Robot Koch
Robot Koch - Separated feat Mree (HD)
updated
https://rb.gy/uuxqj
stream & download
kurate.lnk.to/sleep
robot koch
instagram.com/robotkoch
As Foam and Sand, composer Robot Koch has charted a thrilling new path in what has already been an accomplished career in the ever-changing world of electronic music. His second full-length and first for Nettwerk is a masterwork in ambient textures and sounds, bursting with emotive swells and lush sonics at every turn. It takes someone with precise touch and keen intuition to make ambient music that moves you, and Koch has indeed accomplished that goal and more with this record, cementing the project as an exciting new prospect in the world of ambient overall.
#floating #ambientmusic #musictherapy
Shot, Directed, and Edited by Rich Bella
Produced by Focus Bella Productions
Shot at Into Mesea Space
Grip /Lighting Jason Martin
video by@northpotatoland4182
IG: @northpotatoland
As Foam and Sand, composer Robot Koch has charted a thrilling new path in what has already been an accomplished career in the ever-changing world of electronic music. His second full-length and first for Nettwerk is a masterwork in ambient textures and sounds, bursting with emotive swells and lush sonics at every turn. It takes someone with precise touch and keen intuition to make ambient music that moves you, and Koch has indeed accomplished that goal and more with this record, cementing the project as an exciting new prospect in the world of ambient overall.
Available on: link.finnegantui.com/inbetween
Music Video by Tom Adams
Follow Robot Koch
instagram.com/robotkoch
robotsdontsleep.com
Follow Finnegan Tui on: Instagram: instagram.com/finnegantui
Facebook: facebook.com/FinneganTui
Twitter: twitter.com/FinneganTui
TikTok: tiktok.com/@finnegantui
www.finnegantui.com
Lyrics
This life
This lonely life is on the line
I wish that I knew
That anyone knew
This lie
The deadly lie that it’s alright
I wish you knew
That anyone knew
You’re all I am
We were made here
So I’ll ask you once
‘cause time won’t wait here
Would you live as you die for me
Stay
Stay a while and take me by the hand
Oh the one that made me just the way I am
See when we were here
Even dark felt like dawn
Brother where are you now
I am dancing in rain
I am water that falls
Brother here we are now
You’re all I am
We were made here
So I’ll ask you once
‘cause time won’t wait here
Would you live you’re alive
Give the life you have to light
Oh mother lead me
Brother take me back
Help me to remember to remember all I have
Sister father give me all I am
Provided to YouTube by Trees & Cyborgs - Eywa Music Ltd (UK)
Robot Koch & Finnegan Tui - In Between - Released on 10 February 2023
Written by Robot Koch, Finnegan Tui, Jasper Trim
Produced by Robot Koch, Finnegan Tui, Jasper Trim
Additional vocals by AK Patterson
Mixed by - Robot Koch
Mastered by - Robot Koch
(C) 2023 Trees & Cyborgs
(C) 2023 Eywa Music Ltd
#robotkoch #finnegantui #inbetween #indiefolk #contemporaryfolk
Today, ambient-electronic artist Foam and Sand, the side project of prolific electronic artist Robot Koch, announces his upcoming album Foam and Sand out on March 17th via Nettwerk.
As Foam and Sand, Robot Koch has charted a thrilling new path in what has already been an accomplished career in the ever-changing world of electronic music. His second full-length and first for Nettwerk is a masterwork in ambient textures and sounds, bursting with emotive swells and lush sonics at every turn. It takes someone with precise touch and keen intuition to make ambient music that moves you, and Koch has indeed accomplished that goal and more with this record, cementing the project as an exciting new prospect in the world of ambient overall.
Today he shares the new single "Circle 35" featuring trumpeter Stewart Cole, whose heart-stopping performance can’t help but evoke the work of late ambient horns player Jon Hassell, or the contemporary vibes of Joseph Shabason
Artist quote:
"the intention behind making music is more important than the music itself I think.
my intention behind making this rework for john hayes was to create something that has a deeply healing and relaxing quality to it when listened to with eyes closed and on headphones. it`s a soundtrack for a vast inner landscape. tune in and breathe out!"
Follow Foam and Sand
instagram.com/foam_and_sand/?hl=en
tiktok.com/@robotkoch?is_from_webapp=1&sender_device=pc
facebook.com/foamandsand
youtube.com/c/RobotKoch77
Press Quotes for Foam and Sand:
"Transcendent, ambient music for the soul"
Earmilk.
"A restorative, quiet revelation."
Loud&Quiet Magazine
Sufi Dance by Rana Gorgani
We are all the same song
Which has no voice but freedom.
For the people of Iran
ما همه یک سرودیم
و این سرود نغمه ای جز آزادی ندارد.
برای مردم ایران
#woman_Life_Freedom
#زن_زندگی_آزادی
Listen on Soundcloud:
soundcloud.com/robot-koch/mohammad-darabifar-and-robot-koch-bright-dream/s-tP1ZGBPSpGO?si=f457047c6ae34e13b95599f05c4f7902&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Follow Rana Gorgani:
ranagorgani.com/en/home
instagram.com/ranagorgani
Follow Mohammad Darabifar
instagram.com/mohammad_darabifar
https://t.me/Mohammad_Darabifar
Follow Robot Koch
instagram.com/robotkoch
robotsdontsleep.com
It´s "Transcendent, ambient music for the soul" as Earmilk calls it. Or "A restorative, quiet revelation" in the words of Loud&Quiet Magazine.
Follow Foam and Sand
instagram.com/foam_and_sand/?hl=en
tiktok.com/@robotkoch?is_from_webapp=1&sender_device=pc
facebook.com/foamandsand
youtube.com/c/RobotKoch77
Press Quotes for Foam and Sand:
"Transcendent, ambient music for the soul"
Earmilk.
"A restorative, quiet revelation."
Loud&Quiet Magazine
It´s "Transcendent, ambient music for the soul" as Earmilk calls it. Or "A restorative, quiet revelation" in the words of Loud&Quiet Magazine.
Follow Foam and Sand
instagram.com/foam_and_sand/?hl=en
tiktok.com/@robotkoch?is_from_webapp=1&sender_device=pc
facebook.com/foamandsand
youtube.com/c/RobotKoch77
This is the latest single from the upcoming album of Foam and Sand, which is the ambient moniker of award-winning composer Robot Koch.
Press Quotes for Foam and Sand:
"Transcendent, ambient music for the soul"
Earmilk.
"A restorative, quiet revelation."
Loud&Quiet Magazine
It´s a great instrument and i recorded this short piece here using sounds from TOSKA slowed down on tape.
nooninstruments.com
http://www.instagram.com/nooninstruments
This is the latest single from the upcoming album of Foam and Sand, which is the ambient moniker of award-winning composer Robot Koch.
Follow Foam and Sand
instagram.com/foam_and_sand/?hl=en
tiktok.com/@robotkoch?is_from_webapp=1&sender_device=pc
facebook.com/foamandsand
youtube.com/c/RobotKoch77
This is the latest single from the upcoming album of Foam and Sand, which is the ambient moniker of award-winning composer Robot Koch.
Press Quotes for Foam and Sand:
"Transcendent, ambient music for the soul"
Earmilk.
"A restorative, quiet revelation."
Loud&Quiet Magazine
The Birds of the West remix of ‘Movement I’ applies a fresh transcendent tilt to the elements underpinning the track’s original version, the California-hailing producer reconfiguring drifting keys and waiflike vocal samples into a hypnotic tumble of glistening synth spectrality, hovering between ethereal lullaby and flashes of cosmic mystique.
Koch and Marchal’s original incarnation of the track stemmed from impromptu creative dabbling, spurred by a recent stateside gig. “‘Movement I’ was first created when Julien was visiting me in LA a few years ago,” Koch explains. “We played a show together and had a session on the piano the next morning where we captured some ideas, including this one. The track was originally recorded for my album Sphere, which was the soundtrack to my immersive AV show of the same name. The show sold out planetariums worldwide and won several awards, including "best immersive experience" at the DTLA film festival.”
“The Birds Of The West remix now reimagines the track from a lo-fi beat angle but still captures its original depth and the atmospheric mood.”
Under the Foam and Sand moniker, Koch has recently released the ambient album ‘The Next Billion Years’, focusing on the unfolding environmental crisis through a future-facing lens - the LP building upon a string of gold and platinum records as well as remix credits for artists such as Max Richter and Christian Löffler. Previous live performances have included stints at Coachella, Boiler Room and Sonar Festival alongside a history of soundtracking both television (Teen Wolf, How to Get Away with Murder) and cinema as well as accolades such as winning the German Music Composers Award for 'Best Composer Electronic Music’.
Julien Marchal has similarly enjoyed renown as an independent artist as well as producer, with 3 million monthly Spotify listeners drawn to his contemplative, minimalist-inspired body of work that has included his ‘Insight’ series of albums and recent release ‘Eclipses’ as one half of duo Lissom, alongside British multi-instrumentalist Ed Tullett. With Erik Satie and Burial cited as major influences, Marchal merges classical with modern electronica in a spare beauty that anchors the appeal of his songwriting.
Birds Of The West have been securing a consistent presence via Spotify’s Jazz Vibes, Lofi Beats and Focus Flow playlists as well as Apple Music’s BEATstrumentals. Koch, Marchal and Birds Of The West collectively hold 4.5 million monthly Spotify listeners and a social media following of over 150k, testament to the resonance and reach of their material.
This is the latest single from the upcoming album of Foam and Sand, which is the ambient moniker of award-winning composer Robot Koch.
Follow Foam and Sand
instagram.com/foam_and_sand/?hl=en
tiktok.com/@robotkoch?is_from_webapp=1&sender_device=pc
facebook.com/foamandsand
youtube.com/c/RobotKoch77
This is the latest single from the upcoming album of Foam and Sand, which is the ambient moniker of award-winning composer Robot Koch.
Press Quotes for Foam and Sand:
"Transcendent, ambient music for the soul"
Earmilk.
"A restorative, quiet revelation."
Loud&Quiet Magazine
Subscribe: youtube.com/channel/UCfbw6yZAk7FPJz-JJELPgrA
Follow Foam and Sand:
instagram.com/foam_and_sand/?hl=en
tiktok.com/@robotkoch
twitter.com/ADrumcircle
open.spotify.com/artist/5oU0tZlItLctcLOQPS3mCy?si=SzGcUmcyTwiGH1QEJ0K0Fg
Written by Robert Koch and Joda Foerster
Press Quotes for Foam and Sand: "Transcendent, ambient music for the soul"
Earmilk.
"A restorative, quiet revelation."
Loud&Quiet Magazine
Follow Foam and Sand on Spotify
open.spotify.com/artist/1auVJGxP1B7a0GYbD6G6dd?si=NPCJvhTLR7yxHykOHIrcpA
Follow Priscilla Ahn on Spotify:
open.spotify.com/artist/5oU0tZlItLctcLOQPS3mCy?si=SzGcUmcyTwiGH1QEJ0K0Fg
I used my tape machine to slow it down and a bunch of analog synths to create it. Hope you enjoy it.
Robot Koch and BlankFor.ms team up for a new single release on Koch´s imprint Trees and Cyborgs.
"Migratory" is their 2nd collaboration track, following their successful first single "Subtle Ones".
Making use of BlankFor.ms signature degraded tape and synth sounds and Koch`s atmospheric and low-end heavy production, this pulsing hypnotic track combines detailed sound design with a contemplative mood and an uplifting feel that works equally well on the dancefloor as it does for headphone listening.
Both Robot Koch and BlankFor.ms have been busy this year so already, with upcoming artist projects, film and video game scores, and high-profile remixes for other artists.
Bio Robot Koch
Robot Koch is an award-winning artist/composer from Berlin, living in Los Angeles.
He has been steadily crafting an original sound that expertly combines a deep and cinematic atmosphere, emotional reflection, and forward-thinking production.
He remixed the likes of Max Richter, Rammstein, and Christian Löffler, collaborated with conductor Kristjan Järvi and the Nordic Pulse Orchestra, and played high-profile live shows at Coachella, Mutek, Sonar Festival, and Boiler Room.
Koch`s visual music lends itself to pictures and has been used on numerous TV Shows, Movie Trailers, Feature Films, and Ad campaigns over the last few years.
When he’s not pursuing his own artistic projects, Koch can be found working as a producer and writer for both indie and major artists worldwide, gaining gold and
Platinum records for his productions.
He won several awards for his immersive Full Dome Live Show "Sphere" which sold out in Planetariums and Festivals worldwide and also won the German Music Composers Award in the category
'Best Composer Electronic Music’.
He has amassed over 75 million streams and garnered over half a million monthly listeners on Spotify alone. Koch is currently working on a movie- and videogame score as well as on new artist projects
Bio BlankFor.ms
BlankFor.ms uses degraded tapes and analog synthesizers to create sounds meant more for the body than the mind. He has become a notable figure in the world of experimental/ambient music, garnering accolades, high-profile remixes, and 95k followers across social media.
His performance videos on Instagram were pivotal in inspiring an entire genre of top-down musical documentation on social platforms.
His samples have been used by thousands of artists, including a cameo in the recent Ethan Gruska/Bon Iver single "So Unimportant".
Over the next year he has a massive "Artist Series" instrument coming out with one of the world's most popular VST makers, a feature video in Ableton's "One Thing" series, and a video game score with an award winning software publisher.
His contributions can be heard on records by Micah Jasper, Kiefer (Stones Throw), Robot Koch (Trees and Cyborgs), and many others. He has provided remixes for The Cinematic Orchestra, Arthur Moon, and Para One. Tyler grew up in rural Wyoming.
As heard on the TV Series The Lazarus Project)
robotkoch.lnk.to/TNBYFoamAndSand
"Transcendent, ambient music for the soul"
Earmilk
"A restorative, quiet revelation. 8/10" Loud&Quiet Magazine
"One sweeping work of transcendent euphoria"
Under The Radar Magazine
"Those with a love for the ambient and technically outstanding, take some time out to lounge with this stunning new album."
Magnetic Magazine
"If you’re a fan of Max Richter or Brian Eno then you really need to give this a go…"
Electronica.org
"Stunning composition"
Impose Magazine
robotkoch.lnk.to/TNBYFoamAndSand
A balancing act between modern classical, ambient, and electronic music. Robot Koch’s recent album, The Next Billion Years, is as musically as it is philosophically ambitious. Inspired by a mysterious recording, which the German producer serendipitously came across, of the 20th-century French explorer, Jacques-Yves Cousteau, the album imagines and gives sounds to a far distant future, “When we think about the future we usually think about our own lifetime or the one of our children, but who really thinks a thousand or a million years into the future? Or even better, a billion years?” asks Robot. It was this big-picture view that inspired Robot’s decision to work with the grandeur of an orchestra, and the famed Estonian conductor Kristjan Järvi, on the album, opening up his electronic meditations to the Baltic Sea Philharmonic’s terrain of acoustic instruments and arrangements for the first time. The Next Billion Years turned out to be not only a highly emotive and existential sound journey but also incredibly poignant to the times we live in. Now, Robot decides to zoom in on his grandiose album project, giving its tracks a stripped-down Foam and Sand rework. Foam and Sand is Koch’s ambient soundscape and visual project, which runs parallel to the composer’s eponymous releases. Inspired by his daily habit of meditation, ideas for the project started to take shape during the lockdown of 2020, growing organically under the radar until Foam and Sand was officially announced in 2021. Using mainly tape recordings, the signature Foam and Sand sound is created with loops that magnify the irregularities and imperfections of the recordings and which are then shaped by the artist into hazy meditative journeys. “One of the sonic hallmarks of Foam and Sand is that I embrace the unsteady beauty of tapes in the sound creation process,” says Koch. In reworking The Next Billion Years through these parameters, Koch not only embraced the imperfections of tape recordings but also allowed outtakes of the original album to find their space in the music. For the Foam and Sand rework version of Glow, for instance, Robot incorporated previously unheard recordings of the Baltic Sea Philharmonic / Nordic Pulse Ensemble improvising. The unpolished instrumentation adds an intimacy that makes Glow all the more luminescent. “The main focus for me is how it feels rather than if it's a perfectly executed idea. With my Robot Koch releases, I go way more into the details and tweak things in the mix a lot more. With Foam and Sand, the beauty is in its rawness”. The Next Billion Years Foam and Sand reworks are a balancing act between ambient, modern classical, and electronic music. It’s not about subduing or removing any of the parts entirely, rather Koch is in search of that sweet spot where the three languages, albeit different, communicate harmoniously. This quest for harmony is mirrored in the composer’s interests outside music - Koch is as much an avid reader of quantum physics as he is dedicated to his daily practice of meditation. He’s particularly drawn to exploring “where science and spirituality meet”, and an open-minded approach can be felt in this music’s lack of conflicts and tensions. Rather than instigating strong emotional responses, the tracks cultivate an observational and introspective mindset, “I’m deeply interested in sound as a healing modality,” says Koch. For the rework of Post String Theory, Koch removes the original’s pulsating electronics and crescendo strings, focusing instead on highlighting subtle melody fragments. The strings are embedded in a warm atmosphere which softens the urgency but keeps the original composition present, peacefully resolving the track, “It’s an exhale. It could underscore the credits of a movie that took an unexpected but beautiful turn in the end,” says Koch. For its Foam and Sand rework, Koch is somewhat reversing the conceptual nature of The Next Billion Years. “It’s a deeper journey into the details of fewer sounds, rather than a bird’s eye view on the whole orchestra as an organism,” he says. Instead of the epic arrangements used previously, these compositions are far more minimal, “more micro than macro”. In focusing on the imperfect subtleties that make-up vast and lush atmospheric soundscapes, Koch wants to open the listener's ears to the infinite frequencies that make up a singular sound. It could be said that rather than looking imaginatively into the future, this music addresses the intimacy of the present.
The full Album will be out on May 27th 2022. Glow is out now
Pre-Save here:
robotkoch.lnk.to/TNBYFoamAndSand
Video by Magnificent Matter
Inspired by the composer’s daily habit of meditation, ideas for the project started to take shape during the lockdown of 2020, growing organically under the radar until Foam and Sand was officially announced in 2021. Using tape recordings of slowed-down pianos, modular synths, and other sonic sources, Foam and Sand is a collection of 16 warm and organic ambient tracks. The signature sound is created with loops that magnify the irregularities and imperfections of cassette recordings and that are then shaped by the artist into hazy meditative journeys. Through the process, the grainy subtleties of sound give way to vast and lush atmospheric soundscapes, making audible the complex interplay of micro and macro and highlighting the interconnectedness of these two spheres in life.
“I started meditating 7 years ago. It’s interesting that meditation and medicine have the same root syllable. Meditating before working on my music resets my brain and helps me access ideas that are layers deeper than my conscious mind. Foam and Sand started as a self- soothing project which I now share with the intention of providing healing and inspiration to others.” - Robot Koch
credits
Video by: Tobias Scheichl
https://waskanndaskann.at/
Taken from Alchemy EP:
https://bfan.link/alchemy-4
Video by Powders Playground
instagram.com/robotkoch
instagram.com/snakesofrussia
instagram.com/powders.playground.video
Hope you enjoy and happy holidays.
Get the track here on Bandcamp:
therealrobotkoch.bandcamp.com/track/all-i-want-for-christmas
https://bfan.link/full-circle-reworks-1
Video by Magnificent Matter
Following up the release of "Full Circle" by his ambient Project Foam and Sand, Composer Robot Koch returns with the release of the "Full Circle Reworks" Album.
It comes with an international selection of some of the most interesting and upcoming names in the ambient/electronic/modern classical community.
On this rework, Hainbach, who uses everything from nuclear lab equipment and slowed-down tape machines, creates a sonic world of its own. With critical acclaim from Pitchfork and The Wire, he is an interesting and well-known sonic influencer in the ambient and electronic scene.
https://bfan.link/full-circle-reworks-1
Following up the release of "Full Circle", the critically acclaimed debut album of Robot Koch`s new ambient Project Foam and Sand, the award-winning composer returns with the release of the "Full Circle Reworks" Album.
It comes with an international selection of some of the most interesting and upcoming names in the ambient/electronic/modern classical community.
Midori Hirano (Erased Tapes) reworks the original modular synth track as piano-driven meditation that is pure hypnotic bliss. Subtle piano and electronic sounds blend into a melancholic texture that embraces you like a warm blanket.
Hainbach, who uses nuclear lab equipment and a slowed-down tape machine to create a sonic world of its own. With critical acclaim from Pitchfork and The Wire, he is an interesting sonic influencer in the ambient and electronic scene.
Slow Meadow has been celebrated by NPR and The New York Observer and reworks the original into a lush and atmospheric piece with piano and strings.
Alaskan Tapes is well known for his soothing and minimalist ambient compositions that build on his past as a post-rock artist.
British composer Tom Ashbrook creates a stunning and cinematic piece with analog synth and piano that sounds like the triumphant end credit score to a movie. His music has been supported on many genre-bending playlists between classical and electronic music.
The Duo Arms and Sleepers from the US create a film noir night drive with their rendition to Circle 9.
LA-based Beatmaker Birds Of The West has made a name for himself on all the big Lo-Fi beat playlists and takes the original ambient track and turns it into a Lo-Fi/Chill Gem that works both for deep concentration and cloud gazing.
French pianist Julien Marchal has a distinct sound, his music is subtle but never just background. It allows for deep listening and clams the senses with a love for detail and subtlety that feels like the company of a good friend on a relaxing nature walk.
Six Missing is an upcoming ambient talent from the States, who uses nature sounds in his sound design. He turns the original track into a deeply textured and meditative drone piece.
https://bfan.link/full-circle-reworks-1
Following up the release of "Full Circle", the critically acclaimed debut album of Robot Koch`s new ambient Project Foam and Sand, the award-winning composer returns with the release of the "Full Circle Reworks" Album.
It comes with an international selection of some of the most interesting and upcoming names in the ambient/electronic/modern classical community.
Midori Hirano (Erased Tapes) reworks the original modular synth track as piano-driven meditation that is pure hypnotic bliss. Subtle piano and electronic sounds blend into a melancholic texture that embraces you like a warm blanket.
Hainbach, who uses nuclear lab equipment and a slowed-down tape machine to create a sonic world of its own. With critical acclaim from Pitchfork and The Wire, he is an interesting sonic influencer in the ambient and electronic scene.
Slow Meadow has been celebrated by NPR and The New York Observer and reworks the original into a lush and atmospheric piece with piano and strings.
Alaskan Tapes is well known for his soothing and minimalist ambient compositions that build on his past as a post-rock artist.
British composer Tom Ashbrook creates a stunning and cinematic piece with analog synth and piano that sounds like the triumphant end credit score to a movie. His music has been supported on many genre-bending playlists between classical and electronic music.
The Duo Arms and Sleepers from the US create a film noir night drive with their rendition to Circle 9.
LA-based Beatmaker Birds Of The West has made a name for himself on all the big Lo-Fi beat playlists and takes the original ambient track and turns it into a Lo-Fi/Chill Gem that works both for deep concentration and cloud gazing.
French pianist Julien Marchal has a distinct sound, his music is subtle but never just background. It allows for deep listening and clams the senses with a love for detail and subtlety that feels like the company of a good friend on a relaxing nature walk.
Six Missing is an upcoming ambient talent from the States, who uses nature sounds in his sound design. He turns the original track into a deeply textured and meditative drone piece.
https://bfan.link/full-circle-reworks-1
Following up the release of "Full Circle", the critically acclaimed debut album of Robot Koch`s new ambient Project Foam and Sand, the award-winning composer returns with the release of the "Full Circle Reworks" Album.
It comes with an international selection of some of the most interesting and upcoming names in the ambient/electronic/modern classical community.
Midori Hirano (Erased Tapes) reworks the original modular synth track as piano-driven meditation that is pure hypnotic bliss. Subtle piano and electronic sounds blend into a melancholic texture that embraces you like a warm blanket.
Hainbach, who uses nuclear lab equipment and a slowed-down tape machine to create a sonic world of its own. With critical acclaim from Pitchfork and The Wire, he is an interesting sonic influencer in the ambient and electronic scene.
Slow Meadow has been celebrated by NPR and The New York Observer and reworks the original into a lush and atmospheric piece with piano and strings.
Alaskan Tapes is well known for his soothing and minimalist ambient compositions that build on his past as a post-rock artist.
British composer Tom Ashbrook creates a stunning and cinematic piece with analog synth and piano that sounds like the triumphant end credit score to a movie. His music has been supported on many genre-bending playlists between classical and electronic music.
The Duo Arms and Sleepers from the US create a film noir night drive with their rendition to Circle 9.
LA-based Beatmaker Birds Of The West has made a name for himself on all the big Lo-Fi beat playlists and takes the original ambient track and turns it into a Lo-Fi/Chill Gem that works both for deep concentration and cloud gazing.
French pianist Julien Marchal has a distinct sound, his music is subtle but never just background. It allows for deep listening and clams the senses with a love for detail and subtlety that feels like the company of a good friend on a relaxing nature walk.
Six Missing is an upcoming ambient talent from the States, who uses nature sounds in his sound design. He turns the original track into a deeply textured and meditative drone piece.
best
robert
LINKS:
https://linktr.ee/awakenchronicles http://linktr.ee/TheAllegorist
theallegoristmusic.com annajordanproject.com
https://linktr.ee/AnnaJordanProject robotsdontsleep.com
instagram.com/robotkoch
de.wikipedia.org/wiki/Robot_Koch https://
www.arsenarzumanyan.com
https://linktr.ee/ArsenArzumanyan
instagram.com/arsen__design
Foam and Sand is the ambient soundscape and visual project of award-winning composer and conceptual artist, Robot Koch. Inspired by the composer’s daily habit of meditation, ideas for the project started to take shape during the lockdown of 2020, growing organically under the radar until Foam and Sand was officially announced in 2021. Using
tape recordings of slowed-down pianos, modular synths, and other sonic sources, Foam and Sand is a collection of 16 warm and organic ambient tracks. The signature sound is created with loops that magnify the irregularities and imperfections of cassette recordings and that
are then shaped by the artist into hazy meditative journeys. Through the process, the grainy subtleties of sound give way to vast and lush atmospheric soundscapes, making audible the
complex interplay of micro and macro and highlighting the interconnectedness of these two spheres in life.
“I started meditating 7 years ago. It’s interesting that meditation and medicine have the same
root syllable. Meditating before working on my music resets my brain and helps me access ideas that are layers deeper than my conscious mind. Foam and Sand started as a self-soothing project which I now share with the intention of providing healing and inspiration to
others.” - Robot Koch
Delhia de France has recently collaborated with Tale Of Us, Janus Rasmussen (Kiasmos), Adriatique and is also a long-time collaborator of Robot Koch. It was only natural that he remixed her Track Razor, in the shape of his ambient project Foam and Sand. The Remix takes a vocal line from her original track and envelops it in a warm, organic modular synth pattern that keeps evolving and propels forward softly like the slowed-down echo of a club track that doesn`t need beats to be moving.
DELHIA DE FRANCE
www.instagram.com/delhia_de_france
www.soundcloud.com/delhiadefrance
youtube.com/delhiadefrance
www.delhiadefrance.com
FOAM AND SAND
www.instagram.com/foam_and_sand
www.robotsdontsleep.com
Foam and Sand is the ambient soundscape and visual project of award-winning composer and conceptual artist, Robot Koch. Inspired by the composer’s daily habit of meditation, ideas for the project started to take shape during the lockdown of 2020, growing organically under the radar until Foam and Sand was officially announced in 2021. Using
tape recordings of slowed-down pianos, modular synths, and other sonic sources, Foam and Sand is a collection of 16 warm and organic ambient tracks. The signature sound is created with loops that magnify the irregularities and imperfections of cassette recordings and that
are then shaped by the artist into hazy meditative journeys. Through the process, the grainy subtleties of sound give way to vast and lush atmospheric soundscapes, making audible the
complex interplay of micro and macro and highlighting the interconnectedness of these two spheres in life.
“I started meditating 7 years ago. It’s interesting that meditation and medicine have the same
root syllable. Meditating before working on my music resets my brain and helps me access ideas that are layers deeper than my conscious mind. Foam and Sand started as a self-soothing project which I now share with the intention of providing healing and inspiration to
others.” - Robot Koch
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Foam and Sand is the ambient soundscape and visual project of award-winning composer and conceptual artist, Robot Koch. Inspired by the composer’s daily habit of meditation, ideas for the project started to take shape during the lockdown of 2020, growing organically under the radar until Foam and Sand was officially announced in 2021. Using
tape recordings of slowed-down pianos, modular synths, and other sonic sources, Foam and Sand is a collection of 16 warm and organic ambient tracks. The signature sound is created with loops that magnify the irregularities and imperfections of cassette recordings and that
are then shaped by the artist into hazy meditative journeys. Through the process, the grainy subtleties of sound give way to vast and lush atmospheric soundscapes, making audible the
complex interplay of micro and macro and highlighting the interconnectedness of these two spheres in life.
“I started meditating 7 years ago. It’s interesting that meditation and medicine have the same
root syllable. Meditating before working on my music resets my brain and helps me access ideas that are layers deeper than my conscious mind. Foam and Sand started as a self-soothing project which I now share with the intention of providing healing and inspiration to
others.” - Robot Koch
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YouTube: youtube.com/channel/UCfbw6yZAk7FPJz-JJELPgrA
Instagram: instagram.com/robotkoch
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Twitter: twitter.com/robotkoch
Soundcloud: soundcloud.com/robot-koch
Subscribe to Robot Koch: www.robotsdontsleep.com/news
Foam and Sand is the ambient project of award-winning composer Robot Koch. The project started during the lockdown in 2020 and organically grew under the radar until it was officially announced in 2021. Foam and Sand uses tape recordings of slowed-down pianos, modular synths, and other sonic sources to create these warm and organic ambient tracks.
The signature sound is created with tape loops that magnify all the beautiful irregularities of a cassette tape that the artist shapes into hazy ambient creations which are intended to highlight the interconnectedness of life.
With recent support from Dummy Mag, KEXP, Echoes, ByteFM , KCRW, and NTS, the new project has a growing audience of listeners worldwide who enjoy these hazy ambient creations that incorporate both a sense of nostalgia and futurism in their holistic sound design.
Follow me on
YouTube: youtube.com/channel/UCfbw6yZAk7FPJz-JJELPgrA
Instagram: instagram.com/robotkoch
Facebook: https://www.facebook.com/robotkochoff...
Twitter: twitter.com/robotkoch
Soundcloud: soundcloud.com/robot-koch


