Mollarose
A Hardware Jams challenge submission.
updated 1 year ago
Made over the weekend, using the Torso S4, Digitakt 2 and Novation Peak. Effects include Hologram Chroma Console and OTO Boum.
This week is story week:
Under the scorching sun you wait. The desert landscape around you is unfamiliar and beautiful. You look at your watch - the taxi should be here already. You count the cracks in the concrete to pass the time, the asphalt shimmering in the heat. The taxi finally arrives, rushing towards you, then stopping abruptly right in front of you. As you crash down in the back seat, the driver greets you with an exclamation that could be harsh or enthusiastic, you never learned to distinguish the tones of this foreign language. ”To the city,” you ask as clearly as you can. The taxi jumps to speed and the driver switches to broken English, barely making sense. The conversation runs around in circles, skirting the language barrier. ”You want party?” he keeps asking. You’re intrigued by the idea, and wary at the same time. As the taxi approaches the outskirts of the city, you finally say: ”yes, take me to the party.”
The taxi screeches to a halt when you reach your destination. This is not what you expected. It’s not a club, it’s barely a building. Among the derelict concrete buildings there’s a small entrance, clearly leading to a bunker underground. There’s a bouncer standing at the door. This guy is huge. Without a smile, he opens the door to a steep, worn out stairwell leading down, down, down. You already hear the bass thumping as you cautiously start your descent.
You were not prepared for what you find downstairs in the club.
A short ten minute set of calm electronic music. Lots of breaks and gentle synths, surrounded by textures and effects.
Digitakt on drums and vocal sample
OXI One is sequencing the Peak and Torso S4
Peak on big pad duty (mostly)
Torso S4 on polyphonic sounds and texture samples
Effects from Chroma Console and OTO Boum
This is the first year of Inkyfest. Traditionally, we would celebrate the Hardware Jams birthday, but from now on the party is in honour of Inky da Cat 💜
Happy 909 day (a bit late I know)!
A jam to celebrate the life of Ozzy Osbourne 💜 🖤
Mama, I'm coming home sample flip.
I really love this sampler, but at the same time it is still riddled with issues. That said, I would still recommend it – the results are worth persevering for. Its ability to transform samples into something unexpected even surpasses the Digitakt II. But maybe that's not a fair comparison.
On track one there is a white noise sample, with a narrow square wave modulation (on/off).
Track two, there's a single tone, pitched up and going through the Mosaic (Granular Device) and Deform (Colour Device) sections.
Track three, is a synth sample pitched down, with tuning provided via modulation, a looped random wave.
Track four, is a horn sample with volume and pitch modulation modulation.
All tracks have various random modulation routed to Deform's compressor, crush and noise for added glitch.
🎧 I have recently been listening to an album called My Brutal Life, by The Black Dog. Which I highly recommend if you are into dark ambient soundscapes.
I use a combination of static panning, using LFOs to pad, and a few samples that had good stereo content. The S4 is made for this as it sounds best when heavily modulated – and most parameters are accessible via the mods.
The Digitone II is perhaps one of the best groove boxes ever – there's always so much to explore.
Made using the Digitone II and S4, and recorded via Ableton Live, with light-touch compression and EQ'ing.
Enjoy
This was a bit of an Amen break journey. The break is the original sample pitched up to 180bpm, heavily gated to let through only the transients of the drums. I then processed it through Audio Damage's Replicant 3, then chopped lots of little slices back into the original take.
Loving the Ableton Move. It's making the music creation process so much fun – it is not often you find an instrument with so few points of friction.
A massive happy 6th birthday to all the (Hardware) Jam Fam. Up and running for six years and continuing to gain momentum.
This is the longest set I have performed. Last year we did 10 minute sets, while this year was almost double. I love this longer format as it leaves much more room for experimentation.
I wanted certain sounds to feel familiar, so throughout the set I have used several patterns and musical ideas – sometimes only briefly revealing a motif, then circling back to it later in the set in a more complete state.
Performed using; Digitakt 2, Torso S4, Norand Mono MK2, Sequential Pro 3 and OTO Boum. Recorded with Ableton Live, using minimal EQ and subtle compression.
I hope you enjoy and happy birthday!
This jam is for the good summer vibes :)
First jam with the Digitakt II, paired with the Norand Mono MKII running through the Microcosm.
The Microcosm is playing a recorded 8 bar loop from the Mono, reversed, then pitched down an octave, with the Microloop Mosaic (Slot 4) effect applied.
The top row of the Digitakt has drums assigned and the lower row has a couple of micro-tuned synths (created in Ableton), foley, noise and effects.
It's a fairly simple setup, but quite honestly I need for nothing more.
A Hardware Jams weekend challenge.
Enjoy.
This patch is a simple sine wave, with a random LFO on the TZFM, and a touch of drive.
All of the sounds are sampled from DMAT's track, with the exception of the piano and baby sounds (both of which are Youtube 'found sounds').
This track was recorded directly into Ableton Live, with no post-processing.
The video was shot with my Canon M50, which I have owned for a while now, but I have only just got a half descent light setup. This is my first experiment with that rig.
If you havne't already, go and check out DMAT's session 🙌: youtu.be/bXVMhXRRsf8?si=TCVUj4HI9ffnNzbP
Enjoy.
Noggin’s sound palette feels very influenced by 90s hardcore, techno and jungle, so I sampled elements from several of his YouTube tracks and made a jam with this flavour. Except from one of the breaks, all samples are a mashup of his tunes. Champion Sound!
My daughter and I had a bit of fun on the mic. The ‘Noggin’ sample is her, which has then been rearranged and played across the keys.
Synths used; Sequential Pro 3 on bass, and Arturia MicroFreak (through Microcosm)
Visuals were created in Visual Synthesiser on the iPad. Definitely something I'll be exploring in more depth.
Trivia; The main 'Champion Sound' sample (pad) is taken from Noggin's Secret Santa jam 2022, which was for Andrew Coogan (Founder of Hardware Jams).
Merry Christmas Noggin 86 🎄
Enjoy.
Sequential Pro 1 on bass
Novation Peak on chords
Arturia Microfreak on lead
Weekend submission for the Hardware Jams challenge – A jam for my musical heroes
Gear used:
- Elektron Digitakt
- Arturia Microfreak
- Sequential Pro 3
- Novation Peak
- Moog DFAM
- Moog Subharmonicon
- Akai APC MKII
- OTO Boum
Enjoy.
There is a lot going on in this track. The pads/synths are heavily processed with tape saturation (RC-20) and vinyl noise (iZotope Vinyl).
The drums are a mix of a 2-step break combined with a layer of FM sounds with a trigger based on probability.
There is a layer of strings, horns and piano, all running through the Microcosm for that background etherial texture.
Finally, the vocal is sampled from a Kaira Rae cover of "You were good to me - Jeremy Zucker, Chelsea Cutler cover", which has been sliced, re-pitched and rearranged.
Original vocals Youtube video: youtube.com/watch?v=-hEETkiuBQw
Enjoy
Digitakt is on techno duty this weekend, and Digitone is serving up atmospheric fills. Additional perc and noise/pads coming from Syntakt.
Enjoy.
BTW, the vocal is Dean from the latest live stream.
The Microfreak is running through the Shallow Water pedal for that old cassette warble sound. I sampled a couple of loops from MF to DT, then attempted to play the 'keys' - these capacitive keys are going to take some getting used to!
Great little setup, which I might put into a small flight case to play out with!? We will see.
Enojy.
I'm not trained musician, so I've been learning and experimenting with different scales, and for this track settled on the 'Locrian mode' in C sharp scale. It has a very melancholic feel to it. Suffice to say, that suits my style very well.
The Pro 3 is really the main synth in this song, going from light and minimal to heavy. Peak is playing the lead lines.
If we are talking Roland drums, I usually gravitate to the 808 sounds, but actually the 909 kit works nicely for the IDM/Electronica sounds palette. Will definitely use more often!
Enjoy.
The main riffs in this track are made of two, very slow, four-note synths (Pro 3 and Digitone) accompanied by two six-note phrases (Peak and Digitone), both playing at different speeds. They are all in the scale of C Harmonic Minor, and when they rotate they create some lovely harmonies and inversions.
The breaks are all very short at only four notes long, with a triplet Kick and second note snare from the Syntakt, which are being heavily compressed and filtered through the OTO BOUM.
Finally, there is an acid line, with a count of five-notes, that creates that nice off kilter rhythm.
Bonus points if you can guess who the vocal sample is from… lol
Enjoy.
The main synths are being sequenced by ZOA, which is a 4 channel 'living midi' sequencer. It's running Aparillo, DRC, Copperhead and Animoog, which are all being bussed through Rymdigare.
The beats are from Drambo and Hammerhead, again, all being bussed through various effects - Replicant, Glitchcore and Koala FX.
The iPad has truly become a great device to make music on, largely thanks to the modular nature of AUM.
Enjoy.
Still trying to find my way with the Subharmonicon. It takes time and patience. But when it clicks, it really does sound great.
The Syntakt is so much more than I originally thought. It can do the standard sounds you would expect, but it also has a wild side. In this track I'm making use of the FX track to faux side-chain the kick/bass sound.
Finally, this was my first outing using the third tier which is 60hp of my favourite modules (Marbles, Beads, Data Bender and Pamela). I recently sold my larger case and kept this lineup.
Enjoy
I grew up in Bristol from the age of 11, and have always been surrounded by a really diverse music scene – a perfect place for a teenager who likes music.
There are several samples in this song from both Massive Attack and Reprazent, which have been reformed in the Digitakt and MPC. Additional sounds from Digitone, Pro 3 and Peak.
Enjoy.
A detuned session with lots of LFOs creating movement and texture.
Still getting to grips with the Subharmonicon, but so far loving the results.
The Peak really shines when it comes to creating big, lush, dirty pads. Yes it can sound very clean at times, but can quite easily sound quite filthy too. Love this synth.
Finally, can you hear Seb? This sample was from his stream through last Monday. Unfortunately his internet was playing up, and this noise was his guttural frustration – you tried your best my man, and thanks as always! 🙏
Enjoy
Also, this is the first jam with my new desk layout. Still needs some tweaking but so far it's a pleasure of a space to use.
The setup is relatively self generative. The Digitone is sequenced from Fugue Machine via the iPad, the Pro 3 from Mutable Instruments Marbles, and the Peak is running through Mutable Instruments Beads for the continuous textured loop, with the final stage passing through Data Bender.
Drums from Syntakt, on channels 1-8, are being processed by individual instances of Infiltrator. The Digitakt plays four additional drum samples and is also sequencing the Peak ‘midi loops’.
Getting this completed within 5 minutes was hard, but it flexed new musical muscles and taught me that music can be centred around layers, used in a way to create a foundation of texture.
Enjoy.
Congratulations to all – we are five years old. What an amazing group this is and I feel so lucky to be a part of it.
This is my 'festival' set for the three day stream though.
Good times.
The prompt was to write a piece of music inspired by the 'drop hammer', one of the machines used in the steel making process in the city of Sheffield.
The hammer could be heard all day and night and would ring out for miles through the surrounding areas. This sound was hugely influential on the electronic music which subsequently emerged from Sheffield, dating back over 50 years.
This track includes samples of the hammer itself, industrial background noises, and of course the opening from 'The New World Symphony' by Dvorak.
Overbridge was used to record each track of the Digitakt, while the Digitone is recorded directly through the inputs of the Digitakt. All making for a nice portable 'travel' setup while visiting my mum for the weekend.
I hope you enjoy.
Mono Station is on 'acid' duty and Digitone is playing an arp.
Enjoy.
Hardware Jams weekend submission.
All sounds are from the Sequential Pro 3, then sequenced in the Digitakt, with the first four tracks containing one sample each which have 16 drum hits - T1 Kicks, T2 snares, T3 hi-hats and T4 percussion.
Each set of 16 samples range from short, snappy and clean to drawn-out and overdriven. Then within the Digitakt, Slice mode was used to randomly select one of the 16 slots. When combined with parameter-locks and probability, this gave an organic, un-repeating glitch-style to the drums.
The ambient riff which comes in at about the 40 second mark is being played from the Pro 3 (it’s not a sample). This patch uses all of the LFO’s to keep the sound evolving; cutoff frequency, octaves, velocity, modulating modulators. While the sequencer is playing three paraphonic tracks, each in random mode producing unexpected chords.
I love this duo. It is simple yet very versatile. I can’t praise the Pro 3 enough, and I hardly know its depths yet.
Any questions feel free to ask.
Enjoy.
My remix started with a sampled loop from the modular synth (the first bar of this track), this formed the foundation, with all other elements written around it. I added another layer of random notes, again from the modular, then added drums, bass, guitar, keys, then finally took the vocal and chopped and played it in a sampler. Apart from the vocal and a pad, which comes in towards the middle, all sounds are from the Ableton, modular, Pro 3, Peak, Digitone.
A couple of tracks on the Syntakt are being post-effected in Live and run through the Microcosm pedal. Finally, all drums are being compressed and distorted through the BOUM pedal.
Special bonus point if you can identify the sample…
Gear used: Digitakt, Syntakt, Mono Station, Peak Microcosm and BOUM.
Enjoy :)
As spring arrives, there is a hopeful air of happiness to this tune.
There are eight samples from my river walk, from a trickling stream all the way to a waterfall, which have been precessed in Audiothing Noises - blended together from quietest to loudest, creating a amplitude gradient of river sounds.
The beats are from the Syntakt, then processed in Live using Beat Repeat, with an additional sample layered over from the MPC. Lofo pads are from the Peak, and the 303 from Digitone.
Enjoy.
Drums and timpani samples playing on MPC, all other sounds are from the Novation Peak and Elektron Digitone.
#HwJ weekend challenge.
Samples are from the amazing Audiothing Noises plugin, a synth demo of the Chroma Expander, and Jack Nicholson fooling about.
Enjoy.
Sample references
Noises plugin: youtu.be/Nh8QxkOAokw
Chroma Expander: youtu.be/-Ha1WhAb5NA
Jack Nicholson: youtu.be/8o-n6vZvqjQ
Now this was a fun weekend prompt from the Hardware Jams crew! The challenge was to make a lo-fi, saturated, dreamy track. This couldn't be more perfect is they tried.
I've been digging for samples like crazy these past few days to build up a palette of sounds for this one. The original samples used in this jam are from the following Youtube vids (timestamps included):
Dusty synth: youtu.be/18c52zKptso?t=22
Cajon drum: youtu.be/GPTY6l_PX5k?t=62
Armonica: youtu.be/cVqqNigImtU?t=1077
The rhythm that fades in at the start is a field recording captured whilst out walking, then resequenced in Koala app.
Other sounds are created/mangled in Ableton, plus Digitone and Peak
Enjoy.
A peaceful jam today. I've been listening to a lot of film and TV scores recently (Broadchurch, Humans…) and have been really inspired by the pure quality of production. If you haven't already, listen to Ōlafur Arnalds.
All samples on the MPC are recorded in live from Ableton, with accompanying sounds from Peak and Digitone.
It's been fun to start exploring a different genre of music.
I hope you enjoy.
A jam for the Hardware Jams weekend prompt – Choose an element.
With gold being the chosen element, I asked my daughter for a 'gold' sample. She was quite pleased to take part.
I previously owned an MPC, but felt it was too much like a DAW (nothing against DAWs), so I sold it. I've recently missed being able to have stereo, polyphonic samples in my setup, so got the MPC One. Still getting used to the workflow, and trying to keep the balance between this and my other synths – I don't want my setup to be too MPC-centric.
All samples were played live in Ableton, then exported to the MPC. Additional sounds are from the Syntakt, Digitone, and Peak.
Enjoy.
Dedicating this one to @cornishwavesmusic. We both share a love for BoC, which has been evident in a few of our jams this month. This one's for you, Paul 🙏.
This was a really fun track to make. It has several field recordings captured over the last few days; taking my kids to school, on the beach in Aberystwyth, and an odd but quite harmonic 'nnn' chant with everyone in my office that I managed to capture on my phone!!
There is a sample of a single orchestral string from the TV series Humans (put through a granuliser app on the iPad), and a breakbeat from KutMasta Kurt, The rest is the Peak, Syntakt and Digitone.
Enjoy.
Mid-week, late night ambient drone jam. Simple, evolving and like an epic alien spacecraft landing in my front room by the fireside. It was a nice way to spend an hour.
Plaits is droning into Beads, and Marbles is sequencing the wet granulised signal, which is then going to Data Bender. A mono signal is being siphoned into Arhbar, and finally everything goes through FXAid's Big Sky reverb.
Enjoy.


