Michael Watts
Heres a Greenfield G2 Fanfret for you!
updated
That said - the subject turned to scarcity of woods and the other guest opined that acoustic guitar would soon have to made with 4-piece tops as there simply wasn’t enough spruce in the world.
At the time I was sceptical about that but some 15 years later here we are with a new Taylor Builder’s Edition version of the 814ce that has a lid made with 4 chunks of Adirondack spruce.
I hope you enjoy the video. Let me know your thoughts in the comments. You can read my review here guitar.com/reviews/acoustic-guitar/the-big-review-taylor-builders-edition-814ce
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Michael
This guitar has caused quite a stir already - the photography alone made it onto Tony Polecastro’s show
And I hope you’ve enjoyed the demo videos I made
Here I am in conversation with Howard Feng himself where he describes his goal to recreate the sound and response of golden era guitars by Ervin Somogyi.
Strong stuff! Here we go!
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Michael
I couldn’t pass up the opportunity to play this piece during my visit to Maui - and on a beautiful all-koa instrument by Steve Grimes too!
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Michael
There were 12 strings, Fan frets, 10 strings, Crossovers, Sympathetic resonant strings And much more !
Thank you very much to all at Newark College
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Michael
This is Steve Grimes’ elegant Freehand model with its asymmetrical body, double cutaways and elliptical sound hole. What a thing!
Then there’s the sound - Huge, immediate and very musical. I love it and you can hear it in action right here!
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Michael
#hawaii #maui
Having trashed his hotel room so thoroughly in order to build our film set it seemed churlish to stop at just on video however and here is another performance on this impressive instrument
There will be in interview with Howard Feng too almost as soon as I have finished editing it.
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Michael
#ACOUSTICGUITAR #LONDON
Bonhams Head of Popular Culture Claire Tole-Moir introduces Peter Green’s Fender Custom Stratocaster, Gibson Howard Roberts Fusion III and Gretsch White Falcon as well as letting us take a look at the original lyrics to Man Of The World. Just astonishing!
Massive thanks to all at Bonhams for the invitation follow this link to see more about the auction bonhams.com/auction/29196/man-of-the-world-the-peter-green-collection/?page=2&gad=1&gclid=Cj0KCQjw4s-kBhDqARIsAN-ipH3BcHiEDZOKGlFLUpHPhRIGDHo8H2XDjOrSSDAHBN2u6WjyuowSRlcaAhe3EALw_wcB&gclsrc=aw.ds
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Michael
In this video I put it through its paces with my original composition Between Streets - I hope you enjoy it!
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Michael
Emma’s new album Aspirin Sun is out now - get involved!
emmatricca.bandcamp.com/album/aspirin-sun
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Michael
It was in for review and I took a moment to out it through its paces with some Lo-Fi Soul. I hope you enjoy it!
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Michael
Fast forward several years and Howard is now well entrenched with Ray Kraut (Ex Somogyi Apprentice) in Tucson Arizona and is building guitars full time for Ray. However, he has also started to make the fkrstinstruments under his own name.
Having completed his latest guitar, Howard invited me to play the very first notes on the instrument. How could I refuse?
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Michael
Fast forward several years and Howard is now well entrenched with Ray Kraut (Ex Somogyi Apprentice) in Tucson Arizona and is building guitars full time for Ray. However, he has also started to make the first instruments under his own name.
Having completed his latest guitar, Howard invited me to play the very first notes on the instrument. How could I refuse?
Here it is - there will be more to come
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Michael
This is a very modern and forward thinking archchtop - a lot more friendly to the finger style acoustic plays than other examples of the breed.
This particular guitar is fascinating due to Steve’s use of Hawaiian Koa on the back and sides rather than the traditional maple. It has a gorgeous sound - like all Steve’s guitars - and it was an absolute pleasure to play!
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Michael
#maui #hawaii #jazz
Fully equipped with a pair of Grimes Beamer model guitars (Braz for Garrett, Koa for me) we look at the history of this beautiful guitar style and Garrett introduces some of the techniques involved.
It was an absolute joy to learn about this new and exotic guitar language - Mahalo Garrett and thank you to you for watching!
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Michael
#HAWAII #MAUI #SLACKKEY
The time had come for me to get this guitar back into standard tuning but before I did I took some time to explore high strung guitar in DADGAD. This was the first time I had ever tried this and the results were really interesting.
I hope you enjoy the video!
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Michael
This is a proper Univibe style pedal with an internal light and everything.
It’s chewy as all get out and really allowed me to explore some delicious psychedelic textures on this new track Electric Eden.
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More info here https://www.greuteraudio.ch/en/
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Michael
NB - The top of this guitar is Sitka not Cedar - I obviously mis-heard!
This asymmetrical body with a 14-fret neck makes for a very beguiling instrument. I am not usually a big fan of 14-fret parlors but this one really got under my skin!
It was my first choice when I was invited to contribute some acoustic tracks to Steve Grimes’ next album - he’s an award-winning songwriter as well as one of the world’s finest luthiers after all!
I hope you enjoy this video shot in the Grimes Guitars workshop on Maui.
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Michael
Sold by Bonhams Popular Culture the instrument reached a price of £60,000 before commission
It was a privilege to visit Bonhams prior to the sale and see this beautiful instrument up close - thank you to the team at Bonhams Popular Culture for the invitation!
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Michael
#jeffbeck #fender
The Beamer is an amazing thing - it has a powerful and detailed voice - this example is made from Carpathian spruce and an astonishing set of Hawaiian Koa. Look at it!
As usual when confronted with an exquisite hand made instrument intended for a rich and nuanced musical form steeped in great cultural significance I put it in DADGAD and had an irreverently lovely time. The results are below - I hope you enjoy the video!
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Michael
#maui #hawaiianguitar #luthier
I hope you enjoy it.
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Michael
There is so much to talk about in this new series - I’m still formulating my thoughts but will have more episodes for you in the fullness of time.
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Michael
Bedtime Guitar Specs is a soothing exploration for enjoyers of the minutiae that make up the guitars we love so much. I look forward to sharing much more with you.
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Michael
I have started exploring vintage guitars, and in particular the sound of a vintage guitar with old strings on it. Many players I know swear by this approach. I have sworn at it. For years. But if we are to unlock the truth of the guitar then surely a deeper understanding is in order?
This performance on a 1932 Gibson L-1 represents the first little part of this series. I hope you enjoy it.
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Michael
I paired it here with my 2005 Fender USA Deluxe Player Telecaster and had some. I hope you enjoy it!
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Michael
Mine is one of the Love Pedal units and I like it a great deal. It goes very well with my Trussart Deluxe Steelcaster. This guitar, for the uninitiated, is made of steel with a maple neck and rosewood board.
I hope you like the video - thank you to everyone who got in touch to say they’d enjoyed this trek LO-FI SOUL - your support means a lot to me.
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Michael
And who better than Rosie herself to explain exactly why!
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Michael
This was a custom order for someone with impeccable taste in guitars - the short scale and 12-fret neck are testament to that.
In addition you have a moon spruce soundboard to make the most of the complexity and richness of the shifted bridge position.
What a beautiful guitar
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Michael
One variation on this theme is a frankly improbably accessory called the Livestrings H-Clamp which was made for a short time around 2006/7. It’s a mic stand for your guitar - but of course it is!
Is this wise? Well - take a look at the video and let me know your thoughts!
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Michael
Is it a Klon killer? Is it a glorified Tube Screamer or is it exactly the same circuit as a Timmy just in a brass box?
Well, I’m not sure about that but I do know that the Jan Ray has been one of my favourite pedals for a couple of years and I wanted to share some sounds with you.
I hope you enjoy it!
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Michael
If you missed you can watch the whole show here.
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Michael
In this interview Michael talks about the development of his design ethos, his love of the luthier community and what it stands for, his work with Fretboard Journal and demonstrates a marquetry technique that I believe he pioneered in the guitar world.
Finally you will join us for a behind the scenes look at a recording session in a log cabin high up in the Rocky Mountains of Colorado.
I hope you enjoy this video as much as I enjoyed making it
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Michael
For more information about Bashkin guitars bashkinguitars.com
Inspired by my mate @ambientlands who makes some very itchy stuff indeed.
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Michael
This recording session took place high up in the Rocky Mountains of Colorado in a beautiful wooden cabin free from modern fripperies such as electricity. We had three wonderful guitars with us and this is one of them.
I recorded a version of Rialto and Between Streets on each guitar - and the results are revealing - as ever I used a matched pair of Gefell M300 mics and no EQ, reverb or effects.
I have uploaded these as separate videos so you can arrange them any way you want in flurry of open tabs.
So here we go - three guitars - same top wood but pretty much every other variable has been covered with different body shapes, neck lengths, fan fret, finish what can we learn from this aside from the fact that Michael Bashkin makes superb guitars? Well - that’s up to the listener.
As you’ll find out, this was not an easy recording session at all but I hope you enjoy the results.
Like what I do? Tip me here michaelwattsguitar.com/tip-jars/4745
Until next time, stay tuned
Michael
This recording session took place high up in the Rocky Mountains of Colorado in a beautiful wooden cabin free from modern fripperies such as electricity. We had three wonderful guitars with us and this is one of them.
I recorded a version of Rialto and Between Streets on each guitar - and the results are revealing - as ever I used a matched pair of Gefell M300 mics and no EQ, reverb or effects.
I have uploaded these as separate videos so you can arrange them any way you want in flurry of open tabs.
So here we go - three guitars - same top wood but pretty much every other variable has been covered with different body shapes, neck lengths, fan fret, finish what can we learn from this aside from the fact that Michael Bashkin makes superb guitars? Well - that’s up to the listener.
As you’ll find out, this was not an easy recording session at all but I hope you enjoy the results.
Like what I do? Tip me here michaelwattsguitar.com/tip-jars/4745
Until next time, stay tuned
Michael
This recording session took place high up in the Rocky Mountains of Colorado in a beautiful wooden cabin free from modern fripperies such as electricity. We had three wonderful guitars with us and this is one of them.
I recorded a version of Rialto and Between Streets on each guitar - and the results are revealing - as ever I used a matched pair of Gefell M300 mics and no EQ, reverb or effects.
I have uploaded these as separate videos so you can arrange them any way you want in flurry of open tabs.
So here we go - three guitars - same top wood but pretty much every other variable has been covered with different body shapes, neck lengths, fan fret, finish what can we learn from this aside from the fact that Michael Bashkin makes superb guitars? Well - that’s up to the listener.
As you’ll find out, this was not an easy recording session at all but I hope you enjoy the results.
Like what I do? Tip me here michaelwattsguitar.com/tip-jars/4745
Until next time, stay tuned
Michael
This recording session took place high up in the Rocky Mountains of Colorado in a beautiful wooden cabin free from modern fripperies such as electricity. We had three wonderful guitars with us and this is one of them.
I recorded a version of Rialto and Between Streets on each guitar - and the results are revealing - as ever I used a matched pair of Gefell M300 mics and no EQ, reverb or effects.
I have uploaded these as separate videos so you can arrange them any way you want in flurry of open tabs.
So here we go - three guitars - same top wood but pretty much every other variable has been covered with different body shapes, neck lengths, fan fret, finish what can we learn from this aside from the fact that Michael Bashkin makes superb guitars? Well - that’s up to the listener.
As you’ll find out, this was not an easy recording session at all but I hope you enjoy the results.
Like what I do? Tip me here michaelwattsguitar.com/tip-jars/4745
Until next time, stay tuned
Michael
This recording session took place high up in the Rocky Mountains of Colorado in a beautiful wooden cabin free from modern fripperies such as electricity. We had three wonderful guitars with us and this is one of them.
I recorded a version of Rialto and Between Streets on each guitar - and the results are revealing - as ever I used a matched pair of Gefell M300 mics and no EQ, reverb or effects.
I have uploaded these as separate videos so you can arrange them any way you want in flurry of open tabs.
So here we go - three guitars - same top wood but pretty much every other variable has been covered with different body shapes, neck lengths, fan fret, finish what can we learn from this aside from the fact that Michael Bashkin makes superb guitars? Well - that’s up to the listener.
As you’ll find out, this was not an easy recording session at all but I hope you enjoy the results.
Like what I do? Tip me here michaelwattsguitar.com/tip-jars/4745
Until next time, stay tuned
Michael
This recording session took place high up in the Rocky Mountains of Colorado in a beautiful wooden cabin free from modern fripperies such as electricity. We had three wonderful guitars with us and this is one of them.
I recorded a version of Rialto and Between Streets on each guitar - and the results are revealing - as ever I used a matched pair of Gefell M300 mics and no EQ, reverb or effects.
I have uploaded these as separate videos so you can arrange them any way you want in flurry of open tabs.
So here we go - three guitars - same top wood but pretty much every other variable has been covered with different body shapes, neck lengths, fan fret, finish what can we learn from this aside from the fact that Michael Bashkin makes superb guitars? Well - that’s up to the listener.
As you’ll find out, this was not an easy recording session at all but I hope you enjoy the results.
Like what I do? Tip me here michaelwattsguitar.com/tip-jars/4745
Until next time, stay tuned
Michael
ELEVEN is a gorgeous new magazine by Eleanor Jane - one of the world's finest guitar photographers. It's print only and you deserve a copy. Be quick as it will soon sell out!
I hope you enjoy it. I wrote a full review for guitar.com guitar.com/review/acoustic-guitar/taylor-ad12e-sb-review
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Michael
In contrast to other episodes of Luthier Stories - this is a short-form interview. Think of it as a haiku - take note of every word Ken says because there is a lot to take in. This was filmed at the start of the Rocky Mountain Archtop Festival as everyone was getting set up and ready for the show. I was very happy to get the chance to get Ken Parker on tape for this one - I hope you enjoy it.
I hope you enjoy it!
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Michael
I recorded the guitar through my Cornford Hurricane using a UA OX Box which I have been very impressed with - lovely bit of kit.
You may be surprised at the results - I certainly was!
I hope you enjoy it!
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Michael
Linda’s influence runs deep throughout the guitar luthier community with many of her guitars proving to be milestones in the instruments evolution - in particular in the hands of Pat Metheny.
In this episode of Luthier Stories Linda shares her experiences of the working relationship with Pat Metheny which spans several decades and the creations of seminal instruments such as the Pikasso, the little Manzer and *that* baritone.
I hope you enjoy it!
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Michael
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Michael
I hope you enjoy it!
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Michael
After a long filming session I was left alone and unsupervised with this wonderful instrument that Kim had created as a custom order back in 1996. Quite frankly I have little recollection of what I played over the next few minutes - as such it came as something of a surprise to find full performances of four tracks when I sat down to edit the footage. Thank you very much Kim!
I hope you enjoy it!
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Michael
I hope you enjoy it!
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Michael
Episode 1 is out now and my guest is the wonderful Tony McManus fretboardjournal.com/podcasts/life-on-the-fretboard-podcast-tony-mcmanus
I hope you enjoy it!
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Michael


