Lejaren Hiller - Illiac Suite for String Quartet [1/4] 🪐F1NN🦦 2011-12-04 | The Illiac Suite is the first musical composition for traditional instruments that was made through computer by Lejaren Hiller and Leonard Isaacson. More info: http://www.musicainformatica.org/topics/illiac-suite.php
joined the trend!!|#vocaloid#trend#art#alienstage#hyunaalienstage#lukaalienstage 🪐F1NN🦦 2026-08-10 | ...
Reed Holmes - Moire (1981) 🪐F1NN🦦 2016-12-12 | Cit.: "Composed in 1981. Moire is a pattern-pulse compositionwhose structure is derived from the definition of the moireeffect superimposing a repetitive design on the same or'different design to produce a pattern distinct from itscomponents."
Karl Korte - The Whistling Wind (1982) 🪐F1NN🦦 2016-12-12 | A work for computer music and voice. The mezzo-soprano Elizabeth Manion performs a text written by Wang Xiaoni. Cit. "The composition itself was created almost exclusively fromthe digitally recorded sound of Ms. Mannion's voice and twocrotales (small tuned cymbals)."
Barton McLean - The Last Ten Minutes (1982) 🪐F1NN🦦 2016-12-12 | As well as Etunytude, even this work was realized with the Fairlight CMI Synthesizer, to sample concrete sounds such as door squeaks, flute, piano string scrapes and various human cries.
Barton McLean - Etunytude (1982) 🪐F1NN🦦 2016-12-01 | This work was composed in Studio Three of the Electronic Music Center at the University of Texas-Austin. All sounds were completly synthesized with the Fairlight CMI, no concrete sound samples were utilized.
Alberto De Campo - Imaon (1998) 🪐F1NN🦦 2015-01-21 | All sounds were synthesized with a computer. They recall relaxing sounds, bells and cymbals for a meditative ambience. Imaon was the ancient name of the Himalayas, coined by Megasthenes, a Greek ethnographer.
Beautyon - 0, Number, Successor (1999) 🪐F1NN🦦 2015-01-21 | This piece was published in 1999 on the first compilation of computer music titled Or, Some Computer Music.
Zbigniew Karkowski, Kasper Toeplitz - Le Depeupleur (1999) 🪐F1NN🦦 2015-01-21 | Le Depeupleur isn't only the title of this computer music piece, but also the name of the artistic project formed by Zbigniew Karkowski and Kasper Toeplitz, existed between 1999 and 2013.
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