Google DeepMind
Genie 3: An infinite world model | Shlomi Fruchter and Jack Parker-Holder
updated
Here's more detail on how it was made:
Inspiration & Fine-Tuning: The team found a batch of 1800s photos at a thrift store that was then used to LoRA fine-tune our image generation model Imagen to generate new images in the same vintage style. If you want to try this yourself, you can also use "Style Ingredients" in our filmmaking tool Flow. This allows you to directly fine-tune Veo with just a single image
Animation & Writing: We used Veo 2 Image to Video to bring the stills to life and Gemini for prompts & motion ideas, helping to shape the story.
Score & Editing: We used Lyria 2 to create a period music soundtrack. We then assembled the film using Final Cut Pro (video) and Logic Pro (sound). Text cards and vintage effects were added selectively, with the background for the cards created in Imagen
Find out more about our our models and tools:
Gemini: https://deepmind.google/models/gemini/
Imagen: https://deepmind.google/models/imagen/
Veo: https://deepmind.google/models/veo/
Lyria: https://deepmind.google/models/lyria/
Flow: https://labs.google/flow
Timecodes:
00:00 Coming up
01:16 Introduction
03:20 Veo
09:57 Spaghetti contest
11:00 Multimodality
17:40 Audio
28:00 AI Studio
35:00 Gemini Live
40:20 Building apps
43:38 Spaghetti showdown
47:31 Creativity
48:18 Hannah’s thoughts
Learn more and try the tools yourself:
Gemini: gemini.google.com
Google Labs: https://labs.google/
AI Studio: aistudio.google.com
Veo 3: https://deepmind.google/models/veo/
Flow: https://labs.google/flow/
Thanks to everyone who made this possible, including but not limited to:
Presenter: Professor Hannah Fry
Series Producer: Dan Hardoon
Editor: Rami Tzabar
Commissioner & Producer: Emma Yousif
Music composition: Eleni Shaw
Audio engineer: Richard Courtice
Production Manager: Dan Lazard
Studio Manager: Nicholas Duke
Video Director: Bernardo Resende
Video Editor: Bilal Merhi
Audio Engineer: Perry Rogantin
Camera and Lighting Operator: Robert Messere
Production Coordination: Zoey Roberts, Sarah Ellen Morton
Visual Identity and Design: Rob Ashley
Commissioned by Google DeepMind
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They also explore bioacoustics and how sound is playing a pivotal role in tracking species on land and underwater —providing a powerful new way for us to understand and protect the environment.
Timecodes:
00:00 Coming up
00:43 Introduction
03:35 AI for nature
05:30 Mapping the biosphere
16:14 Deforestation drivers
19:45 Species mapping
26:50 Perch and acoustic ecology
37:00 Animal communication
38:55 The future of ecology with AI
40:33 Hannah's thoughts
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Further reading:
Natural forests of the world:
sciety.org/articles/activity/10.31223/x5zx6p
github.com/google-deepmind/forest_typology
Forest loss drivers
iopscience.iop.org/article/10.1088/1748-9326/add606
wri.org/insights/forest-loss-drivers-data-trends
globalforestwatch.org/blog/data-and-tools/new-drivers-data-forest-loss
Perch
github.com/google-research/perch
nature.com/articles/s41598-023-49989-z.epdf
https://blog.google/outreach-initiatives/arts-culture/a-new-ai-tool-to-help-monitor-coral-reef-health/
Deep learning based remote sensing (open source)
github.com/google-deepmind/jeo
github.com/google-deepmind/geeflow
Species mapping paper
arxiv.org/abs/2503.11900
Google resources
earthengine.google.com
agri.withgoogle.com
https://blog.google/outreach-initiatives/entrepreneurs/ai-nature-climate-accelerator-nonprofits-speciesnet/
Agile modeling
arxiv.org/abs/2505.03071
github.com/google-research/perch-hoplite
DolphinGemma
https://blog.google/technology/ai/dolphingemma/
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Thanks to everyone who made this possible, including but not limited to:
Presenter: Professor Hannah Fry
Series Producer: Dan Hardoon
Editor: Rami Tzabar
Commissioner & Producer: Emma Yousif
Music composition: Eleni Shaw
Audio engineer: Richard Courtice
Production Manager: Dan Lazard
Studio Manager: Nicholas Duke
Video Director: Bernardo Resende
Video Editor: Bilal Merhi
Audio Engineer: Perry Rogantin
Camera and Lighting Operator: Robert Messere
Production Coordination: Zoey Roberts, Sarah Ellen Morton
Visual Identity and Design: Rob Ashley
Commissioned by Google DeepMind
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Find us on X twitter.com/GoogleDeepMind
Follow us on Instagram instagram.com/googledeepmind
Add us on Linkedin linkedin.com/company/deepmind
They dig into the immense complexities of designing new drugs: How do you find the right molecular key for the right biological lock? How can AI help scientists understand disease better and overcome challenges like drug toxicity? And what about the diseases that are currently considered “undruggable”? Finally, they explore the ultimate impact of this technology, from the future of personalized medicine to the ambitious goal of being able to eventually design treatments for all diseases.
Further reading:
AlphaFold 3: nature.com/articles/s41586-024-07487-w
AlphaFold Server: alphafoldserver.com
Isomorphic Labs: isomorphiclabs.com
AlphaFold 3 code and weights: github.com/google-deepmind/alphafold3
Timecodes:
00:00 Intro
02:11 AI & Disease
05:30 AI in Biology
06:51 Molecules and Proteins
12:05 AlphaFold 3
14:40 Demo
16:20 Human-AI collaboration
24:30 Drug Design Challenges
39:00 Beyond Animal Models
44:35 AI Drug Future
46:30 Outro
___
Thanks to everyone who made this possible, including but not limited to:
Presenter: Professor Hannah Fry
Series Producer: Dan Hardoon
Editor: Rami Tzabar
Commissioner & Producer: Emma Yousif
Music composition: Eleni Shaw
Audio engineer: Richard Courtice
Production Manager: Dan Lazard
Studio Manager: Nicholas Duke
Video Director: Bernardo Resende
Video Editor: Bilal Merhi
Audio Engineer: Perry Rogantin
Camera and Lighting Operator: Robert Messere
Production Coordination: Zoey Roberts, Sarah Ellen Morton
Visual Identity and Design: Rob Ashley
Commissioned by Google DeepMind
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Find us on X twitter.com/GoogleDeepMind
Follow us on Instagram instagram.com/googledeepmind
Add us on Linkedin linkedin.com/company/deepmind
See how Deep Think uses its reasoning capabilities to tackle a challenging coding problem from the competitive coding platform ‘Codeforces’.
Learn more at https://blog.google/technology/google-deepmind/google-gemini-updates-io-2025/
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They dig into the two-system approach - ‘slow and fast thinking‘ - that enables both complex reasoning and rapid, reactive movements. Using examples from robots learning dexterous tasks such as tying shoelaces to adapting to entirely new scenarios in real-time, Parada highlights how key breakthroughs in understanding, dexterity, and control are now coming together to rapidly advance robotics unlike ever before.
Further reading/viewing:
https://deepmind.google/models/gemini-robotics/
https://deepmind.google/discover/blog/advances-in-robot-dexterity/
youtube.com/playlist?list=PLqYmG7hTraZC4Mx6pEKr6FVJehafA7vWE
Timecodes:
00:00 Introduction
01:46 Carolina's background
02:57 Current state of robotics
05:20 Gemini robotics videos
12:45 Conceptual understanding & multimodal capabilities
16:50 Embodied reasoning
21:00 Thinking fast and slow
27:44 Emerging properties
24:53 Looking back
34:28 Sim2real gap
37:00 Safety
42:00 Work to be done
45:00 Hannah's thoughts
___
Thanks to everyone who made this possible, including but not limited to:
Presenter: Professor Hannah Fry
Series Producer: Dan Hardoon
Editor: Rami Tzabar
Commissioner & Producer: Emma Yousif
Music composition: Eleni Shaw
Audio engineer: Richard Courtice
Production Manager: Dan Lazard
Studio Manager: Nicholas Duke
Video Director: Bernardo Resende
Video Editor: Alex Baro Cayetano, Bilal Merhi
Audio Engineer: Perry Rogantin
Camera and Lighting Operator: Robert Messere
Production Coordination: Zoey Roberts, Sarah Ellen Morton
Visual Identity and Design: Rob Ashley
Commissioned by Google DeepMind
___
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Find us on X twitter.com/GoogleDeepMind
Follow us on Instagram instagram.com/googledeepmind
Add us on Linkedin linkedin.com/company/deepmind
Prompt: A medium shot frames an old sailor, his knitted blue sailor hat casting a shadow over his eyes, a thick grey beard obscuring his chin. He holds his pipe in one hand, gesturing with it towards the churning, grey sea beyond the ship's railing. "This ocean, it's a force, a wild, untamed might. And she commands your awe, with every breaking light"
Find out more: https://deepmind.google/models/veo/
Find out more: https://deepmind.google/models/veo/
Prompt: A follow shot of a wise old owl high in the air, peeking through the clouds in a moonlit sky above a forest. The wise old owl carefully circles a clearing looking around to the forest floor. After a few moments, it dives down to a moonlit path and sits next to a badger. Audio: wings flapping, birdsong, loud and pleasant wind rustling and the sound of intermittent pleasant sounds buzzing, twigs snapping underfoot, croaking. A light orchestral score with woodwinds throughout with a cheerful, optimistic rhythm, full of innocent curiosity.
A wise old owl and a nervous badger sit on a moonlit forest path. ""They left behind a...a 'ball' today. It bounced higher than I can jump.” the badger stammered, trying to comprehend it. “What manner of magic is that?"" the owl hooted thoughtfully. Audio: Owl hooting, badger's nervous chitters, rustling leaves, crickets.
A wise old owl flies away out of the frame and a nervous young badger runs in a different direction out of the frame. In the background, you can see a squirrel hurrying past making noise of rustling dried autumn leaves as it goes. Audio: birdsong, loud and leaves rustling, and the sound of intermittent pleasant sounds buzzing, twigs snapping underfoot, and the sounds of squirrels scurrying through the dried autumn leaves. The sound of an owl hooting in the distance, badger's nervous chitters, rustling leaves, crickets, sounds that are full of innocent curiosity.
Find out more: https://deepmind.google/models/veo/
Prompt: A detective interrogates a nervous-looking rubber duck. "Where were you on the night of the bubble bath?!" he quacks. Audio: Detective's stern quack, nervous squeaks from rubber duck.
Find out more: https://deepmind.google/models/veo/
Find out more: https://deepmind.google/models/veo/
Prompt: The scene explodes with the raw, visceral, and unpredictable energy of a hardcore off-road rally, captured with a dynamic, almost found-footage or embedded sports documentary aesthetic. The camera is often shaky, seemingly mounted inside one of the vehicles or held by a daring spectator very close to the action, frequently splattered with mud or water, catching unintentional lens flares from the natural, often harsh, sunlight filtering through trees or reflecting off wet surfaces. We are immersed in a challenging, untamed natural environment – perhaps a dense, muddy forest trail, a treacherous rocky incline littered with loose scree, or a series_of shallow, fast-flowing river crossings. Several heavily modified, entirely unidentifiable, and unbranded off-road vehicles are engaged in a frenetic, no-holds-barred race. These are not showroom models; they are custom-built, rugged machines – open-wheeled buggies with exposed engines and prominent roll cages, heavily armored pickup trucks with oversized, knobby tires and snorkel exhausts, their original forms and manufacturers completely obscured by extreme modifications, layers of caked-on mud, and a general air of brutal functionality. The dominant sounds are the deafening, guttural roar of powerful, untamed engines, the whine of transmissions, the percussive impact of suspension bottoming out, and the constant spray of mud and water. Within an 8-second sequence, one of the lead vehicles, a low-slung, open-cockpit buggy so caked in thick, brown mud that its original color is a mystery, approaches a wide, shallow river crossing at incredible speed. Without the slightest hesitation, its unseen driver powers straight into the water. The impact sends an enormous, almost solid, opaque sheet of muddy water, mixed with stones and debris from the riverbed, spectacularly high into the air, completely engulfing the small buggy for a terrifying moment, obscuring it from view as if it has been swallowed by the river itself. Right on its tail, a pursuing, equally mud-encrusted, custom-built truck – a hulking, high-clearance beast with a heavily reinforced external roll cage and no discernible badging – arrives at the river crossing just as this massive wall of airborne water reaches its peak. Instead of slowing or attempting to find a clearer path, the truck's driver, with unwavering aggression, plunges directly into and through this opaque, turbulent curtain of muddy spray at full throttle. A split second later, the truck bursts out from the other side of the deluge, water cascading from its roof and chassis, its oversized windshield wipers struggling frantically to clear the torrent of muddy water obscuring the driver's vision. It lands heavily on the far bank, suspension groaning, but still in hot pursuit of the now-reappearing buggy. This thrilling, messy, and visually spectacular sequence of one vehicle creating a massive environmental obstacle and the next immediately conquering it through sheer force, forms the core, immersive, attention-grabbing event of the 8-second sequence. The race continues with undiminished ferocity, the natural terrain itself an active participant in the conflict.
Find out more: https://deepmind.google/models/veo/
Prompt: The scene opens with a top-down or wide-angle shot showcasing a vast, perfectly flat, neutral-colored surface – perhaps the polished concrete floor of an enormous, empty aircraft hangar, or a giant, minimalist tabletop stretching beyond the frame, under bright, even, shadowless studio lighting. This surface is meticulously covered with thousands upon thousands of small, identical, brightly colored paper squares, arranged in a simple, orderly grid. Each square is a single, vibrant, uncreased sheet – a sea of reds, blues, yellows, greens, oranges, creating a stunning, static mosaic of pure potential. The atmosphere is one of quiet anticipation, a sense of immense latent energy waiting to be unleashed. There is no visible mechanism, no hint of how these papers might be manipulated. Within an 8-second sequence, initiated by an unseen cue – perhaps a subtle, almost inaudible, low-frequency hum that ripples almost invisibly across the surface, or a sudden, soft flash of diffused light – all the thousands of paper squares simultaneously, and with breathtaking precision, leap a few inches into the air as if startled into life. Then, in a mesmerizing, perfectly synchronized, and incredibly high-speed aerial ballet, they begin to fold themselves in mid-air. With impossible, almost magical celerity and accuracy, unseen forces guide each individual square through a complex series of sharp creases, neat tucks, and intricate folds. The swarm of fluttering, self-constructing papers is a blur of color and motion, a chaotic yet utterly controlled explosion of activity. Within a mere five to six seconds, this frenetic process of airborne origami completes. Each of the thousands of squares has transformed into an identical, perfectly formed, complex origami figure – perhaps graceful cranes with outstretched wings, delicate multi-petaled lotus flowers, or miniature, intricately detailed dragons. In the final two to three seconds of the sequence, these newly formed origami figures, still hovering in mid-air, then smoothly and rapidly arrange themselves, like a flock of perfectly trained birds or a sophisticated, self-organizing swarm of nanobots, into a stunning, larger, three-dimensional collective pattern or a recognizable mosaic image – perhaps a giant, hovering sphere composed of countless tiny birds, or a complex, flowing wave of flowers, or even a pixel-perfect, three-dimensional representation of a face or symbol. This collective sculpture holds its form for a beat before the individual origami figures begin to gently, gracefully, and silently settle back down onto the surface, now arranged in their magnificent new configuration. This entire rapid, impossible, and beautiful transformation – from simple squares to a synchronized swarm of self-folding forms creating a complex collective artwork – is the core, eye-popping, and meticulously detailed VFX spectacle of the 8-second sequence. The visual is one of magical precision, emergent complexity, and the beauty of mass synchronized action.
Find out more: https://deepmind.google/models/veo/
Prompt: In rural Ireland, circa 1860s, two women, their long, modest dresses of homespun fabric whipping gently in the strong coastal wind, walk with determined strides across a windswept cliff top. The ground is carpeted with hardy wildflowers in muted hues. They move steadily towards the precipitous edge, where the vast, turbulent grey-green ocean roars and crashes against the sheer rock face far below, sending plumes of white spray into the air.
Find out more: https://deepmind.google/models/veo/
Prompt: xxx
Find out more: https://deepmind.google/models/veo/
Prompt: A snow-covered plain of iridescent moon-dust under twilight skies. Thirty-foot crystalline flowers bloom, refracting light into slow-moving rainbows. A fur-cloaked figure walks between these colossal blossoms, leaving the only footprints in untouched dust.
Find out more: https://deepmind.google/models/veo/
Prompt: A breathtaking, painterly 2D animated continuous visual narrative, rendered with the lush, vibrant, and slightly surreal, almost dreamlike, infused with the intricate, delicate detail of traditional Japanese woodblock prints (Ukiyo-e), follows a young, adventurous, and kind-hearted girl (perhaps with bright, curious eyes and wearing simple, practical, beautifully patterned traditional Japanese farm attire) as she befriends a colossal, gentle, ancient Forest Spirit. The Spirit is a magnificent, awe-inspiring creature, its form a harmonious blend of animal and plant – perhaps with moss-covered, antler-like branches, fur like shimmering leaves that change color with its mood, and eyes like deep, tranquil forest pools. They meet in a sun-dappled, sacred grove deep within an ancient, primeval forest, where impossibly tall, gnarled trees form a living cathedral and tiny, glowing, friendly forest sprites (Kodama-like) peek from behind mossy rocks and giant, fantastical mushrooms. The girl, initially awestruck, offers the massive Spirit a small, carefully cultivated offering – perhaps a perfectly ripe persimmon or a handful of wild berries – her gesture one of pure, innocent respect and affection. The Forest Spirit responds with a slow, gentle inclination of its massive head, its leafy fur rustling like a thousand whispers, and perhaps causes a shower of magical, luminous flower petals to drift down from the canopy, or a tiny, new sapling to sprout at the girl's feet. The animation captures the incredible, detailed textures of the forest, the Spirit's majestic yet gentle presence, and the profound, unspoken emotional connection forming between the child and this ancient guardian of nature. The color palette is a rich symphony of deep forest greens, earthy browns, vibrant floral hues, and the soft, magical glow of the sprites and the Spirit's own subtle luminescence. This continuous, sweeping visual journey is a celebration of the profound, often mystical, bond between humanity and nature, the innocence and courage of childhood, and the power of kindness and respect to bridge even the most fantastical of divides, an affectionate, visually intoxicating ode to ecological harmony and interspecies understanding. The only implied sounds are the gentle rustling of leaves, the distant calls of unseen forest birds, the girl's soft, respectful breathing, the Spirit's deep, resonant, almost inaudible hum, and a soaring, emotionally resonant, orchestral score.
Find out more: https://deepmind.google/models/veo/
Prompt: A woman, classical violinist with intense focus plays a complex, rapid passage from a Vivaldi concerto in an ornate, sunlit baroque hall during a rehearsal. Their bow dances across the strings with virtuosic speed and precision. Audio: Bright, virtuosic violin playing, resonant acoustics of the hall, distant footsteps of crew, conductor's occasional soft count-in (muffled), rustling sheet music.
Find out more: https://deepmind.google/models/veo/
Prompt: A delicate feather rests on a fence post. A gust of wind lifts it, sending it dancing over rooftops. It floats and spins, finally caught in a spiderweb on a high balcony.
Find out more: https://deepmind.google/models/veo/
Prompt: A close up in a smooth, slow pan focuses intently on diced onions hitting a scorching hot pan, instantly creating a dramatic sizzle. Audio: distinct sizzle.
Find out more: https://deepmind.google/models/veo/
Prompt: A fast-tracking shot through a futuristic city with buildings made from reflective organic chrome. It is daytime, rainbows, and an alien planet fills the sky. Camera zooms into robotic bee working inside a reflective organic chrome
Try it for yourself in the Gemini App:
gemini.google.com
Read more about Gemini 2.5 on our blog: https://goo.gle/423mnK4
And our website: https://deepmind.google/technologies/...
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Further reading:
MedGemini: https://research.google/blog/advancing-medical-ai-with-med-gemini/
AMIE: https://research.google/blog/from-diagnosis-to-treatment-advancing-amie-for-longitudinal-disease-management/
Timecodes
00:00 Intro
04:35 Diagnosis and medical imaging
08:00 New gold standard
11:14 Multimodality and sound
15:15 Who makes the call?
16:13 Holistic view
21:00 Data points
25:28 Patient experience
27:45 AIME
29:41 Physician in your family
33:24 Future for medical professionals
40:11 Hannah's thoughts
___
Thanks to everyone who made this possible, including but not limited to:
Presenter: Professor Hannah Fry
Series Producer: Dan Hardoon
Editor: Rami Tzabar
Commissioner & Producer: Emma Yousif
Music composition: Eleni Shaw
Audio engineer: Richard Courtice
Production Manager: Dan Lazard
Video Studio Production: Nicholas Duke
Video Director: Bernardo Resende
Video Editor: Bilal Merhi
Audio Engineer: Perry Rogantin
Camera and Lighting Operator: Robert Messere
Production Coordination: Zoey Roberts, Sarah Ellen Morton
Visual Identity and Design: Rob Ashley
Commissioned by Google DeepMind
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Find us on X twitter.com/GoogleDeepMind
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Further reading / listening:
Toward the future, S1 Ep 7: youtu.be/yf31XT1G1RQ?si=6mAEsQhKwKPWk9oH
Papers by Murray: scholar.google.co.uk/citations?user=00bnGpAAAAAJ&hl=en
Timecodes
00:00 Introduction
02:00 Ex Machina
03:28 John McCarthy & Coining "AI"
05:45 Symbolic AI
09:43 AI Reasoning
14:42 Turing Test
18:10 Alternative Tests
21:58 Anthropomorphism
26:42 Embodied AI
28:17 AI Consciousness
34:00 Octopus Analogy
37:48 Prompt Engineering
39:40 Exotic Mind-Like Entities
40:44 Conclusion
___
Thanks to everyone who made this possible, including but not limited to:
Presenter: Professor Hannah Fry
Series Producer: Dan Hardoon
Editor: Rami Tzabar
Commissioner & Producer: Emma Yousif
Music composition: Eleni Shaw
Audio engineer: Richard Courtice
Production Manager: Dan Lazard
Video Studio Production: Nicholas Duke
Video Director: Bernardo Resende
Video Editor: Alex Baro Cayetano, Bilal Merhi
Audio Engineer: Perry Rogantin
Camera and Lighting Operator: Robert Messere
Production Coordination: Zoey Roberts, Sarah Ellen Morton
Visual Identity and Design: Rob Ashley
Commissioned by Google DeepMind
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Subscribe to our channel youtube.com/@googledeepmind
Find us on X twitter.com/GoogleDeepMind
Follow us on Instagram instagram.com/googledeepmind
Add us on Linkedin linkedin.com/company/deepmind
___
Additional resources
The Era of Experience Paper (position paper): https://goo.gle/3EiRKIH
Meta-Gradient Reinforcement Learning (2018) arxiv.org/abs/1805.09801
Go to Zero (S1, Google DeepMind Podcast) youtube.com/watch?v=OkAwsrHMTgM
AlphaGo the documentary: youtu.be/WXuK6gekU1Y?si=NedlhUqbV8H-ZVDn
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Timestamps
00:00 Introduction
01:50 Era of experience
03:45 AlphaZero
10:19 Move 37
15:20 Reinforcement learning and human feedback
24:30 AlphaProof
29:50 Math Olympiads
35:00 Experience based methods
42:56 Hannah's reflections
44:00 Fan Hui joins
___
Thanks to everyone who made this possible, including but not limited to:
Presenter: Professor Hannah Fry
Series Producer: Dan Hardoon
Series Editor: Rami Tzabar
Commissioner & Producer: Emma Yousif
Music Composition: Eleni Shaw
Audio Engineer: Richard Courtice
Production Manager: Dan Lazard
Video Studio Production: Nicholas Duke
Video Director and Editor: Bernardo Resende
Video Editor: Bilal Merhi
Audio Engineer: Perry Rogantin
Camera and Lighting Operator: Robert Messere
Production Coordination: Zoey Roberts, Sarah Ellen Morton
Visual Identity and Design: Rob Ashley
Commissioned by Google DeepMind
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Find us on X twitter.com/GoogleDeepMind
Follow us on Instagram instagram.com/googledeepmind
Add us on Linkedin linkedin.com/company/deepmind
He realized there might be similarities between Alexander disease, which had very little active research, and other diseases with much more funding and ongoing research. He began to reach out to those researchers, scientists and doctors, many of whom had never heard of Alexander disease before. Through these conversations, Thomas has helped jumpstart new research into potential treatments.
___
A special thanks to: Dr. Amy Waldman, Neurologist at Children’s Hospital of Philadelphia, Dr. Corina Amor, Ph.D., Assistant Professor at Cold Spring Harbor Laboratory and the Amor Lab team, Pranam Chatterjee, Ph.D., Assistant Professor of Biomedical Engineering at Duke University, Albee Messing, V.M.D., Ph.D., Professor Emeritus of Neuropathology in the Department of Comparative Biosciences and all the doctors, scientists and researchers working tirelessly to find a cure for Alexander disease.
A huge thank you to the Wagner and Holzhuber family, volunteers and friends of Team Max, the Googlers who have supported this journey, Max's doctors, nurses and therapists and every scientist who has ever responded to an email.
___
Find out more about Thomas' story on our blog: https://g.co/thomas
To support breakthrough research on treatments of Alexander Disease: https://EndAxD.org
To find out more about Leukodystrophies: https://ULF.org
To find out more about the science of Alexander Disease: https://alexander-disease.waisman.wisc.edu
To join Team Max and support Thomas and family directly: jointeammax.org
Learn more about Gemini 2.0 at https://deepmind.google/technologies/gemini
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Gemini results are informational only and not a diagnosis. Consult your medical authority for advice.
Google One AI Premium Plan subscription and browser for set up required. Gemini Advanced is available for ages 18+. Availability may vary by device, country, and language. Results for illustrative purposes and may vary. Check responses for accuracy.
Features may differ depending on subscription and results may vary. Some extensions require setup. Country availability may vary. Check responses for accuracy.
What will Gemini create if you change ‘fish’ and ‘nebulae’ to something else?
Prompt: Create a beautiful, interactive p5js demo (no HTML). I like fish and nebulae. Show me what the fish are thinking.
Try it for yourself in AI studio: http://aistudio.google.com/app/prompts/new_chat?model=gemini-2.5-pro-exp-03-25
Or if you're a Gemini Advanced user, you can select it in the model dropdown on desktop and mobile: gemini.google.com
Read more about Gemini 2.5 on our blog: https://goo.gle/423mnK4
And our website: https://deepmind.google/technologies/gemini
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What will Gemini create if you change 'dinosaur' to something else?
Prompt: Make me a captivating endless runner game. Key instructions on the screen. p5js scene, no HTML. I like pixelated dinosaurs and interesting backgrounds.
Try it for yourself in AI studio: http://aistudio.google.com/app/prompts/new_chat?model=gemini-2.5-pro-exp-03-25
Or if you're a Gemini Advanced user, you can select it in the model dropdown on desktop and mobile: gemini.google.com
Read more about Gemini 2.5 on our blog: https://goo.gle/423mnK4
And our website: https://deepmind.google/technologies/gemini
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Prompt: p5js (no HTML) swarm of 30 colorful boids swimming inside a rotating hexagon. I like supernova nebulae.
Try it for yourself in AI studio: http://aistudio.google.com/app/prompts/new_chat?model=gemini-2.5-pro-exp-03-25
Or if you're a Gemini Advanced user, you can select it in the model dropdown on desktop and mobile: gemini.google.com
Read more about Gemini 2.5 on our blog: https://goo.gle/423mnK4
And our website: https://deepmind.google/technologies/gemini
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What else can you create?
Prompt: Create an animated bubble chart using Plotly Express of how economic and health indicators have evolved over the years for each continent.
Try it for yourself in AI studio: http://aistudio.google.com/app/prompts/new_chat?model=gemini-2.5-pro-exp-03-25
Or if you're a Gemini Advanced user, you can select it in the model dropdown on desktop and mobile: gemini.google.com
Read more about Gemini 2.5 on our blog: https://goo.gle/423mnK4
And our website: https://deepmind.google/technologies/gemini
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Prompt: p5js to explore a Mandelbrot set.
Try it for yourself in AI studio: http://aistudio.google.com/app/prompts/new_chat?model=gemini-2.5-pro-exp-03-25
Or if you're a Gemini Advanced user, you can select it in the model dropdown on desktop and mobile: gemini.google.com
Read more about Gemini 2.5 on our blog: https://goo.gle/423mnK4
And our website: https://deepmind.google/technologies/gemini
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Prompt: Please give me an HTML file with a colorful particle simulation of a reflection nebula.
Try it for yourself in AI studio: http://aistudio.google.com/app/prompts/new_chat?model=gemini-2.5-pro-exp-03-25
Or if you're a Gemini Advanced user, you can select it in the model dropdown on desktop and mobile: gemini.google.com
Read more about Gemini 2.5 on our blog: https://goo.gle/423mnK4
And our website: https://deepmind.google/technologies/gemini
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