Guggenheim Museum“Even though she didn’t speak much, or didn’t like speaking much about herself or her life, it’s all interwoven. And if you learn to read through the language of abstraction, you also see that the lines are also the lines of a life.” – Pablo León de la Barra, Curator at Large, Latin America, Solomon R. Guggenheim Museum and Foundation
This Guggenheim-produced documentary explores the life and legacy of one of the most significant artists to emerge from Latin America during the second half of the twentieth century.
Gego, or Gertrud Goldschmidt (b. 1912, Hamburg; d. 1994, Caracas), first trained as an architect and engineer at the Technische Hochschule Stuttgart (now Universität Stuttgart). Fleeing Nazi persecution in 1939, she immigrated to Venezuela, where she settled permanently, fully embarking on an artistic career in the 1950s that would span more than four decades. In sculptures, drawings, prints, and textiles, Gego traced a markedly individual path through her organic forms, linear structures, and spatial investigations.
This video was created on the occasion of “Gego: Measuring Infinity,” Solomon R. Guggenheim Museum, March 31–September 10, 2023.
“Gego: Measuring Infinity” is cocurated by Pablo León de la Barra, Curator at Large, Latin America, Solomon R. Guggenheim Museum and Foundation, New York, and Geaninne Gutiérrez-Guimarães, Associate Curator, Guggenheim Museum Bilbao, and Solomon R. Guggenheim Museum and Foundation, New York.
Gego: The Lines of a LifeGuggenheim Museum2023-06-14 | “Even though she didn’t speak much, or didn’t like speaking much about herself or her life, it’s all interwoven. And if you learn to read through the language of abstraction, you also see that the lines are also the lines of a life.” – Pablo León de la Barra, Curator at Large, Latin America, Solomon R. Guggenheim Museum and Foundation
This Guggenheim-produced documentary explores the life and legacy of one of the most significant artists to emerge from Latin America during the second half of the twentieth century.
Gego, or Gertrud Goldschmidt (b. 1912, Hamburg; d. 1994, Caracas), first trained as an architect and engineer at the Technische Hochschule Stuttgart (now Universität Stuttgart). Fleeing Nazi persecution in 1939, she immigrated to Venezuela, where she settled permanently, fully embarking on an artistic career in the 1950s that would span more than four decades. In sculptures, drawings, prints, and textiles, Gego traced a markedly individual path through her organic forms, linear structures, and spatial investigations.
This video was created on the occasion of “Gego: Measuring Infinity,” Solomon R. Guggenheim Museum, March 31–September 10, 2023.
“Gego: Measuring Infinity” is cocurated by Pablo León de la Barra, Curator at Large, Latin America, Solomon R. Guggenheim Museum and Foundation, New York, and Geaninne Gutiérrez-Guimarães, Associate Curator, Guggenheim Museum Bilbao, and Solomon R. Guggenheim Museum and Foundation, New York.Installing Sarah Sze, “Timekeeper,” 2016 at the Guggenheim. #SarahSzeTimelapse #Guggenheim #shortsGuggenheim Museum2023-06-20 | ...“Gego: Measuring Infinity” at the Guggenheim #GegoMeasuringInfinity #guggenheim #architectureGuggenheim Museum2023-06-16 | ...“Gego: Measuring Infinity” in American Sign Language (ASL)Guggenheim Museum2023-06-15 | Presented in American Sign Language (ASL) with open captioning, this video featuring Joyce Hom reflects on key artworks from the exhibition, “Gego: Measuring Infinity.”
Gego, or Gertrud Goldschmidt (b. 1912, Hamburg; d. 1994, Caracas), first trained as an architect and engineer at the Technische Hochschule Stuttgart (now Universität Stuttgart). Fleeing Nazi persecution in 1939, she immigrated to Venezuela, where she settled permanently, fully embarking on an artistic career in the 1950s that would span more than four decades. In sculptures, drawings, prints, and textiles, Gego traced a markedly individual path through her organic forms, linear structures, and spatial investigations.
“Gego: Measuring Infinity” is cocurated by Pablo León de la Barra, Curator at Large, Latin America, Solomon R. Guggenheim Museum and Foundation, New York, and Geaninne Gutiérrez-Guimarães, Associate Curator, Guggenheim Museum Bilbao, and Solomon R. Guggenheim Museum and Foundation, New York., Solomon R. Guggenheim Museum, March 31–September 10, 2023
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit http://guggenheim.org/accessibility.“Sarah Sze: Timelapse” in American Sign Language (ASL)Guggenheim Museum2023-06-15 | Presented in American Sign Language (ASL) with open captioning, this video featuring Joyce Hom reflects on key artworks from the exhibition, “Sarah Sze: Timelapse.”
Emerging as an artist in the 1990s, Sarah Sze (b. 1969, Boston) has built a distinct visual language that blurs the boundaries between various mediums including painting, sculpture, sound, print, drawing, video, and architecture, challenging the threshold between digital and the analogue, the tactile and the imagined, and the permanent and the impermanent. Sarah Sze’s site-specific interventions invite meditation on how our digitally and materially saturated world shapes the way we experience time and place.
“Sarah Sze: Timelapse” is organized by Kyung An, Associate Curator, Asian Art, Solomon R. Guggenheim Museum, March 31–September 10, 2023
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit http://guggenheim.org/accessibility.Gego: The Lines of a Life (Trailer)Guggenheim Museum2023-06-13 | “Even though she didn’t speak much, or didn’t like speaking much about herself or her life, it’s all interwoven. And if you learn to read through the language of abstraction, you also see that the lines are also the lines of a life.” – Pablo León de la Barra, Curator at Large, Latin America, Solomon R. Guggenheim Museum and Foundation
This Guggenheim-produced documentary explores the life and legacy of one of the most significant artists to emerge from Latin America during the second half of the twentieth century.
Gego, or Gertrud Goldschmidt (b. 1912, Hamburg; d. 1994, Caracas), first trained as an architect and engineer at the Technische Hochschule Stuttgart (now Universität Stuttgart). Fleeing Nazi persecution in 1939, she immigrated to Venezuela, where she settled permanently, fully embarking on an artistic career in the 1950s that would span more than four decades. In sculptures, drawings, prints, and textiles, Gego traced a markedly individual path through her organic forms, linear structures, and spatial investigations.
This video was created on the occasion of “Gego: Measuring Infinity,” Solomon R. Guggenheim Museum, March 31–September 10, 2023.
“Gego: Measuring Infinity” is cocurated by Pablo León de la Barra, Curator at Large, Latin America, Solomon R. Guggenheim Museum and Foundation, New York, and Geaninne Gutiérrez-Guimarães, Associate Curator, Guggenheim Museum Bilbao, and Solomon R. Guggenheim Museum and Foundation, New York.Artist Profile: Stephanie DinkinsGuggenheim Museum2023-05-19 | The LG Guggenheim Art and Technology Initiative was launched in 2022 with the goal of supporting the most groundbreaking artists working with technology today. As part of the initiative, the newly created LG Guggenheim Award honors one artist each year for their achievements in technology-based art with an unrestricted honorarium of $100,000.
The recipient of the first LG Guggenheim Award is Stephanie Dinkins, a visionary artist and educator whose career spans over twenty years of artistic inquiry. Stephanie’s pioneering work in artificial intelligence centers equity, transparency, and social engagement through an ethics of participation, dialogue, and care.
AI is a massive topic today. It is already impacting our environment, our jobs, our education and healthcare systems, and even our understanding of reality. Dinkins envisions models for AI repair that grows from local engagement with marginalized communities that are most impacted by big data AI.
Her works inspire us to imagine better futures through the intersection of art and technology on a global scale.
The LG Guggenheim Art and Technology Initiative is made possible by LG.
YCC 2023 Artist Collaboration Supported by LG OLED
For more information on The LG Guggenheim Art and Technology Initiative visit guggenheim.org/initiatives/lg-guggenheim-art-and-technology-initiative“Sarah Sze: Timelapse” at the GuggenheimGuggenheim Museum2023-05-18 | Emerging as an artist in the 1990s, Sarah Sze has built a distinct visual language that blurs the boundaries between various mediums including painting, sculpture, sound, print, drawing, video, and architecture, challenging the threshold between digital and the analogue, the tactile and the imagined, and the permanent and the impermanent. For this solo exhibition, Sze created a series of site-specific installations that weave a trail of discovery through multiple spaces of the Guggenheim’s iconic Frank Lloyd Wright building.
“Sarah Sze: Timelapse” is organized by Kyung An, Associate Curator, Asian Art.
“Sarah Sze: Timelapse,” Solomon R. Guggenheim Museum, March 31–September 10, 2023Artist Profile: Farah Al QasimiGuggenheim Museum2023-05-10 | “I’m interested in fictions that amplify the realities around us.” —Farah Al Qasimi
Filmed at her studio, this short artist profile underlines Farah Al Qasimi’s lens-based media practice as she prepares an ultrasensory digital display for the annual YCC Party in the Guggenheim Museum’s iconic rotunda.
The LG Guggenheim Art and Technology Initiative is made possible by LG
YCC 2023 Artist Collaboration Supported by LG OLED
For more information on The LG Guggenheim Art and Technology Initiative visit guggenheim.org/initiatives/lg-guggenheim-art-and-technology-initiativeThe LG Guggenheim Art and Technology InitiativeGuggenheim Museum2023-05-10 | The LG Guggenheim Art and Technology Initiative is a five-year, multifaceted collaboration between the Guggenheim and LG designed to research, honor, and promote artists working at the intersection of art and technology. Unique in its areas of concentration and approach, the initiative is an unprecedented investment in technology as an artistic medium. It will enable the Guggenheim to broaden its investigations into this innovative field, providing essential support to the visionary artists who inspire new understandings of how technology shapes, and is shaped by, society.
The LG Guggenheim Art and Technology Initiative is made possible by LG
YCC 2023 Artist Collaboration Supported by LG OLED
For more information on The LG Guggenheim Art and Technology Initiative visit guggenheim.org/initiatives/lg-guggenheim-art-and-technology-initiativeNick Cave: ForothermoreGuggenheim Museum2022-12-15 | “I know that I am here to use art as this vehicle for change. So, I have to somehow come up with ways of working that sort of breaks down these divisions.” —Nick Cave
The “Nick Cave: Forothermore” exhibition at the Guggenheim Museum in New York City covers the entire breadth of the artist’s career, and features sculpture, installation, video, and rarely seen early works. The exhibition title is a neologism, a new word that reflects the artist’s lifelong commitment to creating space for those who feel marginalized by dominant society and culture—especially working class communities and queer people of color.
This video was created on the occasion of “Nick Cave: Forothermore,” Solomon R. Guggenheim Museum, November 18, 2022–April 10, 2023.
“Nick Cave: Forothermore” is organized by is organized by the Museum of Contemporary Art Chicago and curated by Naomi Beckwith, Deputy Director and Jennifer and David Stockman Chief Curator of the Solomon R. Guggenheim Museum and Foundation, New York. X Zhu-Nowell, Assistant Curator, is supporting the Guggenheim presentation.
Learn more: guggenheim.org/exhibition/nick-cave-forothermoreSin Wai Kin: the story changes the body changes (repeating)Guggenheim Museum2022-11-22 | For the 2022 Asian Art Circle Presents program, the Guggenheim hosted the premiere of a newly commissioned performance by Sin Wai Kin. Conceived specifically for the museum’s Peter B. Lewis Theater space, "the story changes the body changes (repeating)" continues the artist’s exploration of storytelling as a means to interrogate binaries, in this case between reality and fiction. Drawing on traditional roles in Cantonese opera, along with contemporary drag performance as embodied speculative fiction, the narrative unfolds through circular dialogue between two characters: “The Storyteller,” Sin’s iconic personification of the universe as a newscaster, and “Change,” a brand new being who made their debut at the program. The performance examines how by crafting fantasy it is possible to manifest new realities.Alex Katz: Gathering at the GuggenheimGuggenheim Museum2022-11-09 | Created over eight decades, Alex Katz’s portraits, social scenes, and landscapes capture the immediacy of visual perception in paint.
This video was created on the occasion of “Alex Katz: Gathering,” Solomon R. Guggenheim Museum, October 21, 2022–February 20, 2023
“Alex Katz: Gathering” is organized by Katherine Brinson, Daskalopoulos Curator, Contemporary Art, with Terra Warren, Curatorial Assistant, and with additional support from Andrea Zambrano, Curatorial Assistant.
Filmed at his Maine studio nestled in New England’s scenic landscapes, legendary artist Alex Katz reflects on his relationship to light and the sensations that his painting evokes.
This video was created on the occasion of “Alex Katz: Gathering,” Solomon R. Guggenheim Museum, October 21, 2022–February 20, 2023
“Alex Katz: Gathering” is organized by Katherine Brinson, Daskalopoulos Curator, Contemporary Art, with Terra Warren, Curatorial Assistant, and with additional support from Andrea Zambrano, Curatorial Assistant.
Learn more: guggenheim.org/exhibition/alex-katz-gathering“Untitled” by Stanley Whitney in American Sign LanguageGuggenheim Museum2022-08-03 | Presented in American Sign Language (ASL) with open captioning, this video presents key artworks from the Guggenheim Museum’s collection.
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit guggenheim.org/accessibility.
To learn more about the Guggenheim’s collection, visit guggenheim.org/collection-online.“Untitled” by Sonia Gomes in American Sign LanguageGuggenheim Museum2022-08-03 | Presented in American Sign Language (ASL) with open captioning, this video presents key artworks from the Guggenheim Museum’s collection.
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit guggenheim.org/accessibility.
To learn more about the Guggenheim’s collection, visit guggenheim.org/collection-online.The Afterlife of Eva Hesse’s “Expanded Expansion”Guggenheim Museum2022-07-20 | This short Guggenheim-produced documentary covers the extensive research, dialogue, and complex conservation treatment that was carried out to conserve Eva Hesse’s "Expanded Expansion," bringing it out of storage after nearly thirty-five years.
Despite material changes, "Expanded Expansion" still holds tremendous power and is a testament to a pioneering artist who, despite her untimely death in 1970, left a body of work that pushed sculpture beyond Minimalism and Abstract Expressionism, and has deeply influenced the work of younger artists.
Curated by Lena Stringari, Deputy Director and Andrew W. Mellon Chief Conservator, with the collaboration of Richard Armstrong, Director, and Esther Chao, Objects Conservator, "Eva Hesse: Expanded Expansion" is on view through October 17, 2022.
Learn more at guggenheim.org/exhibition/eva-hesse-expanded-expansion.Sketch with Jeff - Episode 111Guggenheim Museum2022-06-04 | Guggenheim teaching artist Jeff Hopkins will share stories and drawing prompts inspired by the museum’s building and collection on select Saturdays. Each segment will invite you to create drawings of your own at home. Viewers are encouraged to share their sketches on Instagram and Twitter @Guggenheim using the hashtag #SketchWithJeff.
In Episode 111, Jeff shares a mini exhibition of artworks from the series.Cecilia Vicuña on “Quipu del exterminio / Extermination Quipu”Guggenheim Museum2022-05-27 | In this behind-the-scenes look at her creative process, Chilean artist, poet, activist, and filmmaker Cecilia Vicuña discusses Quipu del exterminio / Extermination Quipu, a site-specific installation on view as part of “Cecilia Vicuña: Spin Spin Triangulene” at the Guggenheim Museum. This presentation is Vicuña’s first solo exhibition in a New York museum, and showcases work from her multidisciplinary practice from the late 1960s to today.
“Cecilia Vicuña: Spin Spin Triangulene” is organized by Pablo León de la Barra, Curator at Large, Latin America, Solomon R. Guggenheim Museum and Foundation, and Geaninne Gutiérrez-Guimarães, Associate Curator, Guggenheim Museum Bilbao, Solomon R. Guggenheim Museum and Foundation, and is on view through August 22, 2022.
Learn more: guggenheim.org/exhibition/cecilia-vicuna-spin-spin-triangulene.Pencils Quick Art Tip 5: PrintmakingGuggenheim Museum2022-05-21 | Join animated character Pencil as she shares highlights and art-making tips from the museum's Sketch with Jeff video series.Sketch with Jeff - Episode 110Guggenheim Museum2022-05-07 | Guggenheim teaching artist Jeff Hopkins will share stories and drawing prompts inspired by the museum’s building and collection on select Saturdays. Each segment will invite you to create drawings of your own at home. Viewers are encouraged to share their sketches on Instagram and Twitter @Guggenheim using the hashtag #SketchWithJeff.
In Episode 110, Jeff challenges viewers to create works of art inspired by rain.Wearing Masks: The Performance of Identity in Contemporary ArtGuggenheim Museum2022-04-21 | Using masks as both props and metaphors, Gillian Wearing’s photographs, videos, and installations explore the performance of identity, an act that we all participate in on a quotidian basis as a means to various ends. As RuPaul famously stated, “We’re all born naked, and the rest is drag.” Some of us adopt specific affects, mannerisms, or styles of dress to authentically signal to the outside world how we feel within. For others, assimilation is a vital act of self-preservation. Often the identities we present will shift to accommodate the social or physical spaces that we occupy. More nefariously, as with the infamous Anna Delvey, and “Tinder Swindler” Simon Leviev, the performance can be a manipulative con, “faking it until you make it.” In our present landscape saturated by social media, everyone has the opportunity to present themselves as a finely curated brand.
On the occasion of the exhibition "Gillian Wearing: Wearing Masks," the Guggenheim will gather a virtual panel of artists to discuss how they each explore the central theme of identity performance within their creative practices. Jennifer Blessing, Senior Curator, Photography, will provide an introductory presentation contextualizing the conversation within Wearing’s practice. The panelists will include Farah Al Qasimi, Malik Gaines, and Colette Lumiere. The program is organized and moderated by Dr. Ksenia M. Soboleva, Andrew W. Mellon Gender and LGBTQ+ History Fellow at the Center for Women’s History, New-York Historical Society Museum and Library.
The program is part of the Elaine Terner Cooper Education Fund Conversations with Contemporary Artists series.
About the speakers Farah Al Qasimi is an artist based in Brooklyn and Dubai, who works in photography, video, and performance. She teaches at Bard College in New York. Her work has been featured in exhibitions at Public Art Fund, New York; Contemporary Art Museum St. Louis; Jameel Arts Centre, Dubai; List Visual Arts Center, Massachusetts Institute of Technology, Cambridge; and Museum of Contemporary Art Toronto.
Malik Gaines is an artist, writer, and composer based in New York. He has collaborated for two decades with Jade Gordon and Alexandro Segade as the performance group My Barbarian, presenting their work at the Museum of Modern Art, New York; Los Angeles County Museum of Art; and San Francisco Museum of Modern Art, among many other institutions, galleries and performances spaces. A twenty-year survey of their work was presented at the Whitney Museum of American Art, New York, in 2021. Gaines is co-artistic director of The Industry, an experimental opera company in Los Angeles. He is the author of many articles and essays about art and performance and the book "Black Performance on the Outskirts of the Left" (NYU Press, 2017), and is currently associate professor of performance studies at New York University’s Tisch School of the Arts.
Colette Lumiere is a pioneering artist who first became recognized for her enigmatic street art, and soon after her elaborate living tableaux and environments. Her vast enduring body of work has innovated and defied the categories of installation, performance, photography, and painting from the early 1970s through the present. Widely known as Colette, she began using a series of personas in 1978 to create her art, including Justine (for the Reverse Pop Series, 1978–83), Mata Hari and the Stolen Potatoes (1984–86), Countess Reichenbach (1986–91), the House of Olympia (1991–2001), and Lumiere (2001– ). Colette’s artwork is in the collections of the Solomon R. Guggenheim Museum, New York; Museum of Contemporary Art, Los Angeles; Brooklyn Museum; The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Museum Ludwig, Cologne; Kuntsmuseum Wolfsburg, Wolfsburg, Germany; and Berlinische Galerie, Berlin, among others. The exhibition "Notes on Baroque Living: Colette and Her Living Environment, 1972–1983," featured seminal works from the first decade of her ever-evolving career, was on view at Company Gallery, New York, earlier this year.
Dr. Ksenia M. Soboleva is a New York–based writer and art historian specializing in queer art and culture. She holds a Ph.D. from the Institute of Fine Arts, New York University, with a dissertation titled “Fragments: Art, AIDS, and Lesbian Identity in the United States.” Soboleva has curated exhibitions at Candice Madey Gallery, La MaMA Galleria, and Assembly Room, all in New York. Her writings have appeared in the Brooklyn Rail, Hyperallergic, art-agenda, and various exhibition catalogues. She was the 2020–2021 Marica and Jan Vilcek Curatorial Fellow at the Solomon R. Guggenheim Museum, New York, where she assisted in organizing the "Gillian Wearing: Wearing Masks" exhibition. She is currently the Andrew W. Mellon Postdoctoral Fellow in Gender and LGBTQ+ History at the New-York Historical Society.Pencils Quick Art Tip 4: NatureGuggenheim Museum2022-04-16 | Join animated character Pencil as she shares highlights and art-making tips from the museum's Sketch with Jeff video series.Vasily Kandinsky: Around the CircleGuggenheim Museum2022-03-29 | Go behind the scenes with Megan Fontanella, Curator, Modern Art and Provenance, and explore the work of artist Vasily Kandinsky, a central figure in the Guggenheim Museum’s founding collection.
“Vasily Kandinsky: Around the Circle” is on view through September 5, 2022. Learn more at guggenheim.org/exhibition/vasily-kandinsky-around-the-circlePencil’s Quick Art Tip 3: ShapesGuggenheim Museum2022-03-28 | Join animated character Pencil as she shares highlights and art-making tips from the museum's Sketch with Jeff video series.Conversation: Carlos Martiel and Pablo Leon de la BarraGuggenheim Museum2022-03-27 | Cuban artist Carlos Martiel creates installation and performance works during which his lone body undergoes ritualistic acts, pain, and extreme physical stress. While Martiel’s socially engaged work challenges systems of violence, displacement, and immigration, the artist’s body under duress functions as a conduit for the histories and lived experiences of the Black body. These endurance projects act as a commentary on oppressive and racist power structures, cultural hegemony, and global geopolitics.
In this talk, curator Pablo Leon de la Barra joins Martiel for a discussion about his artistic practice and performance at the Guggenheim Museum, "Monumento II (Monument II, 2021)."
Content warning: please be advised, this video contains images with nudity and may not be suitable for all viewers.Jennie C. Jones: Dynamics at the GuggenheimGuggenheim Museum2022-03-18 | "Jennie C. Jones: Dynamics" at the Guggenheim Museum features a new body of work produced by the artist that responds to the museum’s iconic architecture by interweaving visual and aural experience. Jones’s work addresses the objecthood of painting, sound as ephemeral content, and the graphic forms of music notation. She considers listening to be a conceptual practice that underwrites her visual art.
"Jennie C. Jones: Dynamics" is organized by Lauren Hinkson, Associate Curator, Collections and is on view through May 2, 2022.
Learn more at guggenheim.org/exhibition/jennie-c-jones-dynamicsPencil’s Quick Art Tip 2: Unusual MaterialsGuggenheim Museum2022-02-19 | Join animated character Pencil as she shares highlights and art-making tips from the museum's Sketch with Jeff video series.“Striped” by Vasily Kandinsky in American Sign LanguageGuggenheim Museum2022-02-11 | Presented in American Sign Language (ASL) with open captioning, this video presents key artworks from the Guggenheim Museum’s collection.
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit http://guggenheim.org/accessibility.
To learn more about the Guggenheim’s collection, visit http://guggenheim.org/collection-online.“Small Pleasures” by Vasily Kandinsky in American Sign LanguageGuggenheim Museum2022-02-11 | Presented in American Sign Language (ASL) with open captioning, this video presents key artworks from the Guggenheim Museum’s collection.
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit http://guggenheim.org/accessibility.
To learn more about the Guggenheim’s collection, visit http://guggenheim.org/collection-online.“Gloomy Situation” by Vasily Kandinsky in American Sign LanguageGuggenheim Museum2022-02-11 | Presented in American Sign Language (ASL) with open captioning, this video presents key artworks from the Guggenheim Museum’s collection.
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit http://guggenheim.org/accessibility.
To learn more about the Guggenheim’s collection, visit http://guggenheim.org/collection-online.“Group in Crinolines” by Vasily Kandinsky in American Sign LanguageGuggenheim Museum2022-02-11 | Presented in American Sign Language (ASL) with open captioning, this video presents key artworks from the Guggenheim Museum’s collection.
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit http://guggenheim.org/accessibility.
To learn more about the Guggenheim’s collection, visit http://guggenheim.org/collection-online.“Capricious Forms” by Vasily Kandsinky in American Sign LanguageGuggenheim Museum2022-02-11 | Presented in American Sign Language (ASL) with open captioning, this video presents key artworks from the Guggenheim Museum’s collection.
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit http://guggenheim.org/accessibility.
To learn more about the Guggenheim’s collection, visit http://guggenheim.org/collection-online.“Black Lines” by Vasily Kandinsky in American Sign LanguageGuggenheim Museum2022-02-11 | Presented in American Sign Language (ASL) with open captioning, this video presents key artworks from the Guggenheim Museum’s collection.
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit http://guggenheim.org/accessibility.
To learn more about the Guggenheim’s collection, visit http://guggenheim.org/collection-online.Welcome to the Guggenheim (ASL)Guggenheim Museum2022-02-11 | Presented in American Sign Language (ASL) with open captioning, this video presents key artworks from the Guggenheim Museum’s collection.
We welcome visitors of all abilities to the Guggenheim. To learn more about accessibility during your visit and special resources available visit guggenheim.org/accessibility.
The program will be a mixture of prerecorded content and live presentations, and feature projects that examine cutting-edge ideas, critical thinking, and visionary new work, technology, and research. Expect to hear about internationally pressing issues including climate change, radical approaches to preservation, digital strategies to address homelessness, the growing international movement of geo-design, as well as some extraordinary new structures, films, books, and research projects.
The exciting lineup of world renowned participants includes architects Tadao Ando, Winy Mass of MVRDV, David Chipperfield, Open Architecture, and Ooze; author Amitav Ghosh; filmmaker Matthew Heineman; artists Amie Siegel, Ursula Biemann, Himali Singh Soin, and Sebastián López Brach; designers, educators and researchers Lesley Lokko, Formafantasma, Sandi Hilal and Alessandro Petti of DAAR (Decolonizing Architecture Art Research), Paul Farber of Monument Lab, Chris Hildrey, Top Manta, Design Earth, Limbo Accra, Miriam Hillawi Abraham, Camila Marambio, Lucia Pietroiusti, and Paulo Tavares.
The World Around Summit 2022 is co-presented by The World Around, Guggenheim Museum and Het Nieuwe Instituut.The World Around Summit 2022: Session TwoGuggenheim Museum2022-02-05 | Engage with contemporary architecture and design’s now, near, and next as international participants speak to their recent and ongoing projects in the field of spatial and environmental practice. A full program with speakers can be found here: guggenheim.org/wp-content/uploads/2022/02/guggenheim-the-world-around-summit-2022.pdf.
The program will be a mixture of prerecorded content and live presentations, and feature projects that examine cutting-edge ideas, critical thinking, and visionary new work, technology, and research. Expect to hear about internationally pressing issues including climate change, radical approaches to preservation, digital strategies to address homelessness, the growing international movement of geo-design, as well as some extraordinary new structures, films, books, and research projects.
The exciting lineup of world renowned participants includes architects Tadao Ando, Winy Mass of MVRDV, David Chipperfield, Open Architecture, and Ooze; author Amitav Ghosh; filmmaker Matthew Heineman; artists Amie Siegel, Ursula Biemann, Himali Singh Soin, and Sebastián López Brach; designers, educators and researchers Lesley Lokko, Formafantasma, Sandi Hilal and Alessandro Petti of DAAR (Decolonizing Architecture Art Research), Paul Farber of Monument Lab, Chris Hildrey, Top Manta, Design Earth, Limbo Accra, Miriam Hillawi Abraham, Camila Marambio, Lucia Pietroiusti, and Paulo Tavares.
The World Around Summit 2022 is co-presented by The World Around, Guggenheim Museum and Het Nieuwe Instituut.The World Around Summit 2022: Session OneGuggenheim Museum2022-02-05 | Engage with contemporary architecture and design’s now, near, and next as international participants speak to their recent and ongoing projects in the field of spatial and environmental practice. A full program with speakers can be found here: guggenheim.org/wp-content/uploads/2022/02/guggenheim-the-world-around-summit-2022.pdf.
The program will be a mixture of prerecorded content and live presentations, and feature projects that examine cutting-edge ideas, critical thinking, and visionary new work, technology, and research. Expect to hear about internationally pressing issues including climate change, radical approaches to preservation, digital strategies to address homelessness, the growing international movement of geo-design, as well as some extraordinary new structures, films, books, and research projects.
The exciting lineup of world renowned participants includes architects Tadao Ando, Winy Mass of MVRDV, David Chipperfield, Open Architecture, and Ooze; author Amitav Ghosh; filmmaker Matthew Heineman; artists Amie Siegel, Ursula Biemann, Himali Singh Soin, and Sebastián López Brach; designers, educators and researchers Lesley Lokko, Formafantasma, Sandi Hilal and Alessandro Petti of DAAR (Decolonizing Architecture Art Research), Paul Farber of Monument Lab, Chris Hildrey, Top Manta, Design Earth, Limbo Accra, Miriam Hillawi Abraham, Camila Marambio, Lucia Pietroiusti, and Paulo Tavares.
The World Around Summit 2022 is co-presented by The World Around, Guggenheim Museum and Het Nieuwe Instituut.Pencils Quick Art Tip 1: SnowGuggenheim Museum2022-01-22 | Join animated character Pencil as she shares highlights and art-making tips from the museum's Sketch with Jeff video series.Gillian Wearing: Wearing MasksGuggenheim Museum2021-12-17 | In this video, Nat Trotman, Curator, Performance and Media, reflects on Gillian Wearing’s three-decade career and the ways masks in her practice serve as both literal props and metaphors for the performances each of us stage every day.
“Gillian Wearing: Wearing Masks” at the Guggenheim Museum in New York is the first retrospective of Wearing’s work in North America. The exhibition is on view through April 4, 2022, and is organized by Jennifer Blessing, Senior Curator, Photography, and Nat Trotman, Curator, Performance and Media, with X Zhu-Nowell, Assistant Curator, and Ksenia Soboleva, Jan and Marica Vilcek Curatorial Fellow.
For more on Gillian Wearing visit guggenheim.org/gillianwearingCollecting Abstraction: The Multiple Narratives of ModernismGuggenheim Museum2021-12-16 | Why is it important for the Guggenheim Museum to collect and preserve art?
To Guggenheim Museum founder Solomon R. Guggenheim and founding director Hilla Rebay abstraction was not just a radical art form. They also saw its potential as an immensely powerful tool for better understanding and changing the world. When Rebay introduced Vasily Kandinsky’s work to Guggenheim around 1929, she set the course of Guggenheim’s collection, and ultimately the collecting legacy of the museum he would later establish. The centrality of abstraction to the art institution’s approach to collecting is the heart of a new Guggenheim documentary, "Collecting Abstraction: The Multiple Narratives of Modernism."
"Collecting Abstraction" journeys through the decades-long history of abstraction in the Guggenheim’s collection and iconic exhibitions, illustrating an enduring commitment to the artists of our time, the multiple perspectives art offers, and the conversations artworks can stimulate. Through open and honest dialogue with various voices from the Guggenheim Museum, "Collecting Abstraction" demonstrates the ways in which the founding principles of the Guggenheim’s collection continue to guide its present and future.
Learn more about the Guggenheim collection at guggenheim.org/collection-online.Idris Khan: Conversations with Contemporary Artists (Complete Version)Guggenheim Museum2021-12-01 | Solomon R. Guggenheim Museum
The Elaine Terner Cooper Education Fund: Conversations with Contemporary Artists
By using dated, passé, or quasi-extinct stylistic devices, subject matter, and technologies, much contemporary photography and video embodies a melancholic longing for an otherwise irrrecuperable past. The "Haunted" exhibition documents this obsession, examining myriad ways photographic imagery is incorporated into recent practice, and, in the process, underscores the unique power of reproductive media. On the occasion of the exhibition, select artists featured in "Haunted" discuss the themes of their work. Curators introduce the programs and receptions, including an exhibition viewing, with the artists to follow.
Idris Khan
Wednesday, April 28, 6:30 pm
Idris Khan (b. 1978, Birmingham, England) repeatedly turns to the work of twentieth-century photographers who have explored the notion of the archive. His "Homage to Bernd Becher" compresses an entire group of the photographs by Bernd and Hilla Becher into a single, multi-layered composition, paying tribute to the sheer labor and singular vision of the original creators while offering a melancholy reminder of the passage of time.
Support for educational activities including public programs is provided in part by The Edith and Frances Mulhall Achilles Memorial Fund, The Engelberg Foundation, William Randolph Hearst Foundation, Jane A. Lehman and Alan G. Lehman Foundation, New York City Department of Cultural Affairs, The Overbrook Foundation, and the Museum's Education Committee.The World Around in Focus: Land with Simon Denny and Holly Jean Buck (Part 2 of 3)Guggenheim Museum2021-11-23 | This online public program focuses on artists, researchers, designers, and architects whose work makes visible the often invisible infrastructures and systems that are transforming lives and territories across the Americas today. Featuring commissioned films and live conversation, the event presents long-term projects and in-process research, artworks and activism that address the complex post-colonial issues of land use in the twenty-first century, and shares campaigns and designs for a more equitable future. Participants include environmental activists focused on indigenous food sovereignty and water equity; filmmakers and artists interrogating literal and metaphorical mining for digital currencies; and climate leaders with visionary ideas for a geoengineered future.
Session 2 "Technology" is moderated by artist Luiza Prado de O. Martins, and brings together Simon Denny and Holly Jean Buck.
This event is part of The World Around's yearlong residency at the Solomon R. Guggenheim Museum. Learn about The World Around residency here: guggenheim.org/initiatives/the-world-around-residencyThe World Around in Focus: Land with Joseph Kunkel and Renee Kemp-Rotan (Part 1 of 3)Guggenheim Museum2021-11-23 | This online public program focuses on artists, researchers, designers, and architects whose work makes visible the often invisible infrastructures and systems that are transforming lives and territories across the Americas today. Featuring commissioned films and live conversation, the event presents long-term projects and in-process research, artworks and activism that address the complex post-colonial issues of land use in the twenty-first century, and shares campaigns and designs for a more equitable future. Participants include environmental activists focused on indigenous food sovereignty and water equity; filmmakers and artists interrogating literal and metaphorical mining for digital currencies; and climate leaders with visionary ideas for a geoengineered future.
Session 1 "Community" is moderated by architect Emanuel Admassu, and brings together Joseph Kunkel and Renee Kemp-Rotan.
This event is part of The World Around's yearlong residency at the Solomon R. Guggenheim Museum. Learn about The World Around residency here: guggenheim.org/initiatives/the-world-around-residencyThe World Around in Focus: Land with Carolina Caycedo, Elizabeth Hoover, and David de Rozas (Part 3)Guggenheim Museum2021-11-23 | This online public program focuses on artists, researchers, designers, and architects whose work makes visible the often invisible infrastructures and systems that are transforming lives and territories across the Americas today. Featuring commissioned films and live conversation, the event presents long-term projects and in-process research, artworks and activism that address the complex post-colonial issues of land use in the twenty-first century, and shares campaigns and designs for a more equitable future. Participants include environmental activists focused on indigenous food sovereignty and water equity; filmmakers and artists interrogating literal and metaphorical mining for digital currencies; and climate leaders with visionary ideas for a geoengineered future.
Session 3 "Ecology" includes a panel moderated by scholar and writer Macarena Gomez Barris, with Carolina Caycedo and Elizabeth Hoover.
This event is part of The World Around's yearlong residency at the Solomon R. Guggenheim Museum. Learn about The World Around residency here: guggenheim.org/initiatives/the-world-around-residencyPlan Your Visit to the GuggenheimGuggenheim Museum2021-11-22 | Experience Vasily Kandinsky: Around the Circle at the Guggenheim Museum. Through his paintings, watercolors, and woodcuts, Kandinsky mined the expressive and spiritual possibilities of color, line and form. As you wind up the museum's iconic spiraling ramp, see highlights from the Guggenheim’s extensive collection of works by Kandinsky. Plus, discover a series of solo exhibitions on the lower levels of the Guggenheim rotunda that feature the work of contemporary artists Etel Adnan (October 8, 2021–January 10, 2022), Jennie C. Jones (January 28–April 18, 2022), and Cecilia Vicuña (May 6–September 5, 2022).
Plan your visit: guggenheim.org/plan-your-visit“Etel Adnan: Light’s New Measure” at the GuggenheimGuggenheim Museum2021-11-09 | “Etel Adnan: Light’s New Measure” at the Solomon R. Guggenheim Museum features artwork by Etel Adnan, a renowned poet, a prominent journalist, and the author of Sitt Marie Rose (1977), one of the defining novels of the modern Arab world. Noted for their rich convergence of cultural influences, Adnan’s paintings, tapestries, and works on paper reflect her faith in the human spirit and the beauty of the natural world.
“Etel Adnan: Light’s New Measure” is on view through January 10, 2022. Learn more at guggenheim.org/exhibition/etel-adnan-lights-new-measure.The World Around in Focus: LandGuggenheim Museum2021-10-22 | This online public program focuses on artists, researchers, designers, and architects whose work makes visible the often invisible infrastructures and systems that are transforming lives and territories across the Americas today. Featuring commissioned films and live conversation, the event presents long-term projects and in-process research, artworks and activism that address the complex post-colonial issues of land use in the twenty-first century, and shares campaigns and designs for a more equitable future. Participants include environmental activists focused on indigenous food sovereignty and water equity; filmmakers and artists interrogating literal and metaphorical mining for digital currencies; and climate leaders with visionary ideas for a geoengineered future.
This event is part of The World Around's yearlong residency at the Solomon R. Guggenheim Museum. Learn about The World Around residency here: guggenheim.org/initiatives/the-world-around-residency“Around the Circle” by Zane Rodulfo at The Bunker StudioGuggenheim Museum2021-10-12 | Visit The Bunker Studio with New York–based Trinidadian drummer, composer, and musician Zane Rodulfo, and listen to his new jazz composition, “Around the Circle,” created in response to learning more about Vasily Kandinsky’s practice and spiritual beliefs. The song was produced in conjunction with the Guggenheim Museum’s exhibition “Vasily Kandinksy: Around the Circle,” organized by Megan Fontanella, Curator, Modern Art and Provenance.
Learn more about Zane Rodulfo at zanerodulfo.comOff the Record: An Unclassified DossierGuggenheim Museum2021-09-17 | On the occasion of the exhibition "Off the Record," this collated series of conversations features the voices of artists represented in the show. Speakers will be grouped thematically to discuss topics ranging from the legacies of creative practices in the 1970s and ’90s and the potentials in mining public and private records, to the unearthing of historical accounts that run counter to dominant narratives. These discussions are conceptually bound by a closing lecture that addresses the material histories of paper documentation itself by scholar Karlynne Ejercito.
Contents: 00:00 - Legacies of the 1970s and 1990s: Sara Cwynar and Hank Willis Thomas, moderated by Ashley James, Associate Curator, Contemporary Art
54:25 - Public/Private Accounts: Leslie Hewitt and Lisa Oppenheim, moderated by Efe Igor, Assistant Director, Academic Engagement
1:37:00 - Counter Histories: Sadie Barnette, Carlos Motta, and Tomashi Jackson, moderated by Dominique Jean-Louis, New York University
2:32:30 - Keynote: Karlynne Ejercito, University of Southern California