Analogue Solutions
NEW: Analogue Solutions AS500-SEQ 64-step Analogue Sequencer
updated
analoguesolutions.com/pagemm
16 VCO / 8 voice semi-modular stereo polysynth.
SOME THINGS YOU CAN DO WITH MAXIMUS
Standard pad-type poly sounds
Unusually Poly Sounds
Monophonic Synth Sounds
A mixture of Mono and Poly Sounds
Filmic / Epic ambiance sounds
Rhythmic patterns, with a new sound on each keypress
WHAT IS MAXIMUS?
Tom Carpenter is excited to introduce Maximus, an exciting new mega-polysynth with a design ethos truly from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, and exquisite studio furniture.
Although we label this as a polysynth - it is so much more. We can’t think of a label to give this synth since it is so much more than that.
When you think of polysynth you think of flat synths with one set of controls that control all voices equally. By giving Maximus independent controls for every voice, you have more freedom to create unique styles of poly sounds impossible on traditional polysynths, whether they are hardware or software. You can dial up ‘traditional’ poly sounds (pads etc) or have something unimaginable different.
Because you can never dial up each voice completely identically, standard polys pads will sounds superbly vintage.
All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, aside from of course the digital needed in MIDI and the mini-sequencers.
This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production. For those who want a synth that could have been built in the '70s.
There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.
#short
🎛️🎛️🎛️🎛️🎛️🎛️🎛️🎛️ #short
analoguesolutions.com/pagemm
WHAT IS MAXIMUS?
Tom Carpenter is excited to introduce Maximus, an exciting new mega-polysynth with a design ethos truly from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, and exquisite studio furniture.
Although we label this as a polysynth - it is so much more. We can’t think of a label to give this synth since it is so much more than that.
When you think of polysynth you think of flat synths with one set of controls that control all voices equally. By giving Maximus independent controls for every voice, you have more freedom to create unique styles of poly sounds impossible on traditional polysynths, whether they are hardware or software. You can dial up ‘traditional’ poly sounds (pads etc) or have something unimaginable different.
Because you can never dial up each voice completely identically, standard poly pads will sound superbly vintage.
All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, aside from the digital needed in MIDI and the mini-sequencers.
This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production. For those who want a synth that could have been built in the '70s.
There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.
Synthesisers like this only come around once in a decade, or possibly a generation.
analoguesolutions.com/pagemm
We have included a variety of sound types, but given the vast sonic possibilities and features of the Maximus, demos will need to be spread across several sessions to grasp the scope of what this synthesizer can achieve.
This video includes examples of warm pads, sequenced chords, leads, fifths, bass lines, multi-part performances, and combo keys (bass + pads).
More soon!
WHAT IS MAXIMUS?
Tom Carpenter is excited to introduce Maximus, an exciting new mega-polysynth with a design ethos from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, and exquisite studio furniture.
Although we label this as a polysynth - it is so much more. We can’t think of a label to give this synth since it is so much more than that.
When you think of polysynth you think of flat synths with one set of controls that control all voices equally. By giving Maximus independent controls for every voice, you have more freedom to create unique styles of poly sounds impossible on traditional polysynths, whether they are hardware or software. You can dial up ‘traditional’ poly sounds (pads etc) or have something unimaginable different.
Because you can never dial up each voice completely identically, standard poly pads will sound superbly vintage.
All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, aside from of course the digital needed in MIDI and the mini-sequencers.
This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production, for those who want a synth that could have been built in the 70s.
There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.
Synthesisers like this only come around once in a decade, or possibly a generation.
Here, the Maximus is shown with its 8 sequencers firing different sounds, textures, and percussion. Each part is brought in separately using the stereo mixer.
Live play is also included, using 2 of the 8 voices of this synthesizer.
You can hear the subtle (or not-so-subtle) character differences in tone, pitch, and timbre in the individual voices, which adds character warmth and width to the overall sound.
Onboard spring reverb and echo (per voice) further add depth and space to this warm pad.
LFO is modulating cutoff.
Maximus is utilising the onboard sequencers in voices 1 & 2 to modulate and step the filter on the lower, resonant bass sound (left hand).
As all of the synth voices are independent, sequencer settings per voice can be set similarly, or, vastly different from one another depending on your desired direction.
Voices 3-6 handle the voices of the live chords (right hand). Each voice is set similarly (but not exactly!) to one another.
Additionally, each voice can be its own instrument, percussion, lead, or whatever your imagination holds.
More soon!
analoguesolutions.com/pagemm
About Maximus:
SOME THINGS YOU CAN DO WITH MAXIMUS
Standard pad type poly sounds
Unusually Poly Sounds
Monophonic Synth Sounds
A mixture of Mono and Poly Sounds
Filmic / Epic ambience sounds
Rhythmic patterns, with a new sound on each keypress.
Although Maximus can do traditional ‘pads’ it’s better suited to more unorthodox poly sounds. It excels also at unusual analogue loops and rhythms when it is played in cyclic mode. Have each voice set to a different type of sounds, and as you cycle through them you get very interesting patterns (melodic or otherwise).
Maximus does not have patch memory - just like the very first polysynths.
Every sound you create will be unique - the first of its kind ever to be produced. Your Maximus will never sound like anybody else’s. It will always be unique and yours.
WHAT IS MAXIMUS?
Tom Carpenter is excited to introduce Maximus, an exciting new mega-polysynth with a design ethos truly from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, exquisite studio furniture.
Although we label this as a polysynth - it is so much more. We can’t think of a label to give this synth since it is so much more than that.
When you think of polysynth you think of flat synths with one set of controls that control all voices equally. By giving Maximus independent controls for every voice, you have more freedom to create unique styles of poly sounds impossible on traditional polysynths, whether they are hardware or software. You can dial up ‘traditional’ poly sounds (pads etc) or have something unimaginable different.
Because you can never dial up each voice completely identically, standard polys pads will sounds superbly vintage.
All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, aside from of course the digital needed in MIDI and the mini-sequencers.
This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production. For those who want a synth that could have been built in the '70s.
There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.
Synthesisers like this only come around once in a decade, or possibly a generation.
Here is a quick demo of Maximus functioning as an 8-voice analogue workstation (utilising 8 onboard sequencers), mixed by the onboard stereo mixer. You can effectively create entire bodies of music with Maximus should that be your goal.
Alternatively, you can create the biggest speaker-challenging unison sound imaginable -- or develop the phatest, most detuned pads.
When you think of a polysynth you think of flat synths with one set of controls that control all voices equally. By giving Maximus independent controls for every voice, you have more freedom to create unique styles of poly sounds impossible on traditional polysynths, whether they are hardware or software. You can dial up ‘traditional’ poly sounds (pads etc) or have something unimaginable different.
Standard poly pads will sound superbly vintage because you can never dial up each voice identically.
Lots more videos to come showing how this works... #staytuned
For more information on the Maximus:
colossus-synth.com/colossus-4
Here are a few selected patches from the Analogue Solutions Ample synthesizer. All sounds are created with Ample itself, without external effects or distortions.
Ample is available now! Visit the Ample website at the link above.
Ample combines the best elements of several of our recent products.
-The sound elements of Fusebox
-Jack patch points of Concussor Eurorack
-Patch pin matrix of Vostok
-Echo from Dr Strangelove
-Sequencer and CV touch pads of Generator
It shares all this yet still has its own sound!
Ample can be as complex or as simple as you want it to be
We have given this synth a large and diverse number of controls that will give even the best and most experienced synthesists endless possibilities alongside the patch sockets.
We have presented the controls in a user-friendly and familiar synth layout that, together with this manual and other resources, enables even the new user to get great sounds.
Ample, with its pin matrix, touch-sensitive keyboard, Patternator and extensive modulation matrix, is a sonic playground for experimental and traditional sound design.
Visit our website for more information about our best desktop synth yet! We are now shipping a new batch.
analoguesolutions.com/ample
#shorts #short
Patch the built-in noise (snare) into one of Ample's audio-ins, adjust the pattern to taste, and then use the patch outputs (16ths) to your hats and your kick of choice (4/4).
These can be patched to other analogue synths, eurorack, or other compatible sound sources.
Having ready-to-go patterns at your fingertips is useful while using Ample with your modular or other synthesizers.
THE BEST DESKTOP SYNTH OF ALL
Ample combines the best elements of several of our recent products.
-The sound elements of Fusebox
-Jack patch points of Concussor Eurorack
-Patch pin matrix of Vostok
-Echo from Dr Strangelove
-Sequencer and CV touch pads of Generator
It shares all this yet still has its own sound!
Ample can be as complex or as simple as you want it to be
We have given this synth a large and diverse number of controls, that alongside the patch sockets, will give even the best and most experienced synthesist endless possibilities.
We have presented the controls in a user-friendly and familiar synth layout that, together with this manual and other resources, enables even the new user to get great sounds.
analoguesolutions.com/ample
Here's another side of the Ample synthesizer, patching the filter to produce heavily overdriven tones and effects. No external FX, everything is onboard Ample.
Ample can be as dirty or as clean as your music demands.
Pin it, patch it, play it!
youtube.com/watch?v=_Td1n7JBfBA
#short #shorts
Patch the built-in noise (snare) into one of Ample's audio-ins, adjust the pattern to taste, and then use the patch outputs (16ths) to your hats and your kick (4/4).
It's useful to have ready-to-go patterns at your fingertips while using Ample with your modular or other synthesizers.
analoguesolutions.com/ample
#shorts #short
Here's a single Colossus #synthesizer sequence captured via mobile. This was a demo sequence we used at Sweetwater during the AS visit and presentation. It was quickly taken apart via participants' hands, which is part of the fun of #Colossus and modular in general! Too cool not to share. :)
We have several configurations of the Colossus synth. Drop a line or visit the website for more information:
www.analoguesolutions.com
analoguesolutions.com/ample
Ample combines the best elements of several of our recent products.
-The sound elements of Fusebox
-Jack patch points of Concussor Eurorack
-Patch pin matrix of Vostok
-Echo from Dr Strangelove
-Sequencer and CV touch pads of Generator
It shares all this yet still has its own sound!
Ample can be as complex or as simple as you want it to be
We have given this synth a large and diverse number of controls, that alongside the patch sockets, will give even the best and most experienced synthesists endless possibilities.
We have presented the controls in a user-friendly and familiar synth layout that, together with this manual and other resources, enables even a new user to get great sounds.
SYNTH – PERCUSSION – AUDIO PROCESSOR
Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so-called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.
new Maximus and Ample synths will be there.
Come say hi! If you miss it, come next year!
Audio and video captured by mobile phone.
Sound by Colossus - sequenced with Euroack.
Audio and video captured by mobile phone.
Sound by Colossus - sequenced with Euroack.
Audio and video captured by mobile phone.
#shorts #short
Ample can be as complex or as simple as you want it to be:
We have given this synth a large and diverse number of controls, that alongside the patch sockets, will give even the best and most experienced synthesist endless possibilities.
We have presented the controls in a user-friendly and familiar synth layout that, together with this manual and other resources, enables even a new user to get great sounds.
SYNTH – PERCUSSION – AUDIO PROCESSOR
Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU-stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so-called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.
The Best of all
Ample combines the best elements of several of our recent products.
-The sound elements of Fusebox
-Jack patch points of Concussor Eurorack
-Patch pin matrix of Vostok
-Echo from Dr Strangelove
-Sequencer and CV touch pads of Generator
It shares all this yet still has its own sound!
CIRCUITS INCLUDED
3x Analogue Oscillators
There are three analogue VCOs – each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.
2x Analogue Low Frequency Oscillator
LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.
Analogue Filter
Ample uses a four pole 24bB per octave low pass filter.
Analogue Amplifier
The VCA can be set to THRU so it is always ‘open’. This allows Ample to be used as an effects processor.
2x Analogue Envelopes
There are two EGs – each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.
Modulation
Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and ‘modular’ sounds further extended by patching with the jack sockets and pin matrix.
MIDI
MIDI is intentionally kept simple – so you can concentrate on making new sounds and making music – not getting tied up with SYSEX programming.
You get the all-important control over filter cut-off using MIDI Velocity.
Patchable External CV Control Sockets
Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.
The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.
Sequencer
Ample has a vintage-style 16-step sequencer.
Touch Keys
There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!
Pin Matrix
A neat way to patch the synth.
Echo
Nice lo-fi echo / delay.
#short #shorts
analoguesolutions.com/colossus-quartz
AS250-VCO This has a bank of 12 vernier VCOs, plus 2 Noise Generators, Random Voltage, Sample and Hold, Matrix Panel.
What is Colossus Quartz?
Tom Carpenter is excited to introduce Colossus Quartz, an exciting new range of add-on synth expanders, part of the Colossus range.
Colossus Quartz is the Colossus Slim split into quarters. This allows you to build the whole system one quarter at a time, spreading the cost, or just having single sections to use as expanders alongside your existing modular synthesizers.
Several benefits:
It enables you to buy one quarter at a time, so you can spread the cost eventually building up a complete Colossus System.
They can be used as expanders for Colossus.
And they can be used as expanders and used with other modular set-ups (Eurorack, 5U, etc).
analoguesolutions.com/colossus-quartz
analoguesolutions.com/colossus-quartz
AS250-VCF This has 8 Filters (4x SEM type, 4x Moog type), 8 VCAs, 2 real Spring Reverbs, 2 Ring Mods, 2 Slew Generators, Matrix Panel.
What is Colossus Quartz?
Tom Carpenter is excited to introduce Colossus Quartz, an exciting new range of add-on synth expanders, part of the Colossus range.
Colossus Quartz is the Colossus Slim split into quarters. This allows you to build the whole system one quarter at a time, spreading the cost, or just having single sections to use as expanders alongside your existing modular synthesizers.
Several benefits:
It enables you to buy one quarter at a time, so you can spread the cost eventually building up a complete Colossus System.
They can be used as expanders for Colossus.
And they can be used as expanders and used with other modular set-ups (Eurorack, 5U, etc).
analoguesolutions.com/colossus-quartz
Details:
analoguesolutions.com/colossus-quartz
What is Colossus Quartz?
Tom Carpenter is excited to introduce Colossus Quartz, an exciting new range of add-on synth expanders, part of the Colossus range.
Colossus Quartz is the Colossus Slim split into quarters. This allows you to build the whole system one quarter at a time, spreading the cost, or, to just have single sections to use as expanders alongside your existing modular synthesizers.
Several benefits:
It enables you to buy one quarter at a time, so you can spread the cost eventually building up a complete Colossus System.
They can be used as expanders for Colossus.
And they can be used as expanders and used with other modular set-ups (Eurorack, 5U, etc).
Each quarter has a specific range of general features:
AS250-VCO This has a bank of 12 vernier VCOs, plus 2 Noise Generators, Random Voltage, Sample and Hold, Matrix Panel.
AS250-Mod This features 4 VCAs, 4 Envelopes, 2 LFOs, LCD Dual Channel Oscilloscope (can be upgraded to single channel CRT), Touch Keyboard / Sequencer.
AS250-VCF This has 8 Filters (4x SEM type, 4x Moog type), 8 VCAs, 2 real Spring Reverbs, 2 Ring Mods, 2 Slew Generators, Matrix Panel.
AS250-Seq This features a 64-step analogue sequencer, 4 Moving Coil Meters, Stereo Mixer, 2 Joysticks, 2 Multiples, 2 Sub-mixers.
All systems feature a full set of 3.5mm jack sockets for patching.
All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, it doesn’t even have MIDI or USB (there are plenty of MIDI converter boxes out there should you need that facility). There are of course digital elements to the sequencer control - that is unavoidable - even classic analogue sequencers like the ARP sequencer used digital logic chips. In fact the EMS Synthi 100 features a digital sequencer.
Colossus is large scale, featuring large knobs that control metal shaft potentiometers. VCOs have multi-turn verniers. The two enormous pin matrix panels dominate the panels - these are incredibly expensive Swiss-made broadcast-quality signal routers.
There are two spring reverbs, touch keyboard, step sequencer, moving coil meters, joysticks and so much more. An immense expanse of jack sockets for additional patching within or without the system.
There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in wood. No expense has been spared to bring this incredible machine to life.
Synthesisers like this only come around once in a decade, or possibly a generation.
www.analoguesolutions.com
Check out our website for our various Colossus configurations including the new Colossus Quartz expanders, where you can build your Colossus system in quarters!
analoguesolutions.com/colossus-quartz
#shortsvideo
Analogue Solutions:
www.analoguesolutions.com
More about the Blackboard:
artsandculture.google.com/story/korg-eboardmuseum/jgXRcW32LIFEug?hl=en-US
#vintagesynths #korg #analoguesolutions #synthesizers #ms20 #depechemode
Can you guess the tune?
analoguesolutions.com/colossus-quartz
Several benefits:
This enables you to acquire one quarter at a time, so you can spread the cost eventually building up a complete Colossus System.
They can be used as expanders for Colossus.
And they can be used as expanders and used with other modular set-ups (Eurorack, 5U, etc).
youtu.be/M9PlnzjzGjo
Each quarter has a specific range of general features :
AS250-VCO This has a bank of 12 vernier VCOs, plus 2 Noise Generators, Random Voltage, Sample and Hold, Matrix Panel.
AS250-Mod This features 4 VCAs, 4 Envelopes, 2 LFOs, LCD Dual Channel Oscilloscope (can be upgraded to single channel CRT), Touch Keyboard / Sequencer.
AS250-VCF This has 8 Filters (4x SEM type, 4x Moog type), 8 VCAs, 2 real Spring Reverbs, 2 Ring Mods, 2 Slew Generators, Matrix Panel.
AS250-Seq This features a 64-step analogue sequencer, 4 Moving Coil Meters, Stereo Mixer, 2 Joysticks, 2 Multiples, 2 Sub-mixers.
#shorts #shortvideo
analoguesolutions.com/colossus-quartz
Tom Carpenter is excited to introduce Colossus Quartz, an exciting new range of add-on synth expanders, part of the Colossus range.
Colossus Quartz is essentially the Colossus Slim that has been divided into four equal parts or quarters. This gives you the flexibility to gradually build the complete system, purchasing one quarter at a time and spreading the cost over time. Alternatively, you can use each individual section as an expander to complement your existing modular synthesizers.
Several benefits:
-It enables you to buy one quarter at a time, so you can spread the cost eventually building up a complete Colossus System.
-They can be used as expanders for Colossus.
-And they can be used as expanders and used with other modular set-ups (Eurorack, 5U, etc).
Each quarter has a specific range of general features:
AS250-VCO This has a bank of 12 vernier VCOs, plus 2 Noise Generators, Random Voltage, Sample and Hold, Matrix Panel.
AS250-Mod This features 4 VCAs, 4 Envelopes, 2 LFOs, LCD Dual Channel Oscilloscope (can be upgraded to single channel CRT), Touch Keyboard / Sequencer.
AS250-VCF This has 8 Filters (4x SEM type, 4x Moog type), 8 VCAs, 2 real Spring Reverbs, 2 Ring Mods, 2 Slew Generators, Matrix Panel.
AS250-Seq This features a 64-step analogue sequencer, 4 Moving Coil Meters, Stereo Mixer, 2 Joysticks, 2 Multiples, and 2 Sub-mixers.
All systems feature a full set of 3.5mm jack sockets for patching.
All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, it doesn’t even have MIDI or USB (there are plenty of MIDI converter boxes out there should you need that facility).
There are of course digital elements to the sequencer control - that is unavoidable - even classic analogue sequencers like the ARP sequencer used digital logic chips. In fact, the EMS Synthi 100 features a digital sequencer.
Colossus is large scale, featuring large knobs that control metal shaft potentiometers. VCOs have multi-turn verniers. The two enormous pin matrix panels dominate the panels - these are incredibly expensive Swiss-made broadcast-quality signal routers.
There are two spring reverbs, a touch keyboard, a step sequencer, moving coil meters, joysticks and so much more. An immense expanse of jack sockets for additional patching within or without the system.
There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in wood. No expense has been spared to bring this incredible machine to life.
Synthesisers like this only come around once in a decade, or possibly a generation.
analoguesolutions.com/colossus-quartz
Visit our website for more information about the Colossus AS100, AS200, or Colossus Quartz and current configurations.
Lots of cool info and video can be found on our Instagram:
instagram.com/analogue_solutions
👉Note: This video was NOT shot in the 1970s, and the Colossus synthesizer is available to purchase now! 😄
Enjoy!
#shorts
#shortvideo
🔗 AS website: colossus-synth.com/colossus-2
This space-saving version of the original Colossus classic (AS100) compromises very little to obtain its smaller footprint, over 50% smaller, and is a little taller than the classic. It takes some of the features found in the classic's horizontal console and flips them vertically.
The Colossus Slim has more mixer inputs, fully independent pin matrices, and a lower price tag than the classic version. However, the classic version has larger pin matrices and touch keyboards. The Colossus Slim comes with a two-channel LCD oscilloscope as standard, while a CRT scope is available.
We've designed the Colossus Slim to elegantly stack on top of a Colossus Classic for a grand double-height system.
This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production. Colossus is large-scale, featuring large knobs that control metal shaft potentiometers, and VCOs have multi-turn verniers. The two enormous pin matrix panels dominate the vertical panels.
There are two spring reverbs, step sequencers, moving coil meters, joysticks, and so much more. An immense expanse of jack sockets for additional patching within or without the system.
Colossus is a serious analogue powerhouse of sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life. Synthesizers like this only come around once in a decade or possibly a generation. Visit the Analogue Solutions website for more information and to order your Colossus Slim today.
Website: colossus-synth.com/colossus-2
*Audio track is a live Colossus Slim performance, recorded without any multitracking or mixing.
#shorts
#synthesizer
#analogsynth
Note: Visit our Instagram for more sounds, promotions, and other exclusive Colossus demo content!
instagram.com/analogue_solutions
www.colossus-synth.com
#Shorts
Double System
Colossus slim has been designed to elegantly stack on top of a Colossus classic for a grand double-height system.
If you already have a Colossus classic, you can still buy the slim at a later date and stack this on top - or just keep it separate.
Both work as stand-alone systems, but can be cross patched together, or with other 3rd-party synths.
A double system is supplied as 2 separate units. You will need at least 2 people to lift the slim on top. A 3rd is recommenced for moral support.
The slim is secured in places by a selection of bolts, forming one rigid unit.
AS100 Colossus ‘Classic’
This is the original and best system - the full console version.
It comes with a CRT scope as standard.
AS200 Colossus ‘Slim’
A small footprint version of the classic - taking over 50% less desk space. Features all the same audio and modulation circuits of the classic.
AS200 comes with an LCD two-channel scope as standard. CRT is available as an optional upgrade.
The matrices are smaller and are totally independent. They are not internally wired. This can be seen as an advantage (it’s a matter of your personal needs) since you can patch external gear into the matrices. The matrices are half-height compared to the Classic’s.
AS200’s mixer has more inputs.
As the slim loses the touch keyboards, play using external MIDI to CV keyboards (such as Arturia KeyStep), or using a MIDI to CV converter. Slim retains the 64-step analogue sequencer. So sequence with this and/or external CV sequencers.
More details to come...
colossus-synth.com
analoguesolutions.com/fusebox-1
Description:
Fusebox X is a 3-VCO true analogue mono synth with the legendary Analogue Solutions vintage synth sound.
Designed by Tom Carpenter – a user and collector of vintage sounds, and a musician with a passion for electronic music.
All the voice and modulations are 100% analogue. Fusebox features an advanced choice of modulation and melodic possibilities right out of the box before even plugging in MIDI.
Fusebox features no presets – each sound is unique and created by the user!
There is no quantisation, stepping, or locking in by CPU.
Fusebox is designed, engineered and built in England by Analogue Solutions who have over 24 years in the synthesizer industry.
Major Additions / Differences (from the original Fusebox)
-Tri-phonic mode (3 note poly).
-More Jacks! Some rocker switches were replaced with jack sockets for more patchability.
-The Interval Generator and Patternator pots were replaced with precision type.
-440Hz tuner tone.
-Interval Generator clock input - allows automatic transposition in a variety of ways.
-Bar1 / Note0 trigger outputs - versatile alternative ways to trigger the Patternator and Interval Generator
-Arpeggiator replaced with mini step sequencer.
-Many internal performance tweaks.
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👉This very well could be a #creepysoundtrack 😱
The Colossus synthesizer is ready to speak your imagination. ⚡
#colossussynth
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👉 Visit our profile and bio for other unique Colossus content.
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#shorts
Branded Analogue Solutions LED Jack Pins.
In stock. EU and US customers - check with the dealers
OH MY!
These will light red/green as the signal swings from a positive to a negative voltage.
Use them for diagnostics - or, just because they look cool (especially in the dark!)
The plugs are slightly translucent and you can see the core of the cable. Material is a soft touch rubber that is presently flexible.
Plugs are embossed with the words ANALOGUE SOLUTIONS and also the logo.
WHY?
These don’t just look pretty! They have practical advantages too!
Help to see what’s going on in the dark!
Help diagnose signal flow.
#Shorts
👉The newest incarnation of the legendary and award-winning Fusebox synthesizer (Fusebox X) is here! 🔥 All sounds in this teaser (and from Teaser 1) are from the Fusebox X synth.
We'll be dropping a couple of teaser videos while the sound demos are being assembled. The sounds in this teaser were all created with the Fusebox X.
AS has received many requests for a Fusebox v2 and we are now proud to announce the best Fusebox yet. Fusebox is now tri-phonic!
👉Click the following link for order info and more details via the AS website:
analoguesolutions.com/fusebox-1
LIMITED NUMBERS ARE AVAILABLE NOW!
Major Additions / Differences:
-Tri-phonic mode (3-note poly)!
-More Jacks! Some rocker switches were replaced with jack sockets for more patchability
-The Interval Generator and Patternator pots were replaced with precision type
-440Hz tuner tone
-Interval Generator clock input - allows automatic transposition in a variety of ways
-Bar1 / Note0 trigger outputs - versatile alternative ways to trigger the Patternator and Interval Generator
-Arpeggiator replaced with mini step sequencer
-Many internal performance tweaks
#shorts
👉The newest incarnation of the legendary and award-winning Fusebox synthesizer (Fusebox X) is here! 🔥
We'll be dropping a couple of teaser videos while the sound demos are being assembled. The sounds in this teaser were all created with the Fusebox X.
AS has received many requests for a Fusebox v2 and we are now proud to announce the best Fusebox yet. Fusebox is now tri-phonic!
👉Click the following link for order info and more details via the AS website:
analoguesolutions.com/fusebox-1
LIMITED NUMBERS ARE AVAILABLE NOW!
Major Additions / Differences:
-Tri-phonic mode (3-note poly)!
-More Jacks! Some rocker switches were replaced with jack sockets for more patchability
-The Interval Generator and Patternator pots were replaced with precision type
-440Hz tuner tone
-Interval Generator clock input - allows automatic transposition in a variety of ways
-Bar1 / Note0 trigger outputs - versatile alternative ways to trigger the Patternator and Interval Generator
-Arpeggiator replaced with mini step sequencer
-Many internal performance tweaks
#shorts
youtube.com/watch?v=em4XTGQGphQ
OH MY!
These will light red / green as the signal swings from a positive to negative voltage.
The colours are swapped for each end:
Jack 1: red / green (+/-), Jack 2: green / red (+/-).
Expect a very small drop in signal power! Light requires energy! However, in most applications, you will not notice any drop.
4 (yes 4!) lengths available:
-30cm
-60cm
-90cm
-150cm
The cables are slightly translucent and you can see the core of the cable. Material is a soft touch rubber that is presently flexible.
Plugs are embossed with the words ANALOGUE SOLUTIONS and also the logo.
WHY?
These don’t just look pretty! They have practical advantages too!
Help to see what’s going on in the dark!
Help diagnose signal flow.
BUY!
Sold in packs of 5
This is a limited edition black version of the classic Colossus synthesizer!
We have chosen some of our favourite circuits from our own large back catalogue synths such as Polymath, Telemark and Vostok.
Colossus is not a Synthi 100 clone - all circuits are non-EMS, Analogue Solutions’ design.
The original Synthi was so large it wouldn’t fit through a standard doorway. We didn’t make that mistake but don’t underestimate its size. It will be prominent in your studio, or art gallery!
It is sized at 1585mm wide, 700mm deep and 655mm high and weighing in too big to fit on the scales. It’s not entirely practical, but to be impressive physically and in sound. It will be an awesome centrepiece for your studio.
*diagonal dimension is a little less for those with tight doorways - about 620mm effective width.
All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, it doesn’t have MIDI or USB (there are plenty of MIDI converter boxes out there should you need that facility). This wasn’t designed to be the solution to your modern digital studio but rather a serious analogue powerhouse of sound. There are of course digital elements to the sequencer control - that is unavoidable - even classic analogue sequencers like the ARP sequencer using digital logic chips. In fact, the Synthi 100 features a digital sequencer.
This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production.
Colossus is large scale, featuring large knobs that control metal shaft potentiometers. VCOs have multi-turn verniers. The two enormous pin matrix panels dominate the horizontal panels - these are incredibly expensive Swiss-made broadcast-quality signal routers - 1 for CV and 1 for Audio.
There are two spring reverbs, touch keyboards, step sequencers, moving coil meters, joysticks and so much more. An immense expanse of jack sockets for additional patching within or without the system.
There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.
Synthesisers like this only come around once in a decade, or possibly a generation.
Analogue Solutions is a UK based company specialising in true analogue synthesisers, sequencers and modules with over 25 years of experience in the industry.
Analogue Solution instruments are hand built in England and designed by Tom Carpenter, who has hands-on involvement in all aspects of the company.
Analogue Solutions award-winning products have been applauded for having a truly vintage sound that is full of character. The synthesisers have a full analogue audio path, and analogue LFOs and EGs. Also, no memories means nothing in the synth is being made sterile by CPU control. When you turn a knob you are directly changing the voltage or current in an actual synth circuit.
Analogue Solutions were there right at the start of Eurorack, the third company to start producing modules.
Analogue Solutions founder, Tom Carpenter, has a genuine passion for analogue synths, drawing on his years of using and owning vintage analogue synths and drum machines, which he uses, alongside AS products, in his own music productions.
#Shorts #analoguesolutions #modularsynths #eurorack #synths
The sound clips and sequences in this video were live and were not multi-tracked nor captured with a high-fidelity audio interface, and, in most cases, were recorded with a mobile device for posterity purposes.
They are too fun not to share. ✌️
http://www.colossus-synth.com
Vivaldi's "Four Seasons" is realised on the Analogue Solutions Colossus synthesizer, with a little help from a Roland MC-4.
A little fun, courtesy of a very creative Colossus customer...
http://www.colossus-synth.com
http://www.analoguesolutions.com
analoguesolutions.com/leipzigv3
Taking its cues from the legendary and distinctive Leipzig line of synthesizers, the V3 is truly 'evolutionary' and now features the same convenient footprint as our acclaimed Impulse Command desktop synthesizer - while capturing the same raw, ballsy, complexly rich sound as its Leipzig predecessors.
Version 3 combines features from both the Leipzig-SK as well as the mountable Leipzig v2, including patch points for additional sound design and connection possibilities. For example, you can drive the synth via an external CV sequencer or patch it to other modules in your Eurorack case.
This demo features a variety of sound samples (patched and unpatched, sequenced and unsequenced) from the Leipzig V3. Watch this space for more videos and visit our website for more detailed information.
For more information, visit our website:
www.analoguesolutions.com
Colossus is sequencing and clocking the other synths (ARP 2600 kick, Roland 100m noise sequence, Pro-One bass) and is providing the remainder of the sound palette.
Colossus loves to interface with other CV gear (Eurorack modular, vintage synths, modern CV synths, CV sequencers and interfaces, etc.) and is a lovely hands-on console, providing you tight musical control of your other gear
🎧 Recommended!
http://www.colossus-synth.com
This audio was recorded live via the Colossus outs without any external effects. The device sitting atop Colossus is an audio interface (SSL) used to capture the output.
http://www.colossus-synth.com
http://www.colossus-synth.com
Analogue Solutions Colossus


