A la via! - Street music from XIII to XVI cent - Ensemble Anonymous & Strada Musica Medievale ๐น 2026-09-19 | A la via! - Street music from XIII to XVI cent - Ensemble Anonymous & Strada
โ๐ฑ๐๐ฉ๐ฆ๐๐ซ ๐๐ฌ๐ซ๐ค๐ฉ๐ข๐ฒ๐ฏ๐ฐ - Murmur Mori, Medieval Music Live ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2023-01-01 | This is a little trailer with some moments from Murmur Mori's concert at the Sanctuary of the Saints Vittore and Corona, Anzรน di Feltre.The entire video is fully subtitled and available here: youtu.be/f-xGJmJorKkHope you enjoy it, happy new year to everyone!Mirko Virginio VolpeMUSICA MEDIEVALE๐ปโขSilvia Kuro: Chant, Drum, Tambourine, Bells, Portative OrganAlessandra Lazzarini: Transverse Flute, ChantMatteo Brusa: Drum, Darbouka, Bells, Citole, ChantMirko Virginio Volpe: Gittern, Hurdy Gurdy, Tambourine, Frame Drum, ChantMurmur Mori's research, instrumentation and musical works are all self-financed, any support is welcome. โกTo buy music and support ๐๐ฎ๐ซ๐ฆ๐ฎ๐ซ ๐๐จ๐ซ๐ข: http://murmurmori.com/en/shophttp://paypal.me/volpemirkoโข#murmurmori #musicamedievale #folk #medievalmusic #earlymusic #feltre #gittern #portativeorgan #medievalflute #italiamedievale #veneto #medievalfrescoes #affreschimedievali #jouglar #giullare #troubadour
๐๐ข๐๐ฐ๐ฑ ๐ฌ๐ฃ ๐๐ฌ๐ฌ๐ฉ๐ฐ - New London Consort, Philipp Pickett dir. ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-12-28 | Ensemble: New London Consort, Philipp Pickett dir.Album: The Feast of FoolsVideo: a selection of many images about donkeys from varius manuscripts from XIIth to XVth cent.http://www.facebook.com/musicamedievaleโขThe feast of the fools, also called the feast of the ass, was destined to honor the donkey that carried Jesus during his entry into Jerusalem. In these holidays, celebrated after Christmas, the altar boys and priests reversed their roles while conducting the rites. The practice was particularly widespread in Notre Dame in Paris and in many European churches; in Italy similar cases are witnessed as in a famous missal of 1200 from the cathedral of Padua. The basic scheme of this particular event was always the same: during vespers, when the verse in which God overthrows the powerful from their thrones and raises the humble was read, a great din exploded from the choir, obviously prepared. The minor orders and the altar boys then chased the priests from their chairs and took their place, while a young cleric flanked the bishop during the rest of the rite assuming the role of pope of fools, bishop of fools or abbot of fools. At the end of the service he received the same honors as the real prelate, and his chaplain was to pronounce a blessing that comprehend: liver disease, a banquet of forgiveness, twenty banquets of toothache and two ringworms under the chin.Young people caught in bed on the day of the Innocents (December 28) received slaps on the back. In various cities the canons, clergymen and sometimes seculars were caught in their bed in the morning and, in a state of complete nakedness, led through the streets, into churches and onto the altar where they were mocked. Even the clergymen actively participated with jokes during the day of the Innocents walking naked through the city or exhibiting men, naked, in the theaters. Biblical scenes were represented in these periods of the year and with the passage of time these theatrical performances reached a point where some saints were even attributed a fixed characteristic; St. Peter was the most funny, St. Thomas was the incredulous and so on. The years passed and the holidays became more and more extreme and profane. Although their initial peaceful acceptance was testified by their inclusion in liturgical missals, in the following centuries these feasts and theatrical performances were limited and in 31 December 1519 the feast was gradually banned by the religious and civil authorities. From the ancient Roman saturnalia to the feasts of medieval fools and, if we consider that the first to use the term "carnival" was the jester Matazone da Caligano at the end of the 13th century, we could assume that reminiscences of these feasts are up to us. A need for madness, for evasion from the so-called normality, which by changing and adapting has managed to overcome Time and law.I wish you happy listening!Mirko Virginio VolpeMUSICA MEDIEVALEPS: This is another recording about this celebration: youtu.be/OjgIU6_4ePcIt's my favourite, I uploaded it two years ago.โขFirst Vespers 1 Lux Hodie2 Orientis Partibus Conductus Ad Tabulam3 Veni Doctor Previe4 Hec Est Clara DiesMusic From The Office 5 Festa Januaria6 Verbum Patris Humanatur7 Salvatoris Hodie PerotinThe Drinking Bout In The Cathedral Porch 8 Kalendas IanuariusMass Of The Asses, Drunkards And Gamblers 9 Dies Festa Colitur10 Kyrie Asini11 Lux Optata Claruit12 Gambler's Prayer/Malediction13 Orientis Partibus Conductus Subdiaconi Ad Epistolam14 Graduale Bachi15 Sequentia: Vinum Bonum16 Quantus Bachi17 Hunc Diem/Ite Missa Est/Deo Gratias18 Tityri Tu PatuleMusic From The Office 19 Hac In Die Salutari20 Procedenti Puero21 Notem Fecit Dominus22 Verbum Patris HodieSecond Vespers - The Ceremony Of The Baculus 23 Deus In Adjutorium24 Magnificat25 Anni Novi Novitas26 Baculi Sollempnia27 Gregis Pastor Tityrus28 Tityri Tu Patule Conductus Ad PoculumThe Banquet 29 Novus Annus Dies Magnus30 Hac In Anni JanuaProcessional 31 Verbum CaroโขPhilip Pickett: symphony, recorder, shawm, dir.Catherine Bott, Tessa Bonner, Catherine King, Julia Gooding, Olive Simpson, Jacqueline Barron, Ana Maria Rincon, Jenovera Williams: sopranoKristine Szulik: altoJohn Mark Ainsley: tenor Michael George, Stephen Charlesworth, Robert Evans: baritoneSimon Grant: bassPaula Chateauneuf: lute, gitternTom Finucane: gitternPavlo Beznosiuk, Mark Levy: gittern, fiddleWilliam Lyons: recorder, shawmPaul Nieman: trumpetDavid Roblou: organStephen Henderson: bells, nakers, taborโขBuy: cutt.ly/r08OYEm๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#earlymusic #musicamedievale #fetedelane #medieval #feastoffools #medievalmusic #newlondonconsort #donkey #medievaltraditions #medievalchristmas #medievalholidays
๐๐ฒ๐ฉ๐ข โ๐ฆ๐ก๐ฆ๐ซ๐ค - The York Waits & Deborah Catterall ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-12-25 | Ensemble: The York Waits & Deborah CatterallAlbum: Yule RidingVideo: Egerton MS. 1147 (XVI secolo)http://www.facebook.com/musicamedievaleโขAs written on the official York Waits website: "The disc takes its name from a riotous Christmas celebration that took place in York before it was banned by a Puritan Archbishop in the 1570s. The recording begins dramatically with the ancient Yoole-girthol proclamation which welcomed "beggars, whores, thieves and dice players" to the city during the Twelve Days of Yule."This is the last video about Christmas for this year! But don't worry, in the next few days there will be a new upload about the medieval music for the end of year!Merry holidays to You allMirko Virginio VolpeMUSICA MEDIEVALEโข1 Yule Horn And Yoole-girthol Proclamation2 Proface! Welcome!3 Gabriel, Fram Heven King4 As I Rode Out This Enderes Night5 Lully, Lulla, Thow Little Tyne Child (The Coventry Carol)6 Green Groweth The Hollie7 Parvulus Nobis Nascitur8 Ic Hoerde De Clockskins Luden9 Joesph, Lieber10 Christum Wir Sollen11 In Dulci Jubilo12 En! Natus Est Emanuel13 Psallite Unigenito14 O'Heyligh Saligh Bethlehem15 Le Triste Etat De Cette Pauvre Etable16 Picardy17 Chantons Je Vous En Prie18 El Noi De La Mare19 El Desembre Congelat20 Verbum Cara Factum Est21 Quando Nascette22 Chesnut23 Hollis Berrie24 Now Winter Nights Enlarge25 Christemas Hath Made An End26 Gaudete, Christus Est NatusโขBuy: cutt.ly/s01EhCL๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#earlymusic #musicamedievale #christmas #medieval #noel #medievalmusic #theyorkwaits #noรซl
๐๐ฌ๐ด ๐๐๐จ๐ข ๐๐ข ๐๐ข๐ฏ๐ฑ๐ฅ๐ข - Purcell Consort, Grayston Burgess dir. ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-12-16 | Ensemble: Purcell Consort, Grayston Burgess dir.Album: Now Make We MertheVideo: Horae Johannae Reginae Navarrae (XIV secolo)http://www.facebook.com/musicamedievaleโขGrayston Burgess was born in Kent in 1932. He was one of the great pioneers of early music research. During the Second World War he was a chorister in the choir at Canterbury Cathedral. With the end of the war he began attending Cheltenham College, won a scholarship and began singing in the choir of King's College, Cambridge. In 1963 he formed the Purcell Consort of Voices. He sang with Thomas Binkley's "Studio der frรผhen Musik" and with Michael Morrow and John Beckett's "Musica Reservata" ensemble."Now Make We Merthe" is a 1964 album about English carols and early Christmas music.I wish you happy listening!Mirko Virginio VolpeMUSICA MEDIEVALEโข1 Lux Hodie: Orientis Partibus (13th Century)2 Resonemus Laudibus (14th Century)3 Verbum Caro: In Hoc Anni Circulo (15th Century)4 Fines Amouretes (13th Century)5 Verbum Partris Hodie (12th Century)6 Lullay, Lullow: I Saw A Sweete (14th Century)7 Fulget Hodie De L'Espine (14th Century)8 Now Make We Merthe: Now God Almighty (15th Century)9 Noe, Noe, Noe, Psallite (1519) - Jean Mouton10 Nowell The: Borys Hede (15th Century)11 Pray For Us: In This Valey (15th Century)12 Verbum Patris Humanatur (12th Century)13 Conditor Fut Le Non-Pareil (1520)14 Nova, Nova: Gabriell Off Hye Degre (15th Century)15 Nowell: Dieus Vos Garde (Mid-15th Century) - Richard Smert16 Riu, Riu, Chiu: El Lobo Rabioso (1556)17 Verbum Caro: Dies Est Laetitiae (14th Century)18 Joseph, Lieber Joseph Mein (1544) - Johann WaltherโขBaritone Vocals - Geoffrey ShawBass Vocals - Christopher KeyteTenor Vocals - Ian Partridge, John ButtreyTreble Vocals - Paul Copcutt, Stephen BortonCountertenor Vocals - Grayston BurgessChoir - Boys Of All Saints, Margaret Street, Chorus Master: Michael FlemmingBagpipes - Lance-Sergeant PirrieHarp - Osian EllisHeckelphone - James MacGillivrayLute - Robert SpencerOboe - Michael DobsonOrgan - Simon PrestonPsaltery - Joan RimmerBrass - London Brass EnsembleConductor - Grayston BurgessโขBuy: cutt.ly/10QMRBl๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#earlymusic #musicamedievale #christmas #medieval #noel #medievalmusic #greystonburgess #purcellconsort
๐๐ฌ๐ขฬ๐ฉ, A Medieval Christmas - Pro Cantione Antiqua & Mediaeval Wind Ensemble, Mark Brown dir. ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-12-11 | Ensemble: Pro Cantione Antiqua & Mediaeval Wind Ensemble, Mark Brown dir.Album: A Medieval ChristmasVideo: Book of Hours, Use of Rome (the 'Golf Book' c 1540)http://www.facebook.com/musicamedievaleโขThis is the second Christmas themed video of this 2022. Christmas celebrations were very heartfelt in the so-called Middle Ages, most of the traditions still present in our western society were born right in the medieval centuries, it's no wonder then that there are enough songs on the theme of the nativity of Christ.The concept of Christmas was born around the 5th century AD. by Pope Leo I with the intention of replacing the pagan rites of the Saturnalia, celebrations dedicated to Saturn and to Nature falling asleep during Winter; and of Sol Invictus or the Invincible Sun, which was reborn at the end of the Winter Solstice, on December 25, a period in which the days begin to lengthen in the planet's northern hemisphere, thus confirming the Sun's reaffirmation over the world.Leo I in his Christmas sermons states that the "True Sun" is Christ, which is why December 25th becomes the day in which his birth is celebrated which illuminates the world after the long period of darkness.Leo I in the fifth century enriches the symbolic imagery of the nativity that is still part of our society today: the ox and the donkey in the stall would represent the pagans and the Jewish people respectively. Subsequently, in the seventh century, the stable present in the Gospels of Luke and Matthew was replaced by the freezing cave present in the Proto-Gospel of James, and this cave is associated with a symbolic prediction of the hardness of life that Jesus will have to face.All these elements, in the twelfth century, will be taken by St. Francis to represent the birth of Jesus to the people through the nativity scene of Greccio.The music presented here is born from the collaboration of two ensembles: Pro Cantione Antiqua & Mediaeval Wind Ensemble.The first pressing of this album dates back to 1986, the pieces performed go from the 12th to the 15th century and almost all concern the theme of the nativity (Mark Brown, artistic director, has also decided to include some instrumental dances that are well suited to the holidays). For the video instead I have selected some winter and Christmas images from the beautiful "Golf Book" of 1540.I wish you good listening.Mirko Virginio VolpeMUSICA MEDIEVALEโข1 Ductia (English, 13th Century)2 Alle Psallite (German, 13th Century)3 Portugaler (French,14th/15th Century)4 Angelus Ad Virginem (English, 13th/14th Century)5 Introitus: Puer Natus Est Nobis6 In Seculum Breve (French, 13th Century)7 Orientis Partibus (French, 13th Century)8 Ductia (English, 13th Century)9 Verbum Patris (French, 12th Century)10 E Semine Rosa (French,12th/13th Century)11 Alleluia Psallat (English, 13th/14th Century)12 Thys Yol (English, 14th/15th Century)13 Edi Beo Thu (English, 13th Century)14 Ecce Quod Natura (English,15th Century)15 Nova, Nova (English,15th Century)16 Goday My Lord Syre Cristemasse (English,15th Century)17 Danse Real (French,13th Century)18 Beata Viscera (French,12th/13th Century)19 Graduale: Viderunt Omnea20 Virgo (French,13th Century)21 Beata Viscera (English,13th Century)22 Offertorium: Tui Sunt Coeli23 Communio: Viderunt Omnes24 Quene Note (English,14th/15th Century)25 A Sollis Ortus (French,15th Century)26 Hymnus: Aeterna Christi Munera27 Tard Il Mio Cor (English,15th Century)28 Ther Ys No Rose (English,15th Century)29 Nowel, Synge We Both Al And Som (English,15th Century)30 Nowel, Owt Of Your Slepe (English,15th Century)31 Hayl Mary (English,15th Century)32 Synge We To This Mery Cumpane (English,15th Century)โขBass Vocals - Brian Etheridge, Michael GeorgeTenor Vocals - Ian Partridge, James Griffett, Neil Jenkins Countertenor Vocals - Charles Brett, Timothy PenroseTimbrel, Tabor - Mark BrownRecorder, Bombarde, Bagpipes, Dulcian - Peter DaviesRecorder, Shawm, Sackbut, Dulcian - Andrew Van Der BeekRecorder, Shawm, Dulcian - Jonathan MorganConductor - Mark BrownโขโขBuy: cutt.ly/H0afNgq๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#earlymusic #musicamedievale #christmas #medieval #noel #medievalmusic #procantioneantiqua #mediaevalwindensemble
๐๐ฅ๐ถ๐ฐ ๐๐ฌ๐ฌ๐ฉ - A medieval Christmas, Martin Best Mediaeval Ensemble ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-12-04 | Ensemble: Martin Best Mediaeval EnsembleAlbum: Thys Yool - A Medieval ChristmasVideo: Horae ad usum romanun (XV secolo)http://www.facebook.com/musicamedievaleโขDecember has started, as I said before for this month I will only release music about the Christmas festivities, obviously very popular in the Middle Ages. Most of the traditions still present in our western society were born right in the medieval centuries, it's no wonder then that there are enough songs on the theme of the nativity of Christ.The concept of Christmas was born around the 5th century AD. by Pope Leo I with the intention of replacing the pagan rites of the Saturnalia, celebrations dedicated to Saturn and to Nature falling asleep during Winter; and of Sol Invictus or the Invincible Sun, which was reborn at the end of the Winter Solstice, on December 25, a period in which the days begin to lengthen in the planet's northern hemisphere, thus confirming the Sun's reaffirmation over the world.Leo I in his Christmas sermons states that the "True Sun" is Christ, which is why December 25th becomes the day in which his birth is celebrated which illuminates the world after the long period of darkness.Leo I in the fifth century enriches the symbolic imagery of the nativity that is still part of our society today: the ox and the donkey in the stall would represent the pagans and the Jewish people respectively. Subsequently, in the seventh century, the stable present in the Gospels of Luke and Matthew was replaced by the freezing cave present in the Proto-Gospel of James, and this cave is associated with a symbolic prediction of the hardness of life that Jesus will have to face.All these elements, in the twelfth century, will be taken by St. Francis to represent the birth of Jesus to the people through the nativity scene of Greccio.This is the first video: "Thys Yool - A Medieval Christmas by Martin Best Mediaeval Ensemble".Martin Best, born in 1942, has been dealing with early music since the 1970s. I refer to his Wikipedia page for those wishing to learn more: cutt.ly/Y1ZHKR9. In his productions he always maintains a very folk approach, in this album music and lyrics about Christmas from various European territories are interpreted.I wish you a good listening.Mirko Virginio VolpeMUSICA MEDIEVALEโข1 Personent Hodie2 Judas And Wenceslas3 Hyer Matin4 Miri It Is5 Man Mei Longe6 Thys Yool7 Tapster, Drynker8 Ja Pour Hyver9 Gabriel From Heven-King10 Chester Nun's Song11 Hail Mary Full Of Grace12 As I Lay On Yoolis Night13 Edi Be Thu14 Perperit Virgo15 O Virgo Splendens16 Loor De Santa Maria17 Polorum Regina18 Mariam Matrem19 I Pray You All20 Ther Is No Rose21 Caligo Terrae Scinditur22 Princeps Pacis23 Mors VitaeโขMartin Best: voice, lute, psaltery Lucie Skeaping: voice, rebecs, fiddle David Corkhill: dulcimer, drums, bellsJeremy Barlow: pipes, recorders, fluteDonna Dean: sopranoKristine Szulik: altoAngus Smith: tenorโขBuy: cutt.ly/T1ZW2Gf๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#earlymusic #musicamedievale #christmas #medieval #noel #medievalmusic #martinbest #medievalchristmas
๐๐ฌ๐ฅ๐ซ ๐๐ฒ๐ซ๐ฐ๐ฑ๐๐๐ฉ๐ข, โญ๐๐ฑ๐ฅ๐ข๐ก๐ฏ๐๐ฉ ๐๐ฌ๐ฒ๐ซ๐ก๐ฐ - Sacred music of the late English Gothic, Clemencic Consort ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-11-19 | Ensemble: Clemencic ConsortAlbum: John Dunstable, Cathedral Sounds - Sacred music of the late English GothicVideo: A selection of images of English Cathedralshttp://www.facebook.com/musicamedievaleโขJohn Dunstable, "an astrologian, a mathematician, a musician and what not", was born around 1390 in England and died on 24th December 1453 in London. "On the eve of Christ's birth this star rose up into Heaven". This is about all that is know of Dunstable, one of the very great, one of the most important western composers. The religious polyphony if the late Gothic period must number among the most significant demostrations of the human mind. Its resounding "cathedrals" of sound bear very comparison with architectural achievements, with the Egiptyan pyramids and the Greek temples. Maybe this will again generally acknowledged some day. It is the music of the stars proportionated by cosmic laws. Many musicians and musicologists of that era were also mathematicians and astronomers just as Dunstable. Without Dunstable, and the contemporary English school of "contenange angloise" wich he wholly embodies, one cannot imagine the later existence of so-called Dutch of Franco-Flemish polyphony, the basis of our classical polyphony. The significance of this English musical style was recognised on the continent as early as the 1440's. Its most important characteristics are full, harmonic richness of sound and cantabile melody. These are phenomena which point to a new era, away from the more horizontal lines of the Middle Ages. Vertical sound blocks were considered the necessary product of polyphonic strands rather than autonomous sound phenomena in their own right. The English style, as also found in selected folk-music traditions, seems to have traditionally diverged somewhat. Dunstable's extraordinary skill was so convincing that the continental polyphonist merged the peculiarities of the "contenance angloise" with their own style. The music strives towards panconsonant polyphony, dissonance (other than simple melodic ornament) is generally introduced with care. [...]Renรฉ Clemencic. Here is an excerpt from the libretto of this wonderful work by Clemencic dedicated to Dunstable. Regarding the video, I have selected some images of beautiful cathedrals in Great Britain. Have a good listening!Mirko Virginio VolpeMusica Medievaleโข1 Kyrie2 Gloria3 Salve Regina4 Sub Tuam Protectionem I5 Ave Regina Celorum6 Sanctus7 Sub Tuam Protectionem II8 Magnificat9 Beata Dei Genitrix10 Et Propter Hoc11 Regina Celi LetareโขBuy: cutt.ly/VMHQRDs๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#earlymusic #musicamedievale #johndunstable #medievalmusic #england #medieval #reneclemencic #clemencicconsort
๐๐๐ฏ๐ฆ๐ฐ - Medieval Paris, the music of the city Praetorius & Purcell Consort dir. Ball - Burgess ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-10-30 | Ensemble: Praetorius Consort, Christopher Ball - Purcell Consort, Grayston BurgessAlbum: Medieval Paris, music of the cityVideo: Adam de la Halle, Chansonnier et mรฉlangeslittรฉraires XIIIe s. - XIVe s.http://www.facebook.com/musicamedievaleโข1 De Cueur Pensieu - Adam De La Halle2 Chanรงonnette - Anonymous3 Amours, Cent Mille Merciz - Jehannot De L'Escurel4 Hocquet - Anonymous5 Dieus! Qui Porroit - Anonymous6 Danse Real - Anonymous7 Ave, Virgo Regia - Anonymous8 Quant Je Voi Yver Retorner - Colin Muset9 En Mai, Quant Rosier - Adam De La Halle10 Ductia - Anonymous12 O Maria, Virgo - Anonymous13 Quant Voi L'Aloete - Anonymous14 Alleluya - Pรฉrotin15 Un Hocquet - Anonymous16 Amours Dont Je Sui Espris - Anonymous17 Estampie Royal - Anonymous18 S'Amours Eust Point De Poer - Pierre De La Croix19 Veris Ad Imperia - AnonymousโขConductor Praetorius Consort - Christopher BallConductor Purcell Consort - Grayston BurgessโขBuy: cutt.ly/dNmKH2Y๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#medievalmusic #earlymusic #musicamedievale #paris #christopherball #graystoneburgess #purcellconsort #praetoriusconsort #adamdelahalle #perotin #colinmuset
โญ๐ฌ๐ก๐ข๐ต โญ๐๐ฉ๐ฆ๐ต๐ฑ๐ฆ๐ซ๐ฒ๐ฐ - Ensemble Venance Fortunat, Anne-Marie Deschamps ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-10-23 | Ensemble: Venance Fortunat, dir. Anne-Marie DeschampsAlbum: Codex CalixtinusVideo: Codex Calixtinus (XIII secolo)http://www.facebook.com/musicamedievaleโขToday would have been the birthday of Anne-Marie Deschamps (23-10-1933 / 15-09-2022) unfortunately recently passed away. She was interpreter of medieval music, singer, musicologist, pedagogue and French composer. In 1974 she founded the Venance Fortunat ensemble, the first French a cappella vocal group specializing in medieval music. The sung repertoire of the ensemble is mainly that of sacred music, with a particular focus on a few manuscripts that are little or not studied: the Codex Calixtinus, the Codex Ivrea, the Codex of Apt, the Graduel de Bellelay.The Codex Calixtinus, Liber Sancti Jacobi or the Book of Saint James, is an important manuscript from the 12th-century. It was intended to be an in-depth anthology with advice for pilgrims following the Camino de Santiago to the shrine of the apostle Saint James the Great, located in the cathedral of Santiago de Compostela, Galicia (Spain). The collection includes sermons, reports of miracles and liturgical texts associated with Saint James, and a set of polyphonic musical pieces. In it are also found descriptions of the route, works of art to be seen along the way, and the customs of the local people. Have a good listening, Mirko Virginio VolpeMusica MedievaleโขMore info about the Codex Calixtinus: en.wikipedia.org/wiki/Codex_Calixtinusโข1 Ultreia2 Kyrie Cunctipotens Genitor - 1st Trope: Brother Tuotilo of St Gall - 3rd Trope: Gauthier of Chรขteau-Renault3 Regi Perennis Glorie - Gauthier of Chรขteau-Renault - Anonymous Doctor From Galicia4 Ad Honorem Regi Summi - Aimery Picaud5 Misit Herodes - Aton of Troyes6 Kyrie Rex Immense - Fulbert of Chartres7 Alleluia Vocavit Jesu - Gosselin of Soissons8 Portum In Ultimo - Aton of Troyes9 O Adjutor - Organum Melismata Attributed To Aton of Troyes10 Ad Superni - Master Albert, Archbishop of Bourges11 Nostra Phalanx Aton of Troyes12 Vox Nostra Resonet - Juan Legalis13 Benedicamus Domino I - Droard of Troyes14 Benedicamus Domino II - Droard of Troyes15 Benedicamus Domino III - Gauthier of Chรขteau-Renault16 Congaudeant - Master Albert of ParisโขBaritone Vocals - Gabriel LacascadeBass Vocals - Antoine Sicot, Philippe KahnMezzo-soprano Vocals - Franรงoise LevySoprano Vocals - Catherine Petit-Heugel, Dominique ThibaudatTenor Vocals - Bruno BoterfDirected By, Soprano Vocals - Anne-Marie DeschampsโขBuy: cutt.ly/wNwk4lN๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #medievalmusic #venancefortunat #codexcalixtinus #medievalpilgrim #santiagodecompostela #caminodesantiago #earlymusic
๐๐ฌ๐ฆ๐ฐ๐ฐ๐๐ซ๐ ๐ข ๐ก๐๐ช๐ฌ๐ฒ๐ฏ๐ฐ - mystics, monks and minstrels in 13th-century Brabant - graindelavoix ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-09-24 | Ensemble: graindelavoix, Bjรถrn Schmelzer dir.Album: Poissance d'Amours mystics, monks and minstrels in 13th-century BrabantVideo: De Natura Rerum, 1280 circa - Thomas de Cantimpreฬ, Albert le Grandhttp://www.facebook.com/musicamedievaleโข01 O Ecclesia - Hildegard von Bingen02 Fuit in Bruxella quidam adolescens - Goswin de Bossutplainchant from Villers Abbey03 Gaude Mater ecclesia - Goswin de Bossutplainchant from Villers Abbey04 Ay, in welken soe verbaert die tijt - Hadewijch van Brabant05 Men mach den nuwen tijt - Hadewijch van Brabant06 Amors m'est u cuer entree - Henri III de Brabant07 Se kascuns del monde savoit - Henri III de Brabant08 Chose Tassin I - Tassin09 N'est pas saiges ki mi torne a folie - Carasaus10 Amours dont je sui espris/L'autrier au douz mois d'avril/Chose Tassin I - Anonymous11 Biau Gillebert, dites, s'il vos agree - Henri III de BrabantGillebert de Berneville12 Instrumental piece - Anonymous13 De chanter me vient talens/Bien doi boine Amor/Chose Tassin II - Anonymous14 L'autrier estoie montez - Henri III de Brabant15 Entre Jehan et Philippet/Nus hom ne puet desiervir/Chose Tassin III - Anonymous16 Chose Tassin III - Tassin17 Quant voi le felon tens finรฉ - Perrin d'Angicourt18 Je ne cuidai mes chanter - Jehan Erart19 Propter nimiam caritatem suam - Plainchant from Nazareth Abbey20 Exaltent nomen Domini - Goswin de Bossutplainchant from Villers Abbey21 Gaude Maria filia Syon - Goswin de Bossutplainchant from Villers Abbey22 Het sal die tijd ons naken sciere - Hadewijch van BrabantโขVoices: Patrizia Hardt, Silvie Moors, Yves Van Handenhove, Lieven Gouwy, Paul De Troyer, Thomas Vanelde, Bart Meynckens, Bjรถrn SchmelzerGuiterne, Lute: Jan Van OutryveFiddles: Thomas BaetรฉLute, Guiterne: Floris De RyckerBjรถrn Schmelzer dir.โขBuy: cutt.ly/oVQtOtD๐ป Channel monetization is turned off. Every possible spot is by YouTube and the proceeds go directly to the artists or labels. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #earlymusic #graindelavoix #earlymusic #brabant ย #medievalmusic #dererumnatura #hildegardvonbingen
๐๐ฒ๐ฐ๐ฆ๐ ๐ โ๐๐ข๐ฏ๐ฆ๐ ๐ - vol. I & II - Studio der Frรผhen Musik - Thomas Binkley, Andrea von Ramm ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-09-13 | Ensemble: Studio der Frรผhen Musik, dir. Thomas BinkleyAlbum: Musica Iberica vol. I & IIVideo: Walters Ms. W.420, Almugavar Hours Spagna - 1510 circahttp://www.facebook.com/musicamedievaleโขHere is another great work by Thomas Binkley and his Studio der Fruhen Musik, this time on the early music of Spain, Portugal and Basque Country.Yes, I know that only volume I is about medieval music, but I think that sacrificing this wonderful work just for a matter of dates is a real offense to this album and to our intelligence. I'm sure you'll agree with me, especially after listening.I wish you good listening.Mirko Virginio VolpeMusica Medievaleโข๐๐ฎ๐ฌ๐ข๐๐ ๐๐๐๐ซ๐ข๐๐ ๐ โข ๐๐จ๐ง๐จ๐๐ข๐ ๐๐ ๐ฅ๐จ๐ฌ ๐ฌ๐ข๐ ๐ฅ๐จ๐ฌ ๐๐๐ ๐ฒ ๐๐๐๐1 Anon., Canciรณn trovaresca, Bibliotheca Nacional de Madrid MS 105/A113: Quant ay lo mรณn consiratAlfonso el Sabio (attr.), Escurial MS: Cantigas de Santa Maria2 Cantiga 11/421: Nembre-sse-te, Madre de Deus, Maria3 Cantiga 4: A Madre do que livrou โข ๐๐จ๐ฅ๐ข๐๐จ๐ง๐ข๐ ๐๐๐ฅ ๐๐ข๐ ๐ฅ๐จ ๐๐๐๐Anon., XIIIth c., Las Huelgas MS:4 Trope: Benedicamus - Catholicorum concio5 Motet-Conductus: Ex illustri nata prosapia6 Motet: Salve Virgo - Ave gloriosaโข ๐๐ข๐ฅ๐ฅ๐๐ง๐๐ข๐๐จ๐ฌ ๐๐ ๐ ๐ข๐ง๐๐ฌ ๐๐๐ฅ ๐๐ข๐ ๐ฅ๐จ ๐๐Juan Cornago, Bibliotheca del Palacio Real de Madrid:7 Seรฑora qual soy venido8 Gentil dama9 Pues que DiosJuan Urreda, Bibliotheca del Palacio Real de Madrid:10 De vos i de mi11 Muy triste serรก mi vida12 Nunca fue pena mayorโข ๐๐ฎ๐ฌ๐ข๐๐ ๐๐๐๐ซ๐ข๐๐ ๐๐ โขโข ๐๐๐ฌ๐ช๐ฎ๐ ๐๐จ๐ง๐ ๐ฌ ๐๐ซ๐จ๐ฆ ๐๐๐๐Anon.,1 Jancu jantoAlonso:2 La tricoteaโข ๐๐ฎ๐๐ง ๐๐๐ฅ ๐๐ง๐๐ข๐ง๐Juan del Encina:3 Ay triste que vengo4 Si abrรก en este baldrรฉs5 Que'es de ti?6 Levanta Pascualโข ๐๐จ๐ฆ๐๐ง๐๐๐ฌ ๐๐ง๐ ๐๐จ๐ง๐ ๐ฌDon Luis Milan:7 Sospirastes BaldovinusDiego Ortiz:8 Recercada: No 1Alonso Mudarra:9 Claros y frescos riosAnon.:10 Claros y frescos riosDiego Ortiz:11 Recercada: No 2โข ๐๐จ๐ซ๐ญ๐ฎ๐ ๐ฎ๐๐ฌ๐ ๐๐จ๐ง๐ ๐ฌAnon., Portugal:12 Ja nรฃo podes13 Toda noite14 Porque me nรฃo ves, Joannaโข ๐๐จ๐ฆ๐๐ง๐๐๐ฌ ๐๐ง๐ ๐๐จ๐ง๐ ๐ฌAlonso Mudarra:15 Tiento16 Triste estaba el rey David17 Si me llamanDiego Ortiz:18 Recercada: No 3Juan Vasquez:19 Si me llaman โข ๐๐๐ฅ๐ข๐ ๐ข๐จ๐ฎ๐ฌ ๐๐จ๐ง๐ ๐ฌAnon.:20 Al Niรฑo21 Soberana MariaโขPerformers vol I: Andrea von Ramm (mezzo-soprano), Willard Cobb (tenor), Sterling Jones (lyra, vielle, rebec), Thomas Binkley (lute, sackbut, percussion) Neil Jenkins (tenor), Karl-Heinz Klein (baritone), Robert Eliscu (shawm), David Fallows (guitarra morrisca), Johannes Fink (vielle). Performers vol II: Andrea von Ramm (mezzo-soprano, crumhorn, organetto, dulรงaina), Willard Cobb (tenor), Sterling Jones (lyra, vielle, rebec, crumhorn, viol, dulรงaina), Thomas Binkley (lute, sackbut, percussion, vihuela de mano, crumhorn, dulรงaina, bell) Neil Jenkins (tenor), Karl-Heinz Klein (baritone), Robert Eliscu (shawm), David Fallows (guitarra morrisca, crumhorn, dulรงaina), Johannes Fink (vielle, viol), Jame Tyler (cittern), Craig Wilson (lute).โขBuy: cutt.ly/bCV6MTG๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #studioderfrรผhenmusik #thomasbinkley #earlymusic #medievalmusic #medievalspain #medievalportugal #andreavonramm
โ๐ฆ๐ฉ๐ก๐ข๐ค๐๐ฏ๐ก ๐ณ๐ฌ๐ซ ๐ ๐ฆ๐ซ๐ค๐ข๐ซ, and the music of her time - Ensemble Fรผr Frรผhe Musik Augsburg ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-08-27 | Ensemble: Ensemble Fรผr Frรผhe Musik AugsburgAlbum: Hildegard von Bingen Und Ihre Zeit (Hildegard von Bingen And Her Time)Video: Psalterium Cantuariense (XII/XIII secolo) http://www.facebook.com/musicamedievaleโข1 O Magne Pater - Hildegard von Bingen2 O Aeterne Deus - Hildegard von Bingen3 Ave, Generosa, Gloriosa Et Intacta Puella - Hildegard von Bingen4 O Frondens Virga - Hildegard von Bingen5 Planctus David Super Saul Et Ionatha - Petrus Abaelardus6 O Felix Anima - Hildegard von Bingen7 Ave, Maria, O Auctrix Vitae - Hildegard von Bingen8 O Quanta Qualia - Petrus Abaelardus9 Promat Chorus Hodie - Aquitanien (12th cent.) Anonym10 Annus Novus In Gaudio - Aquitanien (12th cent.) Anonym11 Fulget Dies Celebris - Aquitanien (12th cent.) Anonym12 O Quam Mirabilis - Hildegard von Bingen13 O Virtus Sapientiae - Hildegard von Bingen14 O Vis Aeternitatis - Hildegard von BingenโขVocals, Chitarra Saracenica, Harp, Percussion - Rainer HerpichbรถhmVocals, Psaltery, Percussion - Hans GanserVocals, Recorder, Shawm - Sabine LutzenbergerVocals, Vielle, Lira, Shawm, Hurdy Gurdy, Liner Notes - Heinz SchwammโขBuy: cutt.ly/sXMDcjF๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #medievalmusic #earlymusic #hildegardvonbingen
๐๐ฅ๐ข ๐๐ฌ๐ฌ๐ฉ ๐๐ข๐ฏ๐ ๐ฅ๐๐ซ๐ฑ ๐๐ซ๐ก ๐ฑ๐ฅ๐ข โ๐๐ฏ๐ญ - Leah Stuttard ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-08-23 | Ensemble: Leah StuttardAlbum: The Wool Merchant and the HarpVideo: Boccace, Des cleres et nobles femmes, traduction franรงaise anonyme (1488-1496 circa)http://www.facebook.com/musicamedievaleโขThose who follow this channel know how much I love minimalism in the interpretation of medieval music. In this extraordinary work by Leah Stuttard, one of the most talented harpists of our time, we can hear some 15th century English music. Leah Stuttard in this wonderful solo album plays the gothic harp and sings. Have a good listening!Mirko Virginio VolpeMusica Medievaleโข1. [This enderis day] - Anonymous dance2. Roty loly ioy - Anonymous dance3. Filles a marier - Anonymous basse danse4. Go hert hurt with adversite - Anonymous song5. Fortune alas (Gentil madona de non mabandonare) - John Bedyngham6. Northumberland - Anonymous dance7. Bayonn โ La duches โ Ly bens distonys - Anonymous dances8. Myn hertis lust and sterre of my confort - John Bedyngham arranged by Stuttard9. Myn hertis lust and sterre of my confort - John Bedyngham10. Le petit rouen - Anonymous basse danse11. Prenรฉs in gre [Alas the herd whill that I coth dans] โ Talbott - Anonymous dances12. Orlyanse - Anonymous basse danse13. Princhesse af youth and floree of godlihede - Anonymous song14. Esperans [Brestow is a mery town] - Anonymous dance15. O kendly creature of beute perles - Anonymous song16. So ys emprentid in my remembrance - John Bedyngham arranged by Stuttard17. Quene note - Anonymous instrumental18. Votre trey dowce regaunt - Anonymous instrumental19. Luffil - Anonymous instrumental20. Le joyeulx espoyr - Anonymous basse danse21. Una foiztz avaunt dansh (Anavois) - Anonymous instrumental22. Tos juirs (Thun jors) - Anonymous instrumental23. Sebelle anglicum - Anonymous instrumental24. O rosa bella, o dolce anima mia - John Bedyngham25. O rosa bella, o dolce anima mia - Anonymous instrumentalโขBuy: cutt.ly/5XAlELv๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko#musicamedievale #medievalmusic #earlymusic #leahstuttard #england #englishmedievalmusic #gothicharp #medieval
๐ ๐ฉ๐ข๐ซ๐ฑ๐ฏ๐๐ก๐ข ๐ก๐ข๐ฉ ๐ฑ๐ข๐ซ๐ฐ ๐ ๐ฉ๐๐ฏ - (A lentrada del temps clar) Ensemble Murmur Mori ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-08-13 | Ensemble: Murmur MoriAlbum: Danรงando la fressca RosaVideo: MS Fr 20050 (XIII secolo) & MS. Bodl. 264 (XIV secolo)http://www.facebook.com/musicamedievaleโข"A lentrade del tens clar", often "modernized" in "A l'entrada del temps clar", is an ancient French ballade and is one of the most famous and beautiful musical themes that survived the time and came down to us directly from the twelfth century. The May Day Celebrations, (Calendimaggio) were among one of the most celebrated popular holidays in the European Middle Ages. Ancient pre-Christian reminiscences linked to the cult of Nature and the harvest, which are necessary to be able to survive more than anything else. In this minimal and rustic performance, no arrangement is taken into account that could make the melody that has come down to us more captivating. Each note is played exactly as it was written, each word sticks to the original text and you can see it yourself reading through the manuscript in the video.The idea is to evoke the suggestive, rural, festive and folk impressions present in the lyrics of this "Ballata".The text is shown below both original and translated into English, have a good listening.Ancient French:A lentrade del tens clar eya, pir ioie recomencar eya, e pir ialous irritar eya, vol la regine mostrar, kele est si amorouse, a lavi, a lavie ialous, lassaz nos lassaznos ballar entre nos entre nos. Ele a fait per tot mandar eya, non sie iusqala mar eya, pucele ni bachelar eya, que tuit no venguent dancar, en la dance ioiouse, ala vi, alavie ialous, lassaz nos, lassaz nos ballar entre nos, entre nos. Lo Reis ivent dautre part eya, pur la dance destorbar eya, que il est en cremetar eya, q on ne li vuelle emblar la regine aurillouse, a lavi, ala. Mais pur neient lo vol far eya, kele na soig de viel lart eya, mais dun legeir bachelar eya, ki ben sache solacar la donne savorouse, a la vi, ala vie ialous. Qui donc la veist dancar eya, e son gent cors deportar eya, ben puist dire de vertat eya, kel mont non sie sa par la regine ioiouse, a lavi, ala vie ialous.English:At the beginning of the bright season, indeedIn order to be joyous again, indeedAnd to annoy the jealous, indeedThe queen wants to showThat she is so amorous.Hit the road, hit the road, you jealous!Let us, let usDance among us, among us.She has had it announced everywhere, indeedThat, as far as the sea, indeedThere shan't be maiden nor young man, indeedWho shan't all come to danceIn the joyous dance.Hit the road, hit the road, you jealous!Let us, let usDance among us, among us.The king comes, indeedTo disturb the dance, indeedFor he is in turmoil, indeedThat someone would want to stealThe April Queen.Hit the road, hit the road, you jealous!Let us, let usDance among us, among us.But his toil is in vain, indeedFor she doesn't care for an old man, indeedBut for blithe young one, indeedWho would well know how to pleaseThe savoury lady.Hit the road, hit the road, you jealous!Let us, let usDance among us, among us.Whoever would see her dance, indeedAnd her move her pretty body, indeedCould well say, by his troth, indeedThat she has no match in this worldThe joyous queen.Hit the road, hit the road, you jealous!Let us, let usDance among us, among us.โขBuy: cutt.ly/EXugjnG๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #medievalmusic #earlymusic #murmurmori #alentradadeltensclar #alentradadeltempsclar #historicallyinformed #folk #occitania #murmurmori
โ๐ซ ๐ฃ๐ข๐ฐ๐ฑ๐ - Ensemble Micrologus: Patrizia Bovi, Goffredo degli Esposti, Adolfo Broegg, Gabriele Russo ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-08-10 | Ensemble: MicrologusAlbum: In FestaVideo: Arundel MS83 (XIV secolo)โข1 Anon., Burgos, Monasterio de Las Huelgas, Ms. s.s. - Novus Miles2 Anon., Monaco, Bibl. Nat., cod. lat. 4660 - Tempus Transit Gelidum3 Raimbaud de Vaqueiras, Paris, Bibl. Nat., Ms fr. 20150 - Kalenda Maya / Anon., Florence, Bibl. Med. Laur., Palatino 87 (Codex Squarcialupi) A l'entrada Del Tens Clar4 Francesco Landini, Trento Castello del Bonconsiglio, MS 87 - Echo la Primavera5 Anon., - La Douche Saison de May6 Walter von der Vogelweide, Paris, Bibl. de l'Arsenal, MS 5198 - Unter Der Linden7 Marcabru - L'autrier Jost'una Sebissa8 Bernart de Ventadorn - Can Vei la Lauzeta Mover9 Anon., Llibre Vermel de Montserrat - Stella Splendens10 Alfonso el Sabio (attrr.): Cantigas de Santa Maria, Madrid, Biblioteca del Mon. dell'Escorial, Ms. J.B.2 - Madre de Deus11 Guiraut de Bornelh - Reis Glorios12 Anon. - Gregis Pastor13 Anon., Burgos, Monasterio de Las Huelgas, Ms. s.s. - Vinum Bonum Et Suave14 Anon., London, Brit. Lib. Ms. Add. 36881 - Orientis Partibus15 Anon., Madrid, Biblioteca del Mon. dell'Escorial IV.A.24 - Hora May Che Fora Son16 Anon., Anon., Paris, Bibl. Nat., ital. 476 - Voltate In รงa / Anon., Petrucci, VII Libro di Frottole, Venice, 1557 - D'un Bel Matin D'amor / Anon., Paris, Bibl. Nat., ital. 476 - Petit RiensโขPatrizia Bovi - voice, harpAdolfo Broegg - lute, oud, psaltery, bellsGoffredo Degli Esposti - double flute, pipe & tabor, transverse flute, bagpipe, shawmUlrich Pfeifer - voice, hurdy-gurdyGabriele Russo - vielle, rebecKoram Jablonko - vielleLuigi Germini - trumpet, slide trumpet, tromboneGiancarlo Serano - tamburello, tammorra, nakers, bendirAlessandro Pascoli, Alessandro Quarta, Claudia Mortali - choirโขBuy: cutt.ly/6Z8ttwU๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko
๐๐๐ช๐ฌ๐ฒ๐ฏ๐ฐ ๐๐ฌ๐ฆ๐๐ฉ ๐๐ข๐ฏ๐ณ๐๐ซ๐ฑ - French and Italian love songs of the 14th/15th centuries, Alla Francesca ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-07-28 | Ensemble: Alla FrancescaAlbum: D'amours loial servant , Chansons d'amour franรงaises et italiennes des XIVe et XVe siรจclesVideo: Christine de Pizan, Livre du chemin de long estude (annรฉe 1402)http://www.facebook.com/musicamedievaleโข1 Anon. - diminution from Codex Faenza on anonymous ballad "A discort sont Desir et Esperance", Faenza Bibl. Comunale MS 117 - Indescort (recorder, vihuela, harp)2 Anon. - virelai-motet (? Borlet, end of 14th c.) Ma tredol rosignol joly / Aluette / Rosignolin (3 voices, cittern) - Anon.3 Anon. - L'amoureuse flour d'estรฉ / En l'estat d'amere tristour / [Sicut fenum arui] (motet; 3 voices)4 Anon. - Se vrai secours briefvement ne m'eslye (ballade; voice, recorder, vihuela, harp)5 Anon. - Puisque je sui d'amours loial servant (rondeau; voice, vihuela, recorder, tambourine)6 Anon. - J'ay grant desespoir de ma vie (cornemuse)7 Jacob de Senleches - La harpe de melodie (virelai; 3 voices)8 Pierre des Molins - De ce que foul pensรฉ souvent remaynt (ballade; voice, harp, vihuela)9 Anon. - J'aime la biautรฉ (pipe & tabor, psaltery, vihuela)10 Anthonello de Caserta - Amours m'a le cuer mis en tel martire (ballade; voice, recorder, vihuela, harp)11 Anon. - Que puet faire un cuer dolent / Ce ne est mie merveilles (virelai; 3 voices, pipe & tabor, cittern)12 Francesco Landini - Giovine vagha (ballate; double pipe)13 Guillaume de Machaut - Qui es promesses / Ha! Fortune / [Et non est qui adjuvet] (motet; 3 voices)14 Baude Cordier - Se cuer d'amant par soy humilier (rondeau; 2 voices, recorder, vihuela, harp)15 Anon., Codex Faenza after Machaut - Honte, paour (recorder, rebec)16 Francesco Landini - Amor c'al tuo sugetto (ballata; voice, recorder, vihuela)17 Johannes Ciconia / countertenor by Matteo da Perugia - Ligiadra donna (ballata; 2 voices, harp)18 Johannes Ciconia - Doctorum principem / Melodia suavissima / [Vir mitis] (motet; 3 voices)19 Francesco Landini - Questa fanciull'amor (3 voices, vihuela, recorder, tambourine)โขGรฉrard Lesne - voice Brigitte Lesne - voice, harp, psaltery, tambourineEmmanuel Bonnardot - voice, vihuela d'arco, vihuela da mano, cittern, rebec Pierre Hamon - recorders, pipe & tabor, double pipe, bagpipeโขBuy: cutt.ly/eZdEg5x๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko#medievalmusic #allafrancesca #musicamedievale #brigittelesne #pierrehamon #france #italy #earlymusic #gerardlesne
๐๐ฑ๐ฏ๐ฒ๐ช๐ข๐ซ๐ฑ๐ฆ ๐๐ฒ๐ฐ๐ฆ๐ ๐๐ฉ๐ฆ - Medieval Musical Instruments, Early Music Consort of London, dir. David Munrow ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-07-19 | Ensemble: Early Music Consort of London, dir. David MunrowAlbum: Instruments Of The Middle Ages And Renaissance (CD1)Video: Mirko Volpe, with the images of the instruments playedhttp://www.facebook.com/musicamedievaleโขI made this instructional video by associating to the music played by David Munrow and his "Early Music Consort of London" the photographs of the instruments used. Munrow's work includes a second disc on Renaissance melodies and instruments, in this video you can listen and watch the instruments and melodies of the first CD concerning the Middle Ages. I strongly advise you to buy the work because it is available at a very low price despite being beautiful and essential for lovers of ancient music.About the great David Munrow: en.wikipedia.org/wiki/David_MunrowโขThe Middle Ages: Woodwind 1 Shawm - 'Saltarello'2 Reed Pipe - 'Shepherd's Tune'3 Bagpipe Cylindrical Chanter - 'Saltarello'4 Bagpipe Conical Chanter - Ballade "Dame Se Vous M'estes"5 Bladder Pipes - Pastourelle "Au Tans D'aost" From The "Chansonnier Cangรฉ"6 Panpipes - Chanson ร Refrain "A Prisai Qu'En Chantant Plour" From The "Chansonnier Cangรฉ"7 Transverse Flute - Minnesinger Melody "Owe Daz Nach Liebe Gat"8 Six-holed Pipe - Chanson Pieuse "Dou Tres Douz Non" With Improvised Prelude And Postlude For Jew's Harp9 Double Pipes - Virelai "Gracieusette"10 Pipe & Tabor - Dansa "Ben Volgra, S'Esser Poges"11 Recorder - English 'Te Deum'12 Gemshorn - Chansonnette "Quant Je Voy Yver Retorner"The Middle Ages: Keyboard13 Portative Organ - Madrigal "Ay Schonsolato Ed Amoroso"14 Positive Organ - "Estampie" From The "Robertsbridge Fragment"15 Hurdy-Gurdy - Chanson "Jolivetรฉ Et Bone Amor"16 Clavichord - "Ellend Du Hast"The Middle Ages: Brass17 Trumpet / Clarion - Fanfare "Untarn Slaf Tut Den Sumer Wol"18 Trumpet / Buisine - Fanfare "Ad Modum Tubae"19 Cowhorn - Ballade "De Moi Doloureus Vos Chant"20 Mediaeval Cornett - "Das Nachthorn"21 Slide Trumpet - Geisslerlied "Maria Muoter Reinรป Maรฎt"22 Mediaeval Cornett, Slide Trumpet, Alto Shawm, Tabor - "Der Trumpet" The Middle Ages: Strings23 Harp (Metal Strung) - Lai "Qui Porroit Un Guierredon" (From The Chansonnier Cangรฉ)24 Harp (Gut Strung) - Dance Tune25 Lyre - Goliard Melody "O Roma Nobilis"26 Psaltery - Hymn To St. Magnus "Nobilis Humilis"27 Dulcimer - Madrigal "Tanto Soavemente"28 Lute - Madrigal "Di Novo ร Giunto"29 Mandora - Chanson "Amours Que Porra"30 Long-necked Lute - "Aquel Que De Voontade" From The "Cantigas De Santa Maria"31 Gittern - Virelai "Quant Je Sui Mis"32 Citole - 'English Dance'33 Rebec - 'La Septime Estampie Real'34 Fiddle - Ballata "Poi Che Da Te Mi Convien"35 Bowed Lyre - Virelai "Comment Qu'a Moy"36 Tromba Marina - Improvised Fanfare: Motet "Quant Ie Le Voi - Bon Vin Doit - Cis Chans Veult Boire" From The "Roman De Fauvel"โขBuy: cutt.ly/ALCuooW๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #earlymusic #davidmunrow #earlymusicconsortoflondon #medievalinstruments #medieval #music #medievalmusic #instrumental
๐๐ฌ๐ข๐ฑ๐ข๐ฐ๐ฐ๐ข, ๐๐ฌ๐ข๐ฑ๐ฆ ๐ข ๐๐ฆ๐ฒ๐ฉ๐ฉ๐๐ฏ๐ฆ ๐กโ๐ฑ๐๐ฉ๐ฆ๐ - Murmur Mori, Live in France (Full Edition) ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-07-18 | "Poetesses, Poets and Jongleurs of Italy", a musical program by Ensemble Murmur MoriA musical journey that leads to the discovery of early Italian vernacular poetry. Drawing on medieval manuscript sources and on popular folk musical modes from the 12th century to our days, the Murmur Mori ensemble set these fundamental lyrics to music in order to reconstruct the sonorous atmosphere and to spread the history of the first Italian vernacular poetesses, poets and music performers.โขโง 30.06.2022 - Chateaux Carbonnieux, Lรฉognan - Festival Festes Baroques (festesbaroques.com)I. Pur bii del vin, comadre - Lyrics: Archivio di Stato di Bologna, Libri Memorialium, Mem. 47 Anthonius Guidonis de Argele, 1282 - Music: Mirko Volpe, Silvia KuroII. Seguramente vegna ala nostra danรงa / Ella mia dona รงoglosa - Lyrics: Archivio di Stato di Bologna, Libri Memorialium, Mem. 67 Nicola Johanini Manelli, 1287 - Music: Mirko VolpeIII. O Fortuna velut Luna - Lyrics: Codex Buranus, BSB Clm 4660, 11-13th century - Music: Mirko VolpeIV. Fortune plango vulnera - Lyrics: Codex Buranus, BSB Clm 4660, 11-13th century - Music: Silvia Kuro, Mirko Volpe V. Danza Bacchica - Instrumental Music: Mirko VolpeVI. Tutto lo mondo si mantien per fiore - Lyrics: Bonagiunta Orbicciani, BML, Laurenziano Rediano 9, 13th century - Music: Mirko VolpeVII. A la stagion che'l mondo foglia e fiora - Lyrics: Compiuta Donzella, BAV, Canzoniere Vaticano latino 3793, 13th century - Music: Mirko Volpeโง 02.07.2022 - รฉglise romane de Sainte-Lizaigne - J'arts com, musique classique en Berry (https://www.jartscom.fr/)VIII. La Giullaressa - Lyrics: anon. from Bologna, BNCF, Palat. II.20 E.6.5.3, 1507 / Music: Silvia Kuro, Mirko VolpeIX. La ballata delle Monache (Kyrie, pregne son le monache) - Lyrics: Anon., BNCF, Magliabechiano VII.1078, 14th century / Music: Silvia Kuro, Mirko VolpeX. Danรงa de Mai - Lyrics: anon. from Mantua, BnF, ms. Franc. Nouv. Acq. 7516, 13th century / Music: Mirko VolpeXI. Tenzone d'amore - Lyrics: Anon. tenzone ij, BAV, Canzoniere Vaticano latino 3793, 13th century / Music: Silvia Kuro, Mirko VolpeXII. Norma contro Natura - Lyrics & Music: Mirko VolpeXIII. La canzone della Cicala - Lyrics & Music: Mirko VolpeโขMirko Volpe: chant, gittern, hurdy gurdy, frame drumsSilvia Kuro: chant, tambourine, nakers, bell stickAlessandra Lazzarini: flute, chantMatteo Brusa: rope drum, triangle, bells, bell stick, chantNicolรฒ Gugliuzza: narratorโก To buy the music and support ๐๐ฎ๐ซ๐ฆ๐ฎ๐ซ ๐๐จ๐ซ๐ข: http://murmurmori.com/en/shophttp://murmurmori.bandcamp.comโข#murmurmori #medievalmusic #folk #earlymusic #musicamedievale #medieval #medioevo #italy #france #moyenage #poetry
๐๐ฉ๐ฆ๐๐ฏ๐ข ๐๐ข๐ฏ๐ช๐ข๐ฉ๐ฉ ๐ก๐ข ๐๐ฌ๐ซ๐ฑ๐ฐ๐ข๐ฏ๐ฏ๐๐ฑ/โญ๐๐ซ๐ฑ๐ฆ๐ค๐๐ฐ ๐ก๐ข ๐๐๐ซ๐ฑ๐ ๐๐๐ฏ๐ฆ๐ - Alla Francesca, Brigitte Lesne, Pierre Hamon ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-07-17 | Ensemble: Alla FrancescaAlbum: Llibre Vermell de Montserrat/Cantigas de Santa MariaVideo: Images from the manuscript of the Cantigas de Santa Mariahttp://www.facebook.com/musicamedievaleโขCantigas de Santa Maria: 1 In Virgulto Gracie2 Tanto Son Da Groriosa3 A Madre De Jhesu Cristo4 Mui Grandes Noit' E Dia5 Casta CatolicaLlibre Vermell de Montserrat:6 O Virgo Splendens7 Stella Splendens In Monte8 Laudemus Virginem / Splendens Ceptigera9 Los Set Goytxs10 Cuncti Simus11 Polorum Regina12 Imperayritz De La Ciutat Joyosa13 Mariam Matrem Virginem14 Imperayritz De La Ciutat Joyosa15 Los Set Goytxs16 Ad Mortem FestinamusโขHarp, Tambourine, Vocals: Brigitte LesneBagpipes, Concert Flute, Flute, Drum Catalan, Recorder, Handbell: Pierre HamonFlute Catalan, Tambora, Cymbal, Drum, Rattle: Carles MasRebec, Cittern, Viol, Bells, Vocals: Emmanuel BonnardotVocals: Catherine Sergent, Raphaรซl BoulayBacking Vocals: Emmanuel Pousse, Raphaรซl Mas, William AngerโขBuy: cutt.ly/mLAGVGO๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko#medievalmusic #allafrancesca #musicamedievale #brigittelesne #pierrehamon #llibrevermelldemontserrat #cantigasdesantamaria #earlymusic
๐๐ฏ๐๐ซ๐ ๐ข๐ฐ๐ ๐ฌ ๐๐๐ซ๐ก๐ฆ๐ซ๐ฆ - Studio Der Frรผhen Musik, Thomas Binkley ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-07-13 | Ensemble: Studio Der Frรผhen Musik, Thomas BinkleyAlbum: Francesco LandiniVideo: Francesco Landini, ms. Codice Squarcialupi (XV cent.)http://www.facebook.com/musicamedievaleโข1 Che Pensa ร Quest' Al Cor2 l'Priego Amor3 Donna, S'i T'o Fallito4 Adiu, Adiu, Dous Dame5 Ma' Non S'andra6 Una Colonba Candida7 O Fanciula Giulรญa8 Chosi Pensoso9 De! Dinmi Tu10 Questa Fanciull' Amor (Vokal)11 Questa Fanciull' Amor (Instrumental)12 Non Avrร Ma' Pietร (Vokal)13 Non Avrร Ma' Pietร (Instrumental)14 Gram Piant'agli OchiโขBuy: cutt.ly/vLAG7LY๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko#medievalmusic #francescolandini #musicamedievale #studioderfruhemusik #thomasbinkley #earlymusic
โ โ๐๐ณ๐ข ๐๐ข๐ฑ ๐๐ถ โ๐ข๐ฏ๐ฑ ๐๐ฌ โ๐ถ - Love & Devotion in Medieval England, Dufay Collective, William Lyons ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-06-25 | Ensemble: Dufay CollectiveAlbum: I Have Set My Hert So Hy, Love & Devotion in Medieval EnglandVideo: Ms. Douce 38, XIVth centuryhttp://www.facebook.com/musicamedievaleโขDuring the 14th and 15th centuries England witnessed an explosion of written poetic output in the vernacular, the lyrics of which were intimately bound to music. Sadly, only a handful of poems have survived 'intact'; in the spirit of reconstruction, The Dufay Collective join forces with Voice to perform extant songs and instrumental adaptations as well as poetry set to adapted/original melodies by director William Lyons, also including a selection of rare surviving instrumental dances.I don't know what the climate of your summer is like, but here in the Alps the clouds break on the tall trees of the mountains, it often rains and it is really cool and I, who love this climate that reminds me so much of that of Albion, can only listen to this beautiful record. Have a good listening!Mirko VolpeMusica Medievaleโข1 Blowe, northerne wynd (Lyons) Source: London, British Library, Harley MS 2253, f.72v2 I have set my hert so hy (Anon.) Oxford, Bodleian Library, MS Douce 381, f.203 Plus pur lโenoyr (Anon.) Cambridge University Library, Add. MS 5943, f.163v4 Bryd one brere (Anon., arr. Lyons) Cambridge, Kingโs College, Muniment Roll 2 W.32v5 Le grant pleyser (Anon.) Cambridge University Library, Add. MS 5943, f.165v6 Maiden in the mor lay (Lyons) Oxford, Bodleian Library, MS Rawlinson D.913, flyleaf7 Wel wer hym that wyst (Anon.) Cambridge University Library, Add. MS 5943, f.162v8 Esperance (Anon.) Cambridge University Library, Add. MS 5943, f.165r9 Adam lay ibowndyn (Lyons) MS Sloane 2593, ff.10vโ1110 Danger me hath, unskyfuly (Anon.) Cambridge University Library, Add. MS 5943, f.166r11 Alysoun (Lyons) London, British Library, Harley MS 2253, f.63v 12 Ye have so longe kepe schepe (Anon.) Oxford, Bodleian Library, MS Douce 381, f.20v13 Wyth ryth al my herte (Anon.) Oxford, Bodleian Library, MS Douce 381, f.2214 Nowel: owt of youre sleep aryse (Anon.) Oxford, Bodleian Library, MS Arch. Selden B 26, f.14v15 I rede that thu be joly and glad (Anon.) Oxford, Bodleian Library, MS Douce 381, f.22v16 I syng of a mayden (Anon., arr. Lyons) MS Sloane 2593, ff.10vโ1117 Hayl Mary, ful of grace (Anon.) Oxford, Bodleian Library, MS Arch. Selden B 26, f.23r18 Ave Maria I say (Anon.) Cambridge University Library, Add. MS 5943, f.168rโ168v19 Corpus Christi Carol (Lyons) Oxford, Balliol Library, MS 354, folio 165v20 Gresley Dances (Anon., arr. Lyons)I. Ly bens distonysII. Trobyll me the bordonIII. EglamourIV. Alas the herd whill that I coth dansV. This enderis dayVI. Ly bens distonys [reprise]โขThe Dufay CollectiveWilliam Lyons recorder, double pipes, flute, whistleRebecca Austen-Brown recorder, vielle, rebec, gitternJon Banks gittern, harpJacob Heringman lute, gitternVoice TrioEmily Burn ยท Victoria Couper ยท Clemmie Franksdirected by William Lyons โขBuy: cutt.ly/mKTJPNY๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #earlymusic #dufaycollective #medievalengland #medievalmusic #europe #medioevo #medieval #england #WilliamLyons
๐๐ฒ ๐ฑ๐ฒ ๐ญ๐๐ซ ๐ญ๐๐ซ - a piper journey through medieval Europe, Poul Hรธxbro (Ensemble Alba) ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-06-15 | Ensemble: Poul Hรธxbro (Ensemble Alba)Album: Tu Tu Pan Pan, a piper journey through medieval Europe (or "Music From The Middle Ages" cd1)Video: Flute and Tabor players from many manuscripts from the XIIth to the XIVth century.http://www.facebook.com/musicamedievaleโขThose who follow this channel already know how much I adore minimal arrangements, and shy away from pompous orchestrations in medieval music. This record, entirely played, produced and made by the phenomenal Danish musician Poul Hรธxbro, is one of my favorites of my collection.It was released in 1999, but I have a wonderful version included in a 4-disc box set made with singer Agnethe Christensen, who together with Poul Hรธxbro give life to the "Ensemble Alba". This is the first disc of the collection: entirely instrumental, it contains some of the most famous melodies of the European Middle Ages. Soon I will share the others cds with you too, where the voice of Agnethe Christensen will also be present.Have a good listening.Mirko VolpeMusica Medievaleโข1 Got In Vier Elementen - Meister Rumelant2 Salterello - Anon., Italy, ca 14003 La Tierche Estampie Royal - Anon., France, ca 13004 Christo E Nato E Humanato - Anon., Laudario di Cortona, ca 13005 Sabor A Santa Maria - Alfonso el Sabio (attr.): Cantigas de Santa Maria6 Santa Maria Loei - Alfonso el Sabio (attr.): Cantigas de Santa Maria7 De' Pom Amor A Me - Gherardellus8 I Vo Bene A Chi Vol Bene A Me - Gherardellus9 Danse - Anon., France, ca 130010 From "Danger Me Hath Unskylpuly" - Anon., England, 13th c.11 Douce 139 - Anon., England (Coventry ?), 13th c., Ms Douce 13912 Unde Quocumque - Hildegard von Bingen13 O Euchari - Hildegard von Bingen14 Got In Vil Hohen Vreuden Saz - Meister Rumelant15 Den Talende Strengeleg - Trad., Denmark16 Folktunes - Trad., DenmarkโขPoul Hรธxbro - pipe and tabor, pipe and stringdrum, double pipes โขBuy (4cds pack, the same that I've. Highly recommended): cutt.ly/PJ7XaM2Buy: cutt.ly/xJ7XQXX๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #earlymusic #poulhรธxbro #ensemblealba #medievalmusic #europe #pipeandtabor #instrumental #medioevo #medieval #flute #stringdrum
๐๐ฒ๐ฆ๐ฉ๐ฉ๐๐ฒ๐ช๐ข ๐ก๐ข ๐๐๐ ๐ฅ๐๐ฒ๐ฑ: ๐๐ ๐๐ข๐ฐ๐ฐ๐ข ๐ก๐ข ๐๐ฌ๐ฐ๐ฑ๐ฏ๐ข ๐๐๐ช๐ข - Clemencic Consort, Renรฉ Zosso, Marco Ambrosini... ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-06-04 | Ensemble: Clemencic Consort / Ensemble Nova / Polifonica Lucchese e Capella Santa Cecilia - Renรฉ ClemencicAlbum: Machaut: La Messe de Nostre DameVideo: Ms. Guillaume de Machaut - Fr 9221http://www.facebook.com/musicamedievaleโขMinstrels and beggars play at the entrance of the church1 Guillaume De Machaut: Virelai - ยซQuant Je Suis Misยป (Instrumental)2 Li Roi De Navarre (1201-1243): Chancon D'Amour3 Guillaume De Machaut: Virelai - ยซDame A Qui M'Ottriยป (Instrumental)4 Beggar's Song From Burgundy: ยซC'Est Guignolot De St. Lazoยป5 Guillaume De Machaut: Virelai - ยซDou Malยป (Instrumental)Entry into the church6 Codex Faenza (c. 1400): Kyrie (For Organ)7 Freiburger Augustinerbriever (14th Century): St. Mary's Hymn ยซ Ave Maris Stellaยป8 Anonymous (c. 1300, French): Conductus ยซAve Gloriosaยป (Glockenspiel)La Messe de Nostre Dame9 Kyrie Eleison10 Gloria In Excelsis11 Li Roi De Navarre (1201-1243): ยซDu Tres Douz Non A La Virge Marieยป12 Anonymous (c. 1300, French): St Mary's Hymn ยซAve Virgo Regiaยป (Instrumental)13 Credo In Unum Deum14 Chorale Hymn ยซAve Reginaยป (Glockenspiel)15 Anonymous (c. 1300, French): St Mary's Hymn ยซVerbum Bonum Et Suaveยป16 Guillaume De Machaut: Virelai - ยซDame, Vostre Doulz Viaireยป17 Anonymous (c. 1320, French): Intabulated Motet ยซAdestoยป18 Sanctus19 Codex Faenza (c. 1400): ยซSangilioยป (Instrumental)20 Agnus Dei21 Anonymous (14th Century, French): ยซAgniaus Dousยป (Instrumental)/Anonymous (13th Century, French): ยซAve Marisยป (Instrumental)22 St. Mary's Hymn, Limoges (c. 1200): ยซAve Nobilisยป (Glockenspiel)23 Anonymous (11th Century, French): ยซAstra Polorumยป24 Ite Missa EstโขColin Mason (bass, conductor of Ensemble Nova), Egisto Matteucci (conductor of Polifonica Lucchese e Capella Santa Cecilia), James Curry (tenor), Bernd Lambauer (tenor), Gerd Kunda (bass), Renรฉ Zosso (voice, hurdy-gurdy), Renรฉ Clemencic (organ, glockenspiel), Marco Ambrosini (nickelharpa), Andrรกs Kecskรฉs (kobos, moorish guitar, lute), Frantisek Pok (buisine, bagpipe, tromba marina, cornett), Khosro Soltani (shawm), Esmail Vasseghi (hammered dulcimer, percussion), Wolfgang Reithofer (percussion)โขBuy: cutt.ly/pJQU8HN๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko#musicamedievale #earlymusic #clemencicconsort #medievalmusic #machaut #nostredame #renรฉzosso #renรฉclemencic #marcoambrosini #ensemblenova #cappellasantacecilia #guillaumedemachaut
โ๐ซ๐ฐ๐ฑ๐ฏ๐ฒ๐ช๐ข๐ซ๐ฑ๐๐ฉ ๐ช๐ฒ๐ฐ๐ฆ๐ ๐ฃ๐ฏ๐ฌ๐ช ๐๐ฏ๐๐ซ๐ ๐ข, ๐๐ซ๐ค๐ฉ๐๐ซ๐ก ๐๐ซ๐ก โ๐ฑ๐๐ฉ๐ถ - Modo Antiquo & Bettina Hoffmann ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-06-01 | Ensemble: Modo Antiquo & Bettina HoffmanAlbum: Secular Songs & Dances From The Middle Age - French And English Instrumental Dances In The Middle Ages & Danรงa Amorosa, Italian Dances From The Middle-Ages (cd5 & cd6)Video: La Queฬte du Saint Graal, XIII/XIV secolohttp://www.facebook.com/musicamedievaleโขEnglish Dances 1 Ductia Manuscript London, British Library, Harley 978, F. 8v-9r2 Patrone Manuscripts London, British Library, Add. 28550 (Robertsbridge Codes), F. 43v3 Nota Manuscript, Oxford, Bodleian Library, Douce 1394 Ductia Manuscript London, British Library, Harley 978, F. 9r/I5 Ductia Manuscript London, British Library, Harley 978, F. 9r/II6 Fragment Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), F. 43r7 Ductia Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), F. 43rFrench Dances (Manuscript Paris, Bibliothรจque Nationale, F. F. 844) 8 La Prime Estampie Royal9 La Seconde Estampie Royal10 La Tierche Estampie Royal11 La Quarte Estampie Royal12 La Quinte Estampie Royal13 La Seste Estampie Royal14 La Septime Estampie Royal15 La Uitime Estampie Royal16 Dansse Real17 [Without Title]18 DanseDanรงa Amorosa, Italian Dances From The Middle-Ages 1 Ghaetta2 Saltarello (2)3 La Manfredina, Rotta Della Manfredina4 Chanรงoneta Tedescha (2)5 Isabella6 Saltarello (4)7 Saltarello (3)8 Chanรงoneta Tedescha (1)9 Chanรงoneta Tedescha (4)10 Principio Di Virtรน11 Danรงa Amorosa, Suo Troto12 Chominiciamento Di Gioia13 Chanรงoneta Tedescha (3)14 Trotto15 Bel Fiora Danรงa16 Lamento Di Tristano, Sua RottaโขFrench And English Instrumental Dances In The Middle Ages: Federico Maria Sardelli (recorders, cromorns, bombarda, flute, flauto di corno, rauschpfeiffe), Ugo Galasso (recorders, bombarda, chalumeau, pipe and tabor, ciaramelle), Paolo Fanciullacci (cornet, bagpipe, olifant), Maro Morini (tromba di tirarsi), Bettina Hoffmann (ribeca, viella, tromba marina), Gian Luca Lastraioli (citola, luth), Daniele Poli (luth, harp, zither, simphonia), Luca Brunelli Felicetti (drums, naccari, cembali, bells, scacciapensieri), Massimo Risaliti (drums, harness-bells, triangle, hand bells), Bettina Hoffmann, dir. Danรงa Amorosa, Italian Dances From The Middle-Ages: Federico Maria Sardelli (recorders, gemshorn, shawm, crumhorn), Ugo Galasso (recorders, shawm, crumhorn, reed-pipe), Bettina Hoffmann (fiddle, rebec, tromba marina), Gian Luca Lastraioli (cittern, ud), Annaberta Conti (portative organ), Paolo Fanciullacci (cornamuse (mute cornet), bagpipes), Susanna Giannรฒ (harp), Luca Brunelli Felicetti (drums, darbukka, nakers, bells, tambourin, Jew's harp), Massimo Risaliti (drum, crotales, jingles)Bettina Hoffmann, dir.โขBuy: cutt.ly/IHHaWxW๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #medievalmusic #earlymusic #instrumental #federicomariasardelli #bettinahoffman #modoantiquo #medieval
โญ๐๐ฏ๐ช๐ฆ๐ซ๐ ๐ ๐ฒ๐ฏ๐๐ซ๐ - Modo Antiquo & Bettina Hoffmann, Secular Songs & Dances From The Middle Age ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-05-24 | Ensemble: Modo Antiquo & Bettina HoffmanAlbum: Secular Songs & Dances From The Middle Age, Carmina Burana (cd1 & cd2)Video: Histoire de la guerre sainte, XIIIe siรจclehttp://www.facebook.com/musicamedievaleโข1 Ich Was Ein Chint So Wolgetan CB 1852 Axe Phebus Aureo CB 713 Bache Bene Venies CB 2004 Dulce Solum CB 1195 In Taberna Quando Sumus CB 1966 Veris Dulcis In Tempore CB 85 E 1597 Alte Clamat Epicurus CB 211 E 2118 Exiit Dilucolo Rustica Puella CB 909 Olim Sudor Herculis CB 6310 Virent Prata Hiemata CB 15111 Sic Mea Fata CB 11612 Walthers Ton (Da CB 211)13 Tempus Transit Gelidum (CB 153)Carmina Burana Part II1 Bonus Est Confidere CB 272 Nomen A Sollempnibus CB 523 Dic Christi Veritas / Bulla Fulminante CB 131/1314 O Varium Fortune Lubricum CB 145 Fas Et Nefas CB 196 Veritas Veritatum CB 217 Currit Ad Vocem CB 47a8 Crudifigat Omnes CB 479 Procurans Odium CB 1210 Ave Nobilis CB 1111 Ecce Torpet Probitas CB 312 Planctus Ante Nescia CB 1413 Licet Ager Cum Egrotis CB 814 Celum Non Animum CB 15โขElena Cecchi Fedi (soprano), Lucia Sciannimanico (mezzo-soprano), Paolo Fanciullacci (tenor, zampogna, ciaramelle, olifante), Marco Scavazza (baritone, olifante), Federico Maria Sardelli (recorders, flauto di corno, flute, ciaramelle, voice), Ugo Galasso (recorders, ciaramelle, bombarda, flauta de tamburo, flute, voice), Mauro Morini (tromba di tirarsi, olifante), Anna Clemente (organo portativo), Gian Luca Lastraioli (citola, lute, voice), Daniele Poli (harp, lute, hurdy-gurdy, salterio, voice), Luca Brunelli Felicetti (drums, naccari, cembalo, bells, scacciapensieri, percussion), Bettina Hoffmann (dir., viella, ribeca, tromba marina)โขBuy: cutt.ly/IHHaWxW๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #medievalmusic #earlymusic #crusades #federicomariasardelli #bettinahoffman #modoantiquo #medieval
๐๐ฒ๐ฐ๐ฆ๐ ๐๐ฌ๐ฏ ๐๐ฅ๐ข โญ๐ฏ๐ฒ๐ฐ๐๐ก๐ข๐ฐ - Modo Antiquo & Bettina Hoffmann, Secular Songs & Dances From The Middle Age ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-05-22 | Ensemble: Modo Antiquo & Bettina HoffmanAlbum: Secular Songs & Dances From The Middle Age, Music for The Crusades (cd3 & cd4)Video: Histoire de la guerre sainte, XIIIe siรจclehttp://www.facebook.com/musicamedievaleโขThis is part of a beautiful compendium dedicated to secular songs of the Middle Ages. These two CDs are dedicated to the music of the Crusades. The fantastic Modo Antiquo and Bettina Hoffman give us a truly minimal, sophisticated, credible and interesting interpretation. Obviously I have all the CDs in this collection and I will soon share all the records with you. I personally believe that this collection of Modo Antiquo and Bettina Hoffman box set is an extraordinary gem to have for all the lovers of historically informed medieval music.โขMusic For The Crusades Part I I. Appellatio1 Crucifigat Omnes (Carmina Burana 47)2 Seignor, Sachiez Qui Or Ne S'en Ira (Thibaut De Champagne)3 La Quinte Estampie Real (Anon.)4 Parti De Mal Et A Bien Atournรฉ (Anon.)5 Chevalier Mult Estes Guariz (Anon.)6 De Transfretantibus (Anon.)7 Au Tans Plain De Felonie (Thibaut De Champagne)II. Dure Departie 8 La Seconde Estampie Royal (Anon.)9 Bien Me Deusse Targier10 Dame, Ensinc Est Qu'il M'en Covient Aler (Thibaut De Champagne)11 A Vous, Amors, Plus Qu'a Nule Autre Gent (Le Chastelain De Couci)12 Li Departirs De La Douce Contree (Chardon De Croisilles De Reims)13 Li Nouveax Temps Et Maiz Et Violete (Le Chastelain De Couci)14 Aler M'estuet La Ou Je Trerai Paine (Gilles Le Vinier? - Le Chastelain D'Arras?)Music For The Crusades Part IIIII. Passagium Laboriosum1 Ja Nuns Hons Pris (Roy Richart, ยซRichard Heartlionยป)2 Ja Nuns Hons Pris (Roy Richart, ยซRichard Heartlionยป)3 Desolata Mater / Que Nutritos / Filios Enutrivi (From Roman De Fauvel)4 Maugrรฉ Tous Sainz Et Maugrรฉ Dieu Ausi (Huon D'Oisi)5 Congregati Sunt (Gregorian Chant)6 La Quarte Estampie Royal (Anon.)7 In Gotes Namen Fara Wir (Lutheran Choral)8 Chanterai Por Mon Coraige (Guiot De Dijon)9 Diro Satis Percussus Vulnere (Riccardo Di San Germano) - Tristan's Lament (Anon.)10 Nus Ne Porroit De Mauvese Reson (Anon.)IV. Hierosolyma Caelestis11 Ierusalem Mirabilis (Hymn)12 Nรป Alrรชst Lebe Ich Mir Werde (Walter Von Der Vogelweide)13 Nomen A Solemnibus (Anon., Carmina Burana 52)โขSantina Tomasello (soprano), Lucia Sciannimanico (mezzo-soprano), Paolo Fanciullacci (tenor, zampogna, ciaramelle, olifante), Marco Scavazza (baritone, haute-contre), Federico Maria Sardelli (recorders, flauto di corno, flute, ciaramelle, voice), Ugo Galasso (recorders, ciaramelle, bombarda, flauta de tamburo, scacciapensieri), Piero Callegari (tromba di tirarsi, olifante), Gian Luca Lastraioli (citola, lute, salterio), Daniele Poli (harp, lute, symphonia, salterio), Luca Brunelli Felicetti (drums, naccari, cembalo, bells, salterio), Massimo Risaliti (triangle, percussion), Bettina Hoffmann (dir., viella, ribeca, tromba marina)โขBuy: cutt.ly/IHHaWxW๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #medievalmusic #earlymusic #crusades #federicomariasardelli #bettinahoffman #modoantiquo #medieval
๐๐ฏ๐ฌ๐ฒ๐ณ๐ข๐ฏ๐ข๐ฐ, courtly love songs from northern France - Sequentia, Banjamin Bagby, Barbara Thornton ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-04-24 | Ensemble: SequentiaAlbum: Trouveres: Courtly love songs from northern FranceVideo: L' Atre peฬrilleux et Yvain, Francฬงais 1433 (XIVth cent.)http://www.facebook.com/musicamedievaleโข1 Tant Ai Ame C' Or Me Convient Hair - Conon De Bรฉthune2 Estampie - Anonymous3 Bele Doette As Fenestres Se Siet - Anonymous4 S'On Me Regarde/Prennes I Garde/He Mi Enfant - Anonymous5 Motets And Clausulae Based On The Tenor Tanquam: Ad Veniam, Perveniam/Clausula/Tant Grate Chievre... - Anonymous6 Estampie - Anonymous7 Bele Yolanz En Ses Chambres Seoit8 Motets And Clausulae Based On The Tenor Flos Filius: Trois Serors Sor Rive Mer/Clausula/Bele Aelis... - Anonymous9 Li Consirrers De Mon Pais - Gace Brulรฉ10 Intrumental Piece - Anonymous11 Onques Maiz Nus Hom Ne Chanta - Blondel De Nesle12 Entre Copin Et Bourgeois/Je Me Cuidoie Tenir/Bele Ysabelos - Anonymous13 Bonne Amourete Me Tient Gai - Adam De La Halle14 Dame, Or Sui Trais - Adam De La Halle15 Instrumental Piece - Adam De La Halle16 Avoir Cuidai Engane Le Marchie - Adam De La Halle17 Instrumental Piece - Adam De La Halle18 Se Li Maus C'Amours Envoie - Adam De La Halle19 Diex, Comment Porroie - Adam De La Halle20 Tant Con Je Vivrai - Adam De La Halle21 Instrumental Piece22 Aucun Se Sont Loe D'Amours/A Dieu Commant Amouretes/Super Te 23 A Dieu Commant Amouretes24 Hareu! Li Maus D'Amer M'Ochist25 Instrumental Piece26 Dieus Soit En Cheste Maison27 De Ma Dame Vient/Diex, Comment Porroie/Omnes28 Instrumental Piece29 En Mai, Quant Rosier Sont Flouri/L'Autre Jour, Par Un Matin/He! Ressvelle Toi Robin30 Qui A Droit Veut Amours Servir31 Or Est Baiars En La Pasture32 Abundance De Felonnie - Jehan De Lescurel33 Dame Par Vo Dous Regart/Bietris Est Mes Delis/Gracieusette/Dam, Par Vo Dous Regart/Instrumental... - Jehan De Lescurel34 Amours Trop Vous Doi Cherir - Jehan De Lescurel35 De La Grant Joie D'Amours - Jehan De Lescurel36 Je Cuidoie Bien Metre Jus/Se J'ai Folement Ame/Solem - Petrus de Cruce37 Estampie - Jehan De Lescurel38 Amour, Voules-Vous Acorder39 Belle, Com Loiaus Amans40 A Vous, Douce Debonnaire41 Comment Que, Pour L'Eloignance42 Aucun Ont Trouve Chant Par Usage/Lonc Tans Me Sui Tenu De Chanter/Annuntiantes - Petrus de Cruce43 Instrumental Piece/Diex, Quant La Verrai/Bonnement M'Agree/Douce Dame, Je Vous Pri/Instrumental... - Jehan De LescurelโขVoice, Harp, Organetto - Benjamin BagbyVoice, Hurdy Gurdy (Symphonia) - Barbara ThorntonVoice - Candace Smith, Guillemette Laurens, Jill Feldman, Josep BenetFiddle, Lute - Wendy GillespieFiddle, Psalterium - Margriet TindemansโขBuy: cutt.ly/ZGsAzOe๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#medievalmusic #sequentia #trouveres #earlymusic #musicamedievale #banjaminbagby #barbarathornton
๐๐ ๐ ๐ฌ ๐ฉ๐ ๐๐ฏ๐ฆ๐ช๐๐ณ๐ข๐ฏ๐ - Music from the 14th century, David Munrow & The Early Music Consort of London ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-04-23 | Ensemble: The Early Music Consort, directed by David MunrowAlbum: Ecco la Primavera, Florentine music from the 14th centuryVideo: Roman de la Rose, 14th cent. (Bodleian-Library-MS-Douce-195)http://www.facebook.com/musicamedievaleโขAnother wonderful piece of art by David Munrow and his Early Music Consort of London. This time it is a compendium of many Italian songs of the fourteenth century. Yes, as the names of the composers suggest, the repertoire is Italian, not just Florentine. This album is from 1969, I prefer the way that ancient music was interpreted in those years, I think it is more credible, wild and accurate than the interpretations of these days.I hope you like it and please remember that monetization of this channel is disabled to offer the highest possible listening quality. Every possible advertisement is from Youtube (use adblock if you want). Please support the channel with a free donation: http://paypal.me/volpemirkoโข1 Ecco La Primavera - Francesco Landini2 Lamento Di Tristan - Anonymous3 Giunta Vaga Bilta - Francesco Landini4 Questa Fanciulla, Amor: I, II - Francesco Landini5 Trotto - Anonymous6 De Dimmi Tu - Francesco Landini7 Con Dolce Brama - Maestro Piero8 Two Saltarelli - Anonymous9 Rosetta - Antonio Zacharia Da Teramo10 Quan Je Voy Le Duc - Anonymous11 Cara Me Donna - Francesco Landini12 La Bionda Treccia - Francesco Landini13 La Manfredina - Anonymous14 Donna'l Tuo Partimento - Francesco Landini15 Con Brac Che Assai - Giovanni Da Firenze16 Istampitta Ghaetta - Anonymous17 Da, Da, Da, A Chi Avareggia - Lorenzo Da Firenze18 Fenice Fu - Jacopo Da Bologna19 Biance Flour - AnonymousโขRecorders, Crumhorns, Tenor Shawm - David MunrowTenor Vocals โ Martyn Hill, Nigel RogersCountertenor Vocals - James BowmanLute - Robert SpencerOrgan, Harp, Percussion - Christopher HogwoodRebec, Mediaeval Fiddle - Mary RemnantTenor Sackbut - Alan LumsdenBass Viol - Oliver BrookesโขBuy: cutt.ly/dGi9Y91๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #medievalmusic #davidmunrow #earlymusic #francescolandini #jacopodabologna #antoniozachara #italian
๐๐๐ฐ๐ ๐ฅ๐๐ฉ๐ข ๐๐ถ๐ฐ๐ฑ๐ข๐ฏ๐ฆ๐ฒ๐ช - Gregorianische Gesรคnge, Capella Antiqua Muฬnchen - Konrad Ruhland ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-04-17 | Ensemble: Choralschola der Capella Antiqua Mรผnchen, Konrad Ruhland dir.Album: Paschale Mysterium, Gregorianische GesรคngeVideo: Omelie latine, con miniat. rappresentanti i vizรฎ e le virtรน ed alcuni episodi della vita di Gesรน Cristo, con le relative illustrazioni in volgare (XIVth cent.)http://www.facebook.com/musicamedievaleโข1 Nos Autem Gloriari Opertet (Introitus)2 Cum Angelis + Psalm 24 (23), Vers 7-10 (Antiphon)3 Ave Rex Noster (Antiphon)4 Hoc Corpus,Quod Pro Vobis Tradetur (Communio)5 Ubi Est Caritas Et Dilectio (Antiphon)6 Congregavit Nos In Unum - Ubi Caritas (Antiphon)7 Passio Domini Nostri Jesu Christi Secundum Joannem (Johannes-Passion / St.John Passion / Passion Selon Saint Jean - Ausschnitte 18, 33, 36-37; 19, 1.5-6.15)8 Ecce Lignum Crucis (Acclamation)9 Improperien: Popule Meus + Crucem Tuam10 Inciit Lamentatio Jeremiae Prophetae (Lectio I, Feria V)11 Recessit Pastor Noster (Responsorium IV)12 Oratio Jeremiae Prophetae (Lectio IX, Sab. S.)13 Kyrie Eleison - Respice, Quaesumus, Domine14 Hac Die, Elogium: Christus Dominus Resurrexit15 Halleluia + Psalm 117(116), 1-2 + Doxologie (10 Faches Alleluia)โขBuy: cutt.ly/hFVhKHc๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #pasqua #medievalmusic #ester #earlymusic #konradruhland #capellaantiquamรผnchen #gregorian
๐๐ฆ๐ฐ๐ฆ๐ฑ๐๐ฑ๐ฆ๐ฌ ๐๐ข๐ญ๐ฒ๐ฉ๐ ๐ฅ๐ฏ๐ฆ, Missa in Domenica Resurrectionis (Easter) - Thomas Binkley, Christopher Schmidt ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-04-16 | Ensemble: Choral-Ensemble und Mittelalter-Ensemble der Schola Cantorum Basiliensis - Christopher Schmidt, Thomas Binkley, dirs.Album: Visitatio Sepulchri, Missa in Domenica Resurrectionis (XIIIth cent.)Video: Psalterium Latin de Blanche de Castille et Saint Louis (XIIIth cent.)http://www.facebook.com/musicamedievaleโขLP/CD IVisitatio Sepulchri 1 Visitatio Sepulchri: Ad FaciendamMissa In Domenica Resurrectionis 2 Missa In Domenica Resurrectionis: Rex Omnipotentiae3 Alleluia! Ad Sepulchrum4 Introitus5 Kyrie6 Gloria7 Oratio8 Conductus9 Epistel (1. Cor. 5, 7-8)10 Benedictio11 GradualeLP/CD IIMissa In Domenica Resurrectionis (Resumption)12 Missa In Domenica Ressurrectionis: Alleluia13 Sequenz14 Conductus15 Benedictio16 Evangelium (Marc. 16, 1-7)17 Credo18 Dominus Vobiscum19 Offertorium (Ps. 75, 9-10)20 Praefatio21 Sanctus22 Pater Noster23 Agnus Dei24 Communio25 Postcommunio26 Ite, Missa EstโขPerformers:[1] Singers: Michael Colver, Richard Levitt, Henk van Benthem, Josep Cabrรฉ, Robert Greenlee, Harlan Hokin; Instrumentalists: Randall Cook (shawn), Jason Paras (rebec), Xenia Schindler (harp), Kenneth Zuckerman (lute) - Thomas Binkley, dir.[2]-[26] Soloists: Michael Colver, Robert Greenlee, Harlan Hokin - Thomas Binkley, dir.; Choral Singers: Andrรฉ Baltensperger, Andreas Besteck, Josep Cabrรฉ, Timothy Doughty, Jorge Espinach, Christoph Hungeburth, Pedro Memelsdorff, Heinz Meyer, Pere Ros, Henk van Benthem, Stephan Wolf - Christopher Schmidt, dir.โขBuy: cutt.ly/GFK2Ja3๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #earlymusic #easter #musicamedievale #scholachantorumbasilensis #thomasbinkley #christopherschmidt #realmedievalmusic
๐๐ฒ๐ก๐ฆ ๐๐๐ซ๐ ๐ฑ๐ฆ ๐๐ฆ๐ ๐ฌ๐ฉ๐๐ฆ - Thomas Binkley, Barbara Thornton, Benjamin Bagby, Esther Lamandier.... ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-04-12 | Ensemble: Studio der Frรผhen Musik, Schola Cantorum Basiliensis and Ensemble Vocale Guillaume DufayAlbum: Ludi Sancti NicolaiVideo: Photos from the artworkhttp://www.facebook.com/musicamedievaleโขThis is a rare gem from the year 1977. This recording of the "Ludi Sancti Nicolai" is an incredible work by many of the most important medieval musicians and scholars, including: Thomas Binkley, Andrea VonRamm, Sterling Jones, Barbara Thornton, Benjamin Bagby, Esther Lamandier, Rachid Safir, Richard Levitt, Christian Trรฉguier.About the "Ludi Sancti Nicolai", check out the first comment below this video to find an interesting writing by Thomas Binkley.โข1. Tres FiliaeSt. Nicolaus: Christian TrรฉguierPater: JeanโMarie GouelouFiliae: Barbara Thornton | Esther Lamandier | Candice Smith Generi: Rachid Safir | Benjamin Bagby | Richard Levitt2. Iconia Sancti NicolaiSt. Nicolaus: Christian TrรฉguierJudeus: Benjamin BagbyFures: Rachid Safir | JeanโMarie Gouelou | Richard LevittMusicians: Dana Maiben, Sigrid Lee, Alice Robbins, Sterling JonesDirection: Thomas Binkley, Andrea von RammโขBuy: cutt.ly/hFEu1Ai๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#MusicaMedievale #EarlyMusic #MedievalMusic #StudioderFrรผhenMusik
๐๐ฅ๐ข ๐๐ฏ๐ฑ ๐๐ฃ โญ๐ฌ๐ฒ๐ฏ๐ฑ๐ฉ๐ถ ๐๐ฌ๐ณ๐ข - Early Music Consort of London, dir. David Munrow ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-04-10 | Ensemble: Early Music Consort of London, dir. David MunrowAlbum: The Art Of Courtly LoveVideo: David Munrow playing flutehttp://www.facebook.com/musicamedievaleโขAbout the great David Munrow: en.wikipedia.org/wiki/David_MunrowโขI. Guillaume de Machaut And His Age 1-1 A Vous, Douce Debonaire (Chanson) - Jehan De Lescurel1-2 Hareu! Hareu! Le Feu - Helas! Ou Sera Pris Confors (Motet) - Guillaume de Machaut1-3 Amours Me Fait Desirer (Ballade) - Guillaume de Machaut1-4 Trop Plus Est Belle - Biautรฉ Paree - Je Ne Sui Mie Certeins (Motet) - Guillaume de Machaut1-5 Amis Tout Dous Vis (Rondeau) - P. des Molins1-6 Se Ma Dame M'a Guerpy (Virelai) - Guillaume de Machaut1-7 Se Je Souspir (Virelai) - Guillaume de Machaut1-8 Dame Se Vous M'estรฉs Lointeinne (Ballade) - Guillaume de Machaut1-9 Quant Je Sui Mis Au Retour (Virelai) - Guillaume de Machaut1-10 Mes Esperis Se Combat (Ballade) - Guillaume de Machaut1-11 Ma Fin Est Mon Commencement (Rondeau) - Guillaume de Machaut1-12 Douce Dame Jolie (Virelai) - Guillaume de Machaut1-13 De Bon Espoir - Puis Que la Douce Rousee (Motet) - Guillaume de Machaut1-14 De Toutes Flours (Ballade) - Guillaume de Machaut1-15 Quant Theseus - Ne Quier Veoir (Double Ballade) - Guillaume de Machaut1-16 La Septime Estampie Real (Dance) - Anonymous1-17 Quant J'ay L'espart (Rondeau) - Guillaume de Machaut1-18 Phyton Le Mervilleus Serpent (Ballade) - Guillaume de Machaut1-19 Armes Amours - O Flour Des Flours (Double Ballade) - F. AndrieuII. Late fourteenth-century avant-garde 1-20 A L'arme A L'arme (Virelai) - Grimace1-21 Phiton Phiton (Virelai) - FranciscusTwo Variants On The Tenor "Roussignoulet Du Bois"1-22.1 1: Hรฉ Trรฉs Doulz Roussignol (Virelai) - Borlet1-22.2 2: Ma Tredol Rosignol (Virelai) - Attributed To Borlet1-23 Fumeux Fume (Rondeau) - Solage1-24 De Home Vray (Ballade) - Johannes De Meruco1-25 Istampitta Tre Fontane (Dance) - Anonymous1-26 Ma Douce Amour (Ballade) - Johannes Symonis Hasprois2-1 Trรฉs Doulz Amis - Ma Dame / Cent Mille Fois (Rondeau) - Jean Vaillant2-2 Plasanche Or Tost (Virelai) - Pykini2-3 Amour M'a Le Cuer Mis (Ballade) - Anthonello da Caserta2-4 Tribum Quem (Motet) - Anonymous2-5 Helas ! Je Voy Mon Cuer (Ballade) - Solage2-6 Contre Le Temps (Virelai) - Anonymous2-7 Andray Soulet (Canon) - Matteo Da Perugia2-8 Le Greygnour Bien (Ballade) - Matteo Da Perugia2-9 Restoรฉs Restoรฉs (Virelai) - AnonymousIII. The Court Of Burgundy 2-10 Ce Moys de May (Rondeau) - Guillaume Dufay2-11 La Belle Se Siet (Ballade) - Guillaume Dufay2-12 Je Ne Fai Tousjours Que Penser (Rondeau) - Gilles Binchois2-13 Files A Marier (Chanson) - Gilles Binchois2-14 Amoureux Suy Et Me Vient Toute Joye (Rondeau) - Gilles Binchois2-1 5 Je Loe Amours Et Ma Dame Mercye (Ballade) - Gilles Binchois2-16 Navrรฉ Je Suis D'un Dart Penetratif (Rondeau) - Guillaume Dufay2-17 Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae (O Tres Piteulx - Omnes Amici) (Motet) - Guillaume Dufay2-18 La Spagna (Variant I) (Basse Dance) - Anonymous2-19 Par Droit Je Puis Bien Complaindre (Rondeau) - Guillaume Dufay2-20 - Donnรฉs L'assault (Rondeau) - Guillaume Dufay2-21 - Vostre Trรฉs Doulx Regart (Rondeau) - Gilles Binchois2-22 Helas Mon Dueil (Virelai) - Guillaume Dufay2-23 Bien Puist (Rondeau) - Gilles Binchois2-24 Vergine Bella (Stropha) - Guillaume Dufay2-25 La Spagna (Variant II) (Basse Dance) - AnonymousโขBuy: cutt.ly/SFl92gg๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #earlymusic #davidmunrow #earlymusicconsortoflondon #courtlylove #renaissance #medieval #music
๐๐ข๐ฐ ๐๐ฌ๐ฑ๐ข๐ฑ๐ฐ, ๐๐ฒ๐ฆ๐ฉ๐ฉ๐๐ฒ๐ช๐ข ๐ก๐ข ๐๐๐ ๐ฅ๐๐ฒ๐ฑ - ensemble Musica Nova ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-04-01 | Ensemble: Musica NovaAlbum: Les Motets, Guillaume de MachautVideo: Guillaume de Machaut, ms 1586, XIVth cent.htp://www.facebook.com/musicamedievaleโขIn Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". In the early 20th century, it was generally believed the name came from the Latin movere (to move), though a derivation from the French mot ("word", or "phrase") had also been suggested. The Medieval Latin for "motet" is motectum, and the Italian mottetto was also used. If the word is from Latin, the name describes the movement of the different voices against one another. Today, however, the French etymology is favoured by reference books, as the word "motet" in 13th-century French had the sense of "little word". In fact, the troped clausulas that were the forerunner of the motet were originally called motelli (from the French mot, "word"), soon replaced by the term moteti. The earliest motets arose in the 13th century from the organum tradition exemplified in the Notre-Dame school of Lรฉonin and Pรฉrotin. The motet probably arose from clausula sections in a longer sequence of organum. Clausulae represent brief sections of longer polyphonic settings of chant with a note-against-note texture. In some cases, these sections were composed independently and "substituted" for existing setting. These clausulae could then be "troped," or given new text in the upper part(s), creating motets. From these first motets arose a medieval tradition of secular motets. These were two- to four-part compositions in which different texts, sometimes in different vernacular languages, were sung simultaneously over a (usually Latin-texted) cantus firmus usually adapted from a passage of Gregorian chant. Later the cantus firmus was instead played on an instrument, marked in the score with a word "mot" to indicate its origin. It is also increasingly argued that the term "motet" could in fact include certain brief single-voice songs. The texts of upper voices include subjects as diverse as courtly love odes, pastoral encounters with shepherdesses, political attacks, and many Christian devotions, especially to the Virgin Mary. Most medieval motets are anonymous compositions and significantly re-use music and text. They are transmitted in a number of contexts, and were most popular in northern France. The largest surviving collection is in the Montpellier Codex. Increasingly in the 14th and 15th centuries, motets made use of repetitive patterns often termed panisorhythmic; that is, they employed repeated rhythmic patterns in all voicesโnot only the cantus firmusโwhich did not necessarily coincide with repeating melodic patterns. Philippe de Vitry was one of the earliest composers to use this technique, and his work evidently had an influence on that of Guillaume de Machaut, one of the most famous named composers of late medieval motets (Wikipedia).โข1 Motet nยฐ6 - S'il estoit nuls qui pleindre se deรผst2 Motet nยฐ6 - Et gaudebit cor vestrum3 Motet nยฐ8 - Et non est qui adjuvet4 Motet nยฐ3 - Fine Amour (instrumental)5 Motet nยฐ9 - Fera Pessima6 Motet nยฐ5 - Fiat voluntas tua7 Motet nยฐ13 - Eins que ma dame8 Motet nยฐ13 - Tant doucement9 Motet nยฐ14 - De ma dolour10 Motet nยฐ14 - Maugrรฉ mon cuer11 Motet nยฐ15 - Vidi dominum12 Motet nยฐ19 - A christo honoratus13 Motet nยฐ18 - Bone pastor14 Motet nยฐ4 - De bon espoir15 Motet nยฐ7 - Ego moriar pro te16 Motet nยฐ20 - Je ne suis mie certeins17 Motet nยฐ17 - Super omnes speciosa (instrumental)18 Motet nยฐ21 - Tribulatio proxima est19 Motet nยฐ4 - Puis que la douce rousรฉe20 Motet nยฐ11 - Fins cuers dous21 Rondeau (anonyme) - Por coi me bait mes maris?22 Motet nยฐ16 - Por coi me bait mes maris23 Motet nยฐ23 - Ad te supiramus gementes et flentes24 Motet nยฐ20 - Je ne suis mie certeins (instrumental)25 Motet nยฐ12 - Libera me26 Motet nยฐ15 - Vidi dominum (diminution instrumentale)27 Motet nยฐ1 - Amara valde28 Motet nยฐ2 - Suspiro29 Motet nยฐ4 - Speravi (instrumental)30 Motet nยฐ10 - Obediens usque ad mortem31 Motet nยฐ17 - Super omnes speciosa32 Motet nยฐ11 - Fins cuers dous (instrumental)33 Motet nยฐ22 - Apprehende arma et scutum et exurge34 Motet nยฐ3 - Quare non sum ortuusโขBuy: cutt.ly/ZDFUCy7๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko
โญ๐ฅ๐๐ซ๐ฑ๐ฐ ๐๐ข ๐๐๐ค๐ฉ๐ฆ๐ฐ๐ข ๐๐ฆ๐ฉ๐๐ซ๐๐ฆ๐ฐ๐ข - Ensemble Organum, dir. Marcel Pรฉrรจs ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-03-25 | Ensemble: Organum, dir. Marcel PรฉrรจsAlbum: Chants De L' Eglise MilanaiseVideo: Sant'Ambrogio, Milan Vth cent.http://www.facebook.com/musicamedievaleโขThe great figure of Saint Ambrose dominates the so-called โAmbrosianโ plainsong, the tradition of which has been perpetuated since the beginning of the 5th century at Milan and in some of the valleys of the Italian Alps and Southern Switzerland. An administrator, poet and orator, the future saint was the son of a high-ranking official of the Roman Empire, and was called to the see of Milan by the acclamations of the people even before he had been baptized. Milan, where he thus became Bishop, was the administrative capital of the western territories of the Empire. An important commercial centre, the city was the confluence of numerous cultural currents, bringing together men of Roman stock, Italians, Greeks and Barbarians. Ambrose succeeded a certain Auxentius, a Greek who preached Arianism, a heresy of Eastern origin. On the other hand, Ambrose, in his defence of orthodoxy, drew his inspiration from the works of the fathers of the Eastern Church, most notably those of Origen and Saint Basil. A gifted poet, the new Bishop composed numerous hymns, some of which are still in use today. Saint Augustine, who stayed with him in Milan, gives us a very precise account of one of the earliest known manifestations of Christian ecclestastic singing. At the height of the Arian dispute the Empress-Regent Justina, an adherent of the heresy, sent troops to invest some of the basilicas of the city. Ambrose opposed this order and had the threatened churches occupated by crowds of the faithful. โIt was on this occasion,โ Augustine relates, โthat they began to sing hymns and psalms in the manner of the Eastern regions, in order to prevent the people from giving way to dejection and boredomโ. Saint Augustineโs testimony is extremely valuable. The author of the confessions was himself an excellent musician and would later have to attend to the liturgy and the singing in his own pastoral functions. He speaks with authority when he emphasizes that the use of this Eastern style of singing โwas maintainedโ once the crisis was over, and that it even spread โto the rest of the worldโ. A besieged Church, an anxious crowd composed of a mixture of nationalities and languages, antiphonally sung psalms โ these were the circumstances of one of the first manifestations of liturgical singing. We cannot be indifferent to the fact that it took place in the Eastern manner. The Milanese community was sometimes forced to put up quite a struggle to defend its rite and its way of singing against the attempts at unification by both Rome and the secular powers. At the beginning of the 9th century it was to be against Charlemagne and Pope Adrian I, and later against Nicholas and Gregory VII. At the time of the Council of Trent it required all the authority of Saint Charles Borromeo, a distant successor to Saint Ambrose, to protect a mode of singing to which the Milanese wished to remain faithful. To be sure, the Ambrosian and the Roman chants existed side by side over the centuries, and it is almostcertain that numerous elements of the first were incorporated into the second. We will find in the pieces chosen by the Ensemble Organum for this recording certain familiar melodic features which have been repeated until the present day in the most commonly used liturgies. At the same time it is no less obvious that the proximity of Rome and the standardization of plainsong notation in square notes have sometimes โvulgarizedโ Ambrosian singing, partly masking its specific qualities. During the working sessions at the Abbey of Royaumont, Marcel Pรฉrรฉs and his companions applied the manner of singing and the modes of theChurches of Athens and of Antioch to a chant that usage had Romanized to an excessive extent, thereby restoring its original colour. Returning to the living sources, they have revived, โin the union of voices and heartsโ, the very gesture of the great Bishop of Milan. As he would have wished, they sing โthe hymns and the psalms in the manner of the East.โ Theresult requires no justifying commentary: the beauty of it is its own conviction. From the booklet.โข1 Lucernarium: Paravi Lucernam Christo Meo2 Psalmellus: Tui Sunt Celi Et Terra3 Ingressa: Lux Fulgebit Hodie Super Nos4 Angelorum Laus: Gloria In Excelsis Deo5 Psalmellus: Tecum Principium In Die Virtutis Tue6 Alleluia Verset: Hodie In Bethlehem Puer Natus Est7 Offertorium: Ecce Apertum Est Templum Tabernaculi8 Canticum: Ecce Quam Bonum Et Jocundum9 Offertorium: Hec Dicit Dominus10 Responsorium: Congratulamini Mihi Omnes Qui Diligitis DominumโขBuy: cutt.ly/1S37oxP๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko#musicamedievale #medieval #medievalmusic #ensembleorganum #saintambrose #ambrosian
๐๐ณ๐ข ๐ข๐ณ๐ - Brigitte Lesne, chansons de femmes des XIIe et XIIIe siรจcles ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-03-17 | Ensemble: Brigitte LesneAlbum: AVE EVA, chansons de femme XII, XIIIth cent.Video: De claris mulieribus, Giovanni Boccaccio (XIII/XIVth cent.)http://www.facebook.com/musicamedievaleโข1 Entendez Uit Ensemble2 L'autrier M'en Aloie3 Li Solaus Luist Et Clers Et Biaus4 Ondas de Mar de Vigo, Cantiga de Amigo5 Mandad' Ei Comigo, Cantiga For Voice And Accompaniment6 Quantas Sabedes Amare Amigo, Cantiga For Voice And Accompaniment7 Noches, Noches, Buenas Noches, Sephardic Chanson8 Cantiga de Santa Marรญa 109, Razon An Os Diabos de Fogir9 Qui Bien Vuet Amors Descrivre10 Mes Cuers Est Emprisonnรฉs, Rondeau11 Nonne Sui, Nonne, Laissiรฉs M'aler12 Or Piangiamo Che Piange Maria (Lauda)13 Onques N' Amai Tant Con Je Fui Amรฉe14 Avant Hier En Un Vert Pre, Chanson de Malmariรฉe15 A Chantar M'er de So Qu'en No Volria, Song16 Je Muir, Je Muir D'amourete, Rondeau For 3 Voices17 Nani Nani, Sephardic Cradle Song18 Se Vos Non Pesar Ende19 Ir Me Quieria Yo, Sephardic Greeting Song20 Cantiga de Santa Marรญa 60, Entre Av' E EvaโขSoloist, Harp, Percussion, Voice: Brigitte LesneRecorded At: Abbaye De FontevraudโขBuy: cutt.ly/wSrKYOZ๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #medieval #aveeva #brigittelesne #medievalmusic #women #poetess
๐๐ฅ๐ข ๐๐ซ๐ฆ๐ ๐ฌ๐ฏ๐ซ - Anne Azรฉma, Medieval French Songs ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-02-07 | Ensemble: Anne AzรฉmaAlbum: The UnicornVideo: Guiron le Courtois, XIVth cent. french manuscript of Bernabรฒ Visconti with miniatures by north Italian artistshttp://www.facebook.com/musicamedievaleโขLa Bestiaire D'Amour / The Bestiary Of Love / Das Bestiarium Der Liebe 1 Serena En Mer Hante - Philippe de Thaon2 En Mai Au Douz Tens Nouvel - Anonyme, XIIIth cent.Le Narcisse ร Quattre Pattes / The Four-legged Narcissus / Der Vierbeinig Narziร 3 Issi Avint Qu'Un Cers - Anonyme4 D'Un Gupil - Marie de France5 La Danse De Gupil6 Ensement Com La Panthere - Anonyme, XIIIth cent.7 Monosceros Est Beste - Philippe de Thaon8 Ausi Come Unicorne Sui - Thibaut de ChampagneMiracles Et Merveiller / Miracles And Wonders / Mirakel Und Wunder Le Cycle De Sainte Leochade - Gautier de Coincy9 Que De Mรฉmoyre10 Las, Las, Las11 Quatre Jours Plains12 Sour Cest Rivage13 N'Est Pas Merveille14 De Sainte LeochadeL'Abbaye D'Amour Ou L'Amour Fauseie / The Abbey Of Love Or Love Betrayed / Die Abtei Der Liebe 15 Au Renouvel - Anonyme, XIIIth cent.16 Belle Doette - Anonyme, XIIIth cent. 17 Je Chevauchoie L'Autrier - Moniot De ParisโขChant - Anne AzรฉmaHarp - Cheryl Ann Fulton, Shira KammenFlute - Jesse LepkoffVielle - Shira KammenโขBuy: cutt.ly/8OKPgch๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #medievalmusic #earlymusic #anneazรฉma #theunicorn #realmedievalmusic
๐๐ฏ๐ฌ๐ฒ๐๐๐ก๐ฌ๐ฒ๐ฏ๐ฐ, ๐๐ฏ๐ฌ๐ฒ๐ณ๐ข๐ฏ๐ข๐ฐ - Studio Der Frรผhen Musik, Thomas Binkley, Nigel Rogers, Sterling Jones ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-01-28 | Ensemble: Studio Der Frรผhen MusikAlbum: Troubadours & TrouveresVideo: Roman de la Rose MS. 1560http://www.facebook.com/musicamedievaleโขIt's a shame, I was convinced that I had already shared with you this wonderful Studio Der Frรผhen Musik album directed by Thomas Binkley, one of my favorite records and instead I realized that I had not yet done so.The disc is dedicated half to the Trouveres, poets and singers of Northern France and half to the Trobadours, poets and singers from a wider area that included Spain, southern France and northern Italy.The interpretations are splendid, simple and very reliable from a historical point of view.Sadly in these days the great tenor Nigel Rogers, historical collaborator of Binkley and also present in this recording, passed away. This video is therefore dedicated to his memory, and knowing that his voice and his research have defeated even death is a decidedly consoling thought.โขChansons Der Troubadours 1 Baron De Mon Dan Covit - Peire Vidal2 Leu Chansonet' E Vil - Giraut De Bornelh3 Saltarello - Anonymous4 Can Vei Lauzeta Mover - Bernart de Ventadorn5 Veris Ad Imperia - Anonymous6 A L'Entrada Del Temps Clar - Anonymous7 Kalenda Maia - Raimbaut De Vaqueiras8 A Chanter M'Er De So Qu' Eu No Volria - Comtessa de DiaChanson Der Trouvรจres 9 Retrowange Novelle - Jacques de Cambrai10 Chanterai Por Mon Coraige - Guiot De Dijon11 Lasse, Pour Quoi Refusai - Anonymous12 De Moi Doleros Vos Chant - Gillebert De Berneville13 Biaus M'Est Estez - Gace Brulรฉ14 Trop Est Mes Maris Jalos - Etienne de Meaux15 Li Joliz Temps d'Estey - AnonymousโขConductor, Flute, Dulcian, Lute, Tambourine, Chitarrone, Psaltery - Thomas BinkleyTenor Vocals - Nigel RogersMezzo-soprano Vocals, Organ, Psaltery, Harp - Andrea von RammVielle, Lira, Rebec - Sterling JonesVielle - Johannes FinkVielle, Lira - Alice RobbinsChitarrone, Lute, Tambourine - Hopkinson SmithCountertenor Vocals - Richard LevittFlute - Max HeckerPercussion - David FallowsShawm - Robert EliscuโขBuy: cutt.ly/BOooU0S๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#musicamedievale #nigelrogers #StudioDerFrรผhenMusik #earlymusic #thomasbinkley #realmedievalmusic #medievalmusic
๐ โ๐๐ซ๐ก๐ฃ๐ฒ๐ฉ ๐ฌ๐ฃ ๐๐ฉ๐ข๐๐ฐ๐๐ซ๐ฑ ๐๐ข๐ฉ๐ฆ๐ฑ๐ข๐ฐ - songs and dances performed in a minstrels manner ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-01-20 | Ensemble: Peasants AllAlbum: A Handful of Pleasant DelitesVideo: The Luttrell Psalter (XIVth cent.)http://www.facebook.com/musicamedievaleโขA Handful of Pleasant Delites is a 1977 folk album by British musicians Philip Astle & Paul Williamson.The disc was recorded inside the church of Whappenham, Northamptonshire, England and the chosen repertoire includes melodies and ballads ranging from the fourteenth to the nineteenth century.I thought about the release of this album on my channel for several days, and if in the end I decided to share part of this work with you, it is not for the choice of the repertoire, but for its execution.Astle and Williamson used a formidable instrumentation and the result is very credible from a historical point of view. The selection I made of the songs taken from their album excludes all the repertoire that goes beyond the sixteenth century. What has been included, even if it belongs to the years immediately following the fifteenth century, appears so historically informed and interesting that it would have been a shame to let it be forgotten. Inside the booklet there are even some quite serious errors, probably due to the lack of means and informations available to the two musicians; for example the famous melody of Italian origin "Trotto", contained in the London Manuscript, is described as a "lively English dance of the 14th century" ...Anyway, the performance is so realistic, essential and convincing that it will be very easy to go beyond these details to enjoy a genuine and credible listening, free from any kind of pompous orchestral arrangement son of nineteenth-century classicism.I firmly believe that, even if perhaps a little unconsciously, this folk record is truly an excellent jewel of ancient music.โข1 O Admirable Veneris Ydolum2 Bryd One Brere4 Trotto6 Ronde9 Ohne Fels - La Morisque11 English Dance12 AllemandeโขBuy: cutt.ly/BIAaYWT๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโขโขโขโขโขโข#earlymusic #musicamedievale #medievalmusic #folk #realmedievalmusic
๐๐ข โญ๐ฅ๐๐ซ๐ฑ ๐๐ข๐ฐ ๐๐ฏ๐ข๐ช๐ฆ๐ข๐ฏ๐ฐ โญ๐ฅ๐ฏ๐ขฬ๐ฑ๐ฆ๐ข๐ซ๐ฐ - Ensemble Organum, Marcel Pรฉrรจs dir. ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2022-01-16 | Ensemble: Organum, Marcel Pรฉrรจs dir.Album: Le Chant Des Premiers Chrรฉtiens (Chant Of The Early Christians)Video: A selection of photos to Ravennaโs mosaics by Kuro Silvia (http://kurosilvia.com)http://www.facebook.com/musicamedievaleโขThe Astonishing Diversity Of Pre-Gregorian Repertories.โข- Chant Ambrosien; Rรฉpertoire Milanais, Dรฉbut Du Ve Siรจcle (Ambrosian Chant; Repertory Of Milan, Early 5th Century)1 Lucernarium: Paravi Lucernam Christo Meo (Soloist: Lycourgos Angelopoulos)2 Ingressa: Lux Fulgebit Hodie Super Nos3 Psalmellus: Tecum Principium In Die Virtutis Tue (Soloist: Sลur Marie Keyrouz)- Chant Vieux-Romain; Pรฉriode Byzantine, VIIe Et VIIIe Siรจcles (Old Roman Chant; Byzantine Period, 7th And 8th Centuries)4 Introรฏt: Resurrexi (Soloist: Josep Cabrรฉ)5 Offertoire: Terra Tremuit (V. Notus In Iudea - V. Et Factus Est In Pace - V. Ibi Confregit)6 Alleluia V. Epi Si Kyrie- Chant Beneventain, VIIe - IXe Siรจcles: Messe Du Jour De Pรขques (Beneventan Chant, 7th-9th Centuries: Mass For Easter Day)7 Introรฏt: Maria Vidit Angelum (Tutti)- Chant Mozarabe, VIIe - XIe Siรจcles (Mozarabic Chant, 7th-11th Centuries)Office Des Lectures8 Invocation Sacerdotale D'introduction: Per Gloriam Nominis Tui (Soloist: Marcel Pรฉrรจs)9 Gloria In Exelsis Deo (Soloist: Jรฉrรดme Casalonga)Priรจre Eucharistique10 Ad Confractionem Panis: Qui Venit Ad Me Non Esuriet (Soloist: Jรฉrรดme Casalonga)11 Prรชtre: Humiliate Vos Ad Benedictionem! (Soloist: Marcel Pรฉrรจs)12 Ad Accedentes: Gustate Et Videte- Chant Vieux-Romain, VIIe - XIe Siรจcles (Old Roman Chant, 6th - 13th Centuries)13 Ad Processionem Kyrie (Soloist: Jean-Etienne Langianni, Marcel Pรฉrรจs)14 Alleluia - Versus O Kyrios Evasileosen/Versus Ke Gar Estereosen (Soloist: Lycourgos Angelopoulos)โขChorus Master: Marcel PรฉrรจsEnsemble: Ensemble OrganumโขBuy: cutt.ly/FIct6JR๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: paypal.me/volpemirko
๐๐ซ๐ค๐ฉ๐ฆ๐ฐ๐ฅ โญ๐๐ฏ๐ฌ๐ฉ๐ฐ - Medieval Christmas Music, The New York Pro Musica Antiqua & The Primavera Singers ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-12-28 | Ensemble: The New York Pro Musica Antiqua & The Primavera SingersAlbum: English Medieval Christmas CarolsVideo: A Medieval Carole from Ms. 1586 page 51r XIVth cent.facebook.com/musicamedievaleโขThe circle dances have a very ancient origin. In the Middle Ages the circle dance accompanied by singers was called Carol, from the old French "carole" in turn derived from the Latin "choraula". The themes of the songs could be both sacred and profane. These circle dances were very popular as dance music from the XIIth to XIVth centuries, after which their use expanded as processional chants sung at feasts, while others were written to accompany representations of Mystery Plays, the earliest representations formally developed in the Medieval Europe focused on the representation of biblical stories accompanied by songs and music.This recording was made by the ensemble "The New York Pro Musica Antiqua" in 1953 and its focuses on English Christmas Carols.โข1 Nowell Sing We2 Ave Maria3 Gloria And Alleluia4 Lullay Lullow5 What Tidings Bringest Thou?6 Marvel Not, Joseph7 Alma Redemptoris Mater8 Make We Joy Now In This Fest9 Nowell, Nowell: Tidings True10 Sancta Maria11 Hail Mary, Full Of Grace12 Ave Rex Angelorum13 Tibi Laus, Tibi Gloria14 Beata Progenies15 Nova, NovaโขBass Vocals -Brayton LewisCountertenor Vocals - Russell OberlinSoprano Vocals - Lois Roman, Ruth DaigonTenor Vocals - Arthur Squires, Charles BresslerMusic Director - Noah GreenbergโขBuy: cutt.ly/ZUciPTb๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: paypal.me/volpemirko
๐๐ฌ๐ขฬ๐ฉ - A Medieval Christmas, Ensemble Sospiri - Christopher Watson, dir. ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-12-21 | Ensemble: Sospiri - Christopher Watson, dir.Album: Medieval ChristmasVideo: Psalterium Romanum, XIVth cent.facebook.com/musicamedievaleโขAnon.1 Noรซl I2 Riu, riu, chiu3 There is no rose4 Lullay: I saw5 Verbum Patris6 Alleluya: A nywe werk is come on honde7 Angelus ad virginem8 Noรซl II9 Coventry Carol10 Nowell, nowell11 Bransle de l'Official12 Puer natus est nobisLionel Power13 SanctusAnon.14 Edi be thu Heven-QueeneHildegard von Bingen15 Virga ac diademaAnon.16 Noรซl III17 Gaudete!18 Hayl, Mary, ful of grace19 Viderunt Omnes20 Synge we to this mery cumpane21 English carols โขClaire Eadington, Sophie Biddell, Miranda Laurence, John Stainsby, John Duggan, Christopher Watson, Will Dawes: chantWilliam Lyons, Nicholas Perry: pipes, hurdy-gurdy, recorder and shawChristopher Watson, dir.โขBuy: cutt.ly/HUwxruy๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko
๐ฃ๐ฏ๐ฌ๐ฃ๐ฏ๐ฌ - Medieval Christmas music from the Xth - XVth centuries, Ensemble Ioculatores ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-12-06 | Ensemble: IoculatoresAlbum: frofro - Christmas-music in the 10th โ 15th centuriesVideo: Omelie Latine, Dรฉpartement de Manuscrits Italien (XIVth cent.)facebook.com/musicamedievaleโขThe ensemble Ioculatores joins forces with the pure voices of girls choir Schola Cantorum Leipzig to introduce the listener to the rich world of medieval Christmas music. Ranging from instrumental pieces featuring organ, harp, lute, ๏ฌddle and shawm to strictly vocal songs, this recording produced at the Romanesque basilica in Wechselburg gives an impression of the ideas people have always had of heavenly jubilation.(from the booklet)โข1 Veni, redemptor gentiumText: Ambrosius von Mailand, โ 397Melodie: 12. Jh. (Einsiedeln, Stiftsbibl. 121)Gesang2 In hoc anni circulo (instrumental)siehe Nr. 5Fidel, Harfe, Lauten3 Nun singen wir: frofro sรผddeutsch, um 1460 (Hohenfurter Liederbuch)Gesang4 In dulci iubilo (instrumental)Schlesien?, um 1400 (Leipzig, Univ. Bibl. Ms. 1305)Schalmeien5 In hoc anni circuloFrankreich, 12. Jh. (Paris, Bibl. Nat. fonds lat. 1139)Gesang, Portativ6 Concordia (instrumental) Frankreich, 9. Jh. (Paris, Bibl. Nat. fonds lat. 17436/St. Gallen, Stiftsbibl., Cod. Sang. 484 pag. 259)Portativ, Fidel, Harfe, Laute7 Ave, mueter kรผniginne - Oswald von Wolkenstein, 1377โ1445(Innsbruck, Univ. Bibl. ohne Signatur)Gesang, Lauten8 Vrลt รนch alle sรผddt., 14. Jh. (Engelberg, Stiftsbibl. Kodex 314, um 1372)Gesang9 Gabriel fram evene kingEngland, 13. Jh. (London, Brit. Libr. Arundel 248)Gesang, Fidel, Harfe, Flรถte, Glockenspiel, Maultrommel,Rahmentrommel10 Joseph, liber neve mynSchlesien?, um 1400 (Leipzig, Univ. Bibl. Ms. 1305)Gesang, Fideln, Schalmei, Trumscheit, Schellentambourin11 Sis willekommen, herre KerstAachen, 14. Jh. (Erfurt, Wiss. Bibl. 4ยฐ)Gesang12 Lรฆtabundus exsultet fidelis chorusFrankreich, 13. Jh.(Bari, Prosar der Sainte-Chapelle Paris, um 1250)Gesang, Fidel, Harfe, Laute, Flรถte, Glockenrad13 Ave mater, o Maria 10:09Italien, 15. Jh.(Innsbruck, Univ. Bibl. ohne Signatur = Wolkenstein Ms. B)Gesang14 O Maria, stella maris (instrumental)Adam de Saint-Victor, โ 1177Portativ, Schalmei15 Hanc concordi famulatu colamus sollemnitatemNotker Balbulus, โ 912(St. Gallen, Stiftsbibl., Cod. Sang. 376, nach 1050)Gesang16 Eyn hillich dach und eyn hilch nacht unde eynsalich nyge iarniederdeutsch, 15. Jh. (Rostocker Liederbuch, um 1470,Rostock. Univ. Bibl. Mss. phil. 100/2)Gesang, Fidel, Harfe17 Pois que dos ReysSpanien, 13. Jh.(El Escorial, Real Monasterio de El Escorial, B. 1.2.)Gesang, Fidel, Harfe, Laute, รd, Zink, Schalmei18 Redeuntes in idem re sรผddeutsch, 15. Jh. (Buxheimer Orgelbuch, um 1470)Orgel19 Ave, maris stellaFrankreich, 12. Jh. (Colmar, Ms. 442)GesangโขSusanne Ansorg - Fiedel, SchalmeiSabine Heller - HarfeAlexander Dinter - LauteVeit Heller - Orgel, Portativ, Glockenspiel, Zink, Schalmei, Trumscheit, GlockenradKay Krause - Laute, Schoรfiedel 5saitig, RahmentrommelSebastian Pank - Schalmei, BlockflรถteRobert Weinkauf - GesangMichael Metzler - SchellentambourinโขBuy: cutt.ly/fYkRx6D๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: paypal.me/volpemirko
โญ๐๐ซ๐ฑ๐ฆ๐ค๐๐ฐ ๐ก๐ข ๐๐๐ซ๐ฑ๐ ๐๐๐ฏ๐ฆ๐ - Alfonso X El Sabio - Clemencic Consort (VOL II) ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-11-26 | Ensemble: Clemencic ConsortAlbum: Troubadours / Cantigas De Santa MariaVideo: E Codexhttp://www.facebook.com/musicamedievaleโขThis 2021 is the anniversary of the 800 years from the birth of Alfonso X El Sabio. To celebrate him, this year I'll share many versions of his Cantigas! This is the eighth and last video about it, you can easily find the others on the channel.This version of the Cantigas is from the Clemencic Consort, one of my favorite ensembles for medieval music. As always, Clemencic's conducting prefers to approach historical accuracy with courageous and often not easily accessible choices for a not accustomed ear to medieval music. The musicians who accompany him in this first volume are among the best with whom Clemencic has worked over the years including Renรฉ Zosso on vocals and hurdy-gurdy and soprano Pilar Figueras.โขAlfonso X was born in 1221, he was King of the Romans, of Castile and Leรณn. His father was Ferdinand III, a liberal man called "the Saint" and the "King of religions" as during his reign he managed to make Christians, Muslims and Jews coexist in peace. His mother was Elisabetta Hohenstaufen, nephew of Frederick Barbarossa. From the sources that speak of his life we โโknow that in his youth Alfonso was surrounded by numerous paramours and politically helped his father in many military campaigns, but it was his love for Art that made him immortal with the nickname "El Sabio". In 1254 Alfonso endowed with many privileges the school of Salamanca, founded by his grandfather, and thanks to Pope Alexander IV, he obtained permission to make the school an international university allowing its graduates to teach anywhere, except Paris and Bologna. Alfonso tried to bring together all the knowledge of his time in the language spoken by his subjects by founding the School of Translators of Toledo; the Muslim and Jewish sages of his court translated ancient Arabic and Hebrew works into Castilian. His scientific, historical and literary work was fundamental; promoted the drafting and publication of a series of authoritative texts in various fields of artistic and scientific culture such as the Alfonsine Tables: astronomical tables capable of providing the positions of the Sun, planets, stars and the dates of eclipses. He was also an excellent poet and even the author of one of the first treatises on chess. However, it was Music that handed it over to legend thanks to the collection of the famous Cantigas de Santa Maria, monophonic songs of the XIII cent. now preserved in Madrid and Florence, containing an enormous number of compositions and representations of musical instruments and players. The outset of these compositions can be traced back to the troubadour art, which were so successful as to induce Alfonso X to use both the language and the form. Marian devotion was particularly in vogue in this century, the collection sees the participation of aristocrats and courtiers, bourgeois, friars, clerics and jesters of humble origins, but protected in the courts. King Alfonso himself composed cรกntigas, some of which incite poets and jesters to dedicate their efforts and inspiration to the โSanta Damaโ. In addition to the Cantigas de Santa Maria, the Cantigas de Amigo, popular, melodious and melancholic, also spread in that period, showing some contact with the Mozarabic kharge in Arabic-Hebrew composed in the XI cent.. The work has great importance from a triple point of view: literary, musical and pictorial. Alfonso X inherited from his father Fernando III his musical chapel which brought together interpreters and composers of various cultures and who formed part of the alphonsine court, similar to his School of translators or scriptorium regio. He seems to be surrounded by them in some miniatures. The melodies are influenced by Gregorian monody, popular lyric and troubadour songs. The Codices of the Escorial Library are adorned and profuse with miniatures, fundamental for the reconstruction of 13th century musical instruments: flutes, hurdy-gurdy, psaltery, lute, vielle, cรญtara, guiterne, harp, castaรฑuelas, bagpipes, dulzaine...โข1 Cantiga 7 - Santa Maria Amar2 Cantiga 13 - Assi Como Jesu Cristo3 Cantiga 254 Cantiga 365 Cantiga 736 Cantiga 79 - Ay, Santa Maria7 Cantiga 100 vers. II - Santa Maria, Strela Do Dia8 Cantiga 159 - Non Sofre Santa Maria9 Cantiga 19010 Cantiga 207 - Se Ome Fezer11 Cantiga 23012 Cantiga 29013 Cantiga 30314 Cantiga 320 - Santa Maria Leva15 Cantiga 35316 Cantiga 370 - Loemos Muit'a VirgenโขConductor, Liner Notes, Recorder, Crotales - Renรฉ ClemencicHurdy Gurdy - Renรฉ ZossoSoprano Vocals - Pilar FiguerasCountertenor Vocals - Zeger VandersteeneBaritone Vocals - Pedro LiendoBombarde, Chirimia Gigante - Alfred HertelGoblet Drum (Zarb) - Djamchid ChemiraniVielle - Michael DittrichZither (Tympanon), Carillon, Drum Tabor - Johann Krasserโข๐น Please help this channel with a free donation: http://paypal.me/volpemirko
โญ๐๐ซ๐ฑ๐ฆ๐ค๐๐ฐ ๐ก๐ข ๐๐๐ซ๐ฑ๐ ๐๐๐ฏ๐ฆ๐ - Sequentia, Ensemble for Medieval Music ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-11-22 | Ensemble: SequentiaAlbum: Vox Iberica III, Songs For King Alfonso XVideo: E Codex facebook.com/musicamedievaleโขThis 2021 is the anniversary of the 800 years from the birth of Alfonso X El Sabio. To celebrate him, this year I'll share many versions of his Cantigas! This is the seventh video about it, you can find the others easily on the channel.โขThis version of the Cantigas de Santa Maria comes from the great Sequentia ensemble, one of the most important medieval ensembles of these modern times. Their interpretation of the Cantigas is very refined, a feature that is present in all their works, but the total absence of percussions and their extremely vocal, abstract, dreamlike and spiritual approach does not completely agree with The E Codex which instead is full of illuminations depicting musical instruments including percussions, moreover, the influence of Mediterranean and Arab music was certainly present in the territories and in the cosmopolitan court of Alfonso X, but having said that, as I always repeat, no one can know for sure how the music sounded in the historical period called "Middle Ages", so every interpretation is to be taken into consideration and the one offered by Sequentia is certainly one of the most elegant.โขSongs For King Alfonso X Of Castille And Leรณn1 Por Nos, Virgen Madre (CSM 250)2 Como O Nome Da Virgen (CSM 194)3 Sobelos Fondos Do Mar (CSM 193)4 Nenbre-sse-te, Madre De Deus, Maria (CSM 421)5 Dized', Ai Trobadores (CSM 260)6 Maldito Seja Quen Non Loara (CSM 290)7 Quantos Me Creveren Loaran (CSM 120)8 Quen Boa Dona Querra (CSM 160)9 Pero Que Seja A Gente (CSM 181)10 Humils, Forfaitz, Repres E Penedens - Guiraut Riquier11 Santa Maria, Strela Do Dia (CSM 100)12 Pois Que Deus Quis Da Virgen (CSM 38)13 Macar Poucos Cantares Acabei E Con Son (CSM 401)Kharjas In The Andalusian Style (Anon., 13th Century) 14 Que Faray, Mamma?15 Meu Sidi Ibrahim16 Gar Si Yes Devina17 Garid Vos Ay Yermanellas-18 En Todo Logar A Poder (CSM 168)โขVocals, Harp, Lute: Benjamin BagbyVocals: Barbara ThorntonFiddle, Rebab: Rainer UllreichVocals, Hurdy Gurdy (Symphonia, Organistrum): Eric MentzelVocals - Bernhard Schneider, Consuelo Saรฑudo, Cornelia Meliรกn, Debra Gomez, Elizabeth Glen, Susanne Norin, Raimund Nolte, Stephen GrantDirection: B. Bagby, B. ThorntonโขBuy: cutt.ly/QTDEt2E๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko
๐๐ฆ๐ฉ๐จ๐ข ๐๐ด๐ข๐ซ๐ก๐ฌ๐ฉ๐ถ๐ซ ๐๐ ๐ฅ๐ฒ๐ฉ๐ท๐ข - The Medieval Piper ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-11-13 | Ensemble: Silke Gwendolyn SchulzeAlbum: The Medieval PiperVideo: Selection of miniatures depicting wind instruments from European manuscripts from the twelfth to the fifteenth century.facebook.com/musicamedievaleโขSilke Gwendolyn Schulze is a musician who's specialized in woodwind. She has collaborated with many baroque and medieval music ensembles such as the Capella de Ministrers and La Morra. Recorder, pipe and tabor, duรงaine, double recorder, shawm and dulcian are some of the instruments that in her hands do not need any other support to create a pleasant, and possibly philological listening, that she may be of interest to both lovers of ancient music in general, and researchers and purists of the genre.As far as music from the 10th to the 13th century is concerned, I personally prefer intimate and minimal arrangements over large orchestrations, both when it comes to sacred and profane repertoires. Those who think like me, then will find "The medieval Piper" a wonderful record, able to create ancestral atmospheres without ever boring or making you feel the lack of other elements.[ITA]Silke Gwendolyn Schulze รจ una musicista specializzata in legni. Ha collaborato con molti ensemble di musica barocca e medievale come la Capella de Ministrers e La Morra. Recorder, pipe and tabor, duรงaine, double recorder, shawm and dulcian sono alcuni degli strumenti che nelle sue mani non necessitano di altro supporto per creare un ascolto piacevole e possibilmente filologico, che possa interessare sia gli amanti della musica antica in genere, che i ricercatori ed i puristi del genere.Per quel che concerne la musica dal X al XIII secolo, io personalmente prediligo degli arrangiamenti intimi e minimali rispetto alle grandi orchestrazioni, sia quando si tratta di repertori sacri che profani. Chi la pensa come me, allora troverร "The medieval Piper" un disco stupendo, in grado di creare atmosfere ancestrali senza mai annoiare o far sentire la mancanza di altri elementi.โข1 Virgen Madre Groriosa - Alfonso X2 La Seconde Estampie Royal - Anon.3 Si Ay Perdut Mon Saber - Pons d'Ortafas4 Comment Que, Pour L'Eloignance - Jehan De Lescurel5 Bel m'es Quant Sunt Li Fruit Madur - Marcabru6 Saltarello - Anon.7 Che Ti Zova Nascondere - Anon.8 I' Vo 'Bene - Ghirardello Da Firenze9 Santa Maria Amar - Alfonso X10 Muito Demostra A Virgen - Alfonso X11 Como Poden Per Sas Culpas - Alfonso X12 A Chantar M'es Al Cor - Comtessa de Dia13 Sans Cuer, Dolent De Vous Departiray - Guillaume de Machaut14 Dou Mal Qui M'a Longuement - Guillaume de Machaut15 Ave Generosa - Hildegard Von Bingen16 Par Un Tres Bel Jour De Mai - Jehan Erart17 Non Sofre Santa Maria - Alfonso X18 Aquela Que A Seu Fillo - Alfonso X19 Tant M'Abelis Ioys E Amors E Chans - Berenguier de Palazol20 Trotto - Anon.21 Benedicamus Sane Per Omnia - Anon.22 Quen A Omagen Da Virgen - Alfonso X23 Dehors Lonepre El Boschel - Jehan Erart24 Tant M'es Plazens Le Mal D'Amor - Guiraut Riquier25 Como Somos Per Conssello Do Demo Perdudos - Alfonso XโขSilke Gwendolyn Schulze: pipe, triangle, tabor, shawm, double recorder, douรงaineโขBuy: cutt.ly/QTh4aoS๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko#MedievalMusic #Instrumental #TheMedievalPiper
โญ๐๐ซ๐ฑ๐ฆ๐ค๐๐ฐ ๐ก๐ข ๐๐๐ซ๐ฑ๐ ๐๐๐ฏ๐ฆ๐ - Montserrat Figueras, Thomas Binkley dir. ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-10-29 | Ensemble:ย Das Mittelalter Ensemble der Schola Cantorum Basiliensis - Thomas BinkleyAlbum: Cantigas de Santa MariaVideo: Escurial MS, Cantiga de Santa Maria XIIIth cent.http://www.facebook.com/musicamedievaleโขThis 2021 is the anniversary of the 800 years from the birth of Alfonso X El Sabio. To celebrate him, this year I'll share many versions of his Cantigas! This is the sixth video about it, you can find the others easily on the channel.This version of the Cantigas de Santa Maria was recorded in 1980 and features Thomas Binkley, lute and conductor, and Montserrat Figueras singing; two personalities who need no introduction. โขAlfonso X was born in 1221, he was King of the Romans, of Castile and Leรณn. His father was Ferdinand III, a liberal man called "the Saint" and the "King of religions" as during his reign he managed to make Christians, Muslims and Jews coexist in peace. His mother was Elisabetta Hohenstaufen, nephew of Frederick Barbarossa. From the sources that speak of his life we โโknow that in his youth Alfonso was surrounded by numerous paramours and politically helped his father in many military campaigns, but it was his love for Art that made him immortal with the nickname "El Sabio". In 1254 Alfonso endowed with many privileges the school of Salamanca, founded by his grandfather, and thanks to Pope Alexander IV, he obtained permission to make the school an international university allowing its graduates to teach anywhere, except Paris and Bologna. Alfonso tried to bring together all the knowledge of his time in the language spoken by his subjects by founding the School of Translators of Toledo; the Muslim and Jewish sages of his court translated ancient Arabic and Hebrew works into Castilian. His scientific, historical and literary work was fundamental; promoted the drafting and publication of a series of authoritative texts in various fields of artistic and scientific culture such as the Alfonsine Tables: astronomical tables capable of providing the positions of the Sun, planets, stars and the dates of eclipses. He was also an excellent poet and even the author of one of the first treatises on chess. However, it was Music that handed it over to legend thanks to the collection of the famous Cantigas de Santa Maria, monophonic songs of the XIII cent. now preserved in Madrid and Florence, containing an enormous number of compositions and representations of musical instruments and players. The outset of these compositions can be traced back to the troubadour art, which were so successful as to induce Alfonso X to use both the language and the form. Marian devotion was particularly in vogue in this century, the collection sees the participation of aristocrats and courtiers, bourgeois, friars, clerics and jesters of humble origins, but protected in the courts. King Alfonso himself composed cรกntigas, some of which incite poets and jesters to dedicate their efforts and inspiration to the โSanta Damaโ. In addition to the Cantigas de Santa Maria, the Cantigas de Amigo, popular, melodious and melancholic, also spread in that period, showing some contact with the Mozarabic kharge in Arabic-Hebrew composed in the XI cent.. The work has great importance from a triple point of view: literary, musical and pictorial. Alfonso X inherited from his father Fernando III his musical chapel which brought together interpreters and composers of various cultures and who formed part of the alphonsine court, similar to his School of translators or scriptorium regio. He seems to be surrounded by them in some miniatures. The melodies are influenced by Gregorian monody, popular lyric and troubadour songs. The Codices of the Escorial Library are adorned and profuse with miniatures, fundamental for the reconstruction of 13th century musical instruments: flutes, hurdy-gurdy, psaltery, lute, vielle, cรญtara, guiterne, harp, castaรฑuelas, bagpipes, dulzaine...โขAlfonso el Sabio (attr.)1. Santa Maria, strela do dia (Cantiga 100)2. A que pera parayso (Cantiga 389) 03:223. Dized' ai, trobadores! (Cantiga 260) 15:324. Pero que seja a gente (Cantiga 181) 19:365. Quenta festa e o dia (Cantiga 195) 27:53โขSingers: Montserrat Figueras, Josep Benet, Joaquim Proubasta, Sylvia Greiner, Gemma Jansana, Lauren Pomerantz, Josep Cabrรฉ, Guillรฉn FrancescDonald Irving, Andrรฉ Jรฉquier: recorderRandall Cook: shawn, fiddleSterling Jones: rebab, rabelJason Paras: rebec, fiddle, lyraThomas Binkley: lute, citole, percussionKen Zukerman, Solomon Ross: luteRobert Clancy: mandoraLaurent Aubert: gitternTerumi Chinone: chitarra saracenicaTimothy Doughty: harpSally Thorpe-Smith: psalteryThomas Binkley, dir.โขBuy: cutt.ly/XRKmiUl๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: paypal.me/volpemirko
๐ ๐ฌ๐ข๐ฑ๐ฅ๐ฆ๐ฒ๐ฐ, ๐๐ฌ๐ซ๐ค๐ฐ ๐ฌ๐ฃ โญ๐ฌ๐ซ๐ฐ๐ฌ๐ฉ๐๐ฑ๐ฆ๐ฌ๐ซ - Sequentia (with lyrics from manuscripts) ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-10-20 | Ensemble: SequentiaAlbum: Boethius: Songs of Consolation - Metra from 11th-century CanterburyVideo: Clm 15825, XIth cent. - MS Gg 5 35, XIth cent.http://www.facebook.com/musicamedievaleโขImprisoned in Pavia in the early 520s, Boethius could not have anticipated that his final work would become one of the most widely read books of the Middle Ages. The Consolation of Philosophy portrays his struggle to reconcile himself to his fate by exploring the ways of man, the role of Fortune, and the major questions of good and evil. Evidence that the poems of the Consolation were sung in the early Middle Ages survives in the form of musical notation added to over thirty extant manuscripts dating from the ninth through to the beginning of the twelfth century. Through scholarly detective work, the members of Sequentia, together with a Cambridge eminence in the medieval melodic tradition linked to Boethiusโ work, Sam Barrett, have been able to produce a convincing reconstruction of this lost repertory. Barrett himself signs the main booklet essay and provides some fascinating insights therein.from: http://sequentia.orgEvidence suggests that the laments in the sixth century work of Boethius were sung, and this is an attempt at reconstruction, with the help of scholar Sam Barrett. They are based primarily on a fragment from the Cambridge Songs (compiled c.1040), boosted by a rediscovered Canterbury source. The instrumental pieces are unrelated, "reconstructed from a contemporary Anglo-Saxon repertory from neaby Winchester."The earlier Sequentia program based largely on the same Cambridge Songs source, and featuring previous attempts at reconstructing the Boethius melodies "Lost Songs of the Rhineland Harper" โคณ youtu.be/JMdeNgocNrkโข1 Carmina qui quondam2 Heu, quam praecipiti3 Tunc me discussa4 Quisquis composito5 O stelliferi conditor6 Cum Phoebi radiis7 Nubibus atris8 Stans a longe (instr.)9 Si quantas rapidis10 Tuba (instr.)11 Bella bis quinis12 Vaga (instr.)13 Quid tantos iuvatโขBenjamin Bagby, voice, harps & directionHanna Marti, voice & harpNorbert Rodenkirchen, flutesโขBuy: cutt.ly/cRzkd90๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirkoโข#medievalmusic #sequentia #boethius
๐๐ฏ๐๐ซ๐ ๐ฆ๐ฐ๐ ๐ฒ๐ฐ, la musica per San Francesco dal XIII al XVI secolo - Anonima Frottolisti ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-10-14 | Ensemble: Anonima FrottolistiAlbum: Gloriosus Franciscus, la musica per San Francesco dal XIII al XIV secolo (The music for San Francesco from XIIIth to XVIth cent.)Video:facebook.com/musicamedievaleโข1 Bulla Eleganti. 28 Septembre 12302 Kyrie: Summe Rex' Sempiterne3 Verbum Bonum Et Suave4 In Superna Civitate de Franciscii Novitate5 Sequentia de Beato Franciscu - Tommaso Da Celano6 Gaude Dei Genertix7 Sicut Pratum Picturatum8 Franciscus Ut In Pubblicum9 Ave Virgo Virginum, Verbis Carnia Cella10 Sia Laudato San Francesco11 Ceciderunt In Preclaris12 Laudar Vollio Per Amore13 O Francisce Pater Pie14 Giร per gran nobelta triumpho e fama - Nicholaus Zacharie15 Introitus Missae Sancti Francisci: Gaudeamus Omnes In Domini16 Graudale: Os Justi Meditabitur Sapientiam - GGuillaume Dufay17 Versus Alleluiaticus: O Patriarcha Paupernum, Francisce 18 [Dalla] Legenda Dei Tre Compagni19 O San Francesco, Dolce Padre Mio20 Laudium Con Gran Fervore21 Testamento Si San Francesco22 Plaude Turba Papercula - Giuliano Da SpiraโขRecorded in the church of San Vitale, Assisi by Anonima FrottolistiโขBuy: cutt.ly/sRtTkjr๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: paypal.me/volpemirko
๐๐๐๐๐ท๐ฆ๐ ๐ก๐ฆ ๐๐ฌ๐ฏ๐ฆ๐ช๐ฌ๐ซ๐ก๐ฌ - Ensemble Murmur Mori (Medieval Music, Musica Medievale) ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-10-11 | Ensemble: Murmur MoriVideo: live at the "Abbey of Morimondo" (XIIth cent.) 02.10.2021http://www.facebook.com/musicamedievaleโขThe ensemble was born in 2015, from an idea by Mirko Volpe and Silvia Kuro, with the purpose of creating "new ancient music".Taking inspiration from jester poetry of a popular nature, the project plunges its roots in the Middle Ages, when music was played for recreation, but was also a means of social criticism and had the fundamental role of knowledge propagator. Among the woods of the Italian Alps grows Murmur Mori's folk music.โข1 Tutto lo mondo si mantien per fiorelyrics: Bonagiunta Orbicciani (XIIIth cent.) - music: Mirko Volpe2 Fortune Plango Vulneralyrics: Codex Buranus (XII/XIIIth cent.) - music: Silvia Kuro, Mirko Volpe3 A la stagion che'l mondo foglia e fioralyrics: Compiuta Donzella (XIIIth cent.) - music: Mirko Volpe4 O Fortuna velut Lunalyrics: Codex Buranus (XII/XIIIth cent.) - music: Mirko Volpe5 La Giullaressalyrics: Anon. Poetess (XVIth cent.) - music: Silvia Kuro, Mirko Volpe6 La canzone della Cicalalyrics/music: Mirko Volpe7 Danza Bacchicamusic: Mirko Volpe8 Norma contro Naturalyrics/music: Mirko VolpeโขBuy: murmurmori.comFondazione Abbatia Sancte Marie de Morimundo: https://www.abbaziamorimondo.it#murmurmori #medievalmusic #folk #morimondo
๐๐ข๐ ๐ฒ๐ฉ๐๐ฏ ๐๐ฒ๐ฐ๐ฆ๐ : Robin Et Marion, Llibre Vermell and other... - Studio der frรผhen Musik ๐๐ฒ๐ฐ๐ฆ๐ ๐ ๐๐ข๐ก๐ฆ๐ข๐ณ๐๐ฉ๐ข 2021-10-09 | Ensemble: Early Music Quartet, Studio der frรผhen MusikAlbum: Robin Et Marion โข Llibre Vermell U.A. - Weltliche Musik Um 1300Video: Ms-Bodl-264 (XIVth cent.)http://www.facebook.com/musicamedievaleโขThis recording dates back to 1966 and concerns secular music of the XIVth century. It was one of the first recordings, perhaps the first, to investigate and perform medieval music pieces that have come down to us, fundamental for early music's knowledge such as the Llivre Vermell de Montserrat and Le Jeu de Robin et Marion. It will be easy for you to notice how the performance choices presented for the first time to the public in this recording have subsequently remained almost unchanged over the years, despite the fact that they belong to a repertoire that has been extensively re-proposed by early music ensembles.โข1 Pierekins de la Coupele - Chanรงon faz non pas vilaine2 Moniot d'Arras - Ce fu(t) en mai3 Anon. - Souvent souspire4 Anon. - La Chasse: Se je chant5 Anon. - He, Marotele / En la praerie / Aptatur6 Anon. - O natio / Hodie perlustravit7 Anon. - El mois d'avril / O quam sancta / Et gaudibit8 Anon. ca 1300, Bamberg, Dombibliothek, Codex Bamberg Ed. IV 6 - L'Autre jour/Au tens pascour/In seculum9 Anon. - Mout me fu grief / Robins m'aime / Portare10 Adam de la Halle - Le jeu de Robin et Marion11 Anon., Italy, XIVth c., Brit. Lib. Add. 29987 f. 56-64v - Trotto12 Anon., ca 1300, Cambridge, King's College, Muniment Roll 2 W. 32 - Bryd one brere13 Meister Alexander - Hie vor dรด wir kรฎnder wรขren14 Pseudo-Neidhart - Winter dรฎner kรผnfte15 Anon. Llibre Vermell de Montserrat - Song: O Virgo splendensVirelai danse: Stella splendensSong: Laudemus virginemSong: Splendens ceptrigeraBallad/danse: Los set goytsVirelai: Cuncti simus concanentesVirelai/danse: Polorum reginaVirelai: Mariam matrem virginemMotet: Imperayritz de la ciutat joyosaVirelai: Ad mortem festinamusโขBaritone Vocals - Karl Heinz Klein (10)Countertenor Vocals - Grayston Burgess (15)Tenor Vocals - Nigel Rogers (1, 2, 4, 10, 12), Willard Cobb (4, 5, 7, 8, 9, 10, 14, 15)Mezzo-soprano Vocals - Andrea Von Ramm (1, 4, 5, 6, 7, 8, 9, 10, 13, 15)Choir โ Mรผnchener Marienknaben, Conductor: Kurt Rith (15)Baglama - Thomas Binkley (10)Chalumeau - Caroline Butcher (3, 11)Flute โ Lore Wehrung (1, 10, 15)Chitarra Saracena - Thomas Binkley (3, 15)Lute - Thomas Binkley (1, 2, 13)Portative Organ - Andrea Von Ramm (11)Percussion - Horst Huber (1, 2, 3, 5, 8, 10, 11, 15)Citole - Thomas Binkley (11)Rebec - Sterling Jones (2, 3, 5, 10, 11, 12)Shawm - Thomas Binkley (10)Trombone - Franz Eder (6, 7)Viol - Sterling Jones (1, 8, 9, 14)โข๐ป The monetization of this channel is disabled to offer the highest possible listening quality. Please support the channel with a free donation: http://paypal.me/volpemirko
