【古琴Guqin】弹巴赫Bachs Cello Suite No. 1 in G Major, BWV 1007:I. Prélude by ancient Chinese instruments 自得琴社 Zi De Guqin Studio 2026-09-22 | 【古琴Guqin】弹巴赫Bachs Cello Suite No. 1 in G Major, BWV 1007:I. Prélude by ancient Chinese instruments
自得琴社《神奇秘谱六百年》音乐会预告 自得琴社 Zi De Guqin Studio 2026-03-16 | 弦耕不断 岁岁常春2026年3月28日19:30上海城市剧院六百年琴心不改，高山仰止可听今声六百年琴韵不辍，流水不断更待知音
朝朝春水，暮暮花潮｜琵琶独奏《澜沧春晓》Morning Mists, Evening Tides | Pipa Solo Spring Dawn on the Lancang River 自得琴社 Zi De Guqin Studio 2026-02-17 | 《澜沧春晓》此曲为王范地、王直先生1976年赴云南地区采风所作，灵感源于云南民间艺人演奏的三弦曲调，曲中以琵琶的音色模仿巴乌、葫芦丝等器乐，颇具滇南风情。朝朝春水，暮暮花潮。岁岁晴芳，年年茶香。Composed by Wang Fandi and Wang Zhi in 1976 after their fieldwork in Yunnan Province, "Spring Dawn on the Lancang River" draws inspiration from sanxian melodies played by local folk musicians. Through the pipa's expressive palette, the piece ingeniously evokes the timbres of traditional ethnic instruments—the breathy bawu bamboo flute and the mellifluous hulusi—painting a vivid sonic portrait of southern Yunnan's landscapes and customs.Morning after morning, spring waters rise;Evening after evening, blossoms surge.Year after year, clear skies bloom;Season after season, tea leaves fragrance the air.
二胡一响，年味就来了｜《赛马》独奏版 Horse Race (Sai Ma) Solo Version｜Erhu Strikes, New Year Arrives 自得琴社 Zi De Guqin Studio 2026-02-15 | 《赛马》一响，过年的感觉就到位了！琴弦上的万马奔腾，带着一整个春天的奔涌而来。这首创作于1959年的二胡经典，以蒙古族民歌《红旗歌》为素材。作曲家黄海怀在这首作品中大胆创新：喷弓奏出如火山迸发的音头，瞬间将听众带入赛马现场；更首创大段拨弦技法，让二胡“弹”出清脆逼真的马蹄声；通过颤指音模仿马头琴音效，尽展草原辽阔；贯穿全曲的顿弓与连顿弓则如蹄声得得，群马疾驰的场面跃然弦上。此后六十余载，《赛马》响遍大江南北，成为刻在中国人记忆里最具代表性的BGM之一。腊月廿六，年味渐浓。愿这首曲子陪你，快马加鞭迎新春。转发这只“赛马”，祝你马年一路领跑！🐎 《赛马》黄海怀曲艺术总监：唐彬二胡：朱婧化妆：刘蕊 服装：罗雅录音/混音：唐彬摄影师：王恩俊 摄影助理：杨翔瑞 陆蒙升 梁海亮后期：唐彬统筹：白无瑕出品：自得琴社When "Horse Race" plays, the New Year spirit is complete! @Zhu Jing_—on her strings, a thousand horses thunder forth, bringing the surge of an entire spring rushing toward us.This erhu classic, composed in 1959, draws its inspiration from the Mongolian folk song "Red Flag." Composer Huang Haihuai made bold innovations in this piece: a spray bow opens with an explosive attack like a volcanic eruption, instantly transporting listeners to the racetrack. Most notably, he pioneered extended pizzicato passages, allowing the erhu to "pluck" crisp, lifelike hoofbeats. Tremolo techniques evoke the timbre of the morin khuur (Mongolian horsehead fiddle), unfolding the vastness of the grassland. Throughout the piece, staccato and linked staccato passages mirror the rhythmic patter of hooves—galloping herds spring vividly from the strings.For over six decades, "Horse Race" has resounded across China, becoming one of the most iconic BGM pieces etched into Chinese memory.The 26th day of the twelfth lunar month—New Year's spirit deepens. May this melody accompany you as you gallop swiftly toward the new spring.Share this "Horse Race" and may you lead the charge in the Year of the Horse! 🐎—"Horse Race" (Composer: Huang Haihuai)Artistic Director: Tang BinErhu: Zhu JingMakeup: Liu RuiCostumes: Luo YaRecording/Mixing: Tang BinPhotographer: Wang EnjunPhotography Assistants: Yang Ruirui, Lu Mengsheng, Liang HailiangPost-Production: Tang BinCoordinator: Bai WuxiaPresented by: Zi De Guqin Studio
离谱！自得琴社《赛马》大翻车现场ABSURD! Zi De Guqin Studios Horse Race Rehearsal COMPLETELY Derailed 自得琴社 Zi De Guqin Studio 2026-02-11 | 消失的古琴没找回来，混乱的乐谱又添新篇！上回“拉得花好月又圆”的捣蛋份子尚未归案，今年乐队里似乎又混进了新的“内鬼”？一场好好的《赛马》，是如何一路跑偏到《“马”刀舞曲》《扬鞭催“马”运粮忙》《超级“玛”丽》去的？德艺双馨的指挥再次面临考验，各位乐手“大显神通”的时刻又到了！点击直击：自得琴社《赛马》大翻车现场。 快来评论区断案，你觉得谁是那个“带跑偏”的人？腊月廿三小年夜，让我们一起“马”上开心！原曲：《赛马》（黄海怀曲）《马刀舞曲》（阿拉姆·伊里奇·哈恰图良曲）《扬鞭催马运粮忙》（魏显忠曲）《马力水下关》改编：唐彬 张笑兢艺术总监：唐彬导演：唐彬 邱诗浩竹笛：林泽钦 吴依诺二胡：周韫辉中阮：黄洁颖琵琶：王慕禹客串：王砾川化妆：刘蕊 马茗敏 服装：罗雅录音/混音/拟音：吴文隽 马叫配音：殷屹浩楠摄影师：王恩俊 摄影助理：杨翔瑞 陆蒙升 梁海亮剪辑/后期：邱诗浩统筹：白无瑕出品：自得琴社—The missing guqin is still nowhere to be found, and the chaotic sheet music just got a brand-new chapter! Last time’s mischief-makers who brought you “The Blended Moon and Radetzky” are still at large—and this year, it looks like new “agents of chaos” have infiltrated the ensemble!How on earth did a perfectly fine rendition of “Horse Race” go completely off the rails—careening headlong into “Sabre Dance,” “Whipping the Ponies,” and “Super Mario”? Our virtuosic, morally upright conductor is once again put to the test. It’s time for every musician to “shine” in their own spectacularly questionable way!Click to witness: Zi De Guqin Studio’s “Horse Race” rehearsal meltdown. 🎻🐴💥And don’t forget to drop a comment—who do YOU think is the real culprit behind this glorious disaster?It’s Little New Year (腊月廿三)! Let’s saddle up for some laughter and gallop straight into the Year of the Horse! 🧧🧧🧧Original Tracks:“Horse Race” (Composer: Huang Haihuai)“Sabre Dance” (Composer: Aram Khachaturian)“Whipping the Ponies, Busy Transporting Grain” (Composer: Wei Xianzhong)“Super Mario Underwater Theme” (Composer: Koji Kondo)Adaptation: Tang Bin, Zhang XiaojingArtistic Director: Tang BinDirectors: Tang Bin, Qiu ShihaoBamboo Flute: Lin Zeqin, Wu YinuoErhu: Zhou YunhuiZhongruan: Huang JieyingPipa: Wang MuyuSpecial Appearance: Wang LichuanMakeup: Liu Rui, Ma MingminCostumes: Luo YaRecording / Mixing / Foley: Wu WenjunHorse Sound Effects (voice): Yin YihaonanPhotographer: Wang EnjunPhotography Assistants: Yang Ruirui, Lu Mengsheng, Liang HailiangEditing / Post-Production: Qiu ShihaoCoordinator: Bai WuxiaPresented by: Zi De Guqin Studio
人生必听名曲【古琴】《广陵散》“Guangling San”: The Most Legendary and Heroic Melody in Chinese Guqin History. 自得琴社 Zi De Guqin Studio 2025-12-31 | 广陵散此曲写聂政刺韩王之事。弦外长虹，破韩庭昏佞。指间霹雳，醒嵇康奇梦。琴心剑胆犹在，广陵绝响今存。神奇秘谱：臞仙按琴史曰，“晋书载：广陵散者，‘嵇康，字叔夜，谯国之人也。尝游会稽，宿华阳亭，引琴而弹；夜分，忽有客诣之，称是古人，与康共谈音律，辞致清辨，因索琴弹之，为广陵散曲，声调绝伦，遂以授康，仍誓不传人，亦不言其姓字。时司马懿为大将军，康与钟会为长史。会每与康交，而康不为之礼，会以此憾之，因谮康欲助毋丘俭。司马懿既昵信会，遂害之。康将刑东市，顾视日影，索琴弹之曰，‘昔袁孝己尝从吾学广陵散，吾每靳固之，广陵散于今绝矣’。时年四十。海内之士莫不痛之。帝寻悟而悔焉”，又琴书曰：“嵇康广陵散本四十一拍，不传于世。惟康之甥袁孝己能琴，每从康学靳惜不与，后康静夜鼓琴弹广陵散，孝己窃从户外听之。至乱声小息，康疑其有人，推琴而止，出户果见孝己。止得三十三拍。后孝己会止息意，续成八拍，共四十一拍，序引在外。世亦罕知焉。”然广陵散曲，世有二谱。今予所取者，隋宫中所收之谱。隋亡而入于唐，唐亡流落于民间者有年，至宋高宗建炎间，复入于御府。经九百三十七年矣，予以此谱为正。故取之。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本次音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。 六百年琴心，流水不断更待知音。"Guangling San" (Melody of Guangling)This piece recounts the story of Nie Zheng’s assassination of the King of Han. The melody carries the force of a long rainbow piercing the corrupt Han court; beneath the fingers, thunder awakens Ji Kang’s extraordinary dream. The qin’s heart and the swordsman’s courage remain—the lost strains of Guangling live on today.Shen Qi Mi Pu: Zhu Quan (“Recluse Immortal”) records: Ji Kang learned this peerless melody from a mysterious night visitor, who swore him to secrecy. Kang later offended the official Zhong Hui, who falsely accused him. Condemned to death, Kang played this tune one last time in the market, lamenting, “Now Guangling San ends with me.”Only his nephew Yuan Xiaoji overheard part of it, later completing the piece. Of the two surviving scores, the version here comes from a Sui palace manuscript, passed down through Tang and Song courts over 937 years—the edition I deem authentic.Compiled and published in 1425 by Zhu Quan, the Prince of Ning during the Ming Dynasty, Shen Qi Mi Pu (The Mysterious and Marvelous Tablature) stands as the earliest and most completely preserved dedicated collection of guqin tablature in existence in China. The anthology is divided into three volumes containing a total of sixty-four pieces. The first volume, entitled Tai Gu Shen Pin (Divine Pieces of Great Antiquity), includes sixteen compositions such as "Guangling San," "Jiu Kuang," and "Gu Feng Cao"—described as "secret melodies from remote antiquity, passed down by none." The middle and final volumes, collectively titled Xia Wai Shen Pin (Divine Pieces Beyond the Rosy Clouds), contain forty-eight pieces including "Wu Ye Ti," "Da Hu Jia," and "Li Sao," which the compiler noted were tunes he "had received in the past," largely comprising qin works widely circulated during the Song and Yuan dynasties. Hailed as the most prestigious transmitted tablature in history, it remains a treasured gem for all guqin practitioners.The year 2025 marks the 600th anniversary of Shen Qi Mi Pu’s publication. To honor this milestone, Zi De Guqin Studio offers music in place of wine, reanimating ancient harmonies and reinventing their sounds, inviting all connoisseurs of the art to share in an intoxicating journey through strings and wood. This album presents live recordings from the Shen Qi Mi Pu 600th Anniversary Concert, which features thirteen pieces carefully selected from the tablature. Among them, five—"Shan Ju Yin," "Qiao Ge," "Tian Feng Huan Pei," "Da Hu Jia," and "Guang Ling San"—are performed as guqin solos, evoking echoes of timeless antiquity: the legendary axe-handle turning to dust, ethereal jade-like tones, frontier reed-pipes beyond the Great Wall, and the fierce clangor of spear and shield. Another six pieces—"Xuan Mo," "Yi Lan," "Lie Zi Yu Feng," "Fan Cang Lang," "Li Sao," and "Gu Feng Cao"—are newly arranged from ancient themes, blending silk and bamboo instruments in harmonious dialogue that honors the sages and stirs the soul; here one may sense a spirit wandering free from worldly cares, and glimpse a heart that ceaselessly seeks truth. The remaining two, "Jiu Kuang" and "Wu Ye Ti," are adapted from the original qin scores and recast for the ruan and the pipa; listen closely, and you may catch the crows squabbling over their nest, or join the unrestrained revelry of the Bamboo Grove.Six hundred years of qin melody—behold the lofty mountain, and hear its voice in today’s strings.Six hundred years of qin spirit—like ever‑flowing streams, it awaits the listening heart.《广陵散》（龚一节本）艺术总监：唐彬古琴：白无瑕音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社
史诗级古乐【古琴x大鼓】《离骚》｜Epic Soundscape: The Lament of Lisao Reborn with Guqin and War Drum 自得琴社 Zi De Guqin Studio 2025-12-30 | 离骚此曲始写屈子行吟之沉郁，继抒搔首问天之激怀。掩涕执节，歌上下求索之志；临江振弦，诉九死不悔之意。神奇秘谱：臞仙曰，离骚之操有二，其十八段者，屈原自作也；十一段者，后人追感而作也。按离骚经曰，“屈原名平，与楚同姓，仕于怀王为三闾大夫，三闾之职掌王族三姓，曰昭、屈、景。屈原序其谱属，率其贤良，以厉国士。入则与王图议政事，决定嫌疑；出则监察群下，应对诸侯，谋分职修。王以亲亲，珍之。后被谗，王疏屈原，亲亲日衰。原忧心烦乱，不知所訴，乃作离骚。上述唐、虞三后之治，下序桀、纣、羿、浇之乱，冀君觉悟，反于正道而还己也。”是时秦使张仪谲诈，诱与俱会武关，原谏怀王勿行，不听而往，遂为所胁，卒客死于秦；而襄王立，复用谗言，迁屈原于江南。原复作九歌、天问、远游、渔父等篇，冀伸己志，以悟君心，而终不见省。不忍见其宗国将遂危亡，乃付诸徽轸告于上下也。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本专辑作品为神奇秘谱600年音乐会的现场实录，音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。六百年琴心，流水不断更待知音。"Li Sao" (On Encountering Sorrow)The music first captures the deep melancholy of Qu Yuan's exile, then rises into the agitation of questioning heaven. Clinging to principle in despair, it sings of an unyielding quest; by the river's edge, the strings resonate with a vow of no regret.Shen Qi Mi Pu: The compiler Zhu Quan notes: Two versions exist—Qu Yuan's own in eighteen sections, and an eleven-section later tribute. The classic records: Qu Yuan, of the Chu royal clan, served as a high minister. Initially trusted, he was later slandered and exiled. In anguish, he wrote Li Sao, recounting wise rulers and tyrants, hoping to guide his king back to virtue. He warned against a treacherous Qin meeting, but his king went and died in captivity. The next king, swayed by more slander, banished him south. There, he wrote works like the Nine Songs, still hoping to be heard. In the end, with his state facing ruin, he poured his final plea into the strings of the qin.Compiled and published in 1425 by Zhu Quan, the Prince of Ning during the Ming Dynasty, Shen Qi Mi Pu (The Mysterious and Marvelous Tablature) stands as the earliest and most completely preserved dedicated collection of guqin tablature in existence in China. The anthology is divided into three volumes containing a total of sixty-four pieces. The first volume, entitled Tai Gu Shen Pin (Divine Pieces of Great Antiquity), includes sixteen compositions such as "Guangling San," "Jiu Kuang," and "Gu Feng Cao"—described as "secret melodies from remote antiquity, passed down by none." The middle and final volumes, collectively titled Xia Wai Shen Pin (Divine Pieces Beyond the Rosy Clouds), contain forty-eight pieces including "Wu Ye Ti," "Da Hu Jia," and "Li Sao," which the compiler noted were tunes he "had received in the past," largely comprising qin works widely circulated during the Song and Yuan dynasties. Hailed as the most prestigious transmitted tablature in history, it remains a treasured gem for all guqin practitioners.The year 2025 marks the 600th anniversary of Shen Qi Mi Pu’s publication. To honor this milestone, Zi De Guqin Studio offers music in place of wine, reanimating ancient harmonies and reinventing their sounds, inviting all connoisseurs of the art to share in an intoxicating journey through strings and wood. This album presents live recordings from the Shen Qi Mi Pu 600th Anniversary Concert, which features thirteen pieces carefully selected from the tablature. Among them, five—"Shan Ju Yin," "Qiao Ge," "Tian Feng Huan Pei," "Da Hu Jia," and "Guang Ling San"—are performed as guqin solos, evoking echoes of timeless antiquity: the legendary axe-handle turning to dust, ethereal jade-like tones, frontier reed-pipes beyond the Great Wall, and the fierce clangor of spear and shield. Another six pieces—"Xuan Mo," "Yi Lan," "Lie Zi Yu Feng," "Fan Cang Lang," "Li Sao," and "Gu Feng Cao"—are newly arranged from ancient themes, blending silk and bamboo instruments in harmonious dialogue that honors the sages and stirs the soul; here one may sense a spirit wandering free from worldly cares, and glimpse a heart that ceaselessly seeks truth. The remaining two, "Jiu Kuang" and "Wu Ye Ti," are adapted from the original qin scores and recast for the ruan and the pipa; listen closely, and you may catch the crows squabbling over their nest, or join the unrestrained revelry of the Bamboo Grove.Six hundred years of qin melody—behold the lofty mountain, and hear its voice in today’s strings.Six hundred years of qin spirit—like ever‑flowing streams, it awaits the listening heart.《离骚》艺术总监：唐彬改编/作曲/编曲/电子音乐：唐彬古琴：殷屹浩楠大鼓：蔡博睿笛箫：林泽钦小打：黄洁颖音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社
这是什么酒？【中阮】《酒狂》Drowning Sorrows in Wine: The Zhongruan Solo “Jiu Kuang” 自得琴社 Zi De Guqin Studio 2025-12-28 | 酒狂此曲以酒起兴，托酒忘忧。今以阮摹琴，更添新趣，或中或西，有酒无类，不把金樽空付。神奇秘谱：臞仙曰，是曲者，阮籍所作也。籍叹道之不行，与时不合，故忘世虑于形骸之外，托兴于酗酒，以乐终身之志。其趣也若是，岂真嗜于酒耶，有道存焉。妙在于其中，故不为俗子道，达者得之。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本专辑作品为神奇秘谱600年音乐会的现场实录，音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。六百年琴心，流水不断更待知音。"Jiu Kuang" (Wine Madness)This piece begins with wine as its muse, using the cup's solace to lose worldly sorrows. Here, the zhongruan takes up the voice of the guqin, weaving in a novel delight. It bridges traditions and cultures, embodying the all-embracing spirit where “wine knows no bounds”—ensuring this golden chalice of inspiration is never lifted in vain.Shen Qi Mi Pu (The Mysterious and Marvelous Tablature): In the preface, the compiler Zhu Quan, who styled himself “the Recluse Immortal,” notes: This piece was composed by Ruan Ji, a famed poet and thinker of the Wei-Jin period. Ji lamented that the true Way found no course in his world and that he stood apart from his age. Thus, he cast the world's cares beyond the confines of flesh and bone, pouring his inspiration into the vessel of wine to voice the aspiration that would content his lifelong spirit. Yet is its essence truly mere craving for wine? The Way dwells within it. Its mystery lies therein, and thus it is not spoken to the common ear—only the enlightened attain it.Compiled and published in 1425 by Zhu Quan, the Prince of Ning during the Ming Dynasty, Shen Qi Mi Pu (The Mysterious and Marvelous Tablature) stands as the earliest and most completely preserved dedicated collection of guqin tablature in existence in China. The anthology is divided into three volumes containing a total of sixty-four pieces. The first volume, entitled Tai Gu Shen Pin (Divine Pieces of Great Antiquity), includes sixteen compositions such as "Guangling San," "Jiu Kuang," and "Gu Feng Cao"—described as "secret melodies from remote antiquity, passed down by none." The middle and final volumes, collectively titled Xia Wai Shen Pin (Divine Pieces Beyond the Rosy Clouds), contain forty-eight pieces including "Wu Ye Ti," "Da Hu Jia," and "Li Sao," which the compiler noted were tunes he "had received in the past," largely comprising qin works widely circulated during the Song and Yuan dynasties. Hailed as the most prestigious transmitted tablature in history, it remains a treasured gem for all guqin practitioners.The year 2025 marks the 600th anniversary of Shen Qi Mi Pu’s publication. To honor this milestone, Zi De Guqin Studio offers music in place of wine, reanimating ancient harmonies and reinventing their sounds, inviting all connoisseurs of the art to share in an intoxicating journey through strings and wood. This album presents live recordings from the Shen Qi Mi Pu 600th Anniversary Concert, which features thirteen pieces carefully selected from the tablature. Among them, five—"Shan Ju Yin," "Qiao Ge," "Tian Feng Huan Pei," "Da Hu Jia," and "Guang Ling San"—are performed as guqin solos, evoking echoes of timeless antiquity: the legendary axe-handle turning to dust, ethereal jade-like tones, frontier reed-pipes beyond the Great Wall, and the fierce clangor of spear and shield. Another six pieces—"Xuan Mo," "Yi Lan," "Lie Zi Yu Feng," "Fan Cang Lang," "Li Sao," and "Gu Feng Cao"—are newly arranged from ancient themes, blending silk and bamboo instruments in harmonious dialogue that honors the sages and stirs the soul; here one may sense a spirit wandering free from worldly cares, and glimpse a heart that ceaselessly seeks truth. The remaining two, "Jiu Kuang" and "Wu Ye Ti," are adapted from the original qin scores and recast for the ruan and the pipa; listen closely, and you may catch the crows squabbling over their nest, or join the unrestrained revelry of the Bamboo Grove.Six hundred years of qin melody—behold the lofty mountain, and hear its voice in today’s strings.Six hundred years of qin spirit—like ever‑flowing streams, it awaits the listening heart.《酒狂》艺术总监：唐彬改编：唐彬中阮：黄洁颖音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社
声临奇境！听完汗毛倒立【琵琶】《乌夜啼》 This Pipa Solo “Wu Ye Ti” Will Give You Goosebumps 自得琴社 Zi De Guqin Studio 2025-12-26 | 乌夜啼此曲原为乐府清商之曲，借啼乌为兴。今翻以琵琶，合繁音促节之妙，尽泰然局促之变。神奇秘谱：臞仙曰，是曲者，盖古曲也。按唐书乐志曰，“乌夜啼者，宋临川王义庆所作也。元嘉十七年，徙彭城王义康于豫章；义庆时为江州刺史，至镇相见而哭。文帝闻而怪之，征还宅。大惧。伎妾夜闻乌夜啼声，扣斋阁云，‘明日应有赦’。其年更为南兖州刺史。因是而作乌夜啼之曲”。盖临川王之作，古乐府耳，非琴操也。大概乐府之于琴操，喻意同耳。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本专辑作品为神奇秘谱600年音乐会的现场实录，音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。六百年琴心，流水不断更待知音。Wu Ye Ti (Lament of Crows at Night)Originally a melody from the Qing Shang repertoire of the ancient Music Bureau (Yuefu), this composition draws its inspiration from the lament of crows at night. Now reimagined for the pipa, it artfully weaves intricate and rapid passages to fully convey the subtle shift between a state of poised serenity and one of restrained agitation.Shen Qi Mi Pu (The Mysterious and Marvelous Tablature): In the preface, the compiler Zhu Quan, who styled himself “the Recluse Immortal,” notes: This is indeed an ancient piece. He references the Treatise on Music from the Book of Tang, which records: "'Wu Ye Ti' was composed by Liu Yiqing, Prince of Linchuan during the [Liu] Song dynasty. In the 17th year of the Yuanjia era (440 AD), when Prince Pengcheng, Liu Yikang, was transferred to Yuzhang, Yiqing—then serving as the Governor of Jiangzhou—went to his post to meet him, and they wept together. Emperor Wen, upon hearing of this, found it strange and summoned Yiqing back to his residence. Yiqing was seized with great dread. That very night, his concubines heard the cry of crows in the darkness. They knocked on his chamber door and said, 'There will likely be a pardon tomorrow.' That same year, he was indeed reassigned as Governor of Nanzhou. It was for this reason that he composed the piece 'Wu Ye Ti'." Thus, the work by the Prince of Linchuan belongs to the ancient Yuefu ballad tradition, not specifically to the qin repertoire. In essence, however, the allegorical spirit shared between Yuefu ballads and qin pieces remains deeply akin.The year 2025 marks the 600th anniversary of Shen Qi Mi Pu’s publication. To honor this milestone, Zi De Guqin Studio offers music in place of wine, reanimating ancient harmonies and reinventing their sounds, inviting all connoisseurs of the art to share in an intoxicating journey through strings and wood. This album presents live recordings from the Shen Qi Mi Pu 600th Anniversary Concert, which features thirteen pieces carefully selected from the tablature. Among them, five—"Shan Ju Yin," "Qiao Ge," "Tian Feng Huan Pei," "Da Hu Jia," and "Guang Ling San"—are performed as guqin solos, evoking echoes of timeless antiquity: the legendary axe-handle turning to dust, ethereal jade-like tones, frontier reed-pipes beyond the Great Wall, and the fierce clangor of spear and shield. Another six pieces—"Xuan Mo," "Yi Lan," "Lie Zi Yu Feng," "Fan Cang Lang," "Li Sao," and "Gu Feng Cao"—are newly arranged from ancient themes, blending silk and bamboo instruments in harmonious dialogue that honors the sages and stirs the soul; here one may sense a spirit wandering free from worldly cares, and glimpse a heart that ceaselessly seeks truth. The remaining two, "Jiu Kuang" and "Wu Ye Ti," are adapted from the original qin scores and recast for the ruan and the pipa; listen closely, and you may catch the crows squabbling over their nest, or join the unrestrained revelry of the Bamboo Grove.Six hundred years of qin melody—behold the lofty mountain, and hear its voice in today’s strings.Six hundred years of qin spirit—like ever‑flowing streams, it awaits the listening heart.《乌夜啼》艺术总监：唐彬改编：唐彬 王慕禹琵琶：王慕禹音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社
声声断肠【古琴】《大胡笳》Da Hu Jia:The Ballad of Homecoming — Cai Wenji‘s Lament on Guqin 自得琴社 Zi De Guqin Studio 2025-12-24 | 大胡笳此曲写文姬归汉之故事。家国节义，听笳声几拍，胡汉共哀；骨肉离情，付焦桐一话，古今同泣。神奇秘谱：臞仙按，琴史曰，汉书载蔡琰，字文姬，蔡邕之女也。博学有才辩，又妙于音律。其父邕夜弹琴弦绝，琰闻之曰，“第一弦也；”复断，闻之曰，“第四弦也；”父甚异之。后适河东卫仲道，夫亡归宁。汉末大乱，琰为胡骑所掠，入番为王后，十二年生二子，王甚重之。春月登胡车，琰感笳之音，作诗言志曰，“胡笳动兮边马鸣，孤雁归兮声嘤嘤。”后武帝与邕有旧，敕大将军赎文姬归汉，二子留胡中。后胡人思慕文姬，乃卷芦叶为吹笳奏哀怨之音。后唐董庭兰，善为沈家声祝家声，以琴写胡笳声，为大小胡笳是也。 《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本专辑作品为神奇秘谱600年音乐会的现场实录，音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。六百年琴心，流水不断更待知音。"Da Hu Jia" (The Great Barbarian Reedpipe)This piece tells of Wenji's return to Han. It carries the weight of duty to homeland—where reedpipe strains make Han and barbarian share one grief—and the ache of parting from kin—a lament poured into the qin, moving all hearts across time.Shen Qi Mi Pu (The Mysterious and Marvelous Tablature): Zhu Quan (“the Recluse Immortal”) notes, citing The History of the Qin: “Cai Yan (Wenji), daughter of Cai Yong, was learned and skilled in music. Once, her father’s qin string snapped at night. Hearing it, she said, ‘The first string.’ When another broke, she said, ‘The fourth.’ Her father marveled. Widowed young, she was later captured by barbarians, made a queen, and bore two sons over twelve years. Moved by reedpipes one spring, she wrote: ‘Reedpipes stir, frontier horses neigh; The lone goose returns with plaintive cry.’ Emperor Wu later ransomed her back to Han, leaving her sons behind. The barbarians, yearning for her, would play sorrow on reed-leaf pipes. Later, Tang musician Dong Tinglan adapted this sound for the qin, creating Da and Xiao Hu Jia.”The year 2025 marks the 600th anniversary of Shen Qi Mi Pu’s publication. To honor this milestone, Zi De Guqin Studio offers music in place of wine, reanimating ancient harmonies and reinventing their sounds, inviting all connoisseurs of the art to share in an intoxicating journey through strings and wood. This album presents live recordings from the Shen Qi Mi Pu 600th Anniversary Concert, which features thirteen pieces carefully selected from the tablature. Among them, five—"Shan Ju Yin," "Qiao Ge," "Tian Feng Huan Pei," "Da Hu Jia," and "Guang Ling San"—are performed as guqin solos, evoking echoes of timeless antiquity: the legendary axe-handle turning to dust, ethereal jade-like tones, frontier reed-pipes beyond the Great Wall, and the fierce clangor of spear and shield. Another six pieces—"Xuan Mo," "Yi Lan," "Lie Zi Yu Feng," "Fan Cang Lang," "Li Sao," and "Gu Feng Cao"—are newly arranged from ancient themes, blending silk and bamboo instruments in harmonious dialogue that honors the sages and stirs the soul; here one may sense a spirit wandering free from worldly cares, and glimpse a heart that ceaselessly seeks truth. The remaining two, "Jiu Kuang" and "Wu Ye Ti," are adapted from the original qin scores and recast for the ruan and the pipa; listen closely, and you may catch the crows squabbling over their nest, or join the unrestrained revelry of the Bamboo Grove.Six hundred years of qin melody—behold the lofty mountain, and hear its voice in today’s strings.Six hundred years of qin spirit—like ever‑flowing streams, it awaits the listening heart.《大胡笳》艺术总监：唐彬古琴：殷屹浩楠音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社
回望六百年｜神奇秘谱系列更新中⑧ #古琴 #music #chineseculture #guqin 自得琴社 Zi De Guqin Studio 2025-12-24 | 从舞台到影像，在这个月里我们将释出由山居隐逸，到幽玄仙风再到家国情怀的音乐篇章12月7日起，共计12首全新曲MV将与大家见面12月31日更有「神奇秘谱六百年系列」的数字专辑全球同步上线各大音乐平台敬请期待#古琴 #神奇秘谱六百年#音乐会#明朝#汉服
听之可养清气【古琴x中阮】《猗蘭》An Ancient Chinese Tune of Noble Heart｜自得琴社 自得琴社 Zi De Guqin Studio 2025-12-22 | 猗兰此曲写猗兰以喻君子，抱独守幽，辞荣谢艳。抚琴以养清芳，擎阮而濯英姿。神奇秘谱：臞仙曰，孔子应聘诸侯七十国，而不一获其主，莫能见任。自卫反鲁，隐谷之中见兰独茂，喟然叹曰，“夫兰当为王者香，今乃独茂，与众草为伍！”乃止车援琴鼓之，自伤不逢时，托辞于兰云。“兰之猗猗，扬扬其香，不采而佩，于兰何伤。”故古之哲人拟之而作是操。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本专辑作品为神奇秘谱600年音乐会的现场实录，音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。六百年琴心，流水不断更待知音。"Yi Lan" (The Elegant Orchid)This composition employs the graceful orchid as an allegory for the noble-minded gentleman—one who embraces solitude, resides in secluded tranquility, and turns away from worldly splendor and gaudy allure. Playing the guqin cultivates its pristine fragrance, while strumming the ruan refreshes its blossoming grace.Shen Qi Mi Pu (The Mysterious and Marvelous Tablature): In the preface, the compiler Zhu Quan, who styled himself “the Recluse Immortal,” notes: Confucius offered his service to the lords of seventy states, yet never found a sovereign who truly recognized his worth. Returning to Lu from Wei, he came upon an orchid flourishing alone in a hidden valley. He sighed deeply and said, “The orchid is meant to be a kingly fragrance; yet here it thrives in solitude, mingling with common weeds!” He then stopped his carriage, took up his qin, and played, lamenting his misfortune in living out of his time, entrusting his feelings to the orchid: “Lush and graceful is the orchid, its fragrance borne afar. If none plucks it to adorn themselves, what loss is there to the orchid?” Thus did the wise ancients, moved by this sentiment, create this melody.Compiled and published in 1425 by Zhu Quan, the Prince of Ning during the Ming Dynasty, Shen Qi Mi Pu (The Mysterious and Marvelous Tablature) stands as the earliest and most completely preserved dedicated collection of guqin tablature in existence in China. The anthology is divided into three volumes containing a total of sixty-four pieces. The first volume, entitled Tai Gu Shen Pin (Divine Pieces of Great Antiquity), includes sixteen compositions such as "Guang Ling San," "Jiu Kuang," and "Gu Feng Cao"—described as "secret melodies from remote antiquity, passed down by none." The middle and final volumes, collectively titled Xia Wai Shen Pin (Divine Pieces Beyond the Rosy Clouds), contain forty-eight pieces including "Wu Ye Ti," "Da Hu Jia," and "Li Sao," which the compiler noted were tunes he "had received in the past," largely comprising qin works widely circulated during the Song and Yuan dynasties. Hailed as the most prestigious transmitted tablature in history, it remains a treasured gem for all guqin practitioners.The year 2025 marks the 600th anniversary of Shen Qi Mi Pu’s publication. To honor this milestone, Zi De Guqin Studio offers music in place of wine, reanimating ancient harmonies and reinventing their sounds, inviting all connoisseurs of the art to share in an intoxicating journey through strings and wood. This album presents live recordings from the Shen Qi Mi Pu 600th Anniversary Concert, which features thirteen pieces carefully selected from the tablature. Among them, five—"Shan Ju Yin," "Qiao Ge," "Tian Feng Huan Pei," "Da Hu Jia," and "Guang Ling San"—are performed as guqin solos, evoking echoes of timeless antiquity: the legendary axe-handle turning to dust, ethereal jade-like tones, frontier reed-pipes beyond the Great Wall, and the fierce clangor of spear and shield. Another six pieces—"Xuan Mo," "Yi Lan," "Lie Zi Yu Feng," "Fan Cang Lang," "Li Sao," and "Gu Feng Cao"—are newly arranged from ancient themes, blending silk and bamboo instruments in harmonious dialogue that honors the sages and stirs the soul; here one may sense a spirit wandering free from worldly cares, and glimpse a heart that ceaselessly seeks truth. The remaining two, "Jiu Kuang" and "Wu Ye Ti," are adapted from the original qin scores and recast for the ruan and the pipa; listen closely, and you may catch the crows squabbling over their nest, or join the unrestrained revelry of the Bamboo Grove.Six hundred years of qin melody—behold the lofty mountain, and hear its voice in today’s strings.Six hundred years of qin spirit—like ever‑flowing streams, it awaits the listening heart.《猗兰》艺术总监：唐彬改编/编曲/电子音乐：张笑兢 唐彬 古琴：白无瑕中阮：黄洁颖音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社#古琴 #music #chineseculture #traditionalwear #chinesetraditionalmusic
回望六百年｜神奇秘谱系列更新中⑦ #古琴 #music #chineseculture #guqin 自得琴社 Zi De Guqin Studio 2025-12-22 | 从舞台到影像，在这个月里我们将释出由山居隐逸，到幽玄仙风再到家国情怀的音乐篇章12月7日起，共计12首全新曲MV将与大家见面12月31日更有「神奇秘谱六百年系列」的数字专辑全球同步上线各大音乐平台敬请期待
【古琴Guqin】《天风环佩》闻其佩鸣 如见仙姿｜The Tinkling of Jade Pendants: A Glimpse of the Immortal 自得琴社 Zi De Guqin Studio 2025-12-21 | 天风环佩此曲写仙人神游之姿，摹环佩琳琅之声。其声初起，有昆仑琼英之响；其韵徐来，解楚天宋玉之愁。神奇秘谱：臞仙曰，是曲之趣也，若夜寒月白，云淡星稀，琅风玲玲，玉露湛湛，凛若神游于太罗，仙游于玄馆，锵然鸣珂，铿然戛玉，不见其人，但闻琼琚珊珊而已。使人闻之，可以起思仙之志、有换骨超凡之想、苟非神仙中人、岂能识之。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本专辑作品为神奇秘谱600年音乐会的现场实录，音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。六百年琴心，流水不断更待知音。《天风环佩》艺术总监：唐彬古琴：殷屹浩楠音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社
回望六百年｜神奇秘谱系列更新中⑥ #chineseculture #music #guqin #古琴 自得琴社 Zi De Guqin Studio 2025-12-21 | 从舞台到影像，在这个月里我们将释出由山居隐逸，到幽玄仙风再到家国情怀的音乐篇章12月7日起，共计12首全新曲MV将与大家见面12月31日更有「神奇秘谱六百年系列」的数字专辑全球同步上线各大音乐平台敬请期待#古琴 #神奇秘谱六百年#音乐会#明朝#汉服
古人修仙听什么？【古琴x古筝】《玄默》Lose Yourself in Ancient Meditation | Xuan Mo 自得琴社 Zi De Guqin Studio 2025-12-16 | 玄默此曲有游神冲虚，逍遥物外之趣。今借筝代瑟，以琴瑟之谐，乐以合道，坐忘物我。神奇秘谱：臞仙曰，是曲者，或谓师旷之所作，又云嵇康，莫知孰是，盖古曲也；自周春秋之世有之。其之曲趣也，小天地而隘六合，与造化竞奔，游神于冲虚之外，使物我两忘，与道同化，有不能形容之趣焉。达者得之。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本次音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。 六百年琴心，流水不断更待知音。《玄默》艺术总监：唐彬改编/编曲/电子音乐：张笑兢 唐彬古琴：叶力嘉 古筝：俞辰瑶巫毒鼓：陈曦音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社
回望六百年｜神奇秘谱系列更新中⑤ #chineseculture #music #guqin #古琴 自得琴社 Zi De Guqin Studio 2025-12-15 | 从舞台到影像，在这个月里我们将释出由山居隐逸，到幽玄仙风再到家国情怀的音乐篇章12月7日起，共计12首全新曲MV将与大家见面12月31日更有「神奇秘谱六百年系列」的数字专辑全球同步上线各大音乐平台敬请期待
在琴声中归隐【古琴】《樵歌》The Recluses Call: The Woodcutters Song 自得琴社 Zi De Guqin Studio 2025-12-14 | 樵歌此曲借隐樵归林之趣，解难仕之闷。斧斤入林，振衣仞岗，始知世朝易变，山岳常青。神奇秘谱：臞仙曰，是曲之作也，因元兵入临安，敏仲以时不合，欲希先贤之志晦迹岩壑，隐遁不仕，故作歌以招同志者隐焉。自以为遁世无闷也。此曲借隐樵归林之趣，解难仕之闷。斧斤入林，振衣仞岗，始知世朝易变，山岳常青。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本次音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。 六百年琴心，流水不断更待知音。《樵歌》艺术总监：唐彬古琴：白无瑕音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社
回望六百年｜神奇秘谱系列更新中④ #chineseculture #music #guqin #古琴 自得琴社 Zi De Guqin Studio 2025-12-13 | 从舞台到影像，在这个月里我们将释出由山居隐逸，到幽玄仙风再到家国情怀的音乐篇章12月7日起，共计12首全新曲MV将与大家见面12月31日更有「神奇秘谱六百年系列」的数字专辑全球同步上线各大音乐平台敬请期待
山林之声【古琴】《山居吟》Music Describing Mountain Life in Ancient China 自得琴社 Zi De Guqin Studio 2025-12-12 | 山居吟此曲虽以山居而隐，实叹于山河风雨无力。故常有跌宕字句，似幽篁之长啸；时出异调奇声，颇多言外之趣。神奇秘谱：臞仙曰，是曲者，宋毛仲翁所作。其趣也，巢云松于丘壑之士，澹然与世两忘，不牵尘网，乃以大山为屏，清流为带，天地为之庐，草木为之衣，枕流漱石，徜徉其间。至若山月江风之趣，鸟啼花落之音，此皆取之无尽，用之无竭者也。所谓乐夫天命者，有以也夫。又对甘老泉石之心，尤得之矣。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本次音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。六百年琴韵，高山仰止可听今声。六百年琴心，流水不断更待知音。《山居吟》艺术总监：唐彬古琴：殷屹浩楠音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社#古琴 #music #chineseculture #chinesemusic #instrumental #zen
在曲中体验飞的感觉【琴筝阮】《列子御风》Ride the Wind to the Stars 自得琴社 Zi De Guqin Studio 2025-12-09 | 列子御风此曲写列子御风，神游六合之逸趣。驾琴筝为舟楫，泠然而渡银汉；凭鼓阮为云翼，逍遥而同太虚。神奇秘谱：臞仙曰，是曲者，毛仲翁取列子黄帝篇“御风拟神游六合”所作。其趣同。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本次音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。六百年琴韵，高山仰止可听今声。六百年琴心，流水不断更待知音。《列子御风》艺术总监：唐彬改编：唐彬编曲/电子音乐：唐彬 古琴：叶力嘉古筝：俞辰瑶中阮：黄洁颖 打击乐：熊博超 音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗摄影助理：梁海亮 韦子国剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社
回望六百年｜神奇秘谱系列更新中② 自得琴社 Zi De Guqin Studio 2025-12-08 | 从舞台到影像，在这个月里我们将释出由山居隐逸，到幽玄仙风再到家国情怀的音乐篇章12月7日起，共计12首全新曲MV将与大家见面12月31日更有「神奇秘谱六百年系列」的数字专辑全球同步上线各大音乐平台敬请期待#神奇秘谱六百年#古琴 #音乐会
華夏正音《古風操》Passionate tunes recalling ancient pure spirit——神奇秘譜六百年｜自得琴社Live 自得琴社 Zi De Guqin Studio 2025-12-07 | 古风操此曲颂文王之仁治，追太古之淳风。奋管弦，振钟鼓。声象德，歌咏功。莅九州，朝四方。天下归一，万民同乐。神奇秘谱：臞仙曰：是曲者，古曲也，文王所作。其为趣也，追太古之淳风。谓不治而不乱，不言而自信，不化而自行。荡荡乎，民无能名焉。其俗也，熙熙然如登春台；以道存生，以德安形。其民甘食而乐居，怀土而重生，形有动作，心无好恶。鸡犬之声相闻，民至老死不相往来，无有好恶，无有嗜欲，此太朴之俗见于世也。此曲颂文王之仁治，追太古之淳风。奋管弦，振钟鼓。声象德，歌咏功。莅九州，朝四方。天下归一，万民同乐。《神奇秘谱》由明代宁王朱权于1425年编纂刊行，是中国现存最早、保存最为完整的古琴谱专集。该谱分三卷，共收琴曲六十四首。上卷称《太古神品》，收十六曲，如《广陵散》《酒狂》《古风操》等“太古之操，昔人不传之秘”。中、下卷称《霞外神品》，收四十八曲，如《乌夜啼》《大胡笳》《离骚》等编纂者“昔所受之曲”，多为宋元间流传较广的琴曲。其堪称历史上最具声望的传谱，足为琴人之瑰宝。 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本次音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。六百年琴韵，高山仰止可听今声。六百年琴心，流水不断更待知音。《古风操》艺术总监：唐彬改编/作曲：唐彬电子音乐：唐彬 梅卓古琴：白无瑕 打击乐：陈曦 蔡博睿 熊博超 中阮：黄洁颖 唐阮：王慕禹古筝：俞辰瑶笛箫：林泽钦 人声：唐棠音响设计：吴文隽灯光设计：宫徵羽舞台监督：王砾川 舞监助理：陈振雄 舞监助理/音响助理：黄佳裕妆发设计：刘蕊 化妆师：马茗敏 服装师：谢方摄影师：张陶 袁洪亮 张国旗剪辑/后期：邱诗浩混音：吴文隽*录制地点：凯迪拉克·上海音乐厅宣传：白无瑕 李天天平面设计：魏薇 文学编辑：殷屹浩楠统筹：金卓琪 执行统筹：高浩钧 庄宇超 刘瑷制作人：朱里钺 谢方出品：自得琴社#music #chineseculture #guqin #古琴 #古典音乐 #zenmusic #relaxingmusic #chineseinstrumental #traditionalmusic #soundhealing
回望六百年：神奇祕譜系列更新計畫啟動-UPCOMING BRAND NEW SERIES 自得琴社 Zi De Guqin Studio 2025-12-06 | 從舞台到影像，接下來的幾週我們將釋出由山居隱逸，到幽玄仙風再到家國情懷的音樂篇章12月7日起，共12首全新曲MV將與大家見面12月31日更有「神奇秘譜六百年系列」的數位專輯全球同步上線各大音樂平台敬請期待...A new journey of sound begins soon.From December 7, twelve brand-new music videos will be released as part of our year-end series.On December 31, the digital album「神奇秘譜六百年系列」 will be available worldwide on major music platforms.Thank you for waiting — hope these melodies find you gently.#music #guqin #chineseculture
Our Encore in Tokyo? The Doraemon Theme!次元壁碎了！自得琴社东京返场，明代乐师奏响《哆啦A梦》 自得琴社 Zi De Guqin Studio 2025-10-20 | ...
【古琴Guqin】弦上有舟《欸乃》｜The guqin lets you appreciate the timeless beauty of Chinese rivers and mountains. 自得琴社 Zi De Guqin Studio 2025-10-10 | 本曲以柳宗元“欸乃一声山水绿”为题，一叶扁舟，悠游隐逸于江湖，到有风波处寻无波。曲调清新隽永，静中有动，有脱尘寓江海河汉之游，物外烟霞之思。 渔翁 唐·柳宗元 渔翁夜傍西岩宿，晓汲清湘燃楚竹。 烟销日出不见人，欸乃一声山水绿。 回看天际下中流，岩上无心云相逐。 据《天闻阁琴谱》管平湖打谱 演奏：白无瑕 录音、混音：唐彬 出品：自得琴社Ai Nai (The Creak of Oars‘Ao Ai’)Inspired by Liu Zongyuan’s line — “At the creak of oars, mountains and waters gleam green” — this piece paints a solitary boat adrift in mist-clad rivers, where the seeker journeys through winds and waves toward inner stillness.The melody flows with serene vitality: stillness breathes into motion, transcendence awakens amid river mists and starlit seas—a soul wandering beyond the mundane, dreaming among clouds and radiance.The Fishermanby Liu Zongyuan, Tang DynastyNightlong, the fisherman moors by western cliffs;At dawn, he draws clear Xiang water, lights bamboo with Chu fire.Mists fade, sun rises—yet no soul is seen,At the creak of oars, mountains and waters gleam green.Turning, he gazes skyward, down mid-current drifting;Above the cliffs, untroubled clouds chase one another in ease.CreditsScore interpreted from Tian Wen Ge Qin Pu by Guan PinghuPerformed by Bai WuxiaRecording & Mixing Tang BinPresented by Zi De Guqin Studio
你等这场音乐会100年了吧？《神奇秘谱》600年即将首演｜Have You Waited 600 Years for This? Mysterious Sheet Music Premiere 自得琴社 Zi De Guqin Studio 2025-09-06 | 2025年适逢《神奇秘谱》刊行六百周年，自得琴社以乐代酒，再响古韵，更翻新声，邀众知音共醉丝桐。本次音乐会精选《神奇秘谱》琴曲十三首，其中《山居吟》《樵歌》《天风环佩》《大胡笳》《广陵散》五曲为古琴独奏，听烂柯斤斤，琳琅仙声，塞外胡笳，戈矛霹雳，再响太古遗音；《玄默》《猗兰》《列子御风》《泛沧浪》《离骚》《古风操》六曲为古曲新衍，丝竹相和，慕贤追圣，可观逍遥物外之意，亦可仰上下求索之心；《酒狂》《乌夜啼》二曲为琴曲移植，擘阮擎琵，更听争巢啼乌几声，共竹林风流一醉。 六百年琴韵，高山仰止可听今声。 六百年琴心，流水不断更待知音。十月五日，上海音乐厅见~Celebrating 600 Years of The Mysterious Tablature: Zi De Guqin Studio’s Anniversary ConcertIn honor of the 600th anniversary of the publication of Shen Qi Mi Pu (The Mysterious Tablature), Zi De Guqin Studio raises a musical toast to this timeless legacy—reverberating ancient melodies while reinventing their voice, inviting all connoisseurs to revel in the resonance of silk and wood.This concert features thirteen selected pieces from the anthology:· Five solo guqin works—Shan Ju Yin (Mountain Dwelling Chant), Qiao Ge (Woodcutter’s Song), Tian Feng Huan Pei (Celestial Breeze and Ringing Jade), Da Hu Jia (Great Barbarian Reedpipe), and Guangling San (Guangling Melody)—evoking echoes of immortals, frontier lamentations, and thunderous battles.· Six ancient pieces reimagined with ensemble arrangements—Xuan Mo (Profound Silence), Yi Lan (Orchid Elegy), Lie Zi Yu Feng (Liezi Riding the Wind), Fan Cang Lang (Rippling Blue Waves), Li Sao (Encountering Sorrow), and Gu Feng Cao (Ancient Air)—weaving strings and bamboo to embody sagehood, transcendence, and spiritual quests.· Two adapted works—Jiu Kuang (Drunken Ecstasy) and Wu Ye Ti (Crows Crying at Night)—now performed on ruan and pipa, merging竹林七贤’s decadent charm with avian cries in a whimsical feast.Six centuries of qin melodies:Where lofty peaks meet contemporary voices.Six centuries of qin spirit:Flowing streams await discerning ears.Join us on October 5th, at Shanghai Concert Hall.#music #古琴 #樂器演奏
【古筝Guzheng】《定风波》120s听见苏轼风雨人生The storm in Chinese music 自得琴社 Zi De Guqin Studio 2025-08-18 | 东坡一生，如江行遇雨。少年才气汴京潮，中年狱灾折帆棹。黄州谪居，反淘出砾中真金：芒鞋踏碎荆棘，烟雨淬成赤壁天声。韩琦称“远大器”，然刚棱触世，三黜不移其志。琼海授书，杭堤荫柳，天地皆为庙堂。陆游赞其“不以祸福易忧国心”，诚哉！若使韬晦求全，焉有开宋词新境、立八家雄文之东坡？万古晴晦，皆归一笑。你在音乐中听见了什么？Dongpo’s existence—a river voyage through storm.Youth’s brilliance: Bianjing’s tide surging; Midlife prison-shipwrecked. Yet Huangzhou’s exile Refined true gold from gravel:Straw sandals crushed thorns; Mist and rain forged Red Cliffs’ celestial resonance. Han Qi hailed him “vessel of vast destiny,”Though unyielding edges thrice broke him—never his will. Teaching in Hainan’s seas, shading willows on Hangzhou’s dykes, He made heaven-earth his court.Lu You praised: “Undeterred by fortune or calamity, his heart beat for the realm.”Truth! Had he cloaked his spirit, Would we have the Su who revolutionized Song ci, Whose prose crowned the Eight Masters? All weathers of eternity— Dissolved in his laughter.What do you hear in this music?
风雨任平生｜自得琴社 × 施夏明 昆曲古筝大鼓二胡《定风波》The Sound of Chinese ZEN｜Zi De Decodes Su Shis Wisdom Through Music 自得琴社 Zi De Guqin Studio 2025-08-17 | 自得琴社全新作品，改编自青年古筝演奏家、作曲家邓翊群的现代古筝作品《定风波》，特邀江苏省演艺集团昆剧院院长、国家一级演员施夏明演绎东坡居士，以昆曲声腔合古筝之韵，将千古名篇化作可见可听的长风：“莫听穿林打叶声，何妨吟啸且徐行。”在唐彬老师的新编曲中，乐脉与词境呼应：抚琴以行吟，奋筝而写意，挽胡诉情，振鼓抒怀，如摩竹林烟雨，写尽东坡胸襟。Zi De Guqin Studio PresentsA new adaptation of Calming the Waves, based on Deng Yiqun’s contemporary guzheng composition. Featuring Shi Xiaming (President of Jiangsu Kunqu Theatre, National First-Class Performer) as Su Shi, blending Kunqu vocal artistry with guzheng’s resonance, transforming the timeless verse into visible, audible grandeur:"Listen not to the rain through forest leaves—Why not chant and walk slow?"In Tang Bin’s rearrangement, instruments mirror the poem’s spirit:Guqin whispers like Su’s soliloquyGuzheng sweeps like his brushstrokesErhu mourns like prison’s memoryGrand drum thunders like his defianceA sonic storm—smoke, bamboo, rain—carving Dongpo’s soul.——元丰五年（1082），黄州贬所，苏轼赴沙湖途中，骤雨穿林而至。在《定风波》小序中，他淡淡记下：“三月七日，沙湖道中遇雨。雨具先去，同行皆狼狈，余独不觉。已而遂晴，故作此词。”同行者仓皇避走，他一人独拄竹杖，踏芒鞋，吟啸徐行：“竹杖芒鞋轻胜马，谁怕？一蓑烟雨任平生。”东坡居士，豪放不羁，遇事一笑，万虑俱空。那一年，苏轼四十七岁。三年前的乌台诗案，让他几乎命丧御史台狱。在多方亲友的支援下，苏轼终免于一死，被贬为黄州团练副使，虚衔而少俸。黄州城东的二顷荒地，是他筑室自耕的“东坡”。清贫困顿，唯在江畔或饮酒赋诗或泛舟游赏，寄情山水，作赋抒怀。事业跌落低谷，而艺术生涯却达到高峰。《定风波·莫听穿林打叶声》是他黄州时期最透脱的词作之一，小事入词，写景不繁，而意境深远，蕴尽风雨人生的起落与解脱：“回首向来萧瑟处，归去，也无风雨也无晴。”历经宦海沉浮、狱中生死后，东坡并未沉沦于人事枯荣，而获澄明心境。《定风波·莫听穿林打叶声》延续了他在《前赤壁赋》中“惟江上之清风，与山间之明月”所表现的旷达，也与其后来惠州贬谪中“日啖荔枝三百颗”的自适精神一脉相承。Huangzhou, 1082 (Yuanfeng 5th Year)On his way to Shahu Lake, Su Shi was caught in a sudden downpour—raindrops piercing through the forest canopy.In the preface to Calming the Waves, he noted with characteristic detachment:"Seventh day of the third month: Rain on the Shahu Road. The rain gear had gone ahead; my companions scurried in distress, but I felt nothing. Soon, the skies cleared—thus, this lyric."While others fled in panic, he alone walked slowly, leaning on a bamboo staff, straw sandals treading the mud, chanting aloud:"A straw cloak—let it shield me through life’s mist and rain. Who’s afraid? With bamboo staff and sandals, lighter than a horse I go."Dongpo the Recluse: Unfettered, laughing through adversity, his mind unshackled from worldly cares.He was forty-seven that year. Three years earlier, the Black Terrace Poetry Case had nearly cost him his life in the Censorate’s prison. Thanks to allies’ appeals, he was spared death—exiled instead as Deputy Militia Commissioner of Huangzhou, a hollow title with meager pay.East of Huangzhou’s walls lay two barren acres he reclaimed as "Eastern Slope", building a hut and tilling the land. In poverty, he found solace by the river—drinking, composing poetry, drifting in boats. His career had plunged, yet his art soared to new heights.Calming the Waves (Listen Not to the Rain) stands among his most transcendent works from this period. A fleeting moment expands into profound meditation on life’s storms and release:"Turning my head to the bleak path behind,I go back—No wind, no rain, no light."After surviving political storms and prison’s shadow, Dongpo emerged not embittered, but lucid. This ci echoes the equanimity of Red Cliffs Ode—"Only the river’s breeze, the mountain’s moon"—and foreshadows his later exile resilience: "Three hundred lychees a day—I’d gladly stay in Lingnan!"——艺术总监：唐彬施夏明 饰 苏轼 作曲：邓翊群 改编/编曲：唐彬录音：唐彬 混音：吴文隽 古筝：俞辰瑶 大鼓：陈曦 二胡：周韫辉 古琴录制：唐彬导演：唐彬、邱诗浩 摄影：王恩俊 摄影助理：方言、谷大龙、刘润坤 实习助理：张金明 造型设计/服装支持：中国装束复原 化妆：镜子、安心、刘蕊 礼仪指导/服装：王俊涵 统筹：白无瑕 出品：自得琴社CreditsArtistic Director: Tang BinSu Shi portrayed by: Shi XiamingComposer: Deng YiqunAdaptation & Arrangement: Tang BinRecording Engineer: Tang BinMixing Engineer: Wu WenjunPerformersGuzheng: Yu ChenyaoPercussion (Grand Drum): Chen XiErhu: Zhou YunhuiGuqin Recording: Tang BinProduction TeamDirectors: Tang Bin, Qiu ShihaoDirector of Photography: Wang EnjunCamera Assistants: Fang Yan, Gu Dalong, Liu RunkunProduction Intern: Zhang JinmingCostume & StylingCostume Design & Support: China Garments Restoration TeamMakeup Artists: Jingzi, An Xin, Liu RuiEtiquette Consultant & Costumes: Wang JunhanProductionCoordinator: Bai WuxiaPresented by: Zi De Guqin Studio
自得琴社「琴为何物·宋·水云归」马来西亚吉隆坡首演！专场活动信息汇总~ 自得琴社 Zi De Guqin Studio 2025-08-16 | 千年宋韵，今朝新声。文化前奏：宋朝的衣橱8月21日 (周四) 19:00 | 吉隆坡中国文化中心造型师刘蕊带您体验宋代装束美学✅ 复原妆造解析 ✅ 汉服造型体验🔥 音乐会购票者享半价优惠→ 报名链接：https://forms.gle/zYEw5zG9xv9a4yeu5音乐会限定周边唐宋黑胶专辑首现马来西亚• 满RM80赠签名海报• 套装最高立省RM100⚠️ 仅限现场取货汉服观演礼遇穿传统汉服赴约可参与：① 社交媒体打卡 ② 现场抽限定周边正式演出购票通道🎭 《琴为何物·宋·水云归》音乐会📅 8月22-24日（四场）📍 PJPAC Stage 1, Petaling Jaya🎫 官方购票：ONETIX https://www.onetix.com.my/events/song-dynasty-what-is-qin--zi-de-guqin-studio-malaysia-concert-2025/429关注我们获取最新资讯：INS @zi_de_gugin.studioFB @自得琴社YT@自得琴社Zi De Guqin Studio
一蓑烟雨任平生 | 自得琴社新作预告：《定风波》国乐新章Preview of new works | Zide Guqin Studios New Ding Feng Bo 自得琴社 Zi De Guqin Studio 2025-08-14 | 雨声穿林，骤然敲落三月沙湖道。一人拄竹杖，踏芒鞋，吟啸徐行。他是苏轼——三度贬谪，三起三落，仍以一笑照破万古晴晦。 自得琴社特邀江苏省演艺集团昆剧院院长、国家一级演员施夏明，全新诠释。此曲改编自青年古筝演奏家、作曲家邓翊群作品《定风波》。即将上线，敬请期待~Raindrops pierce the woods—Sudden downpour on Shahu Road this third lunar moon.A man walks slow,Bamboo staff in hand, straw sandals treading mud.Howling verse into the storm.He is Su Shi—Thrice exiled, thrice risen,His laughter dissolves all weathers of time.Zi De Guqin Studio proudly presents:Shi Xiaming(President of Jiangsu Kunqu Theatre, National First-Class Performer)In a groundbreaking adaptation of Deng Yiqun's guzheng masterpiece—Calming the WavesComing soon.Stay tuned.
【國樂戰歌】英雄聯盟《RISE》Chinese Instrumental make peoples blood boil-classic League of Legends song | 自得琴社 自得琴社 Zi De Guqin Studio 2025-08-03 | 那年夏天，国乐点燃峡谷！🔥 经典永不褪色！ 2022年LPL国风日自得琴社受邀参与场间表演——新编《登峰造极境》(RISE)国风版。在古风雅韵中，奏响属于每一位召唤师的巅峰战意！ 重温这份匠心之作，感受九种中国传统乐器的非凡魅力： 【古琴】世遗瑰宝，深沉悠远。 【古筝】弦动乾坤，气象万千。 【琵琶】珠落玉盘，清亮激昂。【大鼓】雷霆万钧，气势磅礴。 【中阮】温润如玉，诗意流淌。 【唐琵琶】丝路回响，古朴雄浑。 【竹笛】穿云裂石，百转千回。 【笙】凤鸣鸾和，清雅脱俗。 【唢呐】一鸣惊人，燃炸全场！ 以国乐重塑电竞经典，用音符描绘登峰之路。 凌绝顶，知天高！ 愿这铿锵之声，继续激励每一位勇攀高峰的追梦者。 艺术总监：唐彬 导演：唐彬、邱诗浩 摄影/剪辑/后期：邱诗浩 改编/编曲/民乐录音监制：田汨 编曲助理：张羣 演奏：自得琴社（古琴 白无瑕、琵琶 古津宁、打击乐 陈曦、古筝 俞辰瑶、笛箫 高雅、中阮 黄洁颖、唐琵琶 颜泽、唢呐 刘兆晨硕、笙 陈剑南） 录音/拟音/混音：吴文隽 录音助理：顾俊杰 化妆：王乔叶、刘蕊、殷屹浩楠 服装：王俊涵、苏媛媛 平面摄影：刘孟宸 平面设计：魏薇 拍摄助理：游家宁、余洁 统筹：白无瑕、余洁 感谢拳头游戏音乐授权：经典值得珍藏，这个视频送给同样热爱国风与电竞的你！🔥 That Summer, Traditional Music Ignited the Rift! Timeless Classic!In 2022, for LPL's "Chinese Heritage Day," Zi De Guqin Studio presented a reimagined traditional orchestral version of RISE — Ascend to the Pinnacle.Amidst classical elegance, we ignited the battle spirit of every summoner! Relive this masterpiece and experience nine traditional Chinese instruments:▻ Guqin (古琴)Seven-Stringed Zither | China's oldest plucked instrument. Broad range, deep timbre, lingering resonance. Emblematic of scholarly refinement. UNESCO Intangible Cultural Heritage (2003).▻ Guzheng (古筝)*21-Stringed Zither* | Evolved from Han/Qin dynasties. Ethereal tone, expansive range, virtuosic techniques.▻ Pipa (琵琶)Pear-Shaped Lute | Fusion of historical straight/curved-neck designs. Crystal-clear articulation with granular expressiveness.▻ Grand Drum (大鼓)Bass Drum | Unpitched percussion. Dynamics convey emotion: thunderous power to whispered intensity.▻ Zhongruan (中阮)Tenor Ruan | Named after Ruan Xian (Jin Dynasty). Reforms created soprano-to-bass variants. Poetic mid-range voice.▻ Tang Pipa (唐琵琶)Tang Dynasty Curved-Neck Pipa | Silk Road import from Persia. Flat body, four frets, crescent soundholes. Plucked with plectrum.▻ Bamboo Flute (竹笛)Dizi | Qudi (曲笛): mellow baritone | Bangdi (梆笛): piercing soprano.▻ Sheng (笙)Free-Reed Mouth Organ | World's earliest free-reed instrument. Harmonious timbre, lyrical phrasing.▻ Suona (唢呐)Double-Reed Horn | 3rd-century CE from West Asia. Penetrating brilliance for folk ensembles and opera.🎶 Reimagining Esports Classics with Millennia-Old SoundsReaching the Summit, Touching the Sky! May these resonant notes inspire every dreamer scaling new heights.CREDITSArtistic Director: Tang BinDirectors: Tang Bin, Qiu ShihaoCinematography/Editing/Post-Production: Qiu ShihaoArrangement/Music Production: Tian Mi | Assistant Arranger: Zhang QunPerformed by Zi De Guqin Studio:Guqin: Bai WuxiaPipa: Gu JinningPercussion: Chen XiGuzheng: Yu ChenyaoDizi/Xiao: Gao YaZhongruan: Huang JieyingTang Pipa: Yan ZeSuona: Liu ZhaochenshuoSheng: Chen JiannanRecording/Foley/Mixing: Wu Wenjun | Assistant: Gu JunjieMakeup: Wang Qiaoye, Liu Rui, Yin Yihao'nanCostumes: Wang Junhan, Su YuanyuanPhotography: Liu Mengchen | Graphic Design: Wei WeiProduction Assistants: You Jianing, Yu Jie | Coordinator: Bai Wuxia, Yu JieSpecial Thanks: Riot Games Music for authorization — Classics deserve preservation. Dedicated to all lovers of Chinese heritage and esports!#chinesemusic #music #古琴 #flute #guzheng #pipa
自得琴社《琴為何物》系列原聲專輯今日上線 Zides What Is Qin Original Soundtrack OUT Today 自得琴社 Zi De Guqin Studio 2025-07-29 | 琴声入耳，意境即来。《琴为何物·唐·孤烟直》与《琴为何物·宋·水云归》两张专辑，共十四首原声带，已于今日全平台正式发布！我们将多年舞台积累、打磨录制的精粹之作悉数收录！这一回，我们不止是还原历史情境，更想与你一起，倾听千年前琴音的回响风沙、宫阙、水云、悲欢……都在指尖缓缓铺展，落入耳畔若你曾在剧场现场聆听——它将唤醒你的记忆；若你初次邂逅这琴音——它便是一个时空入口。各专辑推荐主打曲目抢先听：《破阵》｜唐代雄浑激烈气象之作《桂枝香》｜宋代清雅韵味代表之选📥 即刻收听👇Youtube Music———The moment the guqin sounds, a world of imagery unfolds.Today marks the official release of two full-length original soundtrack albums:What is Qin · Tang · The Lonely Smoke StraightandWhat is Qin · Song · Homage of Water and Clouds—featuring a total of 14 meticulously produced tracks drawn from years of stage experience and recording refinement.This time, we’re not just recreating historical scenes—We invite you to listen to the echoes of the Guqin melodies from a thousand years ago.Sandstorms, palaces, drifting clouds, sorrow and joy…They all unfold at the fingertips, gently reaching your ears.If you’ve heard it live in concert—this will awaken your memories.If it’s your first encounter—this will be a doorway through time and space.🎵 Featured Tracks:Po Zhen-Shattering the Siege｜A powerful and intense soundscape from the Tang DynastyGui Zhi Xiang-The Fragrant Osmanthus Twigs｜A refined and elegant piece representing the Song aesthetic📥 Listen now:Available on YouTube Music and all major platforms.
【宋代古琴】琴箫合奏《阳关三叠》太古遗音·吴景略先生旧藏[Song Dynasty Guqin] Three Farewells (Guqin & Xiao duet) 自得琴社 Zi De Guqin Studio 2025-07-10 | 2025年6月21日，自得琴社于龙美术馆「天地大观：跨越时光的文明印记」特展呈现“琴音绕梁”公益古琴演奏会，奏响三张传世宋琴：朱晦翁藏琴、龙升雨降、太古遗音。预约公告发出仅半小时名额就被一抢而空，许多观众在后台表示遗憾未能到场，于是我们在集锦之外，又整理了三张琴每张一首完整演出曲目发布，以供琴友参考、交流。据龙美术馆馆藏资料所示晚唐至北宋太古遗音琴为仲尼式，桐木胎，黑漆朱髹，琴身遍布龙鳞、龟坼、流水、蛇蚹等断纹，因历史的蕴积而斑斓陆离。琴名双钩篆书“太古遗音”四字，由于年久而有所脱落漫漶，仅“音”字下半部的“日”字清晰可见。龙池两侧镌有行草“佩剑冲金聊暂据，匣琴流水自须弹”，字体似王羲之《圣教序》，颇具唐人笔意。龙池下镌有宋代理学大儒朱熹手书“养君中和之正性，禁尔忿欲之邪心。乾坤无言物有则，我独与子钩其深”紫阳琴铭一则，落款“淳熙丁未新安朱熹书”，为传世古琴所仅见者。雁足上方有阴文“玉振”印一方，当为元代大收藏家鲜于枢的印，以象其金声玉振之意。著名古琴鉴赏家管平湖先生推断：“此琴唐制，年代当不晚于北宋。”此琴是著名古琴演奏家吴景略先生旧藏。吴景略先生古琴艺术造诣深湛，在古琴领域里被称为“虞山吴派”“琴坛一代宗师”，同时在古琴鉴定及修复方面也备受琴家推崇。1950年代初期，吴景略先生在上海得知此琴消息，当晚即动身赶往苏州以重金购得携归，此琴最难能可贵之处在于其音质高古松透、清越而多灵韵，轻轻触按即得正声，被誉为琴音中的最佳“老生”。吴景略生前录制的《吴景略古琴艺术》全套传世唱片，多是用此琴抚奏的。On June 21, 2025, Zi De Guqin Studio revived the "Taigu Yi Yin" Guqin (太古遗音琴) at Long Museum's Civilization Imprinted Through Time exhibition. This video documents the instrument's historical significance.Due to exceptional demand (tickets sold out in 30 minutes), we share this archival footage for scholarly study.----According to Long Museum Archives:• Physical Traces of Time• Zhongni-Style (仲尼式) with tong (桐木) body• Lacquered black over vermilion base• Complex duanwen (断纹) patterns:longlin (龙鳞, dragon-scale)guiche (龟坼, tortoise-shell)liushui (流水, flowing-water)shefu (蛇蚹, snake-belly)• Epigraphic Treasures• Faded seal script "Taigu Yi Yin" (太古遗音), only "日" radical of "音" legible• Longchi (龙池) inscriptions:"Wear sword to conquer gold, but pause;Play this zither like flowing water at will."(Calligraphy resembling Wang Xizhi's "Preface to Sacred Teachings")• Zhu Xi's poem carved below longchi:"Nurture your balanced nature,Restrain wicked desires in strife.Heaven-earth speaks not, yet all things have laws –I alone plumb depths with you, my zither in life."Signed: "Chunxi Reign, Dingwei Year, Xin'an Zhu Xi" (淳熙丁未新安朱熹书)• "Yu Zhen" (玉振) seal of Yuan collector Xianyu Shu (鲜于枢)• Scholarly Attribution• Appraiser Guan Pinghu (管平湖): "Tang-dynasty construction, no later than N. Song"• Modern Legacy• Owned by Wu Jinglüe (吴景略), 20th-century master of the "Yushan Wu School"• Acquired in 1950s: Journeyed overnight to Suzhou upon hearing of its survival• Acclaimed for "resonating at a breath's touch – the quintessential vintage tenor voice."• Used for Wu's landmark recording "The Art of Wu Jinglüe"
【宋代古琴】《流水》龙升雨降·吴景略先生旧藏[Song Dynasty Guqin] Flowing Water*: Master Wu Jinglües Former Collection 自得琴社 Zi De Guqin Studio 2025-07-10 | 2025年6月21日，自得琴社于龙美术馆「天地大观：跨越时光的文明印记」特展呈现“琴音绕梁”公益古琴演奏会，奏响三张传世宋琴：朱晦翁藏琴、龙升雨降、太古遗音。预约公告发出仅半小时名额就被一抢而空，许多观众在后台表示遗憾未能到场，于是我们在集锦之外，又整理了三张琴每张一首完整演出曲目发布，以供琴友参考、交流。据龙美术馆馆藏资料所示宋龙升雨降琴为仲尼式，桐梓良材，琴体扁而宽，为宋琴的代表。琴身髹黑漆，通体蛇腹断纹显著。琴身配金徽和碧玉雁足。龙池上方有篆书“龙升雨降”四字名款，古意盎然，涵义颇具道家气味；或曰新皇登基，恩泽天下，镌此以为庆贺之意。由此推测此琴可能斫于宋代中期，或为徽宗宣和殿百琴堂遗世之物。嵇康《琴赋》赞道：“惟椅梧之所生兮，托峻岳之崇冈，披重壤以诞载兮，参辰而高骧，含天地之醇和兮，吸日月之休光。”褒美了梧桐用作琴材的审美价值，认为它是琴成为道器的根本要素。梓木坚硬，反射功能强，桐梓良材和合，是传统琴材最理想的配置形式。而此琴材质颇厚，恰是以桐木和梓木良材为料，发音内敛而苍润，出音如戛玉，于丝弦特妙。此琴也是吴景略先生旧藏，曾多次随其参加重大琴事，业内知名。吴景略先生公子文光为香港艺声公司所录的立体声磁带，就是在这张宋琴上演奏的。On June 21, 2025, Zi De Guqin Studio performed at Long Museum's Civilization Imprinted Through Time exhibition, reviving three Song Dynasty guqins. This video features the complete Liu Shui (Flowing Water) on the "Long Sheng Yu Jiang" Guqin (宋龙升雨降琴).Due to overwhelming demand (tickets sold out in 30 minutes), we release this archival performance for global guqin scholars.----According to Long Museum Archives:• Form & Craft• Zhongni-Style (仲尼式) with flat-wide body, exemplifying Song guqin aesthetics• Materials: Tong (桐, paulownia) soundboard + Zi (梓, catalpa) base – the ideal traditional pairing• Lacquered black with prominent shefu duanwen (蛇腹断纹, snake-belly crackle)• Golden hui (徽) markers & jade yanzu (雁足) feet• Inscription & Origin• Seal script "龙升雨降" above longchi (龙池)• Daoist symbolism: May signify imperial enthronement ceremonies• Hypothesized: Crafted mid-Song Dynasty, possibly from Emperor Huizong's "Xuanhe Hall Hundred Guqins Collection" (宣和殿百琴堂)• Acoustic Properties• Ji Kang's Ode to Guqin (嵇康《琴赋》):"Born of the phoenix tree (椅梧) on sacred peaks,Imbued with heaven-earth's essence, sun-moon's radiance."• Thick tong-zi woods produce "resonance both restrained and lustrous, like jade striking ice – supremely expressive with silk strings."• Provenance• Formerly owned by Wu Jinglüe (吴景略), preeminent 20th-century master• His son Wu Wenguang (吴文光) recorded stereo tapes for Hong Kong's Ngaize Sing Records (香港艺声公司) on this instrument . #古琴 #自得琴社 #chinesemusic #guqin #Chinesetraditionalinstrument
【宋代古琴】絲弦《枉凝眉》，王世襄舊藏Grief of Parting on Silk Strings | 自得琴社 自得琴社 Zi De Guqin Studio 2025-07-10 | 2025年6月21日，自得琴社於龍美術館「天地大觀：跨越時光的文明印記」特展呈現「琴音繞樑」公益古琴演奏會，奏響三張傳世宋琴：朱晦翁藏琴、龍升雨降、太古遺音。預約公告發出僅半小時名額便被一搶而空，許多觀眾在後台表示遺憾未能到場，於是我們在集錦之外，又整理了三張琴每張一首完整演出曲目發布，以供琴友參考、交流。據龍美術館館藏資料所示宋朱晦翁藏仲尼式琴，通體漆成黑色，琴面有精美的蛇腹斷紋，琴底因重修未見斷紋，惟尾部二寸處有補漆灰痕跡而斷紋盡在，是重修者有意不全部重漆，以證明琴底並未更換。琴池內左側深刻「古吳王昆玉重修」七字。《今虞琴刊》著錄，現藏故宮博物院的「飛泉」唐琴（程子榮先生遺琴），內亦有「王昆玉重修」墨書款，據考昆玉（王昆玉）應為明代蘇州斫琴高手。因此這張宋朱晦翁藏仲尼式琴底面的髹漆，應當在王昆玉破腹重修之後的清代。琴池內右側刻字一行，刀痕極淺，又曾塗漆，所以較難辨認，但「朱晦翁藏」等字尚隱約可見（晦翁為朱熹晚稱），故得知此琴是宋代著名理學家朱熹舊藏。1947年，此琴由王世襄先生收藏，他在《自珍集》中記錄，鄭珉中先生（古琴鑑定學家）對此琴十分重視，曾仔細觀察，多次試彈，認為聲音深沉蒼古，雖稍有塌腰，不足為病。----On June 21, 2025, Zi De Guqin Studio performed Grief of Parting (Wang Ning Mei) on a Song Dynasty masterpiece during Melody Lingers in the Hall recital at Long Museum's exhibition Civilization Imprinted Through Time.This video features the complete performance on the "Zhu Huiweng" Zhongni-Style Guqin—one of three millennial guqins awakened that day. Tickets sold out in 30 minutes; we share this archival footage for global guqin enthusiasts.----According to Long Museum Archives:The "Zhu Huiweng" Guqin (宋朱晦翁藏仲尼式琴):• Lacquered black with shefu duanwen (蛇腹断纹, snake-belly crackle) on top• Qing-era restoration traces at base, including "Gu Wu Wang Kun Yu Chong Xiu" (古吴王昆玉重修) inscription• Wang Kunyu, Ming dynasty luthier, also repaired the Tang guqin "Fei Quan" (飞泉) in Palace Museum• Faintly visible "Zhu Huiweng Cang" (朱晦翁藏) seal attests to Zhu Xi's ownershipProvenance:Collected by Wang Shixiang (王世襄) in 1947. Documented in Self-Treasured Collection (《自珍集》), where expert Zheng Minzhong (郑珉中) praised its "deep, ancient timbre with a slight warp—no flaw to its voice." #古琴 #自得琴社 #樂器演奏 #Chinesetraditionalinstrument #Chinesemusic
自得琴社奏龙美术馆千年古琴实录 Strings of Eternity: Revive Millennia-Old Guqins 自得琴社 Zi De Guqin Studio 2025-07-09 | “丝桐有灵，不奏不鸣”2025年6月21日，自得琴社于龙美术馆「天地大观：跨越时光的文明印记」特展呈现“琴音绕梁”公益古琴演奏会。琴社四位青年演奏家殷屹浩楠、叶力嘉、白无瑕与林泽钦，共同奏响三张传世名琴，为听众带来了五首古琴独奏曲《秋风词》《枉凝眉》《流水》《洞庭秋思》《梧叶舞秋风》，两首琴箫合奏曲《关山月》《阳关三叠》。预约公告提前3天发布，发出仅半小时名额就被一抢而空，当天演出前上海突然下起了暴雨，活动现场仍座无虚席，观众的倾心赴约也感染着我们的演出热情。演出前后许多观众在后台表示遗憾未能到场，于是我们特别剪辑的这一版集锦与介绍，以供大家回忆、参考、交流。据龙美术馆馆藏所示 宋·朱晦翁藏仲尼式琴通体髹黑漆，琴面蛇腹断纹宛然，琴底存清代重修款识（古吴王昆玉）。此琴经王世襄先生《自珍集》著录，郑珉中先生评其“音质深沉苍古”，现场奏《秋风词》《枉凝眉》尽展苍劲遗韵。 宋·龙升雨降琴以桐梓良材精斫，通体蛇腹断纹如鳞，金徽玉足辉映，龙池篆书“龙升雨降”涵道家气象。其声内敛苍润如戛玉击冰，曾为琴坛宗师吴景略旧藏，此番演绎《流水》《洞庭秋思》古曲，更与箫合《关山月》苍茫之境。 晚唐至北宋·太古遗音琴琴身镌朱熹手书琴铭，雁足压“玉振”鉴藏印，吴景略先生誉其“高古松透，轻触即得正声”，堪称琴中老生。现场抚《梧叶舞秋风》灵韵天成，复以琴箫合奏《阳关三叠》穿透时空。之后还会更新完整版演奏视频三则，敬请期待~----"Silk and wood breathe only when touched by hands."On June 21, 2025, Zi De Guqin Studio presented the historic recital Melody Lingers in the Hall during Long Museum's exhibition Civilization Imprinted Through Time.Performers Yin Yihao'nan (guqin), Ye Lijia (guqin), Bai Wuxia (guqin), and Lin Zeqin (xiao) awakened three Tang-Song dynasty treasures (618-1279 CE) with:• Solos: Qiu Feng Ci (Autumn Wind Poem) | Wang Ning Mei (Grief of Parting) | Liu Shui (Flowing Water) | Dongting Qiusi (Autumn Thoughts on Dongting Lake) | Wuye Wu Qiufeng (Dance of Wu Tong Leaves in Autumn Wind)• Guqin-Xiao Duets: Guan Shan Yue (Moon Over Guan Mountain) | Yangguan San Die (Three Farewells at Yangguan)Tickets sold out in 30 minutes. Despite torrential rain, listeners filled the hall, describing the experience as "soul-stirring antiquity."----According to Long Museum Archives:Song Dynasty · "Zhu Huiweng" Zhongni-Style Guqin (宋·朱晦翁藏仲尼式琴)Black lacquer with shefu duanwen (蛇腹断纹, snake-belly crackle). Qing restoration marks by luthier Wang Kunyu. Documented in Wang Shixiang's Self-Treasured Collection. Performed: Qiu Feng Ci, Wang Ning Mei.Song Dynasty · "Long Sheng Yu Jiang" Guqin (宋·龙升雨降琴)Tong (桐木) top / Zi (梓木) base with golden hui (徽) & jade feet. Daoist inscription. Owned by master Wu Jinglüe. Performed: Liu Shui, Dongting Qiusi, and Guan Shan Yue (with xiao).Late Tang-N. Song · "Taigu Yi Yin" Guqin (晚唐-北宋·太古遗音琴)Carved with Zhu Xi's poem + "Yu Zhen" (玉振) seal. Acclaimed for "resonating at a breath's touch." Performed: Wuye Wu Qiufeng, Yangguan San Die (with xiao).Full concert films of each guqin coming soon!
Stranded at the Airport? Music Saved the Day! ✈️🎶 巡演被困外国机场？接着奏乐~ 自得琴社 Zi De Guqin Studio 2025-07-04 | ...
自得琴社即将启程赴欧~这次欧洲行将要去到罗马尼亚🇷🇴和黑山🇲🇪两个国家，参与锡比乌国际戏剧节、科托尔艺术节、提瓦特音乐节为当地观众带来三城四场专场演出＆讲座！ 自得琴社 Zi De Guqin Studio 2025-06-21 | ...
【古琴Guqin】《珠玉》誰去明天遇見我啊Soft Guqin Music Whispering Through the Silence of An Ancient Pavilion | 自得琴社 自得琴社 Zi De Guqin Studio 2025-05-28 | 原唱：單依純填詞：李聰作曲：魚椒鹽 編曲：常石磊古琴移植、演奏：白無瑕錄音、混音：唐彬#古琴 #guqin #中國樂器 #民樂 #传统文化 #zide #自得琴社 #chinesemusic #chineseinstrumentalmusic
《桃源》深处有琴音｜Healing Pastoral Guqin Music: Taoyuan to Soothe Your Soul 自得琴社江南好live 自得琴社 Zi De Guqin Studio 2025-04-10 | 日入｜桃源 避世而居的人，种植桃树，愁坐柳荫。 高楼上飞着的燕子啊，归来可还认得故乡。 导演：张奕 原曲：《大还阁琴谱》桃源吟 艺术总监/改编/电子音乐：唐彬 演奏：古琴◎白无瑕 竹笛◎吴依诺 舞美设计：郑金启 灯光设计：宫徵羽 多媒体设计：王宋淇 李佳彦 音响设计：吴文隽 张俊伟 服装设计：中国装束复原团队 舞台监督：王砾川 妆造师：刘蕊 王乔叶 华怡 苏媛媛 礼仪指导：王俊涵 导播/剪辑/后期：邱诗浩 导播助理：高超 摄影师：张陶 宣传：陈佳佳 练茜 演出经理：金卓琪 高浩钧 统筹/执行制作人：曾昱丹 制作人：朱里钺 谢方 张士超 出品：自得琴社 *视频录制场次：2024年4月13-14日 YOUNG剧场 江南丝竹新国风乐集《江南好》
【竹笛】《姑苏行》信步园林，丝竹萦绕 🍵 Zen Bamboo Flute Solo Gusu Travels 自得琴社 Zi De Guqin Studio 2025-04-03 | 笛子独奏《姑苏行》本曲为南派笛曲之经典，由江先渭先生于1962年据昆曲片段谱就。时逢全军文艺会演，江氏融江南丝竹之韵、昆曲婉转之调，以苏州园林为意，遂成此曲。后风靡南北，被誉为近代民乐之典范。本曲音色柔润如泉，摹姑苏山水之灵秀。曲式为“慢——快——慢”加引子的三段体结构：引子如晨雾氤氲，楼阁隐现；行板悠然，若游人信步园林，丝竹萦绕；快板欢跃，似嬉戏忘情，连音、加花技法如珠落玉盘；终章复归舒缓，余音袅袅，寄流连之意。演奏重南派技法，叠音、打音、颤音交错，气息绵长而指法灵巧，尤以“润、厚、松”音色为要，尽显江南水墨之雅韵。曲中昆腔流转，丝竹相和，典雅中见跌宕，清丽处含悠远，诚为佳作。艺术总监：唐彬 作曲：江先渭 演奏：高雅 录音/混音：唐彬 摄影/后期：邱诗浩建模、平面设计：魏薇化妆：王乔叶 服装：王俊涵 道具、场物：游家宁 统筹：白无瑕 出品：自得琴社
【古琴Guqin】《春晓吟》春意盎然，一拂困城Ancient Chinas ASMR: Spring Soundscape Reborn from Guqin「殷屹浩楠演奏」 自得琴社 Zi De Guqin Studio 2025-03-21 | 此曲初见于明代《西麓堂琴统》，此本为管平湖先生据《自远堂琴谱》打谱。气之雍和可亲者，于岁为春，于昼为晓。此曲虽短，而平和、中正、大方，鼓之有春风扇物，晓露滋荣之趣。氤氲春气，缱绻春思，慵慵春眠，朗朗生机，更与知音共叙。艺术总监：唐彬 据《自远堂琴谱》管平湖打谱古琴：殷屹浩楠录音：吴身宝 混音：唐彬 摄影指导/后期：邱诗浩 摄影师：王恩俊 化妆：殷屹浩楠礼仪指导/服装：王俊涵 统筹：白无瑕 乐器管理/物流：王砾川 出品：自得琴社
【古琴Guqin】月下賞琴《梅梢月》The most elegant thing: listening to the guqin under the moonlight. 自得琴社 Zi De Guqin Studio 2025-03-18 | 众芳摇落独暄妍，占尽风情向小园。 疏影横斜水清浅，暗香浮动月黄昏。 霜禽欲下先偷眼，粉蝶如知合断魂。 幸有微吟可相狎，不须檀板共金樽。 ——【宋 】林逋《山园小梅》 此曲相传为北宋诗人林逋所作。解题云“逋仙结庐孤山中，夜吟倚小窗，见梅月争清，遂有此曲，当与暗香疏影之句同作金声也”。此曲声清意远，玉骨冰肌跃然指下，确有“疏影横斜水清浅，暗香浮动月黄昏”之幽趣。 艺术总监：唐彬 据《西麓堂琴统》李凤云打谱 古琴：殷屹浩楠 录音：吴身宝 混音：唐彬 摄影指导/后期：邱诗浩 摄影师：王恩俊 化妆：殷屹浩楠 礼仪指导/服装：王俊涵 统筹：白无瑕 乐器管理/物流：王砾川 出品：自得琴社
