Am4d3usM0z4rt
Mozart - Piano Sonata No. 17 in B flat, K. 570 [complete]
updated
Composed 28 February 1791 in Vienna.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
-Dance 1: The first dance begins with a series of repeating phrases that have a rich texture and are emphasised by the violins. Small, light fanfares can be heard throughout the piece being played by the trumpets. At the end of the dance the main theme from the beginning of the dance is repeated in a characterful ending.
-Dance 2: The main tune is once again played by the violins at the beginning, and this main tune is repeated, as is the next phrase. However, this repeat is played at a lower dynamic. The main tune then passes on to a characterful woodwind section. This is followed by an almost waltz-like phrase which has a clear, steady beat that could have easily been danced to.
-Dance 3 Schlittenfahrt: This dance may have been written independently of the others, as it is very different in style. Schlittenfahrt means "Sleigh Ride"; the use of sleigh bells in the piece clearly emphasises this. Before the sleigh bells enter, there is a series of repeating phrases that pass between the trumpets, woodwind and violins. The topography of the dynamics of the tuned sleigh bells make the piece seem like a sleigh ride, as the dynamics rise and fall like a sleigh would over snow. This is followed by a beautiful but simple trumpet solo that gives a very peaceful and clear atmosphere to the piece, like a winter's day. The original repeating phrases then return, but end with a majestic fanfare from the trumpets that passes to the other instruments, then returns to the sleigh bells and trumpet solo again. The piece ends with a diminuendo of the trumpet solo.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro. (In sonata form)
2. Menuetto and Trio.
3. Adagio cantabile.
4. Presto. (Sonata rondo form)
Nevertheless, the music has potential to appeal to the average audience of that time as a comedy, including:
-use of asymmetrical phrasing, or not phrasing by four measure groups, at the beginning of the first movement, which is very uncommon for the classical period,
-use of secondary dominants where subdominant chords are just fair,
-the use of discords in the French horns, satirizing the incompetence of the copyist, or the hornist grabbing the wrong crook,
-use of a whole tone scale in the violinist's high register, probably to imitate the player's floundering at the high positions.
The piece is also notable for the earliest known use of polytonality, creating the gesture of complete collapse with which the finale ends. This may be intended to produce the impression of grossly out-of-tune string playing, since the horns alone conclude in the movement's tonic key: the lower strings behave as if the tonic has suddenly become B flat, while the violins and violas switch to G major, A major and E flat major respectively. Some theorists believe that A Musical Joke is a parody of works by clumsy composers of Mozart's time. With such an assumption, one might find some points of the score humorous, such as the more elementary developments of the theme, where the poor composer might feel the agony that he/she had to proceed with the development. Other theorists disagree with that view, saying that perhaps Mozart used parody and comedy as an excuse to try things that at the time were not in practice; the piece would then be intended in a more serious tone than so advertised but only for the composer himself.
The use of asymmetrical phrasing, whole-tone scales, and multitonality is quite foreign to music of the classical era. However, these techniques were later revisited by early 20th century composers like Claude Debussy and Igor Stravinsky, who were searching for a new musical language. In this later context, these conventions were seen as legitimate new techniques in serious music. In Mozart's time, however, these non-classical elements give the piece its comedy and express the composer's sense of musical humor.
Ironically, A Musical Joke is the first piece entered in Mozart's list of works following the death of his father Leopold on May 28. The established English title A Musical Joke is a poor rendering of the German original: as Fritz Spiegl pointed out, 'Spaß' does not strongly connote the jocular—for which the word 'Scherz' would normally be required. In Spiegl's view, a more accurate translation would have been Some Musical Fun. Perpetuum mobile: Ein musikalischer Scherz op. 257, a polka by Johann Strauss II is likewise (and more correctly) translated as A Musical Joke. In a modernised version by Waldo de los Rios, the opening of the finale of A Musical Joke was used for many years as the theme tune to the BBC's Horse of the Year Show.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
The Maurerische Trauermusik is unusual in other respects, including its use of the Gregorian chant tonus peregrinus, and its inclusion of the basset horn (the latter trait due to fellow Freemason Vincent Springer playing the instrument at the premiere).
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro, common time
2. Adagio, C major, 3/4
3. Rondeau: Allegro, cut time
While both Mozart's and Haydn's duos give the viola lots of double stops, Mozart's duos differ in that the viola also gets many passages in sixteenths, almost in equal proportion to the violin. H. C. Robbins Landon notes in particular of K. 423 that Mozart had retained the knowledge he gained in writing the String Quartet in G major, K. 387 (the finale of which was in turn influenced by Haydn's Symphony No. 23). The set of six was presented as all Haydn's, and Colloredo was unable to "detect in them Mozart's obvious workmanship." By transposing the viola part an octave down and changing to bass clef, the piece is readily playable on cello. Werner Rainer edited such a transcription for Verlag Doblinger.
The G major Duo is almost always paired with the B-flat major Duo, K. 424. The Hungaroton label has a 2-CD set of the Mozart and Haydn duos with Barnabas Kelemen and Katalin Kokas. The Avie label prefers to put Mozart's duos (played by Phillipe Graffin and Nobuko Imai) on a 2-CD set with other pieces by Mozart, such as the Violin Concerto in G, K. 216, and the Sinfonia Concertante in E-flat major, K. 364. The Odeum Guitar Duo has recorded a transcription of K. 423 for two guitars, available as an MP3 download for Pepsi points.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
At the time of its composition in 1779, Mozart was on a tour of Europe that included Mannheim and Paris. The composition's complex orchestral dynamics reflects the increasing technical competence of the European orchestra of that era and was strongly influenced by Mozart's visit to the Mannheim court orchestra during his European tour of 1777 to 1779. Mozart had been experimenting with the sinfonia concertante genre and this work can be considered his most successful realization in this cross-over genre between symphony and concerto. The piece is scored in three movements for solo violin, solo viola, two oboes, two horns, and strings, the latter including two sections of violas.
The solo viola part is written in D major instead of E flat major, and the instrument tuned a semitone sharper (scordatura technique), to give a more brilliant tone. This technique is uncommon when performed on the modern viola and is used mostly in performance on original instruments.
It has also been arranged for cello in place of the viola part.
I. Allegro maestoso, common time
II. Andante, 3/4, in C minor
III. Presto, 2/4
This Sinfonia Concertante has influenced many arrangers to use these themes. In 1808 an uncredited arrangement of the piece for string sextet Grande Sestetto Concertante was published by Sigmund Anton Steiner. All six parts are divided equally among the six players; it is not presented as soloists with accompaniment.
The opening two melodic phrases of "The Windmills of Your Mind," a song from the 1968 film The Thomas Crown Affair, were adopted from the opening of the second movement of the Sinfonia Concertante.
The Sinfonia Concertante was mentioned in William Styron's 1979 novel Sophie's Choice; after a stranger molests Sophie on the subway, she hears the Sinfonia Concertante on the radio, which brings back memories of her childhood in Krakow and snaps her out of her depression.
Variations on the slow second movement were used for the soundtrack to the 1988 Peter Greenaway film Drowning by Numbers by composer Michael Nyman. The original piece is also heard after each of the drownings in the screenplay.
The American composer and bassist Edgar Meyer was so interested in this work that in 1995 he wrote a double concerto for double bass, cello and orchestra that, while very different in style, closely mirrors the structure of Mozart's Sinfonia concertante.
The andante movement of this piece was featured in Nuri Bilge Ceylan's 2002 film Uzak.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro, in common time. This movement is in sonata form with three expositions rather than two -- one played by the orchestra, the other two by the soloists. It contains a written cadenza before the coda.
2. Adagio in common time, with "gentle exchanges of thematic material".
3. Andante con variazioni, a theme with ten variations and a coda. Each variation is separated by "identical, basically decorative orchestral ritornelli". This movement is in 2/4 time until the end of the last variation, where 6 adagio bars in 6/8 time lead to a coda in common time.
Mozart is known through letters and concert announcements to have written a sinfonia concertante for flute, oboe, horn, and bassoon, the original score of which is lost. There is considerable debate about the authenticity of what is performed today, and whether the extant piece is even related to the original work. Highly regarded scholars have conflicting opinions, and some say the composition is currently in a corrupt form. Stanley Sadie, for instance is dismissive. Alfred Einstein considered it genuine. Some have the opinion that it is inconceivable that Mozart wrote a homotonal concerto (i.e. with all three movements in the same key; here E-flat major). The Mozart Project considers this piece as "spurious or doubtful", and it does not appear on their listing of concertos. Mozart displayed affection and prominence for the wind instruments in his operas and concertos. Noteworthy wind passages are in the fifteenth and seventeenth piano concertos, with memorable dialogues with the soloist; flute, oboe and bassoon. In opera there are many arias with similar woodwind and French Horn passages, such as Fiordiligi's "Per pietà, ben mio, perdona" from Così fan tutte. Some authorities believe that these outstanding qualities are also displayed in this piece.The Sinfonia Concertante is popular today, and regularly performed. It is well regarded by professional musicians. Certain passages are of the highest quality, such as the coda of the first movement, which displays a rumbustious and thrilling finale. Robert Levin, who wrote an entire book about the piece, considers the orchestral part and the first movement cadenza to be spurious, and the soloists' role to have been modified by others from the original without having had the orchestral parts as reference. Levin has made a reconstruction of the original piece based on his research. It has been suggested that this piece has a recollective, even autumnal character. The writing for wind instruments here is of such quality that it is only surpassed by the later "Gran Partita" in B-flat major of 1781.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed 1791 in Vienna.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Some manuscripts include an accompanying cello part where the cello part doubles principal notes in the left hand part of the keyboard. Because of this, there is some ambiguity as to whether to classify these pieces as violin sonatas, flute sonatas or keyboard trios. It is likely the works were influenced by a set of similarly scored sonatas (Op. 2) by Queen Charlotte's music teacher Johann Christian Bach ("The London Bach"). Bach befriended the young Mozart and become an important influence on the younger composers evolving style.
Sonata in C, K. 14
1. Allegro
2. Allegro
3. Menuetto I and Menuetto II en Carillon
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Some manuscripts include an accompanying cello part where the cello part doubles principal notes in the left hand part of the keyboard. Because of this, there is some ambiguity as to whether to classify these pieces as violin sonatas, flute sonatas or keyboard trios. It is likely the works were influenced by a set of similarly scored sonatas (Op. 2) by Queen Charlotte's music teacher Johann Christian Bach ("The London Bach"). Bach befriended the young Mozart and become an important influence on the younger composers evolving style.
Sonata in F, K. 13
1. Allegro
2. Andante
3. Menuetto I and II
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed August 1789 in Vienna. Replacement/Alternative for No. 13 Arietta from the opera "Le nozze di Figaro" (The Marriage of Figaro)(K. 492), in Scene II, Act II, for the 1789 Viennese performance.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed 4 March 1788 in Vienna. Librettist: Metastasio.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed 8 January 1783 in Vienna. Librettist: Gaetano Sertor.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed circa 1766. Librettist: Metastasio.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
It is composed as a da capo aria (bars 1--86) with a short middle section ("Ch'io per virtù d'amore", bars 87--100) which has the tempo marking Allegretto and is in the parallel key of A minor. The aria consists almost wholly of two-bar phrases.
After hearing this piece and "Va, dal furor portata" (K. 21) written by the nine year-old Mozart, Baron Grimm predicted that "the boy would have an opera performed in an Italian theatre before he was twelve". As it turned out, Mozart's first work for the stage, Die Schuldigkeit des ersten Gebots, was performed less than 18 month later, and his first work for an Italian theatre, Mitridate, re di Ponto, opened in Milan in 1770 when Mozart was 14 years old.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
The work was completed on April 19, 1787, less than a month before the completion of his stormy G Minor Quintet, K. 516. This would not be the last time that a great pair of C major/G minor works of the same form would be published in close proximity and assigned consecutive Köchel numbers. The following year, the 40th (G minor) and 41st (C major) symphonies would be completed within a few weeks of each other.
This quintet inspired Schubert to write his own string quintet in the same key (his scoring involves two cellos rather than two violas as in Mozart's quintet). The opening theme of Schubert's work retained many of the characteristics of Mozart's opening theme, such as decorative turns, irregular phrase lengths, and rising staccato arpeggios (the latter appear only in Schubert's recapitulation). The work is in standard four movement form:
I. Allegro
II. Andante
III. Menuetto: Allegretto
IV. Allegro
The first movement is massive in scope. Indeed, it is the largest "sonata-allegro" movement before Beethoven, usually taking about a quarter of an hour to perform.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Largo - Allegro moderato
2. Larghetto
3. Allegretto
This structure closely resembles that of a typical sonata. The first movement is a sprightly sonata form Allegro, with themes being passed from instrument to instrument, usually with the piano introducing a theme and accompanying while the oboe, clarinet, horn and bassoon play variations on it. The Larghetto movement is typical of the 2nd movement of other Mozart pieces: soft and gentle, yet still engaging. The Allegretto movement is a "sonata-rondo" of the kind Mozart used as the finale of many of the piano concertos he was writing at this period, and contains a written-out cadenza-like section toward the end.
This piece was the inspiration for the Quintet in E flat for Piano and Winds, Op. 16, by Ludwig van Beethoven, who composed this tribute in 1796. Both compositions use the same scoring.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro moderato
2. Andante (F major)
3. Menuetto and Trio (the latter in D major). Allegretto
4. Allegretto ma non troppo
The first movement is characterized by a sharp contrast between the aperiodicity of the first subject group, characterized by Arnold Schoenberg as "prose-like," and the "wholly periodic" second subject group. In the Andante and the Minuet, "normal expectations of phraseology are confounded." The main part of the Minuet is in minuet sonata form, while "the contrasting major-mode Trio ... is ... almost embarrassingly lightweight on its own ... [but] makes a wonderful foil to the darker character of the Minuet." The last movement is a set of variations.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed End 1782 in Vienna.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
The work is in standard four movement form:
I. Allegro
II. Andante
III. Menuetto in canone
IV. Allegro
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
I. Allegro
II. Adagio
III. Rondeau: Allegro
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
The work was completed on May 16, 1787, less than a month after the completion of his grand C Major Quintet, K. 515. This would not be the last time that a great pair of C major/G minor works of the same form would be published in close proximity and assigned consecutive Köchel numbers. The following year, the 40th (G minor) and 41st (C major) symphonies would be completed within a few weeks of each other.
The mood of the piece is dark and melancholic, typical of Mozart's G minor works. The work is in four movements:
I. Allegro
II. Menuetto: Allegretto
III. Adagio ma non troppo
IV. Adagio - Allegro
The first movement is in sonata form with both the first and second themes beginning in G minor. The movement does not resolve to the major key in the recapitulation and has a minor-key ending.
The minuet is placed second and is a minuet in name only as the turbulent G minor theme and heavy third-beat chords make this movement very undancelike. The central trio is in a bright G major.
The third movement in E-flat major is slow, melancholic and wistful, furthering the despair brought forth by the previous movements. Pyotr Ilyich Tchaikovsky said of this movement: "No one has ever known as well how to interpret so exquisitely in music the sense of resigned and inconsolable sorrow."
The start of the fourth movement is not the typical quick-tempo finale, but a slow cavatina back in the home key of G minor. It is a dirge or lament that is even slower than the previous movement. The music wallows in this dark area for a few minutes before reaching an ominous pause. At this point, Mozart launches unexpectedly into the ebullient G major Allegro which creates a stark contrast between it and the movements that preceded it. Critics have often questioned how such an insouciant and carefree finale could be tacked on after three-plus movements of intense pathos.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
"[as performed by amateurs] it could not please: everybody yawned with boredom over the incomprehensible tintamarre of 4 instruments which did not keep together for four bars on end, and whose senseless concentus never allowed any unity of feeling; but it had to please, it had to be praised! ... what a difference when this much-advertised work of art is performed with the highest degree of accuracy by four skilled musicians who have studied it carefully." The assessment accords with a view widely held of Mozart in his own lifetime, that of a greatly talented composer who wrote very difficult music. At the time the piece was written, the harpsichord was still widely used. Although the piece was originally published with the title "Quatuor pour le Clavecin ou Forte Piano, Violon, Tallie [sic] et Basse," stylistic evidence suggests Mozart intended the piano part for "the 'Viennese' fortepiano of the period" and that our modern piano is "a perfectly acceptable alternative." The work is in three movements:
I. Allegro, in G minor
II. Andante, in B-flat major
III. Rondo (Allegro), in G major
The C. F. Peters Edition set of parts has rehearsal letters throughout the whole work; the Eulenburg Edition study score has measure numbers but no rehearsal letters, the same goes for Bärenreiter.
The quartet is also available in an arrangement for string quintet.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro vivace assai
2. Menuetto and Trio. Moderato
3. Adagio, in E-flat major
4. Allegro assai
Neither Mozart nor Artaria called this piece "The Hunt." "For Mozart's contemporaries, the first movement of K.458 evidently evoked the 'chasse' topic, the main components of which were a 6/8 time signature (sometimes featuring a strong upbeat) and triadic melodies based largely around tonic and dominant chords (doubtless stemming from the physical limitations of the actual hunting horns to notes of the harmonic series)." Its popularity is reflected in its use in various films, such as The Adventures of Huckleberry Finn, Mystery Date and Star Trek: Insurrection.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
I. Allegro vivace assai
II. Menuetto
III. Andante cantabile, in C major
IV. Molto allegro
The first movement, in G major, contrasts fairly diatonic passages with chromatic runs. According to (Williams, 1997) "it must come as something of a surprise to anyone examining this quartet just how much chromaticism there is in it." In contrast to the standard quartet form, which places the minuet as the 3rd movement, this quartet has the minuet as its 2nd movement (another example of this ordering is the String Quartet No. 17). It is a long minuet, written in the tonic key of G major, with its chromatic fourths set apart by note-to-note dynamics changes. The minuet is followed by a slow movement in the subdominant C major, whose theme explores remote key areas.
The fugal theme of four whole notes in the finale points ahead to the finale of Mozart's "Jupiter" Symphony of 1788, a movement which also begins with four whole notes that are used in a fugal fashion, in the coda, and it also points back to Michael Haydn's Symphony No. 23 in which the finale is also a fugato based on a theme of four whole notes, which Mozart copied out the first few bars of and was mistakenly entered into Köchel's original catalog as K. 291.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
All six quartets have only three movements. Four of the quartets (K. 156-159) have slow movements in the minor mode. The finales are generally lightweight, usually minuets or rondos.
Quartet No. 4 in C major, K. 157
Written at the end of 1772 in Milan and premiered in early 1773.
1. Allegro
2. Andante
3. Presto
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
All six quartets have only three movements. Four of the quartets (K. 156-159) have slow movements in the minor mode. The finales are generally lightweight, usually minuets or rondos.
Quartet No. 2 in D major, K. 155
Written in the fall of 1772 in Bolzano.
1. Allegro
2. Andante
3. Molto allegretto
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
The composer indicated that the work was finished on 29 September 1789. This quintet is sometimes referred to as the Stadler Quintet; Mozart so described it in a letter of April 1790. It consists of four movements:
1. Allegro, 4/4
2. Larghetto, 3/4 in D major
3. Menuetto — Trio I — Trio II, 3/4 (Trio I in A minor)
4. Allegretto con Variazioni, 2/2
There are a number of similarities between this quintet and Mozart's Clarinet Concerto. Both are in the same key of A major and were written for the same soloist, Anton Stadler. Both pieces are written for the basset clarinet which has an extended lower range. Also, the first theme of the first movement of each piece begins with a falling minor third. Both the second movements are in the same key (D major) and have similar characters, although they have different tempo markings. There is a direct quotation of two bars in the clarinet line in the second movement of the Concerto of that in the Quintet.
Mozart also wrote a trio for clarinet, viola and piano for Stadler, the so-called Kegelstatt Trio, in 1786.
Alfred Einstein (Mozart: His Character and Work, page 194) notes that while the clarinet "predominates as primus inter pares" (first amongst equals) this is nonetheless "chamber music work of the finest kind" and the roles are distributed more equally than they would be in a more concertante quintet for wind and strings.
Along with his Clarinet Concerto, Mozart's Clarinet Quintet is considered one of Pope Benedict XVI's favorite works of music. The Quintet was famously used in "Goodbye, Farewell and Amen", the final episode of the television series M*A*S*H. A subplot of the episode has one of the main characters, Major Charles Winchester, teaching the piece to a group of Chinese prisoners of war.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
According to the catalog of works Mozart began early the preceding year, the quartet was completed on January 14, 1785. As is normal with Mozart's later quartets, it is in four movements:
1. Adagio-Allegro
2. Andante cantabile - in F major
3. Menuetto. Allegro. (C major, trio in C minor)
4. Allegro molto
The first movement opens with ominous quiet Cs in the cello, joined successively by the viola (on A♭ moving to a G), the second violin (on E♭) and the first violin (on A), thus creating the "dissonance" itself and narrowly avoiding a greater one. This lack of harmony and fixed key continues throughout the slow introduction before resolving into the bright C major of the Allegro section of the first movement, which is in sonata form. Mozart goes on to use chromatic and whole tone scales to outline fourths. Arch shaped lines emphasizing fourths in the first violin (C - F - C) and the violoncello (G - C - C' - G') are combined with lines emphasizing fifths in the second violin and viola. Over the barline between the second and third measures of the example a fourth-suspension can be seen in the second violin's tied C. In another of his string quartets, KV 464, such fourth-suspensions are also very prominent.
The second movement is in sonatina form, i.e. lacking the development section. Alfred Einstein writes of the coda of this movement that "the first violin openly expresses what seemed hidden beneath the conversational play of the subordinate theme." The third movement is a minuet and trio, with the exuberant mood of the minuet darkening into the C minor of the trio. The last movement is also in sonata form.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro, common time
2. Adagio, B minor, 3/4
3. Rondeau: [Allegro], 2/4
Ludwig van Beethoven borrowed from the first movement for his Duo for clarinet and bassoon of 1792. The "distinguished Adagio in B minor, [is] a romantic troubadour song which, in the brevity of its thirty-five bars, hints at the future slow movement of the A major piano concerto (K.488)." There are a number of different editions. The edition of G. Schirmer was edited by Louis Moyse, while that for International music was edited by Jean-Pierre Rampal. The piece has also been arranged for flute and guitar.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
It is in three movements:
1. Andante, Theme and variations
2. Menuetto, D major, 3/4
3. Rondeau: [Allegretto grazioso], 2/4
The third movement is notable for its almost humorously detailed tempo indication: "Rondieaoux: Allegretto grazioso, ma non troppo presto, pero non troppo adagio. Così-così—non molto garbo ed espressione" (or, translated, "A joke rondo: Allegretto grazioso, but not too fast, nor too slow. So-so—with great elegance and expression").
A typical performance lasts about 11 minutes.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed April 1781, in Vienna.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Andante cantabile
2. Allegro
3. Andante con variazioni
The movements are ordered in a non-standard manner with the "slow" movement first and the expansive Allegro in sonata form form placed second. There is significant dialogue between the violin and keyboard in the opening movement, but the keyboard dominates the latter two. The sonata ends with a set of six variations on a simple theme. The fourth variation is the only variation to feature the violin prominently and the fifth variation is in F minor for keyboard alone. The second movement was arranged for solo piano along with a transcription of the finale of the piano sonata in C, K. 545 to form the Piano Sonata in F major, K. 547a.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed early 1779 or 1781, in Salzburg or Vienna.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed summer 1781, in Vienna.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed summer 1781, in Vienna.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Composed summer 1778, in Paris.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro
2. Tempo di Menuetto
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
The work consists of three movements:
1. Allegro vivace
2. Andante sostenuto
3. Allegro
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
The work consists of two movements:
1. Allegro con Spirito
2. Allegro
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Mozart would have been between 6 and 8 years of age when he composed these works; hence it is believed by many that it was written down for the boy by his father, Leopold: all four of these early sonatas are preserved in Leopold's handwriting.
All of Mozart's early violin sonatas are really keyboard sonatas with violin accompaniment, a fact which is made clear from the original title of the four sonatas K. 6-9: Sonates pour le clavecin qui peuvent se jouer avec l'accompagnement de violon ("Sonatas for the keyboard, which may be played with violin accompaniment"). It is quite legitimate, therefore, to perform these works on a keyboard alone.
In composing these early sonatas, Mozart may have been influenced by the German keyboard player and composer Johann Schobert, who was living and working in Paris when the Mozarts arrived there in November 1763. Schobert, in fact, had already published a number of keyboard sonatas with violin accompaniment, which possibly served as models for the young Mozart.
Sonata in G for Keyboard and Violin, K. 9:
Composed and published in 1764 in Paris as Op. 2, No. 2.
1. Allegro spiritoso
2. Andante
3. Menuet I and II
Mozart reused a melody from minuet in the slow movement of the unnumbered Symphony in D, K. 95/73n.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
These works show an improvement in compositional technique over the sets for Paris (KV 6-9) and London (KV 10-15), although like the previous sets, the keyboard part dominates and the violin may be considered optional.
Mozart composed all three early sets of accompanied sonatas while touring northwest Europe. These types of sonatas were not favored at home in Salzburg. Mozart would not revisit this genre until 1777-78 on a trip to Mannheim and Paris.
Sonata in C, K. 28:
1. Allegro maestoso
2. Allegro grazioso
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Mozart would have been between 6 and 8 years of age when he composed these works; hence it is believed by many that it was written down for the boy by his father, Leopold: all four of these early sonatas are preserved in Leopold's handwriting.
All of Mozart's early violin sonatas are really keyboard sonatas with violin accompaniment, a fact which is made clear from the original title of the four sonatas K. 6-9: Sonates pour le clavecin qui peuvent se jouer avec l'accompagnement de violon ("Sonatas for the keyboard, which may be played with violin accompaniment"). It is quite legitimate, therefore, to perform these works on a keyboard alone.
In composing these early sonatas, Mozart may have been influenced by the German keyboard player and composer Johann Schobert, who was living and working in Paris when the Mozarts arrived there in November 1763. Schobert, in fact, had already published a number of keyboard sonatas with violin accompaniment, which possibly served as models for the young Mozart.
Sonata in D for Keyboard and Violin, K. 7:
The work was published during the Mozart family's Grand Tour of Europe in Paris in January 1764. Along with the K. 6 sonata, Mozart's father Leopold published them as Wolfgang's Opus 1 and had them dedicated to Princess Victoire of France. A later set of sonatas, in 1777-8, was also published as Opus 1. The sonata is in of D major and is set in three movements:
1. Allegro molto
2. Adagio
3. Menuet I and II
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
Mozart would have been between 6 and 8 years of age when he composed these works; hence it is believed by many that it was written down for the boy by his father, Leopold: all four of these early sonatas are preserved in Leopold's handwriting.
All of Mozart's early violin sonatas are really keyboard sonatas with violin accompaniment, a fact which is made clear from the original title of the four sonatas K. 6-9: Sonates pour le clavecin qui peuvent se jouer avec l'accompagnement de violon ("Sonatas for the keyboard, which may be played with violin accompaniment"). It is quite legitimate, therefore, to perform these works on a keyboard alone.
In composing these early sonatas, Mozart may have been influenced by the German keyboard player and composer Johann Schobert, who was living and working in Paris when the Mozarts arrived there in November 1763. Schobert, in fact, had already published a number of keyboard sonatas with violin accompaniment, which possibly served as models for the young Mozart.
Sonata in C for Keyboard and Violin, K. 6:
The precise date and location of composition is disputed: some suggest that it was written in Salzburg, the boy's home town, in 1762 or 1763; others suggest that it was written in Paris in 1763 or 1764, during Mozart's first visit to that city. It was published in Paris in February 1764, along with another violin sonata, K. 7, as Mozart's "Opus 1".
K6 has 4 movements, the third being a pair of menuets:
1. Allegro
2. Andante
3. Menuet I & II
4. Allegro molto
The keyboard and violin interact in various ways throughout the piece: the violin echoing the tune of the keyboard, the two moving in synchronicity. The violin sometimes doubles the tune while the keyboard provides the bass. It is quite a lively and light-hearted work. Mozart successfully employs Alberti bass in this sonata.
The Notenbuch für Nannerl contains versions for solo piano of the first three movements of this sonata. It is thought that the first and second of these movements and the Menuet I from the third movement were inscribed in the Notenbuch by Leopold in Brussels in 1763. A version for solo piano of Menuet II (together with a piano version of the third movement of Leopold's Serenade in D) can also be found in Leopold's hand in the Notenbuch with the comment, di Wolfgango Mozart d. 16ten Julÿ 1762 ("by Wolfgang Mozart on 16 July 1762); Mozart was in Salzburg on that date.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro assai, 3/4
2. Andante moderato, 2/4
3. Menuetto, 3/4
4. Finale: Allegro assai, 2/4.
The autograph score is today preserved in the Biblioteka Jagiellońska, in Kraków.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro spiritoso, 4/4
2. Andantino grazioso, 3/8
3. Presto assai, 2/4.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro, 3/4
2. Andante, 2/4
3. Menuetto: Trio, 3/4
4. Allegro, 2/2.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D
1. Allegro:
The first movement, in D major and 4/4 time, is written in sonata-allegro form, with the notable deviation of the recapitulation being the mirror image of the exposition. That is, the recapitulation starts with the second theme, and Mozart waits until the very end to unveil the return of the first theme. He does so by first bringing the theme in softly with the strings, then repeating with the strings now doubled by the trumpets.
2. Andante:
The second movement, in A major and 2/4, features strings with a solo flute, which typically doubles the first violin one octave higher. The violins play with mutes throughout the movement, and the bass part is played pizzicato. These features, in combination, give the movement a delicate texture.
3. Menuetto; Trio:
This minuet in D major starts boldly. A more subdued trio written primarily for strings (with a bit of oboe).
4. [Allegro]:
The fourth movement, also in D major, is a long dance in 12/8 time cast in sonata-allegro form. Though Mozart himself did not label the tempo of the fourth movement, the character of the piece and the standard symphonic form of the time indicates that Mozart probably intended the piece to go at an "allegro" tempo.
-----------------------------------------------------------------------------
FREE .mp3 and .wav files of all Mozart's music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start.php?l=2
ALSO check out these cool sites: http://musopen.org
and http://imslp.org/wiki
-------------------------------------------------------------------------
NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.
-------------------------------------------------------------------------------
ENJOY!!!! :D