ZEISS Creative AmericasZEISS Cinema attended the 2024 Energa CAMERIMAGE in Torun Poland and got the opportunity to sit down with many cinematographers from all over the world.
Cinematographer Lol Crawley, BSC has worked with director Brady Corbet on several projects and together the team has designed the wonderful film The Brutalist. Shooting in 70mm, Lol tells us about his beginning in cinematography and how he approached this iconic film.
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
ZEISS Talking Cine - Lol Crawley, BSCZEISS Creative Americas2025-01-24 | ZEISS Cinema attended the 2024 Energa CAMERIMAGE in Torun Poland and got the opportunity to sit down with many cinematographers from all over the world.
Cinematographer Lol Crawley, BSC has worked with director Brady Corbet on several projects and together the team has designed the wonderful film The Brutalist. Shooting in 70mm, Lol tells us about his beginning in cinematography and how he approached this iconic film.
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Manager, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Sales, NCAM David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Technical Specialist, NCAM Emily Miele, Cinema Sales Support, Americas
Interviewer: Tony Wisniewski, Senior Manager, Creative Arts
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Marketing Manager, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Interviewer: Tony Wisniewski, Senior Manager, ZEISS Creative Arts
Special Thanks to: Lighting provided by: Creamsource, creamsource.com
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Knight Pictures recently got the opportunity to create with the ZEISS Otus ML family of lenses. Using only the 1.4/50mm lens, they created a cinematic short that shows the creative depth you can achieve with ZEISS.
The all new ZEISS Otus ML lenses are a perfect companion for your next video project. These lightweight lenses provide a full range of cinematic style and performance, all within a compact housing. Available in a number of mirrorless mounts, see what ZEISS can do for your creative vision.
Film Credits
Cast - Prasidhi, Saumya, Vishal Director/DOP - Mukul Verma Produced by - Knight Pictures
A Film By Knight Pictures.ZEISS Lightweight Zoom LWZ.3 - The RecipeZEISS Creative Americas2025-07-09 | This fun short from cinematographer Bill Bennet, ASC shows the versatility of the ZEISS Lightweight Zoom lens. With it's S35 sensor coverage and a zoom range of 21-100mm at T2.9, you have the ability to capture whatever your production demands.
THE RECIPE Director: Eric Matthies Producer: Monica Monique Cinematographer: Bill Bennett, ASC Editor: Anthony Dalesandro Camera Operator: Aaron Schuh, Christian Herrera 1st Assistant Cameras: Riley Keeton, Justin Lee DIT: Joe Hedge Gaffer: Eric Reinig Key Grip: Huan Manton Tilta Tech: Paul Romo 1st Assistant Director: Kevin Muir
Featuring The Cook: Fritz Michaud The Courier: Jaime Rossas Moto Cat: Tricia Todd Mr. Hippo: Stosh Machek The Driver: Tom Faraday Capoeira Performers: Conrad Cayman, Clarrel Pope
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Manager, ZEISS Creative Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
EPK: Josh Engel, Edward Yin, Brian Cheung Grip and Electric: Johnny Williams, Riverh Jaxen Special Effects: Jak Osmond Costumes: Janet Ross
MBS Equipment Co. Picture Shop Keslow Camera Lapham Sales and Rentals RVRD Thypoch Tiffen Filters Gearbase Sunbelt Rentals Sony CinemaZEISS Cincraft Scenario - Natural Marker TrackingZEISS Creative Americas2025-06-16 | ZEISS Director of Sales, Nick Hayes, shows you how easy it is to apply camera tracking to your next VFX project. The ability of the ZEISS Scenario camera tracker to use natural markers let's you track anywhere the action takes you.
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Marketing Manager, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Manual focusing is more than a method—it's an opportunity to connect deeply with your craft, giving you unparalleled control and creative freedom. It allows you to fine-tune your focus with precision, emphasizing the exact details that bring your story to life. With ZEISS Otus ML lenses, manual focusing becomes an empowering experience, offering millimeter-accurate adjustments to ensure every frame is captured just as you envision. Whether isolating a subject with razor-sharp clarity or achieving a perfectly smooth transition in depth, manual focus gives you the tools to compose each shot with intention and artistry, turning every image into a true reflection of your creative vision.
Based on the legendary Otus family, known as best-in-class manual prime lenses, the new ZEISS Otus ML offer a uniquely precise mechanical design that gives photographers full control over their images. Focusing is controlled by a smooth, metal focus ring based on a helicoid mechanism. The aperture control with a de-click function allows for fine adjustments – ideal for photo and video productions.ZEISS Behind the Scenes - Camera Tracking For AllZEISS Creative Americas2025-04-15 | ZEISS recently worked with a team in Mexico City at the studio Redefinition to create a broadcast commercial for GAC Motors. Utilizing the Scenario system from ZEISS, the team was able to produce a high quality product in a Virtual studio for less cost and more convenience. Here's our conversation with the production stakeholders.
GAC Motors: Creative Director: Redefinition Studio Manager: Jose Ortiz Cinematographer: Beto Casillas, AMC VFX Supervisor: Gaston Alvarez
Interviewer: Tony Wisniewski, Senior Manager, Creative Arts
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
More ZEISS Cinematography Channels: Facebook: facebook.com/ZEISSCinematography Instagram: instagram.com/zeisscinematography Twitter: twitter.com/zeisscine LinkedIn: linkedin.com/showcase/zeiss-cinematography Website: zeiss.com/cine Visit our blog, Lenspire: lenspire.zeiss.com/cine/enZEISS Photography - Otus ML 1.4/50mm #cameralens #primelens #photography #photographer #zeissZEISS Creative Americas2025-04-15 | Photography with Passion and Precision Manual focusing is more than a method—it's an opportunity to connect deeply with your craft, giving you unparalleled control and creative freedom. It allows you to fine-tune your focus with precision, emphasizing the exact details that bring your story to life. With ZEISS Otus ML lenses, manual focusing becomes an empowering experience, offering millimeter-accurate adjustments to ensure every frame is captured just as you envision. Whether isolating a subject with razor-sharp clarity or achieving a perfectly smooth transition in depth, manual focus gives you the tools to compose each shot with intention and artistry, turning every image into a true reflection of your creative vision.
Based on the legendary Otus family, known as best-in-class manual prime lenses, the new ZEISS Otus ML offer a uniquely precise mechanical design that gives photographers full control over their images. Focusing is controlled by a smooth, metal focus ring based on a helicoid mechanism. The aperture control with a de-click function allows for fine adjustments – ideal for photo and video productions.2025 04 Nano Prime ad 30SecondsZEISS Creative Americas2025-03-28 | ...2025 04 Nano Prime ad 15SecondsZEISS Creative Americas2025-03-28 | ...ZEISS Photography - Otus ML 1.4/85mm #cameralens #filmtok #photography #photographer #zeissZEISS Creative Americas2025-03-25 | The Distinctive ZEISS Look: Vivid and Nearly Three-Dimensional
Experience the unmistakable visual language of the ZEISS Otus ML lenses. Thanks to impressive true color rendition, outstanding sharpness, and incomparable micro contrast, a picture look is created that appears almost three-dimensional. Your subject stands out plastically and is clearly separated from the background—the perfect presentation through the characteristic ZEISS 3D Pop.
The ZEISS Otus series is further distinguished by an extraordinary shallow depth of field that directs the viewer's gaze precisely to what matters. At the same time, the wonderfully soft bokeh - shaped by ten aperture blades- creates harmonious transitions, elegantly showcasing the stories’ subjects.ZEISS Photography - Otus ML 1.4/50mm #cameralens #primelens #photography #photographer #zeissZEISS Creative Americas2025-03-25 | The Distinctive ZEISS Look: Vivid and Nearly Three-Dimensional
Experience the unmistakable visual language of the ZEISS Otus ML lenses. Thanks to impressive true color rendition, outstanding sharpness, and incomparable micro contrast, a picture look is created that appears almost three-dimensional. Your subject stands out plastically and is clearly separated from the background—the perfect presentation through the characteristic ZEISS 3D Pop.
The ZEISS Otus series is further distinguished by an extraordinary shallow depth of field that directs the viewer's gaze precisely to what matters. At the same time, the wonderfully soft bokeh - shaped by ten aperture blades- creates harmonious transitions, elegantly showcasing the stories’ subjects.ZEISS Photography - Portray your StoryZEISS Creative Americas2025-03-25 | The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, these new lenses bring ZEISS’ renowned optical excellence to mirrorless cameras. Designed with the ultimate in precision engineering and mechanical design, you can capture every detail with unparalleled sharpness, vibrant colors and a nearly three-dimensional effect that bring your story to life. With the announcement of the first two focal lengths, 1.4/50 and 1.4/85, the ZEISS Otus ML lens family allow you to rely on your lens in every situation, even in low light. Capture the moment as you see it, as you feel it and focus on your story.
Optical Excellence for Finest Details ZEISS Otus ML lenses offer unmatched optical performance, enhanced by an aspherical design that minimizes distortion and chromatic aberration. The iconic ZEISS T* anti-reflective coating ensures optimal color fidelity and significantly reduce lens flare. In challenging low-light conditions, the wide f1.4 aperture provides maximum light transmission for optimal artistic freedom.
The Distinctive ZEISS Look With true colors, outstanding sharpness and micro-contrast, the Otus ML lens family creates images that stand out with a distinctive "3D Pop." A unique depth of field directs attention precisely where it matters, emphasizing the essence of your story. The soft, harmonious bokeh, shaped by ten aperture blades, elegantly separates your subject from the background, transforming each shot into a visual masterpiece that brings your vision to life.
Craftsmanship and Precision Engineering The full metal construction of the ZEISS Otus ML lenses combines first-class craftsmanship with exceptional quality. With the Otus ML, manual focusing becomes more than a technique, it’s an experience itself and an indispensable tool for your creative freedom. The precisely engineered mechanics allow for accurate manual focus settings, giving you the confidence that every shot turns out exactly as envisioned. This unique feeling of becoming one with your equipment is supported by the compact and lightweight design. Optimized for the latest mirrorless camera systems, the Otus ML lenses are compatible with Sony E-, Canon RF-, and Nikon Z-Mounts
Photographer: Xie MoZEISS Talking Cine - Irene CruzZEISS Creative Americas2025-03-11 | ZEISS Cinema attended the 2024 Energa CAMERIMAGE in Torun Poland and got the opportunity to sit down with many cinematographers from all over the world.
Listen as Berlin based cinematographer Irene Cruz describes her unique approach to creating passion and intimacy for the screen
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Manual focusing is more than a method—it's an opportunity to connect deeply with your craft, giving you unparalleled control and creative freedom. It allows you to fine-tune your focus with precision, emphasizing the exact details that bring your story to life. With ZEISS Otus ML lenses, manual focusing becomes an empowering experience, offering millimeter-accurate adjustments to ensure every frame is captured just as you envision. Whether isolating a subject with razor-sharp clarity or achieving a perfectly smooth transition in depth, manual focus gives you the tools to compose each shot with intention and artistry, turning every image into a true reflection of your creative vision.ZEISS Photography - 1.4/50mm and 1.4/85mm Ad 01ZEISS Creative Americas2025-02-25 | ...ZEISS Photography - Focus on Your StoryZEISS Creative Americas2025-02-25 | The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS’ renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.
Manual focusing with the ZEISS Otus ML isn’t just about technique; it’s about art, vision, and immersing yourself fully in the storytelling process. These lenses allow for millimeter-accurate focus adjustments, ensuring each shot is captured exactly as envisioned. This unique feeling of becoming one with your equipment is supported by the compact and lightweight design, optimized for mirrorless systems (available for Sony E-, Canon RF-, and Nikon Z-Mount). Beginning with two focal lengths, 1.4/50 and 1.4/85, the new ZEISS Otus ML lens family lets you capture each moment as you see and feel it, you can rely on your lens and focus on your story.
Dancers: Drew Demeterio https://drewdem.xyz/ Zhane Green Mars Dixon instagram.com/mmdizzie Leanne Gan leannegan.com Kenya Jacob Jess Davis Zach Y Vanessa Dos Santos
Producers: Tatjana Haefner Tony Wisniewski
Onset Photography: Frederik Kneer
Gaffer: Trevor Munch
NY Production Team: Colin Favre Christina Allen Jess Sheridan
Some photographers take pictures. Others craft them. We believe that true craftsmanship comes from focusing on your story – a deeper passion for what needs to be told — and completely immersing yourself, becoming one with what you observe, experience, and create. In short: realizing the story you have in your mind’s eye. When this is then combined with excellent technology, where you truly have everything under control — and everything really is “in your hands” amazing things can happen that you didn’t think were possible
With the Otus ML lenses stories can be told better, closer, and with even greater control, in the familiar ZEISS quality. Capture the moment exactly like you see it, like you feel it. Focus on your story.Something new?ZEISS Creative Americas2025-02-20 | We’ve got big news coming your way—mark your calendars for February 25! 📅
#ZEISSCameraLenses #ZEISS #NewLensSomething New is coming to ZEISS Photo... #zeisscameralenses #zeissZEISS Creative Americas2025-02-20 | Every story is shaped by the person behind the camera. Some are quiet, some remain hidden—until the right storyteller brings them into focus. We can’t wait to show you these stories—and how they were captured. Watch our channels on February 25. 👀ZEISS Talking Cine - Drew DanielsZEISS Creative Americas2025-02-18 | ZEISS Cinema attended the 2024 Energa CAMERIMAGE in Torun Poland and got the opportunity to sit down with many cinematographers from all over the world.
In this episode, cinematographer Drew Daniels talks with us about his lensing of the Cannes 2024 Palme d'Or winning film, Anora.
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
We had the distinct pleasure to sit with current BSC president and Cinematographer Christopher Ross, BSC to discuss his work on the epic series Shogun. Chris talks about his roots in filmmaking and how he applied his unique look to the series
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Tony WisniewskiZEISS Batis Lenses - Kenneth Hines, Jr.ZEISS Creative Americas2025-01-27 | Join ZEISS Ambassador Kenneth Hines, Jr. for a day shooting around New York City. Kenneth shares with us some tips about his shooting style while using the ZEISS Batis lenses.
See the full interview here: youtu.be/l2PNaVGcwrI?si=5pKg9DxJ9fo6rw3QZEISS Talking Cine - Greg Watermann on using the ZEISS Nano Prime lensesZEISS Creative Americas2024-11-15 | Long time photographer and music video director Greg Watermann recently sat down with ZEISS Cinema to discuss his first time using cine glass for a project and why he chose the ZEISS Nano Prime lenses.
Interviewer: Tony Wisniewski, Senior Manager, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Manager, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Sales, NCAM David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Technical Specialist, NCAM Emily Miele, Cinema Sales Support, Americas
More ZEISS Cinematography Channels: Facebook: facebook.com/ZEISSCinematography Instagram: instagram.com/zeisscinematography Twitter: twitter.com/zeisscine LinkedIn: linkedin.com/showcase/zeiss-cinematography Website: zeiss.com/cine Visit our blog, Lenspire: lenspire.zeiss.com/cine/en #directorofphotography #cinematographer #independentfilmmaker #independentfilm #cinema #awardwinning #indiefilms #filmmaking #cinematography #filmmakerZEISS Talking Cine Carlos R. Diazmunoz, AMC and Tina Alexis Allen - The Mens RoomZEISS Creative Americas2024-10-09 | ZEISS Cinema recently got the opportunity to sit with AMC member Carlos R. Diazmunoz about his work on the excellent short The Men's Room, currently on the festival circut. Along with director Tina Alexis Allen, the pair discuss the genesis of the short and how the looks were created using the ZEISS Supreme Prime family of lenses.
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Manager, Photo and Cinema, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Read more at: lenspire.zeiss.com/cine/en/article/dp-david-wells-chooses-zeiss-nano-primes-for-pov-rig-on-sweepstakes-starring-ludacrisZEISS Nano Primes - True Cinema. For All.ZEISS Creative Americas2024-09-13 | ZEISS Nano Primes are cinema lenses designed for modern full frame mirrorless cameras — initially available for Sony E-mount. Lenses for everyone looking for highest performance and cinematic look in a small package. The six focal lengths all feature a consistent high speed of T1.5, come with a small and robust real cine lens housing with professional cine ergonomics and have an interchangeable mount.
Nano Primes are lenses for all cinematographers. No matter if up-and-coming or seasoned DP. For all budgets. No matter if small or big. For all projects. No matter if for commercials, documentaries or music videos, for series, independent or features films. Lenses that check all the boxes when it comes to look, ergonomics, size and weight or lens data workflow. Lenses that you can afford. Lenses that won‘t let you down.
ZEISS Nano Primes are the go-to lenses for everyday: True Cinema. For All.
zeiss.com/consumer-products/us/cinematography/nano-prime-lenses.htmlZEISS Nano Primes - True Cinema. For All.ZEISS Creative Americas2024-09-13 | ZEISS Nano Primes are cinema lenses designed for modern full frame mirrorless cameras — initially available for Sony E-mount. Lenses for everyone looking for highest performance and cinematic look in a small package. The six focal lengths all feature a consistent high speed of T1.5, come with a small and robust real cine lens housing with professional cine ergonomics and have an interchangeable mount.
Nano Primes are lenses for all cinematographers. No matter if up-and-coming or seasoned DP. For all budgets. No matter if small or big. For all projects. No matter if for commercials, documentaries or music videos, for series, independent or features films. Lenses that check all the boxes when it comes to look, ergonomics, size and weight or lens data workflow. Lenses that you can afford. Lenses that won‘t let you down.
ZEISS Nano Primes are the go-to lenses for everyday: True Cinema. For All.
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Manager, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Manager, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Sales, NCAM David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Technical Specialist, NCAM Emily Miele, Cinema Sales Support, Americas
More ZEISS Cinematography Channels: Facebook: facebook.com/ZEISSCinematography Instagram: instagram.com/zeisscinematography Twitter: twitter.com/zeisscine LinkedIn: linkedin.com/showcase/zeiss-cinematography Website: zeiss.com/cine Visit our blog, Lenspire: lenspire.zeiss.com/cine/en #directorofphotography #cinematographer #independentfilmmaker #independentfilm #cinema #awardwinning #indiefilms #filmmaking #cinematography #filmmakerZEISS Talking Cine - Jack SchurmanZEISS Creative Americas2024-08-01 | ZEISS Cinema got the chance to sit with Emmy Award Winning Cinematographer Jack Schurman and discuss his newest short for Sony, We Regret to Inform You. For this project, Jack chose the ZEISS Nano Prime Lenses to pair with the new Sony Burano camera with excellent results!
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Marketing Manager, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Interviewer: Tony Wisniewski, Senior Marketing Manager, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
#zeisslens #zeisscinematography #zeiss #Nanoprimes #lens #documentary #filmmaker #independentfilmmakerZEISS Conversations - Bongani MlamboZEISS Creative Americas2024-07-01 | ZEISS Cinema hosted cinematographer Bongani Mlambo at the LA showroom to talk about his work on the film WE'RE ALL GONNA DIE. Produced by Rocket Jump and directed by Freddie Wong, this film follows it's characters in a world twelve years after aliens arrive... Bongani used the ZEISS CP.3 and Lightweight Zoom LWZ.3 lenses to capture the look for this film
Interviewer: Tony Wisniewski, Senior Marketing Manager, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Interviewer: Tony Wisniewski, Senior Marketing Manager, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Nick Hayes, Director of Sales, NCAM David Warner, Cinema Technical Sales Specialist, Americas Anna Schmidt, Cinema Marketing, Americas Tanner Grimshaw, Technical Specialist, NCAM Emily Miele, Cinema Sales Support, Americas
#directorofphotography #cinematographer #independentfilmmaker #independentfilm #cinema #awardwinning #indiefilms #filmmaking #cinematography #filmmakerZEISS Talking Cine - Jean-Marie Dreujou, AFC, ASC and Lucie Baudinaud, AFCZEISS Creative Americas2024-06-04 | ZEISS Cinema attended the 2023 Energa CAMERIMAGE in Torun Poland and got the opportunity to sit down with many cinematographers from all over the world.
Cinematographers Jean-Marie Dreujou, AFC, ASC and Lucie Baudinaud, AFC sit down with Helene de Roux and ZEISS to discuss their tremendous body of work in French Cinema and beyond.
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Tony Wisniewski, Senior Marketing Manager, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Anna Schmidt, Cinema Marketing, Americas Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Anna Schmidt, Cinema Marketing, Americas Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Cinematographer Jean-Marc Selva, AFC is an accomplished who has lens work from directors the world over. Here he discusses with ZEISS his approach to working across customs to create a unique look for his films
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Anna Schmidt, Cinema Marketing, Americas Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Cinematographer Elisa Iannacone is a documentarian focused on conflict journalism. She uses her talents to work with survivors of conflict, helping them to tell their story through visual arts.
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Anna Schmidt, Cinema Marketing, Americas Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas
Cinematographer Christopher Probst, ASC discusses his work on the music video for Lana Del Ray, Candy Necklace. This innovative work was an official selection in the 2023 Camerimage Film Festival.
ZEISS Team: Jean-Marc Bouchut, Head of Cinema Sales, Americas Alejandro Alcocer Paez, Director of Cinema Sales, Latin America Anna Schmidt, Cinema Marketing, Americas Nick Hayes, Director of Cinema Sales, US & Canada David Warner, Cinema Technical Sales Specialist, Americas Tanner Grimshaw, Cinema Technical Sales Specialist, Americas Emily Miele, Cinema Sales Support, Americas