NFSA Film Australia
Tomorrows Canberra
updated
This newly restored 4K Australian Diary newsreel captures a remarkable moment in 1959, when Australia’s poultry industry was scaling rapidly and exporting day-old chicks by air to markets including Mauritius, Hong Kong, Borneo and the United States.
From mechanical incubators to expert chick sorting, the film reveals the speed and coordination behind an industry built for global reach. Made a time when technological advancement and Australian agriculture was booming, the footage presents an image of industrial prowess. The fluffy chicks on display aren’t treated with particular coziness or warmth - the focus is squarely on the momentum of the production line and mid-century innovation. The voiceover narration, meanwhile, takes on a more personal tone. Laidback and accessible language explains the system to audiences, drawing everyday Australians into their country’s export ambitions.
The Australian Diary series was produced by the Commonwealth Film Unit (later Film Australia) from the late 1940s into the early 1970s. Designed as short cinema newsreels, the films showcased Australian life, international visitors, cultural events, science, sport and industry. Today, the collection forms part of the National Film and Sound Archive of Australia (NFSA), preserving important moving image records of Australia’s social and cultural history.
Watch more Australian Colour Diary films here: youtube.com/playlist?list=PLCED13FCE809FD297
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Australian Colour Diary. No. 112
NFSA ID: PFQXZ3AQ
Year: 1959
Credits:
Production Company: Australian News And Information Bureau. Film Division
Director: Jack S. Allan
Narrator: Harry Dearth
#AustralianDiary #NFSA #NFSACollection #AustralianHistory #NFSAFilms #4KRestoration #ArchiveFilm #Newsreel #Agriculture #Farming #GlobalTrade #Easter
Backstage at Sydney Town Hall, Conductor Dean Dixon prepares for performance, shaping every movement before a single note is played.
Watch the whole film here: youtu.be/BDa4AGhzbHE
Title: Concerto for Orchestra
NFSA ID: K73NRR9E
Year: 1965
Director: Robert Parker
Producer: Stanley Hawes
Associate Producer: Malcolm Otton
Production Company: Australian Commonwealth Film Unit
#SydneySymphonyOrchestra #ConcertoForOrchestra #BelaBartok #ClassicalMusic #NFSA
Filmed as part of the Australian Colour Diary series, this documentary follows the Royal Australian Air Force and Victorian Fisheries and Game Department as they conduct a unique seal census at Seal Rocks. With access only possible by helicopter due to treacherous seas, the film captures intimate behaviours of seals during breeding season, from protective mothers to territorial bulls.
This remarkable record highlights early wildlife conservation efforts in Australia, preserving a vivid portrait of seal life in the 1950s.
Watch more Australian Colour Diary films here: youtube.com/playlist?list=PLCED13FCE809FD297
Subscribe for more Australian archival films in stunning 4K:
youtube.com/@NFSAFilmAustralia
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Australian Colour Diary. No. 1 - Nature Study of Seals at Phillip Island
Series: Australian Colour Diary
NFSA ID: PCDGM76X
Year: 1957
Australian News And Information Bureau. Film Division
Director: Jack S Allan
Narrator: Harry Dearth
#AustralianColourDiary #NFSAFilms #PhillipIsland #SealRocks #WildlifeFilm #AustralianHistory #4KRestoration
This Australian Colour Diary clip captures a rapid-fire sequence of flips, somersaults and a daring group formation, ending with their motto: a sound mind in a sound body.
Watch the full film here:
youtube.com/watch?v=PEAMeUahU1U
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Australian Colour Diary. No. 2
NFSA ID: 1395
Year: 1957
Credits:
Australian News And Information Bureau. Film Division
Director: Jack S. Allan
Narrator: Harry Dearth
#Shorts #Gymnastics #VintageGymnastics #1950s #AustralianColourDiary #NFSA #ArchiveFilm #Denmark #Acrobatics #GymnasticsHistory
This 4K presentation of an Australian Colour Diary film from 1957 captures the visit of a youth gymnastics troupe selected from some of Denmark’s most talented young athletes. The group travelled internationally to promote physical fitness and cultural exchange.
The team included 15 young women performing rhythmic gymnastics and 17 men demonstrating strength, tumbling and coordinated group routines. Filmed at a Royal Australian Air Force base, the display features balance beam work, acrobatic tumbling, resistance exercises and high speed gymnastics performed with remarkable precision.
All members of the team were amateurs who funded their own travel, relying on admission receipts to cover the costs of the tour.
This historic footage has been digitally restored and presented in 4K, bringing new clarity to the original colour images from the Australian Colour Diary series.
The Australian Colour Diary series was produced by the Commonwealth Film Unit (later Film Australia) from the late 1950s into the early 1970s. Designed as short cinema newsreels, the films showcased Australian life, international visitors, cultural events, science, sport and industry in vivid colour.
Today the collection forms part of the National Film and Sound Archive of Australia (NFSA), preserving important moving image records of Australia’s social and cultural history.
Watch more Australian Colour Diary films here:
youtube.com/playlist?list=PLCED13FCE809FD297
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Australian Colour Diary. No. 2
NFSA ID: 1395
Year: 1957
Credits:
Australian News And Information Bureau. Film Division
Director: Jack S. Allan
Narrator: Harry Dearth
#AustralianColourDiary #NFSA #GymnasticsHistory #1950sSport #Denmark #FilmAustraliaCollection #ArchiveFilm #VintageGymnastics #QueenMaryDenmark
Watch the full story of Elizabeth Reimer and the Moomba Queen tiara here: youtube.com/watch?v=PEAMeUahU1U
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Australian Colour Diary. No.18
NFSA ID: 1416
Year: 1961
Credits:
Producer: Australia. Dept of the Interior
Production Company: Australian News and Information Bureau. Film Division
Director: Jack S. Allan
#MoombaFestival #1961 #AustralianHistory #NFSA
The film shows Reimer’s meticulous creative process, where she draws inspiration from the Australian landscape. Viewers are given a close-up look of every painstaking step: from original sketches to the deft handiwork of craftsmen to the striking finished pieces. Drawing on both her classical European training and the sculptural forms of Australian wildflowers, Reimer translated more than twenty species into intricate wearable jewellery. Vivid colour film stock captures how Reimer reproduces their colours and textures through handcrafting, casting and hand painting.
Born in Hungary into a family of silversmiths and jewellers, Reimer trained at the Budapest Academy of Art and the Manchester School of Art before emigrating to Australia in the late 1930s. Inspired by the popularity of costume jewellery in post-war United States, she began producing pieces in a garden shed under the name ‘Arcansas’, later opening a studio in Mosman that employed dozens of staff. Among her most celebrated works was an elaborate tiara created for Moomba Queen Rhonda Parker. Her Arcansas designs were also exported internationally to markets including America, Canada, Singapore and Japan.
The documentary illuminates how migrant enterprise, the beauty of Australian flora and national celebration became intertwined in Reimer’s work – while also revealing the skilled hands and artistic precision behind each design.
Filmed between 1957 and 1971, the Australian Colour Diary series captures how Australians lived, worked and played across city and country, documenting a proud, diverse and constantly changing nation through informative, entertaining and often quirky short colour films.
Explore more stories from the Australian Colour Diary series in our curated playlist: youtube.com/playlist?list=PLCED13FCE809FD297
CHAPTERS
0:00 Introduction to Elizabeth Reimer
0:50 Wildflower-inspired jewellery designs
1:24 Crafting petals and components by hand
1:59 Casting and moulding process
2:24 Hand painting and finishing details
2:53 Tiara created for the Moomba Queen
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Australian Colour Diary. No.18
NFSA ID: 1416
Year: 1961
Credits:
Producer: Australia. Dept of the Interior
Production Company: Australian News and Information Bureau. Film Division
Director: Jack S. Allan
#AustralianColourDiary #AustralianHistory #VintageJewellery #MoombaFestival #filmaustraliacollection #WomenInBusiness #DesignHistory #NFSA #AustralianDesign #MigrantStories #ArchivalFilm
Filmed primarily at Hawthorn West Primary School in Melbourne, this 1971 clip is a window into Australia when it was redefining what children’s learning could be. Personal narration from a kindergarten schoolteacher offers precious insight: schools had a focus on independence, and teachers were still hashing out the best approach. Particularly when ‘proper kindergarten’ was still largely inaccessible.
These kids with their distinctly 70s attire and briefcases may seem distant, but much will seem familiar for parents and guardians. The pain of separation, the busy but determined teacher, the joy of play and discovery.
Watch the full documentary ‘I’m Going to School Today,’ on our channel @NFSAFilmAustralia
From the National Film and Sound Archive of Australia Collection
Title: I'm Going To School Today
NFSA ID: 22856
Year: 1971
Credits:
Production company: Australian Commonwealth Film Unit
Director: Henry Lewes
Director of Photography: Don McAlpine
#AustralianHistory #EducationHistory #AustralianSchools #1970sAustralia #NFSA #FilmAustraliaCollection #AustralianDocumentary
This is the sort of town where a fuelling agent and storekeeper is also the mayor. Through the lives of local families, workers and civic leaders, the film showcases Geraldton’s rapid growth: from a population of 7 in 1850 to over 12,000 by the mid-1960s. Schools, hospitals, housing developments and civic projects frame the town as modern and family-friendly, while industries like cray fishing, farming, shipping and building drive its economic future. Geraldton’s beaches, sports facilities, and community theatres round out the picture of a lively, welcoming town.
The Life in Australia films (1964–66) were designed as glossy promotion for migration. They promised comfort and prosperity, but with limits: gender roles are rigid, First Nations people are absent, and inclusiveness was not part of the story. Produced in the final years of the White Australia Policy, the films closely predate the landmark 1967 Referendum.
Today, they stand as vivid time capsules—revealing both the optimism and the blind spots in how Australia wanted to be seen on the world stage.
👉 Recognise a face or place? Share your knowledge in the comments!
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Geraldton: Life In Australia
NFSA ID: 13304
Year: 1966
Credits:
Australian Commonwealth Film Unit
Director: Chris McCullough
Producer: Eric Thompson
Photography: Reginald Pearse
Music: Werner Baer
Find out more about the Life in Australia series on the NFSA website:
https://www.nfsa.gov.au/latest/life-australia
#LifeInAustralia #Geraldton #AustralianHistory #NFSA #VintageAustralia #1960sAustralia #WesternAustralia #filmaustraliacollection
Through the lives of a factory foreman, a trainee nurse, a local reporter, a farmer and a town planner, it explores work, study, recreation and family life. The Murrumbidgee River, strong community spirit, and ambitious planning for the city’s future are all part of the sales pitch for a new start down under. The meaning of Wagga Wagga comes from the Wiradjuri language and is now officially defined as “many dances and celebrations,” though it was historically known as “the place of many crows.”
Unique within the series, Wagga Wagga was the only Life in Australia film directed by a woman—Rhonda Small. An Australian filmmaker who worked at the Commonwealth Film Unit from 1958 to 1967, she began as an editor before moving into directing. You can explore more of her work in our dedicated playlist: youtube.com/playlist?list=PLYjU0Xph-Gj5jtbneTpQzDYwR3ocLekal
The Life in Australia series (1964–66) was designed as glossy promotion for migration. They promised comfort and prosperity, but with limits: gender roles are rigid, First Nations people are absent, and inclusiveness was not part of the story. Produced in the final years of the White Australia Policy, the films closely predate the landmark 1967 Referendum.
Today, they stand as vivid time capsules—revealing both the optimism and the blind spots in how Australia wanted to be seen on the world stage.
👉 Recognise a face or place? Share your knowledge in the comments!
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Wagga Wagga: Life In Australia
NFSA ID: 13309
Year: 1965
Credits:
Australian Commonwealth Film Unit
Director: Rhonda Small
Producer: Eric Thompson
Photography: Richard Tucker
Music: Kurt Herweg
Find out more about the Life in Australia series on the NFSA website:
https://www.nfsa.gov.au/collection/curated/life-australia
For reuse and licensing enquiries, please contact: access@nfsa.gov.au
#LifeInAustralia #WaggaWagga #AustralianHistory #NFSA #VintageAustralia #1960sAustralia #regionalaustralia
Told through the local newspaper’s eyes, it explores daily life – work, study, shopping, sport, health care and leisure. The bustling centre, sunny beaches and active community life are all part of the sales pitch for a new start down under.
The Life in Australia series (1964–66) was designed as glossy promotion for migration. They promised comfort and prosperity – but with limits. Gender roles are rigid, First Nations people are absent, and inclusiveness is not part of the story. Produced in the final years of the White Australia Policy, the films sit on the cusp of the landmark 1967 Referendum.
Today, they stand as vivid time capsules – showing both the optimism and the blind spots in how Australia wanted to be seen on the world stage.
👉 Recognise a face or place? Let us know in the comments!
👉 We’d love to hear from you in the comments if you have any information about the people or places featured in this film!
From the Film Australia Collection, National Film and Sound Archive of Australia
NFSA ID: 49014
Credits:
Australian Commonwealth Film Unit
Director: Henry Lewes
Producer: Eric Thompson
Music: Lawrie Lewis
Find out more about the Life in Australia series on the NFSA website:
https://www.nfsa.gov.au/latest/life-australia
For reuse and licensing enquiries, please contact: access@nfsa.gov.au
#LifeInAustralia #PerthHistory #WesternAustralia #NFSA #AustralianHistory #VintageAustralia #1960sAustralia #Perth #FilmAustralia #FilmAustraliaCollection #4KRestoration
It’s a portrait of small-town Australia where industry is calm and orderly, neighbours know each other’s names, and nature and community are intertwined. Comfort, beauty, leisure and plenty are the offer – a ‘Lucky Country’ vision that captures the optimism of 20th-century officialdom, while smoothing over the divisions and complexities of 1960s Australia.
The Life in Australia series showcased Australian towns and cities in an idyllic light, hoping to attract prospective immigrants with carefully tailored visions of a peaceful, prosperous life. The films were made in the time of the White Australia policy, and the invitation to middle-class families is clear.
If you recognise people, places or events in this film, we’d love to hear from you in the comments – your insights help preserve Australia’s rich social history.
From the Film Australia Collection, National Film and Sound Archive of Australia
NFSA ID: 56978
Credits:
Australian Commonwealth Film Unit
Director: Chris McCullough
Producer: Eric Thompson
Cinematographer: Volk Mol
Composer: Nigel Butterley
Find out more about the Life in Australia series on the NFSA website:
https://www.nfsa.gov.au/latest/life-australia
For reuse and licensing enquiries, please contact: access@nfsa.gov.au
#MountGambier #LifeInAustralia #FilmAustraliaCollection #1960sAustralia #SouthAustraliaHistory #BlueLake #AustralianHistory #NFSA #NationalFilmAndSoundArchive #VintageAustralia #AustralianDocumentary #AustralianFilmHistory #MidCenturyAustralia #1960sFilm #AustralianCinema #RegionalAustralia #AustralianHeritage #HistoricalAustralia #Australia1960s #RuralAustraliaHistory #BlueLakeMountGambier #MountGambierHistory #AustralianTourismHistory
We acknowledge John Butkiewicz of the Lambton Mount Lacrosse Club for drawing attention to this clip through his work on lacrosse history.
#AustralianLacrosse #LacrosseHistory #AustralianChampionships #SubiacoOval #SportsHistory #Lacrosse
Produced by the Commonwealth Film Unit as part of a government-sponsored effort in the 1960s to showcase a peaceful, prosperous life in Australian regional centres and cities.
@NFSAFilmAustralia
From the Film Australia Collection, National Film and Sound Archive of Australia
NFSA ID: 55619
Credits:
Australian Commonwealth Film Unit
Producer: Eric Thompson
Cinematographer: Bruce Hillyard
Find out more about the Life in Australia series on the NFSA website:
https://www.nfsa.gov.au/latest/life-a...
#LifeInAustralia #Cairns #CairnsHistory #FNQ #TropicalAustralia #VintageAustralia #FilmAustralia #NFSA #4KRestoration #AustralianHistory #PostwarAustralia #1960sLifestyle #AussieHistory #Australia
In 'Cairns', we see a tropical city framed by cane fields and coastline, where the rhythms of sugar harvesting meet the seasonal buzz of winter tourism. As with other films in this series, 'Cairns' presents a highly polished version of daily life: a vision of Australia shaped by optimism, uniformity and the government agendas of the time.
These films are fascinating cultural artefacts – not just for what they show, but for how they show it. Viewed today, 'Life in Australia: Cairns' offers insights into Australia’s postwar identity and values, and the idealised image the country wanted the world to see.
We would love to hear from you in the comments if you have any information about the people or places in this film!
From the Film Australia Collection, National Film and Sound Archive of Australia
NFSA ID: 55619
Credits:
Australian Commonwealth Film Unit
Producer: Eric Thompson
Cinematographer: Bruce Hillyard
Find out more about the Life in Australia series on the NFSA website:
https://www.nfsa.gov.au/latest/life-australia
For reuse and licensing enquiries, please contact: access@nfsa.gov.au
#LifeInAustralia #Cairns #Queensland #CairnsHistory #QueenslandHistory #TropicalAustralia
#FNQ #NFSA #AustralianHistory #VintageAustralia #FilmAustralia #FilmAustraliaCollection #1960sAustralia #HistoryInFilm #4KRestoration #MigrationHistory #PostwarAustralia #Cairns1960s #AussieHistory #Australia
There’s an element of parochial pride in the narration, which extols Hobart’s harbour as one of the five best in the world, lingers on the IXL factory with its annual production of 13 million tins, and sings the praises of Tasmanian apples, ‘which might grace even the table of the Royal house.’ That touch of Anglophilia is echoed in the descriptions of the Derwent valley, with its crops of fruit and hops, as reminiscent of ‘old England’.
This may be quaint in the context of orchards, but takes on a more sinister note in a visit to Hobart’s Beaumaris Zoo, where a Tasmanian devil on a leash is chivvied while the narrator accuses it of being ‘spiteful and cunning’. Harder still to watch is the footage of the last surviving thylacine (Tasmanian tiger) in captivity, pacing its small, barren cage. It’s a reminder of the care that must be taken to preserve and protect what makes Tasmania wonderful. Since 1996, Threatened Species Day has been held in Australia on 7 September, the day this thylacine died.
Tasmania the Wonderful, although it seems to be incomplete, remains a detailed and valuable record of Hobart in the 1930s.
Discover more incredible archival footage from Tasmania at the NFSA: https://www.nfsa.gov.au/
NFSA ID: 55567
For reuse and licensing enquiries, please contact: access@nfsa.gov.au
#TasmaniaHistory #AustralianHistory #1930sAustralia #VintageTasmania #TasmanianTiger #Thylacine #NFSA #4K Restoration #AustraliaIn4K #ArchivalFootage #TravelDocumentary
Day is for industry: photogenic factories where ingenious machines are operated by expert hands; a thriving retail centre; orderly schools. Night is for neon, rock dancing, dinner dancing and the ballet. Leisure is plentiful: art galleries, historic homes, water sports, cycling and even archery beguile the time. Social bonds are formed at church and the agricultural show, and even the hospital is a place of smiles and flowers.
Despite a glimpse of a Buddhist statue, Life in Australia: Launceston is tailored to portray a certain model of ideal living that excludes dissent or difference: there is no mention of the city’s First Nations history, and class is elided in these crowds of happy, productive citizens enjoying life together.
For modern viewers, the lovingly shot details of vintage Launceston remain the film’s enduring interest and pleasure.
We would love to hear from you in the comments if you have any information about the people or places in this film!
From the Film Australia Collection, National Film and Sound Archive of Australia
NFSA ID: 44007
Credits:
Australian Commonwealth Film Unit
Directors: Peter Young and John Edwards
Producer: Eric Thompson
Cinematographers/Directors of Photography: Rodney Musch and Reginald Pearse
Find out more about the Life in Australia series on the NFSA website:
https://www.nfsa.gov.au/latest/life-australia
For reuse and licensing enquiries, please contact: access@nfsa.gov.au
#LifeInAustralia #Launceston #Tasmania #NFSA #AustralianHistory #VintageAustralia #FilmAustralia #FilmAustraliaCollection #1960sAustralia #HistoryInFilm #4KRestoration
Life in Australia: Hobart (now restored in 4K) uses the device of a cheery postman on his round to stitch together various scenes of the city, from its parks, fountains and shopping arcades to its harbourside views and glamorous theatre crowds. Factories, schools, laboratories and construction sites are shown as sites of calm and orderly industry, with the camera and soundtrack rendering production lines in almost balletic terms. Bowls, beers, bands and boats are the reward for a productive day.
Small-town friendliness with comfort, beauty, leisure and plenty is the offer, a ‘Lucky Country’ vision that captures the ideals of 20th-century officialdom – and its omissions. The divisions, diversity and complexity of 1960s Australia are smoothed into a homogenous dreamland with a soap-opera soundtrack, even as the film captures fascinating details of mid-century Hobart.
We would love to hear from you in the comments if you have any information about the people or places in this film!
From the Film Australia Collection, National Film and Sound Archive of Australia
NFSA ID: 55723
Credits:
Australian Commonwealth Film Unit
Director: Donald Anderson
Producer: Eric Thompson
Cinematographer/Director of Photography: Peter McKinley
Find out more about the Life in Australia series on the NFSA website:
https://www.nfsa.gov.au/latest/life-australia
For reuse and licensing enquiries, please contact: access@nfsa.gov.au
#LifeInAustralia #Hobart #Tasmania #NFSA #AustralianHistory #VintageAustralia #FilmAustralia #FilmAustraliaCollection #1960sAustralia #HistoryInFilm #4KRestoration
Directed by James Jeffrey and produced by the Commonwealth Film Unit for the Department of Immigration, it’s part of the Life in Australia series: Government-made films created to encourage (mostly British) migration through sunny, idealised portraits of Australian life.
In this version of Adelaide, the streets are tidy. The people are cheerful. The jobs are plentiful and the sun always seems to shine. From factory floors to football fields, the city appears secure, suburban and deeply self-assured – a carefully staged vision of the good life.
The 4K restoration brings out every detail. Letterpress signs. Lacquered hairstyles. The gleam of Holden hubcaps and polished verandahs. It’s a rich and polished view of mid-century Australia, but one with notable omissions.
Made during the final years of the White Australia policy, the film reflects a narrow version of the nation. There’s no sign of First Nations peoples. No real cultural diversity. No hint of the political and social changes already reshaping the decade. Women are shown mostly in domestic roles, and public life feels calm to the point of sedation.
Viewed today, it plays more like a mid-century sitcom than a documentary: a vivid time capsule that shows not just how Australia looked, but how it wanted to be seen.
🎞 From the Film Australia Collection of the National Film and Sound Archive of Australia (NFSA).
If you recognise any people or places featured in this film, we’d love to hear from you in the comments!
For reuse and licensing enquiries, please contact: access@nfsa.gov.au
#LifeInAustralia #Adelaide #NFSA #AustralianHistory #VintageAustralia #FilmAustralia #1960sAustralia #MigrationHistory #WhiteAustraliaPolicy #HistoryInFilm #4KRestoration #PostwarAustralia #FirstNationsHistory
But Geelong is very much a film of its time.
Made in the final years of the White Australia policy, this government-funded series was created to appeal to (mostly British) migrants, presenting a carefully curated image of Australia as a land of opportunity and prosperity. What’s missing tells us just as much as what’s included — there are no First Nations people, no visible cultural diversity, and women are portrayed in traditional domestic and clerical roles.
Viewed today, these films offer a fascinating glimpse into the mid-20th century Australian self-image: aspirational, orderly, and framed like a TV sitcom of the era. While they don’t reflect the full complexity or diversity of Australian society — especially during a decade marked by protest, reform, and transformation — they remain compelling time capsules of a nation in the midst of change.
Find out more about the Life In Australia series on the NFSA website: https://www.nfsa.gov.au/latest/life-australia
#LifeInAustralia #Geelong #NFSA #AustralianHistory #VintageAustralia #FilmAustralia #1960sAustralia #MigrationHistory #WhiteAustraliaPolicy #HistoryInFilm #4KRestoration
This Film Australia Collection title complements Off the Record, a capsule on NFSA Player that deepens SBS’s Australia: An Unofficial History featuring thought-provoking titles about work, society and the shifting landscape of 1970s Australia.
Browse the full capsule at https://www.nfsa.gov.au/player
Watch Australia: An Unofficial History: https://www.sbs.com.au/ondemand/tv-series/australia-an-unofficial-history
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Changes in the Office
NFSA ID: 14947
Year: 1976
Credits:
Film Australia
Director: Keith Gow
#WorkplaceRights #UnionHistory #1970sAustralia #NFSAPlayer #FilmAustraliaCollection #nfsa #JackiWeaver
This Film Australia Collection title complements Off the Record, a capsule on NFSA Player that deepens SBS’s Australia: An Unofficial History featuring thought-provoking titles about work, society and the shifting landscape of 1970s Australia.
Browse the full capsule at https://www.nfsa.gov.au/player
Watch Australia: An Unofficial History: https://www.sbs.com.au/ondemand/tv-series/australia-an-unofficial-history
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: A City Family
NFSA ID: 21259
Year: 1971
Credits:
Australian Commonwealth Film Unit
Director: Christopher McGill
Producer: Donald Crombie
Director of Photography: Michael Edols
Editor: Richard Moir
#AustralianFamilies #1970sLife #CityLiving #NFSAPlayer #FilmAustraliaCollection #nfsa #sbs
This is one of many surprising Film Australia Collection titles that complement Off the Record, now streaming on NFSA Player — a capsule of thought-provoking films that deepens SBS’s Australia: An Unofficial History series, capturing Australian life from new angles.
Browse the full capsule at https://www.nfsa.gov.au/player
Watch Australia: An Unofficial History: https://www.sbs.com.au/ondemand/tv-series/australia-an-unofficial-history
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: Rooftopics
NFSA ID: 50040
Year: 1971
Credits:
Australian Commonwealth Film Unit
Director: Antonio Calacino
Producer: Joe Scully
Director of Photography: George Alexander
Composer: Eric Gross
#sydney #AustralianCities #1970sAnimation #FilmAustraliaCollection #nfsa
This Film Australia Collection title complements Off the Record, a capsule on NFSA Player that deepens SBS’s Australia: An Unofficial History series, and features thought-provoking titles that explore daily life, work and change in 1970s Australia.
Browse the full capsule at https://www.nfsa.gov.au/player
Watch Australia: An Unofficial History: https://www.sbs.com.au/ondemand/tv-series/australia-an-unofficial-history
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: A City Family
NFSA ID: 21259
Year: 1971
Credits:
Film Australia
Sponsor
Australia. Dept of Tourism and Recreation
Director: Deborah Kingsland
Producer: Suzanne Baker
Director of Photography: John Hosking
Editor: Ian Weddell
Cast/Actor
Max Cullen
CHAPTERS:
7:11 Now You Can Do It
#WomensVoices #1970sAustralia #DomesticLabour #FilmAustraliaCollection #nfsa
This Film Australia Collection title complements Off the Record, a capsule on NFSA Player that deepens SBS’s Australia: An Unofficial History series, featuring thought-provoking titles about everyday life in Australia from the 1970s.
Explore the full capsule at https://www.nfsa.gov.au/player, where the overlooked and unexpected take centre stage.
Watch Australia: An Unofficial History: https://www.sbs.com.au/ondemand/tv-series/australia-an-unofficial-history
From the Film Australia Collection, National Film and Sound Archive of Australia
Title: The Big Island
NFSA ID: 14602
Year: 1970
Credits:
Australian Commonwealth Film Unit
Producer: Frank Nelson Bagnall
Director of Photography: John Hosking
Editor: Ian Weddell
Composer: George Dreyfus
#Australia1970s #TravelFilm #AustralianCulture #FilmAustraliaCollection #nfsa
The era is signalled by the hand-stitched emblems on the guernseys, the baggy shorts, and the complete absence of mullets – but the intensity on the spectators’ faces and the players' cheeky interactions with the camera feels as fresh as today.
#AFL #aussierules #footy #football #australia #sport
Over the past 18 months, the National Film and Sound Archive (NFSA) has been working to source hundreds of hours of footage for the series, much of which has never been seen before. This footage sheds extraordinary new light on the immense social, cultural, and political changes that took place in Australia during the 1970s.
Finding the right footage required specialised research skills and a deep understanding of the national audiovisual collection, which contains millions of hours of content.
In the series, contemporary perspectives on mental health, First Nations rights, multiculturalism, feminism, and LGBTQIA+ issues are highlighted against the prevailing attitudes of the 1970s. This context allows us to gain a clearer understanding of how and why certain views have or have not changed over time. The archival footage provided by the NFSA brings historical events to life, enabling a deeper connection with those who experienced these pivotal moments. It offers an exciting opportunity to reflect on Australia’s transformation and progress.
Catch the next episode on SBS at 7.30pm on Wednesdays in March, or catch up on https://www.sbs.com.au/ondemand/tv-series/australia-an-unofficial-history
Made by the Commonwealth Film Unit 1972. A Government educational film instructing the audience on the nature of destructive cyclones and what measures should be taken in preparing for such weather events.
Discover more about the evolution of colour television in Australia
🔗 https://www.nfsa.gov.au/collection/curated/revolution-will-be-televised
With thanks to Cinesound Movietone Productions
Six years before Australia officially switched to colour, lucky audiences got an early glimpse of the future. At the 1968 Royal Melbourne Show, GTV 9 Melbourne (Nine Network) screened a special test film featuring some of the country’s biggest TV personalities—including Bert Newton, Hal Todd, and Mike Walsh—stepping into colour for the very first time.
For viewers at home, the transition to colour was gradual, but for those on screen, the change was immediate. As Bert Newton put it, for the first time, he wasn’t in black and white. This was the beginning of a new era in Australian television.
Discover more about the arrival of colour TV in Australia
🔗 https://www.nfsa.gov.au/collection/curated/revolution-will-be-televised
As Whitlam toured the facility, shaking hands with Japanese executives and inspecting production lines, the event reached a dramatic finale—a bodybuilder stepped forward to strike a massive gong, the unmistakable symbol of the Rank Organisation. With that resounding crash, Australia’s colour TV rollout was well and truly making noise.
Discover more about the arrival of colour TV in Australia
🔗 https://www.nfsa.gov.au/collection/curated/revolution-will-be-televised
Fast forward to 1 March 1975, and Australian television officially flickered into a new era. Colour TV arrived in all its glorious, slightly garish brilliance, marking a revolution in both living rooms and broadcast studios. The transition wasn’t without its drama—panic over ‘colour monsters,’ last-minute technical adjustments, and the challenge of ensuring news anchors didn’t look radioactive under the new lighting.
Fifty years on, we celebrate the moment when the tube went technicolour and the icons who made it unforgettable.
Discover more about the arrival of colour TV in Australia
🔗 https://www.nfsa.gov.au/collection/curated/revolution-will-be-televised
Take a nostalgic trip through the countryside with a C38 class steam locomotive. The 3801 has been lovingly restored at the State Dockyard in Newcastle and is filmed on one of its final journeys from Sydney to a series of country railway stations. A Steam Train Passes is generally regarded as Australia’s finest railway film and is imaginatively shot by Oscar-winning cinematographer Dean Semler (DANCES WITH WOLVES).
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This dramatised documentary series looks at how Charles Darwin’s early experiences in Australasia were crucial in formulating his radical theory of evolution. When 21-year-old Darwin embarks on a five-year voyage to the Southern Hemisphere, it transforms him into a revolutionary and groundbreaking scientist. On the last leg of his voyage to New Zealand and Australia, Darwin goes further than ever before in developing his new theory of evolution and gains incredible insight into how life evolves. On his return to England in 1836, Darwin’s ideas grow into obsession. On the verge of dying from a mysterious disease, Darwin confides his work to two people: his wife Emma, and a young botanist called Joseph Hooker, who has just returned from a voyage to the Southern Hemisphere.
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Darwin turns his back on scientific celebrity and becomes a virtual recluse while he secretly gathers evidence for his theory of evolution. His faith is shattered by the death of his daughter, but he has a steadfast supporter in botanist Joseph Hooker. Darwin is also helped by the return from Australasia of one of his greatest allies, Thomas Huxley. Hooker and Huxley encourage Darwin to publish his ideas, but then a letter arrives from Indonesia with news of an evolutionary theory almost identical to Darwin’s. Darwin is shattered: has 20 years of work come to nothing?
NFSA Player is the one-stop shop for streaming over 60 titles from the National Film and Sound Archive of Australia's collection. Visit to unlock explosive documentaries, gripping real-life dramas, fascinating historical experiments, and uplifting stories from our collection – all available to stream on-demand.
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Darwin turns his back on scientific celebrity and becomes a virtual recluse while he secretly gathers evidence for his theory of evolution. His faith is shattered by the death of his daughter, but he has a steadfast supporter in botanist Joseph Hooker. Darwin is also helped by the return from Australasia of one of his greatest allies, Thomas Huxley. Hooker and Huxley encourage Darwin to publish his ideas, but then a letter arrives from Indonesia with news of an evolutionary theory almost identical to Darwin’s. Darwin is shattered: has 20 years of work come to nothing?
NFSA Player is the one-stop shop for streaming over 60 titles from the National Film and Sound Archive of Australia's collection. Visit to unlock explosive documentaries, gripping real-life dramas, fascinating historical experiments, and uplifting stories from our collection – all available to stream on-demand.
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This two-part documentary series offers the first major re-evaluation of Australia’s most important military campaign after Gallipoli – the battle for the Kokoda Track to keep New Guinea from falling to the Japanese during the Second World War. By late September 1942 things looked grim for the Australian forces. The Japanese army had advanced to Ioribaiwa Ridge, just 40 kilometres from Port Moresby. The Australians were trying to force the Japanese back along the track and into the sea; the Japanese refused to relinquish their foothold in Papua New Guinea. To tell the story with authenticity, the filmmakers walked and filmed the length of the Kokoda Track, capturing the visceral nature of the terrain and the ‘green hell’ of the Owen Stanley Ranges.
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From the corridors of power to the battlefields of Papua New Guinea, this two-part documentary series covers the Second World War military campaign between Australia and Japan that changed the course of Australian history. From day one of the Kokoda campaign, the fighting was politicised, mismanaged, mythologised and venerated. KOKODA delves behind the myths to tell the story from both sides of the conflict, giving an authentic and comprehensive account of the desperate confusion of war, the intricate connections between the frontline soldiers and military high command, and the political agendas that influenced the campaign and continue to impact contemporary Australian society. For the first time in telling this story, the camera crew walked and filmed the entire Kokoda Track, authentically capturing the visceral nature and harsh beauty of the terrain.
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Francisco ‘Lu Olo’ Guterres survived over 20 years of armed resistance against Indonesia, rising to the rank of commander in the Falintil army. Following East Timor’s independence, he becomes President of Fretilin, the party that led the East Timorese struggle during the occupation. Now, Lu Olo faces new challenges as he makes the transition from guerrilla fighter to politician during the lead-up to East Timor’s first national democratic election. Narrated by Cate Blanchett.
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ROSA’S JOURNEY tells the story of independent East Timor through the eyes of a remarkable and resilient woman. Following the acclaimed documentary EAST TIMOR – BIRTH OF A NATION, the film picks up with young East Timorese widow Rosa Martins and her family seven years after independence. Unlike the celebratory climate of 2000, life in East Timor is violent and democracy fragile as one of the world’s youngest nations faces an uncertain future.
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Rosa Martins, a young widow, lives with three of her sons in a shack she built herself in East Timor’s capital, Dili. After 18 months of saving, she finally has the money to travel to two distant orphanages where, in desperation, she had sent her three older children. Despite the difficulties she faces, Rosa is determined to give her sons and daughters a good education and the opportunities denied her by war and poverty. Narrated by Cate Blanchett.
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Marco Polo Jnr never expected to inherit a legacy tied to the legendary explorer, but when fate hands him half of a magic medallion, he sets off with his sidekick Sandy the Seagull on a daring quest. Their adventure leads to the kingdom of Xanadu, where they must help Princess Shining Moon confront the menacing Red Dragon.
Australia’s first animated feature, this landmark film brought together over 100 animators and artists. Former American teen idol Bobby Rydell lent his voice to Marco, adding pop star charm to this classic adventure.
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When Marion (Margaret Dare) returns from Europe, she quickly butts heads with Dick Drake (American star Victor Jory), the new manager of her father’s struggling cattle station. With Rangle River mysteriously drying up, suspicions fall on the rival station next door. But is there more to the story?
Also known a Men with Whips, this pulpy Australian western packs romance, adventure, singing cowboys, and a high-stakes stockwhip showdown. The story comes from prolific American adventure writer Zane Grey, inspired by his 1930s big-game fishing trip to Australia.
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Mark Tully is on a mission to protect the endangered chickens that saved his life. The Queensland rare-chicken breeder credits the birds with helping him overcome his depression. He sets out on an epic chicken chase to find at-risk poultry breeds before they disappear forever. Travelling 10,000 kilometres across five states, along the way he connects with other Australians who share his passion.
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One of Australia’s major surviving silent films, THE CHEATERS was made by the McDonagh sisters, the first women to own and operate a production company in this country. Their third feature is a suspenseful melodrama inspired by popular American and German films of the 1920s. Isabel McDonagh (billed as Marie Lorraine) plays Paula Marsh, a professional thief who falls in love with the adopted son of Travers, a wealthy business owner. Paula is ready to quit the criminal life, but her crime boss father needs her for one more job – and it involves stealing from Travers. The NFSA restored THE CHEATERS in 2017, with segments of colour tinting reproduced from the existing reels.
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This animated short film tells the story of a woman who ventures into the Australian desert to live. Not seeing the unique wonders around her, she innocently imports foreign flora to recreate her former home. But her new garden in the wilderness has an unexpected cost. Internationally acclaimed children’s book author and artist Jeannie Baker uses a unique collage art form to capture the textures and colours of the central Australian landscape in remarkable detail.
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Olegas Truchanas and Peter Dombrovskis were two of Australia’s greatest wilderness photographers. Both came from Baltic Europe, and they shared a bond like that of father and son. They migrated to Tasmania where their passion for nature became a crusade to save an environment under threat. Their philosophy was simple and remarkably effective – if people could see the beauty of Australia’s wild places, they might be moved to save them. Both died in the wilderness, doing what they loved, and left a legacy of extraordinary images.
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A young man from a coastal village in Papua New Guinea searches for his missing brother-in-law after his wife dies. On his travels around the country, Tonten (Turuk Wabei) meets a Chimbu girl in the highlands and visits Port Moresby for the first time. A Tok Pisin drama based on the emergence of Papua New Guinea as an independent nation, WOKABAUT BILONG TONTEN was the first feature film shot in Papua New Guinea with an all-Indigenous cast.
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This is the story of the Lady Juliana, the first all-female transport ship to be sent to Australia, as part of the Second Fleet. In 1789, the fledgling British penal settlement in Sydney was crippled by disease, hunger and depravity. But help was coming from a most unlikely quarter. In this dramatised documentary, three 21st century Australian women discover the rags-to-respectability tale of their female convict ancestors on the Lady Juliana. The ship’s street girls, thieves and con women will do whatever it takes to survive the voyage. These spirited and resilient women will give the young colony hope and the promise of a future.
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