The AnchoressWritten and Produced by Catherine Anne Davies. Mixed by Dave Eringa. TAKEN FROM THE NEW ALBUM ‘THE ART OF LOSING’. James Dean Bradfield appears courtesy of Columbia Records. http://theanchoress.co.uk
“Show Your Face” is the first single from The Art of Losing, the forthcoming second album from Welsh multi-instrumentalist The Anchoress and features guest appearances from James Dean Bradfield (Manic Street Preachers) on guitar, as well as legendary drummer Sterling Campbell (David Bowie, Duran Duran).
Video directed by JJ Eringa. Actors: Luna Austin & Nicholas Benjamin. Actors' Costume Designer: Charlotte Ward. Set Photographer: Liv Duckmanton --- Lyrics:
You can say what you think But I don’t want to see your face Let them think what they think Cos I won’t bail you out on this
You’ve got a nerve to show your face In light of what you did And now the memory takes its place What that’s you said they did?
You dish it out but now it’s plain to see that you can’t take When you’re the one to blame but now i see that you’ve been fake You dish it out but now it’s plain to see that you can take Always the one to blame But now i see that you’ve been playing
Took yourself to the brink You’d think by now i’d know your game Where the lie’s indistinct But then the truth is not the same
You’ve got a nerve to show your face In light of what you did And now the memory takes its place What’s that they said you did to me?
You dish it out but now it’s plain to see that you can’t take If you’re the one to blame But now i see that you’ve been playing You dish it out but now it’s plain to see that you can take Always the one to blame But now i see that you can break
When you’re slave to the drink Well i don’t want to know your name When you lie, doublethink Then we are done and that’s a shame
You’ve got a nerve to show your face In light of what you did And now the memory takes its place What that’s you said or did to me?
You dish it out but now it’s plain to see that you can’t take Always the one to blame But now i see that you’ve been fake You dish it out but now it’s plain to see that you can’t take Always the one to blame But now you see that you’ve been played
A nerve to show your face In light of what you did And now the memory takes its place What that’s you said or did? You’ve got a nerve you’ve got a nerve In light of what you did What that’s they said you did? You’ve got a nerve you’ve got a nerve
Show Your Face - The AnchoressThe Anchoress2020-11-02 | Written and Produced by Catherine Anne Davies. Mixed by Dave Eringa. TAKEN FROM THE NEW ALBUM ‘THE ART OF LOSING’. James Dean Bradfield appears courtesy of Columbia Records. http://theanchoress.co.uk
“Show Your Face” is the first single from The Art of Losing, the forthcoming second album from Welsh multi-instrumentalist The Anchoress and features guest appearances from James Dean Bradfield (Manic Street Preachers) on guitar, as well as legendary drummer Sterling Campbell (David Bowie, Duran Duran).
Video directed by JJ Eringa. Actors: Luna Austin & Nicholas Benjamin. Actors' Costume Designer: Charlotte Ward. Set Photographer: Liv Duckmanton --- Lyrics:
You can say what you think But I don’t want to see your face Let them think what they think Cos I won’t bail you out on this
You’ve got a nerve to show your face In light of what you did And now the memory takes its place What that’s you said they did?
You dish it out but now it’s plain to see that you can’t take When you’re the one to blame but now i see that you’ve been fake You dish it out but now it’s plain to see that you can take Always the one to blame But now i see that you’ve been playing
Took yourself to the brink You’d think by now i’d know your game Where the lie’s indistinct But then the truth is not the same
You’ve got a nerve to show your face In light of what you did And now the memory takes its place What’s that they said you did to me?
You dish it out but now it’s plain to see that you can’t take If you’re the one to blame But now i see that you’ve been playing You dish it out but now it’s plain to see that you can take Always the one to blame But now i see that you can break
When you’re slave to the drink Well i don’t want to know your name When you lie, doublethink Then we are done and that’s a shame
You’ve got a nerve to show your face In light of what you did And now the memory takes its place What that’s you said or did to me?
You dish it out but now it’s plain to see that you can’t take Always the one to blame But now i see that you’ve been fake You dish it out but now it’s plain to see that you can’t take Always the one to blame But now you see that you’ve been played
A nerve to show your face In light of what you did And now the memory takes its place What that’s you said or did? You’ve got a nerve you’ve got a nerve In light of what you did What that’s they said you did? You’ve got a nerve you’ve got a nerveUnveiling my Number 1 Trophy!The Anchoress2026-09-10 | It’s here! I thought about going somewhere fancy or beautiful to film myself unwrapping it and then I remembered that I’m a studio hermit so what better place to unbox my no.1 trophy for ‘As We Once Were’ from the Official Charts company than in the very studio where so much of it was made. So very grateful for everyone who was a part of this record and made this happen 🙏🏻A bath of vintage cassette tapes to immerse yourself in memory… #newmusicThe Anchoress2026-09-09 | The new single, released Sept 21st, was inspired by the Proustian rush of adolescent memory, “driving past houses and streets that hold incredibly evocative memories for me of my teenage years and conjures that intoxicating feeling of being drawn back into the past.” A nostalgic, synth-laden track - think M83 meets Talk Talk, meets Robyn - the track was created in part using Pete Townshend’s vintage synthesizers now housed at the Townshend Studios in West London. The new lyric video/visualiser, directed by long-time collaborator JJ Eringa, sees Davies immersed in a bath of old cassette tapes, surrounded by the very material that would inspire the writing of the new record.The Anchoress - As We Once Were (Lyric Video)The Anchoress2026-09-09 | Welsh multi-instrumentalist and producer The Anchoress (aka Catherine Anne Davies) announces a brand new infectious new single, ‘As We Once Were’, the title track from her bold and unflinching new album. Buy it here: http://found.ee/AsWeOnceWere
The new single was inspired by the Proustian rush of adolescent memory, “driving past houses and streets that hold incredibly evocative memories for me of my teenage years and conjures that intoxicating feeling of being drawn back into the past.” A nostalgic, synth-laden track – think M83 meets Talk Talk, meets Robyn – the track was created in part using Pete Townshend’s vintage synthesizers now housed at the Townshend Studios in West London.
The new lyric video/visualiser, directed by long-time collaborator JJ Eringa, sees Davies immersed in a bath of old cassette tapes, surrounded by the very material that would inspire the writing of the new record.
As We Once Were marks The Anchoress’ third studio release, following the Welsh Music Prize-nominated The Art Of Losing and the cult favourite Confessions Of A Romance Novelist. In August, the album received wall-to-wall critical acclaim everywhere from Pitchfork to Classic Pop and also landed in the Top Ten, scooping the #1 spot in the Official Scottish Album Charts and #6 in the Official Album Sales Chart and Physical Albums Chart.
Released on August 7th via Last Night From Glasgow, the new album features an all-star cast of guest vocalists, including Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers, and newcomer Eaves Wilder (Secretly Canadian). Self-produced by the three-times Music Producers’ Guild nominated Davies at Black Lodge, mixed by Dave Eringa (Manic Street Preachers, Idlewild) and Mikko Gordon (Idles, The Smile), and mastered by Jon Astley (The Who, Tori Amos), Davies describes the album as “a conversation across four generations of women”, born out of the collision of two moments from the recent past: being given access to work with all of Pete Townshend’s vintage synths at the Townshend Studios in West London, against the backdrop of the birth of her first child and the discovery of her grandmother’s voice on a cassette tape in her mother’s loft.The Anchoress - As We Once Were (Album Trailer)The Anchoress2026-08-28 | As We Once Were is the Top Ten third studio album from twice Welsh Music Prize nominated artist and producer The Anchoress aka Catherine Anne Davies. Featuring an all-star cast of guest vocalists, including vocals from Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers also contributes vocals and electric guitar to ‘Throw Over Your Man’ - a song inspired by the love letters between literary legends Virginia Woolf and Vita Sackville West - and newcomer Eaves Wilder (Secretly Canadian) duets on ‘Damsels’.
As We Once Were is the long-awaited follow-up to the UK Top 40 album The Art Of Losing, which received wall-to-wall critical plaudits upon its release in 2021 and scooped up a raft of Album of The Year nods from The Sunday Times, to Prog, to the Mail on Sunday. With Sir Elton John naming it “one of my favourite records of the year” and Caitlin Moran calling it “the inadvertent, beautiful and truthful soundtrack to this moment”, it went on to sell over 10,000 physical copies via the power of word of mouth.
Three-times Music Producers Guild nominated Davies created the new album at Black Lodge Studios, while being given access to Pete Townshend’s collection of vintage analogue synthesisers to produce an epic 14-track widescreen exploration of the nature of time and transformation. The album is mixed by Dave Eringa (Manic Street Preachers, Idlewild) and Mikko Gordon (The Smile, Idles) and mastered by Jon Astley (The Who, Tori Amos) Against the backdrop of the birth of her first child (after the multiple losses documented on The Art Of Losing) and the discovery of her grandmother’s voice on a long lost cassette tape in her mother’s attic, Davies found herself asking the question: “What can we build out of the past? Are we destined to be held down by it? Can we ever return to these past versions of ourselves?
Available on 2LP leopard print etched vinyl, 14 track gatefold CD, ltd edition deluxe 2CD media book (with 16 bonus tracks) , and ltd cassette tape album.
PRAISE FOR AS WE ONCE WERE:
“Elaborate art-pop… A record where it’s always possible to subvert the expectations and challenges of womanhood.” PITCHFORK
“Bold, impassioned and literate art-rock.” ☆☆☆☆ RECORD COLLECTOR
“Artful, affecting third album.” ☆☆☆☆ MOJO
“One of the UK’s most thoughtful and enigmatic artists.” ☆☆☆☆ CLASSIC POP
”Compelling… dreamlike musings on modern womanhood.” ☆☆☆☆ UNCUT
“Decadent art-rock.” THE GUARDIAN
“Heartfelt pop rock that recalls both Chrissie Hynde's emotional delivery and Karen Carpenter's sad-eyed purity.” ☆☆☆☆ THE TIMES
“A spectacular vision. Thought-provoking and intelligently crafted.” ☆☆☆☆ PROG
“Glistening synth pop, stately orchestration and torch balladry.” ☆☆☆☆ THE SCOTSMAN
“Vintage synths and soulful vocals. Gorgeous sadness.” ☆☆☆☆ MAIL ON SUNDAY (Album of the week)
“Isn't afraid to tackle subjects most pop stars avoid.” ☆☆☆☆ SUNDAY MIRROR
“Alluring.” ☆☆☆☆ DAILY STAR
“An in-depth examination of womanhood.” ☆☆☆☆ DAILY EXPRESSWe did it! How it feels to land at number one and have a top ten album all powered by YOU!The Anchoress2026-08-18 | ...With a little help from my friends…The Anchoress2026-08-07 | ...Are you feeling blue?The Anchoress2026-08-05 | Introducing the limited edition blue vinyl version of my new album As We Once Were - with leopard print etched fourth side - out Fri August 7th.
Which colour will you choose? #vinylrecords #vinylAs We Once Were - The Anchoress (Album Trailer)The Anchoress2026-07-31 | http://found.ee/AsWeOnceWere - As We Once Were is the third studio album from twice Welsh Music Prize nominated artist and producer The Anchoress aka Catherine Anne Davies. Featuring an all-star cast of guest vocalists, including vocals from Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers also contributes vocals and electric guitar to ‘Throw Over Your Man’ - a song inspired by the love letters between literary legends Virginia Woolf and Vita Sackville West - and newcomer Eaves Wilder (Secretly Canadian) duets on ‘Damsels’.
As We Once Were is the long-awaited follow-up to the UK Top 40 album The Art Of Losing, which received wall-to-wall critical plaudits upon its release in 2021 and scooped up a raft of Album of The Year nods from The Sunday Times, to Prog, to the Mail on Sunday. With Sir Elton John naming it “one of my favourite records of the year” and Caitlin Moran calling it “the inadvertent, beautiful and truthful soundtrack to this moment”, it went on to sell over 10,000 physical copies via the power of word of mouth.
Three-times Music Producers Guild nominated Davies created the new album at Black Lodge Studios, while being given access to Pete Townshend’s collection of vintage analogue synthesisers to produce an epic 14-track widescreen exploration of the nature of time and transformation. The album is mixed by Dave Eringa (Manic Street Preachers, Idlewild) and Mikko Gordon (The Smile, Idles) and mastered by Jon Astley (The Who, Tori Amos) Against the backdrop of the birth of her first child (after the multiple losses documented on The Art Of Losing) and the discovery of her grandmother’s voice on a long lost cassette tape in her mother’s attic, Davies found herself asking the question: “What can we build out of the past? Are we destined to be held down by it? Can we ever return to these past versions of ourselves?
Available on 2LP leopard print etched vinyl, 14 track gatefold CD, ltd edition deluxe 2CD media book (with 16 bonus tracks) , and ltd cassette tape album.
PRAISE FOR AS WE ONCE WERE:
“Elaborate art-pop… A record where it’s always possible to subvert the expectations and challenges of womanhood.” PITCHFORK
“Bold, impassioned and literate art-rock.” ☆☆☆☆ RECORD COLLECTOR
“Artful, affecting third album.” ☆☆☆☆ MOJO
“One of the UK’s most thoughtful and enigmatic artists.” ☆☆☆☆ CLASSIC POP
”Compelling… dreamlike musings on modern womanhood.” ☆☆☆☆ UNCUT
“Decadent art-rock.” THE GUARDIAN
“Heartfelt pop rock that recalls both Chrissie Hynde's emotional delivery and Karen Carpenter's sad-eyed purity.” ☆☆☆☆ THE TIMES
“A spectacular vision. Thought-provoking and intelligently crafted.” ☆☆☆☆ PROG
“Glistening synth pop, stately orchestration and torch balladry.” ☆☆☆☆ THE SCOTSMAN
“Vintage synths and soulful vocals. Gorgeous sadness.” ☆☆☆☆ MAIL ON SUNDAY (Album of the week)
“Isn't afraid to tackle subjects most pop stars avoid.” ☆☆☆☆ SUNDAY MIRROR
“Alluring.” ☆☆☆☆ DAILY STAR
“An in-depth examination of womanhood.” ☆☆☆☆ DAILY EXPRESSCan a Book Save Your Creativity?The Anchoress2026-07-18 | How can literature show us the way when we are short on time or the means to create? Becoming a mother forced me to change the way I made music and I took some unlikely inspiration from the words of Virginia Woolf. We all need a room/studio of one’s own…An Accidental Duet with Manic Street Preachers James Dean BradfieldThe Anchoress2026-07-17 | How James Dean Bradfield of Manic Street Preachers became an accidental duet partner, and how Virginia Woolf's letters to Vita Sackville-West became a song.
I'd wanted to write from Vita and Virginia's letters since I first found them as a queer teenager, when literature and music were the places I retreated to and realised there were other people out there like me. This is the story of how the song finally got made: written chorus-first on the organ, pulled briefly in a Motown direction (which sounds nuts to me now), rescued by a dark eighties Bunnymen vibe, sung with my queer choir of women (Bishi, Rookes and Vicki Falconer Pritchard, all the way from Australia), and finished by James Dean Bradfield of Manic Street Preachers, who was asked for guitar and sent back that incredible voice, just in case.
'Throw Over Your Man' opens As We Once Were, the new album, out 7 August 2026 on Last Night From Glasgow. Pre-order and more: http://found.ee/AsWeOnceWere
Chapters 00:00 A quite debauched luncheon invitation 00:19 The hardest track to get there 01:04 Virginia Woolf and Vita Sackville-West 01:53 Finding their letters as a queer teenager 02:42 Writing from source material 03:02 Organ chords, Nile Rodgers and the Bunnymen 04:00 The queer choir: Bishi, Rookes and Vicki 04:56 The accidental James Dean Bradfield duet 05:47 A studio of one's own 08:16 What "throw over your man" actually means
#TheAnchoress #ThrowOverYourMan #VirginiaWoolf #ManicStreetPreachers #AsWeOnceWereThe Accidental Manic Street Preachers Duet #manicstreetpreachers #newmusic #theanchoressThe Anchoress2026-07-17 | When you ask for electric guitars and you end up with more than you bargained for… How I ended with with an accidental duet from James Dean Bradfield of Manic Street Preachers on my new single ‘Throw Over Your Man’.Kate Bush? Florence + The Machine? Who else is on your frock rock playlist?The Anchoress2026-07-10 | ...Virginia Woolf inspired me to write this sapphic-rock anthem. #virginiawoolf #manicstreetpreachersThe Anchoress2026-07-02 | “Look here Vita — throw over your man, and we’ll go to Hampton Court and dine on the river together and walk in the garden in the moonlight and come home late and have a bottle of wine and get tipsy, and I’ll tell you all the things I have in my head, millions, myriads.” - wrote Virginia Woolf to Vita Sackville West, 1927
And then I wrote this new song, which you can hear on my third album As We Once Were.The Anchoress ft. James Dean Bradfield - Throw Over Your ManThe Anchoress2026-06-30 | ‘Throw Over Your Man’, featuring James Dean Bradfield of the Manics Street Preachers. Taken from the album As We Once Were. Preorder here: http://found.ee/AsWeOnceWere.
Lyrically inspired by the love letters between the two literary giants Virginia Woolf and Vita Sackville West, Davies describes the track as “celebratory queer rock anthem. I wanted to to conjure that intoxicating feeling of being drawn into someone’s orbit for the first time.” A raucous and pulsating guitar-laden track - think Anna Calvi meets Fleetwood Mac - the single features guest vocals and guitars from James Dean Bradfield of Manic Street Preachers whom Davies has frequently collaborated and toured with.
The new single is the third preview from Davies' forthcoming third studio album, As We Once Were, to be released this Summer via her new label home with Scottish, ethically-minded record label Last Night From Glasgow.
Written & Produced by Catherine Anne Davies Mixed by Dave Eringa
James Dean Bradfield appears courtesy of Sony Music
LYRICS:
Throw over your man Let me love you like a woman can Throw over your man Let me love you like a woman can
So I've just put these flowers in your room And there you sit with bombs falling all round you What can I say? I’ve got to live with this today
I tell you all the things here in my head They won’t stir by day, they are myriad What could I do? With my head so full of you?
I think you've never felt a love like this So lean in for the big kiss
Throw over your man Let me love you like a woman can Throw over your man Let me love you like a woman can Throw over your man Let me love you like a woman can Let me love you like a woman can Throw over your man Let me love you love you love you
I lie and think of words unsaid But then I turn to you and watch my tongue instead What should I say? I had a dream of you today
I am a throbbing thing that wants You have broken down my defensive thoughts What can I do? When my head’s so full of you?
I think you've never felt a thrill like this So lean in for the big kiss
Throw over your man Let me love you like a woman can Throw over your man Let me love you like a woman can Throw over your man Let me love you like a woman can Let me love you like a woman can Throw over your man Let me love you love you love you
I know you’ve never felt a love like this And I say that you don’t know what you’re missing You say you’ve never met a love like this So lean in for the big kiss
Throw over your man Let me love you like a woman can Throw over your man Let me love you like a woman can Throw over your man Let me love you like a woman can Let me love you like a woman can Throw over your man Let me love you love you love you Love you love you love you
#theanchoress #manicstreetpreachersComing 29.06.26. Throw Over Your Man. The Anchoress (feat. James Dean Bradfield).The Anchoress2026-06-17 | Coming 29.06.26. Throw Over Your Man. The Anchoress (feat. James Dean Bradfield). Presave and win a signed test pressing: http://found.ee/ThrowOverYourManRecovery begins todayThe Anchoress2026-06-14 | ...As We Once Were - The Anchoress (Album Trailer)The Anchoress2026-06-14 | http://found.ee/AsWeOnceWere - As We Once Were is the third studio album from twice Welsh Music Prize nominated artist and producer The Anchoress aka Catherine Anne Davies. Featuring an all-star cast of guest vocalists, including vocals from Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers also contributes vocals and electric guitar to ‘Throw Over Your Man’ - a song inspired by the love letters between literary legends Virginia Woolf and Vita Sackville West - and newcomer Eaves Wilder (Secretly Canadian) duets on ‘Damsels’.
As We Once Were is the long-awaited follow-up to the UK Top 40 album The Art Of Losing, which received wall-to-wall critical plaudits upon its release in 2021 and scooped up a raft of Album of The Year nods from The Sunday Times, to Prog, to the Mail on Sunday. With Sir Elton John naming it “one of my favourite records of the year” and Caitlin Moran calling it “the inadvertent, beautiful and truthful soundtrack to this moment”, it went on to sell over 10,000 physical copies via the power of word of mouth.
Three-times Music Producers Guild nominated Davies created the new album at Black Lodge Studios, while being given access to Pete Townshend’s collection of vintage analogue synthesisers to produce an epic 14-track widescreen exploration of the nature of time and transformation. The album is mixed by Dave Eringa (Manic Street Preachers, Idlewild) and Mikko Gordon (The Smile, Idles) and mastered by Jon Astley (The Who, Tori Amos) Against the backdrop of the birth of her first child (after the multiple losses documented on The Art Of Losing) and the discovery of her grandmother’s voice on a long lost cassette tape in her mother’s attic, Davies found herself asking the question: “What can we build out of the past? Are we destined to be held down by it? Can we ever return to these past versions of ourselves?
Available on 2LP leopard print etched vinyl, 14 track gatefold CD, ltd edition deluxe 2CD media book (with 16 bonus tracks) , and ltd cassette tape album.The Anchoress on ‘Damsels’ and being inspired by Manic Street Preachers.The Anchoress2026-06-09 | The Anchoress on the backstory behind 'Damsels' the second track to be taken from her forthcoming third studio album As We Once Were. Catherine describes the track as a Manic Street Preachers style, rifled through a history lesson of feminist icons, taking lyrical inspiration from the history lessons that I got as a teenager listening to Faster and PCP by the Manics.How Manic Street Preachers Inspired DamselsThe Anchoress2026-06-09 | Damsels was always going to be my version of the Manics' 'Faster', the song that started it all for me. It's "a Manic Street Preachers style rifle through a history lesson of feminist icons, taking lyrical inspiration from the history lessons that I got as a teenager listening to 'Faster' and 'PCP', except this time it's strictly a girlzone." I talk through the whole backstory here, from the women who blazed the trail to why my grandmother was no damsel in distress.
Pre-order As We Once Were: http://found.ee/AsWeOnceWere
'Damsels' is the second single from my third studio album As We Once Were, the follow-up to the Top 40 album The Art of Losing, out 7 August via Last Night From Glasgow, the Scottish, ethically minded record label. Set to a dreamy 4AD-inspired 12-string shoegaze soundtrack, think Cocteau Twins meets Sharon Van Etten, it features guest vocals from Eaves Wilder (Secretly Canadian).
While we were recording, Eavie (aka Eaves Wilder) started looking up every woman referenced in the lyrics, which is exactly what the song was written to do.
#TheAnchoress #Damsels #ManicStreetPreachers #EavesWilder #AsWeOnceWereNew track Damsels featuring Eaves Wilder is out now #newmusicThe Anchoress2026-05-16 | @eaves wilder joins me for Damsels.
The Anchoress (aka Catherine Anne Davies) returns with ‘Damsels’, the second track to preview from As We Once Were - a bold, unflinching new album from one of the UK’s most distinctive voices. With the album landing this August via Last Night From Glasgow, the 14-track record marks her third studio album release, following the Welsh Music Prize-nominated The Art Of Losing and the cult favourite Confessions Of A Romance Novelist.
‘Damsels’ is the second track to be previewed from the album, arriving on Friday 15 May 2026. Musically, it channels the urgent energy of Manic Street Preachers while lyrically paying tribute to generations of feminist icons. “It takes inspiration from the history lessons I got as a teenager listening to ‘Faster’ and ‘PCP’, except this time it’s strictly a girl zone,” says Davies.
The song sits at the heart of an album shaped by themes of motherhood, generational resilience and female strength in the face of loss and trauma. “I wanted to reclaim the idea of the ‘damsel in distress’ - it was never an archetype I identified with. I look back at my Mum and her Mother and all I saw was strength. ‘We are made of Welsh steel,’ she used to say to me.” Set against a dreamy 4AD-inspired 12-string guitar shoegaze soundtrack - think Cocteau Twins meets Sharon Van Etten - the new song features angelic guest vocals from Secretly Canadian-signed newcomer Eaves Wilder.Damsels - The Anchoress feat. Eaves Wilder (Lyric Video)The Anchoress2026-05-15 | Taken from the forthcoming album 'As We Once Were' - out August 7th 2026. The new album from The Anchoress - is available to pre-order now from http://iamtheanchoress.bandcamp.com.
‘Damsels’ is the second track to preview from the 'As We Once Were' and is a Manic Street Preachers-style rifle through a history lesson of feminist icons, “taking lyrical inspiration from the history lessons that I got as a teenager listening to “Faster” and “PCP”, except this time it’s strictly a girl zone. I wanted to reclaim the idea of the ‘damsel in distress’ - that wasn’t an archetype I identified with at all. I look back to my Mum and her Mother and all I saw was strength. "We are made of Welsh steel”, she used to say to me.”
Set to a dreamy 4AD-inspired 12-string guitar shoe gaze soundtrack - think Cocteau Twins meets Sharon Van Etten - the new song features angelic guest vocals from Secretly Canadian-signed newcomer Eaves Wilder.
'As We Once Were' is the long-awaited follow-up to the UK Top 40 album The Art Of Losing, which received wall-to-wall critical plaudits upon its release in 2021 and scooped up a raft of Album of The Year nods from The Sunday Times, to Prog, to the Mail on Sunday. With Sir Elton John naming it “one of my favourite records of the year” and Caitlin Moran calling it “the inadvertent, beautiful and truthful soundtrack to this moment”, it went on to sell over 10,000 physical copies via the power of pure word of mouth.
Featuring an all-star cast of guest vocalists, including Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers also contributes electric guitar and vocals to ‘Throw Over Your Man’ - a song inspired by the love letters between literary legends Virginia Woolf and Vita Sackville West - and newcomer Eaves Wilder (Secretly Canadian) features on ‘Damsels’, a song that celebrates female icons from history.
CREDITS:
Written & Produced by Catherine Anne Davies Mixed by Dave Eringa Mastered by Jon Astley
Catherine Anne Davies: Electric Guitar, OB6 Synthesizer, Vocals, Yamaha DX1 Synthesizer Eaves Wilder: Additional Vocals Charlie Cawood: Electric Bass Keir Adamson: Drums
LYRICS:
You can’t say that we don’t play fair Look who’s talking, how about you don't? Have your way then you can’t say it’s hard for you Cos that’s all you know
Emily was banging on the window Olympe de Gouges was written on the window You can’t say that we don’t play fair Look who’s talking, how about you don't?
Mary Astell waiting on the bell toll Sojourner Truth was plowing out the word so You can’t say that we don’t play fair Look who’s talking, how about you don't?
These things, these things, these things…
You can’t say that we don’t play fair Equality offends your ego Have your way then you will say it’s hard for you But how would you know?
Juana Ines was banging on the window Aphra Behn was written on the window Jules Alix was waiting on the bell toll Sojourner Truth was plowing out the word so
Juana Ines was banging on the window Aphra Behn was written on the window Emily was banging on the window Olympe de Gouges was written on the window
You can’t say that we don’t play fair Look who’s talking, how about you don't? Have your way then you can’t say it’s hard for you Cos that’s all you know
These things these things Emily was banging on the window These things these things Olympe de Gouges was written on the window These things these things Mary Astell waiting on the bell toll These things these things Sojourner Truth was plowing out the word so
You can’t say that we don’t play fair Equality offends your ego Have your way then you will say it’s hard for you But how would you know?Something new is coming this Friday 15th May…The Anchoress2026-05-13 | ...The Anchoress - I Had A Baby Not A Lobotomy feat. Gwenno (Official Video)The Anchoress2026-04-22 | As We Once Were - the new album from The Anchoress - is available to pre-order now from http://iamtheanchoress.bandcamp.com.
Welsh multi-instrumentalist and producer The Anchoress (aka Catherine Anne Davies) announces her brand new single, ‘I Had a Baby Not A Lobotomy’, the first from her forthcoming third studio album, As We Once Were, which is set to be released this August via her new label home Last Night From Glasgow. Davies describes the track “a tongue in cheek litany of all the stupid things people said to me when I had a baby”. Propelled by a litany of lyrical barbs, she calls it “an anthem for anyone who has ever been written off for daring to procreate”. Set to a technicolour vintage synth soundtrack - think John Grant and Depeche Mode meets Stranger Things - the single also features guest vocals from Mercury Music Prize nominated Welsh-Cornish musician Gwenno.
As We Once Were' is the long-awaited follow-up to the UK Top 40 album The Art Of Losing, which received wall-to-wall critical plaudits upon its release in 2021 and scooped up a raft of Album of The Year nods from The Sunday Times, to Prog, to the Mail on Sunday. With Sir Elton John naming it “one of my favourite records of the year” and Caitlin Moran calling it “the inadvertent, beautiful and truthful soundtrack to this moment”, it went on to sell over 10,000 physical copies via the power of pure word of mouth.
Featuring an all-star cast of guest vocalists, including Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers also contributes electric guitar and vocals to ‘Throw Over Your Man’ - a song inspired by the love letters between literary legends Virginia Woolf and Vita Sackville West - and newcomer Eaves Wilder (Secretly Canadian) features on ‘Damsels’, a song that celebrates female icons from history.
As We Once Were - the new album from The Anchoress - is available to preorder on 2LP etched leopard print vinyl, gatefold CD, deluxe 2CD media book, and limited edition cassette - http://iamtheanchoress.bandcamp.com
CREDITS:
Video directed by JJ Eringa
Catherine Anne Davies: ARP Model 2500, Buchla Synthesizer, Electric Guitar, Fairlight, Jupiter 8 Synthesizer, Vocals Robert Manning: Analogue Solutions Impulse Command, Elektron Digitakt Drum Sampler, Elektron Digitone, System80 880 Drum Machine Gwenno Saunders: Additional Vocals Keir Adamson: Drums
Produced by Catherine Anne Davies Mixed by Dave Eringa Mastered by Paul McGeehanThanks to everyone who “inspired” these lyrics #newmusicThe Anchoress2026-04-17 | ...‘I Had a Baby Not A Lobotomy’: an anthem for anyone ever written off for daring to procreateThe Anchoress2026-04-14 | The new single from The Anchoress is now streaming worldwide. It's taken from the album As We Once Were which is released on August 7th 2026.The Anchoress - I Had A Baby Not A Lobotomy feat. Gwenno (Lyric Video)The Anchoress2026-04-13 | Taken from the forthcoming album 'As We Once Were' - out August 7th 2026. The new album from The Anchoress - is available to pre-order now from http://iamtheanchoress.bandcamp.com.
Welsh multi-instrumentalist and producer The Anchoress (aka Catherine Anne Davies) announces her brand new single, ‘I Had a Baby Not A Lobotomy’, the first from her forthcoming third studio album, Davies describes the track “a tongue in cheek litany of all the stupid things people said to me when I had a baby”. Propelled by a litany of lyrical barbs, she calls it “an anthem for anyone who has ever been written off for daring to procreate”. Set to a technicolour vintage synth soundtrack - think John Grant and Depeche Mode meets Stranger Things - the single also features guest vocals from Mercury Music Prize nominated Welsh-Cornish musician Gwenno.
As We Once Were' is the long-awaited follow-up to the UK Top 40 album The Art Of Losing, which received wall-to-wall critical plaudits upon its release in 2021 and scooped up a raft of Album of The Year nods from The Sunday Times, to Prog, to the Mail on Sunday. With Sir Elton John naming it “one of my favourite records of the year” and Caitlin Moran calling it “the inadvertent, beautiful and truthful soundtrack to this moment”, it went on to sell over 10,000 physical copies via the power of pure word of mouth.
Featuring an all-star cast of guest vocalists, including Mercury Music Prize nominees Hannah Peel and Welsh-Cornish musician Gwenno, long-time collaborator James Dean Bradfield from Manic Street Preachers also contributes electric guitar and vocals to ‘Throw Over Your Man’ - a song inspired by the love letters between literary legends Virginia Woolf and Vita Sackville West - and newcomer Eaves Wilder (Secretly Canadian) features on ‘Damsels’, a song that celebrates female icons from history.
As We Once Were - the new album from The Anchoress - is available to preorder on 2LP etched leopard print vinyl, gatefold CD, deluxe 2CD media book, and limited edition cassette - http://iamtheanchoress.bandcamp.com
CREDITS
Produced by Catherine Anne Davies Mixed by Dave Eringa Mastered by Paul McGeehan
Catherine Anne Davies: ARP Model 2500, Buchla Synthesizer, Electric Guitar, Fairlight, Jupiter 8 Synthesizer, Vocals Robert Manning: Analogue Solutions Impulse Command, Elektron Digitakt Drum Sampler, Elektron Digitone, System80 880 Drum Machine Gwenno Saunders: Additional Vocals Keir Adamson: DrumsSomething New Is Coming...The Anchoress2026-04-08 | Tune in to Steve Lamacq on BBC 6 Music from 4pm on Monday 13th April where I’ll be joining him to talk about my new single and unveiling other exciting news!Mental Health Tips For Touring MusiciansThe Anchoress2025-10-17 | It’s World Mental Health Day and I wanted to share my top tips for looking after your mental health as a touring musician. From touring arenas with Simple Minds and the Manics, to bringing The Anchoress and band to some of the finest grass roots music venues, I think I’ve accumulated enough air miles and stage time to have something of value to add to the discussion around music and mental health.
What are some of your tips for looking after your own mental health?Enjoy The Silence - The AnchoressThe Anchoress2023-10-06 | Taken from the album 'Versions': iamtheanchoress.bandcamp.com/album/versions - out now on Drowned in Sound. Available on Limited Edition Eco Mix vinyl and gatefold CD. Produced & Mixed by Catherine Anne Davies.
The Anchoress reworks the iconic Depeche Mode song 'Enjoy The Silence' as part of her covers project and pays homage in a shot by shot recreation of the original video directed by Anton Corbijn. "While we may not have had the same travel budget as Depeche Mode, we more than made up for it with the ingenuity and imagination of one of the best young directors around".
Credits: Catherine Anne Davies: Vocals, Electric Guitar, Organ, Piano, Synths, Music Box Charlie Cawood: Bass VI, Acoustic Guitar, Glockenspiel
"When I was choosing which tracks to cover for the ‘Versions’ project, I was mostly led by instinct, where I felt I could add a new or different perspective to something that was already really familiar to listeners. I tackled some pretty sacred cows - Radiohead, Nirvana, Depeche Mode. It was sometimes nerve wracking releasing one into the wild, waiting to get told you’ve “ruined” someone’s favourite song. I wanted to choose songs that had a special significance to fans and be brave and courageous in rethinking that in a new way.
There can be a bit of snobbery around covers. People assume that they just slavishly follow the original recording, missing the amazing opportunity that they present to re-envision and re-cast something - a real gift to anyone developing their craft as a recording engineer or producer. I found myself exploring arrangement and production particularly deeply because of the nature of having a ready-made song to play with. It’s a gift to allow yourself to focus purely on the components parts of the arrangement and then, in turn, dig deeply into how the production and mix will serve your chosen mood and take on the already familiar song, without having to worry about whether you want to refine a lyric or if the chorus is “impactful” enough. The heavy-lifting has already been done by the songwriter. Your job is only to re-cast it in a way that makes the listener hear it in a new or different light.”Bizarre Love Triangle - The AnchoressThe Anchoress2023-04-14 | Official video for 'Bizarre Love Triangle' by The Anchoress. Produced by Catherine Anne Davies. Mixed by Mario J. McNulty. Taken from the 'Versions' album. Out now on Drowned In Sound Recordings. Video directed by JJ Eringa. www.theanchoress.co.uk
Credits: Catherine Anne Davies: Arp Synth, Beats, DX7 Synth, Fairlight, Glass Piano, Vocals Charlie Cawood: Electric Guitar, Electric Bass. Produced by Catherine Anne Davies Mixed & Mastered by Mario J. McNultyDiscover The Art Of Losing by The AnchoressThe Anchoress2022-01-01 | Discover The Art of Losing by The Anchoress - one of the Albums of the Year. www.theanchoress.co.uk
“Skewers the messy, chaotic nature of grief. Intense…” ☆☆☆☆ NME
“Davies has given a powerful, challenging voice to her grief.” ☆☆☆☆ THE OBSERVER
"The inadvertent and beautiful and truthful soundtrack to this moment." CAITLIN MORAN
“Recalls fellow experimentalists Bowie, Kate Bush, the Cure, Talk Talk and Tori Amos… A brave and inspirational album. And what a remarkable artist.” SUNDAY TIMES Album of the Week
"Cuts latter-day Bowie art rock shapes." ☆☆☆☆ MOJO
"Intense, insistent and inspired. Existential torment has never sounded so alluring…" ☆☆☆☆☆ PROG (Album of the Month)
"Shining alt-pop from an artisan of darkness. A bold voice in the darkest shadows." ☆☆☆☆ RECORD COLLECTOR
“A special record. Quotable, immersive, moving, imaginative, delicate, and dramatic. A stellar achievement.” THE QUIETUS
"A defiant and glorious second album.... An intensely compelling record."☆☆☆☆ CLASSIC POP
“A lyrically bold, musically lush art rock investigation of grief… like Chrissie Hynde and David Bowie on a synth-pop death trip.” THE TELEGRAPH (ALBUM OF THE WEEK) "Swaggering synthpop... Infectiously buoyant." ☆☆☆☆ UNCUT
“Processes grief in its many forms on the determined and rapturous The Art of Losing. 9/10.” THE LINE OF BEST FIT (Album of the Week)
"With a croak in her emphatic delivery that is reminiscent of Chrissie Hynde, and her earnest, romantic musical style recalling Kate Bush, this is a tackling of heavy themes through the medium of serious, accomplished art rock." ☆☆☆☆ THE TIMES
“Grief and loss are its themes, rendered in handsomely wrought tones of orchestral rock.” ★★★★ FT
“Davies’ voice mixes vulnerability with verve. She gets to the heart of grief, showing it’s not so much five stages as six emotions at the same time. And she turns it into something life-enhancing.” ☆☆☆☆ MAIL ON SUNDAY Album of the Week
“The Welsh Renaissance woman harnesses grief, fury, and love of storytelling on a compelling sequel.” 8/10 CLASH
“Intense and life-affirming” 4.5/5 MUSIC OMH
“An early contender for album of the year.” - ★★★★★ THE SUN
“Davies’s fearless and “compelling” second album as The Anchoress is a “visceral and honest” collection.” THE WEEK (ALBUMS OF THE WEEK)
“A confessional tunesmith of rare distinction” - IRISH INDEPENDENT
“A medal winner.” ☆☆☆☆ Daily Star
“An early contender for album of the year.“ ☆☆☆☆ Sunday Mirror
“Tackles death and trauma with defiant optimism.” ☆☆☆☆ Sunday Express
“The Anchoress speaks for us all at a time when the perilous balance of power between the sexes looks ever more fragile.” ☆☆☆☆☆ THE ARTS DESK
“Davies’ finest work to date and a testament to her strength and artistic vision.’ 8/10 Under The Radar
“No one-sided elegy, the second album from the Welsh polymath is a pop record as much a place of refuge.” ☆☆☆☆☆ THE FORTY FIVE
“What doesn’t kill you makes you stronger… and this is a very strong record. Clever and Compelling.” Steve Lamacq, BBC 6 MUSIC
“A masterpiece… the spooked urgency of Scott Walker’s Nite Flights & the bitter wisdom of Marianne Faithfull’s A Secret Life.” PETE PAPHIDES
“Brilliantly Depeche.” Shaun Keaveny, BBC 6 MUSIC
“Brilliant & emotive. ”Chris Hawkins, BBC 6 MUSICThe Anchoress - The Exchange feat. James Dean Bradfield (Jermaine Soul Remix)The Anchoress2021-10-01 | THE ART OF LOSING - the new album - out now: www.theanchoress.co.uk Written & Produced by Catherine Anne Davies
JermaineSoul is a Birmingham-based electronic producer, DJ and multi-instrumentalist. Past collaborations include Daedelus, Max Cooper and Message to Bears. Here he remixes 'The Exchange', having previously remixed The Anchoress' work on her debut album. He combines ethereal soundscapes and rich orchestration, accompanied with hard-hitting bass lines and complex rhythms.
Remix by JermaineSoul
Animation by Scott Robinson
James Dean Bradfield appears courtesy of Columbia RecordsThe Anchoress - The Art of Losing (Jermaine Soul Remix)The Anchoress2021-09-03 | THE ART OF LOSING - the new album - out now: www.theanchoress.co.uk Written & Produced by Catherine Anne Davies
JermaineSoul is a Birmingham-based electronic producer, DJ and multi-instrumentalist. Past collaborations include Daedelus, Max Cooper and Message to Bears. Here he remixes the BBC 6Music play-listed single 'The Art of Losing', having previously remixed The Anchoress' work on her debut album. He combines ethereal soundscapes and rich orchestration, accompanied with hard-hitting bass lines and complex rhythms.
https://TheAnchoress.lnk.to/TAOLRMX
Remix by JermaineSoul.
Animation by Scott Robinson.The Anchoress - Show Your Face (worriedaboutsatan Remix)The Anchoress2021-08-06 | THE ART OF LOSING - the new album - out now: www.theanchoress.co.uk Written & Produced by Catherine Anne Davies
Bradford-based musician Gavin Miller AKA worriedaboutsatan is widely regarded for his work music-supervising the soundtracks to Adam Curtis’ acclaimed BBC documentaries, as well as sharing a stage with everyone from Underworld to Olafur Arnalds. Making work that fuses post-rock and electronica influences, previous remixes include HEALTH, Gold Panda, and Clock Opera.
worriedaboutsatan’s remix of the BBC 6Music play-listed single reimagines The Anchoress’ vocal amidst a minimalist electronic landscape.
Remix by worriedaboutsatan. Additional instrumentation & production by Gavin Miller.
Animation by Scott Robinson.The Anchoress - Unravel (Cross Bone T Remix)The Anchoress2021-07-02 | The Art of Losing - the brand new album - out now: theanchoress.co.uk
London-born rapper/producer Cross Bone T is known best for his work within the hip-hop genre, working with the likes of Gawd Status and Strange U (Eglo Records), and appearing on stage at Yoko Ono’s Meltdown Festival.
His remix of ‘Unravel’ transforms the BBC 6Music-featured track into a pulsating, gritty trap-infused dubstep/future bass confection.
Animation: Scott RobinsonThe Anchoress - The Exchange feat. James Dean Bradfield (Hinako Omori Remix)The Anchoress2021-06-04 | The Art of Losing - out now: theanchoress.co.uk.
Hinako Omori has worked with an array of artists including Ellie Goulding, Kate Tempest, James Bay, Georgia, KT Tunstall, and Radiohead’s Ed O’Brien. Her remix of ‘The Exchange’ transforms the BBC 6Music-featured single, reimagining the vocals of The Anchoress and Manic Street Preachers’ James Dean Bradfield in a landscape of lush atmospheric minimalism and vintage tape echo.
Animation: Scott RobinsonTHE ART OF LOSING - OUT NOWThe Anchoress2021-04-29 | The Art of Losing is the critically celebrated Top 40 second album from Welsh songwriter and producer, Catherine Anne Davies, aka The Anchoress featuring guest appearances from Manic Street Preachers’ James Dean Bradfield. The album tackles death and trauma "with a defiant optimism" and has drawn comparisons to Depeche Mode, Bjork, and Bowie with critics lauding it as "an early contender for album of the year". www.theanchoress.co.ukThe Anchoress - 5AMThe Anchoress2021-03-14 | Written and Produced by Catherine Anne Davies. Mixed by P.Dub. Taken from the album The Art of Losing: http://TheAnchoress.lnk.to/TheArtOfLosing - http://theanchoress.co.uk
Lyrics:
It was my mistake in a hotel room Let you stay the night Cos even though I know we’re done Well these things go wrong When you want to be liked And if you see her say ‘hi” I didn’t stop to tell her why It’s 5am And she’s dripping down my thighs
Red red blood is dripping on the carpet Red red blood is dripping and I can’t sleep And I can’t speak Can’t speak
And I’m wide awake at my best friend’s house Age 14 Cos you said we could stop when I wanted But you weren’t that bothered When I just screamed But when I see him I still say “hi” He didn’t stop to tell me why It’s 5am And he’s dripping down my thigh
Red red blood is dripping on the carpet Red red blood is dripping and I can’t sleep And I can’t speak Can’t speak
On my way to the hospital Late last night And you said you don’t want this “thing” (why baby why?) But I can’t win So I lie So if you see him say “hi” I didn’t stop to tell him why It’s 9am And it’s dripping down my thighs
Red red blood is dripping on the concrete Red red blood is dripping and I can’t sleep And I can’t speakThe Exchange - The Anchoress feat. James Dean BradfieldThe Anchoress2021-03-09 | Taken from the new album THE ART OF LOSING - out now. https://TheAnchoress.lnk.to/TheArtOfLosing. Produced by Catherine Anne Davies. Mixed by Dave Eringa. Video directed by JJ Eringa. http://theanchoress.co.uk
James Dean Bradfield appears courtesy of Columbia Records. Actress: Genevieve Anderson. Shot in Wales and England. Made under Covid 19 guidelines. With thanks to the Round Chapel, London.
Lyrics: When everyone’s replaceable No you’re not responsible You’re not to blame All part of the exchange Well there’s things I can’t condone So you find yourself alone And now your faith in possession Is just this week’s new obsession There’s much to gain It’s part of the exchange So it comes as no surprise Not your style to compromise So now it seems you can’t equate The penalty with the mistakes you’ve made You’re not to blame Another part of the exchange You’re just some pawn to interchange again You’re not to blame If everyone’s replaceable You can’t be responsible It’s just a game We call it the exchange So if I sabotaged your calm I didn’t mean to do no harm But now it seems you can’t equate The penalty with the mistakes you make You’re not to blame It’s all part of the exchange You’re just one pawn to interchange again You’re not to blame Now it seems you can’t escape The penalty for your mistakes you make And you’re to blame It’s all part of the exchange You’re just one pawn to interchange again You’re not to blame When everyone’s replaceable No you’re not responsible
You’re not to blame All part of the exchange.The Art of Losing - The AnchoressThe Anchoress2021-01-21 | Written and Produced by Catherine Anne Davies. Mixed by Mario McNulty. Taken from the new album THE ART OF LOSING. Out now: http://theanchoress.co.uk.
'The Art of Losing' is the title track from the second album from Welsh multi-instrumentalist The Anchoress (aka Catherine Anne Davies).
Catherine Anne Davies: Vocals, Electric Guitar, OB6, ARP, & Jen Synthesizers, Programming & Percussion Beau Barnard: Bass A-D: Additional Guitar Jon Barnett: Drums
Video by Catherine Anne Davies.
Lyrics:
You’ve got a lot to learn (do do do do do) About the art of losing (yeah) Then you take your turn (do do do do do) At the art of losing
You drink more than he takes Is it some kind of race? But do you want the marks to prove that you do Matter more than he says? Is it some kind of wake up?
So what did you learn when life was unkind? And was there some purpose to losing my mind? And I know we’re ill at ease With questions of need Absolving ourselves in situations like these
She got a lot to learn (do do do do do) About the art of losing again Then she takes her turn (do do do do do) At the art of losing
How much more can she take? One more child One more rape Now And yet the mask conceals what you lose Lessons born in the grief: Must repair or repeat now
So what did you learn when life was unkind? And was there some purpose to losing my mind? And I know we’re ill at ease With questions of need Absolving ourselves in situations like these Situations like these Absolving yourself in situations like these
Got a lot to learn (do do do do ) About the Art Of Losing yeah Then you take his turn (do do do do ) At the Art Of Losing
Got a lot to learn (do do do do ) About the art of losing (yeah) Then you take your turn (do do do do ) At the art of losing
Said it’s all in your head Still you try to forget but You’ve got the scars to prove that you will Matter more than they said Is it some kind of wake up? Is it some kind of race but?
So what did you learn when life was unkind? And was there some purpose to losing my mind? And I know we’re ill at ease With questions of need Absolving ourselves in situations like these Situations like these Absolving yourself in situations like these
Controlling myself in situations like these So get over yourself in situations like these Get a hold of yourself in situations like these You’re controlling yourself in situations like these
Got a lot to learn (do do do do do) About the art of losing AgainUnravel - The AnchoressThe Anchoress2020-12-03 | Written and Produced by Catherine Anne Davies. Mixed by Dave Eringa. TAKEN FROM THE NEW ALBUM ‘THE ART OF LOSING’ . http://theanchoress.co.uk
'Unravel' is the second track to be taken from The Art of Losing, the second album from Welsh multi-instrumentalist The Anchoress (aka Catherine Anne Davies).
Photography: Lily Warring. Video Edited & Animated by Catherine Anne Davies
Catherine Anne Davies: Vocals, Electric Guitar, OB6 Synthesizer, Grand Piano, Percussion, Programming Gill Wood: Cellos & String Arrangement Tim Bowen: Cellos Beau Barnard: Bass Jon Barnett: Additional Drums
Lyrics:
And in my mouth a silver web I breathe Unravel now and still I dream
I thought I’d died I thought I’d die You see But I’m not sleeping no I’m not sleeping I don’t dream
But if you don’t want me then I don’t want me I waste too much of my time Untie me and unbind me And I’ll unravel from your… Now that you don’t want me Well I don’t want me You take too much of my time Untie me and unbind me And I’ll unravel from your…
It’s never over I’ll love you til I’m gone And we were forged in fire Of silver love is spun I thought I’d died You thought we’d die You see But if you don’t want me then I don’t want me And I’ll unravel from your…
But if you don’t want me then I don’t want me I waste too much of my time Untie me and unbind me And I’ll unravel from your… Now that you don’t want me Well I don’t want me You take too much of my time Untie me and unbind me So that I’ll unravel from your…
And on your knees you said This love is dangerous And then we hold our breath Our love is dangerous
But if you don’t want me then I don’t want me I waste too much of my time Untie me and unbind me And I’ll unravel from your… Now that you don’t want me Well I don’t want me You take too much of my time Untie me and unbind me So that I’ll unravel from your heartShow Your Face: Behind The Scenes with The Anchoress Part 2The Anchoress2020-11-17 | How do you turn my eyeballs into car headlights? Find out more about how we made the video for Show Your Face as we go behind the scenes...
Shot & Edited by Dave ThompsonShow Your Face: Behind The Scenes with The Anchoress Part 1The Anchoress2020-11-11 | How many cans of hairspray do you need for a 5 hour video shoot? What do David Lynch, the Psalms, and prog have in common?
Find out this and much more as we go behind the scenes of the video set for Show Your Face...
Shot & Edited by Dave ThompsonThe Anchoress Confessions of a Romance Novelist (Acoustic Version) Live at the Quay SessionsThe Anchoress2018-10-27 | Recorded in May 2017 live at the BBC in Glasgow.Taken from the debut album "Confessions of a Romance Novelist' by The Anchoress. Out now on Kscope. www.iamtheanchoress.com
Musicians: Catherine Anne Davies: Vocal & Piano Ben Sink: Guitar Sophie Green: Violin & BV Campbell Parker: Viola Marina Sanchez Cabello: CelloThe Anchoress Rivers of Ice (Simple Minds Cover) Live at the Quay SessionsThe Anchoress2018-10-27 | Recorded in May 2017 live at the BBC in Glasgow. Taken from the debut album "Confessions of a Romance Novelist' by The Anchoress. Out now on Kscope. www.iamtheanchoress.com
Musicians: Catherine Anne Davies: Vocal & Piano Ben Sink: GuitarThe Anchoress Chip On Your Shoulder (Acoustic Version) Live at the Quay SessionsThe Anchoress2018-10-27 | Recorded in May 2017 live at the BBC in Glasgow. Taken from the debut album "Confessions of a Romance Novelist' by The Anchoress. Out now on Kscope. www.iamtheanchoress.com
Musicians: Catherine Anne Davies: Vocal & Piano Ben Sink: Guitar Sophie Green: Violin & BV Campbell Parker: Viola Marina Sanchez Cabello: CelloWhat Goes Around (Acoustic Version) Live at The Quay SessionsThe Anchoress2018-10-27 | Recorded in May 2017 live at the BBC in Glasgow. Taken from the debut album "Confessions of a Romance Novelist' by The Anchoress. Out now on Kscope. www.iamtheanchoress.com
Musicians: Catherine Anne Davies: Vocal & Piano Ben Sink: Guitar Sophie Green: Violin & BV Campbell Parker: Viola Marina Sanchez Cabello: CelloThe Anchoress Doesnt Kill You (Acoustic Version) Live at The Quay SessionsThe Anchoress2018-10-27 | Recorded in May 2017 live at the BBC in Glasgow.Taken from the debut album "Confessions of a Romance Novelist' by The Anchoress. Out now on Kscope. www.iamtheanchoress.com
Musicians: Catherine Anne Davies: Vocal & Piano Ben Sink: Guitar Sophie Green: Violin & BV Campbell Parker: Viola Marina Sanchez Cabello: CelloTheAnchoressVEVO Live StreamThe Anchoress2017-12-02 | ...