TrenchRot - Necronomic Warfare (2014) Full Album Leonardo Ortiz 2026-09-21 | TrenchRot - Necronomic Warfare (2014) Full Album
Dark Sun and the Rising Telepaths - The Mind Melting Freak Machine (2012) Full Album Leonardo Ortiz 2019-08-05 | Dark Sun (and the Rising Telepaths) is a Finnish psychedelic space rock band formed in 1991."These tracks are edits from psychedelic improvisations recorded straight to MiniDisc in 2006/2007 at rehearsals in Helsinki, Finland. Recorded, edited and compiled by DarkSanttu. Sonic Improvements by Antti Toivonen. The line-up and instrumentation varies from jam to jam. Originally released on limited (100 copies) CD-R with unique, hand-made and numbered cover art on Reverb Worship (RW 188). Sold Out!"1. Galactic Empire 00:002. Through the Galaxies 07:053. Electric Dream 14:444. Third Eye Transmission II 26:115. Triggering the Mind I 29:166. Triggering the Mind II 33:587. Open Your Heart 41:278. The Mind Melting Freak Machine 46:579. The Never Ending Jam 56:3510. The Sacred Rites 01:11:21Buy it: darksun.bandcamp.com/album/the-mind-melting-freak-machineIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Arrowhead - Atomsmasher (2013) Full Album Leonardo Ortiz 2019-05-02 | "Australian stoner rockers, Arrowhead offer a unique blend of fuzz rock, with 70’s infused groove and thick doses of down-tuned doom to take you on a psychedelic trip. The Sydney based band have been playing around Australia since 2008. Originally a 3-piece, co-founders Brett Pearl (vocals/guitar) and Matt Cramp (drums) have been flying the Arrowhead flag for over 10 years. The departure of original bass player Dave Lopez in 2015, saw the band recruit their current bass player, Arron Fletcher, previously from The Alohas. In January of 2019 after the completion of the band’s third studio album, Coven of the Snake (due to be released this year) the guys added a second guitarist to add another dimension to the sound. Raff Iacurto has been welcomed into the Arrowhead brotherhood to complete the current line-up. His previous bands’ include legendary stoner rockers Thumlock and more recent outfit The Dirty Earth. The band have developed a cosmic connection and are blending together effortlessly in their pursuit to redefine their sound in today’s musical landscape. Arrowhead have honed their song writing craft over the last decade and continue to conjure up new and powerful music. Brett Pearl’s creative vision has synthesised their sound with original visual art to create a true expression of their ethos. The band have released a self-titled EP (2009) and two full-length albums, Atomsmasher (2013) and Desert Cult Ritual (2016). Both albums received highly acclaimed local and international exposure, which led to signing with California based record label Ripple Music. Ripple Music have recently released Desert Cult Ritual on vinyl and are preparing to release the band’s third studio album, Coven of the Snake, in 2019.On the live front, Arrowhead have shared the stage with Monster Magnet, Unida (featuring John Garcia), Earthless, Samsara Blues Experiment, Greenleaf, Acid King, Sasquatch, The Atomic Bitchwax, Dave Tice’s Buffalo Revisited, Kadaver, Cough, Devil Rides Out, Blues Pills, SOTIS and Daredevil, just to name a few. If you love your classic albums and artists such as Jimi Hendrix, Led Zeppelin, Pink Floyd, Black Sabbath, Kyuss, Sleep, Clutch, Uncle Acid and the Deadbeats, and Fu Manchu, you will want to add Arrowhead to your playlist.Arrowhead stand out amongst the crowd with an ability to craft songs full of infectious grooves, catchy riffs, hard hitting drums and thunderous bass lines, all layered with Brett Pearl’s brutally raw and passionate vocal delivery. Arrowhead are the real deal, modern day rockers with a true passion for great song writing, foot tapping grooves and thick walls of fuzz that will pierce into your core and release your inner animal" - facebook.com/pg/ArrowheadHeavyRock/about1. Cobra DeVille 00:002. Atomsmasher 03:593. Horse called Doom 07:594. Blood from a Stone 12:335. Diamonds to Dust 17:496. Stampede 23:327. Eagle Death Machine 26:078. Liquified 32:099. Holdfast 38:1410. Mayflower 43:43Buy it: arrowheadrock.bandcamp.com/album/atomsmasherArrowhead is:Brett Pearl - Guitar/VocalsMatt Cramp - DrumsArron Fletcher - Bass GuitarIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Glitter Wizard - Opera Villains (2019) Full Album Leonardo Ortiz 2019-04-22 | "In a psychedelic haze, you stumble into a candle-lit opera house and join a crowd of heshers nodding in unison to powerful riffs, swirling harmonies and synth leads that cut like a four-inch stiletto knife. Smoke fills your nostrils and the sound of metallic space rock hangs in the air." glitterwizard.bandcamp.com/album/opera-villains1. A Spell So Evil 00:002. The Toxic Lady 03:173. Fear of the Dark 06:394. Ten Foot Man 08:455. March of the Red Cloaks 13:176. Rats 15:407. Dead Man's Wax 18:298. Hall of the Oyster King 21:599. Prelude to a Duel 28:0910. Warm Blood 28:55Buy it: glitterwizard.bandcamp.com/album/opera-villainsGlitter Wizard is:Wendy StonehengeDoug GravesLorfin TerraforKandi MoonFancy CymballsReleased 4/20/2019If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
WEEED - You Are The Sky (2019) Full Album Leonardo Ortiz 2019-04-10 | WEEED is a quintet of experimental musicians on double drum sets, percussion, bass, guitar, flute, synthesizers, vocal harmony and ambient live looping.1. Opening2. I See You3. Where Did You Go4. Open Door5. Caramelized6. You Are The SkyBuy it: weeed.bandcamp.com/album/you-are-the-skyWEEED is:Mitchell Fosnaugh - Guitar / Voice / Synth / Vocoder / Harmonica John Goodhue - Drumset / Auxiliary Percussion / Synth Evan Franz - Drumset / Hand Drumming / Piano Gabriel Seaver - Bass / Voice / Tone Doc / Sounds Ian Hartley - Hand Percussion All music written and performed by Weeed Lyrics written by Mitchell FosnaughRecorded at The Unknown and BVG Studios by Nicholas Wilbur and Dylan White Mixed by Wilbur, White and Weeed at their spots Mastered by Adam Gonsalves Artwork and Layout by Evan Franz Released March 1, 2019 If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Garcia Peoples - Natural Facts (2019) Full Album Leonardo Ortiz 2019-04-01 | Second full length album released by american(Rutherford, New Jersey) band Garcia Peoples.1. Feel So Great 00:002. Canvas 04:293. High Noon Violence 08:404. Weathered Mountains 13:465. Rolling Tides 17:526. Break Me Down 22:027. Total Yang 26:178. Patient World 31:339. The Spiraling 36:12Buy it: garciapeoplesbbib.bandcamp.com/album/natural-factsGarcia Peoples is:DannyDerekCesarTom"Consider Natural Facts by Garcia Peoples to be your heady, friendly reminder that it’s alright to let the sunshine in. The second album in less than a year from those lovable New Jersey moptops with the sweet twin guitars, Natural Facts provides a portal to the carefree place that both indie rock and jam bands forgot, and a handy alternative to whatever you may need an alternative from. Bolstering the summer glow of 2018’s Cosmic Cash with flashes of fuzz, teeth, and power, Natural Facts is a natural progression for Garcia Peoples. The more driving counterpart to its rural predecessor, Danny Arakaki and Tom Malach’s guitars remain at centerstage on machine gun shreds like the album-opening “Feel So Great” and the rolling grooves like “High Noon Violence” (which would fit right in with one of David Crosby’s early ‘70s studio supergroups). Playing cleanly articulated lines that perhaps recall any number of other guitar tandems--Allman/Betts, Verlaine/Lloyd, Jansch/Renbourn--Garcia Peoples’ guitars are most influenced by the sound of two guys hanging out, figuring out how to play guitar together. With Derek Spaldo (bass) and Cesar Arakaki (drums), the quartet is joined on roughly half the tracks by keyboardist Pat Gubler (PG6, Wet Tuna, Tower Recordings), who--since contributing to Natural Facts--has become a frequent auxiliary Garcia. On the quieter passages of “Patient World,” Gubler’s zones set Tom and Danny’s entwinements into an atmosphere that suggests what the briefly-lived never-recorded Barrett/Gilmour Pink Floyd lineup might have done, given another few years. Discovering the secret and perhaps even endangered language of riffs, Danny and Tom formed Garcia Peoples in Rutherford, New Jersey in 2011 or 2012, depending when you ask). And over the past year and change, Garcia Peoples have hit launching speed, writing albums’ worth of material too fast to release. While Natural Facts is the perfect introduction to the band’s light-footed cosmic Americana, it’s only one piece of an emerging picture that perhaps Garcia Peoples don’t even quite see yet. The tapers have started showing up for Garcia Peoples, too, keeping track of the evolving song suites. Despite only having one official full-length under their belt, the band barely repeated a song over their four shows during their weekly residency at Brooklyn’s Wonders of Nature. Depending on when you’re reading this, the next Garcia Peoples show will almost certainly contain pieces of album #3 and quite probably #4, too. It’s been a small, happy wonder to watch Garcia Peoples transmit themselves to the outside world. From up close, they’re almost too omnipresent to keep track of, playing frequently, and out watching shows around Brooklyn on nearly any other given night. Honing their chops first at their respective parents’ places, playing until they had to unplug for the night, Arakaki and Malach would inevitably retire to the 7-11 parking lot. There, they pieced together the emerging jams, fragments, verses, and other stray ideas they had yet to write, until--at least in the Garciaverse--they coalesced into distinct albums. Then they just had to record them. As of this writing, they’re only one album behind. Like a road map with constantly changing coordinates, the Garcias’ master plan is only barely that, but they plunge into the next territory with an infectious enthusiasm. Tracked in Philadelphia with Jeff Zeigler (Kurt Vile, War on Drugs, Mary Lattimore), Natural Facts isn’t a throwback, as much as Garcia Peoples sometimes accidentally sound like a band one might stumble into at New York’s late Wetlands Preserve in the mid-‘90s. Rather, it’s a newly emerging conversation, songs and structures and solos and duos drawing from the latest and most right-on musicians to cross Garcia Peeps’ collective transom. The classic rock guitarists of yore might be obvious subsequent touchstones, but bend your ear and newer colors emerge, generated from hours and years of talk and music. Listen close. Nothing inorganic here, just pure Natural Facts." by Jesse JarnowIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Gloed - Gloed (2017) Full Album Leonardo Ortiz 2019-03-27 | 1. Ontkruid 00:002. Den Trap Op 06:053. Kzeniereweg 11:034. Gloed 16:305. Geweeniwagezie 19:106. Kleurewaas 27:487. Fakir 34:06Buy it: gloed.bandcamp.com/album/gloedGloed is:Diego Lippert: Vocalen Tom Bessemans: Toetsen Gil Duarte Da Cruz: Gitaar Hans De Roey: Gitaar Timothy Jacobs: Drums Erik Heyns: Basgitaar & 2de Stem Alle muziek en teksten door GLOED Opgenomen Mei 2016 in de Loft, Herent door Erik Heyns & Tom Bessemans Mix: Tom Bessemans & Erik Heyns Master: Gert Van Hoof (Cochlea Mastering) www.cochlea.be Aardwerk: Kell Oblo (c) GLOEDall rights reserved to the bandIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
OREYEON - Ode To Oblivion (2019) Full Album Leonardo Ortiz 2019-03-26 | "OREYEON’S new album ODE TO OBLIVION comes after two years of experimental sessions in their little studio recording nastled between the sea and the mountains in the north west of italy. This new full length crosses transversely all member’s musical influences and takes shape leaving behind and definitely going beyond the rules that mostly describe the classical stoner rock genre.Just from the first track, a strong sense of nothingness blends into a long unsettling travel through a microcosm full of colours while black shapes lead the traveller into a spiral of nihilistic lyrics, title tracks and monolithic riffs all at the same time . A pinch of the 90’s vocals’ legacy Gives to this full lenght The gloominess that crowns a long period of rehearsals playing and jamming over all sorts of musical borders." ridingeasyrecs.com/product/oreyeon-ode-to-oblivion1. T.I.O 00:002. Trudging To Vacuity 04:363. Ode To Oblivion 11:344. Big Surprise 20:545. The Ones 25:416. Starship Pusher 34:27Buy it:heavypsychsoundsrecords.bandcamp.com/album/oreyeon-ode-to-oblivionridingeasyrecs.com/product/oreyeon-ode-to-oblivionheavypsychsounds.com/shop.htm#HPS099Oreyeon is:Pietro Virgilio - DrumsMatteo Signanini - GuitarAndrea Ricci - Guitar, SynthesizerRichard Silvaggio - Lead Vocals, Bass GuitarRecorded at the Smoking Goat Studios by Matteo SignaniniMixed at Waiting room Audio by Enrico BaraldiMastered at Mystery Room by Justin PerkinsIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Kosmische Ritual @ URSAL and chill | studio sessions Leonardo Ortiz 2019-03-21 | Jam band from Chapecó/Xaxim, Brazil.1. 00:002. 06:25instagram.com/kosmische.ritualfacebook.com/KosmischeRitualRecorded in Xaxim, 22/12/18Leonardo - bass(1), guitar(2)Lucas - guitar(1), bass(2)Jack - drumsWith:André Castaman - Sax
Glitter Wizard - Solar Hits (2011) Full Album Leonardo Ortiz 2019-03-18 | First full length album released by american psychedelic/stoner/garage rock band Glitter Wizard.1. ABACA 00:002. Sacrifice 03:303. I Don't Like You 09:334. Spider 12:365. Snow Crash 15:146. Mirror Man 18:047. Warsawng 25:258. Summertime 32:45Buy it: glitterwizard.bandcamp.com/album/solar-hitsGlitter Wizard is:Wendy StonehengeDoug GravesLorfin TerraforKandi MoonFancy CymballsFlutes and bar. sax by Adam Beach Tenor sax by Steve MackayRecorded by Donny Newenhouse at Center of the Mile Mastered by Patrick Haight (vinyl masters by John Golden) Released July 23, 2011 by Archers' Guild Records If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Jupiter - Iosomnia (Part 1) (2019) Full Album Leonardo Ortiz 2019-02-11 | Jupiter's third full length album. Iosomnia part one.Churchmoor acid drenched progressive heavy rock n roll.1. Forgotten Twin 00:002. Quantic Being 09:083. Abyss Swallowed the Moon 18:274. Return to Zero 28:35Buy it: jupiterhobo.bandcamp.com/album/iosomniaJupiter is: Tuukka Vänskä / Guitar, Vox Valtteri Louhisola / Drums Mikko Toukola / Bass Worship Möhnä. Recording, mixing & mastering: Teemu Vänskä Original album art "Restless Dreams": Rea Karjalainen (spyrre.deviantart.com) Recorded mainly @ Sonic Pump studios, Helsinki. All compositions, arrangements and lyrics: Jupiter Released February 11, 2019 If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Electric Octopus - Smile (2019) Full Album Leonardo Ortiz 2019-01-15 | Electric Octopus are a new and exciting musical cabal that'll take your mind on a weird and wonderful adventure.1. Abberation 00:002. Spiral 25:383. Dinner at sea, for one 27:344. Moth Dust 49:155. Hyperloop 53:576. Mouseangelo 01:09:34Buy it: electricoctopusofficial.bandcamp.com/album/smile-2Electric Octopus is:Dale Hughes - Low frequency manTyrell Black - Medium to high frequency manGuy Hetherington - Time, very low and very high frequency manIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Joburg Hawk - Joburg Hawk (1973) Full Album Leonardo Ortiz 2019-01-02 | "Released about a year after the original album, on the English Charisma label, this record is a mixture of Africa She Too Can Cry and the previous Hawk album African Day. To explain this it's best to go backwards. That first album was named after its title track which took up the whole of side two. It tells the story of an elephant hunt, no longer politically correct but nevertheless an exciting musical tale in the context of the era. The track African Day was re-recorded for the European album, and once again featured on side two, but now as separate songs, with This Elephant Must Die thrown in for topicality. This was not part of the original side-long track. Of the eleven songs which comprised the original South African release of Africa She Too Can Cry, four had to make way, these being The Return, Predictions, My Spear and White Bird Of Peace. That was a sad loss indeed. The remaining tracks were presented in a totally different order, mostly on side one, with one of them being integrated in the epic b-side, as outlined above. This reviewer is of the opinion that the album was substantially weakened by this apparently arbitrary reshuffling. However it is nevertheless recommended as second-best if an original South African record cannot be found. The inner sleeve depicted hand-drawn images of the elephant hunt with hand-written notes outlining the story. The South African album instead shows a grainy black-and -white photo hinting at the exciting stage presence of Hawk. Indeed this reviewer was mesmerised by the Rhodesian introduction of Africa She Too Can Cry in live concert in the Rhodes Cinema, in Salisbury on 22 July 1972 (seat O-18!). The headline act the Troggs had to take a back seat to the excitement of Hawk." http://www.rock.co.za/files/africa_cry_europe.html Review by Bas Möllenkramer - Soest, the Netherlands - webmaster www.the-flames.com (October 2000)1. Uvoyo 00:002. Elegy For Eden 03:143. The Rolling Of The Bones 05:504. Dark Side Of The Moon 08:325. War Talk 11:286. Africa 14:117. African Sun 16:598. This Elephant Must Die9. Beaters10. Hunt11. The Elephant Is Dead12. NglBuy it: discogs.com/Joburg-Hawk-Joburg-Hawk/master/578594Jo'burg Hawk is:Dave Ornellas (vocals)Mark "Spook" Kahn (guitar)Braam Malherbe (drums)Les "Jet" Goode (bass)Julian Laxton (guitar)Ivor Back (drums)Alfred "Ali" Lerfelo ([African] drums, vocals)Billy "Knight" Mashigo (percussion, vocals)Audrey Motaung (vocals, percussion)Pete Kubheka (vocals, percussion)If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Elkhorn - Lionfish (2018) Full Album Leonardo Ortiz 2018-12-19 | "In the fall of 2017, Drew Gardner, the electric guitarist in the guitar duo Elkhorn, had a life-changing, mystical experience eighty feet underwater while scuba diving in Belize. Exploring the lush barrier reef fifty miles off the coast, he saw a particularly intriguing lionfish, and, mesmerized by its great beauty, reached out his hand to this wondrous animal. Lionfish are gorgeously proportioned, elaborately decorated beasts, plumed in the manner of Quetzalcoatl with eighteen hypodermic spines, each holding a payload of powerful neurotoxic venom. Making contact at the exact point where man and God fail to touch in Michelangelo's "The Creation of Adam", the lionfish injected Gardner in the tip of his right index finger. At that moment, Gardner says, “the spirit of all creation was delivered instantly to the core of my heart.” Gardner brought back samples of the venom and shared it with the other half of Elkhorn, the twelve-string acoustic guitar-fingerpicking Jesse Sheppard. Raised by a father with a storied career as an expert psycho-pharmacologist, Sheppard had inherited extensive expertise on the preparation and testing of psychoactive drugs. He quickly refined the venom into a powdered form just as potent as the original. As a band, Elkhorn spent several weeks experimenting with different dosages of the drug, using it to fuel long electric/acoustic guitar improvisations exploring the fabric of the universe from within the intertwining spaces of mind and sound. As they experimented, it soon became clear that Gardner’s right index finger would continue to bear a scar from his encounter with the lionfish, to which he credits a permanent improvement in his guitar tone. At 11:09PM on the evening of December 2nd, 2017, a day now known as “Lionfish Day,” Gardner and Sheppard each snorted two enormous lines of lionfish powder from the surface of a mirror adorned with the silkscreened image of Bill Kreutzmann’s face. They then proceeded to capture the recording you have in your hands at the band’s Sharktooth studio in New York City. Each of these two extended improvisations, “Lion” and “Fish,” were timed to correspond with the peak effect of the lionfish venom as it opened and focused their minds, connecting them with the ambiguous beauty, danger and mystery of nature." 1. Lion 00:002. Fish 18:23Buy it: eiderdownrecords.bandcamp.com/album/lionfishElkhorn is:Acoustic: Jesse Sheppard Electric: Drew Gardner Recorded 12.2.17 Sharktooth Studio, NYCElklag Music (ascap) Artwork: Max Clotfelter thanks: Adam Svenson Eiderdown Records Seattle, WA 2018If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Electric Zoo - Diamonds in the Sand (2013) Full Album Leonardo Ortiz 2018-12-18 | "This is the band's debut album, recorded and mixed by Uri “Mixmonster” Wertheim (The Apples) as part of the HaRaKe label. The album was recorded in four days at the Kol HaCampus studios, straight to tape, using vintage and analogue equipment from the '60s and the '70s. The anticipation around this debut has garnered interest and invitations from clubs and records labels around the globe." 1. A Little Bit of This, A Little Bit o' That 00:002. Color of My Blues 03:043. Makin' Love 06:324. In The Palm of My Hand 10:535. Marital Bliss 14:476. There You Go 18:507. Sapphire Eyes 22:038. Ice Cream 27:319. Texas 31:3810. Nothing in the World 38:2411. The Way To You 42:1812. Startled 46:58Buy it: electriczoo.bandcamp.com/album/diamonds-in-the-sandElectric Zoo is:Guitar & Vocals: Gal Davidson Bass: Yuval Gesser Drums: Amir Steinberg Keyboards (on There You Go): Ori Weiss Lyrics: Gal Davidson & Alon Katz Produced by Gal Davidson Engineered, recorded and mixed by Uri Mixmonster Wertheim Recorded Live @ Kol HaCampus 106FM Studios, March 2013 Additional recordings and mix @ Anova Studios Assisted By Eli Goren and Shahar Yardeni **There You Go was mixed @ Audio Montage Studios by Ben Asher Mastering by: Itzik Filiba Art and Design by: Gome Alon Concept & Executive Production: Kol Hacampus www.106fm.co.il | 03-6903507 | info@106fm.co.il The School of Media Studies, The College of Management Academic StudiesIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Dire Wolves - Paradisiacal Mind (2018) Full Album Leonardo Ortiz 2018-12-18 | "Dire Wolves (Just Exactly Perfect Sisters Band) put forth a sound of ecstatic improvisation, each member documenting coordinate points in the higher dimensions of cosmic free-rock. The music lies somewhere near the nebulous intersection of psych, kosmische beat and astral jazz. These are exploratory journeys, transportive trance-based experiments in vertical listening, totally collaborative and often forming spontaneous compositions. The focus is more about feeling than any specific approach to playing. “Paradisiacal Mind”, the group’s tenth (or possibly twelfth?) full-length since 2008, conjures a floating stellular kraut Americano with quite a lot to pull you in to the mix and then drift you right back out again. Following two simultaneous 2017 releases - on Feeding Tube and Beyond Beyond Is Beyond - that explored out-of-body experience, this latest work turns decidedly inward. Psychic rock that guides your vision to heaven, and heaven is in your mind. When cover artist Kyla Quigley asked the band to draw from the tarot to inform her new work, the card was The Star, a renewal of hope and strength to carry on. And so it all came together - acute, right and obtuse, all at once. A portion of the record was recorded in Oakland by Zachary Watkins (Black Spirituals), who helped set the atmosphere to capture the festival consciousness vibes. The remainder was realized on Bernal Hill, celebrating the 50+ year tradition of San Francisco psychedelic intensity. Additional players include Laura Naukkarinen (Lau Nau), Taralie Peterson (Spires That In The Sunset Rise) and Michael Whittaker (Jackie-O Motherfucker). Recommended to the open minds that celebrate such sounds as the punk-hippie crossover scene of mid ‘80s SST records, as well as listeners of Scandinavian/Teutonic communal motorik vibes. And those into spiritual jazz, meditative and primordial minimalism, and scratched Environments LPs from the dollar bin. For the heads." -- Glen Burnout, September 2018 1. Unfettered And Alive 00:00Jeffrey Alexander - guitar Sheila Bosco - drums Georgia Carbone - voice Brian Lucas - bass Arjun Mendiratta - violin2. Just Live Your Life Behind Your Eyes 03:41Jeffrey Alexander - guitar / bells Sheila Bosco - drums / percussion Georgia Carbone - voice / bells Brian Lucas - bass Arjun Mendiratta - violin Laura Naukkarinen - voice Michael Whittaker - flute 3. We Are Stardust 16:08Jeffrey Alexander - fife / phonograph / guitar Sheila Bosco - electric piano Georgia Carbone - voice / shaker Brian Lucas - tapes Taralie Peterson - saxophone 4. In And Out Of Den Garten He Goes 22:15Jeffrey Alexander - guitar / chalumeau / percussion Sheila Bosco - drums / percussion Georgia Carbone - voice Brian Lucas - bass Arjun Mendiratta - violin Taralie Peterson - saxophone 5. Paradisiacal Mind 27:22Jeffrey Alexander - guitar / moog Sheila Bosco - drums Georgia Carbone - voice Brian Lucas - bass Arjun Mendiratta - violin Laura Naukkarinen - voice Buy it: jeffreyalexander.bandcamp.com/album/paradisiacal-mind1+4 recorded at Santo in Oakland CA by Zachary Watkins 2+5 recorded at Bessie Street in San Francisco CA by Jeffrey Alexander Track 3 recording and all tracks mixed at 3141 Mission St in San Francisco CA by Jeffrey Alexander Mastered by Chris Hardman Front cover screen print by Kyla QuigleyIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Brant Bjork - Lazy Wizards (2018) Leonardo Ortiz 2018-12-07 | 2nd track in Brant Bjork's Mankind Woman, released Sept 14, 2018 via HEAVY PSYCH SOUNDS RECORDS.Listen and buy the album: heavypsychsoundsrecords.bandcamp.com/album/brant-bjork-mankind-womanBrant Bjork is:Vocals, Guitar, Bass, Drums / Brant BjorkVocals, Guitar, Bass, Percussion / Bubba DupreeVocals / Sean WheelerBass / Armand Secco SabalIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Cubo Negro - Los Mareados (2018) Full Album Leonardo Ortiz 2018-12-01 | Second full length album released by argentinian Psych/Doom band Cubo Negro.1. Hipotético irracional 00:002. Anaser 07:393. Nafta, rojo y nafta 14:414. Los mareados 22:055. Meditación Jam 30:426. Che existencialista 35:077. Tan normal 41:148. El sabor de Sat 48:089. No hay trato 52:57Buy it: cubonegro.bandcamp.com/album/los-mareadosCubo Negro is:Maximiliano Baron - BassNicolás Manuel - Guitar/VocalsDan Kuxhaus - DrumsIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Lokomotive Kreuzberg - Kollege Klatt, Rock Story (1972) Full Album [Krautrock] Leonardo Ortiz 2018-11-12 | First full length album released by german Krautrock band Lokomotive Kreuzberg."LOKOMOTIVE KREUZBERG is a Berlin polit-rock band founded in early 1972. The group performed in various formations touring extensively through Germany until 1977 at the dissolution of the group when finances became an issue. The group consisted of founding member Andreas Brauer (vocals, keyboards, violin, flute, guitar, percussion), lyricist Kalle Scherfling (vocals), Volker Hiemann (vocals, guitar) and Uwe Holz (drums, vocals, harmonica, percussion). Later they were joined by Uve Müllrich (Guitars, Bass) and he also played bass in EMBRYO, and was founder of the DISSIDENTS. He was replaced from 1973 by Bernhard Potschka, Manfred Praeker and Herwig Mitteregger from 1976. Members later played in the NINA HAGEN BAND and later founded German rockers SPLIFF.The band released a number of albums; "Kollege Klatt" (1972), "James Blond - Den Lohnräubern Auf Der Spur" (1973), "Fette Jahre" (1975), "Mountain Town" (1977). LOKOMOTIVE KREUZBERG plays funky krautrock, with some folk rock, sounding similar to GONG and MOTHER GONG. The lyrics are left wing preaching a political message to the proletarian masses. For this reason they were banned from touring the communist countries." - AtomicCrimsonRush (Scott Tuffnell)1. Abfahrt 2. Ein Mann geht die Straße lang II3. Was glaubst du was du bist4. Wenn ich nach de Arbeit5. Ich könnt' ein Kommunist wohl sein6. Ein Mann geht die Straße lang II7. Lohnpredigt8. Geldsack9. SolidaritätsliedBuy it: discogs.com/Lokomotive-Kreuzberg-Kollege-Klatt-Rock-Story/master/295826Lokomotive Kreuzberg is:Andreas Brauer / vocals, clavinet, violin, synthesizer Volker Hiemann / vocals, guitars Uwe Holz / vocals, drums, harmonica Franz Powalla / vocals, bassKarl-Heinz Scherflilng / vocalsIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Pub Čerenkov - Journey To Pillow King (2018) Full Album Leonardo Ortiz 2018-11-10 | First full length album released by german Psychedelic Rock band Pub Čerenkov.1. Journey To ... 00:002. The Real Black Coffee 01:193. Hypnotic Pentatonic 05:034. Thieves of Calabria 13:265. Lowland/Hills 17:116. Purple Mountain 24:427. Pothole 27:438. Pillow King 31:00Buy it: pubcerenkov.bandcamp.com/album/journey-to-pillow-kingPub Čerenkov is:MATT: Guitar, Effects, VocalsPOLI : Guitar, Effects, Background VocalsFLAFI: DrumsRAFI: Bass facebook.com/Pub.CerenkovIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Terminal Lovers - As Eyes Burn Clean (2009) Full Album Leonardo Ortiz 2018-11-01 | "This record is something from another planet. What I say, of another plane-dimensional space clearly more evolved than ours, where the entities that inhabit LSD breathe just as we do with stale oxygen. If the word MUSIC had a mortal incarnation, that would be the Terminal Lovers. I mean that organic music that flows naturally, without judicious squares and arithmetic enforced. In these creations do not need more than bring together the right talent, and no fixed script takes the form of authentic spiritual journeys, which is beyond any rational dissection from an intellectual understanding to carry out. Is a journey in time, because these guys drink of classic bands of 60 and 70, as well as high psychedelia to the nth degree. Think King Crimson, Captain Beyond, Amon Duul or the Butthole Surfers and go in the right direction, although only have one direction, because what Terminal Lovers developed during the seven tracks on the album is full of so much personality that is hard to imagine this music in other hands. We are in a timeless wonder that is above any time and place…Note: 10/10" - Ecos De R'lyeh, Spain1. Press the Bank 00:002. Ion Gate 03:483. Shadow Driver 13:284. Steve Ashby 15:505. Truth Between Errors I: Sacred and the Man 20:206. Truth Between Errors II: Truth Between Errors 26:397. Truth Between Errors III: Sun Lit, Rings 36:308. Mule on the Red Border (bonus track) 43:269. Truth Between Errors (bonus track) 49:25Buy it: terminallovers.bandcamp.com/album/as-eyes-burn-cleanTerminal Lovers is:Bob Zeiger - Drums, PercussionBrent Gemmill - Drums, PercussionChris Smith - GuitarsDave Cintron - Guitars, VocalsJamie Walters - BassTed Flynn - Bass (track 1)Don Depew - Mandolin (track 7)Dave Cintron - Cover artIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Terminal Lovers - Flight Out (2015) Full Album Leonardo Ortiz 2018-10-31 | "Terminal Lovers have been belting out their burly, punk-fueled psych rock over the past decade, and have developed a cult following among fans of both contempo experimental rock and the more aggro corners of the stoner/noise/doom scene. The ragtag psychedelia that these guys crank out is their own warped version of brain-bombed rock... heavy at times and constantly weird..." - Crucial Blast1. Lacuna 00:002. Gone 05:273. Hot Nights 09:354. The Sea 12:215. The Lamp 17:586. Meaning Over 22:087. Bloodstone Eyes 31:21Buy it: terminallovers.bandcamp.com/album/flight-outTerminal Lovers is:Dave Cintron - lead guitar, vocals Brent Gemmill - drums (2,4,5,6), percussion John Kalman - bass (3,4,5) Chris Smith - guitar Jamie Walters - bass (1,2,6,7) Bob Zeiger - drums (1,3,7), percussion Songs by Cintron, except The Lamp by Cintron/Depew Grooves and Arrangements by Terminal Lovers Recorded at Biological Basement Produced by Cintron Mastered by Adam Boose at Cauliflower Audio Art/design by Cintron Biological Records BR-06 © 2015, Work Free Music BMIIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Druglord - Enter Venus (2014) Full Album Leonardo Ortiz 2018-10-16 | "Let’s kick things off by saying, I make no apologies for my affection and die hard support of STB Records, indeed what more can be said about a label that I/we have lauded over for the course of their last 7 releases, yes people that is 7 (if you include their small pressings of cassettes too)? Answer, a great deal more. Why? Because STB Records, are at the crux of releasing their 8th and arguably their best release to date. No! They are about to release their best release to date. What is it? Enter Venus, possibly the bleakest sons of bitches this side of the swamp, I give you, Druglord.The STB Records juggernaut continues with the aforementioned release by Richmond, Virginia grime sludge doomsters new record. It will come as four unique and stunning editions. The “diehard” is limited to 50 copies, comes with custom art from W. Ralph Walters, and bears a unique foil stamp, hand-numbered, clear vinyl with what STB Records describe as their “dopesmoke” green splatter. The “OBI” version does exactly what it say on the tin, it comes with an OBI strip in Japanese and English. Olive green / milky white clear colour vinyl, limited to 90 copies. 3rd version is an exclusive Euro version for sale via Kozmik Artifactz Distro in Germany,Swamp Green with White and black heavy splatter limited to 103 pieces. STB Records have certainly become the flag bearer when it comes to producing superior quality wax, like a Courvoisier to the connoisseur of cognac or a 15 year old single malt, to the whiskey aficionado. This label produces a highbrow boutique quality blend, and boy do we like to dabble in fine beverages of the wax variety. Simply put, once sampled you become ensnared by its flavourful quality. Therein the quality of this feature presentation is exemplary, therefore it is no surprise that the fourth and final version is a limited pressing of 108 copies, I am aghast to call the last version “standard,” but think the lesser quality single malt is still pretty high quality, you follow. STB dubs it ‘not so standard ed’. Milky white clear with olive green splatter.The latter, is what I present with this here review for your reading pleasure and featured in the pictures accompanying this review. ‘cause I guess I should really talk about the music, ya dig!So, what’s the dealio, homies? Well, simply put, Enter Venus is the best dose of grimy filth you’re gonna hear this year (Probably! but Carlsberg this ain’t) and the best musical output from STB Records thus far. Having released their cheerily monikered Motherfucker Rising debut a few years back, these motherfucking motherfuckers (I mean that affectionately) are back, with what invariably is a decidedly blackened doomier version of said lords of drug (see what I did there?). The fact of the matter is, Enter Venus = oppressively bleak. Did I like it? Damn straight, I loved every single moment of Druglord’s spewing rancid ooze.In short, I am running out of bleak superlatives for this record, yes that seem like a weird juxtaposition, kinda like taking pleasure from eating glass or ingesting bleach. But that is why this record, just plain aces, in that the stuff is tense, dark and visceral but just unashamedly compelling and absorbing. Like your favourite horror movie, Druglord make you sick to your stomach, yet the thrill is in the fear and just like a horror flick, Enter Venus it is ultimately satisfying. Resistance is futile my friends. Undoubtedly, Druglord may not reach the notoriety of Pablo Escobar, but one thing is for sure, this record is more addictive than anything chopped on a mirror."Words by : Aaron Pickford1. Grievous Heaving 00:002. Feast On The Eye 06:503. Enter Venus 14:254. Let Us Bleed 20:54Buy it: druglord.bandcamp.com/album/enter-venusDruglord is:Greta Brinkman - BassHufKnell - DrumsTommy Hamilton - Guitar, Vocals, OrganRecorded at Dark Room StudioMixed at Dark Room StudioMastered at Slipped Disc AudioIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Øresund Space Collective - Live in Berlin 2018 (Full Live Album) Leonardo Ortiz 2018-10-10 | "Live from the Sneaky Snake Festival at Urban Spree in Berlin, Germany on June 2nd, 2018. It was the last show of a 9 concert tour and the band was on fire! Epic guitar solos and one mind-blowing synth solo to complete an amazing musical tour. Enjoy.." oresundspacecollective.bandcamp.com/album/live-in-berlin-2018"In May and into early June, ØSC was on tour with Black Moon Circle for 9 concerts in 9 days in 5 different countries. We had an incredible time and played some amazing inspired shows. The last show on the tour was in Berlin, where we had never played before. We had competition with Roger Waters but still pulled in around 100 people for an amazing end of the tour night. We made a multitrack recording and our guitar/violin player Jonathan mixed this. The entire band was totally on fire with both Vemund (Black Moon Circle) and Jonathan (Camper van Beethoven, Sista Maj) playing amazing guitar solos and Mogens (Univerzals) finally letting it all out with a monster synth solo on the Freaks of Berlin track. Vemund plays a mind blowing guitar solo in the final track to blow everyone’s mind. The groove machine of Tim (Agusa) and Jiri (Sista Maj, Univerzals) are killing in on the drums and bass. Hope you enjoy this little document of what one of our shows was like on the tour. It is the bands 6th official live album and 29th release since 2006." http://oresundspacecollective.com/392-21. Improv to the Other Side 00:002. Sneaky Snake Jam 29:423. Henk's Jam-o-Rama 45:454. Freaks of Berlin 01:13:005. Another Jam for Sabine 01:31:40Buy it: oresundspacecollective.bandcamp.com/album/live-in-berlin-2018Øresund Space Collective is:Jonathan - Guitar, Violin and ThereminTim - hand drums and drumsJiri - Bass, Mogens, SynthesizersVemund - GuitarsDr Space - SynthesizersRelease on Space Rock Productions, SRP053 2CD, 510 copies, gatefold digisleeve, hand numbered Live sound - Rasmus Audience recording - Dr Space Multitrack recording and mix by Jonathan Segel (Stockholm) Artwork layout by David Graham Live fotos & band foto by Sabine PottienIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
West, Space & Love II (2016) Full Album Leonardo Ortiz 2018-10-10 | 1. Floyd's Dream 00:002. Khan Paan 11:093. 2002 16:164. Pig in Space 19:395. Oscillation in D Minor 22:106. Anybody Out There 33:077. Time Compression 39:16Buy it: oresundspacecollective.bandcamp.com/album/west-space-and-love-iiThis album was recorded in Stockholm, Sweden on Dec 4-6th, 2015. Basic tracks were made on Dec 4th and 5th in the Shadra and Root Rock studio (bass and drum kit). Live overdubs (max. 2 takes) on Dec 5th and 6th. The mixing was done in December by KG and Love. The album was recorded and mixed entirely analog. Enjoy..KG Westman- Sitar, bass, Ibanez Double Neck guitar, Hammond L100, Synthesizers Love- Drums, Cajon, Ki-gonki, Qaraqab, Voice, Spring Drum, Roland SH1000, Cuica, Dr Space- Custom Modular Synthesisers, Korg monotron, OScar, Roland SH1000 Special Guests: Jonathan- Violin Mathias- Delay Pedal Moa- SantoorReleased July 1, 2016 If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
The Brotherhood of Eternal Love - Green Morning Baby (2000) Full Album Leonardo Ortiz 2018-10-04 | "The Brotherhood Of Eternal Love came into existence (as an entity, if not in name) in the late summer of 1998, when myself [Jens], Niklas, and Arne decided to offer, free of charge, an itinerant musical setting for use in local schools, restaurants, conferences, exhibitions and more. Supported financially by the municipality, the act was billed as Den Ambulerande Ljudskulpturen (The Ambulating Soundsculpture), and existed for six months. Two of these were dedicated to rehearsals in which we built up a strong musical communion and understanding between each other, and the remaining four saw us get into some heavy improvisation during almost sixty performances.Interestingly enough, most gigs took place in front of six to twelve year old kids; one could be forgiven for expecting them being much to young to care for thirty minutes long pieces of rather abstract music, but in fact most of the time these kids were our most appreciating audience. Generally, our performances grew more dense, and, perhaps, more avant-garde, as the age of our spectators rose. Only two shows were played at a regular concert hall, and they soon turned into esoteric midnight rituals. Billed as "The Drone-Ah-Bone Far-Out Show" and "God Is Alive And Well In A Sugarcube" (a third one, "No Bone In The Drone", was unfortunately cancelled), these two happenings both came in at well over two hours of non-stop music.The piece on this disc Green Morning Baby is not a straight recording of what an actual gig could sound like (to mark the differences we opted for a change of name to The Brotherhood of Eternal Love on this release), instead we took great advantage of the possibilities offered in a studio. Thus there are plenty of overdubs and layers of instruments, but the actual feel of our live performances, especially those of a slightly more eclectic vein, is still very much present. Hopefully it'll be to your liking.Several kids described their experience with our music as walking under water, meeting dinosaurs, or dancing in the jungle, and that's something we've certainly taken great pleasure in doing while recording Green Morning Baby. " - Jens @ http://www.hawklord.com/music/TSMdisco.htm1. Untitled 00:00Buy it: discogs.com/The-Brotherhood-Of-Eternal-Love-Green-Morning-Baby/release/3449339The Brotherhood of Eternal Love is:Arne - Electric Guitar, Acoustic Guitar, Sitar, Bouzouki, Bass, Tabla, Percussion, Vocals, SoundsNiklas - Electric Guitar, Percussion, Drums, SoundsJens - Organ, Synthesizer, Trumpet, Lyrics, SoundsMastered by Charlie McNosePhotography by Katrina AtleyRecorded at Studio Spliff, during 1999-2000If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Holy River Family Band - Welcome to Riverhouse (1997) Full Album Leonardo Ortiz 2018-10-04 | "On their second effort, the authentically psychedelic Holy River Family Band change their mind-blowing formula bit while continuing to extend their music into newer, unprecedented regions of the time-space continuum while using at least semi-conventional means. First off, Welcome to the Riverhouse is a double offering. Both CDs differ not only from the amazing Haida Deities, but from one another as well. The material here is far more song-oriented, with verses and choruses woven into the fabric of the musical exploration. The tapestry of musical instruments utilized by the band has only increased -- besides guitars, sax, flutes, exotic percussion, and oud, the mix now includes sitars, bouzouki, cumbuz, ney, Moroccan clay drums, and more. Nowhere does the band stray far from the guitar/bass/keyboard/drums equation to hang everything on, making all of it exotic, tasteful, and mind-bendingly multi-dimensional.There are echoes of previous incarnations such as on "As Long As Sun Shines," with its mystic prayer at the center reminding listeners of the more adventurous moments of the Incredible String Band, while the instrumental "Star Tree & the Death of Flowers" brings listeners the glorious, elongated drone power of acts such as Kawabata Makoto's (of Acid Mothers' Temple) solo projects and the Obscured by Clouds-era Pink Floyd and early Popol Vuh. But it's also different -- this is far more spiritual music that it is drug music; its meditative and expansive qualities come from focused rather than improvised meditations on space and texture. As one moves through the lyrics, it's easy to hear that the brothers Jens and Arne Johanson with Mathias Barder are evoking something other than rock & roll in their musical tomes.By the time the listener reaches "Remain" on disc two, with its textured sitar and guitar intertwining along with lilting keyboard phrases and organic, rudimentary percussion, the transformation is complete. HRFB have succeeded in taking listeners through the vortex to the place where all extraneous divisions of sound fall away, leaving only the essence of tone and vibration. This is an ambition of so many acts, from Spiritualized to Mercury Rev and the Flaming Lips -- all with far more elaborate production techniques that achieve far less musically, imagistically, and most importantly, emotionally." AllMusic Review by Thom Jurek: allmusic.com/album/welcome-to-riverhouse-mw00009587611. Peyote Visions 00:002. As Long As the Sun Shines 06:42 3. Startree and the Death of Flowers 11:164. Ever Since That Day, Pt. 1 18:345. Moon Interlude 20:046. Ever Since That Day, Pt. 2 21:097. Song of Distant Glow 22:348. Dogma (Here Lies the Essence) 27:279. Many Moons 34:1210. Dream Laden Alley 45:2911. Wheel of Life 50:0612. River House Theme 55:3613. After Chacruna 57:3214. Those Eyes 01:08:0215. Suffocation/Meditation 01:09:0916. When the Morning Comes 01:17:1317. The Juice of Emotion 01:21:1918. To Remain 01:29:4919. Psalm 01:31:0020. World of Everywhere 01:46:55Buy it: discogs.com/Holy-River-Family-Band-Welcome-To-Riverhouse/master/335275Holy River Family Band is:Jens Unosson - electric organ, electric & prepared piano, synthesizers, bells, vocalsArne Jonasson - 6 + 12 string electric guitar, saz, cumbus, sitar, bouzouki, mey, violin, acoustic guitar, hurdy-gurdy, bass, recorder, zurna, ebow, oud, vocalsMathias Barder - drums, tables, congas, bongos, darbuka, acoustic guitar, doublebass, cello, marimba, flutes, maraccas, bowed cymbals, cowbell, moroccan clay drums, tambells, chanting, vocalsRecorded and mixed at Studio Spliff between July '96 and June '97. Mastered at Rumble Room by Kjell NästénArtwork by Randy PollakExecutive Producer - Michael PiperIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Holy Monitor - Golden Light/Aeolus (2016) Full EP Leonardo Ortiz 2018-10-03 | "Hailing from the sunbaked Mediterranean shores of Greece, experimental neo-psych / krautrock space rockers ‘Holy Monitor’ have had both of their two previous self-released digital EP’s (Golden Light & Aeolus) seamlessly brought together on one fantastic full length album courtesy of Virginia based independent record label ‘Ongakubaka Records’. ‘Holy Monitor’ blend a stunning mix of neo-psychedelic krautrock & soaring space rock with motorik rhythms and dreamy hypnotic vocalisations that collectively form soundscapes so lusciously inthralling, they will have you hooked from your very first listen. Like a pulsating beacon of musical promiscuity the opening motorik bars of track one, ‘The Way Out’ ripple outwardly, like some magical pre-ordained mantra, as the piece meanders through throbbing bass lines coupled with hypnotic rhythmic percussive patterns, surging synth swells and a magnificent vocal attack. This is a truly wonderful opening track as it sucks you into the collective mindset of ‘Holy Monitor’ and introduces you to their blissful acid-drenched musical landscape. Up next, we’re treated to a swirling repetitive guitar line intertwined with snaking bass frequencies and another impressive vocal performance. ‘Golden Light’ is full of eastern esoteric influences as its menacing organ swells and stunning reverberation loops and arc’s throughout, painting sonic pictures and instilling shimmering atmosphere.‘Cacti’ charges into ear shot on a bedrock of pounding drums, swirling guitars and soaring synth swells that are constantly building in tempestuous fashion and continuously circumnavigating that fragile vocal track. It builds from the off adding layer after layer of stunning instrumentation as it deftly skips along its chosen sonic path. Up next, ‘Bend In The Trees’ gracefully glides in on a droning synth progression and a highly addictive guitar line. This track bathes in swathes of stunning reverb as its hushed vocalisations take centre stage continuously urging the instrumentation to keep up with the pace. A brilliantly executed track and possibly my favourite on this entire release. Track five, ‘White Sands’ slows proceedings down a tad initially as a golden cascading organ progression enters audible range. A steady beat is added to the maelstrom before the hypnotically charged vocal arrives and we’re treated to a masterclass of neo-psychedelic discovery.The EP’s closing track is a thing of beauty. ‘Winterlong’ growls as its supercharged guitar lines expertly protect the immense vocal. Wurlitzing organ progressions swirl as throbbing bass lines add weight to the metronomic swing of the entire track leaving the listener wanting more.A fitting finale to a stunning release!"- Review by Del Chaney at Primal Music Blog: http://primalmusicblog.com/album-reviews/album-review-holy-monitor-golden-light-aeolus-ongakubaka-records1. The Way Out 00:002. Golden Light 04:313. Cacti 08:014. Bend the Trees 12:345. White Sands 16:096. Winterlong 19:45Buy it: ongakubakarecords.bandcamp.com/album/golden-light-aeolusHoly Monitor is:George Nikas: Vocals, Guitars Stefanos Mitsis: Guitars Alex Bolpasis: Bass Vangelis Mitsis: Keys Dimitris Doumouliakas: Drums If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Black Moon Circle - The Studio Jams Vol 1: Yellow Nebula In The Sky (2015) Full Album Leonardo Ortiz 2018-10-03 | "Black Moon Circle is dedicated to dark psychedelic space rock, driven by a disposition towards prolonged jams" facebook.com/pg/blackmooncircle/about1. Closed Loop Circuit 00:002. Sea of Vapors 10:583. Yellow Nebula in the Sky 24:15Buy it: blackmooncircle.bandcamp.com/album/the-studio-jams-vol-1-yellow-nebula-in-the-skyBlack Moon Circle is:Vemund Egan - GuitarPer Andreas Gulbrandsen - DrumsDr. Space - Analog SynthØyvin Egan - Bass GuitarIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
The Cosmic Factory - Welcome To ... (2013) Full Album Leonardo Ortiz 2018-10-03 | "It’s getting progressively difficult for a band to make their mark on the local music scene, let alone the national one. Young (and some not so young) ambitious musicians are putting together projects, armed with over a half century’s worth of inspiration, and marching out headlong into the cut-throat world known as the live club scene. To the outsider, these upstarts appear like mice running around a maze looking for that unattainable hunk of cheese, convinced with each turn that it’s located just around the very next corner. And yes, to the uninitiated eye, this chase might seem like an act of futility. But to hungry bands like The Cosmic Factory, all the obligatory hard work is quickly yielding rewards.The Cosmic Factory is the brainchild of Rhode Island based guitarist Lee McAdams, who in 2008 began a two-year hunt for like-minded musicians to round out his vision for a funky, “trippy” hard-rocking trio. Though he would perform with several musicians before settling in on just the right combination, McAdams eventually enlisted the rhythm section of former schoolmates Mike Baker on bass and vocals, and Dewey Raposo on drums.Although they have their own side-projects in which members often intermingle, The Cosmic Factory remains the band of priority for these three local rockers. After spending much time honing their collective skills by performing high-energy shows at venerable venues such as The Met, Providence’s The Spot, and Lupo’s, they have emerged with a nine song debut disc, Welcome To The Cosmic Factory.Right from the opening moments of the disc’s first track, “Show You,” it’s clear that these guys have some chops. Rather than barreling in with an over-the-top knockout punch, the band eases the listener into the album, with a slithering groove laid down by some syncopated rhythms courtesy of Raposo, and Baker’s velvety approach to vocals in lines like: “I’d love to be the man to take you back to Heaven…”And holding all components together is the schooled guitar playing of McAdams, who with each unfolding section seems to channel another legendary guitarist, shifting from Junior Marvin to Jeff Beck to Jimmy Page, without as much as a hiccup.Though the band culls much of its sound from classic artists, these guys are most certainly a modern outfit. The track “Stick Fishin’” is almost too catchy to be branded alternative, but nonetheless holds the earmarks of today’s 2013 rock sound. With its heavy driving rhythm and equally heavy grunge guitar tone, the song pulses along in shades of Alice In Chains but far more potent. I personally enjoyed the homage to The Beatles following the guitar solo, with the lines “Can you take me back where I came from. Brother can you take me back....” Nice White Album reference, boys!The entire disc encapsulates some of the strongest instrumentation I’ve heard from a local band in some time. In fact, the only fault I can find with Welcome to The Cosmic Factory lies in the track. “Good Vibrations.” There’s nothing wrong with the song itself mind you. To the contrary, it has an infectious ska/reggae beat with some great use of wah-guitar by Lee McAdams. That said, using the title of arguably the most celebrated and renowned studio recording of the 20th century is to say the least, ill-advised. I didn’t like it when Marky Mark and The Funky Bunch did it in 1991, and I don’t like it any more now!But taken in total, that’s small criticism compared to the overall quality and talent The Cosmic Factory possesses. And if their quickly expanding fanbase serves as any indication, this trio is not merely running the maze in vain, but rather has a legitimate shot of making a real mark on the entire scene before long. I can’t wait to see what product comes out of the Factory next..." http://motifri.com/cd-review-welcome-to-the-cosmic-factory1. Show You 00:002. Lonesome & Nowhere 04:133. Stick Fishin' 09:414. Love or Machine 14:125. Good Vibrations 18:086. Freaky People 22:057. Last Supper 27:018. Please Go Away 30:209. Sweet Flow 35:00Buy it: cosmicfactory.bandcamp.com/album/welcome-toThe Cosmic Factory is:Lee McAdams - guitar/vocals Sgt. Mike Baker - bass/vocals Dewey Raposo - drums/vocals All songs written by the Cosmic Factory. Engineered by Matt Tarpy at Castle Entertainment (Providence, RI) Produced by the Cosmic Factory and Matt TarpyReleased September 28, 2013If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
The Weight - The Weight (2017) Full Album Leonardo Ortiz 2018-10-03 | "Rock is a cliché. As such it appears to have become outworn, pale and predictable. Classic rock in particular seems to have lost all the swagger, sex and daringness that early pioneers like Jerry Lee Lewis or Chuck Berry once had introduced to the world of music. Facing an eclectic and confusing world and given a music industry shattered and in pieces, many of today’s musicians show an alarming lack of stylistic confidence. Subsequently, a few years ago Gene Simmons dared to announce that rock was dead. However, millions of musicians, fans and music lovers all over the world remain defiant and have more than once expressed their strong desire to prove the American glam rocker wrong. And like so many times before, relief is about to emerge from an unexpected direction.The marvelous city of Vienna has seen legions of talented musicians. Unfortunately, it has never been regarded as a rock'n'roll city. Eventually, a change is gonna come as THE WEIGHT indeed seem to have arisen from a distant place and a different time. Consequently, their first full length and self-entitled debut album shows little respect but a whole lotta love for all the legendary predecessors. But whereas other bands struggle to maintain originality and imagination THE WEIGHT provide us a surprisingly solid and convincing collection of well carved and beautiful songs. Whoever has the pleasure of immersing into the sound of THE WEIGHT either gets hooked on a driving and seductive groove machine or placed in a rather gentle and meditative mood. While the band introduces their music as HEAVY RHYTHM AND ROLL we definitely call it rock’n’roll in its finest and purest form.Having played over 150 shows during the last two years the band put much of the experience they had gained by a life on the road into their album. THE WEIGHT's music embodies lust, life and happiness as well as a good amount of struggle, heartache and pain. One can truly feel how four young men have paid their dues and fortunately they seem to just have embarked on a daring endeavour, leaving us a stunning first glance of a promising future.The album itself was produced during an adventurous two-phase undertaking. While all basic tracks were recorded in a bright and light-flooded studio in the middle of the placid landscape of Lake Constance the band ultimately underwent a radical “back to the roots” treatment by returning to their dark and dusky rehearsing room in the city of Vienna. Thus, the musicians felt able to finally capture the sound and the creativity they had initially been craving for. THE WEIGHT completed all the missing parts on their own adding plenty of guitars, pianos, organs, vocals, percussion and some vicious sound effects in a remarkable and convincing manner. German multi-platinum producer Oliver Zuelch (Die Ärzte, Sportfreunde Stiller, etc.) became aware of the band and was instantly enthused by the idea of mixing the whole album giving the songs their vivid, warm and punchy sound.So Gene, what do you think?" theweightrock.bandcamp.com/album/the-weight1. Hard Way 00:002. Trouble 02:483. Inside 05:434. Rich Man's Pride 08:285. A Good Thing 13:336. Money Ain't for Keeping 19:237. Hammer, Cross & Nail 22:188. Jam 30:559. Get Some 36:4810. Plenty of Nothing 39:59Buy it: theweightrock.bandcamp.com/album/the-weightThe Weight is:Tobias Jussel- Vocals & OrganMichael Böbel- GuitarAndreas Vetter - DrumsPatrick Moosbrugger - Bassfacebook.com/theweightrockhttp://theweightrock.comAll songs written by The Weight Produced and recorded by The Weight at Heavy Rhythm & Roll Studios, Vienna Basic tracks recorded at Nautilus Studio, Dornbirn Audio Engineering by Nautilus Team and Patrick Moosbrugger Mixed by Oliver Zülch Mastering by Martin Scheer A&R by Jürgen Langer Artwork by Edison Wormhole Inner Sleeve Photograph and Design by Simon Anhorn Photograph by Jasmin ElmiIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Saturn3 - Blue Magic Spell (2018) Full Album Leonardo Ortiz 2018-10-03 | "After building a clone of the legendary Mosrite Fuzzrite guitar pedal of 60's spaghetti western fame in 2014, guitarist Cam Walter was so assaulted by the tone of this resurrected monster that he knew he must start a band and unleash the "so ugly it's beautiful" nasty snarling sound on the unsuspecting populace of Belgrave Victoria. Bass player Ben Grant and drummer Dave Moore completed the classic power trio lineup and in the sweaty confines of the dungeon that is Dave's garage. the songs began to take shape. And so Saturn3 present to you, the listener, the unholy fruits of this toil. Here we will deal with the subject of the psychedelic journey, alien abduction, reptilian conspiracy and rock n roll angst." https://airit.org.au/Saturn3-Blue-Magic-Spell.html1. Blue Magic Spell 00:002. Do You Wanna Go 10:463. Toxic Shock 17:344. Gunbarrel Highway 25:325. Velvet Sky 37:076. Road Angel 42:147. California Shining Outro 46:48Buy it: saturnthree.bandcamp.com/album/blue-magic-spellSaturn3 is:Guitars and Vocals - Cam Walter Bass and Saxophone - Ben Grant Drums and Percussion - Dave Moore Recorded and mixed by Bryce Ewing at Fatstax Studio Mastered by Kevin Metcalf at Soundmasters UK Special thanks to Doug and Lynne Walterfacebook.com/Saturn3-776781119062267Released October 2, 2018If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Jeff Liberman - Solitude Within (1975) Full Album [Heavy Psych] Leonardo Ortiz 2018-10-03 | "Chicago born Jeff Liberman is a guitar player in the best tradition of 70s guitar Gods like Hendrix, Trower, Clapton or Zappa. The perfect mix between virtuosity and feeling with a gift for brilliant songwriting. Between 1975 and 1978, Liberman self-released three albums on his own Librah label which were some of the first private pressings to gain recognition amongst psych collectors in the 80s. “Solitude Within” is his second album, released in 1975. A heavy guitar psych / West Coast /acid rock classic with plenty of acid soloing drenched in fuzz-wah plus treated vocals, effects, hard-blues and even some cool mellow folk grooves and experimental excursions. RIYL: BOB SMITH, TERRY BROOKS, ROBIN TROWER, HENDRIX, DR HOOKER, BEVIS FROND… " guerssenrecords.bandcamp.com/album/solitude-within1. I Can't Change 00:002. Springtime 03:513. Rock Or Roll Me 06:284. Life Is Just A Show 10:105. A Myopic Euphoria 12:456. Woman 14:297. Solitude Within 19:098. Soft And Tasty 21:539. The Same Old Blues 24:1710. Transition 27:48Buy it: guerssenrecords.bandcamp.com/album/solitude-within*Remastered sound *First ever legit vinyl reissue “Far better than most LPs of its type, this is highly recommended to guitar fans” – Aaron Milenski (Acid Archives)If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Hypnos - Set Fire To The Sky (2018) Full Album Leonardo Ortiz 2018-10-03 | "Swedish classicists Hypnos release their third album, Set Fire to the Sky, on Sept. 28 as their more-or-less debut on The Sign Records, which also issued the live-in-studio GBG Sessions earlier this year. The five-piece Gothenburg outfit would seem to be progressing not only in their songwriting but along a pattern of corresponding years, as their second LP, 2016’s Cold Winds, followed the boogie rock of their 2014 self-titled debut with a tilt toward early metal that more than hinted at heavy rock giving way as it did to the NWOBHM. Well, the Iron Maiden runs thick throughout Set Fire to the Sky, and while there are still some outward shades of classic heavy rock in the shuffle of “Ain’t No Fool” or the strutting “Tell Me Goodbye,” there’s no question that across the bulk of their latest work, the balance has shifted toward the metallic.Whether it’s the proto-thrash of “Looking Out” or the expansive grandiosity of the 7:44 “Deadline,” the bassline of which seems to directly wink at Black Sabbath‘s “Heaven and Hell” in the verses en route to yet another hook in an apparently Hypnos Set Fire to the Skyongoing series thereof. The rush of “Caught in the Night” would seem to be in conversation with opener “Get Out,” and between those two and the uptempo pacing of the aforementioned “Ain’t No Fool,” the sense of urgency is palpable from front to back. One could argue even the title Set Fire to the Sky speaks to a kind of intensity with which the record brims even unto the more comfortably-swinging title-track with its effective backing vocals and Scorpions-style groove. The outliers, then, are “Time is Running Out,” which despite its title working on the theme departs the NWOBHM shove in favor of a mellow and atmospheric rock with shades of Morricone in the lead guitar and layers of acoustic behind, and closer “Slutet,” which sure enough translates to “end” and tops seven minutes with a build into the grand finale that starts out no less mellow than “Time is Running Out” earlier.Not that one shouldn’t consider those songs as part of the overarching impression Set Fire to the Sky makes — they’re essential in adding depth to the atmosphere and to expanding the general character of the band — but the primary personality Hypnos have on display is still a classic metal party. If you could put stone-washed denim on a turntable and have it make a sound, it would start playing “Get Out.” All told, the nine-track/44-minute is stunningly coherent in its aesthetic choices, but that doesn’t come at the sacrifice of songwriting either. Hypnos have always been able to work with classic structures and classic styles alike, and whether it’s “Caught in the Night” — there are few things that could be more natural than this band writing songs about “the night” — “Tell Me Goodbye” or the reaches of “Slutet,” Set Fire to the Sky is nothing if it isn’t the furthest point yet on their progressive forward line. You can call it rock, or you can call it metal. Neither is wrong and I honestly doubt the band cares much either way, but what matters more is that Set Fire to the Sky finds Hypnos further refining their place in the sphere of heavy, standing apart from both the most modern of practitioners and those who’ve sworn fealty solely to the tenets of ’70s boogie." http://theobelisk.net/obelisk/2018/08/30/hypnos-set-fire-to-the-sky-caught-in-the-night-premiere1. Get Out 00:002. Ain´t No Fool 04:253. Set Fire To The Sky 09:344. Deadline 14:005. Time Is Running Out 21:446. Caught In The Night 24:287. Tell Me Goodbye 28:378. Looking Out 33:559. Slutet 37:19Buy it: hypnos.bandcamp.com/album/set-fire-to-the-skyHypnos is:LinusOskar WPontusAntonOskar BRecorded and produced by: Ola Ersfjord Recorded at: Studio Ganymeden Released by: The Sign RecordsIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Trappist Afterland Band - Like a Beehive, The Hill was Alive (2013) Full Album Leonardo Ortiz 2018-10-02 | Third full length album released by australian Acid Folk band Trappist Afterland Band."Trappist Afterland make Folk music using voices, various acoustic stringed instruments,tabla,percussion ,harmonium and Tanpura drones." trappistafterland.bandcamp.com1. Come to me 00:002. The Golden Bough 02:263. He Opened Not His Mouth(Isaiah 53:9-12) 07:314. Gardening in Lure 10:235. Leprous Ships,Leprous Buildings 15:416. Stripes(Isaiah 53:3-9) 19:417. the penitents rail 24:298. Like a bruised Reed (Isaiah 53:1-3) 29:469. The Hoarder Stows 31:5110. Beehive 34:41Buy it: trappistafterland.bandcamp.com/album/like-a-beehive-the-hill-was-alive-3Trappist Afterland Band is:Adam Cole - vocals,acoustic guitar,percussion ,oud,lute,dan bau monochord,frame drum ,bodhran,tibetan bells,hand bells,tambourine,gongs,spoken word,shofar,dulcitar,e bowed krajappi,melodicar,klong klaak,wooden flute,fanned guitar, venetian blinds,tanpura Brett Poliness - organ,vocals,drums and percussion Phil Coyle - tablas',vocals HakGwai Lau - Erhu with:Adam Casey - Jews harp,hurdy gurdy ,hammered dulcimer Tony Dupe - cello Tony Cornish - acoustic bass Jodie Cornish - spoken word Ron Telfer - spoken wordAll songs written and produced by Adam Cole All tracks mixed and recorded by Tony Cornish Mastered by Tony Cornish at Horizon sound Front cover Art by Tim Molloy This album is dedicated to Neil SweeneySpecial thanks to Nigel Spencer(Eleven Willows), Nathan Ford(The Active Listener), David Folkman Droust(Dendron Records), Perry Holt (PBS), Ant James and Simon Norfolk(Sunstone Records) and all our friends and family. Released June 21, 2013 If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Earthling Society - Crooked Under Moonlight (2017) Full EP Leonardo Ortiz 2018-10-01 | "We have changed the track listing somewhat. Gone is 'Ritual in Bou Saada' to be replaced by two FDM releases 'In the Garden' and 'Equatorial gardens in the rain'. There is a obviously a more 'gardening' feel to the EP now. A kind of sitting on your allotment (if you're lucky to have one) with your tin cup of hot tea and a pipe full of yer favourite shag. Contemplating life and feeding the robins....the robins will always come back. They bring a blinding light of love...." earthlingsociety.bandcamp.com/album/crooked-under-moonlight-ep1. Babylon Grove 00:002. Pomegranates 15:083. In The Garden 19:524. Sunshine Radiation 26:595. Equatorial Gardens In The Rain 32:546. Jerusalem Highway 38:28Buy it: earthlingsociety.bandcamp.com/album/crooked-under-moonlight-epEarthling Society is:Fred Laird - guitars, wood flute, bass and keys Jon Blacow - drums on tracks 1, 3 & 4Released December 18, 2017 If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
La Otracina - Reality Has Got to Die (2010) Full Album Leonardo Ortiz 2018-10-01 | Seventh(?) full length album released by american Psychedelic/Progressive Rock band La Otracina.1. Hail Fire 00:002. Raze The Sky 06:033. Crystal Wizards Of The Cosmic Weird 12:164. Can't Take No City Life 22:305. Reality Has Got To Die 30:126. We Ride On 49:557. Mass Meteoric Mind 55:37Buy it: laotracina.bandcamp.com/album/reality-has-got-to-dieLa Otracina is:Adam Kriney - drums (all tracks), vocals (1-4,5,7), synth (5-7), noise guitar (2) Evan Sobel - electric baritone guitar (all tracks), electric bass (1,4,5,7), electric guitar (2,4,6,7), synth (1-3,5,7), acoustic guitar (1-3,6,7), recorder (1) Philippe Ortanez - electric guitar (all tracks)Recorded July 2008-February 2010 by Evan Sobel Additional recording by Philippe Ortanez. Mixed and produced by Evan Sobel and Adam Kriney Mastered by Evan Sobel Artwork by Oliver Cartwright Logo by Jacy Eisold Photography by Nathaniel Shannon All music by LA OTRACINA All lyrics by Adam Kriney "Since 2003, La Otracina has been hell-bent on creating highly visionary music that melds sonic ideas from the outer reaches of heavy and weird. The Brooklyn group has released three full-length albums and twelve mini-albums, along with a slew of splits and compilation trackss on labels including Holy Mountain and band founder Adam Kriney's own Colour Sounds Recordings. They have completed eight US tours and one Italian tour, in addition to countless shows in their hometown. Their tireless work ethic and far-reaching musical abilities have earned them a devoted cult following in the underground psychedelic / heavy music world, and their live shows leave fans screaming and fist-pumping in ecstatic awe.La Otracina's new double-album is the first to feature drummer Kriney as lead vocalist, which catapults the trio into their most cohesive and focused release to date. Reality Has Got to Die showcases the band's mind-blowing ability to evoke the timeless space-rock magic of Hawkwind, the prog-improv wizardry of King Crimson, the fuck-yeah of early Metallica, and the synthesizer mind-warp of Tangerine Dream, all fused in a Krautrock state of mind. This musical journey through deep and heavy sound worlds envokes images of the emerald beyond and the darkest future alien universe, while also staying rooted in the tradition of rock 'n' roll's ever-winding history. But don't confuse this for faux-New-Age blabber--this is street-wise and from the gut, straight from the minds of three men living their art, sacrificing everything and manifesting a boundless sphere of music, ideas, and imagery.Reality Has Got to Die is a visionary work of sound and concept, steeped in experimentation and creativity, blazing forth with the power of a million minds exploding!" - Holy Mountain Records (http://holymountain.com/la-otracina)Released September 1, 2010 If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Wildflowers Wither - Songs of Woe (2014) Full Album Leonardo Ortiz 2018-10-01 | "Once referred to as "possessed by the dark, unapologetic ghosts of the deep South" (Pinboard, 2011), Kegan DeBoheme has been likened to the prominent rock singers of the 60's and 70's and has released two records under his own moniker - Wildflowers Wither and Songs of Woe" kegandeboheme.bandcamp.com1. The Old Oak 00:002. Wildflowers Wither 04:483. Damp & Grey 11:214. The Gypsy Song 16:425. The River 21:246. Nutshell 26:147. Lazy Lady (B-Side) 31:268. Sinister Daughter (2012 outtake) 35:27Buy it: kegandeboheme.bandcamp.com/album/wildflowers-witherIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Sherpa - Tigris & Euphrates (2018) Full Album Leonardo Ortiz 2018-10-01 | Released by Sulatron RecordsBuy it: sherpaita.bandcamp.com/album/tigris-euphratesTransparent Vinyl: http://bit.ly/TigrisAndEuphratesVinylCD: http://bit.ly/TigrisAndEuphratesCD"Tigris & Euphrates, the long awaited second album by the italian band Sherpa, is an album born as a concept around the evolution on human being. All songs are focused on the evolution of human language through the eras and how language has deeply changed the relationship between people, for better or for worst. It’s a dark album, slow and crude, but at the same time this album let light and hope come in; it’s a winter path, with low lights and soft volumes." sherpaita.bandcamp.com/album/tigris-euphrates1. Kim (((o))) 00:002. Creatures from Ur 07:253. Equiseto 14:034. Abscent to the Mother of Language 19:245. Overwhelmed 27:176. Descent of Inanna to the Underworld 34:52Sherpa is:Matteo Dossena (vox/guitars/synth)Pierluca Michetti (drum/percussions)Franz Cardone (Zon Hyperbass)Axel DiLorenzo (drone guitars)Ivano Legnini (Fender VI on#6)Enrico Legnini (MicroKorg on #4) Additional Musicians:Federica Vignoni (violins on #2)Davide DiBernardo (sitar on #4)Live recording sessions between December 2017 and January 2018 at Arcade Studio by Giuseppe Sericola and Fabio CardoneMixed by Fabio CardoneMastered by ErocArtwork by Nicolò Colombaro, inspired by "The Fallen of Adam" (front) by Jacob Bohme and "Genesis" (back) by Robert Fludd.Released September 29, 2018If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Melting Hand - Faces Of Earth (2018) Full Album Leonardo Ortiz 2018-09-27 | "Melting Hand are back but Faces Of Earth is not just another fat slab of that greasy psych-noise all you kids are digging these days, oh no. It’s high grade, high energy stuff. They don’t mess around neither, opener ‘Dust’ kicks up an infectious percussive groove, swerves any expectation of draining dirge and dances about cackling to itself, spitting fortified wine into the fire. The guitars take a bit of a back seat for this one, adding colour and textures to the relentless beat. There’s been some changes made here.What is Melting Hand? Supergroup? Side project? Hominid Sounds’ house band? Bizarre Voodoo curse? The core trio of Mike ‘all the bands’ Vest, Gordon ‘all the other bands’ Watson and Tom ‘no slouch either’ Fug are joined this time out by Wayne ‘many bands, much production’ Adams on synth and Marion ‘The Wharves/Underground Railroad’ Andrau on guitar. It appears the second track here ‘Earth’ provides the album’s guiding inspiration. It’s a version of a Joe Henderson / Alice Coltrane piece of 70’s cosmic jazz. Mmmn-hmmn. Now, when a bunch of hairy psych-rock troublemakers get it into their pointy little heads to fool around with jazz it just naturally sets the alarm bells ringing, I hear it too, but hold your nerve, approach with caution, and you’ll be just fine. Their reading is actually reasonably faithful, the first five or so minutes of Vest’s wailing guitar anchored by the steady rhythm section. The chanting “children of the soil rejoice” vocal part is handled by Lower Slaughter’s Sinead Young who brings an unsettling acid edge to it dispelling any tie-dye-earth-mother dribble. You can picture her in a cowl among the standing stones, arms raised, overseeing some ungodly rite/ psych jazz jam. Once the sacrifice is done the full band returns in looser, wilder mood.Originally ‘Earth’ was one of four tracks on a conceptual jazz album called The Elements, alongside a track a piece for Air, Fire and Water. Melting Hand have opted to just dig into the earth for all five of theirs and calling it the ‘concept’ might be a bit grand. So as much as Henderson may have been an inspiration here, his influence seems harder to spot elsewhere. Jazz hour is over, ‘Terra’ absolutely rips, it’s like the Butthole Surfers in 5th gear, crashing along dementedly, a total psych-punk joy. ‘Gaia’ starts out on a more meditative groove but builds steadily in pace and intensity until a signal cry from Watson’s bass tips them all into heads down freak out mode. The final tune ‘Dirt’ is perhaps the Cheesecake blow out you might have been expecting right back at the start. It pounds gloriously along to begin, cools to a simmer for a while before they crank up the heat and it boils over like the proverbial madwoman’s custard. Messy and delicious." Review by Jared Dix @ Echoes and Dust: echoesanddust.com/2018/09/melting-hand-faces-of-earth1. Dust 00:002. Earth 07:193. Terra 20:554. Gaia 26:085. Dirt 31:47Buy it: hominidsounds.bandcamp.com/album/faces-of-earthMelting Hand is:Gordon Watson (bass) Marion Andrau (guitar) Tom Fug (drums) Wayne Adams (synth) Mike Vest (guitar) Additional appearances: Sinead Young (Earth) Johnny Halifax (Terra)Released September 22, 2018 If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Velcro Lewis Group - White Magick Summer (2010) Full Album Leonardo Ortiz 2018-09-27 | Velcro Lewis Group's first full length album. Soul/Blues/Psychedelic Rock from Chicago, IL.1. Steam Powered Man 00:002. Fall To Pieces 03:583. Yearn Me No More 07:144. Echoes Of My Tears 10:065. Trouble Down Below 16:496. Half A Man 23:277. Don't You Pity Me 27:338. Dog Catchin' Woman 31:369. Buzzard's Banquet 34:3810. Dust Where I Lay 39:46Buy it: velcrolewisgroup.bandcamp.com/album/white-magick-summerVelcro Lewis Group is:Andy Slater - vocals, didley bow, percussion Hawk Colman - drums, vocals Phil Hunger - lead guitar, synths Paul E. Rocco - rhythm guitar Lawrence Peters - vocals, electric washboard Halden Spoonwood - Fender bass Recorded and mixed by Jeff Panall at Lake Street Chicago mastered by Colin Jordan at Boiler Room Mastering LP release by Spiral Staircase Records Fall To Pieces single released by Velcro Lewis Group Cover art by Steve KrakowIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Garcia Peoples - Cosmic Cash (2018) Full Album Leonardo Ortiz 2018-09-26 | "Top down, tunes up and cruising out of the Jersey suburbs into yr heart are Garcia Peoples and their debut LP "Cosmic Cash" on Beyond Beyond is Beyond. Originally a quartet (Tom Malach and Danny Arakaki on guitars, Cesar Arakaki on drums, Derek Spaldo on bass) but recently beefed up into a five-piece with PG Six (Tower Recordings, Wet Tuna) on keys, Garcia Peoples are just what our little psychedelic corner of the world needs right now…fun. "Cosmic Cash" effortlessly heaves joy. The low-key vocal hooks and melodies snag you quickly and don’t let go, not unlike mid-period NRBQ but loaded up on youthful longing and hallucinogens rather than RC Cola and Moon Pies. And then there are the jams, oh the jams! More reined in than recent live action, "Cosmic Cash" delivers sparkling twin leads, barreling keys and bubbling rhythms recalling the Dead’s tightest, most simple studio work, the Allmans’ most radio-friendly moments and the Band’s early 70s output." - Jeff Conklin (WFMU)1. World's Illusion 00:002. Hangin' On 05:183. Show Your Troubles Out 09:354. Four Walls 13:325. Suite: Cashing Out / Sigh of Relief / The Midnight Dancer / All the Time / Distant Lands 16:496. The Sweet Lie 30:457. I Ain't Hurt 34:04Buy it: garciapeoplesbbib.bandcamp.com/album/cosmic-cashGarcia Peoples is:Tom Malach - guitarsDanny Arakaki - guitarsCesar Arakaki - drumsDerek Spaldo - bassReleased August 3, 2018 by Beyond Beyond Is BeyondIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Old One (2009) Full Album Leonardo Ortiz 2018-09-26 | First/only full length album released by Stoner Doom Metal duo Old One.1. Warning 00:002. Doomed 00:583. Born Too Late (#4) 13:484. Enoch 23:055. Witching Hour 41:30Buy it: heinthehills.bandcamp.com/album/old-oneReleased by Eldritch Enterprises. Rereleased by He, in the Hills.If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Plant Tribe - Loose Marbles (2012) Full EP Leonardo Ortiz 2018-09-22 | "...truly psychedelic music laced with rubber-legged, wah-wah powered street funk." - Classic Rock MagazineFrom Long Beach, California1. Dealings In Astra 00:002. Dark Hand 02:583. Beach Party 06:494. Wrapped Up in the Hustle 10:345. Leather Ritual 14:556. Canyon Talisman 16:42Buy it: planttribe.bandcamp.com/album/loose-marblesPlant Tribe is:Jeff Ziemba - Vocals and Percussion Jon Cox - Guitar and Percussion Freddie Dilworth - Guitar, Percussion, Backing Vocals on "Beach Party" Phil Lemke - Bass Guitar Graham Spillman - Drums, Backing Vocals on "Beach Party" Patrick Diederichs - Baritone Sax on tracks 1, 3, 4, 5 & 6. All songs written and performed by Plant Tribe. Additional songwriting by Past Tribesmen: Tyler Sweeney on tracks 1, 2, 3 & 6, and Noel Madrid on track 6. Under the Gun Records 2012Recorded live by Brennan Roach in his carpeted dungeon, over a two-day session on Sept. 8th & 9th, 2012 in Santa Ana, CA. Overdubs on Vocals and Saxophone. Mixed and Mastered by Patrick Haight at Spot-On Sound Studios, newly relocated in San Jose, CA. Cover Illustration by Evan Geesman. Cover Typography by Jon Cox.Released November 17, 2012If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Itwillbenoise - Magnitude (2018) Full Album Leonardo Ortiz 2018-09-19 | 1. Flashback 00:002. Magnitude 01:563. Time Stretch 14:524. Mean☯Surfer 22:025. The High 24:116. We Are The Wind 33:547. Never ϟ Forever 39:238. Dried Ocean 41:569. Warp 45:48Buy it: itwillbenoise.bandcamp.com/album/magnitude-2f you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Träden (Träd Gräs och Stenar) (2018) Full Album Leonardo Ortiz 2018-09-07 | "A brand-new studio album from Träden (“The Trees”), formerly known as Träd Gräs och Stenar (“Trees Grass and Stones”) in different incarnations, but often just called Träden for short. Through long, crescendoing improvisations, Träden has found their own unique path in the music world for decades, creating a music with room for everyone. Many younger musicians and friends of minimalist, experimental music have been inspired and followed, astonished that a bunch of Swedish hippies made the planet’s most hypnotic, moss-fragrant psychedelic trance rock. Today, Träden consists of Hanna Östergren (Hills), Sigge Krantz (Archimedes Badkar), Reine Fiske (Dungen, The Amazing), and originator Jakob Sjöholm. Nisse Törnquist (Amason) also plays on three of the songs. In this latest, celebrated edition, the band has played for sold-out houses all over Sweden and other parts of the globe. “When we decided to record and release a new album it’s the people who are now in the group that plays on it. We have become a band again in the way that we can once again get out and gig more regularly. The name change is a way of freeing ourselves from the old band and its idiom, thus opening our minds to let the music find new ways, simply giving us more artistic freedom,” explains Jakob Sjöholm. The new album was recorded at Träden’s countryside music workshop and in good old TGS tradition, much of the material emerged by jamming. Then there are some songs that demanded some toil and despair. It has been a process where everyone in the band has been deeply involved throughout the course of work, in all stages of the production; from the first musical notes to the last choice of colors and images for the album sleeve. The music on the new album makes one to let go and be swept along in a soaring, endearing ecstasy, and be thrown into a wild but safe forest. Even though the band constellation has changed successively, the majestic roar continues. Sometimes the loudness is lifted out to the big, eccentric carpentry and chopped down to a nice “tree porridge”. Or on contemplatively growing songs, where the guitars’ winding and whirling calls to the very highest air bearings. Many fans describe Träden’s rough-cut music in almost spiritual terms. Träden answers with some mighty songs where the band reaches the mind-expanding oscillation that seems to only occur in their music. " traden.bandcamp.com/album/tr-den1. När lingonen mognar (Lingonberries Forever) 00:002. Kung Karlsson (King Karlsson) 11:523. Tamburan 19:474. Å nej (Oh No) 31:065. OTO 37:136. Hoppas du förstår (Hope You Understand) 46:477. Hymn 52:578. Det finns blått (There is Blue) 01:00:18Buy it: traden.bandcamp.com/album/tr-denReleased August 24, 2018If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Spawn - Spawn (2018) Full EP Leonardo Ortiz 2018-09-07 | 1. Morning coma 00:002. Rolling vortex 03:503. Narcissist 09:494. Forgotten Mountain 14:005. Shiiva 20:06Buy it: spawnmelbourne.bandcamp.com/album/spawn-epSpawn is:Lenz Ma - Guitar/VoxJess Ainsaar - BassAndrea Daniel - DrumsVinyl pressed and Released by Nasoni Records CD pressed Death Mountain Records Recorded at Cellar Sessions studio by Max Ducker Mastered by Dav Byrne at Iridium Audio Artwork by Dase BeardReleased March 31, 2018If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Relaxer - Unreal/Cities (2018) Full Album Leonardo Ortiz 2018-09-07 | "Unreal/Cities is the new album by Akron, Ohio-based “passive progressive” rockers Relaxer. Recorded in one week during the Summer of 2016 by engineer Ben Vehorn (Strand of Oaks), Unreal/Cities finds the band turning up and branching out with a seven song set of heavy psych rippers that expands upon the foundation laid on 2014’s Lasers, adding even heavier riffs, more intricate arrangements, and the occasional conga overdub. Opener “The Marksman” hits the target right away as heavily effected guitars and synthesizers (courtesy of contributor Steve Clements [Six Parts Seven, Royal Bangs]) howl atop a blown-out riff before the band drops the hammer on a swaggering riff met with Scott’s airy vocals. With its bludgeoning tritone guitar line, “Crystal Garden” finds Relaxer at their most concise, striking a delicate balance between bouncy indie rock, progressive instrumental flourishes, and punishing stoner rock. Album closer “Window/Path” has it all: an odd-metered progressive boogie riff to rival Edgar Winter’s “Frankenstein,” shouted vocals reminiscent of a fire breathing Jim James (My Morning Jacket), thoughtful piano overdubs, heavily processed background vocals, and a coda with a fadeout like the sun setting between the smokestacks and industrial remnants of the band’s Northeast Ohio home. Unreal/Cities, indeed." relaxersystem.bandcamp.com/album/unreal-cities1. The Marksman 00:002. Catch/Phase 05:593. Crystal Garden 11:354. The Priest 14:545. The Warlord 22:276. Order/Operate 27:267. Window/Path 33:38Buy it: relaxersystem.bandcamp.com/album/unreal-citiesIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
La Chinga - Beyond The Sky (2018) Full Album Leonardo Ortiz 2018-09-07 | "La Chinga was born in Vancouver, BC in 2012, although in reality it was conceived about a year earlier when bassist/vocalist Carl Spackler was surfing in SoCal and his chicano beach buddies kept hailing each other with the mysterious phrase. “La chingaaaaa!” We’ll spare any sensitive unilingual anglophones the meaning; what matters is that Spackler’s dream of a hard rock power trio built on erogenous funkadelic rhythms and a devotion to life’s more sublime pleasures—chief among them: tequila—was now embodied inside a beautifully obscene two-word incantation. Drummer/vocalist Jay Solyom and guitarist/vocalist Ben Yardley—also a noted professor of theremin—were conscripted shortly after, both veterans of Vancouver’s notoriously dead-end music scene, both beautifully obscene in their own right. La Chinga’s self-titled debut record was rushed out of a makeshift studio in 2013 on nothing but fumes and the liberating force of not giving a shit, landing like a hairball crossed with a stink bomb inside a world of yoga pant commerce, condo developments, and Macbook “musicians.” This was a revolutionary act—or maybe a devolutionary one, at least. Meanwhile Spackler was busying pouring all off his demented ‘70s obsessions into wild three-minute homemade music videos, finding the visual language of fuzz itself inside shitty horror films as he furnished the great infernal drive-in of his mind. Somehow, miraculously, this charming brew conspired to make La Chinga the hottest bunch of stoned ape groovers to hot wheel out of the Pacific Northwest since forever. Freewheelin’ followed in 2016 on Detroit’s Small Stone Records, and so did unhinged tours of Europe, more year-end accolades, festival slots (420 Fest, Sasquatch), and Spackler’s continuing evolution as the Orson Welles of retard-o-tronic found footage scuzz. And then things got serious: in late 2017, La Chinga entered Vancouver’s fabled Warehouse studio with no-less-fabled producer Jamey Koch (DOA, Copyright, Tragically Hip). The result? Beyond the Sky, available September 7th, 2018. Opening track “Nothin’ That I Can’t Do” sets the agenda for the album’s 45-minutes of sublimely confident freedom rock, sometimes meaty and beaty (“Mama Boogie”, “Death Rider”), sometimes glam-handed (“Killer Wizard”), and occasionally even dirtbag pretty (“Keep on Rollin’). When it all melts into a puddle of phased goo in the final bars of “Warlords”, the listener has been rolled, boogied, and otherwise supernaturally conveyed well beyond the sky, maybe even beyond ridiculous. This is how it feels to get chinga’d, amigos. Surf’s up."1. Nothin' That I Can't Do 00:002. Wings of Fire 02:553. Mama Boogie 06:584. Black River 12:335. Beyond The Sky 16:576. Keep On Rollin' 20:267. Killer Wizard 25:288. Death Rider 29:439. Feel It In My Bones 32:5410. H.O.W. 37:2611. Warlords 41:11Buy it: smallstone.bandcamp.com/album/beyond-the-skyLa Chinga is: Jason Solyom: drums, percussion, vox Carl Spackler: bass, vox Ben Yardley: guitar, vox, theremin Keep On Rollin’ | Killer Wizard | Mama Boogie | Wings of Fire Recorded and mixed by Jamey Koch at the Warehouse Studio. Feel It In My Bones | Nothin’ That I Can't Do | Warlords Bed tracks recorded by Jamey Koch at the Warehouse Studio. Overdubs and mixing by Jason Solyom at Witch Mountain Studios. Beyond The Sky | Black River | H.O.W. Recorded and mixed by Eric Nielsen at Afterlife Studios. Mastered by Chris Goosman at Baseline Audio Labs, Ann Arbor, MI. Published by Small Stone Records (ASCAP). Album artwork and design by Alexander von Wieding, zeichentier.com Thanks to family and friends, Scott at Small Stone Records, Marc Rockenburg at Red Sun Barcelona, Sean Palmerston. La Chinga is proud to be endorsed by CreativeBC.If you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Atavismo - Valdeinfierno (2018) Full EP Leonardo Ortiz 2018-08-25 | 1. Trompetillas de la Muerte 00:002. La Palmosa 00:403. Quejigo 08:294. ValdeInfierno 14:355. Sapo Sagapo 23:026. Etreum al ed Sallitepmort 28:14Buy it: atavismo.bandcamp.com/album/valdeinfiernoIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
Viaje A 800 - Estampida De Trombones (2007) Full Album Leonardo Ortiz 2018-08-25 | "VIAJE A 800 are just a classic of the spanish and andalusian rock. Not as Andalusian rock label, but as a feature of identity. A group respected by critics and audiences, with a journey full of obstacles (3 albums in 12 years of age) and abused by bad luckOne of the best national bands of all time. Considered unique and unbeatable on stage." viajea800.bandcamp.com/album/estampida-de-trombones1. Los Angeles Q Hay En Mi Piel 00:002. El Amor Es Un Perro Del Infierno 05:553. Dios Astronomo 10:374. Ossario 15:005. Zé 18:466. Luto 21:317. Patio Custodio 28:548. Estampida De Trombones 32:209. Cabezas De Tugsteno 35:2510. Cancer Bahia 41:05Buy it: viajea800.bandcamp.com/album/estampida-de-trombonesIf you are a band member or are involved with this record and don't want people to see/hear this, please contact me via comments or Google+ message and I'll remove it. There's no need for flags.I do not own any copyright nor have anything to do with the band or their label. Just spreading their music/job.
