: Pokémon Diamond/Pearl/Platinum
Movement 1: youtube.com/watch?v=RZv1cGwMOD4
Movement 2: youtube.com/watch?v=SOe06Lyc9kc
Movement 3: youtube.com/watch?v=Qdz0ufqkGlY
Ocarina of Time version: youtube.com/watch?v=x-s93yoHa1o
The primary material isn't concerned with being complex at all; instead, it focuses mostly on a single flowing melody that is played first by the flute (0:39) and continued by a clarinet (0:54), while the piano soloist is unexpectedly relegated to an accompaniment role. But what an accompaniment it is!
There's an expansive middle section that is, at least at first, more agitated and troubled (3:52), but as it progresses it covers a wide variety of material and moods. Quite often, the piano soloist gets to show off their skill here.
Eventually, the highly melodic first section returns in a slightly abbreviated form (7:32), and is followed by a set of chords played by the piano and accompanied by the orchestra (9:09). The mood presented here seems to be both ecstatic and melancholic at once.
The orchestra gradually dies down and the piano alone finishes the movement with a beautifully peaceful afterword (9:51).
Piano Concerto No. 2 in C minor, Op. 18
II. Adagio sostenuto – Più animato – Tempo I
Composer: Sergei Rachmaninoff
Soundfont: The Legend of Zelda: Majora's Mask
Movement 1: youtube.com/watch?v=P58HDmCpK2Y
Movement 3: youtube.com/watch?v=Ux3I8m57kxc
Pokémon DPP version: youtube.com/watch?v=pkrR2Tpv8uw
8-bit version: youtube.com/watch?v=beOT4X1vH_4
This is easily the most famous movement of the suite, and it's one that you'll most likely recognize.
The structure isn't complicated at all and mostly consists of the same melody, an unforgettable one at that, being played over and over again. This is at first done very quietly, but it steadily gets both louder and faster, culminating in the loudest music of the whole suite.
Needless to say, it's no wonder that this was chosen as the piece to conclude this suite in an appropriately climactic and impressive fashion.
Peer Gynt Suite No. 1, Op. 46
IV. In the Hall of the Mountain King
Composer: Edvard Grieg
Soundfont: Pokémon Ruby/Sapphire/Emerald
Pokémon Mystery Dungeon 2 version: youtube.com/watch?v=uMA3gCbe3jw
Super Mario 64 version: youtube.com/watch?v=nHwGm6__G04
Due to all these factors, it's easily the "biggest" of the concertos and maybe it's because of this Bach numbered it as No. 1, positioning it at the front of the catalog.
The first movement would seem to be a pretty standard opening Allegro movement, except that it features the guest (at that time) instruments, the two French Horns, in a prominent fashion. However, the music played by these two is more fanfare-like than anything else, and I've seen them called a fitting representation of "hunting horns invading the concert hall".
On top of that, the movement is at times less joyous than it might have promised at the outset, with the opening music appearing in a darker, minor key coloration (1:09 and 2:16).
Brandenburg Concerto No. 1 in F major, BWV 1046
I. Allegro (unspecified)
Composer: Johann Sebastian Bach
Soundfont: Pokémon Black/White
Movement 2: youtube.com/watch?v=W4gZml8H97U
Movement 3: youtube.com/watch?v=f3hOpG3GaBA
Movement 4: youtube.com/watch?v=iECURR9JWCQ
Pokémon RSE version: youtube.com/watch?v=p41S-Uhcs5I
Symphony No. 25 in G minor, K. 183/173dB
I. Allegro con brio
Composer: Wolfgang Amadeus Mozart
Soundfont: The Legend of Zelda: Ocarina of Time
Movement 2: youtube.com/watch?v=-dPSOs7F2YE
Movement 3: youtube.com/watch?v=n4gTzluygqs
Movement 4: youtube.com/watch?v=kfpVtHcYqrM


