FilmConvert Nitrate Halation Final Cut Pro Tutorial FilmConvert and CineMatch 2023-11-20 | In this tutorial, we'll walk you through our new Filmconvert Nitrate Halation plugin in Final Cut Pro. Learn how each control works to create authentic halation in your footage. Plus, see the plugin in action as we make some halation grades.Get FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert0:00 Introduction0:32 The Plugin1:23 The Controls5:08 We the Animals Grade7:07 The Cabin in the Woods Grade8:52 The Final Results#halation #halationeffect #filmconvert #finalcut
FilmConvert Hazy Tutorial - Final Cut Pro FilmConvert and CineMatch 2025-04-09 | In this video, we break down the controls of our new diffusion plugin Hazy for Final Cut Pro. We'll show you how you can get the look of your favourite filters in post and soften strong light sources for a dreamy effect. Try out Hazy for Final Cut Pro today: bit.ly/3Rax3BxGet FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertX: https://x.com/filmconvertFacebook: facebook.com/FilmConvertMusic provided by @themusicbed MusicBed Sync ID: MB01B6O5Y7XHZEO#hazy #filmconvert #diffusion #colorgrading
FilmConvert Hazy Tutorial - Premiere Pro FilmConvert and CineMatch 2025-04-09 | In this video, we break down the controls of our new diffusion plugin Hazy for Premiere Pro. We'll show you how you can get the look of your favourite filters in post and soften strong light sources for a dreamy effect. Try out Hazy for Premiere Pro today: bit.ly/3EfP3HQGet FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertX: https://x.com/filmconvertFacebook: facebook.com/FilmConvertMusic provided by @themusicbed MusicBed Sync ID: MB01B6O5Y7XHZEO#hazy #filmconvert #diffusion #colorgrading
FilmConvert Hazy Tutorial - DaVinci Resolve FilmConvert and CineMatch 2025-04-09 | In this video, we break down the controls of our new diffusion plugin Hazy for DaVinci Resolve. We'll show you how you can get the look of your favourite filters in post and soften strong light sources for a dreamy effect. Try out Hazy for DaVinci Resolve today: bit.ly/3Yp7wZfGet FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertX: https://x.com/filmconvertFacebook: facebook.com/FilmConvertMusic provided by @themusicbed MusicBed Sync ID: MB01B6O5Y7XHZEO#hazy #filmconvert #diffusion #colorgrading
Introducing Hazy: A new Diffusion Plugin from FilmConvert FilmConvert and CineMatch 2024-11-24 | Introducing Hazy, a new Diffusion plugin from FilmConvert. Filters are an important part of any filmmaker's toolkit, and now, you can get all the benefits of shooting with diffusion filters in post using Hazy. Soften any bright areas of your image, smooth any uneven skin tones, and add a nice bloom effect to strong light sources using our filter presets.Now with added colour space support, you can use Hazy in a variety of color managed workflows such as ACEs, DWG, Linear, and more. Get your copy for $89 today, find out more here: bit.ly/3Z5TV8DMusicBed Sync ID: MB01XAFYUAC5XLD
FilmConvert Nitrate Halation Premiere Pro Tutorial FilmConvert and CineMatch 2023-11-20 | In this tutorial, we'll walk you through our new Filmconvert Nitrate Halation plugin in Adobe Premiere Pro. Learn how each control works to create authentic halation in your footage. Plus, see the plugin in action as we make some halation grades.Get FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert0:00 Introduction0:31 The Plugin1:21 The Controls5:29 We the Animals Grade7:28 The Cabin in the Woods Grade9:11 The Final Results#halation #halationeffect #filmconvert #premierepro
FilmConvert Nitrate Halation DaVinci Resolve Tutorial FilmConvert and CineMatch 2023-11-20 | In this tutorial, we'll walk you through our new Filmconvert Nitrate Halation plugin in DaVinci Resolve. Learn how each control works to create authentic halation in your footage. Plus, see the plugin in action as we make some halation grades.Get FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert0:00 Introduction0:32 The Plugin1:20 The Controls5:14 We the Animals Grade7:13 The Cabin in the Woods Grade8:56 The Final Results#halation #halationeffect #filmconvert #davinciresolve
The Hidden Effect in Film Youve Seen But Never Noticed FilmConvert and CineMatch 2023-10-24 | Have you ever noticed this hidden effect in film before? It's appeared in Hollywood's most notable film and TV series, so today we're exposing it...Get FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvertMusic from @themusicbed Musicbed SyncID:MB01IIUQ3RCXRDXMB01AILVY249QUJMB01KALEFJWP8T3MB0175UTCR7JEJB#halation #halationeffect #filmconvert #davinciresolve #premierepro #finalcut
Volume up for this one 🔊 Which camera shutter sound is your favorite? FilmConvert and CineMatch 2023-06-08 | #asmr #canon #super8 #fujifilm #panasonic #nikon #camera #videography
“We have #wesanderson at work!” The Wes Anderson at work: #shorts FilmConvert and CineMatch 2023-05-10 | ...
Guess the Film Stock 🔎 🎞 FilmConvert and CineMatch 2023-02-22 | Can you guess which film stock we graded this footage with? How about a little hint? ⬇️⬇️🕵️ It’s a motion picture stock.🕵️ It was first introduced in 2009.Leave your answer for us in the comments below!Want to give your footage the dreamy look of celluloid film? FilmConvert Nitrate might be for you! Head to the link in our bio to find out more 🎞️Music from @musicbed#filmconvert #cinematch #kodak #fuji #colorgrading #colorist #35mm #stills #filmmaking #shorts #youtubeshorts
How To Save Your Plugin Settings as Presets: Adobe Premiere Pro FilmConvert and CineMatch 2022-09-28 | To save yourself time on future projects, you can save your FilmConvert Nitrate or CineMatch as presets. In this tutorial, we show you how to save your plugin settings as presets in Adobe Premiere Pro, so you can drag and drop your favourite FilmConvert settings onto new clips for an instant grade.Get 20% off FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert#filmconvert #cinematch #adobe #premierepro
How To Save Your Plugin Settings as Presents: DaVinci Resolve FilmConvert and CineMatch 2022-09-28 | To save yourself time on future projects, you can save your FilmConvert Nitrate or CineMatch as presets. In this tutorial, we show you how to save your plugin settings as presets in DaVinci Resolve, so you can drag and drop your favourite FilmConvert settings onto new clips for an instant grade.Get 20% off FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert#filmconvert #cinematch #davinciresolve
How To Save Your Plugin Settings as Presets: Final Cut Pro FilmConvert and CineMatch 2022-09-28 | To save yourself time on future projects, you can save your FilmConvert Nitrate or CineMatch as presets. In this tutorial, we show you how to save your plugin settings as presets in Final Cut Pro, so you can drag and drop your favourite FilmConvert settings onto new clips for an instant grade.Get 20% off FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert#filmconvert #cinematch #finalcutpro
CineMatch Walkthrough | Camera Sensor Matching FilmConvert and CineMatch 2022-04-03 | In our second CineMatch walkthrough, join Nick from FilmConvert as he goes through CineMatch's camera matching tools, and how you can make your iPhone look like an ARRI 👀Get 20% off CineMatch today: cinematch.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert
CineMatch Walkthrough | Camera Adjustments FilmConvert and CineMatch 2022-03-24 | After completing our FilmConvert Nitrate series, join Nick as he dives deep into the controls of our color correction and camera matching plug-in, CineMatch!In our first video, join Nick as he discusses how CineMatch works, and how you can utilise its primary controls such as the exposure slider and false color tools.Get 20% off CineMatch today: cinematch.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert
FilmConvert Nitrate Walkthrough | Secondary Controls FilmConvert and CineMatch 2022-03-10 | Join Nick from FilmConvert in our new three part series, where he will be doing a deep dive into the controls of FilmConvert Nitrate, and showing you how to elevate your grading in 2022. In our final video, Nick takes us through the secondary controls of FilmConvert Nitrate, and how you can use them to enhance your image. Get 20% off FilmConvert and CineMatch today: filmconvert.comSubscribe to our Newsletter: http://eepurl.com/buXDgnInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert
FilmConvert Nitrate Walkthrough | Grain Controls FilmConvert and CineMatch 2022-02-24 | Link to the Grain Samples on Vimeo: vimeo.com/681105072/ca26d7598dJoin Nick from FilmConvert in our new three part series, where he will be doing a deep dive into the controls of FilmConvert Nitrate, and showing you how to elevate your grading in 2022. In our second video, Nick takes us through the Grain controls of FilmConvert Nitrate, and how you can tailor your grain to fit your image. Get 20% off FilmConvert and CineMatch today: filmconvert.comInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert
FilmConvert Nitrate Walkthrough | Film Emulation FilmConvert and CineMatch 2022-02-10 | Join Nick from FilmConvert in our new three part series, where he will be doing a deep dive into the controls of FilmConvert Nitrate, and showing you how to elevate your grading in 2022. In this video, Nick takes us through the Film Emulation side of Nitrate, and how you can achieve an organic analog film look for your footage. Get 20% off FilmConvert and CineMatch today: filmconvert.comInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertFacebook: facebook.com/filmconvert
Filmmaker Focus: Harry Locke IV FilmConvert and CineMatch 2021-12-15 | Harry Locke IV is a Director and Colorist based in Los Angeles, who has more than a decade in the filmmaking experience. After working on big projects such as Tangerine, X-Men, and even Beyoncé's Ivy Park, we spoke to Harry about his solo projects such as The Redeemer, and his work as the colorist for the 2021 film I'm Fine, Thanks For Asking (dir. Kelley Kali). Shot during the Pandemic with the Stimulus cheque, the film tells the story of a widowed mother who becomes homeless, she pitches a tent and convinces her 8-year-old daughter that it's a fun camping trip. You can hear all about it from Harry right now. Harry Locke IV: Instagram: instagram.com/socal_halTwitter: twitter.com/SoCal_HalWebsite: http://harrylocke4.com Check out more about FilmConvert:Get 20% off FilmConvert and CineMatch today: filmconvert.comFacebook: facebook.com/filmconvertInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvert
Filmmaker Focus: Dan Dobi FilmConvert and CineMatch 2021-12-07 | Dan Dobi is a filmmaker based in Los Angeles. His latest short film, 'You Are My Person', was self-produced and shot in two days on multiple cameras including the ARRI Alexa and RED Gemini and Weapon cameras.In this interview, Nick Dale chats with Dan about the production process and his work, and why he chose FilmConvert for the grade.You Are My Person: youaremypersonfilm.comLinks to Dan's work:dandobi.cominstagram.com/dandobi
FilmConvert Nitrate x GoPro Hero 10 FilmConvert and CineMatch 2021-11-25 | FilmConvert adds support for the GoPro Hero 10 in FilmConvert Nitrate and CineMatch!We gave the GoPro Hero 10 to skater and street photographer Callum Parsons to check out the new action camera to see what it could do.Download the new GoPro Hero 10 camera pack for FilmConvert Nitrate from www.filmconvert.com/camera-packs, or get the new profile pre-installed in the latest version of CineMatch.Thanks to the team at Rubber Monkey (www.rubbermonkey.co.nz) for lending us the camera!Camera Man: instagram.com/callumparsons.nzSkaters:Ben Reid: instagram.com/bmuuuuu Tom Hanlon: instagram.com/patrickfisherman_FilmConvertGet 20% off FilmConvert today: filmconvert.comInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertCineMatch Get 20% off CineMatch today: cinematch.comFacebook: facebook.com/CineMatchFilmConvert
Color with Confidence using CineMatch FilmConvert and CineMatch 2021-11-22 | From the makers of FilmConvert Nitrate, CineMatch helps speed up color correction and camera matching, so you can spend more time on the creative side of filmmaking. Whether you're a single or multi-cam shooter, the RAW like controls of CineMatch make completing your color correction tasks a breeze. CineMatch's guided workflow means you don't need to be a professional colorist to create great-looking video.Black Friday Sale on now! Save 40% on all CineMatch and FilmConvert plugins for one week only - Premiere Pro, DaVinci Resolve and Final Cut Pro plugins just $99.Get CineMatch now: cinematch.comInstagram: instagram.com/filmconvertFacebook: facebook.com/filmconvertTwitter: twitter.com/filmconvert
DIY Filmmaking: Kenneth Sousie Interview FilmConvert and CineMatch 2021-10-05 | Kenneth Sousie is a Director and Cinematographer based in New York, USA. After working in journalism, Kenneth started exploring filmmaking during the Pandemic, learning the skills he'd need to make incredible short films. We spoke to Kenneth about his journey as a DIY Filmmaker and his latest short film Neuramask, a cyberpunk and psychological thriller about the dark side of addiction, and artificial escapism. Check out Kenneth's work here: Neuramask: youtu.be/7kZOa7E3D5sInstagram: instagram.com/aloha.bodegaWebsite: kennethsousie.comFilmConvertGet 20% off FilmConvert today: filmconvert.comInstagram: instagram.com/filmconvertTwitter: twitter.com/FilmConvertCineMatch Get 20% off CineMatch today: cinematch.comFacebook: facebook.com/CineMatchFilmConvert
Optimising Canon C500 Mark II Workflows with FilmConvert and CineMatch FilmConvert and CineMatch 2021-09-24 | A few weeks ago, FilmConvert teamed up with Canon Burbank for a livestream event on fast, professional color grading tools for Canon users. Join Henessey and Sam as they explore how FilmConvert and CineMatch can make your color grading and correction tasks a whole lot easier, followed by a live grading demonstration with footage from the Canon C500 Mark II. Thank you to Canon Burbank for having us on their livestream, and Canon New Zealand for letting us profile the C500 Mark II. FilmConvertGet 20% off FilmConvert today: filmconvert.comDownload the Canon C500 Mark II Camera pack: filmconvert.com/camera-packsCheck us out on Instagram: instagram.com/filmconvertFollow us on Twitter: twitter.com/FilmConvertCineMatch Get 20% off CineMatch today: cinematch.com/purchase Keep up to date on Facebook: facebook.com/CineMatchFilmConvert--0:00 Introduction1:28 Overview of FilmConvert 5:35 FilmConvert Grading Demonstration with C500 Mark II Footage 14:16 Overview of CineMatch16:37 CineMatch Grading Demonstration with C500 Mark II Footage 28:54 Presentation Conclusion30:25 Q&A
Color Grading for Wedding Video with Stanton Giles FilmConvert and CineMatch 2021-09-17 | Are you a wedding/events filmmaker looking to learn more how to develop your visual style and impress your clients?Join our new series on Color Grading for Wedding Filmmakers, where we talk to the top wedding filmmakers from around the world about their creative approaches to designing the look of their films, and then watch a live demo as they show how they approach grading a sequence in real time.Our first event features @Stanton Giles , of Films x Stanton who is a destination wedding videographer based in Colorado, USA. With a background as an electrical engineer, the one thing that has always been important to him has been in his videography business is finding a problem and solving it. In the world of videography, a big issue that many face is color grading. In this demonstration, Stanton will take us through his workflow for how he creates his signature wedding videos using FilmConvert, while sharing his best tips from the trade.Check out Stanton Giles: Instagram: instagram.com/filmsbystantonYouTube: youtube.com/channel/UCyWOWdNhbGwXBGaoexsk_qgWebsite: filmsbystanton.comCheck out FilmConvert: Instagram: instagram.com/filmconvertGet 20% off FilmConvert today: filmconvert.com/purchase0:00 Introduction2:09 Q&A with Stanton29:04 Start of Grading Demonstation37:19 Using FilmConvert on your clips1:05:17 Minor Technical Issues (sorry)1:10:45 Conclusion
Matthew Leigh - FrontlineFire Films FilmConvert and CineMatch 2021-09-02 | Matthew Leigh is a director and screenwriter with a long career in both traditional filmmaking and directing and animating cinematics for video games including Dead Rising: Case Zero, Dead Rising 2, and Dead Rising: Case West.Nick from FilmConvert chatted with Matthew about his latest short film "A Gentleman's Agreement", why he loves shooting on the Panasonic GH5, and his approach to lighting scenes on tight budgets and timescales.You can see more of Matthew's work at his website frontlinefire.ca and he can be found on Twitter at @FrontlineFire
Grain Settings in FilmConvert Nitrate for DaVinci Resolve FilmConvert and CineMatch 2021-07-15 | Grain size represents the size of the film frame we’re emulating - 35mm film will have a very fine grain structure, while 8mm film, being smaller, will have larger, more prominent grain.The curve you see is the natural response for the grain in your selected film stock - shadows start at the left, through to highlights at the right, just like a histogram. The default curve is native to the film stock, but you can adjust the appearance of the grain in the shadows, midtones and highlights just by clicking and dragging points in the curve.The other film grain settings are available in the plugin settings.Size is the size of the grain. Moving the slider to the right will increase the area of each grain particle.Softness is softness, as you’d expect. Film is naturally softer than digital sensors, so when creating the film look this control allows you to soften your edges.Strength is the overall amount of grain applied to your image. Move it to the right and you will get a strong grain effect, and taking it to the left takes away your grain all together.Finally, there is grain saturation. All film grain has certain colour characteristics and you can use this slider to boost that colour or take it away completely and have monochrome grain on a colour image.
Adjusting Your Grade in FilmConvert Nitrate for Adobe Premiere Pro FilmConvert and CineMatch 2021-07-14 | With your basic film emulation applied, you can now tweak your grade using the creative grading controls built into FilmConvert Nitrate.The first set of controls we’ll look at are the color wheels. The color wheels will add a specific hue you select to a luminance range in your image - for instance, orange in the highlights, or blues in the shadows.Below each color wheel are brightness controls for each area.The behavior of the controls will change depending on whether you are using a log or non log profile. In Log, the controls are mapped to the Cineon Log curve.Saturation in your image can be adjusted using the saturation slider.Next, a new addition, is a custom curve control.The curve works as a linear representation of the scene, the left bottom corner being the darkest area and the top right being the brightest.The tool is broken up into 4 parts: luma, red, green and blue. Each can be manipulated independently with minimal effect on the others.
Adjusting your grade in FilmConvert Nitrate for DaVinci Resolve FilmConvert and CineMatch 2021-07-14 | With your basic film emulation applied, you can now tweak your grade using the creative grading controls built into FilmConvert.The first set of controls we’ll look at are the color wheels. The color wheels will add a specific hue you select to a luminance range in your image - for instance, orange in the highlights, or blues in the shadows.Below each color wheel are brightness controls for each area.The behavior of the controls will change depending on whether you are using a log or non log profile. In Log, the controls are mapped to Cineon Log to maximise your control.Saturation in your image can be adjusted using the saturation slider.Next, a new addition, is a custom curve control.The curve works as a linear representation of the scene, the left bottom corner being the darkest area and the top right being the brightest.The tool is broken up into 4 parts: luma, red, green and blue. Each can be manipulated independently with minimal effect on the others.
Activating the FilmConvert Nitrate plugin in DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | In the FilmConvert settings, scroll to the bottom and under Export and License, click Activate LicenseOn the popup, click Load Registration File, and then browse to your Desktop where you saved the file. Click Okay, and your plugin will be activated.
Exporting a LUT of your FilmConvert Nitrate grade in DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | You can export a LUT of your grade to use on your monitor while shooting, or use in-camera. Just choose the size of the LUT that your device supports, name and save your LUT.
Using the OFX Overlay in FilmConvert Nitrate for DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | To make secondary color corrections in FilmConvert Nitrate, turn on the OpenFX Overlay controls by clicking the OpenFX toggle button under your Preview Monitor.You can also turn this on by going to View, Viewer Overlay, Open FX Overlay through the menu bar.This will turn on the Grain Curve, Film Response Curve, and Color Wheels in FilmConvert Nitrate.To give yourself space, we recommend using the Enhanced Viewer Mode. Go to Workspace, Viewer Mode, Enhanced Viewer, to switch to this view.
Applying FilmConvert Nitrate to non-Log footage in DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | If you shot in a non-Log profile (often called Standard or REC709 in your camera menu), you will see two different sliders - Film Luma and Film Chroma.With the Film Luma slider you can roll back the film stock curve to the original camera footage curve, without losing the film colours. REC709 footage often has enough contrast already without the film stock, so use the Film Luma slider to back this off until you’re happy with it.Film chroma works in the opposite way. With this slider you can roll back the film colours but keep the contrast of the selected film stock.
Cineon Log mode in FilmConvert Nitrate for DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | If you shot in Log and chose a Log camera profile in the camera settings, you’ll see two controls for Film Color and Print Film Emulation.Shooting in Log gives you more dynamic range in your footage, and it’s what we recommend if your camera is capable of it.When you select a Log camera profile, like S-Log, V-Log, or BMD Film, Nitrate will convert the footage straight to the positive scan of your chosen film stock, to a gamma called Cineon Log, with a print film emulation added on top.The print film emulation is what gives you the projected film look - what the footage would look like if it was projected in a movie theatre.The Cineon to Print film slider allows you to adjust the strength of the print film application.At 100, you’re getting the full projected film stock applied. At 0, you’re getting the Cineon Log film scan emulation, which will look similar to your camera’s Log footage, but still with the film stock colors applied.You could then apply your own print film look over the top, or manually grade your way out of Log by adding your own contrast curve.The Film Color slider allows you to select how much of the film stock color is applied to your footage. At 100, you have the full strength of the film stock emulation, but if that’s too intense for your liking, you can pull it back too.
Primary color corrections in FilmConvert Nitrate for DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | Primary adjustments are often known as color correction - here, you’ll fix any issues in your footage before you get to the creative grading step.For instance, you may have a shot that’s brighter than the other clips in the scene.A change in the lighting might have affected your white balance, or you may have deliberately overexposed your shot to avoid noise while shooting in Log. Nitrate provides three tools for making primary adjustments: exposure, white balance and tint.The exposure slider in Nitrate is customized to the response curve of each camera and profile.Adjusting the exposure slider by one increment is the equivalent of a stop in either direction.You’ll find the Nitrate exposure correction gives a much more natural and intuitive response than the built-in exposure correctors in your editor.The temperature and tint adjustments work the same way.
Installing new camera packs in FilmConvert Nitrate for DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | If you get a message saying camera profile not installed, click the button to Download Profile.This will take you to the FilmConvert website, where you can download the camera pack for free. Choose the camera manufacturer, model, operating system (windows or mac) and the download location closest to you.Install the camera pack in the same way you would install any program on your computer by double-clicking on the installer.You may need to restart your editor after installing the new camera packs.Once installed, you’ll see the camera pack available in the camera list.As you apply the camera pack, you’ll see a color change appear on your footage.
FilmConvert Nitrate film settings for DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | Nitrate offers 19 well-known film stocks to apply to your footage.The first 5 film stocks in the menu are motion stocks that are commonly used in the film industry.The rest are popular colour and black and white photography stocks. To find out more about the film stocks we offer, head to www.filmconvert.com.Choose a film stock from the drop down. Each has its own particular color characteristics and film grain structure. Cycle through the stocks to find the one that best suits your film.
How to apply camera packs in FilmConvert Nitrate for DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | Under Source Camera, select the camera pack that matches how your footage was shot. Choose your camera make, model and camera profile.You’ll see color changes appear on your image in the Preview Monitor.
How to apply FilmConvert Nitrate in DaVinci Resolve FilmConvert and CineMatch 2021-07-13 | In DaVinci Resolve, Nitrate will appear as an OpenFX plugin that can be applied to a node in your color workspace.In the Color tab of DaVinci Resolve, go to the OpenFX tab and scroll down to find FilmConvert Nitrate, or just type ‘Nitrate’ in the search bar.Drag the effect onto the first node in your timeline.When you first apply the effect, you’ll see the onscreen controls. Just minimize these for now.Under the OpenFX Settings Panel, you will see the FilmConvert Nitrate settings.
Exporting a LUT of your grade from FilmConvert Nitrate for Adobe Premiere Pro FilmConvert and CineMatch 2021-07-13 | You can export a LUT of your grade to use on your monitor while shooting, or use in-camera. Just choose the size of the LUT that your device supports, name and save your LUT.
How to apply film grain in FilmConvert Nitrate for Adobe Premiere Pro FilmConvert and CineMatch 2021-07-13 | Film grain settings explained.Grain size represents the size of the film frame we’re emulating - 35mm film will have a very fine grain structure, while 8mm film, being smaller, will have larger, more prominent grain.The grain curve you see is the natural response for the grain in your selected film stock - shadows start at the left, through to highlights at the right, just like a histogram. The default curve is native to the film stock, but you can adjust the appearance of the grain in the shadows, midtones and highlights just by clicking and dragging points in the curve.Grain size is the size of the grain. Moving the slider to the right will increase the area of each grain particle.Softness is softness, as you’d expect. Film is naturally softer than digital sensors, so when creating the film look this control allows you to soften your edges.Strength is the overall amount of grain applied to your image. Move it to the right and you will get a strong grain effect, and taking it to the left takes away your grain all together.Finally, there is grain saturation. All film grain has certain colour characteristics and you can use the grain saturation slider to boost that colour or take it away completely and have monochrome grain on a colour image.
Applying FilmConvert Nitrate to non-Log footage in Adobe Premiere Pro FilmConvert and CineMatch 2021-07-13 | If you shot in a non-Log profile (often called Standard or REC709 in your camera menu), you will see two different sliders - Film Luma and Film Chroma.With the Film Luma slider you can roll back the film stock curve to the original camera footage curve, without losing the film colours. REC709 footage often has enough contrast already without the film stock, so use the Film Luma slider to back this off until you’re happy with it.Film chroma works in the opposite way. With this slider you can roll back the film colours but keep the contrast of the selected film stock.
How to use the Cineon Log mode in FilmConvert Nitrate for Adobe Premiere Pro FilmConvert and CineMatch 2021-07-13 | Shooting in Log gives you more dynamic range in your footage, and it’s what we recommend if your camera is capable of it.When you select a Log camera profile, like S-Log, V-Log, or BMD Film, Nitrate will convert the footage straight to the positive scan of your chosen film stock, to a gamma called Cineon Log, with a print film emulation added on top.The print film emulation is what gives you the projected film look - what the footage would look like if it was projected in a movie theatre.The Cineon to Print film slider allows you to adjust the strength of the print film application.At 100, you’re getting the full projected film stock applied. At 0, you’re getting the Cineon Log film scan emulation, which will look similar to your camera’s Log footage, but still with the film stock colors applied.You could then apply your own print film look over the top, or manually grade your way out of Log by adding your own contrast curve.The Film Color slider allows you to select how much of the film stock color is applied to your footage. At 100, you have the full strength of the film stock emulation, but if that’s too intense for your liking, you can pull it back too.
Using the Primary Color Controls in FilmConvert Nitrate for Adobe Premiere Pro FilmConvert and CineMatch 2021-07-13 | Primary adjustments are often known as color correction - here, you’ll fix any issues in your footage before you get to the creative grading step.For instance, you may have a shot that’s brighter than the other clips in the scene.A change in the lighting might have affected your white balance, or you may have deliberately overexposed your shot to avoid noise while shooting in Log. Nitrate provides three tools for making primary adjustments: exposure, white balance and tint.The exposure slider in Nitrate is customized to the response curve of each camera and profile.Adjusting the exposure slider by one increment is the equivalent of a stop in either direction.You’ll find the Nitrate exposure correction gives a much more natural and intuitive response than the built-in exposure correctors in your editor.The temperature and tint adjustments work the same way.Once you’ve made your primary adjustments, it’s time to get to the creative part of your color grade.
How to install a camera pack for FilmConvert Nitrate in Adobe Premiere Pro FilmConvert and CineMatch 2021-07-13 | If you get a message saying camera profile not installed, click the button to Download Profile.This will take you to the FilmConvert website, where you can download the camera pack for free. Choose the camera manufacturer, model, operating system (windows or mac) and the download location closest to you.Install the camera pack in the same way you would install any program on your computer by double-clicking on the installer.You may need to restart your editor after installing the new camera packs.Once installed, you’ll see the camera pack available in the camera list.As you apply the camera pack, you’ll see a color change appear on your footage.
How to apply a film stock in FilmConvert Nitrate for Adobe Premiere Pro FilmConvert and CineMatch 2021-07-13 | Nitrate offers 19 well-known film stocks to apply to your footage.The first 5 film stocks in the menu are motion stocks that are commonly used in the film industry.The rest are popular colour and black and white photography stocks. To find out more about the film stocks we offer, head to filmconvert dot com.Choose a film stock from the drop down. Each has its own particular color characteristics and film grain structure. Cycle through the stocks to find the one that best suits your film.
How to apply a camera pack in FilmConvert Nitrate for Adobe Premiere Pro FilmConvert and CineMatch 2021-07-13 | First, you’ll want to apply the right camera pack to your footage.Under Source Camera, select the camera pack that matches how your footage was shot. Choose your camera make, model and camera profile.You’ll see color changes appear on your image in the Preview Monitor.
How to activate the FilmConvert Nitrate plugin in Adobe Premiere Pro FilmConvert and CineMatch 2021-07-13 | The FilmConvert trial is fully functional and works with all the camera packs we support. You can use the trial as long as you like.On the trial version, you’ll see the FilmConvert watermark over your footage. This will also get added to any footage you render out.To remove the watermark, go to the FilmConvert website and purchase a license key for your platform. Or purchase the FIlmConvert Bundle so you can use FilmConvert across all the platforms we support.After you’ve purchased FilmConvert, you’ll receive an email from us with your license key attached. Save the license key file to your Desktop.In the FilmConvert settings, scroll to the bottom and click Get FilmConvert, Activate Plugin. Click Load Registration File, and then browse to your Desktop where you saved the file. Click Okay, and your plugin will be activated.You may need to re-render your timeline or clear your render cache to completely remove the watermark.
